Raw Inspiration Quotes

Desperation is the raw material of drastic change. Only those who can leave behind everything they have ever believed in can hope to escape.

I find it odd- the greed of mankind. People only like you for as long as they perceive they can get what they want from you. Or for as long as they perceive you are who they want you to be. But I like people for all of their changing surprises, the thoughts in their heads, the warmth that changes to cold and the cold that changes to warmth... for being human. The rawness of being human delights me.

There are two things we should always be 1. raw and 2. ready. When you are raw, you are always ready and when you are ready you usually realize that you are raw. Waiting for perfection is not an answer, one cannot say "I will be ready when I am perfect" because then you will never be ready, rather one must say "I am raw and I am ready just like this right now, how and who I am.

Close your eyes and become conscious about your destiny, about your life.

The “facts” about Ali’s life are few, and come from Wallace’s writing. Wallace was a careful writer, but he naturally wrote through his own perceptions, memories, and filters.

I can face things that are out of my control and not act out of control.

And life is a good thing for a writer. It's where we get our raw material, for a start. We quite like to stop and watch it.

She wondered If I had woken up, would I have smelled his sadness, his desperation, and his detachment? His death, her breath. He told her once, she remembers, these two words have no other rhyme but each other. If she could go back, she thinks -- She would open her eyes, instead of her heart.

Winter then in its early and clear stages, was a purifying engine that ran unhindered over city and country, alerting the stars to sparkle violently and shower their silver light into the arms of bare upreaching trees. It was a mad and beautiful thing that scoured raw the souls of animals and man, driving them before it until they loved to run. And what it did to Northern forests can hardly be described, considering that it iced the branches of the sycamores on Chrystie Street and swept them back and forth until they rang like ranks of bells.

I learnt my best lessons from some of the worst people & I look back now and think thank fuck I let you go, I deserved to grow.

Particles of raw inspiration sleet through the universe all the time. Every once in a while one of them hits a receptive mind, which then invents DNA or the flute sonata form or a way of making light bulbs wear out in half the time. But most of them miss. Most people go through their lives without being hit by even one.

One of the strangest things is the act of creation. You are faced with a blank slate—a page, a canvas, a block of stone or wood, a silent musical instrument. You then look inside yourself. You pull and tug and squeeze and fish around for slippery raw shapeless things that swim like fish made of cloud vapor and fill you with living clamor. You latch onto something. And you bring it forth out of your head like Zeus giving birth to Athena. And as it comes out, it takes shape and tangible form. It drips on the canvas, and slides through your pen, it springs forth and resonates into the musical strings, and slips along the edge of the sculptor’s tool onto the surface of the wood or marble. You have given it cohesion. You have brought forth something ordered and beautiful out of nothing. You have glimpsed the divine.

There is so much power in choosing to love yourself against all odds and I hope with every kind of painful experience you become more aware who you are and what you are truly capable of. Life hurts but it's also remarkabley beautiful if you look past the chaos.

The real warriors in this world are the ones that see the details of another's soul. They see the transparency behind walls people put up. They stand on the battlefield of life and expose their heart's transparency, so other's can finish the day with hope. They are the sensitive souls that understand that before they could be a light they first had to feel the burn.

The magic of life hides in the dusty corners of chaos and you must sweep out the cobwebs of confusion before you reach the calm & euphorically moments; your soul believed, existed all along.

Particles of raw inspiration sleet through the universe all the time. Every once in a while one of them hits a receptive mind, which then invents DNA or the flute sonata form or a way of making light bulbs wear out in half the time.

Philosophy isn’t just about learning—it’s equally about unlearning. It is rekindling the raw, playful curiosity from before the world trained us to see things one way.

Particles of raw inspiration sleet through the universe all the time. Every once in a while one of them hits a receptive mind, which then invents DNA or the flute sonata form or a way of making light bulbs wear out in half the time. But most of them miss. Most people go through their lives without being hit by even one. Some people are even more unfortunate. They get them all.

The primary thing that people are going to try to take away from you— is the purity of your happiness. Rare is it to find in someone a pure happiness. A happiness so innocent, so spontaneous and so raw... it is the way we are born but it is most often not the way that we die. The world comes in and tries to take that away from you. People come in and try to take that away from you. I have learned not to jump into the pigsty with them. You have to protect the purity of your happiness and the innocence of your joy. People WILL try to take it away. Don't go there, don't let them. Keep what is yours.

To help inspire refined analysis of the Qur’an’s content, the second field was called Tafsir—literally, “separating strands of raw flax and weaving them into a garment.” Tafsir sought to become an oral tradition for preserving knowledge about how to understand and apply the Qur’an. The field covered the meaning of words (including their Semitic root concepts and the implication of grammatical structures); their context (when it was said, to whom, and why); and their application (initial purpose, lessons for other situations, and distilled wisdom). The field aimed to capture commentary by Muhammad, the historical insights of his companions, and knowledge of preexisting Abrahamic traditions.

I want to experience raw emotion, inspired by other humans. Love, passion, companionship

Life is pain. War is change. The raw materials of life hammered and shaped into something with a purpose.

I think people get lost in becoming someone other then themselves when they spend too much time in the presence of those who don't bring out the best in them.

Writers don't forget the past; they turn it into raw material.

My inspiration for writing music is like Don McLean did when he did "American Pie" or "Vincent". Lorraine Hansberry with "A Raisin in the Sun". Like Shakespeare when he does his thing, like deep stories, raw human needs. I'm trying to think of a good analogy. It's like, you've got the Vietnam War, and because you had reporters showing us pictures of the war at home, that's what made the war end, or that shit would have lasted longer. If no one knew what was going on we would have thought they were just dying valiantly in some beautiful way. But because we saw the horror, that's what made us stop the war. So I thought, that's what I'm going to do as an artist, as a rapper. I'm gonna show the most graphic details of what I see in my community and hopefully they'll stop it quick. I've seen all of that-- the crack babies, what we had to go through, losing everything, being poor, and getting beat down. All of that. Being the person I am, I said no no no no. I'm changing this.

Hemingway never said any of this. It's all AI-generated bullshit. The hardest lesson I’ve had to learn as an adult is the relentless need to keep going, no matter how shattered I feel inside." This truth is both raw and universal. Life doesn’t pause when our hearts are heavy, our minds are fractured, or our spirits feel like they’re unraveling. It keeps moving—unrelenting, unapologetic—demanding that we move with it. There’s no time to stop, no pause for repair, no moment of stillness where we can gently piece ourselves back together. The world doesn’t wait, even when we need it to. What makes this even harder is that no one really prepares us for it. As children, we grow up on a steady diet of stories filled with happy endings, tales of redemption and triumph where everything always falls into place. But adulthood strips away those comforting narratives. Instead, it reveals a harsh truth: survival isn’t glamorous or inspiring most of the time. It’s wearing a mask of strength when you’re falling apart inside. It’s showing up when all you want is to retreat. It’s choosing to move forward, step by painful step, when your heart begs for rest. And yet, we endure. That’s the miracle of being human—we endure. Somewhere in the depths of our pain, we find reserves of strength we didn’t know we possessed. We learn to hold space for ourselves, to be the comfort we crave, to whisper words of hope when no one else does. Over time, we realize that resilience isn’t loud or grandiose; it’s a quiet defiance, a refusal to let life’s weight crush us entirely. Yes, it’s messy. Yes, it’s exhausting. And yes, there are days when it feels almost impossible to take another step. But even then, we move forward. Each tiny step is proof of our resilience, a reminder that even in our darkest moments, we’re still fighting, still refusing to give up. That fight—that courage—is the quiet miracle of survival.

It is easy, when you are young, to believe that what you desire is no less than what you deserve, to assume that if you want something badly enough, it is your God-given right to have it. When I decided to go to Alaska that April, like Chris McCandless, I was a raw youth who mistook passion for insight and acted according to an obscure, gap-ridden logic. I thought climbing the Devils Thumb would fix all that was wrong with my life. In the end, of course, it changed almost nothing. But I came to appreciate that mountains make poor receptacles for dreams. And I lived to tell my tale.

The wild. I have drunk it, deep and raw, and heard it's primal, unforgettable roar. We know it in our dreams, when our mind is off the leash, running wild. 'Outwardly, the equivalent of the unconscious is the wilderness: both of these terms meet, one step even further on, as one,' wrote Gary Snyder. 'It is in vain to dream of a wildness distinct from ourselves. There is none such,' wrote Thoreau. 'It is the bog in our brains and bowls, the primitive vigor of Nature in us, that inspires the dream.' And as dreams are essential to the psyche, wildness is to life. We are animal in our blood and in our skin. We were not born for pavements and escalators but for thunder and mud. More. We are animal not only in body but in spirit. Our minds are the minds of wild animals. Artists, who remember their wildness better than most, are animal artists, lifting their heads to sniff a quick wild scent in the air, and they know it unmistakably, they know the tug of wildness to be followed through your life is buckled by that strange and absolute obedience. ('You must have chaos in your soul to give birth to a dancing star,' wrote Nietzsche.) Children know it as magic and timeless play. Shamans of all sorts and inveterate misbehavers know it; those who cannot trammel themselves into a sensible job and life in the suburbs know it. What is wild cannot be bought or sold, borrowed or copied. It is. Unmistakeable, unforgettable, unshamable, elemental as earth and ice, water, fire and air, a quitessence, pure spirit, resolving into no contituents. Don't waste your wildness: it is precious and necessary.

The well from which we draw our love to give to other people, should never be only as deep as the well wherein resides the love we have already received in our lives. The cycle must be broken. The former well must be abandoned and we must create a love in our hearts for others, from the bricks and the mortar of our own visions. Our raw materials must come not only from what we received; but our raw materials must come from what we envision to create. From your desires and your visions— your bricks and mortar should materialize. And if your former well is completely empty and dry— so what— you don't owe it to your past, to the people who hurt you, to make that emptiness and that void, your place for drawing water from!

If your golf instructor were to insist that you shave your head, sleep no more than four hours each night, renounce sex, and subsist on a diet of raw vegetables, you would find a new golf instructor. However, when gurus make demands of this kind, many of their students simply do as directed.

There is this certain rawness of soul that puts the polished ones on edge. Some of us just step out and the sunlight illuminates our bones, nerves, veins, cells! And that's just it, we're just like that! Then the others are tinted, polished, honed and well-contemplated; when they see you walk in and they can see all of your bones, even the tiniest ones, illuminated and outlined by the sunlight, it makes them feel shaded-in, it makes them feel hidden, it makes them turn their faces away. The way you bleed yourself all over the lines just makes it too uncomfortable for them, I guess.

Everything is temporary, almost like a passing fase, some of laughter Some of pain. What we would do, If we had the chance to explore What we had taken for Granted the very day before, Some would say I'm selfish, To hold a little sadness in my eyes, But they don't feel the sorrow When I can't do, all that helps me feel alive. I can express my emotions, but I can't run wild and free, My mind and soul would handle it but hell upon my hip, ankle and knees, This disorder came about, as a friendship said its last goodbyes, Soooo this is what I got given for all the years I stood by? I finally stand still to question it, life it is in fact? What the fuck is the purpose of it all if you get stabbed in the back? And after the anger fills the air, the regret takes it places, I never wanted to be that girl, Horrid, sad and faded... So I took with a grain of salt, my new found reality, I am not of my pain, the disability doesnt define me. I find away to adjust, also with the absence of my friend, I trust the choices I make, allow my heart to mend. I pick up the pieces I retrain my leg, I find where I left off And I start all over again, You see what happens... When a warrior gets tested; They grow from the ashes Powerful and invested. So I thank all this heartache, As I put it to a rest, I move forward with my life And I'll build a damn good nest.

In-existence, the soul’s greatest imposition is its perfection. It is projected as a perfected form of the physical embodiment, an emblem of things, perhaps hyperreal and untouchably perfect as existence. It can not be! The soul in-existence is nothing of perfection. It is raw potential. The soul is nothing but potential. To be specific, the soul is unordered potential!

When the raw pain is so unbearable and unbelievable, you may wonder if you can go on. But, you can, and will. And life can be good again—when you work at it." "It’s a conscious choice to decide to move through grief, mourn the loss of the person you love, and heal.

Find Your Balance.

Raw, alive and honest to the point of disgusting it's listener, Placebo set out to inspire mystery and confusion. Admitting to relishing groups who could make their audience vomit with the sheer intensity of their musical vibrations, Brian clearly knew how to make an impact. Discussing sonic overload with unsettling enthusiasm, he claimed "Some frequencies can make you physically ill or make your bowels loose. The Swans used to do it. By the end of gigs people would vomit because the frequencies were so nasty.

I wanted, for so long, for someone to understand me better than I understood myself, to take control of me, to save me, to make it all better. I thought that the hardest part of a loving, mutually healing relationship would be showing my vulnerable, raw spots to a person, even though I'd been hurt so many times before. This has not been the hardest part. The actual hardest part has been realizing that no one, no matter how compassionate and kind they are, will say the perfect things always. Myself included. The hardest part has been learning to communicate what I need, to hear what others need, to tell others how to tell me what they need. Intimacy takes communication. A lot of it. We all have triggers. I don't know your triggers, and you don't know mine. No matter how much I love or trust you, you cannot possibly know exactly the words I need to hear, the words I don't want to hear, and the way I like to be touched. And how strange that we expect these things of each other. How strange (and self-sabotaging) that we refuse to get into relationships and friendships with people unless they treat us in just that perfect way. We've been raised to want fairy tales. We've been raised to wait for flawless saviors to rescue us. But the savior isn't flawless and the savior is not coming. The savior is you. The savior is still learning. The savior is never done learning. The savior is a human being. Forget perfect. Forget flawless. And start speaking your truth. Start speaking what you want and how you want it. And start asking and listening, really listening, to what the people around you say. Maybe, then, we will stop abandoning and hurting each other. Maybe, then, there's hope for us.

At the end of the day, the people we let in our space affect our ability to get to where we want to go, so if they're in the way of realizing your potential, it's okay to disconnect because you must choose yourself.

The longer I have been on the raw food path, the more I tend to come full circle and return to where my original ideas and inspiration of wanting to eat raw food come from - and that’s natural hygiene and its principles.

My joy and my accomplishments existed, and so did the pain from my abuse. How can we feel one without the other? Joyful accomplishments exist next to painful memories. I found a lot of my healing when I realized my suffering didn't undo my joy.

From the shattered tools and bones of our predecessors, we craft our own weapons. Nothing is guaranteed to work, yet we attack regardless. We do so naked, having shed the rags of morality, ideology, and politics that had accumulated over time. We confront this world raw, in all its horrifying glory.

My friend tells me that memory fails me in part because nature mercifully wishes to hide from us things which are painful. The spider-web of protective forgetfulness is woven over the mouth of the cave which conceals the raw head and bloody bones of our misfortunes. "But the greatest men," says King Lamus, "are those that refuse to be treated like squalling children, who insist on facing reality in every form, and tear off ruthlessly the bandages from their own wounds.

This wasn't a practice anymore; it was a fight. Andrew was trying to cut Kevin off at the pass, and Kevin was daring Andrew to keep up somehow. Exy had been a raw point between them since they'd met. It was the critical part of their friendship Andrew refused to acknowledge and Kevin couldn't fix, a dream Andrew wouldn't believe in and Kevin couldn't give up on. This was a shootout years in the making, and Neil could barely breathe as he watched them struggle. Neil was relegated to the sidelines still, but tonight he didn't mind as much. He saw his future in every shot fired and deflected, every point stolen and thwarted, and he could barely breathe through his excitement.

Start from Raw.... As even Finished Goods... 'the Perfect' are incomplete and impossible without Raw Material.

was i leaving a life that, if snuffed out in a plane crash, would leave a sweet aroma representative of what matters most?

Centuries-old wounds are still raw because they never healed right in the first place. Here is the essential truth. We are better together than we are apart.

To be vulnerable, to be raw, to virtually expose your guts, I like doing that.

I didn't lose anyone, for everyone that I lost was never really a loss, unless it was death well then I had to have words with God.

We can only help ourselves— and through that, inspire others. Anything else is madness! That you have found your path is enough. Let the others find theirs, or be lost.

I always felt awkward and unfinished, unworthy of love, suspicious of affection offered. My mother's absence became a great presence in my life.

On days when your skin is turned inside out and your heart is raw, know that you are divinely loved and protected. You are a superhero, and your superpower is your sensitivity.

Delicious, nutritious recipes inspired by a plant based diet. Amazing clean and light feeling foods. All recipes are… Vegan, Gluten Free, Low Sugar, Guilt Free with a variety of raw recipes

To be raw is real. To be open is to be courageous. To be vulnerable is to be brave. You turned out to be stronger than you ever could have imagined. Your heart is a garden, and within it blooms strength.

Art isn’t really about raw unmediated access to reality: that’s reality. You get that at the bus stop. Art is about interpreting reality, pointing up certain aspects of it, focusing attention. Editing.” Most

It is the daily task of the creative to be curious and collect dots. The most creative people I know fill their brains, their idea factories, with as much raw material as they can. They have voracious appetites.

The child sees everything in a state of newness; he is always drunk. Nothing more resembles what we call inspiration than the delight with which a small child absorbs form and colour. Genius is nothing more nor less than childhood recovered at will - a childhood now equipped for self-expression with manhood's capacities and a power of analysis which enables it to order the mass of raw material which it has involuntarily accumulated.

In these moments of waiting, questioning, searching, or restlessness, God is not concerned with giving us "the answer" or the ending...God is more concerned with the journey...It's not about the result, it's about the wrestling.

I had endless issues with my appearance in Star Wars. Real ones - not ones you bring up so people think you're humble because you secretly find yourself adorable. What I saw in the mirror is not apparently what many teenage boys saw.

“I would’ve followed you anywhere,” he mumbles, his voice raw with agony. “All I ever wanted was to spend forever with my best friend. With the girl who gave life to my paintings. But I’m not the one who inspired your mosaics, am I? It was always Wonderland. That’s why you chose him.” “Chose him? It was a kiss, that’s all—” “It’s not the kiss. Sometimes words are louder than actions.” “Words . . . ? What words?” “The promise you gave him that you couldn’t give me.”

If you’ve ever wondered what we’re missing by sitting at computers in cubicles all day, follow Jessica DuLong when she loses her desk job and embarks on this unlikely but fantastic voyage. Deeply original, riveting to read, and soul-bearingly honest, "My River Chronicles" is a surprisingly infectious romance about a young woman falling in love with a muscle-y old boat. As DuLong learns to navigate her way through a man’s world of tools and engines, and across the swirling currents of a temperamental river, her book also becomes a love letter to a nation. In tune with the challenges of our times, DuLong reminds us of the skills and dedication that built America, and inspires us to renew ourselves once again.

The truth is that once one has been to these challenging, terrible places, they’re always strangely drawn back, because there is nothing that can compare to the raw reality of seeing the basic human fight for survival. It disgusts and inspires.

Watching amateurs at work can also inspire us to attempt the work ourselves. “I saw the Sex Pistols,” said New Order frontman Bernard Sumner. “They were terrible. . . . I wanted to get up and be terrible with them.” Raw enthusiasm is contagious.

Pay attention to the yearning desire to live a life that enriches your soul, whatever that may be. Take your own breath away and explore new territories that release the baggage of a comfort zone. Dare to be authentic and real, genuine and whole; alone. Meet today with possibility that grew from yesterdays downfalls. Not everything is peachy but our perception is fucking everything. Take note of that and give meaning to it all. It wont fix your problems but it will allow you to see beyond them.

When the artist leaves a painting on a wall with the full confidence that the mastery of his skill, soul and vision will draw others into its vortex long after he is gone, he is using the grip of seduction. When the musician’s performance, the manipulation of her instrument and the command of her talents are so raw and uninhibited that onlookers feel connected to the cosmos, bridged by the pure genius they are now experiencing, she is using the mystery of seduction. The unexplainable feeling fans get when the athlete ceases to be an athlete and rises to the level of the untouchable magician that can make anything happen, is nothing less than the power of seduction at work. The immense value of seduction is its ability to skillfully allure others into one’s world . . . .

but there was something so significant about being able to make a gorgeous item of clothing from almost raw materials. It gave her a feeling of her own power, to make something practical and beautiful just by using her own skill and creativity. It inspired her.

Early on a difficult climb, especially a difficult solo climb, you constantly feel the abyss pulling at your back. To resist takes a tremendous conscious effort; you don't dare let your guard down for an instant. The siren song of the void puts you on edge; it makes your movements tentative, clumsy, herky-jerky. But as the climb goes on, you grow accustomed to the exposure, you get used to rubbing shoulders with doom, you come to believe in the reliability of your hands and feet and head. You learn to trust your self-control. By and by your attention becomes so intensely focused that you no longer notice the raw knuckles, the cramping thighs, the strain of maintaining nonstop concentration. A trancelike state settles over your efforts; the climb becomes a clear-eyed dream. Hours slide by like minutes. The accumulated clutter of day-to-day existence — the lapses of conscience, the unpaid bills, the bungled opportunities, the dust under the couch, the inescapable prison of your genes — all of it is temporarily forgotten, crowded from your thoughts by an overpowering clarity of purpose and by the seriousness of the task at hand. At such moments something resembling happiness actually stirs in your chest, but it isn't the sort of emotion you want to lean on very hard. In solo climbing the whole enterprise is held together with little more than chutzpah, not the most reliable adhesive.

Pretty soon, when you start noticing something that causes you psychic pain, you’ll get excited about it, not afraid. Ooh, another chance to get stronger. You’ll seek out things you’re scared of and intentionally confront them, because it’s an easy way to get the great rewards of self-improvement.

I have found a desire deep beneath my skin for a wild river runs in my soul as I have drunk from the fount of ecstasy and nourished myself from the raw sweetness, tasted the tender love, the tenderness that reveals an oasis in a desert, the sentimentality that pulls the real out in this insane world.

Have you ever really had a teacher? One who saw you as a raw but precious thing, a jewel that, with wisdom, could be polished to a proud shine? If you are lucky enough to find your way to such teachers, you will always find your way back. Sometimes it is only in your head. Sometimes it is right alongside their beds.

Here's the thing... what if you want to be desperate and you want to be vulnerable and you want to be needy and cut open, bleeding and raw? What if you want to be all of the things that this society tells us we should never be? Our society tells us that when we are cut open we shouldn't bleed; when we are afraid nobody should know about it; when we are in love we should bury it under rocks. We are born into this world as flesh and blood and soul and then we are taught to despise everything we were born as, in favour of the appearance of strength. What is strength? You're not strong at all, until you are brave enough to be human.

The Greatest achievement of a human being is to one day realize that they are and have always been connected to a universal soul, that they are more powerful and more capable than they have ever imagined, that they are not insignificant evolutionary happenings but instead the architects of their entire worldly experience!

Grief doesn't answer to the rules of good sense, she doesn’t answer to any rules at all. Grief is a willful mother fucker who takes what she wants and spits us out where she will. She will not be rushed. Refuses to be contained. The body of you can sustain blow after blow after blow and remain standing, and then the smallest of breezes will bring the whole thing down. It took me a long time to make peace with this. To make friends with the raw, keening animal edge of it all. To understand that we all carry our grief differently, that it stacks and morphs and twists and hides—and then when it is ready, it rushes in, eager to finally have its say.

Humiecki and Graef asked Laudamiel to create a perfume that captures the state of ‘how men cry’—eruptive and sensual. Pictures from Slavic culture, as well as how they deal with melancholia and happiness served as inspiration [sic]. The result is a perfume that combines raw eruption, sensual strength, melancholic warmth and deep mysticism.

I feel a certain responsibility to heal my own things that carry with me, but also to share how I’ve taken trauma or difficult situations and made something beautiful. I feel like that’s what art is: to make something beautiful out of raw ideas, angst, or frustration. It’s your job to make the world a better place out of your mess on the floor.

So, when I read of a recent study that found that children are significantly more inclined to eat “difficult” foods like liver, spinach, broccoli—and other such hard-to-sell “but-it’s-good-for-you” classics—when they are wrapped in comfortingly bright packages from McDonald’s, I was at first appalled, and then … inspired. Rather than trying to co-opt Ronald’s all-too-effective credibility among children to short-term positive ends, like getting my daughter to eat the occasional serving of spinach, I could reverse-engineer this! Use the strange and terrible powers of the Golden Arches for good—not evil! I plan to dip something decidedly unpleasant in an enticing chocolate coating and then wrap it carefully in McDonald’s wrapping paper. Nothing dangerous, mind you, but something that a two-and-a-half-year-old will find “yucky!”—even upsetting—in the extreme. Maybe a sponge soaked with vinegar. A tuft of hair. A Barbie head. I will then place it inside the familiar cardboard box and leave it—as if forgotten—somewhere for my daughter to find. I might even warn her, “If you see any of that nasty McDonald’s … make sure you don’t eat it!” I’ll say, before leaving her to it. “Daddy was stupid and got some chocolate … and now he’s lost it…” I might mutter audibly to myself before taking a long stroll to the laundry room. An early, traumatic, Ronald-related experience can only be good for her.

I'd finally reached the end of myself, all my self-reliance and denial and pride unraveling into nothingness, leaving only a blank Alison-shaped space behind. It was finished. I was done. But just as I felt myself dissolving on the tide of my own self-condemnation, the dark waves receded, and I floated into a celestial calm. I saw the whole universe laid out before me, a vast shining machine of indescribable beauty and complexity. Its design was too intricate for me to understand, and I knew I could never begin to grasp more than the smallest idea of its purpose. But I sensed that every part of it, from quark to quasar, was unique and - in some mysterious way - significant. I heard the universe as an oratorio sung by a master choir of stars, accompanied by the orchestra of the planets and the percussion of satellites and moons. The aria they performed was a song to break the heart, full of tragic dissonance and deferred hope, and yet somewhere beneath it all was a peircing refrain of glory, glory, glory. And I sensed that not only the grand movements of the cosmos, but everything that had happened in my life, was a part of that song. Even the hurts that seemed most senseless, the mistakes I would have done anything to erase - nothing could make those things good, but good could still come out of them all the same, and in the end the oratorio would be no less beautiful for it. I realized then that even though I was a tiny speck in an infinite cosmos, a blip on the timeline of eternity, I was not without purpose. And as long as I had a part in the music of the spheres, even if it was only a single grace note, I was not worthless. Nor was I alone. God help me, I prayed as I gathered up my raw and weary sense, flung them into the wormhole - And at last, found what I'd been looking for.

Every soul you encounter along your way ..has known agony ..secretly in deeps....every heart you meet along your way ...has known suffering ..secretly in silence....some are broken so freshly...feeling the raw wounds .... every time they revisit the old memory lanes... while some are feeling the achiest of aches...from the age old losses....for grief has left its footprints along the way....

Sometimes the novel is not ready to be written because you haven't met the inspiration for your main character yet. Sometimes you need two more years of life experience before you can make your masterpiece into something that will feel real and true and raw to other people. Sometimes you're not falling in love because whatever you need to know about yourself is only knowable through solitude. Sometimes you haven't met your next collaborator. Sometimes your sadness encircles you because, one day, it will be the opus upon which you build your life. We all know this: Our experience cannot always be manipulated. Yet, we don't act as though we know this truth. We try so hard to manipulate and control our lives, to make creativity into a game to win, to shortcut success because others say they have, to process emotions and uncertainty as if these are linear journeys. You don't get to game the system of your life. You just don't. You don't get to control every outcome and aspect as a way to never give in to the uncertainty and unpredictability of something that's beyond what you understand. It's the basis of presence: to show up as you are in this moment and let that be enough.

They knew that a great painting could pull emotion out of a viewer. But the world’s different from how it was during the Renaissance, when beauty was as necessary as oxygen, and when religion was an entry point for art. So they tried to figure out what it would take to inspire that same flood of joy or grief or awe today. It’s what feeling would look like, on canvas, if it was in its most raw form.

It's always been the love of the music for me, the rawness of the notes vibrating through my body, the honesty of the sound I create that blocks out all the other shit. If you don't let all that, the music, its impact, become a part of you, then it doesn't matter how good you are, how successful. I don't care who you are, if you don't surrender to the power of the music, you are just playing a role.

he child sees everything in a state of newness; he is always drunk. Nothing more resembles what we call inspiration than the delight with which a small child absorbs form and colour. Genius is nothing more nor less than childhood recovered at will - a childhood now equipped for self-expression with manhood's capacities and a power of analysis which enables it to order the mass of raw material which it has involuntarily accumulated.

As a minister of the Lord in whatever way the Lord decides to use you and with the gifts he gives you for the work, there is the tendency to start idolizing the work itself or the gifts that you forget it is the father who gave it to you. Who picked you up and dusted you from nothing and adorned you. You forget and make the work a god before him. Exodus 20:3 "You shall have no other gods before me". ----- This can be very subtle especially for social media ministry. You begin to love your social image over the word of God. You begin to dampen and tweak the word of God to appeal to a wider audience. You're suddenly no longer about the raw truth of the gospel. As the followers and likes increase you begin to get more and more addicted to the fruit of the works and the response to YOUR messages and posts. If a post doesn't do too well and get many likes and comments you are not happy. It hurts you deeply. That is how you know It has become about you. ------ If this is you and this message has touched your heart, if this post is like a mirror to your face, go back to God and ask for forgiveness. Ask God to forgive you for elevating yourself and your work as a god before him and return back to when it was just about loving him and preaching the good news. You probably may have noticed you lost the fire of inspiration you used to have at the beginning. This is why.

Large or small, our actions forge our futures, hopefully inspiring others along the way. Entrepreneurs must love what they do to such a degree that doing it is worth sacrifice and, at times, pain. But doing anything else, we think, would be unimaginable. In times of adversity and change, we really discover who we are and what we’re made of. Effective leaders share two intertwined attributes: an unbridled level of confidence about where their organizations are headed, and the ability to bring people along. Fixing moments, like mopping a dirty floor, only provides short-term satisfaction. But take the time to understand the cause of the problem—like how to keep a floor from getting so dirty in the first place—solves, and maybe eliminates, a problem. How leaders embody the values they espouse sets a tone, an expectation, that guides their employees’ behaviors. While I would not want to constantly battle against the odds, the raw feeling of accomplishing something that others did not think possible, or leading people beyond where they thought they could go, is extremely gratifying.

The Blank Slate and its companion doctrines have infiltrated the conventional wisdom of our civilization and have repeatedly surfaced in unexpected places. William Godwin (1756–1835), one of the founders of liberal political philosophy, wrote that “children are a sort of raw material put into our hands,” their minds “like a sheet of white paper.” 12 More sinisterly, we find Mao Zedong justifying his radical social engineering by saying, “It is on a blank page that the most beautiful poems are written.” 13 Even Walt Disney was inspired by the metaphor. “I think of a child’s mind as a blank book,” he wrote. “During the first years of his life, much will be written on the pages. The quality of that writing will affect his life profoundly.

If this past election and our present political, social, and environmental upheavals have done nothing else, they have inspired a new generation of thinkers. From poets to activists to journalists to scholars, the raw and gritty realities we face as a nation and as global citizens are being exposed, dissected, and examined. Freedom of the press, freedom of expression, freedom of speech, and the right to peacefully protest are not the luxuries of a free society, they are the defenders,supporters, and protectors of a free society. They are what make a free society possible. The solutions to our problems will no doubt be lengthy, complex, and difficult, but a generation awakened from the lethal sleep of apathy is a beginning. And that offers true hope for our future.

The whole suggestion is predicated on a damnable fucking lie—the BIG lie, actually—one which Richman himself happily helped create and which he works hard, on a daily basis, to keep alive. See … it makes for a better article when you associate the food with a personality. Richman, along with the best and worst of his peers, built up these names, helped make them celebrities by promoting the illusion that they cook—that if you walk into one of dozens of Jean-Georges’s restaurants, he’s somehow back there on the line, personally sweating over your halibut, measuring freshly chopped herbs between thumb and forefinger. Every time someone writes “Mr. Batali is fond of strong, assertive flavors” (however true that might be) or “Jean Georges has a way with herbs” and implies or suggests that it was Mr. Batali or Mr. Vongerichten who actually cooked the dish, it ignores the reality, if not the whole history, of command and control and the creative process in restaurant kitchens. While helpful to chefs, on the one hand, in that the Big Lie builds interest and helps create an identifiable brand, it also denies the truth of what is great about them: that there are plenty of great cooks in this world—but not that many great chefs. The word “chef” means “chief.” A chef is simply a cook who leads other cooks. That quality—leadership, the ability to successfully command, inspire, and delegate work to others—is the very essence of what chefs are about. As Richman knows. But it makes better reading (and easier writing) to first propagate a lie—then, later, react with entirely feigned outrage at the reality.

Garnish soft comfort foods with crunchy crumbs, toasted nuts, or crisp bits of bacon to make things interesting. Serve rich meats with bright, acidic sauces and clean-tasting blanched or raw vegetables. Serve mouth-drying starches with mouthwatering sauces, and recognize that a well-dressed, juicy salad can serve as both a side dish and a sauce. On the other hand, pair simply cooked meats, such as grilled steak or poached chicken, with roasted, sautéed, or fried vegetables glazed with Maillard’s dark lacquer. Let the seasons inspire you; foods that are in season together naturally complement one another on the plate. For example, corn, beans, and squash grow as companions in the field, then the three sisters find their way together into succotash. Tomatoes, eggplant, zucchini, and basil become ratatouille, tian, or caponata depending on where you are on the Mediterranean coast. Sage, a hardy winter herb, is a natural complement to winter squash because its leaves—and its flavor—stand up to the cold of winter.

swirl together and our breathing clashes, my hips are busy rubbing against his. My legs spread just about as wide as I can get, forcing my pussy to open like a flower and hug his dick tight. Pushing off his chest, I lift up, grab his dick, and slam myself home. I almost can’t hear the harsh bite of his breath over my scream. I feel the rings hitting a spot deep within me that will have me begging in no time. The one pressed tight against my clit has my vision going hazy. “Have . . . to . . . move,” he warns, and once again, I find myself rolled onto my back. He doesn’t even pause when he flips and pounds into me. His hips slap against mine, his balls make a loud, wet sound as they hit my skin, and his eyes flash something I wish to God I understood. “H-h-harder!” He slams deep and leans up on his knees causing his dick to slip out almost completely. His large hands grab my hips and bring my body half off the bed. With my head still on the bed, the rest of my body hovers under his control as he pulls back and gives me my wish. My legs are dead weight, my hands clench tightly in the sheets, and my eyes hold his. The look in his eyes combined with the hard hitting of his piercings, and the awe-inspiring thrusts is enough to have me screaming. Screaming, begging, and pleading. I have lost control of my body. It is locked tight and shattering into pieces. His hips pick up speed but then slightly slow down towards the end of my release. He brings my body back down to the mattress and rocks his hips, causing a few more aftershocks to roll through my body. “Do you like my cock? Do you like having me so deep in your body you won’t be able to walk tomorrow? The way your pussy is gripping my dick and your wetness is coating my balls, I would say you fucking love it.” I whimper and he smiles. This isn’t the attractive smile he gives the public, no . . . this smile is pure fucking sexy evil. “Going to fuck you raw.” He warns before making true to his words. When he finally grabs my hips and locks our pelvises together, I have come twice and lost track of reality.

My interest in comics was scribbled over with a revived, energized passion for clothes, records, and music. I'd wandered in late to the punk party in 1978, when it was already over and the Sex Pistols were history. I'd kept my distance during the first flush of the new paradigm, when the walls of the sixth-form common room shed their suburban-surreal Roger Dean Yes album covers and grew a fresh new skin of Sex Pistols pictures, Blondie pinups, Buzzcocks collages, Clash radical chic. As a committed outsider, I refused to jump on the bandwagon of this new musical fad, which I'd written off as some kind of Nazi thing after seeing a photograph of Sid Vicious sporting a swastika armband. I hated the boys who'd cut their long hair and binned their crappy prog albums in an attempt to join in. I hated pretty much everybody without discrimination, in one way or another, and punk rockers were just something else to add to the shit list. But as we all know, it's zealots who make the best converts. One Thursday night, I was sprawled on the settee with Top of the Pops on the telly when Poly Styrene and her band X-Ray Spex turned up to play their latest single: an exhilarating sherbet storm of raw punk psychedelia entitled "The Day the World Turned Day-Glo" By the time the last incandescent chorus played out, I was a punk. I had always been a punk. I would always be a punk. Punk brought it all together in one place for me: Michael Moorcock's Jerry Cornelius novels were punk. Peter Barnes's The Ruling Class, Dennis Potter, and The Prisoner were punk too. A Clockwork Orange was punk. Lindsay Anderson's If ... was punk. Monty Python was punk. Photographer Bob Carlos Clarke's fetish girls were punk. Comics were punk. Even Richmal Crompton's William books were punk. In fact, as it turned out, pretty much everything I liked was punk. The world started to make sense for the first time since Mosspark Primary. New and glorious constellations aligned in my inner firmament. I felt born again. The do-your-own-thing ethos had returned with a spit and a sneer in all those amateurish records I bought and treasured-even though I had no record player. Singles by bands who could often barely play or sing but still wrote beautiful, furious songs and poured all their young hearts, experiences, and inspirations onto records they paid for with their dole money. If these glorious fuckups could do it, so could a fuckup like me. When Jilted John, the alter ego of actor and comedian Graham Fellows, made an appearance on Top of the Pops singing about bus stops, failed romance, and sexual identity crisis, I was enthralled by his shameless amateurism, his reduction of pop music's great themes to playground name calling, his deconstruction of the macho rock voice into the effeminate whimper of a softie from Sheffield. This music reflected my experience of teenage life as a series of brutal setbacks and disappointments that could in the end be redeemed into art and music with humor, intelligence, and a modicum of talent. This, for me, was the real punk, the genuine anticool, and I felt empowered. The losers, the rejected, and the formerly voiceless were being offered an opportunity to show what they could do to enliven a stagnant culture. History was on our side, and I had nothing to lose. I was eighteen and still hadn't kissed a girl, but perhaps I had potential. I knew I had a lot to say, and punk threw me the lifeline of a creed and a vocabulary-a soundtrack to my mission as a comic artist, a rough validation. Ugly kids, shy kids, weird kids: It was okay to be different. In fact, it was mandatory.

The heart of rock will always remain a primal world of action. The music revives itself over and over again in that form, primitive rockabilly, punk, hard soul and early rap. Integrating the world of thought and reflection with the world of primitive action is *not* a necessary skill for making great rock 'n' roll. Many of the music's most glorious moments feel as though they were birthed in an explosion of raw talent and creative instinct (some of them even were!). But ... if you want to burn bright, hard *and* long, you will need to depend on more than your initial instincts. You will need to develop some craft and a creative intelligence that will lead you *farther* when things get dicey. That's what'll help you make crucial sense and powerful music as time passes, giving you the skills that may also keep you alive, creatively and physically. The failure of so many of rock's artists to outlive their expiration date of a few years, make more than a few great albums and avoid treading water, or worse, I felt was due to the misfit nature of those drawn to the profession. These were strong, addictive personalities, fired by compulsion, narcissism, license, passion and an inbred entitlement, all slammed over a world of fear, hunger and insecurity. That's a Molotov cocktail of confusion that can leave you unable to make, or resistant to making, the lead of consciousness a life in the field demands. After first contact knocks you on your ass, you'd better have a plan, for some preparedness and personal development will be required if you expect to hang around any longer than your fifteen minutes. Now, some guys' five minutes are worth other guys' fifty years, and while burning out in one brilliant supernova will send record sales through the roof, leave you living fast, dying young, leaving a beautiful corpse, there *is* something to be said for living. Personally, I like my gods old, grizzled and *here*. I'll take Dylan; the pirate raiding party of the Stones; the hope-I-get-very-old-before-I-die, present live power of the Who; a fat, still-mesmerizing-until-his-death Brando—they all suit me over the alternative. I would've liked to have seen that last Michael Jackson show, a seventy-year-old Elvis reinventing and relishing in his talents, where Jimi Hendrix might've next taken the electric guitar, Keith Moon, Janis Joplin, Kurt Cobain and all the others whose untimely deaths and lost talents stole something from the music I love, living on, enjoying the blessings of their gifts and their audience's regard. Aging is scary but fascinating, and great talent morphs in strange and often enlightening ways. Plus, to those you've received so much from, so much joy, knowledge and inspiration, you wish life, happiness and peace. These aren't easy to come by.

Cultivating your value proposition in life is the way to move forward. You are the raw material of your own destiny.

By the end of the fight,” he was saying, “I saw enough to recognize she had some natural talent with the sword. It was the way she moved. It was raw and instinctual, but I saw promise. You must understand that most of the students who come to me are there mostly because it is part of their coursework, or a clan tradition to receive weapons training. They hone traditional skills it is unlikely they will ever use. Minstrel students are more musician than warrior, but weapons training is required for them. The Guardians believe they should be prepared for the world they wander in, and I quite agree. But it is rare to find a student with actual interest and talent.” Stevic stared out the window. The courtyard had fallen into shadow and silence, empty of students. Even the pigeons seemed to have fled the grounds, giving it a gloomy and abandoned feel. “I had hoped Karigan would find a talent for something, but I never expected the sword.” “Ah, but the sword is just a beginning. I had heard about her from other instructors. Complaints, mind you, except from her riding instructor, Master Deleon. Del said she excelled at riding. When I saw Karigan put Timas Mirwell on the ground, I thought maybe I could get her to work for something else and the sword would be just a beginning, that it would inspire her to seek out whatever it was she wanted to do with her life.” Stevic turned his gaze to the arms master. “I am fortunate my daughter had such an instructor.” Rendle grinned. “She was fortunate to have such a father.” Stevic raised a brow. “I once asked her what she wanted to do with her life,” Rendle said. “She told me, something adventurous. She wanted to be a merchant like her father. It is not many children who choose to follow their parents’ footsteps.” Stevic stilled, letting it sink in. Then he slowly shook his head and turned back to the window and the shadows. He felt buffeted by a variety of emotions: elation, fear, sadness, desperation. Where was she? “She never told me.” His voice was taut.

McKeon was a legendary University of Chicago philosophy professor who inspired 'cold sweat and raw fear' in a long list of students, including Susan Sontag, Richard Rorty, Paul Rabinow, and Robert Pirsig (who used McKeon as the model for the character of the dreaded 'Chairman' in his 1974 novel Zen and the Art of Motorcycle Maintenance).

Carol built her cabin in the wilderness for many of the same reasons as Thoreau, who went to the woods “to live deliberately, to front only the essential facts of life, and see if I could learn what it had to teach, and not, when I come to die, discover that I had not lived.” Like Thoreau, Carol was a student of nature and a geographical extension of the wilderness that surrounded her. Both explored a life stripped down to its essentials. They wanted “to live deep and suck out all the marrow of life.” Thoreau believed wilderness provided a necessary counterbalance to the materialism and urbanization of industrialized America. It was a place of self-renewal and contact with the raw material of life. “In wildness is the preservation of the world,” he famously wrote. Thoreau was among the first to advocate for protecting America’s vanishing wildlands, proposing that the nation formally preserve “a certain sample of wild nature . . . a network of national preserves in which the bear and the panther may still exist and not be civilized off the face of the earth.” Wilderness preserves could provide a perpetual frontier to keep overindustrialized Americans in contact with the primitive honesty of the woods. In 1872—the same year that Tom and Andy founded Carnegie Steel—America designated its first national park: over two million acres in northwest Wyoming were set aside as Yellowstone National Park. A second national park soon followed, thanks to the inspiration of Sierra Club founder John Muir. He so loved the Sierra that he proposed a fifteen-hundred-square-mile park around Yosemite Valley and spent decades fighting for it. When Yosemite National Park was finally signed into law in 1890, Muir

Be transparent, but use wisdom. Everybody can’t handle the raw and uncut version of who you were and even who you presently are.

Regardless of how low a person stoops, it is never too late to uncover a redemptive epiphany. Can I mine an inspirational ray of motivation from my darkest thoughts that allows me to confront the commonplace disorders and tragic interruptions of life? What physical, mental, and emotional strumming make up the tinderbox that produces the moral tension that gives meaning to the life of an ordinary person? Amongst the chaos, confusion, and compromises that mark existence, how do we go about understanding ourselves? How do we become in touch with our personal band of raw emotions? Does self-transformation commence by admitting illicit impulses, irrational thoughts, disturbing habits, mythic misgivings, and stinted worldview? Do we learn through deconstructing our maverick experiences or through intellectual abstraction? In order to move forward in life, is it sometimes necessary to dissect ourselves? Would it prove helpful systematically to take apart nightmarish experiences that seemly never let go of a person?

And maybe that was the reason God sent him up there-to take a good look at himself, at the raw, brutal facts, and remind him that whatever line he cut behind him, grace always lay before him. A pristine, white, unblemished future.

Here in Alpha City, we have a common saying: “What we call ‘sky’ is merely a figment of our narrative.” The most dreamy-eyed among us seem to adorn themselves and their aspirations in that proverb and you’ll see it everywhere: in advertisements on the sides of streetcars and auto-rickshaws, spelled out in studs and rhinestones on designer jackets, emblazoned in the intricate designs of facial tattoos—even painted on city walls by putrid vandals and inspiring street artists. There is something glorious about kneading out into the doughy firmament the depth and breadth of one’s own universe, in rendering the contours of a sky whose limits are predicated only upon the bounds of one’s own imagination. The fact of the matter is that we cannot see the natural sky at all here. It is something like a theoretical mathematical expression: like the square-root of ‘negative one’—certainly it could be said to have a purpose for existing, but to cast eyes upon it, in its natural quantity, would be something akin to casting one’s eyes upon the raw elements comprising our everyday sustenance. How many of us have even borne close witness to the minute chemical compounds that react to lend battery power to our portable electronics? The sky is indeed such a concealed fixture now. It is fair to say that we have purged our memories of its true face and so we can only approximate a canvas and project our desires upon it to our heart’s dearest fancy. The most cynical among us would ostensibly declare it an unavoidable tragedy, but perhaps even these hardened individuals could not remember the naked sky well enough to know if what they were missing was something worthwhile. Perhaps, it’s cynical of me to say so! In any case, we have our searchlights pointed upwards and crisscrossing that expanse of heavens as though to make some sensational and profane joke of ourselves to the surrounding universe. We beam already video images of beauty pageants and dancing contests with smiling mannequins who look like buffoons. And so, the face of space cloaks itself behind our light pollution—in this respect, our mirrored sidewalks and lustrous streets do little to help our cause—and that face remains hidden from us in its jeering ridicule, its mocking laughter at this inexorable farce of human existence.

Principle without practice is like raw meat, which is good to have in your kitchen, but basically useless until you cook it in the oven. A principle has to be cooked in the heat of human conscience and behavioral expressions, in order to reach its proper nutritious potential.

Raw persimmon is an acquired taste," he said, handing me a slice, "but I have a feeling you'll like this one." I resisted the urge to roll my eyes. 'I'm a baker, Ogden,' I wanted to say. 'Of course I know what persimmon tastes like.' I bit into the fruit. It had the texture of a firm heirloom tomato and a heady, semisweet taste as though infused with a tiny drop of honey. I nodded and made a sound of approval. "You didn't order any, but I brought you a few to try anyway. I wondered if maybe they might inspire a new cupcake flavor for the holidays," Ogden said. He kept his serious brown eyes trained on the persimmon in his hand while he spoke, a gesture that seemed oddly bashful and entirely unlike him. "You'll have to excuse me if that sounds presumptuous. I'll be the first to admit I know nothing about the recipe creation process." I took another bite of persimmon, considering. Ogden held himself very still as he watched me chew, and I appreciated the restraint he showed in not jumping in to fill the silence. I knew it couldn't have been easy for him. "You have good instincts," I said finally. "A persimmon cupcake could be a great addition to the menu. Add some chocolate, a little cinnamon and cardamom, some sweet vanilla icing, and I think we'd have a new Christmas favorite." "You don't think persimmon is too adventurous for your patrons?" "Nah," I said. It was actually nice to talk to someone who took food as seriously as I did- I only wished he could do so without sounding so pompous. "But we might have to lead with the chocolate. Chocolate Persimmon Spice. That wouldn't offend you, would it? If I promised to use organic chocolate?" "I think my ego can handle a little organic chocolate," Ogden said.