Rave Sayings Or Quotes

From the complications of loving you I think there is no end or return. No answer, no coming out of it. Which is the only way to love, isn’t it? This isn’t a play ground, this is earth, our heaven, for a while. Therefore I have given precedence to all my sudden, sullen, dark moods that hold you in the center of my world. And I say to my body: grow thinner still. And I say to my fingers, type me a pretty song. And I say to my heart: rave on.

I think the best life would be one that's lived off the grid. No bills, your name in no government databases. No real proof you're even who you say you are, aside from, you know, being who you say you are. I don't mean living in a mountain hut with solar power and drinking well water. I think nature's beautiful and all, but I don't have any desire to live in it. I need to live in a city. I need pay as you go cell phones in fake names, wireless access stolen or borrowed from coffee shops and people using old or no encryption on their home networks. Taking knife fighting classes on the weekend! Learning Cantonese and Hindi and how to pick locks. Getting all sorts of skills so that when your mind starts going, and you're a crazy raving bum, at least you're picking their pockets while raving in a foreign language at smug college kids on the street. At least you're always gonna be able to eat.

Don’t say that poetry, my friend, is beautiful or powerful for there is no powerful or beautiful poetry There is poetry that strikes you, secretly with the diseases of writing and schizophrenia, and you rave and your self leaves you for another

There are things you haven’t thought of in centuries.” I waited for the joke, then realized he was serious. Apparently our break up had turned him into a raving lunatic. I should probably be flattered. “Really Alex, you don’t have to act like an immature kid. It’s fine if you want to see me again, but next time, just say so instead of making up asinine stories.

I can see that you go through life athwart it. You see the flow of events, you are able to tell how you could most easily fit yourself into it. But you dare to oppose it. And why? Simply because you look at it and say, 'this fate does not suit me. I will not allow it to befall me.'" Amber shook her head, but her small smile made it an affirmation. "I have always admired people who can do that. So few do. Many, of course, will rant and rave against the garment fate has woven for them, but they pick it up and on it all the same, and most wear it to the end of their days. You... you would rather go naked into the storm.

It's not just money. Part of it is, but not all. You greasers have a different set of values. You're more emotional. We're sophistocated- cool to the point of not feeling anything. Nothing is for real with us. You know sometimes I'll catch myself talking to a girl-friend, and realise i don't mean half of what I'm saying. I don't really think a beer blast on the river bottom is supercool, but I'll rave about one to a girl-friend just to be saying something.

There was no room for dust devils in the laws of physics, as least in the rigid form in which they were usually taught. There is a kind of unspoken collusion going on in mainstream science education: you get your competent but bored, insecure and hence stodgy teacher talking to an audience divided between engineering students, who are going to be responsible for making bridges that won’t fall down or airplanes that won’t suddenly plunge vertically into the ground at six hundred miles an hour, and who by definition get sweaty palms and vindictive attitudes when their teacher suddenly veers off track and begins raving about wild and completely nonintuitive phenomena; and physics students, who derive much of their self-esteem from knowing that they are smarter and morally purer than the engineering students, and who by definition don’t want to hear about anything that makes no fucking sense. This collusion results in the professor saying: (something along the lines of) dust is heavier than air, therefore it falls until it hits the ground. That’s all there is to know about dust. The engineers love it because they like their issues dead and crucified like butterflies under glass. The physicists love it because they want to think they understand everything. No one asks difficult questions. And outside the windows, the dust devils continue to gambol across the campus.

All I know is I'm losing my mind," Franny said. "I'm just sick of ego, ego, ego. My own and everybody else's. I'm sick of everybody that wants to get somewhere, do something distinguished and all, be somebody interesting. It's disgusting - it is, it is. I don't care what anybody says . . . I'm not afraid to compete. It's just the opposite. Don't you see that? I'm afraid I will compete - that's what scares me. That's why I quit the Theater Department. Just because I'm so horribly conditioned to accept everybody else's values, and just because I like applause and people to rave about me, doesn't make it right. I'm ashamed of it. I'm sick of it. I'm sick of not having the courage to be an absolute nobody. I'm sick of myself and everybody else that wants to make some kind of a "splash.

If anyone attempted to rule the world by the gospel and to abolish all temporal law and sword on the plea that all are baptized and Christian, and that, according to the gospel, there shall be among them no law or sword - or need for either - pray tell me, friend, what would he be doing? He would be loosing the ropes and chains of the savage wild beasts and letting them bite and mangle everyone, meanwhile insisting that they were harmless, tame, and gentle creatures; but I would have the proof in my wounds. Just so would the wicked under the name of Christian abuse evangelical freedom, carry on their rascality, and insist that they were Christians subject neither to law nor sword, as some are already raving and ranting. To such a one we must say: Certainly it is true that Christians, so far as they themselves are concerned, are subject neither to law nor sword, and have need of neither. But take heed and first fill the world with real Christians before you attempt to rule it in a Christian and evangelical manner. This you will never accomplish; for the world and the masses are and always will be unchristian, even if they are all baptized and Christian in name. Christians are few and far between (as the saying is). Therefore, it is out of the question that there should be a common Christian government over the whole world, or indeed over a single country or any considerable body of people, for the wicked always outnumber the good. Hence, a man who would venture to govern an entire country or the world with the gospel would be like a shepherd who should put together in one fold wolves, lions, eagles, and sheep, and let them mingle freely with one another, saying, “Help yourselves, and be good and peaceful toward one another. The fold is open, there is plenty of food. You need have no fear of dogs and clubs.” The sheep would doubtless keep the peace and allow themselves to be fed and governed peacefully, but they would not live long, nor would one beast survive another. For this reason one must carefully distinguish between these two governments. Both must be permitted to remain; the one to produce righteousness, the other to bring about external peace and prevent evil deeds. Neither one is sufficient in the world without the other. No one can become righteous in the sight of God by means of the temporal government, without Christ's spiritual government. Christ's government does not extend over all men; rather, Christians are always a minority in the midst of non-Christians. Now where temporal government or law alone prevails, there sheer hypocrisy is inevitable, even though the commandments be God's very own. For without the Holy Spirit in the heart no one becomes truly righteous, no matter how fine the works he does. On the other hand, where the spiritual government alone prevails over land and people, there wickedness is given free rein and the door is open for all manner of rascality, for the world as a whole cannot receive or comprehend it.

Ah," I can hear you say, "so it was all a build-up to bore us with his buggy jiving. He only wanted us to listen to him rave!" But only partially true: Being invisible and without substance, a disembodied voice, as it were, what else could I do? What else but try to tell you what was really happening when your eyes were looking through? And it is this which frightens me: Who knows but that, on the lower frequencies, I speak for you?

That’s what de Gaulle realized about Hitler. That his force was entirely dependent on the “cowardice of others.” No one was willing to call the bully a bully. No one in Germany was willing to see that the emperor had no clothes, and was in fact a raving, murderous lunatic. They definitely weren’t willing to say so. Because no one said anything, no one did anything except tell Hitler what he wanted to hear. And so they all became complicit. Still,

One girl raved about a nice voicemail a guy had recently left her. I kindly requested she play it and heard this gem: 'Hey, Lydia. It's Sam. Just calling to say what's up. Gimme a ring when you get a chance.' THAT WAS IT. I pleaded to know what was so great about this. She sweetly recalled that 'he remembered my name, he said hi, and he told me to call him back.' Never mind the fact that what she described was the content of LITERALLY EVERY VOICE MAIL IN HISTORY. Name, hello, please call back. Not really a boatload of charm on display. To fail this test, a guy would have to leave a message that said: 'No greeting. This is man. I don't remember you. End communication.

Often she would lock herself in her room and sitting before the mirror, apply the makeup of John Barrymore, Barrymore of The Sea Beast or of Dr. Jekyll and Mr. Hyde. Seeing these gruesome images in the mirror she would being to rave. "Who am I?" she would say. "What am I?

But the thing is, you raved and you bitched when you came home about the stupidity of audiences. The goddam unskilled laughter coming from the fifth row. And that's right, that's right - God knows it's depressing. I'm not saying it isn't. But that's none of your business, really. That's none of your business, Franny. An artist's only concern is to shoot for some kind of perfection, and on his own terms, not anyone else's. You have no right to think about these things, I swear to you. Not in any real sense, anyway. . . . I started bitching one night before the broadcast. Seymour'd told me to shine my shoes just as I was going out the door with Waker. I was furious. The studio audience were all morons, the announcer was a moron, the sponsors were morons, and I just damn well wasn't going to shine my shoes for them, I told Seymour. I said they couldn't see them anyway, where we sat. He said to shine them anyway. He said to shine them for the Fat Lady. . . . And don't you know - listen to me, now - don't you know who that Fat Lady really is? . . . Ah, buddy. It's Christ Himself. Christ Himself, buddy." For joy, apparently, it was all Franny could do to hold the phone, even with both hands . . . as if all of what little or much wisdom there is in the world were suddenly hers.

By Jove, it's great! Walk along the streets on some spring morning. The little women, daintily tripping along, seem to blossom out like flowers. What a delightful, charming sight! The dainty perfume of violet is everywhere. The city is gay, and everybody notices the women. By Jove, how tempting they are in their light, thin dresses, which occasionally give one a glimpse of the delicate pink flesh beneath! "One saunters along, head up, mind alert, and eyes open. I tell you it's great! You see her in the distance, while still a block away; you already know that she is going to please you at closer quarters. You can recognize her by the flower on her hat, the toss of her head, or her gait. She approaches, and you say to yourself: 'Look out, here she is!' You come closer to her and you devour her with your eyes. "Is it a young girl running errands for some store, a young woman returning from church, or hastening to see her lover? What do you care? Her well-rounded bosom shows through the thin waist. Oh, if you could only take her in your arms and fondle and kiss her! Her glance may be timid or bold, her hair light or dark. What difference does it make? She brushes against you, and a cold shiver runs down your spine. Ah, how you wish for her all day! How many of these dear creatures have I met this way, and how wildly in love I would have been had I known them more intimately. "Have you ever noticed that the ones we would love the most distractedly are those whom we never meet to know? Curious, isn't it? From time to time we barely catch a glimpse of some woman, the mere sight of whom thrills our senses. But it goes no further. When I think of all the adorable creatures that I have elbowed in the streets of Paris, I fairly rave. Who are they! Where are they? Where can I find them again? There is a proverb which says that happiness often passes our way; I am sure that I have often passed alongside the one who could have caught me like a linnet in the snare of her fresh beauty.

[Like they say,] small world, but I wouldn't want to paint it.

Rave emerged spontaneously, neither planned or designed. It was a genuine grass roots phenomenon, egalitarian and welcoming. Thousands danced in fields all through the night, out under the moon, in order to achieve a trance-like, ecstatic state. It was a form of communion and it was pagan as fuck. Needless to say, it couldn't last. The press and the government, appalled by such non-violent having-of-a-good-time, moved quickly to crush it. Ultimately, though, they weren't quick enough. Rave grew too big too quickly, and it attracted the attention of those who felt they could make money from such events. Once this happened and the superstar DJs and the superclubs arrived, the focus shifted from the raw crowd back to the event itself. Rave's spell was broken.

What did theories matter any more? She wanted to say. The rats have taken over the ship, it's often as simple as that; the rest is narcissistic crap. It must be. (...) For exploitation read property and you have the whole bit. First the exploiter hits the wage-slave over the head with his superior wealth; then he brainwashes him into believing that the pursuit of property is a valid motive for breaking him at the grindstone. That way he has him hooked twice over. (...) "You disappoint me, Charlie. All of a sudden you lack consistency. You've made the perceptions. Why don't you go out and do something about them? Why do you appear here one minute as an intellectual who has the eye and brain to see what is not visible to the deluded masses, the next you have not the courage to go out and perform a small service - like theft - like murder - like blowing something up - say, a police station - for the benefit of those whose hearts and minds are enslaved by the capitalist overlords? Come on, Charlie, where's the action? You're the free soul around here. Don't give us the words, give us the deeds." (...) Anger suspended her bewilderment and dulled the pain of her disgrace (...) She wished terribly that she could go mad so that everyone would be sorry for her; she wished she was just a raving lunatic waiting to be let off, not a stupid little fool of a radical actress (...) (part I, chapter 7)

So now I lye by Day and toss or rave by Night, since the ratling and perpetual Hum of the Town deny me rest: just as Madness and Phrensy are the vapours which rise from the lower Faculties, so the Chaos of the Streets reaches up even to the very Closet here and I am whirl'd about by cries of Knives to Grind and Here are your Mouse-Traps. I was last night about to enter the Shaddowe of Rest when a Watch-man, half-drunken, thumps at the Door with his Past Three-a-clock and his Rainy Wet Morning. And when at length I slipp'd into Sleep I had no sooner forgot my present Distemper than I was plunged into a worse: I dreamd my self to be lying in a small place under ground, like unto a Grave, and my Body was all broken while others sung. And there was a Face that did so terrifie me that I had like to have expired in my Dream. Well, I will say no more.

And who would not risk its terrors to gain its raptures? Ah, what raptures they were! The mere recollection thrills you. How delicious it was to tell her that you loved her, that you lived for her, that you would die for her! How you did rave, to be sure, what floods of extravagant nonsense you poured forth, and oh, how cruel it was of her to pretend not to believe you! '''In what awe you stood of her! How miserable you were when you had offended her! And yet, how pleasant to be bullied by her and to sue for pardon without having the slightest notion of what your fault was! How dark the world was when she snubbed you, as she often did, the little rogue, just to see you look wretched; how sunny when she smiled! How jealous you were of every one about her! How you hated every man she shook hands with, every woman she kissed—the maid that did her hair, the boy that cleaned her shoes, the dog she nursed—though you had to be respectful to the last-named! How you looked forward to seeing her, how stupid you were when you did see her, staring at her without saying a word! How impossible it was for you to go out at any time of the day or night without finding yourself eventually opposite her windows!

We all choose the terms of the desperate bargains we make with the powers that may be, which baseless beliefs and decaying wisdoms we cling to, and which we discard as superstition or sorcery or the ravings of misguided zealots. Which is to say: it may not make sense all the way, but it makes sense enough.

...he would tell stories about the Holy City, about Solomon, a just king, a poet-king, a monarch with a thousand concubines. We weren't quite sure what concubines were, but we guessed: a concubine ... Concubines! One thousand! One thousand women in all colours and shapes - but all of them sexy, of course - one thousand - one thousand raving beauties lying side by side on a bed (what a bed! How wide it must have been!), all of them smiling, all of them reaching out their arms, all of them saying something in Hebrew - but the meaning was unmistakeable - "Come here, sweety." One thousand women. If one were to spend twenty, or fifteen minutes with each one of them, how long would it take to...? A problem that our math teacher never assigned us for homework...!

No other speaker at that convention was allowed to ignore the time limit laid out for him in the split-second script, but Goldwater was encouraged to rave and snarl at the cameras until he ran out of things to say. His speech set the tone for the whole convention, and his only real competition was Ronald Reagan. Compared to those two, both Agnew and Nixon sounded like bleeding-heart liberals.

Anything Bunny wrote was bound to be alarmingly original, since he began with such odd working materials and managed to alter them further by his befuddled scrutiny, but the John Donne paper must have been the worst of all the bad papers he ever wrote (ironic, given that it was the only thing he ever wrote that saw print. After he disappeared, a journalist asked for an excerpt from the missing young scholar's work and Marion gave him a copy of it, a laboriously edited paragraph of which eventually found its way into People magazine). Somewhere, Bunny had heard that John Donne had been acquainted with Izaak Walton, and in some dim corridor of his mind this friendship grew larger and larger, until in his mind the two men were practically interchangeable. We never understood how this fatal connection had established itself: Henry blamed it on Men of Thought and Deed, but no one knew for sure. A week or two before the paper was due, he had started showing up in my room about two or three in the morning, looking as if he had just narrowly escaped some natural disaster, his tie askew and his eyes wild and rolling. 'Hello, hello,' he would say, stepping in, running both hands through his disordered hair. 'Hope I didn't wake you, don't mind if I cut on the lights, do you, ah, here we go, yes, yes…' He would turn on the lights and then pace back and forth for a while without taking off his coat, hands clasped behind his back, shaking his head. Finally he would stop dead in his tracks and say, with a desperate look in his eye: 'Metahemeralism. Tell me about it. Everything you know. I gotta know something about metahemeralism.' 'I'm sorry. I don't know what that is.' 'I don't either,' Bunny would say brokenly. 'Got to do with art or pastoralism or something. That's how I gotta tie together John Donne and Izaak Walton, see.' He would resume pacing. 'Donne. Walton. Metahemeralism. That's the problem as I see it.' 'Bunny, I don't think "metahemeralism" is even a word.' 'Sure it is. Comes from the Latin. Has to do with irony and the pastoral. Yeah. That's it. Painting or sculpture or something, maybe.' 'Is it in the dictionary?' 'Dunno. Don't know how to spell it. I mean' – he made a picture frame with his hands – 'the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here, see?' And so it would go, for sometimes half an hour or more, with Bunny raving about fishing, and sonnets, and heaven knew what, until in the middle of his monologue he would be struck by a brilliant thought and bluster off as suddenly as he had descended. He finished the paper four days before the deadline and ran around showing it to everyone before he turned it in. 'This is a nice paper, Bun -,' Charles said cautiously. 'Thanks, thanks.' 'But don't you think you ought to mention John Donne more often? Wasn't that your assignment?' 'Oh, Donne,' Bunny had said scoffingly. 'I don't want to drag him into this.' Henry refused to read it. 'I'm sure it's over my head, Bunny, really,' he said, glancing over the first page. 'Say, what's wrong with this type?' 'Triple-spaced it,' said Bunny proudly. 'These lines are about an inch apart.' 'Looks kind of like free verse, doesn't it?' Henry made a funny little snorting noise through his nose. 'Looks kind of like a menu,' he said. All I remember about the paper was that it ended with the sentence 'And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.' We wondered if he would fail.

Telling me I’m pretty is nice and all, but if you really want to make my day, tell me I inspired you to read a book. Say you picked up a novel I’ve raved about and that you fell in love with it, too. Or tell me the time we spent reading aloud together was one of your favorite moments. Ask me to read to you, and beg for another chapter. This will fill me with indescribable joy and purpose. And if you really want to make me speechless with wonder, tell me it was MY words and MY story you enjoyed. Tell me you shed tears over the things my characters went through, and that you’re just a little bit in love with them, too. I might never recover. I will carry those words around in my heart for the rest of my life, like a talisman against all past and future criticisms. That’s how important stories are to me.

Q: What are in your eyes the major defects in the West? A: The West has come to regard the values of freedom, the yardstick of human rights, as something Western. Many of them [westerns] specially in Europe take the values and the institutions on freedom, the institutions on science, curiosity, the individual, i mean, the rule of law and they’ve come to take that all for granted that they are not aware of the threat against it and not aware of the fact that you have to sustain it day by day as with all man made things. I mean, a building for example, the roof will leak, the paint will fall and you have to repaint it, you have to maintain it all the time it seems that people have forgotten that and perhaps part of the reason is because the generation that is now enjoying all the freedoms in the West is not the generations that built it; these are generations that inherited and like companies, family companies, often you’ll see the first generation or the second generation are almost always more passionate about the brand and the family company and name and keeping it all int he family and then the third generation live, use, take the money and they are either overtaken by bigger companies, swallowed up or they go bankrupt and I think there is an analogy there in that the generations after the second world war living today in Europe, United States may be different but I’m here much too short to say anything about it, is that there are people who are so complacent, they’ve always been free, they just no longer know what it is that freedom costs and for me that would be making the big mistake and you can see it. The education system in Europe where history is no longer an obligatory subject, science is no longer an obligatory subject, school systems have become about, look at Holland, our country where they have allowed parents, in the name of freedom, to build their own schools that we now have schools founded on what the child wants so if the child wants to play all day long then that is an individual freedom of the child and so it’s up to the child to decide whether to do math or to clay and now in our country in Holland, in the name of freedom of education, the state pays for these schools and I was raving against muslim schools and i thought about this cuz i was like you know ok in muslin schools at least they learn to count.

The Sabbat arose as a conspiracy to destroy the rotten edifice of Church and State, meeting on the heath to avoid the gaze of authority, guised in anonymity and foreboding. This revolutionized the nature of witchcraft, regardless of the pre-existence of the Sabbat form. I do not simply refer here to the inspiring fantasies of Jules Michelet, but the important modern work of Silvia Federici. We see the same attacks on freedom of assembly in the destruction of the free festivals, rave culture and the occupy movement. These have been met by the masked Anonymous, the faceless black bloc anarchists, the direct actions of the ELF. These are expressions of popular witchcraft and have been persecuted by the same inquisition that came for us. I do not say that these are examples of operative witchcraft, I say that we, the people who are the Witchcraft, have a sacred duty to join this war. We need to celebrate Grand Sabbats again, infuse them with our witchblood, our cunning.

But the thing is, you raved and you bitched when you came home about the stupidity of audiences. The goddam ‘unskilled laughter’ coming from the fifth row. And that’s right, that’s right—God knows it’s depressing. I’m not saying it isn’t. But that’s none of your business, really. That’s none of your business, Franny. An artist’s only concern is to shoot for some kind of perfection, and on his own terms, not anyone else’s. You have no right to think about those things, I swear to you. Not in any real sense, anyway. You know what I mean?

Frances in turn was seen as “the senior all the sophomores wanted to be,” remembers Elaine St. Johns, who included her mother among the sophomores. Adela herself quoted others as saying, “It doesn’t seem quite fair that Frances Marion, along with everything else, should be beautiful too,” and Mary Anita Loos says her Aunt Anita had the same perception. “Without using the word envy, I think she felt Frances Marion had a lot that she didn’t have. Frances was a raving beauty and she was also very happily married and immensely successful and innovative in her work. She was a legend among writers as well as the people in general.

From: James Grayson To: Luke Whitford Dec 12 I sucked him off again. From: Luke Whitford To: James Grayson Dec 12 What? Details, mate! Were you drunk again? From: James Grayson To: Luke Whitford Dec 12 We weren’t drunk. It was a normal evening. We were just hanging out, played some video games, had a pizza—you know, all the normal things. And then…then I was on my knees again. Honestly, I don’t know how it happened! He didn’t say a word. We looked at each other and I just dropped to my knees in front of him. And he let me. He let me, Luke! I know we should have talked first, should have said something, but I couldn’t. I was scared to freak him out. I could feel how tense he was. He just stared at me hard, his face totally impossible to read. So I went for it. Fuck, it was the hottest thing I’ve ever done. Now I understand why people say that sex is better with someone you love. I’d never understood those people who raved about sucking dick, but Jesus, I could spend days sucking Ryan’s. And he got really rough, you know. Like, he fucked my mouth, not just passively allowed me to blow him. From: Luke Whitford To: James Grayson Dec 12 Okaaay. Let’s pretend this isn’t awkward at all and I’m not turned on. What happened after that? You couldn’t have passed out again. You weren’t drunk this time.

One girl raved about a nice voice mail a guy had recently left her. I kindly requested she play it and heard this gem: “Hey, Lydia. It’s Sam. Just calling to say what’s up. Gimme a ring when you get a chance.” THAT WAS IT. I pleaded to know what was so great about this. She sweetly recalled that “he remembered my name, he said hi, and he told me to call him back.” Never mind the fact that what she described was the content of LITERALLY EVERY VOICE MAIL IN HISTORY. Name, hello, please call back. Not really a boatload of charm on display. To fail this test, a guy would have to leave a message that said: “No greeting. This is a man. I don’t remember you. End communication.” When

Ah! Gentle, gracious Dove, And art thou grieved in me, That sinners should restrain thy love, And say, “It is not free: It is not free for all: The most, thou passest by, And mockest with a fruitless call Whom thou hast doomed to die.” They think thee not sincere In giving each his day, “ Thou only draw’st the sinner near To cast him quite away, To aggravate his sin, His sure damnation seal: Thou show’st him heaven, and say’st, go in And thrusts him into hell.” O HORRIBLE DECREE Worthy of whence it came! Forgive their hellish blasphemy Who charge it on the Lamb: Whose pity him inclined To leave his throne above, The friend, and Saviour of mankind, The God of grace, and love. O gracious, loving Lord, I feel thy bowels yearn; For those who slight the gospel word I share in thy concern: How art thou grieved to be By ransomed worms withstood! How dost thou bleed afresh to see Them trample on thy blood! To limit thee they dare, Blaspheme thee to thy face, Deny their fellow-worms a share In thy redeeming grace: All for their own they take, Thy righteousness engross, Of none effect to most they make The merits of thy cross. Sinners, abhor the fiend: His other gospel hear— “The God of truth did not intend The thing his words declare, He offers grace to all, Which most cannot embrace, Mocked with an ineffectual call And insufficient grace. “The righteous God consigned Them over to their doom, And sent the Saviour of mankind To damn them from the womb; To damn for falling short, “Of what they could not do, For not believing the report Of that which was not true. “The God of love passed by The most of those that fell, Ordained poor reprobates to die, And forced them into hell.” “He did not do the deed” (Some have more mildly raved) “He did not damn them—but decreed They never should be saved. “He did not them bereave Of life, or stop their breath, His grace he only would not give, And starved their souls to death.” Satanic sophistry! But still, all-gracious God, They charge the sinner’s death on thee, Who bought’st him with thy blood. They think with shrieks and cries To please the Lord of hosts, And offer thee, in sacrifice Millions of slaughtered ghosts: With newborn babes they fill The dire infernal shade, “For such,” they say, “was thy great will, Before the world was made.” How long, O God, how long Shall Satan’s rage proceed! Wilt thou not soon avenge the wrong, And crush the serpent’s head? Surely thou shalt at last Bruise him beneath our feet: The devil and his doctrine cast Into the burning pit. Arise, O God, arise, Thy glorious truth maintain, Hold forth the bloody sacrifice, For every sinner slain! Defend thy mercy’s cause, Thy grace divinely free, Lift up the standard of thy cross, Draw all men unto thee. O vindicate thy grace, Which every soul may prove, Us in thy arms of love embrace, Of everlasting love. Give the pure gospel word, Thy preachers multiply, Let all confess their common Lord, And dare for him to die. My life I here present, My heart’s last drop of blood, O let it all be freely spent In proof that thou art good, Art good to all that breathe, Who all may pardon have: Thou willest not the sinner’s death, But all the world wouldst save. O take me at my word, But arm me with thy power, Then call me forth to suffer, Lord, To meet the fiery hour: In death will I proclaim That all may hear thy call, And clap my hands amidst the flame, And shout,—HE DIED FOR ALL

Mother Kite once sent her daughter to bring food. She went, and brought back a duckling. ‘You have done very well,’ said Mother Kite to her daughter, ‘but tell me, what did the mother of this duckling say when you swooped and carried its child away?’ ‘It said nothing,’ replied the young kite. ‘It just walked away.’ ‘You must return the duckling,’ said Mother Kite. ‘There is something ominous behind the silence.’ And so Daughter Kite returned the duckling and took a chick instead. ‘What did the mother of this chick do?’ asked the old kite. ‘It cried and raved and cursed me,’ said the young kite. ‘Then we can eat the chick,’ said her mother. ‘There is nothing to fear from someone who shouts.

Now many crises in people’s lives occur because the hero role that they’ve assumed for one situation or set of situations no longer applies to some new situation that comes up, or–the same thing in effect–because they haven’t the imagination to distort the new situation to fit their old role. This happens to parents, for instance, when their children grow older, and to lovers when one of them begins to dislike the other. If the new situation is too overpowering to ignore, and they can’t find a mask to meet it with, they may become schizophrenic–a last-resort mask–or simply shattered. All questions of integrity involve this consideration, because a man’s integrity consists in being faithful to the script he’s written for himself. “I’ve said you’re too unstable to play any one part all the time–you’re also too unimaginative–so for you these crises had better be met by changing scripts as often as necessary. This should come naturally to you; the important thing for you is to realize what you’re doing so you won’t get caught without a script, or with the wrong script in a given situation. You did quite well, for example, for a beginner, to walk in here so confidently and almost arrogantly a while ago, and assign me the role of a quack. But you must be able to change masks at once if by some means or other I’m able to make the one you walked in with untenable. Perhaps–I’m just suggesting an offhand possibility–you could change to thinking of me as The Sagacious Old Mentor, a kind of Machiavellian Nestor, say, and yourself as The Ingenuous But Promising Young Protégé, a young Alexander, who someday will put all these teachings into practice and far outshine the master. Do you get the idea? Or–this is repugnant, but it could be used as a last resort–The Silently Indignant Young Man, who tolerates the ravings of a Senile Crank but who will leave this house unsullied by them. I call this repugnant because if you ever used it you’d cut yourself off from much that you haven’t learned yet. “It’s extremely important that you learn to assume these masks wholeheartedly. Don’t think there’s anything behind them: ego means I, and I means ego, and the ego by definition is a mask. Where there’s no ego–this is you on the bench–there’s no I. If you sometimes have the feeling that your mask is insincere–impossible word!–it’s only because one of your masks is incompatible with another. You mustn’t put on two at a time. There’s a source of conflict, and conflict between masks, like absence of masks, is a source of immobility. The more sharply you can dramatize your situation, and define your own role and everybody else’s role, the safer you’ll be. It doesn’t matter in Mythotherapy for paralytics whether your role is major or minor, as long as it’s clearly conceived, but in the nature of things it’ll normally be major. Now say something.

One way to get a life and keep it is to put energy into being an S&M (success and money) queen. I first heard this term in Karen Salmansohn’s fabulous book The 30-Day Plan to Whip Your Career Into Submission. Here’s how to do it: be a star at work. I don’t care if you flip burgers at McDonald’s or run a Fortune 500 company. Do everything with totality and excellence. Show up on time, all the time. Do what you say you will do. Contribute ideas. Take care of the people around you. Solve problems. Be an agent for change. Invest in being the best in your industry or the best in the world! If you’ve been thinking about changing professions, that’s even more reason to be a star at your current job. Operating with excellence now will get you back up to speed mentally and energetically so you can hit the ground running in your new position. It will also create good karma. When and if you finally do leave, your current employers will be happy to support you with a great reference and often leave an open door for additional work in the future. If you’re an entrepreneur, look at ways to enhance your business. Is there a new product or service you’ve wanted to offer? How can you create raving fans by making your customer service sparkle? How can you reach more people with your product or service? Can you impact thousands or even millions more? Let’s not forget the M in S&M. Getting a life and keeping it includes having strong financial health as well. This area is crucial because many women delay taking charge of their financial lives as they believe (or have been culturally conditioned to believe) that a man will come along and take care of it for them. This is a setup for disaster. You are an intelligent and capable woman. If you want to fully unleash your irresistibility, invest in your financial health now and don’t stop once you get involved in a relationship. If money management is a challenge for you, I highly recommend my favorite financial coach: David Bach. He is the bestselling author of many books, including The Automatic Millionaire, Smart Women Finish Rich, and Smart Couples Finish Rich. His advice is clear-cut and straightforward, and, most important, it works.

The Dying Man" in memoriam W.B. Yeats 1. His words I heard a dying man Say to his gathered kin, “My soul’s hung out to dry, Like a fresh salted skin; I doubt I’ll use it again. “What’s done is yet to come; The flesh deserts the bone, But a kiss widens the rose I know, as the dying know Eternity is Now. “A man sees, as he dies, Death’s possibilities; My heart sways with the world. I am that final thing, A man learning to sing. 2. What Now? Caught in the dying light, I thought myself reborn. My hand turn into hooves. I wear the leaden weight Of what I did not do. Places great with their dead, The mire, the sodden wood, Remind me to stay alive. I am the clumsy man The instant ages on. I burned the flesh away, In love, in lively May. I turn my look upon Another shape than hers Now, as the casement blurs. In the worst night of my will, I dared to question all, And would the same again. What’s beating at the gate? Who’s come can wait. 3. The Wall A ghost comes out of the unconscious mind To grope my sill: It moans to be reborn! The figure at my back is not my friend; The hand upon my shoulder turns to horn. I found my father when I did my work, Only to lose myself in this small dark. Though it reject dry borders of the seen, What sensual eye can keep and image pure, Leaning across a sill to greet the dawn? A slow growth is a hard thing to endure. When figures our of obscure shadow rave, All sensual love’s but dancing on a grave. The wall has entered: I must love the wall, A madman staring at perpetual night, A spirit raging at the visible. I breathe alone until my dark is bright. Dawn’s where the white is. Who would know the dawn When there’s a dazzling dark behind the sun. 4. The Exulting Once I delighted in a single tree; The loose air sent me running like a child– I love the world; I want more than the world, Or after image of the inner eye. Flesh cries to flesh, and bone cries out to bone; I die into this life, alone yet not alone. Was it a god his suffering renewed?– I saw my father shrinking in his skin; He turned his face: there was another man, Walking the edge, loquacious, unafraid. He quivered like a bird in birdless air, Yet dared to fix his vision anywhere. Fish feed on fish, according to their need: My enemies renew me, and my blood Beats slower in my careless solitude. I bare a wound, and dare myself to bleed. I think a bird, and it begins to fly. By dying daily, I have come to be. All exultation is a dangerous thing. I see you, love, I see you in a dream; I hear a noise of bees, a trellis hum, And that slow humming rises into song. A breath is but a breath: I have the earth; I shall undo all dying with my death. 5. They Sing, They Sing All women loved dance in a dying light– The moon’s my mother: how I love the moon! Out of her place she comes, a dolphin one, Then settles back to shade and the long night. A beast cries out as if its flesh were torn, And that cry takes me back where I was born. Who thought love but a motion in the mind? Am I but nothing, leaning towards a thing? I scare myself with sighing, or I’ll sing; Descend O gentlest light, descend, descend. I sweet field far ahead, I hear your birds, They sing, they sing, but still in minor thirds. I’ve the lark’s word for it, who sings alone: What’s seen recededs; Forever’s what we know!– Eternity defined, and strewn with straw, The fury of the slug beneath the stone. The vision moves, and yet remains the same. In heaven’s praise, I dread the thing I am. The edges of the summit still appall When we brood on the dead or the beloved; Nor can imagination do it all In this last place of light: he dares to live Who stops being a bird, yet beats his wings Against the immense immeasurable emptiness of things.

Metahemeralism. Tell me about it. Everything you know. I gotta know something about metahemeralism." "I'm sorry. I don't know what that is." "I don't either," Bunny would say brokenly. "Got to do with art or pastoralism or something. That's how I gotta tie together John Donne and Izaak Walton, see." He would resume pacing. "Donne. Walton. Metahemeralism. That's the problem as I see it." "Bunny, I don't think "metahemeralism" is even a word." "Sure it is. Comes from the Latin. Has to do with irony and the pastoral. Yeah. That's it. Painting or sculpture or something, maybe." "Is it in the dictionary?" "Dunno. Don't know how to spell it. I mean" — he made a picture frame with his hands — "the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here, see?" And so it would go on, for sometimes half an hour or more, with Bunny raving about fishing, and sonnets, and heaven knew what, until in the middle of his monologue he would be struck by a brilliant thought and bluster off as suddenly as he had descended. He finished the paper four days before the deadline and ran around showing it to everyone before he turned it in. "This is a nice paper, Bun — ," Charles said cautiously. "Thanks, thanks." "But don't you think you ought to mention John Donne more often? Wasn't that your assignment?" "Oh, Donne," Bunny had said scoffingly. "I don't want to drag him into this." Henry had refused to read it. "I'm sure it's over my head, Bunny, really," he said, glancing over the first page. "Say, what's wrong with this type?" "Tripled spaced it," said Bunny proudly. "These lines are about an inch apart." "Looks kind of like free verse, doesn't it?" Henry made a funny little snorting noise through his nose. "Looks kind of like a menu," he said. All I remember about the paper was that it ended with the sentence "And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.

Zamyotov.” “Zamyotov?… The clerk?… What for?” Raskolnikov quickly turned and fixed his eyes on Razumikhin. “But what’s wrong with … Why be so worried? He wanted to make your acquaintance; he wanted it himself, because I talked about you a lot with him … Otherwise, who would have told me so much about you? He’s a nice fellow, brother, quite a wonderful one … in his own way, naturally. We’re friends now; we see each other almost every day. Because I’ve moved into this neighborhood. You didn’t know yet? I’ve just moved. We’ve called on Laviza twice. Remember Laviza, Laviza Ivanovna?” “Was I raving about something?” “Sure enough! You were out of your mind, sir.” “What did I rave about?” “Come now! What did he rave about? You know what people rave about … Well, brother, let’s not waste any more time. To business!” He got up from his chair and grabbed his cap. “What did I rave about?” “You just won’t let go! Afraid about some secret, are you? Don’t worry, you didn’t say anything about the countess. But about some bulldog, and about

And thank you for bringing me." "A pleasure." Bartel returned politely, and stole one last look at the incredible smiling Hairy. Rider stood. Though he was relieved to hear that she planned on staying for a while, he was glad for an excuse to escape his landlady's inquisition. "I'll give you a hand, Bartel." Just short of grabbing the older man's arm, he hustled him out the door. Once outside, bartel chortled jovially. "Ease up,son. She isn't coming after us." Rider exhaled deeply and grinned. "Who put the burr under the lady's saddle?" he asked as they approached the carriage. "Don't know, but she came flying into my store saying she had to get out here and get out here now! I tried to tell her I was too busy to be gallivanting all over hell's half acre, but do you think she'd listen? Uh-uh. Kept ranting and raving something 'bout Miss Willow's welfare. The woman was in a real dither all the way here." Rider groaned. Bartel slapped his back. "I can commiserate with you,son. There isn't anything scarier than a virtuous woman on a crusade.

5And David went out  fand was successful wherever Saul sent him, so that Saul set him over the men of war. And this was good in the sight of all the people and also in the sight of Saul’s servants. Saul’s Jealousy of David 6As they were coming home, when David returned from striking down the Philistine,  gthe women came out of all the cities of Israel, singing and dancing, to meet King Saul, with tambourines, with songs of joy, and with musical instruments. [1] 7And the women  hsang to one another as they celebrated, i“Saul has struck down his thousands, and David his ten thousands.” 8And Saul was very angry, and this saying displeased him. He said, “They have ascribed to David ten thousands, and to me they have ascribed thousands, and what more can he have but  jthe kingdom?” 9And Saul eyed David from that day on. 10The next day  ka harmful spirit from God rushed upon Saul, and  lhe raved within his house while David was  mplaying the lyre, as he did day by day.  nSaul had his spear in his hand. 11And Saul  ohurled the spear, for he thought, “I will pin David to the wall.” But David evaded him twice. 12

Well, now, if we’d known we were going to have such…ah…gra…that is, illustrious company, we’d have-“ “Swept off the chairs?” Lucinda suggested acidly. “Shoveled off the floor?” “Lucinda!” Elizabeth whispered desperately. “They didn’t know we were coming.” “No respectable person would dwell in such a place even for a night,” she snapped, and Elizabeth watched in mingled distress and admiration as the redoubtable woman turned around and directed her attack on their unwilling host. “The responsibility for our being here is yours, whether it was a mistake or not! I shall expect you to rout your servants from their hiding places and have them bring clean linens up to us at once. I shall also expect them to have this squalor remedied by morning! It is obvious from your behavior that you are no gentleman; however, we are ladies, and we shall expect to be treated as such.” From the corner of her eye Elizabeth had been watching Ian Thornton, who was listening to all of this, his jaw rigid, a muscle beginning to twitch dangerously in the side of his neck. Lucinda, however, was either unaware of or unconcerned with his reaction, for, as she picked up her skirts and turned toward the stairs, she turned on Jake. “You may show us to our chambers. We wish to retire.” “Retire!” cried Jake, thunderstruck. “But-but what about supper?” he sputtered. “You may bring it up to us.” Elizabeth saw the blank look on Jake’s face, and she endeavored to translate, politely, what the irate woman was saying to the startled red-haired man. “What Miss Throckmorton-Jones means is that we’re rather exhausted from our trip and not very good company, sir, and so we prefer to dine in our rooms.” “You will dine,” Ian Thornton said in an awful voice that made Elizabeth freeze, “on what you cook for yourself, madam. If you want clean linens, you’ll get them yourself from the cabinet. If you want clean rooms, clean them! Am I making myself clear?” “Perfectly!” Elizabeth began furiously, but Lucinda interrupted in a voice shaking with ire: “Are you suggesting, sirrah, that we are to do the work of servants?” Ian’s experience with the ton and with Elizabeth had given him a lively contempt for ambitious, shallow, self-indulgent young women whose single goal in life was to acquire as many gowns and jewels as possible with the least amount of effort, and he aimed his attack at Elizabeth. “I am suggesting that you look after yourself for the first time in your silly, aimless life. In return for that, I am willing to give you a roof over your head and to share our food with you until I can get you to the village. If that is too overwhelming a task for you, then my original invitation still stands: There’s the door. Use it!” Elizabeth knew the man was irrational, and it wasn’t worth riling herself to reply to him, so she turned instead to Lucinda. “Lucinda,” she said with weary resignation, “do not upset yourself by trying to make Mr. Thornton understand that his mistake has inconvenienced us, not the other way around. You will only waste your time. A gentleman of breeding would be perfectly able to understand that he should be apologizing instead of ranting and raving. However, as I told you before we came here, Mr. Thornton is no gentleman. The simple fact is that he enjoys humiliating people, and he will continue trying to humiliate us for as long as we stand here.” Elizabeth cast a look of well-bred disdain over Ian and said, “Good night, Mr. Thornton.” Turning, she softened her voice a little and said, “Good evening, Mr. Wiley.

Every church became a theatre, where orators, instead of church teachers, harangued, caring not to instruct the people, but striving to attract admiration, to bring opponents to public scorn, and to preach only novelties and paradoxes, such as would tickle the ears of their congregation. This state of things necessarily stirred up an amount of controversy, envy, and hatred, which no lapse of time could appease; so that we can scarcely wonder that of the old religion nothing survives but its outward forms (even these, in the mouth of the multitude, seem rather adulation than adoration of the Deity), and that faith has become a mere compound of credulity and prejudices—aye, prejudices too, which degrade man from rational being to beast, which completely stifle the power of judgment between true and false, which seem, in fact, carefully fostered for the purpose of extinguishing the last spark of reason! Piety, great God! and religion are become a tissue of ridiculous mysteries; men, who flatly despise reason, who reject and turn away from understanding as naturally corrupt, these, I say, these of all men, are thought, O lie most horrible! to possess light from on High. Verily, if they had but one spark of light from on High, they would not insolently rave, but would learn to worship God more wisely, and would be as marked among their fellows for mercy as they now are for malice; if they were concerned for their opponents’ souls, instead of for their own reputations, they would no longer fiercely persecute, but rather be filled with pity and compassion. Furthermore, if any Divine light were in them, it would appear from their doctrine. I grant that they are never tired of professing their wonder at the profound mysteries of Holy Writ; still I cannot discover that they teach anything but speculations of Platonists and Aristotelians, to which (in order to save their credit for Christianity) they have made Holy Writ conform; not content to rave with the Greeks themselves, they want to make the prophets rave also; showing conclusively, that never even in sleep have they caught a glimpse of Scripture’s Divine nature. The very vehemence of their admiration for the mysteries plainly attests, that their belief in the Bible is a formal assent rather than a living faith: and the fact is made still more apparent by their laying down beforehand, as a foundation for the study and true interpretation of Scripture, the principle that it is in every passage true and divine.

There is a kind of unspoken collusion going on in mainstream science education: you get your competent but bored, insecure and hence stodgy teacher talking to an audience divided between engineering students, who are going to be responsible for making bridges that won’t fall down or airplanes that won’t suddenly plunge vertically into the ground at six hundred miles an hour, and who by definition get sweaty palms and vindictive attitudes when their teacher suddenly veers off track and begins raving about wild and completely nonintuitive phenomena; and physics students, who derive much of their self-esteem from knowing that they are smarter and morally purer than the engineering students, and who by definition don’t want to hear about anything that makes no fucking sense. This collusion results in the professor saying: (something along the lines of) dust is heavier than air, therefore it falls until it hits the ground. That’s all there is to know about dust. The engineers love it because they like their issues dead and crucified like butterflies under glass. The physicists love it because they want to think they understand everything. No one asks difficult questions. And outside the windows, the dust devils continue to gambol across the campus.

London is the worst. Lawrence realised this in 1916: London was ‘so foul’, he reckoned, that ‘one would die in it in a fortnight’. Since then it’s got even worse. Now it’s the world capital of flu. The sky in London drizzles flu, it rains flu. People from all over the world go there and get flu. Whether they come to see the changing of the guard, or to take ecstasy at raves, they all end up getting flu. Those who work in London are all either going down with flu, recovering from flu, or in the grip of flu – even though most of the people going down with flu, recovering from flu or in the grip of flu don’t have flu at all. What they’re actually suffering from is verbal inflation because no one says they have a cold any more, it’s always flu. If people have a cold they say they have flu; if they say they have a cold it means there’s nothing wrong with them. Flu and cold are becoming interchangeable. We say flu when we mean cold but we say flu when we mean flu because no one wants to say they have pneumonia when all they’ve got is flu because if you say you have pneumonia people might think you have AIDS. It’s even possible that people who do have pneumonia call it flu so that flu now runs the whole gamut of illness from the common cold upwards. To say we have flu is merely to express the common condition of urban life at the tail-end of the twentieth century.

Tonight, however, Dickens struck him in a different light. Beneath the author’s sentimental pity for the weak and helpless, he could discern a revolting pleasure in cruelty and suffering, while the grotesque figures of the people in Cruikshank’s illustrations revealed too clearly the hideous distortions of their souls. What had seemed humorous now appeared diabolic, and in disgust at these two favourites he turned to Walter Pater for the repose and dignity of a classic spirit. But presently he wondered if this spirit were not in itself of a marble quality, frigid and lifeless, contrary to the purpose of nature. ‘I have often thought’, he said to himself, ‘that there is something evil in the austere worship of beauty for its own sake.’ He had never thought so before, but he liked to think that this impulse of fancy was the result of mature consideration, and with this satisfaction he composed himself for sleep. He woke two or three times in the night, an unusual occurrence, but he was glad of it, for each time he had been dreaming horribly of these blameless Victorian works… It turned out to be the Boy’s Gulliver’s Travels that Granny had given him, and Dicky had at last to explain his rage with the devil who wrote it to show that men were worse than beasts and the human race a washout. A boy who never had good school reports had no right to be so morbidly sensitive as to penetrate to the underlying cynicism of Swift’s delightful fable, and that moreover in the bright and carefully expurgated edition they bring out nowadays. Mr Corbett could not say he had ever noticed the cynicism himself, though he knew from the critical books it must be there, and with some annoyance he advised his son to take out a nice bright modern boy’s adventure story that could not depress anybody. Mr Corbett soon found that he too was ‘off reading’. Every new book seemed to him weak, tasteless and insipid; while his old and familiar books were depressing or even, in some obscure way, disgusting. Authors must all be filthy-minded; they probably wrote what they dared not express in their lives. Stevenson had said that literature was a morbid secretion; he read Stevenson again to discover his peculiar morbidity, and detected in his essays a self-pity masquerading as courage, and in Treasure Island an invalid’s sickly attraction to brutality. This gave him a zest to find out what he disliked so much, and his taste for reading revived as he explored with relish the hidden infirmities of minds that had been valued by fools as great and noble. He saw Jane Austen and Charlotte Brontë as two unpleasant examples of spinsterhood; the one as a prying, sub-acid busybody in everyone else’s flirtations, the other as a raving, craving maenad seeking self-immolation on the altar of her frustrated passions. He compared Wordsworth’s love of nature to the monstrous egoism of an ancient bellwether, isolated from the flock.

Some pastors are lazy and no good” by Martin Luther “Some pastors and preachers are lazy and no good. They rely on these and other good books to get a sermon out of them. They do not pray; they do not study; they do not read; they do not search the Scripture. It is just as if there were no need to read the Bible for this purpose. They use such books as offer them homiletical help in order to earn their yearly living; they are nothing but parrots and jackdaws, which learn to repeat without understanding, though our purpose and the purpose of these theologians is to direct preachers to Scripture with such books and exhort them to plan to defend our Christian faith after death, against the devil, the world, and the flesh… Therefore the call is: Watch, study, attend to reading. In truth, you cannot read too much in Scripture; and what you read you cannot read too carefully, and what you read carefully you cannot understand too well, and what you understand well you cannot teach too well, and what you teach well you cannot live too well. Believe a man who has found this out. It is the devil, it is the world, it is our flesh that are raging and raving against us. Therefore, dear sirs and brethren, pastors and preachers, pray, read, study, be diligent. Truly, this evil, shameful time is not the season for being lazy, for sleeping and snoring. Use the gift that has been entrusted to you, and reveal the mystery of Christ.” –Martin Luther, What Luther Says: An Anthology, comp. Ewald M. Plass (St. Louis: Concordia Publishing House, 1959), entry no. 3547, 1110.

Are we dead now?" Will said to the boatman. "Makes no difference," he said. "There's some that came here never believing they were dead. They insisted all the way that they were alive, it was a mistake, someone would have to pay; made no difference. There's others who longed to be dead when they were alive, poor souls; lives full of pain and misery; killed themselves for a chance of a blessed rest, and found that nothing had changed except for the worse, and this time there was no escape; you can't make yourself alive again. And there's been others so frail and sickly, little infants, sometimes, that were scarcely born in to the living before they come down to the dead. I've rowed this boat with a little crying baby on my lap many, many times, that never knew the difference between up there and down here. And old folk, too, the rich ones are the worst, snarling and savage and cursing me, railing and screaming: what did I think I was? Hadn't they gathered and saved all the gold they could garner? Wouldn't I take some now, to put them back ashore? They'd have the law on me, they had powerful friends, they knew the Pope and the king of this and the duke of that, they were in a position to see I was punished and chastised...But they knew what the truth was in the end: the only position they were in was in my boat going to the land of the dead, and as for those kings and Pope,s they'd be in here, too, in their turn, sooner than they wanted. I let 'em cry and rave; they can't hurt me; the fall silent in the end. So if you don't know whether you're dead or not, and the little girls swears blind she'll come out again to the living, I say nothing to contradict you. What you are, you'll know soon enough.

Every once in a while at a restaurant, the dish you order looks so good, you don't even know where to begin tackling it. Such are HOME/MADE's scrambles. There are four simple options- my favorite is the smoked salmon, goat cheese, and dill- along with the occasional special or seasonal flavor, and they're served with soft, savory home fries and slabs of grilled walnut bread. Let's break it down: The scramble: Monica, who doesn't even like eggs, created these sublime scrambles with a specific and studied technique. "We whisk the hell out of them," she says, ticking off her methodology on her fingers. "We use cream, not milk. And we keep turning them and turning them until they're fluffy and in one piece, not broken into bits of egg." The toast: While the rave-worthiness of toast usually boils down to the quality of the bread, HOME/MADE takes it a step further. "The flame char is my happiness," the chef explains of her preference for grilling bread instead of toasting it, as 99 percent of restaurants do. That it's walnut bread from Balthazar, one of the city's best French bakeries, doesn't hurt. The home fries, or roasted potatoes as Monica insists on calling them, abiding by chefs' definitions of home fries (small fried chunks of potatoes) versus hash browns (shredded potatoes fried greasy on the griddle) versus roasted potatoes (roasted in the oven instead of fried on the stove top): "My potatoes I've been making for a hundred years," she says with a smile (really, it's been about twenty). The recipe came when she was roasting potatoes early on in her career and thought they were too bland. She didn't want to just keep adding salt so instead she reached for the mustard, which her mom always used on fries. "It just was everything," she says of the tangy, vinegary flavor the French condiment lent to her spuds. Along with the new potatoes, mustard, and herbs de Provence, she uses whole jacket garlic cloves in the roasting pan. It's a simple recipe that's also "a Zen exercise," as the potatoes have to be continuously turned every fifteen minutes to get them hard and crispy on the outside and soft and billowy on the inside.

You aren’t worried about tomorrow, are you?” “What do you think?” He propped himself up on his elbows and studied my face. “You told me last spring it was the easiest thing in the whole wide world. You could hardly wait to jump. Why, even when you got sick you worried you’d die without having a chance to do it.” “I must have been a raving lunatic,” I muttered. Theo scowled, but the sound of a Model T chugging up the driveway stopped him from saying more. Its headlamps lit the trees and washed across the house. “It’s John again,” Theo said. “Papa will start charging him room and board soon.” Hidden in the shadows, we watched John jump out of the car and run up the porch steps. Hannah met him at the door. From inside the house, their laughter floated toward us as silvery as moonlight, cutting into my heart like a knife. “Hannah has a beau.” Theo sounded as if he were trying out a new word, testing it for rightness. He giggled. “Do you think she lets him kiss her?” I spat in the grass, a trick I’d learned from Edward. “Don’t be silly.” “What’s silly about smooching? When I’m old enough, I plan to kiss Marie Jenkins till our lips melt.” Making loud smacking sounds with his mouth, Theo demonstrated. Pushing him away, I wrestled him to the ground and started tickling him. As he pleaded for mercy, we heard the screen door open. Thinking Mama was about to call us inside, we broke apart and lay still. It was Hannah and John. “They’re sitting in the swing,” Theo whispered. “Come on, let’s spy on them. I bet a million zillion dollars they start spooning.” Stuffing his jar of fireflies into his shirt, Theo dropped to his knees and crawled across the lawn toward the house. I followed him, sure he was wrong. Hannah wasn’t old enough for kissing. Or silly enough. We reached the bushes beside the porch without being seen. Crouched in the dirt, we were so close I could have reached up and grabbed Hannah’s ankle. To keep from giggling, Theo pressed his hands over his mouth. Sick with jealousy, I watched John put his arm around Hannah and draw her close. As his lips met hers, I felt Theo jab my side. I teetered and lost my balance. The bushes swayed, the leaves rustled, a twig snapped under my feet. “Be quiet,” Theo hissed in my ear. “Do you want to get us killed?” We backed out of the bushes, hoping to escape, but it was too late. Leaving John in the swing, Hannah strode down the porch steps, grabbed us each by an ear, and shook us like rats. “Can’t a body have a second of privacy?

Something diseased and furry had crawled into her mouth and expired while she slept. That was the only possible explanation as to why Neve had a rancid taste in her mouth and a heavy, viscous paste coating her teeth and tongue. ‘I think I’m dying,’ she groaned. The wretched state of her mouth was the least of it. There was a pounding in her head, echoed in the roiling of her gut, and her bones ached, her vital organs ached, her throat ached, even her hair follicles ached. ‘You’re not dying,’ said a voice in her ear, which sounded like nails scraping down a blackboard, even though Max’s voice had barely risen above a whisper. ‘You’ve got a hangover.’ Neve had had hangovers before and they just made her feel a tiny bit nauseous and grouchy. This felt like the bastard child of bubonic plague and the ebola virus. ‘Dying,’ she reiterated, and now she realised that she was in bed, which had been a very comfy bed the last time she’d slept in it, but now it felt as if she was lying on a pile of rocks, and even though she had the quilt and Max’s arm tucked around her, she was still cold and clammy. Neve tried to raise her head but her gaze collided with the stripy wallpaper and as well as searing her retinas, it was making her stomach heave. ‘Sick. Going to be sick.’ ‘Sweetheart, I don’t think so,’ Max said, stroking the back of her neck with feather-soft fingers. ‘You’ve already thrown up just about everything you’ve eaten in the last week.’ ‘Urgh …’ Had she? The night before was a big gaping hole in her memory. ‘What happened?’ ‘I don’t know what happened but I got a phone call from the Head of Hotel Security at three in the morning asking me if I could identify a raving madwoman in a silver dress who couldn’t remember her room number but insisted that someone called Max Pancake was sleeping there. They thought you might be a hack from the Sunday Mirror pretending to be absolutely spannered as a way of getting into the hotel.’ ‘Oh, no …’ ‘Yeah, apparently Ronaldo’s staying in one of the penthouse suites and I saw Wayne and Coleen in the bar last night. Anyway, as you were staggering down the corridor, you told me very proudly that you’d lost your phone and you’d just eaten two pieces of KFC and a bag of chips.’ ‘KFC? Oh, God …’ ‘But I wouldn’t worry about that because after you’d tried to persuade me to have my wicked way with you, you started throwing up and you didn’t stop, not for hours. I thought you were going to sleep curled around the toilet at one point.’ ‘Goodness …

One other thing. And that's all. I promise you. But the thing is, you raved and you bitched when you came home about the stupidity of audiences. The goddam `unskilled laughter' coming from the fifth row. And that's right, that's right - God knows it's depressing. I'm not saying it isn't. But that's none of your business, really. That's none of your business, Franny. An artist's only concern is to shoot for some kind of perfection, and *on his own terms*, not anyone else's. You have no right to think about those things. I swear to you. Not in any real sense, anyway. You know what I mean?" ... The voice at the other end came through again. "I remember about the fifth time I ever went on `Wise Child'. I subbed for Walt a few times when he was in a cast - remember when he was in the case? Anyway. I started bitching one night before broadcast. Seymour'd told me to shine my shoes just as I was going out the door with Waker. I was furious. The studio audience were all morons, the announcer was a moron, the sponsors were morons, and I just damn well wasn't going to shine my shoes for them, I told Seymour. I said they couldn't see them anyway, where we sat. He said to shine them anyway. He said to shine them for the Fat Lady. I didn't know what the hell he was talking about, but he had a very Seymour look on his face, and so I did it. He never did tell me who the Fat Lady was, but I shined my shoes for the Fat Lady every time I ever went on the air again - all the years you and I were on the program together, if you remember. I don't think I missed more than just a couple of times. This terribly clear, clear picture of the Fat Lady formed in my mind. I had her sitting on this porch all day, swatting flies, with her radio going full-blast from morning till night. I figured the heat was terrible, and she probably had cancer, and - I don't know. Anyway, seemed goddam clear why Seymour wanted me to shine my shoes when I went on air. It made *sense*." ... "... Let me tell you something now, buddy ... Are you listening?" ... "I don't care where an actor acts. It can be in summer stock, in can be over a radio, it can be over television, it can be in a goddam Broadway theatre, complete with the most fashionable, most well-fed, most sunburned-looking audience you can imagine. But I'll tell you a terrible secret - Are you listening to me? *There isn't anyone out there who isn't Seymour's Fat Lady.* That goddam cousins by the dozens. There isn't anyone *any*where that isn't Seymour's Fat Lady. Don't you know that? Don't you know that goddam secret yet? And don't you know - listen to me, now - *don't you know who that Fat Lady really is?*... Ah, buddy. Ah, buddy. It's Christ Himself. Christ Himself, buddy.

One other thing. And that's all. I promise you. But the thing is, you raved and you bitched when you came home about the stupidity of audiences. The goddam `unskilled laughter' coming from the fifth row. And that's right, that's right - God knows it's depressing. I'm not saying it isn't. But that's none of your business, really. That's none of your business, Franny. An artist's only concern is to shoot for some kind of perfection, and *on his own terms*, not anyone else's. You have no right to think about those things. I swear to you. Not in any real sense, anyway. You know what I mean?" ... The voice at the other end came through again. "I remember about the fifth time I ever went on `Wise Child'. I subbed for Walt a few times when he was in a cast - remember when he was in the case? Anyway. I started bitching one night before broadcast. Seymour'd told me to shine my shoes just as I was going out the door with Waker. I was furious. The studio audience were all morons, the announcer was a moron, the sponsors were morons, and I just damn well wasn't going to shine my shoes for them, I told Seymour. I said they couldn't see them anyway, where we sat. He said to shine them anyway. He said to shine them for the Fat Lady. I didn't know what the hell he was talking about, but he had a very Seymour look on his face, and so I did it. He never did tell me who the Fat Lady was, but I shined my shoes for the Fat Lady every time I ever went on the air again - all the years you and I were on the program together, if you remember. I don't think I missed more than one just a couple of times. This terribly clear, clear picture of the Fat Lady formed in my time. I had her sitting on this porch all day, swatting flies, with her radio going full-blast from morning till night. I figured the heat was terrible, and she probably had cancer, and - I don't know. Anyway, seemed goddam clear why Seymour wanted me to shine my shoes when I went on air. It made *sense*." ... "... Let me tell you something now, buddy ... Are you listening?" ... "I don't care where an actor acts. It can be in summer stock, in can be over a radio, it can be over television, it can be in a goddam Broadway theatre, complete with the most fashionable, most well-fed, most sunburned-looking audience you can imagine. But I'll tell you a terrible secret - Are you listening to me? *There isn't anyone out there who isn't Seymour's Fat Lady.* That goddam cousins by the dozens. There isn't anyone *any*where that isn't Seymour's Fat Lady. Don't you know that? Don't you know that goddam secret yet? And don't you know - listen to me, now - *don't you know who that Fat Lady really is?*... Ah, buddy. Ah, buddy. It's Christ Himself. Christ Himself, buddy.

One other thing. And that's all. I promise you. But the thing is, you raved and you bitched when you came home about the stupidity of audiences. The goddam `unskilled laughter' comming from the fifth row. And that's right, that's right - God knows it's depressing. I'm not saying it isn't. But that's none of your business, really. That's none of your business, Franny. An artist's only concern is to shoot for some kind of perfection, and *on his own terms", not anyone else's. You have no right to think about those things. I swear to you. Not in any real sense, anyway. You know what I mean?" ... The voice at the other end came through again. "I remember abouut the fifth time I ever went on `Wise Child'. I subbbed for Walt a few times when he was in a cast - remember when he was in the case? Anyway. I started bitching one night before broadcast. Seymour'd told me to shine my shoes just as I was going out the door with Waker. I was furious. The studio audience were all morons, the announcer was a moron, the sponsors were morons, and I just damn well wasn't going to shine my shoes for them, I told Seymour. I sais they couldn't see them anyway, where we sat. He said to shine them anyway. He said to shine them for the Fat Lady. I didn't know what the hell he was talking about, but he had a very Seymour look on his face, and so I did it. He never did tell me who the Fat Lady was, but I shined my shoes for the Fat Lady every time I ever went on the air again - all the years you and I were on the program together, if you remember. I don't think I missed more than one just a couple of times. This terribly clear, clear picture of the Fat Lady formed in my time. I had her sitting on this porch all day, swatting flies, with her radio goin full-blast from morning till night. I figured the heat was terrible, and she probably had cancer, and - I don't know. Anyway, seemed goddam clear why Seymour wanted me to shine my shoes when I went on air. It made *sense*." ... "... Let me tell you something now, buddy ... Are you listening?" ... "I don't care where an actor acts. It can be in summer stock, in can be over a radio, it can be over television, it can be in a goddam Broadway theatre, complete with the most fashionable, most well-fed, most sunburned-looking audience you can imagine. But I'll tell you a terrible secret - Are you listening to me? *There isn't anyone out there who isn't Seymour's Fat Lady.* That goddam cousins by the dozens. There isn't anyone *any*where that isn't Seymour's Fat Lady. Don't you know that? Don't you know that goddam secret yet? And don't you know - listen to me, now - *don't you know who that Fat Lady really is?*... Ah, buddy. Ah, buddy. It's Christ Himself. Christ Himself, buddy.

Robert Askins Brings ‘Hand to God’ to Broadway Chad Batka for The New York Times Robert Askins at the Booth Theater, where his play “Hand to God” opens on Tuesday. By MICHAEL PAULSON The conceit is zany: In a church basement, a group of adolescents gathers (mostly at the insistence of their parents) to make puppets that will spread the Christian message, but one of the puppets turns out to be more demonic than divine. The result — a dark comedy with the can-puppets-really-do-that raunchiness of “Avenue Q” and can-people-really-say-that outrageousness of “The Book of Mormon” — is “Hand to God,” a new play that is among the more improbable entrants in the packed competition for Broadway audiences over the next few weeks. Given the irreverence of some of the material — at one point stuffed animals are mutilated in ways that replicate the torments of Catholic martyrs — it is perhaps not a surprise to discover that the play’s author, Robert Askins, was nicknamed “Dirty Rob” as an undergraduate at Baylor, a Baptist-affiliated university where the sexual explicitness and violence of his early scripts raised eyebrows. But Mr. Askins had also been a lone male soloist in the children’s choir at St. John Lutheran of Cypress, Tex. — a child who discovered early that singing was a way to make the stern church ladies smile. His earliest performances were in a deeply religious world, and his writings since then have been a complex reaction to that upbringing. “It’s kind of frustrating in life to be like, ‘I’m a playwright,’ and watch people’s face fall, because they associate plays with phenomenally dull, didactic, poetic grad-schoolery, where everything takes too long and tediously explores the beauty in ourselves,” he said in a recent interview. “It’s not church, even though it feels like church a lot when we go these days.” The journey to Broadway, where “Hand to God” opens on Tuesday at the Booth Theater, still seems unlikely to Mr. Askins, 34, who works as a bartender in Brooklyn and says he can’t afford to see Broadway shows, despite his newfound prominence. He seems simultaneously enthralled by and contemptuous of contemporary theater, the world in which he has chosen to make his life; during a walk from the Cobble Hill coffee shop where he sometimes writes to the Park Slope restaurant where he tends bar, he quoted Nietzsche and Derrida, described himself as “deeply weird,” and swore like, well, a satanic sock-puppet. “If there were no laughs in the show, I’d think there was something wrong with him,” said the actor Steven Boyer, who won raves in earlier “Hand to God” productions as Jason, a grief-stricken adolescent with a meek demeanor and an angry-puppet pal. “But anybody who is able to write about such serious stuff and be as hilarious as it is, I’m not worried about their mental health.” Mr. Askins’s interest in the performing arts began when he was a boy attending rural Texas churches affiliated with the conservative Lutheran Church-Missouri Synod denomination; he recalls the worshipers as “deeply conservative, old farm folks, stone-faced, pride and suffering, and the only time anybody ever really livened up was when the children’s choir would perform.” “My grandmother had a cross-stitch that said, ‘God respects me when I work, but he loves me when I sing,’ and so I got into that,” he said. “For somebody who enjoys performance, that was the way in.” The church also had a puppet ministry — an effort to teach children about the Bible by use of puppets — and when Mr. Askins’s mother, a nurse, began running the program, he enlisted to help. He would perform shows for other children at preschools and vacation Bible camps. “The shows are wacky, but it was fun,” he said. “They’re badly written attempts to bring children to Jesus.” Not all of his formative encounters with puppets were positive. Particularly scarring: D

He could mentally picture, in great detail, some of the grand, intricately detailed pastries and cakes Lani had constructed at Gateau. Her inspired creations had drawn raves. She hadn't been a Beard nominee during her first year of eligibility for nothing. She'd worked tirelessly to perfect even the tiniest detail, not because the client- or an awards committee- would have noticed, but because it mattered to her that each effort be her best. In fact, it was her work ethic and dedication that had first caught his attention. She wasn't a grandstander, like most with her natural ability, behaving in whatever manner it took to stick out and be noticed. She let her work speak for her. And speak it did. It fairly shouted, in fact. Once he'd noticed, he couldn't help being further captivated by how different her demeanor was from most budding chefs. Bravado, with a healthy dose of self-confidence bordering on arrogance, was a trademark of the profession. Some would say it was a requirement. Leilani's quiet charm, and what he'd come to describe as her relentless calm and ruthless optimism had made an indelible mark on him. She wasn't like any baker he'd ever met, much less any top-notch chef. She cared, she labored- hard- and she lived, breathed, ate, and slept food, as any great chef did. But she was never frantic, never obsessed, never... overwrought, as most great chefs were. That teetering-off-the-cliff verve was the atmosphere he'd lived in, thrived on, almost his entire life. Leilani had that same core passion in spades, but it resided in a special place inside her. She simply allowed it to flow outward, like a quietly rippling stream, steady and true. As even the gentlest flowing stream could wear away the sturdiest stone, so had Leilani worn down any resistance he'd tried to build up against her steady charm... and she'd done it without even trying.

I hear the door open and close, and I peek to see the one and only. “What do you want?” I ask, staring back up at the stars, taking a large sip of my beer. He doesn’t answer, but takes a seat next to me. I turn to see he’s also drinking a beer. He’s back in his work attire, sporting a pair of kakis and a button up polo. “What happened to your Guns-N-Roses shirt? Don’t want anyone to know your alter ego? They might find out you’re really some sort of party animal who raves to heavy metal and goes on drinking binges instead of science fairs?” I laugh taking another swig. We connect eyes and something in them tells me that I might be on to something. “No way. Tell me I’m not wrong. The science teacher secretly has a bad side.” He stands quickly sticking out his hand. “Come with me.” Huh? “No way. Why? You gonna try and retaliate? Avenge all teachers I’ve tried to take out this week?” His laugh is like a tickle to my lady parts. I fight to admit that I seriously love that sound. “No, but it would be fitting though, Peter Parker, saving the world from the reckless bad girl.” I give him my evil eye while he smiles wider. “Come with me. I promise, I’ll bring you back in one piece.” His hand taunting, I decide, what the hell. I stick my hand out, sliding it into his, the feel of his warm skin wrapped around mine. He walks me around to the front of the house and a few cars down, until he stops beside a Jeep. Unlocking the door, he says, “Jump in,” and walks around the other side. Knowing I have a pretty loud voice if he does try and kill me, I jump in. The inside smells just like him. Of spice and aftershave.

Rejoice in the Lord alway: and again I say, Rejoice.

Italians stand up a lot at bars,” I comment, taking the glass of water Luca’s pushing toward me. It’s fizzy, with ice and lime in it, and I drink it very gratefully. He smiles. I notice that one corner of his mouth lifts higher than the other when he does so, in a little quirk that sets off his handsomeness precisely because of its irregularity. “Italians like to show off their clothes,” he says. “They like clothes that are signed.” He hits his brow theatrically with one hand. “Firmati,” he says. “That is how we say ‘designer.’ They like designer clothes. If you stand up, people see them better.” Ha! I bet every single piece of clothing Elisa was wearing today is designer. “But your style, it’s very English,” Luca observes, and he reaches across the table to snag his index finger under the big strands of fake pearls around my neck, lifting them for a moment, then letting them fall back to my collarbone again. For a split second, his finger touches my skin, and he might as well have brushed me with a lit match. “Very…” He snaps his fingers, searching for the word. “Eccentrica,” he says finally. “Oh God!” My face drops. “It’s that bad?” “Cosa?” He looks confused. “Bad?” “In English, ‘eccentric’ is sort of like ‘mad,’” I explain. “If you’re really posh, especially. You could be a raving loony who eats bats for breakfast, and as long as you have a title, they’d call you eccentric and think it was charming.” Luca, clearly, hasn’t understood all of this. But he’s thrown his head back and is laughing so hard that I see people beyond us turning to look in curiosity. He looks absolutely gorgeous when he laughs, his mouth curving up, tiny lines creasing around his eyes; his usual cool demeanor is wiped away, and he looks younger, sweeter, much more approachable.

Eccentrica,” he says finally. “Oh God!” My face drops. “It’s that bad?” “Cosa?” He looks confused. “Bad?” “In English, ‘eccentric’ is sort of like ‘mad,’” I explain. “If you’re really posh, especially. You could be a raving loony who eats bats for breakfast, and as long as you have a title, they’d call you eccentric and think it was charming.” Luca, clearly, hasn’t understood all of this. But he’s thrown his head back and is laughing so hard that I see people beyond us turning to look in curiosity. He looks absolutely gorgeous when he laughs, his mouth curving up, tiny lines creasing around his eyes; his usual cool demeanor is wiped away, and he looks younger, sweeter, much more approachable. “Bats for breakfast?” he says, when he manages to speak. “Pipistrelli per colazione? You are not eccentric, Violetta mia, you are mad.” I’m bridling, when he adds: “I like this very much. You are not boring.” “Wow,” I say as coldly as I can. “Thanks a lot.” My brain is racing at the fact that I think “Violetta mia” means “my Violet.” Which is, doubtless, just the way they talk in Italy, but sounds…I can’t even think about that. I push it to the very back of my brain to be pulled out much later, when I’m alone, and turned over and over like a precious stone glinting in my palms. I can’t meet his eyes. They’re full of amusement, bright and blue; it’s almost as if I’m afraid of being hypnotized, like a rabbit looking at a snake.

-give it a break, it says- It's an art to realize our worst fears Glee is the body turned out of shape, where meaningless expectations drool a string stiffened at both ends in fists of life and failures belief pirouette, bows and falls Those milky decision exiled in dust of time She says, "this year is raving, its skeleton has crippled the soil" Code blue has alarmed electronic crickets chime on monitor rhythms of farewell dance of death lodestar grins at distance. (Give it a break) The stars are gleaming outside the window birds chirruping intermittently valid sound of crickets dust settling on painted cities A cyclic equilibrium, I tell you, to bring the body in shape.

There was a long silence. Uchendu ground his teeth together audibly. Then he burst out: "Never kill a man who says nothing. Those men of Abame were fools. What did they know about the man?" He ground his teeth again and told a story to illustrate his point. "Mother Kite once sent her daughter to bring food. She went, and brought back a duckling. 'You have done very well,' said Mother Kite to her daughter, 'but tell me, what did the mother of this duckling say when you swooped and carried its child away?' 'It said nothing,' replied the young kite. 'It just walked away.' 'You must return the duckling,' said Mother Kite. 'There is something ominous behind the silence.' And so Daughter Kite returned the duckling and took a chick instead. 'What did the mother of this chick do?' asked the old kite. 'It cried and raved and cursed me,' said the young kite. 'Then we can eat the chick,' said her mother. 'There is nothing to fear from someone who shouts.' Those men of Abame were fools.

If I had to describe my poetry, I would say that, until then, it had always been Apollonian, yet I had begun to write in what might tentatively be described as a Dionysiac mode. But in fact it wasn't Dionysiac poetry. Or demonic poetry. It was just raving mad.

Raven My heart skips a beat when I see Ares leaning against his car as he waits for me in front of my office building. I pause for a moment and take him in. His dark hair, that sharp jaw, those green eyes that are identical to Sierra’s. It isn’t fair that he continues to get more handsome the older we get. Each time I see him, he feels a little more out of reach. Ares looks up and straightens when he notices me standing by the entrance, a smile transforming his face. “Hi!” I tell him as he holds the door open for me. Ares grins at me, and I smile back at him. There’s a good chance I’ll regret giving into him later, but until then, I’m going to enjoy every second of it. “Where are we going?” I ask when he gets in beside me, his hands wrapping around the steering wheel. Ares leans back against the headrest and tilts his face toward me. “Raven,” he says, sounding petulant. I can’t help the way my heart races when he says my name like that, and I involuntarily turn toward him, facing him. “Why don’t I ever see you anymore?” Ares genuinely looks distraught, as though he really has missed me, and that fire I keep trying to douse reignites once more. “I’ve just been busy.” My voice is weak, soft, as though I can’t make myself lie to him with authority. “I’m working really insane hours. I’ve got so many modeling contracts, and I’m trying to grow my fashion brand at the same time. Honestly, some days I barely have time to eat or sleep.” He nods and drags his gaze away, a hint of concern in his expression as he starts the car. “Don’t overwork yourself, Rave. Remember to take care of yourself, okay? You can’t always be working. You need to have a social life too. When was the last time you saw your parents?” I force a smile onto my face and cross my arms. The older I get, the less I see my parents. Their entire world revolves around Hannah, and I hate going where I’m not welcome. I shouldn’t feel excluded in my own home, but I do. “Sierra was actually just in my office,” I tell him. “I do have friends, you know.” He glances at me the way he does sometimes, as though he can see straight through my lies and deception, but he nods nonetheless. “What are you thinking of buying this year?” I ask him, my tone light and friendly. He glances back at me with a smile on his face. “What do you think of some jewelry, maybe?” I nod. “A new statement piece, perhaps?” Ares looks at me with such a blank expression that I burst out laughing, and that just makes him smile in return. “I haven’t heard you laugh in so long, Raven. I missed it.” My smile melts away and I look down at my lap, my heart aching. I wish he wouldn’t say things like that. He sees me as an

When Thrasymachus begins to speak, he behaves according to Socrates’ lively description like a raving beast; by the end of the first book he has become completely tame. He has been tamed by Socrates: the action of the first book consists in a marvelous victory of Socrates. As we have seen, that action is also a disgraceful defeat of Socrates as the defender of justice. It almost goes without saying that Thrasymachus has in no way become convinced by Socrates of the goodness of justice. This goes far toward explaining Thrasymachus’ taming: while his reasoning proves to be poor, his principle remains victorious. He must have found no small comfort in the observation that Socrates’ reasoning was on the whole not superior to his, although he must have been impressed both by the cleverness with which Socrates argued badly on purpose and the superior frankness with which he admitted at the end the weakness of his proof.

It says something about the mood of the time that a New Labour government with an overwhelming parliamentary majority and nearly 11 million voters at the 2001 elections should nonetheless have been moved to respond in this way to the propaganda of a neo-Fascist clique which attracted the support of just 48,000 electors in the country at large: one-fifth of 1 percent of the vote and only 40,000 more votes than the Monster Raving Loony Party. France

She sat on the wall, opened her book, and paid him no mind. After a few minutes the sounds of clipping stopped, and she felt his gaze on her. She turned a page. “Jane,” he said with a touch of exasperation. “Shh, I’m reading,” she said. “Jane, listen, someone warned me that another fellow heard my telly playing and told Mrs. Wattlesbrook, and I had to toss it out this morning. If they spot me hanging around you..” “You’re not hanging around me, I’m reading.” “Bugger, Jane…” “Martin, please, I’m sorry about your TV but you can’t cast me away now. I’ll go raving mad if I have to sit in that house again all afternoon. I haven’t sewn a thing since junior high Home Ec when I made a pair of gray shorts that ripped at the butt seam the first time I sat down, and I haven’t played pianoforte since I quit from boredom at age twelve, and I haven’t read a book in the middle of the day since college, so you see what a mess I’m in.” “So,” Martin said, digging in his spade. “You’ve come to find me again when there is no one else to flirt with.” Huh! thought Jane. He snapped a dead branch off the trunk. Huh! she thought again. She stood and started to walk away. “Wait.” Martin hopped after her, grabbing her elbow. “I saw you with those actors, parading around the grounds this morning. I hadn’t seen you with them before. In the context. And it bothered me. I mean, you don’t really go in for this stuff, do you?” Jane shrugged. “You do?” “More than I want to, though you’ve been making it seem unnecessary lately.” Martin squinted up at a cloud. “I’ve never understood the women who come here, and you’re one of them. I can’t make sense of it.” “I don’t think I could explain it to a man. If you were a woman, all I’d have to say is ‘Colin Firth in a wet shirt’ and you’d say, ‘Ah.’” “Ah. I mean, aha! is what I mean.” Crap. She’d hoped he would laugh at the Colin Firth thing. And he didn’t. And now the silence made her feel as though she were standing on a seesaw, waiting for the weight to drop on the other side. Then she smelled it. The musty, acrid, sour, curdled, metallic, decaying odor of ending. This wasn’t just a first fight. She’d been in this position too many times not to recognize the signs. “Are you breaking up with me?” she asked. “Were we ever together enough to require breaking up?” Oh. Ouch. She took a step back on that one. Perhaps it was her dress that allowed her to compose herself more quickly than normal. She curtsied. “Pardon the interruption, I mistook you for someone I knew.” She turned and left, wishing for a Victorian-type gown so she could have whipped the full skirts for a satisfying little cracking sound. She had to satisfy herself with emphatically tightening her bonnet ribbon as she marched. You stupid, stupid girl, she thought. You were fantasizing again. Stop it! It had all been going so well. She’d let herself have fun, unwind, not plague a new romance with constant questions such as, What if? And after? And will he love me forever? “Are you breaking up with me…?” she muttered to herself. He must think she was a lunatic. And really, he’d be right. Here she was in Pembrook Park, a place where women hand over scads of dough to hook up with men paid to adore them, but she finds the one man on campus who’s in a position to reject her and then leads him into it. Typical Jane.

Only the uninformed masses rave about how great you are; people who actually know what they're talking about say things like "You're good" or "I liked your work".

Still physically shaken by the bomb blast which so nearly had cut short his career, the Fuehrer raves and rambles, boasts, threatens, and complains. As he meanders through the “conference,” really a solo performance, one idea reappears again and again: the final decision must come in the west and if necessary the other fronts must suffer so that a concentrated, major effort can be made there. No definite plans can be made as yet, says Hitler, but he himself will accept the responsibility for planning and for command; the latter he will exercise from a headquarters some place in the Black Forest or the Vosges. To guarantee secrecy, nobody will be allowed to inform the Commander in Chief West or his staff of these far-reaching plans; the WFSt, that is, Jodl, must form a small operational staff to aid the Fuehrer by furnishing any needed data.7

My characters still talk the way normal people talk. They argue, they are sarcastic with each other, they joke around. I usually end up with one outrageous minor character in each book that people just rave about. We all have that one friend who says and does things that are a riot. A character like that is the salt in the soup: you want just enough to bring everything to life.

Van Dusen emphasizes that our common conception of the mentally ill is flawed. The majority of them, he says, are not “raving lunatics” as one might think. “Most of these people have become entangled in inner processes and simply fail to manage their lives well.

Then the heavy lifting began. For the next six months, our employees rarely saw their families. We worked deep into the night, seven days a week. Despite two hit movies, we were conscious of the need to prove ourselves, and everyone gave everything they had. With several months still to go, the staff was exhausted and starting to fray. One morning in June, an overtired artist drove to work with his infant child strapped into the backseat, intending to deliver the baby to day care on the way. Some time later, after he’d been at work for a few hours, his wife (also a Pixar employee) happened to ask him how drop-off had gone—which is when he realized that he’d left their child in the car in the broiling Pixar parking lot. They rushed out to find the baby unconscious and poured cold water over him immediately. Thankfully, the child was okay, but the trauma of this moment—the what-could-have-been—was imprinted deeply on my brain. Asking this much of our people, even when they wanted to give it, was not acceptable. I had expected the road to be rough, but I had to admit that we were coming apart. By the time the film was complete, a full third of the staff would have some kind of repetitive stress injury. In the end, we would meet our deadline—and release our third hit film. Critics raved that Toy Story 2 was one of the only sequels ever to outshine the original, and the total box office would eventually top $500 million. Everyone was fried to the core, yet there was also a feeling that despite all the pain, we had pulled off something important, something that would define Pixar for years to come. As Lee Unkrich says, “We had done the impossible. We had done the thing that everyone told us we couldn’t do. And we had done it spectacularly well. It was the fuel that has continued to burn in all of us.” T

Madison! This is too perfect. Join us.” Reed stood coolly in the middle of the hall, oblivious to the swarm of kids around him. “Reed, I’d love to join you,” Madison shouted above the bustle. “But I told Piper I’d meet her in the parking lot.” “This’ll just take a minute,” Reed insisted. Madison hesitated. Much as she wanted to avoid talking to Jeremy, she didn’t want to look like a rude jerk. She maneuvered her way around Jeremy and stood next to Reed. “Of course you know Jeremy,” Reed said, not letting her off the hook. Jeremy answered for her. “We’re like this,” he said, holding up two fingers at arm’s length. “Funny,” Madison replied without a smile. Reed seemed oblivious to their awkwardness. “Listen up. My mom’s a marketing specialist and she might be able to get us some airtime on some of the local radio stations. What do you think?” Jeremy nodded. “That would be extremely cool.” “Would the interviews be separate?” Madison asked, not wanting to spend any time in close proximity to Jeremy. “I’d prefer to do mine alone--or with you, Reed.” Jeremy scowled. “What is it with you, Madison? Can’t you at least be civil?” “Not to you,” Madison said with an angry toss of her head. “Give me a break,” Jeremy snapped. “Whoa! Time out! Truce!” Reed quickly stepped between them and draped his arms around their shoulders. “Look, this is just an election. You don’t need to get so malignant.” “Save the lecture for someone who needs it,” Jeremy grumbled. “Like Miss Stuck-up.” Madison clutched her chest as if she’d been shot in the heart. “Oh, you got me,” she said melodramatically. “I’m mortally wounded.” Jeremy’s cheeks flared a deep red. Clenching his fists at his sides, he took several deep breaths. Clearly he was trying not to say anything back to Madison. At last he turned to Reed and said evenly, “The radio station idea is a good one. I’ll catch you later to discuss it.” He turned on his heel and strode away. Madison felt the heat creep into her own face. Most of the students nearby had witnessed the entire exchange. Madison felt pretty certain that, at this moment, she looked like a complete, raving idiot. Reed shook his head in amazement. “Wow. I don’t need to do a thing to win this election,” he said with a chuckle. “I’ll just stand back and let you two destroy each other.

In my head, I’m composing a new piece of music.” Vim turned to see Lord Val riding along beside him. “It will be called, ‘Lament for a Promising Young Composer Who Died of a Frozen Bum-Fiddle.’ I’ll do something creative with the violins and double basses—a bit of humor for my final work. It will be published posthumously, of course, and bring me rave reviews from all my critics. ‘A tragic loss,’ they’ll all say. It could bring frozen bum-fiddles into fashion.” “You haven’t any critics.” St. Just spoke over his shoulder, having abdicated the lead position to his sister. “Ellen won’t allow it, more’s the pity.” “My wife is ever wise—” “Oh, famous.” Westhaven’s muttered imprecation interrupted his idiot younger brother. Lord Val leaned over toward Vim. “There’s another word, a word that alliterates with famous, that his-lordship-my-brother-the-heir has eschewed since becoming a father. Famous is his attempt at compromise.” “I’ll say it, then.” St. Just sighed as another flurry drifted down from the sky. “Fuck. It’s going to snow again. Beg sincere pardon for my language, Sophie.” She

I want to marry your sister,” he announced after he and Rupert had consumed the better part of a chicken, along with mashed potatoes, gravy, and corn, at the simple table in Rupert’s kitchen. Lily had no illusions that Caleb meant what he said. It was just that even he wouldn’t have the gall to stand there flat-footed and tell Rupert he wanted to keep his sister as a mistress. He and Rupert each took a cigar and lit up. “Don’t I have anything to say about this?” Lily demanded, slamming the cast-iron skillet she’d been about to scour back onto the stove top. Caleb leaned forward in the fog of blue smoke that curled between him and Rupert and said confidentially, “I’ve compromised her, you see. There’s nothing to do but tie the knot before she’s ruined.” Lily would have exploded if she hadn’t been so surprised at Rupert’s reaction. He should have been angry—outraged, even—but he only sat back in his chair and puffed on that damnable cigar. “I see,” he said. “I will not marry this—this pony soldier!” Lily raved. “He’s only fooling, anyway! Do you hear me, Rupert? There will be no wedding!” Rupert assessed her thoughtfully. “Is it true that he’s compromised you?” Lily’s face was red as an ember. She couldn’t have answered that question to save her life. “There might be a child,” he reasoned. “Did you ever think of that?” “Yes,” Caleb collaborated. “Did you ever think of that?” Lily groped for a chair and sank into it. Pregnancy was a possibility she hadn’t once considered. She’d been too wrapped up in her problems for that. “Shut up, both of you,” she murmured, feeling ill. “I think you’d better marry the major,” said Rupert. “I think I’d sooner marry the devil,” countered Lily. Caleb chuckled. “Isn’t she beautiful?” Rupert frowned. “Personally, I think she needs a spanking.” “I agree,” said Caleb. “Will you two please stop talking about me as if I weren’t here? And it would take a bigger man than either of you to get the best of me.” Caleb leaned forward in his chair. “Is that a challenge?” “No,” Lily said, and the word took a great piece of her pride with it as it left her mouth. “I thought not,” said Caleb.

I want to marry your sister,” he announced after he and Rupert had consumed the better part of a chicken, along with mashed potatoes, gravy, and corn, at the simple table in Rupert’s kitchen. Lily had no illusions that Caleb meant what he said. It was just that even he wouldn’t have the gall to stand there flat-footed and tell Rupert he wanted to keep his sister as a mistress. He and Rupert each took a cigar and lit up. “Don’t I have anything to say about this?” Lily demanded, slamming the cast-iron skillet she’d been about to scour back onto the stove top. Caleb leaned forward in the fog of blue smoke that curled between him and Rupert and said confidentially, “I’ve compromised her, you see. There’s nothing to do but tie the knot before she’s ruined.” Lily would have exploded if she hadn’t been so surprised at Rupert’s reaction. He should have been angry—outraged, even—but he only sat back in his chair and puffed on that damnable cigar. “I see,” he said. “I will not marry this—this pony soldier!” Lily raved. “He’s only fooling, anyway! Do you hear me, Rupert? There will be no wedding!” Rupert assessed her thoughtfully. “Is it true that he’s compromised you?” Lily’s face was red as an ember. She couldn’t have answered that question to save her life. “There might be a child,” he reasoned. “Did you ever think of that?” “Yes,” Caleb collaborated. “Did you ever think of that?” Lily groped for a chair and sank into it. Pregnancy was a possibility she hadn’t once considered. She’d been too wrapped up in her problems for that. “Shut up, both of you,” she murmured, feeling ill. “I think you’d better marry the major,” said Rupert. “I think I’d sooner marry the devil,” countered Lily. Caleb chuckled. “Isn’t she beautiful?” Rupert frowned. “Personally, I think she needs a spanking.” “I agree,” said Caleb. “Will you two please stop talking about me as if I weren’t here? And it would take a bigger man than either of you to get the best of me.” Caleb leaned forward in his chair. “Is that a challenge?” “No,” Lily said, and the word took a great piece of her pride with it as it left her mouth. “I thought not,” said Caleb. “Don’t push your luck,” said Lily. Nothing

Why a monk? How can he wear orange and breathe slowly all the time. Sometimes I’m convinced the human race as a whole is pathetic in it stupidity, but I’m beginning to understand why we’ve survived this long. We have the remarkable ability to get something out of nothing, explanations out of mystery, truth out of air. The great religions and causes are the best magic tricks in history, conjuring neither pigeons nor rabbits. Even an elephant out of a top hat would pale in comparison to the stunning answers we come up with to calm ourselves (or, as the case may be, enrage, justify, avenge ourselves). You don’t need to be a Buddhist, or a Christian, or a Muslim; the truth isn’t found only in ancient books. It can be anywhere, depending on your eyes. If I’m to believe the monk, and I do, we mould our lives according to dreams and visions whose substance is poorly imagined. Our truths are as numerous and unpredictable as wind currents, as invisible, as undeniable. The only prop necessary for the whole show is faith. With faith, you will have your truth, no matter how absurd it may appear to others. If you have a vision, you’re obliged to believe in it even if your neighbours think you are stark raving mad. What must the monk’s mother say of her eyebrowless, malnourished son, a perfectly sane young man living on rice and vegetables and pure Asian light? He relinquished his seaside, his clothes, his name, but he knows what he’s received in exchange. I like the image of him in my mind, the grey eyes, skin, mouth, egg-bald head rising out of orange sheets. He is so convinced, so convincing. I wonder about people like him, and the people who are monks without robes, the ones who wonder around in the noisier world, they’re gods in their pockets. Bertrand Russell was once asked if he would die for his beliefs. He laughed and said, “Of course not. After all, I may be wrong.” I laugh myself, thinking how wrong I might be. But it doesn’t matter. Belief, and the faith feeds itself; truth shines out like a new born moon.

Tonight she'll be with Jeremy, her lieutenant, but she wants to be with Roger. Except that, really, she doesn't. Does she? She can't remember being so confused. When she is with Roger it's all love, but at any distance- any at all, Jack- she finds that he depresses and even frightens her. Why? On top of him in the wild nights riding up and down his cock her axis, trying herself to stay rigid enough not to turn to cream taper-wax and fall away melting to the coverlet coming there's only room for Roger, Roger, oh love to the end of breath. But out of bed, walking talking, his bitterness, his darkness, run deeper than the War, the winter: he hates England so, hates "the System," gripes endlessly, says he'll emigrate when the War's over, stays inside his paper cynic's cave hating himself... and does she want to bring him out, really? Isn't it safer with Jeremy? She tried not to allow this question to often, but it's there. Three years with Jeremy. They might as well be married. Three years ought to count for something. Daily, small stitches and easings. She's worn old Beaver's bathrobes, brewed his tea and coffee, sought his eye across lorry-parks, day rooms and rainy mud fields when all the day's mean, dismal losses could be rescued in the one look- familiar, full of trust, in a season where the word is invoked for quaintness or a minor laugh. And to rip it all out? three years? for this erratic, self-centered- boy, really. Weepers, he supposed to be pas thirty, he's years older than she. He ought to've learned something, surely? A man of experience? /// If the rockets don't get her there's still her lieutenant. Damned Beaver/Jeremy IS the War, he is every assertion the fucking War has ever made- that we are meant work and government, for austerity: and these shall take priority over love, dreams, the spirit, the sense and the second-class trivia that are found among the idle and mindless hours of the day... Damn them, they are wrong. They are insane. Jeremy will take her like the Angel itself, in his joyless weasel-worded come-along, and Roger will be forgotten, an amusing maniac, but with no place in the rationalized power-ritual that will be the coming peace. She will take her husband's orders, she will become a domestic bureaucrat, a junior partner, and remember Roger, if at all, as a mistake thank God she did not make... Oh, he feels a raving fit coming on- how the bloody hell can he survive without her? She is the British warm that protects his stooping shoulders, and the wintering sparrow he holds inside his hands. She is his deepest innocence in spaces of bough and hay before wishes were given a separate name to warn they might not come true, and his lithe Parisian daughter of joy, beneath the eternal mirror, forswearing perfumes, capeskins to the armpits, all that is too easy, for his impoverishment and more worthy love. /// Jessica steps away from Roger to blow her nose. The sound is as familiar to him as a bird's song, ip-ip-ip-ip NGUNNGG as the hankerchief comes away..."Oh sooper dooper," she says, "think I'm catching a cold." You're catching the War. It's infecting you and I don't know how to keep it away. Oh, Jess. Jessica. Don't leave me,,,,

Tonight she'll be with Jeremy, her lieutenant, but she wants to be with Roger. Except that, really, she doesn't. Does she? She can't remember being so confused. When she is with Roger it's all love, but at any distance- any at all, Jack- she finds that he depresses and even frightens her. Why? On top of him in the wild nights riding up and down his cock her axis, trying herself to stay rigid enough not to turn to cream taper-wax and fall away melting to the coverlet coming there's only room for Roger, Roger, oh love to the end of breath. But out of bed, walking talking, his bitterness, his darkness, run deeper than the War, the winter: he hates England so, hates "the System," gripes endlessly, says he'll emigrate when the War's over, stays inside his paper cynic's cave hating himself... and does she want to bring him out, really? Isn't it safer with Jeremy? She tried not to allow this question to often, but it's there. Three years with Jeremy. They might as well be married. Three years ought to count for something. Daily, small stitches and easings. She's worn old Beaver's bathrobes, brewed his tea and coffee, sought his eye across lorry-parks, day rooms and rainy mud fields when all the day's mean, dismal losses could be rescued in the one look- familiar, full of trust, in a season where the word is invoked for quaintness or a minor laugh. And to rip it all out? three years? for this erratic, self-centered- boy, really. Weepers, he supposed to be past thirty, he's years older than she. He ought to've learned something, surely? A man of experience? /// If the rockets don't get her there's still her lieutenant. Damned Beaver/Jeremy IS the War, he is every assertion the fucking War has ever made- that we are meant work and government, for austerity: and these shall take priority over love, dreams, the spirit, the senses and the second-class trivia that are found among the idle and mindless hours of the day... Damn them, they are wrong. They are insane. Jeremy will take her like the Angel itself, in his joyless weasel-worded come-along, and Roger will be forgotten, an amusing maniac, but with no place in the rationalized power-ritual that will be the coming peace. She will take her husband's orders, she will become a domestic bureaucrat, a junior partner, and remember Roger, if at all, as a mistake thank God she did not make... Oh, he feels a raving fit coming on- how the bloody hell can he survive without her? She is the British warm that protects his stooping shoulders, and the wintering sparrow he holds inside his hands. She is his deepest innocence in spaces of bough and hay before wishes were given a separate name to warn they might not come true, and his lithe Parisian daughter of joy, beneath the eternal mirror, forswearing perfumes, capeskins to the armpits, all that is too easy, for his impoverishment and more worthy love. /// Jessica steps away from Roger to blow her nose. The sound is as familiar to him as a bird's song, ip-ip-ip-ip NGUNNGG as the hankerchief comes away..."Oh sooper dooper," she says, "think I'm catching a cold." You're catching the War. It's infecting you and I don't know how to keep it away. Oh, Jess. Jessica. Don't leave me....

I am never one to judge others; I am so eccentric myself that I have no right to cast aspersions. A person may or may not like a thing, and I have little to say other than I love it too or how could you dare not like it please die promptly, but I leave everyone to find their own niches in time. We are all avid about certain things; I happen to rave over many subjects, all of which have a place in the Kingdom of Nerdonia, and whenever I hear someone unjustly disparage a thing I consider sacred, I lay it down that the person is either mistaken or a dunderwhelp, the latter being the likeliest of the two. There is a great difference between knowledge accompanied by bias and ignorance accompanied by gallantry, and while all tastes may be what they are, there are bare necessities that will immediately define a character and relationship, these things usually being how many Monty Python lines one knows and whether or not they know what Iocaine is. The strength of lasting friendships rests on whether one can sing the theme to Neverending Story.

Damon sank back down into the chair and raked his hands down over his face.  Lady Simms sat quietly across from him, not saying a word.  Unable to stand it any longer, he looked up and impaled her with a stare hot enough to melt rock.  "I suppose you think me a raving madman now, don't you?

Once before, my daughter,' she said, ignoring Ahmed's continuing ravings, 'your father and I, whatsitsname, said there was no shame in leaving an inadequate husband. Now I say again: you have, whatsitsname, a man of unspeakable vileness. Go from him; go today, and take your children, whatsitsname, away from these oaths which he spews from his lips like an animal, whatsitsname, of the gutter. Take your children, I say, whatsitsname-both your children,' she said, clutching me to her bosom.

There is not much to say about Burrough's writing. It consists of semiliterate ravings by a very sick mind, a kaleidoscope or surrealistic depictions of drug-taking, violent, often misogynistic fantasy, and sexual depravity.

Prayer and Action Go Hand in Hand     “Prayer and action go hand in hand” (Nehemiah 4:17).     I remember the frustration experienced in my home because of homework. Each day my kids would return from school, we would argue over when and where and how to do their nightly assignments. The ordeal stressed us and caused family strife. I decided to take it to God in prayer. I hoped that God would change my childrens’ attitudes so that they would look forward to doing their homework.This, however, was not the case.   I learned that although I can pray to God and ask Him to help I must also be willing to be part of the solution.   I can’t just pray and then throw up my hands and carry on with my day. I can ignore the fear and worry but I still need to be willing to take action. I believe it was Joyce Meyer who said, “Don’t react, act.”  So I don’t need to react with ranting, raving, whining and nagging. I must rely on God’s guidance and proceed with a solid plan to resolve this homework issue.   God often answers prayer through people. He can and will divinely interject but usually He uses people who are willing and obedient. I can pray for wisdom and knowledge but I must also act upon that knowledge and “do” something. It’s not enough for me to say, “Dear Lord, help my child to do homework” without listening for His answer and being open to His guidance.   We devised a homework system through listening to the wisdom of others and spending time in quiet reflection with God. I realize that although my plan is working well now, I may need to change it in the future. As our family’s needs change I can ask God for His guidance and His wisdom. Then I must be open and listen for it. God wants to answer our prayers but He wishes to work though His creation, not impose His will upon it.       Prayer is intimacy ~ Elsie Montgomery         How Does God Reveal Himself?     “Blessed is the one who reads the words of this prophecy, and blessed are those who hear it and take to heart what is written in it, because the time is near”(Revelation 1:3).     At my church, we worked through a Bible study by Beth Moore. A video series, entitled “A Heart Like His”, Beth invited us to join her on a journey to know King David, a man after God’s own heart.   Beth explained that when we ask God for something we shouldn’t be expecting Him to talk to us through the clouds. Instead, God speaks to us through His Word, the Bible. If we have a concern or problem or issue, we need to read the Bible to “listen” for God’s voice and His answer. Before opening the Bible, we need to pray that God would reveal Himself to us through the words on the page.   Beth gives the example of how God revealed Himself to Samuel through His Word, the Bible. Samuel 3:21 says, “The Lord continued to appear at Shiloh, and there he revealed himself to Samuel through his word.”  

Prayer and Action Go Hand in Hand     “Prayer and action go hand in hand” (Nehemiah 4:17).     I remember the frustration experienced in my home because of homework. Each day my kids would return from school, we would argue over when and where and how to do their nightly assignments. The ordeal stressed us and caused family strife. I decided to take it to God in prayer. I hoped that God would change my childrens’ attitudes so that they would look forward to doing their homework.This, however, was not the case.   I learned that although I can pray to God and ask Him to help I must also be willing to be part of the solution.   I can’t just pray and then throw up my hands and carry on with my day. I can ignore the fear and worry but I still need to be willing to take action. I believe it was Joyce Meyer who said, “Don’t react, act.”  So I don’t need to react with ranting, raving, whining and nagging. I must rely on God’s guidance and proceed with a solid plan to resolve this homework issue.   God often answers prayer through people. He can and will divinely interject but usually He uses people who are willing and obedient. I can pray for wisdom and knowledge but I must also act upon that knowledge and “do” something. It’s not enough for me to say, “Dear Lord, help my child to do homework” without listening for His answer and being open to His guidance.   We devised a homework system through listening to the wisdom of others and spending time in quiet reflection with God. I realize that although my plan is working well now, I may need to change it in the future. As our family’s needs change I can ask God for His guidance and His wisdom. Then I must be open and listen for it. God wants to answer our prayers but He wishes to work though His creation, not impose His will upon it.       Prayer is intimacy ~ Elsie Montgomery         How Does God Reveal Himself?     “Blessed is the one who reads the words of this prophecy, and blessed are those who hear it and take to heart what is written in it,

Prayer and Action Go Hand in Hand     “Prayer and action go hand in hand” (Nehemiah 4:17).     I remember the frustration experienced in my home because of homework. Each day my kids would return from school, we would argue over when and where and how to do their nightly assignments. The ordeal stressed us and caused family strife. I decided to take it to God in prayer. I hoped that God would change my childrens’ attitudes so that they would look forward to doing their homework.This, however, was not the case.   I learned that although I can pray to God and ask Him to help I must also be willing to be part of the solution.   I can’t just pray and then throw up my hands and carry on with my day. I can ignore the fear and worry but I still need to be willing to take action. I believe it was Joyce Meyer who said, “Don’t react, act.”  So I don’t need to react with ranting, raving, whining and nagging. I must rely on God’s guidance and proceed with a solid plan to resolve this homework issue.   God often answers prayer through people. He can and will divinely interject but usually He uses people who are willing and obedient. I can pray for wisdom and knowledge but I must also act upon that knowledge and “do” something. It’s not enough for me to say, “Dear Lord, help my child to do homework” without listening for His answer and being open to His guidance.   We devised a homework system through listening to the wisdom of others and spending time in quiet reflection with God. I realize that although my plan is working well now, I may need to change it in the future. As our family’s needs change I can ask God for His guidance and His wisdom. Then I must be open and listen for it. God wants to answer our prayers but He wishes to work though His creation, not impose His will upon it.       Prayer is intimacy ~ Elsie Montgomery

And how do we know that?” I riposted. “Because they’ve screwed up so many of them! Secrecy they have plenty of. What they are crucially short of are competence and reliability. If a Soviet Premier were to order a nuclear mine built, he’d be delivered something the size of a Sherman tank, that worked one time out of four… and sure as God made little green horseflies, somebody on the very first penetration team would defect. That’s the problem they’ll never crack: if a man is intelligent enough to be worth sending abroad, they don’t dare let him out of the country.” “They build very good missiles,” she argued. “That suggests they can produce good technology if they want to badly enough.” “Says who? How often do they ever fire one at a target anyone else can monitor? I told you: esoteric weapons are one of my hobbies.” “Well, very good spaceships—that’s the same thing.” “They build shitty spaceships. Ever seen the inside of one? They look like something out of Flash Gordon, or the cab of a steam locomotive. Big knife-switches and levers and dials that’d look natural in a Nikola Tesla exhibit. No computers worth mentioning. After the Apollo-Soyuz linkup, our guys came back raving at the courage of anyone who would ride a piece of junk like that into space.” “The Soviet space program is much more substantial than America’s! It has been since long before Apollo.” “With shitty spaceships. It’s just that they don’t stop building them, the way this stupid country has. Did you ever hear the story about the first Soviet space station crew?” “Died on reentry, didn’t they? Something about an air leak?” “Leonov, the first man ever to walk in space, has been in the identical model reentry vehicle many times. He’s been quoted assaying that the crew of that mission had to have heard the air whistling out, and that any of the three of them could easily have reached out and plugged the leak with a finger. They died of a combination of bad technology and lousy education. You wait and see: if the Soviets ever open the books and let us compare duds and destructs, you’ll find out they had a failure rate much higher than ours. You know those rockets they’ve got now, that everybody admires so much, the ‘big dumb boosters’? They could have beat us to the Moon with those. But of the first eight to leave the launch pad, the most successful survived for seventeen seconds. So they used a different booster for the Moon project, and it didn’t make the nut.

Metahemeralism. Tell me about it. Everything you know. I gotta know something about metahemeralism." "I'm sorry. I don't know what that is." "I don't either," Bunny would say brokenly. "Got to do with art or pastoralism or something. That's how I gotta tie together John Donne and Izaak Walton, see." He would resume pacing. "Donne. Walton. Metahemeralism. That's the problem as I see it." "Bunny, I don't think "metahemeralism" is even a word." "Sure it is. Comes from the Latin. Has to do with irony and the pastoral. Yeah. That's it. Painting or sculpture or something, maybe." "Is it in the dictionary?" "Dunno. Don't know how to spell it. I mean" — he made a picture frame with his hands — "the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here, see?" And so it would go on, for sometimes half an hour or more, with Bunny raving about fishing, and sonnets, and heaven knew what, until in the middle of his monologue he would be struck by a brilliant thought and bluster off as suddenly as he had descended. He finished the paper four days before the deadline and ran around showing it to everyone before he turned it in. "This is a nice paper, Bun — ," Charles said cautiously. "Thanks, thanks." "But don't you think you ought to mention John Donne more often? Wasn't that your assignment?" "Oh, Donne," Bunny had said scoffingly. "I don't want to drag him into this." Henry had refused to read it. "I'm sure it's over my head, Bunny, really," he said, glancing over the first page. "Say, what's wrong with this type?" "Tripled spaced it," said Bunny proudly. "These lines are about an inch apart." "Looks kind of like free verse, doesn't it?" Henry made a funny little snorting noise through his nose. "Looks kind of like a menu," he said. All I remember about the paper was that it ended with the sentence "And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.

I saw something I can’t explain,’ Hari admitted. ‘There you go,’ said Piers, as if that answered everything. ‘And I grasp it now,’ Hari said to him. Piers simmered down a bit. He studied Hari’s face. ‘Do you?’ he asked. ‘I do,’ said Hari. Piers nodded. ‘Good,’ he said. ‘Good, then.’ With some effort, he got back down on his knees, and began scrubbing the banner again. ‘But tell it right, if you’re telling it,’ he added. ‘What I’m saying is, do it justice. Make a proper tale out of it, eh? It wasn’t no banner, it was the Emperor Himself. In person. I stood before the Emperor on the battlefields of Terra, to protect Him. Put myself in harm’s way, for His sake. And it wasn’t no raving World Eater, neither. Make it… say it was the Great Traitor himself. Big, bad Lupercal.’ ‘I’m not putting that,’ said Hari. ‘Why not?’ ‘No one would ever believe it,’ said Hari.

Against you, Doctor! How could I have it in for you when you’re so nice to me? Against poor Leonard, who does everything he can so that I don’t get worked up, so that I get along here as well as possible? Against anyone else? Well, that’s another story! I have to say that I can’t stand that quack Bid’homme. Of course, I feel sorry for him—as he deserves—but I am tired of seeing this ridiculous fool, who should be put in a straightjacket, intimidate, act like a tyrant, rant and rave, yell and insult everyone. He should be washed with Niagara jets until he bursts, which would not be a great loss to humanity! That Bid’homme! Argh! Him, yes, I hate! He’s a constant danger to the patients, whom he knows nothing about, and whom he might kill with his stupid brutality! Why don’t you lock up this dangerous lunatic, Doctor—or, at least, send him back to Franche-Comté, to his family, if they agree to be responsible for such an evil creature and keep him tied up 24 hours a day?” What was I saying? Doctor Froin looked different; he shrugged his shoulders sadly. I saw him—his mind was made up now: I was a monomaniacal madman with delusions of persecution. All my ideas, all my preoccupations and all my anger, was focused on Bid’homme. I was acting exactly like someone who was crazy. I would keep saying that he hounded his patients and hated them all—me, first and foremost! His doubts about his assistant might even have been erased by my angry outburst. He could blame it all on my madness. I tried desperately to redeem myself, to save myself. What should I do? What should I say? Wouldn’t I be cleverer to tell him everything I was thinking—however uncomfortable it might be? I cried out—as unloudly as possible: “Doctor! No! Don’t write me off like that with a flick of your hand. I know what you’re thinking; you think I’m obsessed! Don’t deny it: I’m sure of it! But it’s nothing like that! To show you I’m not the least bit deranged, let me say that I was a little hard just now—even though I hate your colleague Bid’homme, and think he’s dangerous and harmful to your patients, I have absolutely no problem thinking about other things. Why, today, I thought about a thousand things that had nothing to do with him. Do you want me to tell you about waking up this morning in this room? About what went on inside my head—pointing out the difference between the sane ideas and those that are still a little…off? Do you want to be sure that I am not sneaky or vindictive, like most of the mental patients? Well! You just told me that my relatives are coming on Monday, but you didn’t say whom, probably because you were concerned about making me angry. I’m going to tell you: it’s Roffieux—the one who brought me here. I swear to you that I have no hard feelings against him. I can honestly say that he is close to my heart, but if I leave Vassetot, no harm will come to him from me, I guarantee it. I will do what any good man would do in the same situation: I will go as far away as possible. True enough, he disgusts me and I don’t want him to have any more control over me, but it would never enter my mind to play a dirty trick on him!

I cope with jealousy by having a furious conversation in my head when I rant and rave to Mum about how much attention the TWELVE-YEAR-OLD is getting. I swear a lot and make some evil unforgivable things and it makes me feel much better. Out loud, I say, "Of course, go ahead, that's fine, you go and enjoy yourself." As you do.

Although olive oil is healthier than butter or margarine, that's not saying much. It's probably the worst way to get heart-healthy fats because there's almost no nutritional bang for the calorie buck. In fact, olive and other oils are so nutritionally bankrupt that Joel Fuhrman, M.D., gives oils a score of 1 out of 100, just above refined sweets, which score a zero.

When we say “21 days to a new you!” we’re not talking about losing 21 pounds in 21 days, but changing your tastes for food in just three weeks. That’s how long it takes most people to make a complete switch in their taste buds.

He had slowed the melody now to a sad, reflective circle of notes. Behind this basic structure, Elta was piling an increasing weight of harmonies, circling again and again to augment them. He thought it was like the weight of the past, the weight of memory, building and building until it seemed almost unbearable, and yet there was always room for more: another repetition, another variation. The clapping had long since died away and the audience was rapt and silent. Suddenly a clutch of despair squeezed his heart. How would he survive the rest of his long life? He was not yet very old, and yet he felt old. Like the Essa with the gray-streaked hair who had been carried raving off the ship at Avanue, and whose limp and pallid shape he’d tended unconscious until the day she woke to say ‘Minh’ to him in the same rich voice he remembered. “I feel so old, she had said to him once. How will I live the rest of my life? Then, he hadn’t really known what she meant, though he had understood. Now, he both understood and knew.

I would have understood why you raved and yelled and insulted whenever you though someone wasn't rising up and saying what needed to be said, or doing what needed to be done.

That is the funny thing about reality, a more reasonable part of you can always find just the right thing to say. There will always be, if you look hard enough, reason to doubt everything. But for now, let us pretend that we are truly insane and that in trying to teach you my insanity, to answer your questions about the kind of insanity that I adhere to, I must tell you about the un-manifest and the manifested. In doing so you will begin to understand the true nature of reality for a raving lunatic like me. But I must tell you that this form of insanity is not mine alone, there are others who walk a path that is like my own and the key component of that lunacy is called transmutation.

The Grenade. They say they don’t get any appreciation and they’re not getting any respect. When the silence and lack of appreciation become deafening, look out for the Grenade: the adult temper tantrum. “Kaboom! @#$* Nobody around here cares! That’s the problem with the world today. Kapow! *%^&@# I don’t know why I even bother! No one appreciates just how hard it is for me! Katung! &%$#*.” Ranting and raving are difficult to ignore. But since this desperate behavior produces negative attention and disgust, the Grenade is ever more likely to blow up at the next provocation.

, because he was rich my father consented to our marriage, and they became partners in their business. Afterwards, within a month indeed, the Apostles came to Tyre, and we attended their preaching—at first, because we were curious to learn the truth of this new faith against which my father railed, for, as you know, he is of the strictest sect of the Jews; and then, because our hearts were touched. So in the end we believed, and were baptised, both on one night, by the very hand of the brother of the Lord. The holy Apostles departed, blessing us before they went, and Demas, who would play no double part, told my father of what we had done. Oh! mother, it was awful to see. He raved, shouted and cursed us in his rage, blaspheming Him we worship. More, woe is me that I should have to tell it: When we refused to become apostates he denounced us to the priests, and the priests denounced us to the Romans, and we were seized and thrown into prison; but my husband's wealth, most of it except that which the priests and Romans stole, stayed with my father. For many months we were held in prison here in Cæsarea; then they took my husband to Berytus, to be trained as a gladiator, and murdered him. Here I have stayed since with this beloved servant, Nehushta, who also became a Christian and shared our fate, and now, by the decree of Agrippa, it is my turn and hers to die to-day." "Child, you should not weep for that; nay, you should be glad who at once will find your husband and your Saviour." "Mother, I am glad; but, you see my state. It is for the child's sake I weep, that now never will be born. Had it won life even for an hour all of us would have dwelt together in bliss until eternity. But it cannot be—it cannot be." Anna looked at her with her piercing eyes. "Have you, then, also the gift of prophecy, child, who are so young a member of the Church, that you dare to say that this or that cannot be? The future is in the hand of God. King Agrippa, your father, the Romans, the cruel Jews, those lions that roar yonder, and we who are doomed to feed them, are all in the hand of God, and that which He wills shall befall, and no other thing. Therefore, let us praise Him and rejoice,

I couldn't help but humbly smile when every elderly local we spoke to when walking downtown or eating at Karen's diner—yes, it was still in business—each fondly remembered the league and the tournament that they still held dear in their hearts. These were memories and stories that were passed on to their own families. Each conversation they would constantly rave about three things that they and even former locals proudly took claim to, like their own badge of honor. They'd say during the league's heyday that they "lived in God's country." That they "lived in the times of pure baseball." That they "lived in the times of the Dalton boys.

Take a moment to be over the top, just between you and the words on this page. No one else will know. If you were going to be full of yourself for a moment, what could you admire about yourself? Imagine there are several people who are raving fans of yours. They are excitedly waiting to see you, perhaps to have you autograph something for them. As they eagerly anticipate seeing you, they are chatting about how amazing they find you, and what they specifically like about you. What would they say? Oh my god, I can’t wait to see Aziz! He is so talented! He’s intelligent, incredibly driven, and is always learning new things. He is an excellent communicator, he is really patient with others, and a really compassionate guy. I bet he is an amazing dad!

The man who will lightly sacrifice a long-formed mental habit is exceptional. The vast majority of human beings dislike and even actually dread all notions with which they are not familiar. Trotter, in his admirable Instincts of the Herd in Peace and War, has called them the 'stable-minded,' and has set over against them a minority of 'unstable-minded people,' fond of innovation for its own sake.... The tendency of the stable-minded man... will always be to find that 'whatever is, is right.' Less subject to the habits of thought formed in youth, the unstable-minded naturally take pleasure in all that is new and revolutionary. It is to the unstable-minded that we owe progress in all its forms, as well as all forms of destructive revolution. The stable-minded, by their reluctance to accept change, give to the social structure its durable solidity. There are many more stable- than unstable-minded people in the world (if the proportions were changed we should live in a chaos); and at all but very exceptional moments they possess power and wealth more than proportionate to their numbers. Hence it comes about that at their first appearance innovators have generally been persecuted and always derided as fools and madmen. A heretic, according to the admirable definition of Bossuet, is one who 'emits a singular opinion'—that is to say, an opinion of his own, as opposed to one that has been sanctified by general acceptance. That he is a scoundrel goes without saying. He is also an imbecile—a 'dog' and a 'devil,' in the words of St. Paul, who utters 'profane and vain babblings.' No heretic (and the orthodoxy from which he departs need not necessarily be a religious orthodoxy; it may be philosophic, ethical, artistic, economic), no emitter of singular opinions, is ever reasonable in the eyes of the stable-minded majority. For the reasonable is the familiar, is that which the stable-minded are in the habit of thinking at the moment when the heretic utters his singular opinion. To use the intelligence in any other than the habitual way is not to use the intelligence; it is to be irrational, to rave like a madman.