Rave Life Quotes

Being successful and fulfilling your lifes purpose are not at all the same thing; You can reach all your personal goals, become a raving success by the worlds standard and still miss your purpose in this life.

My recipe for dealing with anger and frustration: set the kitchen timer for twenty minutes, cry, rant, and rave, and at the sound of the bell, simmer down and go about business as usual.

I'm bipolar, but I'm not crazy, and I never was. I'm stark raving sane.

One will hate you for taking his life, another will run to excesses that you scorn. A third will emerge mad and raving, another a monster you cannot control. One will be jealous of your superiority, another shut you out... And the veil will always come down between you Make a legion, you will be, always and forever alone!

Bringing a child into the world without its consent seems unethical. Leaving the womb just seems insane. The womb is nirvana. It’s tripping in an eternal orb outside the space-time continuum. It’s a warm, wet rave at the center of the earth, but you’re the only raver. There’s no weird New Age guide. There’s no shitty techno. There’s only you and the infinite.

The Devils have walked with me across many regions.

Remember that being offended is not the same thing as being right.

I haven't had a lot of good, soft things in my life," he said against my forehead. "Not since my family sent me away. Apart from being your sire and feeling that pull to you, it's that goodness, that softness and warmth, along with the resolve and strength in you, that I love. Being turned hasn't taken that from you. If someone were going to design the perfect mate for me, it would be you. Even when you infuriate me with your pigheaded stubbornness and your temper and incredible lack of anything resembling self-preservation—" "Stop describing me please." "You're the most fascinating, maddening, adorable creature I've ever met," he said, sighing and pushing my hair out of my eyes. "So, when I seem possessive or I'm raving like a lunatic, it's just that part of me is still very afraid that I'll lose that—that I'll lose you. I love you.

She is that maze, the one you would love to chase. She is the faith, quite missing nowadays. And her heart is a rave, with hopeless barricades. She is the one, whose tears flow, just as lavishly, as her laughter roars!

Over every person's life, I have found, Satan masturbates and out from the dispersion of this black cloud, at some point follows a demon who waits to wound.

Love life and life will love you, love yourself and you shall feel loved.

I think the best life would be one that's lived off the grid. No bills, your name in no government databases. No real proof you're even who you say you are, aside from, you know, being who you say you are. I don't mean living in a mountain hut with solar power and drinking well water. I think nature's beautiful and all, but I don't have any desire to live in it. I need to live in a city. I need pay as you go cell phones in fake names, wireless access stolen or borrowed from coffee shops and people using old or no encryption on their home networks. Taking knife fighting classes on the weekend! Learning Cantonese and Hindi and how to pick locks. Getting all sorts of skills so that when your mind starts going, and you're a crazy raving bum, at least you're picking their pockets while raving in a foreign language at smug college kids on the street. At least you're always gonna be able to eat.

When a well-packaged web of lies has been sold gradually to the masses over generations, the truth will seem utterly preposterous and its speaker a raving lunatic.

Sex. It’s the biggest sham of all. I mean, your whole life, all you ever hear is how you’re supposed to save yourself for marriage. And how it’s so special. And then you finally do it. And you’re like, that’s it? This is what everyone’s been raving about?

Jeremy will take her like the Angel itself, in his joyless weasel-worded come-along, and Roger will be forgotten, an amusing maniac, but with no place in the rationalized power-ritual that will be the coming peace. She will take her husband's orders, she will become a domestic bureaucrat, a junior partner, and remember Roger, if at all, as a mistake thank God she didn't make…. Oh, he feels a raving fit coming on—how the bloody hell can he survive without her? She is the British warm that protects his stooping shoulders, and the wintering sparrow he holds inside his hands. She is his deepest innocence in spaces of bough and hay before wishes were given a separate name to warn that they might not come true, and his lithe Parisian daughter of joy, beneath the eternal mirror, forswearing perfumes, capeskin to the armpits, all that is too easy, for his impoverishment and more worthy love. You go from dream to dream inside me. You have passage to my last shabby corner, and there, among the debris, you've found life. I'm no longer sure which of all the words, images, dreams or ghosts are 'yours' and which are 'mine.' It's past sorting out. We're both being someone new now, someone incredible….

Life was dense, dark, ancient. They watched Dean, serious and insane at his raving wheel, with eyes of hawks. All had their hands outstretched. They had come down from the back mountains and higher places to hold forth their hands for something they thought civilization could offer, and they never dreamed the sadness and the poor broken delusion of it. They didn’t know that a bomb had come that could crack all our bridges and roads and reduce them to jumbles, and we would be as poor as they someday, and stretching out our hands in the same, same way

I can see that you go through life athwart it. You see the flow of events, you are able to tell how you could most easily fit yourself into it. But you dare to oppose it. And why? Simply because you look at it and say, 'this fate does not suit me. I will not allow it to befall me.'" Amber shook her head, but her small smile made it an affirmation. "I have always admired people who can do that. So few do. Many, of course, will rant and rave against the garment fate has woven for them, but they pick it up and on it all the same, and most wear it to the end of their days. You... you would rather go naked into the storm.

One little second of pleasure, a whole life of pain...my mother knew nothing of the pleasures of a good roll in the hay...she missed out on all that...like me, her son...a lifetime of sacrifice!...the woman who can grunt and rave in the throes of a deep fuck can die happy...

terrified of being abandoned and all narcissists need Narcissistic Supply Sources. These narcissists prefer to direct their furious rage at people who are meaningless to them and whose withdrawal will not constitute a threat to the narcissists' precariously-balanced personalities. They explode at an underling, yell at a waitress, or berate a taxi driver. Alternatively, they sulk (silent treatment). Many narcissists feel anhedonic, or pathologically bored, drink or do drugs - all forms of self-directed aggression. From time to time, no longer able to pretend and to suppress their rage, they have it out with the real source of their anger. Then they lose all vestiges of self-control and rave like lunatics. They shout incoherently, make absurd accusations, distort facts, and air long-suppressed grievances, allegations and suspicions. These episodes are followed by periods of saccharine sentimentality and excessive flattering and submissiveness towards the target of the latest rage attack. Driven by the mortal fear of being abandoned or ignored, the narcissist debases and demeans himself to the point of provoking repulsion in the beholder. These pendulum-like emotional swings make life with the narcissist exhausting.

No one promised life would be easy or that the game wouldn't change without warning. There you are, all ready to pass Go and collect two hundred dollars, and suddenly Colonel Mustard is trapped in the conservatory, ranting and raving and waving a wrench, and no one knows what exactly a conservatory is or why anyone thought a wrench - of all things - would be a good murder weapon, or what branch of the military Colonel Mustard even served in! Has anyone seen his credentials?

I’m not ready to settle down with anyone. Especially not someone that I’ve only just met. I’d have to be stark, raving mad to give up my life. I don’t know how I can trust you. I. Don’t. Know. You.

Life was dense, dark, ancient. They watched Dean, serious and insane at his raving wheel, with eyes of hawks. All had their hands outstretched. They had come down from the back mountains and higher places to hold forth their hands for something they thought civilization could offer, and they never dreamed the sadness and the poor broken delusion of it.

WE ARE TO PLAY THE GAME OF DEATH E are to play the game of death to-night, my bride and I. The night is black, the clouds in the sky are capricious, and the waves are raving at sea. We have left our bed of dreams, flung open the door and come out, my bride and I. We sit upon a swing, and the storm winds give us a wild push from behind. My bride starts up with fear and delight, she trembles and clings to my breast. Long have I served her tenderly. I made for her a bed of flowers and I closed the doors to shut out the rude light from her eyes. I kissed her gently on her lips and whispered softly in her ears till she half swooned in languor. She was lost in the endless mist of vague sweetness. She answered not to my touch, my songs failed to arouse her. To-night has come to us the call of the storm from the wild. My bride has shivered and stood up, she has clasped my hand and come out. Her hair is flying in the wind, her veil is fluttering, her garland rustles over her breast. The push of death has swung her into life. We are face to face and heart to heart, my bride and I.

It’s hard not to be impatient with the absurdity of the young; they tell us that two and two make four as though it had never occurred to us, and they’re disappointed if we can’t share their surprise when they have discovered that a hen lays an egg. There’s a lot of nonsense in their ranting and raving, but it’s not all nonsense. One ought to sympathize with them; one ought to do one’s best to understand. One has to remember how much has to be forgotten and how much has to be learnt when for the first time one faces life. It’s not very easy to give up one’s ideals, and the brute facts of every day are bitter pills to swallow. The spiritual conflicts of adolescence can be very severe and one can do little to resolve them.

THEY WERE PEOPLE who went in for Negroes—Michael and Anne—the Carraways. But not in the social-service, philanthropic sort of way, no. They saw no use in helping a race that was already too charming and naive and lovely for words. Leave them unspoiled and just enjoy them, Michael and Anne felt. So they went in for the Art of Negroes—the dancing that had such jungle life about it, the songs that were so simple and fervent, the poetry that was so direct, so real. They never tried to influence that art, they only bought it and raved over it, and copied it. For they were artists, too.

You better cut the pizza in four pieces because I’m not hungry enough to eat six pieces.

Every time I visit, he sends me off to the Chicken Ranch to fetch dinner. Deep fried chicken, greasy potatoes, BBQ sauce. I can feel my arteries clogging just thinking about

Fortune, if thou’ll but gie me still Hale breeks, a scone, an whisky gill, An’ rowth o’ rhyme to rave at will, Take a’ the rest, An’ deal’t about as thy blind skill Directs thee best.

The only thing in this world is music–music and books and one or two pictures. I am going to found a colony where there shall be no marrying–unless you happen to fall in love with a symphony of Beethoven–no human element at all, except what comes through Art–nothing but ideal peace and endless meditation. The whole of human beings grows too complicated, my only wonder is that we don’t fill more madhouses: the insane view of life has much to be said for it–perhaps its the sane one after all: and we, the sad sober respectable citizens really rave every moment of our lives and deserve to be shut up perpetually. My spring melancholy is developing these hot days into summer madness.

He kept on having to remind himself that probably one day soon she’d trot her little brat ass back to Harrison and into the arms of her sexless fiancé, no matter what hungry little glances she was sending his way, he was not picking up that signal. Not for a woman from his old life. No matter how cute she looked or how much the center of his palms itched to slide up those bare legs. Texas was no saint, far from it, but putting his head back in that familiar noose … he would have to be raving fucking mad.

... Wickard's novel colorfully illuminates the two sychronized protagonists, each displaying profound characteristics: Sami has trouble adjusting to her new life and Smitty balances his secret life with his normal one, with a (living) wife and infant daughter at home... ... assertive characters with distinct backgrounds provide a solid fountaion for the story of a killer on the hunt." Kirkus Review February 24, 2012

Life is too hard to maintain a constantly serious outlook. You have to laugh at yourself and the world now and then―see humor in undesirable circumstances, even harsh situations―or you will either rot from the inside or go stark-raving mad. Humor is power against the worst oppression. It lightens heavy burdens; it allows one to smile while in agony; it eases excruciating pains. In short, humor makes the intolerable tolerable.

Man's inhumanity to man will continue as long as man loves God more than he loves his fellow man. The love of God means wasted love. 'For God and Country' means a divided allegiance—a 50 per cent patriot. The most abused word in the language of man is the word 'God.' The reason for this is that it is subject to so much abuse. There is no other word in the human language that is as meaningless and incapable of explanation as is the word 'God.' It is the beginning and end of nothing. It is the Alpha and Omega of Ignorance. It has as many meanings as there are minds. And as each person has an opinion of what the word God ought to mean, it is a word without premise, without foundation, and without substance. It is without validity. It is all things to all people, and is as meaningless as it is indefinable. It is the most dangerous in the hands of the unscrupulous, and is the joker that trumps the ace. It is the poisoned word that has paralyzed the brain of man. 'The fear of the Lord' is not the beginning of wisdom; on the contrary, it has made man a groveling slave; it has made raving lunatics of those who have attempted to interpret what God 'is' and what is supposed to be our 'duty' to God. It has made man prostitute the most precious things of life—it has made him sacrifice wife, and child, and home. 'In the name of God' means in the name of nothing—it has caused man to be a wastrel with the precious elixir of life, because there is no God.

I return to the sprinklers and sit down. George plunks down next to me. “Did you know that a bird-eating tarantula is as big as your hand?” “Jase doesn’t have one of those, does he?” George gives me his sunniest smile. “No. He useta have a reg’lar tarantula named Agnes, but she”—his voice drops mournfully—“died.” “I’m sure she’s in tarantula heaven now,” I assure him hastily, shuddering to think what that might look like. Mrs. Garret’s van pulls in behind the motorcycle, disgorging what I assume are Duff and Andy, both red-faced and windblown. Judging by their life jackets, they’ve been at sailing camp. George and Harry, my loyal fans, rave to their mother about my accomplishments, while Patsy immediately bursts into tears, points an accusing finger at her mother, and wails, “Boob.” “It was her first word.” Mrs. Garret takes her from me, heedless of Patsy’s damp swimsuit. “There’s one for the baby book.

Look, suppose that there was one among all those who desire nothing but material and filthy lucre, that one, at least, is like my old Inquisitor, who himself ate roots in the desert and raved, overcoming his flesh, in order to make himself free and perfect, but who still loved mankind all his life, and suddenly opened his eyes and he saw that there is no great moral blessedness in achieving perfection of the will only to become convinced, at the same time, that millions of the rest of God's creatures have been set up only for mockery, that they will never be strong enough to manage their freedom, that from such pitiful rebels will never come giants to complete the tower, that it was not for such geese that the great idealist dreamt his dream of harmony.

No, what’s the use, there’s no leaving a place like this for any amount of freedom, thought the dog sniffing dismally, I’ve got used to it. I’m a gentleman’s dog, an intelligent being, acquired a taste for the good things of life. And what is freedom? Smoke, mirage, fiction... the raving of those unhappy-democrats...

This life is quite a rave- few heartaches, some long waits, altering faiths & breaking cliches!

Life’s a gamble. Sometimes you step in a pile of shit, sometimes you step over it, and sometimes you fall into it – face first.

True Loonies are as never as paranoid as that - we know everyone is really out to get us.

Humans demand explanations, and so when we invent stories we make sure that every detail has an explanation. But life isn't like that. Sometimes there just isn't an explanation.

It is a dreadful thing to wait and watch for the approach of death; to know that hope is gone, and recovery impossible; and to sit and count the dreary hours through long, long, nights - such nights as only watchers by the bed of sickness know. It chills the blood to hear the dearest secrets of the heart, the pent-up, hidden secrets of many years, poured forth by the unconscious helpless being before you; and to think how little the reserve, and cunning of a whole life will avail, when fever and delirium tear off the mask at last. Strange tales have been told in the wanderings of dying men; tales so full of guilt and crime, that those who stood by the sick person's couch have fled in horror and affright, lest they should be scared to madness by what they heard and saw; and many a wretch has died alone, raving of deeds, the very name of which, has driven the boldest man away. ("The Drunkard's Death")

I was never good at sports. For a while I played Little League baseball, but I had very little interaction with the actual ball. I heard a lot of yelling about the ball, and I occasionally sensed that something--which I assumed was the ball--had just whizzed past me. But I almost never had any direct personal contact with the ball, which turns out to be crucial to succeeding in many athletic endeavors.

Jim Clark was interviewed at an event held at Stanford University. At some point in the interview, the topic turned to social media. Clark’s reaction was unexpected given his high-tech background: “I just don’t appreciate social networking.” As he then clarifies, this distaste is captured by a particular experience he had sitting on a panel with a social media executive: [The executive was] just raving about these people spending twelve hours a day on Facebook . . . so I asked a question to the guy who was raving: “The guy who’s spending twelve hours a day on Facebook, do you think he’ll be able to do what you’ve done?

As a non-believer, I want the atheist case to be made. I want religious belief to be scrutinised and challenged. I want Britain to be a genuinely secular nation, where religious belief is protected and defended as a private matter of conscience. But I feel prevented from doing so because atheism in public life has become so dominated by a particular breed that ends up dressing up bigotry as non-belief. It is a tragedy. And that is why it is so important that atheists distance themselves from those who undermine our position. Richard Dawkins can rant and rave about Muslims as much as he wants. But atheists: let's stop allowing him to do it in our name.

- Paddle Your Own Canoe Voyager upon life's sea, To yourself be true, And whatever your lot may be, Paddle your own canoe. Never, though the winds may rave, Falter or look back; But upon the darkest wave Leave a shining track. Paddle your own canoe. Nobly dare the wildest storm, Stem the hardest gale, Brave of heart and strong of arm You will never fail. When the world is cold and dark, Keep your aim in view; And toward the beacon work, Paddle your own canoe. ... ..Would you crush the giant wrong, In the world's free fight? With a spirit brave and strong, Battle for the right. And to break the chains that bind The many to the few To enfranchise slavish mind,- Paddle your own canoe. Nothing great is lightly won, Nothing won is lost, Every good deed, nobly done, Will repay the cost. Leave to Heaven, in humble trust, All you will to do: But if succeed, you must Paddle your own canoe.

Sex. It's the biggest sham of all. I mean, your life, all you ever hear is how you're supposed to save yourself for marriage. And how its so special. And then you finally do it. And you're like, "that it'? This is what everyone's been raving about?

Anything Bunny wrote was bound to be alarmingly original, since he began with such odd working materials and managed to alter them further by his befuddled scrutiny, but the John Donne paper must have been the worst of all the bad papers he ever wrote (ironic, given that it was the only thing he ever wrote that saw print. After he disappeared, a journalist asked for an excerpt from the missing young scholar's work and Marion gave him a copy of it, a laboriously edited paragraph of which eventually found its way into People magazine). Somewhere, Bunny had heard that John Donne had been acquainted with Izaak Walton, and in some dim corridor of his mind this friendship grew larger and larger, until in his mind the two men were practically interchangeable. We never understood how this fatal connection had established itself: Henry blamed it on Men of Thought and Deed, but no one knew for sure. A week or two before the paper was due, he had started showing up in my room about two or three in the morning, looking as if he had just narrowly escaped some natural disaster, his tie askew and his eyes wild and rolling. 'Hello, hello,' he would say, stepping in, running both hands through his disordered hair. 'Hope I didn't wake you, don't mind if I cut on the lights, do you, ah, here we go, yes, yes…' He would turn on the lights and then pace back and forth for a while without taking off his coat, hands clasped behind his back, shaking his head. Finally he would stop dead in his tracks and say, with a desperate look in his eye: 'Metahemeralism. Tell me about it. Everything you know. I gotta know something about metahemeralism.' 'I'm sorry. I don't know what that is.' 'I don't either,' Bunny would say brokenly. 'Got to do with art or pastoralism or something. That's how I gotta tie together John Donne and Izaak Walton, see.' He would resume pacing. 'Donne. Walton. Metahemeralism. That's the problem as I see it.' 'Bunny, I don't think "metahemeralism" is even a word.' 'Sure it is. Comes from the Latin. Has to do with irony and the pastoral. Yeah. That's it. Painting or sculpture or something, maybe.' 'Is it in the dictionary?' 'Dunno. Don't know how to spell it. I mean' – he made a picture frame with his hands – 'the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here, see?' And so it would go, for sometimes half an hour or more, with Bunny raving about fishing, and sonnets, and heaven knew what, until in the middle of his monologue he would be struck by a brilliant thought and bluster off as suddenly as he had descended. He finished the paper four days before the deadline and ran around showing it to everyone before he turned it in. 'This is a nice paper, Bun -,' Charles said cautiously. 'Thanks, thanks.' 'But don't you think you ought to mention John Donne more often? Wasn't that your assignment?' 'Oh, Donne,' Bunny had said scoffingly. 'I don't want to drag him into this.' Henry refused to read it. 'I'm sure it's over my head, Bunny, really,' he said, glancing over the first page. 'Say, what's wrong with this type?' 'Triple-spaced it,' said Bunny proudly. 'These lines are about an inch apart.' 'Looks kind of like free verse, doesn't it?' Henry made a funny little snorting noise through his nose. 'Looks kind of like a menu,' he said. All I remember about the paper was that it ended with the sentence 'And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.' We wondered if he would fail.

For all their weirdness, I LOVE the penis people. I don't understand them. I can't imagine I'll ever learn their language of grunting and scratching, but I'm going to try. If I have to devote my life to learning, I will do it. I can't explain the compulsion that is me thinking about Stephen now. Or just watching a boy walk by and wondering what is going on inside his head. To have him want to play with my hair and take me exciting places. To touch his amazingly fabulous butt and not be arrested for assault. Don't they have a distinct smell? When do they start producing that spicy, manly, different-from-me scent? I don't mean the sweaty, take-a-shower odor, but the yummy soap and a hint of cologne. The kind of scent that makes me want to inhale in their general vicinity just because I can. I get fluttery and gooey and cease to function at higher levels. Like I shut down except for feeling things; like the hot rays of Stephen's manliness and the solid rock of femur and muscle under his denim cargo pants.

Failure itself is a relative concept. If my metric had been to become an anarcho-communist revolutionary, then my complete failure to make any money between 2007 and 2008 would have been a raving success. But if, like most people, my metric had been to simply find a first serious job that could pay some bills right out of school, I was a dismal failure.

The months leading up to World War II were some of the most terrible months in the life of Leonard and Virginia Woolf, as they “helplessly and hopelessly” watched events unfold. Leonard said one of the most horrible things was listening to Hitler’s rants on the radio—“the savage and insane ravings of a vindictive underdog who suddenly saw himself to be all-powerful.

On no point, however, is the ordinary consciousness of Europeans more unwilling to be corrected than on this matter, people now rave everywhere, even under the guise of science, about coming conditions of society in which “the exploiting character” is to be absent—that sounds to my ears as if they promised to invent a mode of life which should refrain from all organic functions.

Telling me I’m pretty is nice and all, but if you really want to make my day, tell me I inspired you to read a book. Say you picked up a novel I’ve raved about and that you fell in love with it, too. Or tell me the time we spent reading aloud together was one of your favorite moments. Ask me to read to you, and beg for another chapter. This will fill me with indescribable joy and purpose. And if you really want to make me speechless with wonder, tell me it was MY words and MY story you enjoyed. Tell me you shed tears over the things my characters went through, and that you’re just a little bit in love with them, too. I might never recover. I will carry those words around in my heart for the rest of my life, like a talisman against all past and future criticisms. That’s how important stories are to me.

In high school, Tom won rave reviews for his rousing performance of Curly in Oklahoma! while I was relegated to the understudy for Laurey, a role I did not once bring to fruition while pining for Tom from the chorus. His custom-tailored suit for our wedding was far nicer than my dress, and it was all anyone could talk about at our ceremony. If anyone could steal the thunder of my cancer diagnosis, it was Tom.

Above all, trust life. Yes, it’s a raving douchecanoe at times. But trust the universe/God. Sometimes I think half my reason for believing in a deity is so I don’t lose hope and think life is a random mixture of arbitrary instances and none of it has any structure. That might drive me mad. I choose to believe in a higher being as an anchor and a grounding. I don’t think I have a choice but to have a deep belief that it will work out. It lets me get out of bed even when I’m feeling low. If control is a mirage, trust that God will order your steps. Have faith that Allah will place the right people in your path: the helpers. One of my favorite prayers when I’m about to walk into a new room is: “Please let my helper find me. Let me not miss the right connection I am supposed to make. Let me not miss the reason I am here.

Lone rangers, that's what we are. We see the world with our naked eyes, unabashed of the greed and ego. Our mind resides on our tongue and we stand for what's right. A little too much fun, and an exciting package. Raving for life and exploring possibilities is our goal. Travel far and wide and into the wild, we will go for it someday. Care so much that even gods would bow down. Love to the hilt and then let go, coz that's what this life is meant for. One life and we will live up to the hilt and leave no regrets. So, when we land into our graves with a satisfied smile, we big farewell to the meanness of this so-called universe. With every journey there is a new lesson learned, every place traveled, explored; makes us in fall in love with the earth. Care less about our whereabouts; we keep the expedition going because we want to go far beyond the civilized, beyond the living, beyond the world of predictability, beyond u and I & into the wild. Feasting the eyes, rejuvenating the senses, every breath we take is a sigh of relief and we make peace. Choosing the roads less traveled, our wandering souls makes our way towards the unknown destination not only to discover ourselves but to discover the wild, nature and the mother earth.

You and I have found something few people ever do.Do you not understand, Matthew? I refuse to let your misguided nobility keep us apart.My life as a princess, or a peasant, is not worth living without you in it." "And mine is without you? I'm willing to go to Avalonia and be your blasted lapdog, if that will keep you in my life. Damn it all, Tatiana, I love you. I have loved you from the moment you went up in my balloon. From the moment I saw the tilt of your smile and the spark in your green eyes. From the first lie to the last, I have loved you. And I love you now!" "Then do stop screaming at me!" "I am not screaming! I am..." He stopped abruptly and blew a long, frustrated breath. Stark....raving...mad." "I suspected as much." The corners of her lips twitched as if she were about to laugh.His heart leapt. He stared at her for a long moment. "Can you forgive me?" "Never." She shrugged. "Perhaps. Possibly. Someday.Years from now." "After a great deal of groveling, I imagine?" He raised a brow. "Begging, beseeching, pleading and so forth as well, no doubt?" "Without question." "And how long do you expect the groveling, begging, beseeching and so forth would continue?" He started around the table toward her. "A lifetime should do." She cast him the look, and any lingering doubt he had vanished. "I see. Exactly where will I be doing this groveling, begging and beseeching?" He reached her and pulled her into his arms and back into his life. "Do not forget the so forth." She stared defiantly up at him. "I would never forget the so forth." He bent and kissd the hollow of her throat. "The so forth has always been my favorite part.Now,where?

Life itself is essentially appropriation, injury, overpowering of what is alien and weaker; suppression, hardness, imposition of one’s own forms, incorporation and at least, at its mildest, exploitation.… If it is a living and not a dying body…it will have to be an incarnate will to power, it will strive to grow, spread, seize, become predominant—not from any morality or immorality but because it is living and because life simply is will to power. But there is no point on which the ordinary consciousness of Europeans resists instruction as on this: everywhere people are now raving, even under scientific disguises, about coming conditions of society in which “the exploitative aspect” will be removed—which sounds to me as if they promised to invent a way of life that would dispense with all organic functions. “Exploitation” does not belong to a corrupt or imperfect and primitive society: it belongs to the essence of what lives, as a basic organic function; it is a consequence of the will to power, which is after all the will of life.

Nowadays people everywhere, even those in scientific disguises, are raving about the coming conditions of society from which "the exploitative character" is to have disappeared: - to my ears that sounds as if people had promised to invent a life which abstained from all organic functions. The "exploitation" is not part of a depraved or incomplete and primitive society: it belongs in the essential nature of what is living, as a basic organic function; it is a consequence of the real will to power, which is simply the will to live.

To instruct us in candid honesty, God gave us the book of Psalms — a worship manual, full of ranting, raving, doubts, fears, resentments, and deep passions combined with thanksgiving, praise, and statements of faith. Every possible emotion is catalogued in the Psalms. When you read the emotional confessions of David and others, realize this is how God wants you to worship him — holding back nothing of what you feel. You can pray like David: “I pour out my complaints before him and tell him all my troubles. For I am overwhelmed.” 6

Hamlet’s soliloquy, you know; the most celebrated thing in Shakespeare. Ah, it’s sublime, sublime! Always fetches the house. I haven’t got it in the book—I’ve only got one volume—but I reckon I can piece it out from memory. I’ll just walk up and down a minute, and see if I can call it back from recollection’s vaults.” So he went to marching up and down, thinking, and frowning horrible every now and then; then he would hoist up his eyebrows; next he would squeeze his hand on his forehead and stagger back and kind of moan; next he would sigh, and next he’d let on to drop a tear. It was beautiful to see him. By and by he got it. He told us to give attention. Then he strikes a most noble attitude, with one leg shoved forwards, and his arms stretched away up, and his head tilted back, looking up at the sky; and then he begins to rip and rave and grit his teeth; and after that, all through his speech, he howled, and spread around, and swelled up his chest, and just knocked the spots out of any acting ever I see before. This is the speech—I learned it, easy enough, while he was learning it to the king: To be, or not to be; that is the bare bodkin That makes calamity of so long life; For who would fardels bear, till Birnam Wood do come to Dunsinane, But that the fear of something after death Murders the innocent sleep, Great nature’s second course, And makes us rather sling the arrows of outrageous fortune Than fly to others that we know not of. There’s the respect must give us pause: Wake Duncan with thy knocking! I would thou couldst; For who would bear the whips and scorns of time, The oppressor’s wrong, the proud man’s contumely, The law’s delay, and the quietus which his pangs might take, In the dead waste and middle of the night, when churchyards yawn In customary suits of solemn black, But that the undiscovered country from whose bourne no traveler returns, Breathes forth contagion on the world, And thus the native hue of resolution, like the poor cat i’ the adage, Is sicklied o’er with care, And all the clouds that lowered o’er our housetops, With this regard their currents turn awry, And lose the name of action. ’Tis a consummation devoutly to be wished. But soft you, the fair Ophelia: Ope not thy ponderous and marble jaws, But get thee to a nunnery—go! Well,

Let the systematic theologian spell it out. Let the artists throw out thoughts and slants, maybe even slants no one else has thought of. They should give another view of something familiar to help us learn more about it. They should deal with love, life, good, evil, God, the world and faith. Many of the biblical writers were poets more than they were theologians. Poets and prophets ranted and raved, and storytellers wrote great yarns that all had different slants on God and life and faith. Perhaps the poet's absence from the Church for many centuries has left it deprived of much insight.

Metahemeralism. Tell me about it. Everything you know. I gotta know something about metahemeralism." "I'm sorry. I don't know what that is." "I don't either," Bunny would say brokenly. "Got to do with art or pastoralism or something. That's how I gotta tie together John Donne and Izaak Walton, see." He would resume pacing. "Donne. Walton. Metahemeralism. That's the problem as I see it." "Bunny, I don't think "metahemeralism" is even a word." "Sure it is. Comes from the Latin. Has to do with irony and the pastoral. Yeah. That's it. Painting or sculpture or something, maybe." "Is it in the dictionary?" "Dunno. Don't know how to spell it. I mean" — he made a picture frame with his hands — "the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here, see?" And so it would go on, for sometimes half an hour or more, with Bunny raving about fishing, and sonnets, and heaven knew what, until in the middle of his monologue he would be struck by a brilliant thought and bluster off as suddenly as he had descended. He finished the paper four days before the deadline and ran around showing it to everyone before he turned it in. "This is a nice paper, Bun — ," Charles said cautiously. "Thanks, thanks." "But don't you think you ought to mention John Donne more often? Wasn't that your assignment?" "Oh, Donne," Bunny had said scoffingly. "I don't want to drag him into this." Henry had refused to read it. "I'm sure it's over my head, Bunny, really," he said, glancing over the first page. "Say, what's wrong with this type?" "Tripled spaced it," said Bunny proudly. "These lines are about an inch apart." "Looks kind of like free verse, doesn't it?" Henry made a funny little snorting noise through his nose. "Looks kind of like a menu," he said. All I remember about the paper was that it ended with the sentence "And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.

Ah! Gentle, gracious Dove, And art thou grieved in me, That sinners should restrain thy love, And say, “It is not free: It is not free for all: The most, thou passest by, And mockest with a fruitless call Whom thou hast doomed to die.” They think thee not sincere In giving each his day, “ Thou only draw’st the sinner near To cast him quite away, To aggravate his sin, His sure damnation seal: Thou show’st him heaven, and say’st, go in And thrusts him into hell.” O HORRIBLE DECREE Worthy of whence it came! Forgive their hellish blasphemy Who charge it on the Lamb: Whose pity him inclined To leave his throne above, The friend, and Saviour of mankind, The God of grace, and love. O gracious, loving Lord, I feel thy bowels yearn; For those who slight the gospel word I share in thy concern: How art thou grieved to be By ransomed worms withstood! How dost thou bleed afresh to see Them trample on thy blood! To limit thee they dare, Blaspheme thee to thy face, Deny their fellow-worms a share In thy redeeming grace: All for their own they take, Thy righteousness engross, Of none effect to most they make The merits of thy cross. Sinners, abhor the fiend: His other gospel hear— “The God of truth did not intend The thing his words declare, He offers grace to all, Which most cannot embrace, Mocked with an ineffectual call And insufficient grace. “The righteous God consigned Them over to their doom, And sent the Saviour of mankind To damn them from the womb; To damn for falling short, “Of what they could not do, For not believing the report Of that which was not true. “The God of love passed by The most of those that fell, Ordained poor reprobates to die, And forced them into hell.” “He did not do the deed” (Some have more mildly raved) “He did not damn them—but decreed They never should be saved. “He did not them bereave Of life, or stop their breath, His grace he only would not give, And starved their souls to death.” Satanic sophistry! But still, all-gracious God, They charge the sinner’s death on thee, Who bought’st him with thy blood. They think with shrieks and cries To please the Lord of hosts, And offer thee, in sacrifice Millions of slaughtered ghosts: With newborn babes they fill The dire infernal shade, “For such,” they say, “was thy great will, Before the world was made.” How long, O God, how long Shall Satan’s rage proceed! Wilt thou not soon avenge the wrong, And crush the serpent’s head? Surely thou shalt at last Bruise him beneath our feet: The devil and his doctrine cast Into the burning pit. Arise, O God, arise, Thy glorious truth maintain, Hold forth the bloody sacrifice, For every sinner slain! Defend thy mercy’s cause, Thy grace divinely free, Lift up the standard of thy cross, Draw all men unto thee. O vindicate thy grace, Which every soul may prove, Us in thy arms of love embrace, Of everlasting love. Give the pure gospel word, Thy preachers multiply, Let all confess their common Lord, And dare for him to die. My life I here present, My heart’s last drop of blood, O let it all be freely spent In proof that thou art good, Art good to all that breathe, Who all may pardon have: Thou willest not the sinner’s death, But all the world wouldst save. O take me at my word, But arm me with thy power, Then call me forth to suffer, Lord, To meet the fiery hour: In death will I proclaim That all may hear thy call, And clap my hands amidst the flame, And shout,—HE DIED FOR ALL

One way to get a life and keep it is to put energy into being an S&M (success and money) queen. I first heard this term in Karen Salmansohn’s fabulous book The 30-Day Plan to Whip Your Career Into Submission. Here’s how to do it: be a star at work. I don’t care if you flip burgers at McDonald’s or run a Fortune 500 company. Do everything with totality and excellence. Show up on time, all the time. Do what you say you will do. Contribute ideas. Take care of the people around you. Solve problems. Be an agent for change. Invest in being the best in your industry or the best in the world! If you’ve been thinking about changing professions, that’s even more reason to be a star at your current job. Operating with excellence now will get you back up to speed mentally and energetically so you can hit the ground running in your new position. It will also create good karma. When and if you finally do leave, your current employers will be happy to support you with a great reference and often leave an open door for additional work in the future. If you’re an entrepreneur, look at ways to enhance your business. Is there a new product or service you’ve wanted to offer? How can you create raving fans by making your customer service sparkle? How can you reach more people with your product or service? Can you impact thousands or even millions more? Let’s not forget the M in S&M. Getting a life and keeping it includes having strong financial health as well. This area is crucial because many women delay taking charge of their financial lives as they believe (or have been culturally conditioned to believe) that a man will come along and take care of it for them. This is a setup for disaster. You are an intelligent and capable woman. If you want to fully unleash your irresistibility, invest in your financial health now and don’t stop once you get involved in a relationship. If money management is a challenge for you, I highly recommend my favorite financial coach: David Bach. He is the bestselling author of many books, including The Automatic Millionaire, Smart Women Finish Rich, and Smart Couples Finish Rich. His advice is clear-cut and straightforward, and, most important, it works.

The Dying Man" in memoriam W.B. Yeats 1. His words I heard a dying man Say to his gathered kin, “My soul’s hung out to dry, Like a fresh salted skin; I doubt I’ll use it again. “What’s done is yet to come; The flesh deserts the bone, But a kiss widens the rose I know, as the dying know Eternity is Now. “A man sees, as he dies, Death’s possibilities; My heart sways with the world. I am that final thing, A man learning to sing. 2. What Now? Caught in the dying light, I thought myself reborn. My hand turn into hooves. I wear the leaden weight Of what I did not do. Places great with their dead, The mire, the sodden wood, Remind me to stay alive. I am the clumsy man The instant ages on. I burned the flesh away, In love, in lively May. I turn my look upon Another shape than hers Now, as the casement blurs. In the worst night of my will, I dared to question all, And would the same again. What’s beating at the gate? Who’s come can wait. 3. The Wall A ghost comes out of the unconscious mind To grope my sill: It moans to be reborn! The figure at my back is not my friend; The hand upon my shoulder turns to horn. I found my father when I did my work, Only to lose myself in this small dark. Though it reject dry borders of the seen, What sensual eye can keep and image pure, Leaning across a sill to greet the dawn? A slow growth is a hard thing to endure. When figures our of obscure shadow rave, All sensual love’s but dancing on a grave. The wall has entered: I must love the wall, A madman staring at perpetual night, A spirit raging at the visible. I breathe alone until my dark is bright. Dawn’s where the white is. Who would know the dawn When there’s a dazzling dark behind the sun. 4. The Exulting Once I delighted in a single tree; The loose air sent me running like a child– I love the world; I want more than the world, Or after image of the inner eye. Flesh cries to flesh, and bone cries out to bone; I die into this life, alone yet not alone. Was it a god his suffering renewed?– I saw my father shrinking in his skin; He turned his face: there was another man, Walking the edge, loquacious, unafraid. He quivered like a bird in birdless air, Yet dared to fix his vision anywhere. Fish feed on fish, according to their need: My enemies renew me, and my blood Beats slower in my careless solitude. I bare a wound, and dare myself to bleed. I think a bird, and it begins to fly. By dying daily, I have come to be. All exultation is a dangerous thing. I see you, love, I see you in a dream; I hear a noise of bees, a trellis hum, And that slow humming rises into song. A breath is but a breath: I have the earth; I shall undo all dying with my death. 5. They Sing, They Sing All women loved dance in a dying light– The moon’s my mother: how I love the moon! Out of her place she comes, a dolphin one, Then settles back to shade and the long night. A beast cries out as if its flesh were torn, And that cry takes me back where I was born. Who thought love but a motion in the mind? Am I but nothing, leaning towards a thing? I scare myself with sighing, or I’ll sing; Descend O gentlest light, descend, descend. I sweet field far ahead, I hear your birds, They sing, they sing, but still in minor thirds. I’ve the lark’s word for it, who sings alone: What’s seen recededs; Forever’s what we know!– Eternity defined, and strewn with straw, The fury of the slug beneath the stone. The vision moves, and yet remains the same. In heaven’s praise, I dread the thing I am. The edges of the summit still appall When we brood on the dead or the beloved; Nor can imagination do it all In this last place of light: he dares to live Who stops being a bird, yet beats his wings Against the immense immeasurable emptiness of things.

Rob’s entire life was successfully laid out, his attributes taking center stage, his accolades only a few seconds shy of the next brilliant offer, and the next rave review. Our family life seemed happy, at least from the outside looking in, and why wouldn’t it? I was the dutiful little housewife, he was the brilliant plastic surgeon, and his daughters closed the circle of the perfect family. When he was gone, working late, patching people up, consulting on emergencies, with the children long asleep, I would often stare at myself in the mirror, and wonder how my life had gotten so far left of where I was once headed. My face, without makeup, was burdened with secrets, lines that threatened to one day reveal themselves like a roadmap of my unhappiness. But for all Rob’s planning, he couldn’t have anticipated that on the second day of August, at 5:45 a.m., his life was about to become completely and forever irreparably changed.

Well, now, if we’d known we were going to have such…ah…gra…that is, illustrious company, we’d have-“ “Swept off the chairs?” Lucinda suggested acidly. “Shoveled off the floor?” “Lucinda!” Elizabeth whispered desperately. “They didn’t know we were coming.” “No respectable person would dwell in such a place even for a night,” she snapped, and Elizabeth watched in mingled distress and admiration as the redoubtable woman turned around and directed her attack on their unwilling host. “The responsibility for our being here is yours, whether it was a mistake or not! I shall expect you to rout your servants from their hiding places and have them bring clean linens up to us at once. I shall also expect them to have this squalor remedied by morning! It is obvious from your behavior that you are no gentleman; however, we are ladies, and we shall expect to be treated as such.” From the corner of her eye Elizabeth had been watching Ian Thornton, who was listening to all of this, his jaw rigid, a muscle beginning to twitch dangerously in the side of his neck. Lucinda, however, was either unaware of or unconcerned with his reaction, for, as she picked up her skirts and turned toward the stairs, she turned on Jake. “You may show us to our chambers. We wish to retire.” “Retire!” cried Jake, thunderstruck. “But-but what about supper?” he sputtered. “You may bring it up to us.” Elizabeth saw the blank look on Jake’s face, and she endeavored to translate, politely, what the irate woman was saying to the startled red-haired man. “What Miss Throckmorton-Jones means is that we’re rather exhausted from our trip and not very good company, sir, and so we prefer to dine in our rooms.” “You will dine,” Ian Thornton said in an awful voice that made Elizabeth freeze, “on what you cook for yourself, madam. If you want clean linens, you’ll get them yourself from the cabinet. If you want clean rooms, clean them! Am I making myself clear?” “Perfectly!” Elizabeth began furiously, but Lucinda interrupted in a voice shaking with ire: “Are you suggesting, sirrah, that we are to do the work of servants?” Ian’s experience with the ton and with Elizabeth had given him a lively contempt for ambitious, shallow, self-indulgent young women whose single goal in life was to acquire as many gowns and jewels as possible with the least amount of effort, and he aimed his attack at Elizabeth. “I am suggesting that you look after yourself for the first time in your silly, aimless life. In return for that, I am willing to give you a roof over your head and to share our food with you until I can get you to the village. If that is too overwhelming a task for you, then my original invitation still stands: There’s the door. Use it!” Elizabeth knew the man was irrational, and it wasn’t worth riling herself to reply to him, so she turned instead to Lucinda. “Lucinda,” she said with weary resignation, “do not upset yourself by trying to make Mr. Thornton understand that his mistake has inconvenienced us, not the other way around. You will only waste your time. A gentleman of breeding would be perfectly able to understand that he should be apologizing instead of ranting and raving. However, as I told you before we came here, Mr. Thornton is no gentleman. The simple fact is that he enjoys humiliating people, and he will continue trying to humiliate us for as long as we stand here.” Elizabeth cast a look of well-bred disdain over Ian and said, “Good night, Mr. Thornton.” Turning, she softened her voice a little and said, “Good evening, Mr. Wiley.

CUCHULAIN’S FIGHT WITH THE SEA A MAN came slowly from the setting sun, To Emer, raddling raiment in her dun, And said, ‘I am that swineherd whom you bid Go watch the road between the wood and tide, But now I have no need to watch it more.’ Then Emer cast the web upon the floor, And raising arms all raddled with the dye, Parted her lips with a loud sudden cry. That swineherd stared upon her face and said, ‘No man alive, no man among the dead, Has won the gold his cars of battle bring.’ ‘But if your master comes home triumphing Why must you blench and shake from foot to crown?’ Thereon he shook the more and cast him down Upon the web-heaped floor, and cried his word: ‘With him is one sweet-throated like a bird.’ ‘You dare me to my face,’ and thereupon She smote with raddled fist, and where her son Herded the cattle came with stumbling feet, And cried with angry voice, ’It is not meet To idle life away, a common herd.’ ‘I have long waited, mother, for that word: But wherefore now?’ ‘There is a man to die; You have the heaviest arm under the sky.’ ‘Whether under its daylight or its stars My father stands amid his battle-cars.’ ‘But you have grown to be the taller man.’ ‘Yet somewhere under starlight or the sun My father stands.’ ‘Aged, worn out with wars On foot, on horseback or in battle-cars.’ ‘I only ask what way my journey lies, For He who made you bitter made you wise.’ ‘The Red Branch camp in a great company Between wood’s rim and the horses of the sea. Go there, and light a camp-fire at wood’s rim; But tell your name and lineage to him Whose blade compels, and wait till they have found Some feasting man that the same oath has bound.’ Among those feasting men Cuchulain dwelt, And his young sweetheart close beside him knelt, Stared on the mournful wonder of his eyes, Even as Spring upon the ancient skies, And pondered on the glory of his days; And all around the harp-string told his praise, And Conchubar, the Red Branch king of kings, With his own fingers touched the brazen strings. At last Cuchulain spake, ‘Some man has made His evening fire amid the leafy shade. I have often heard him singing to and fro, I have often heard the sweet sound of his bow. Seek out what man he is.’ One went and came. ‘He bade me let all know he gives his name At the sword-point, and waits till we have found Some feasting man that the same oath has bound.’ Cuchulain cried, ‘I am the only man Of all this host so bound from childhood on. After short fighting in the leafy shade, He spake to the young man, ’Is there no maid Who loves you, no white arms to wrap you round, Or do you long for the dim sleepy ground, That you have come and dared me to my face?’ ‘The dooms of men are in God’s hidden place,’ ‘Your head a while seemed like a woman’s head That I loved once.’ Again the fighting sped, But now the war-rage in Cuchulain woke, And through that new blade’s guard the old blade broke, And pierced him. ‘Speak before your breath is done.’ ‘Cuchulain I, mighty Cuchulain’s son.’ ‘I put you from your pain. I can no more.’ While day its burden on to evening bore, With head bowed on his knees Cuchulain stayed; Then Conchubar sent that sweet-throated maid, And she, to win him, his grey hair caressed; In vain her arms, in vain her soft white breast. Then Conchubar, the subtlest of all men, Ranking his Druids round him ten by ten, Spake thus: ‘Cuchulain will dwell there and brood For three days more in dreadful quietude, And then arise, and raving slay us all. Chaunt in his ear delusions magical, That he may fight the horses of the sea.’ The Druids took them to their mystery, And chaunted for three days. Cuchulain stirred, Stared on the horses of the sea, and heard The cars of battle and his own name cried; And fought with the invulnerable tide.

London is the worst. Lawrence realised this in 1916: London was ‘so foul’, he reckoned, that ‘one would die in it in a fortnight’. Since then it’s got even worse. Now it’s the world capital of flu. The sky in London drizzles flu, it rains flu. People from all over the world go there and get flu. Whether they come to see the changing of the guard, or to take ecstasy at raves, they all end up getting flu. Those who work in London are all either going down with flu, recovering from flu, or in the grip of flu – even though most of the people going down with flu, recovering from flu or in the grip of flu don’t have flu at all. What they’re actually suffering from is verbal inflation because no one says they have a cold any more, it’s always flu. If people have a cold they say they have flu; if they say they have a cold it means there’s nothing wrong with them. Flu and cold are becoming interchangeable. We say flu when we mean cold but we say flu when we mean flu because no one wants to say they have pneumonia when all they’ve got is flu because if you say you have pneumonia people might think you have AIDS. It’s even possible that people who do have pneumonia call it flu so that flu now runs the whole gamut of illness from the common cold upwards. To say we have flu is merely to express the common condition of urban life at the tail-end of the twentieth century.

She looked up in confusion and then glanced at her mother. Lydia shook her head and said, “Dreams are nonsense, Corporal Gheorghe. They don’t come true.” “No, no, dreams come true,” he said, taking off his helmet and gesturing to a still-livid scar above a slight crescent-shaped depression in his skull above his right ear. “The old Corporal Gheorghe? Before the mortar hit? He hated life. He suffered every day, dark and angry, and listened to scared voices in his head. Why me? Why not me? Who will shoot me? The old Corporal Gheorghe did not believe in God. He did not believe that dreams come true.” The Romanian soldier put his hand over his heart, and his eyes widened. “But then the mortar bomb hit, knocked me cold. I woke up and everything was different. I was part of everything and everyone. I saw it. I felt it. I understood! Private Kumar was right! Dreams come true if you hold them in your heart and act from your heart. Every night, right here in my chest, I know I was born to make honey, find a beautiful woman, and make more honey.” He laughed, touched the scar with his right hand again, and closed his eyes, his face as blissful as a man’s face could be. “I can wait. I have patience and peace and am not afraid. I know in my heart I am already a beekeeper. No matter what, I am a beekeeper.” Emil had concluded by then that the Romanian was a raving lunatic or a drunk or both. He felt a little hostile as he said, “You did not tell us where you learned to speak German.

But Jung did speak out against Hitler some years before he left the society. In 1936 he condemned the Fuehrer as a “raving berserker” and a man “possessed” who had set Germany on its “course toward perdition.”37 And a year earlier, in his lecture series at London’s Tavistock Clinic, Jung broke off his remarks to refer to his prophecy of 1918. “I saw it coming,” he told his fellow psychologists, “I said in 1918 that the ‘blond beast’ is stirring in its sleep and that something will happen in Germany. No psychologist then understood at all what I meant . . .” Commenting on the power of the archetypes to overrun conscious decision, Jung called them “the great decisive forces.”38 They “get you below the belt and not in your mind, your brain just counts for nothing, your sympathetic system is gripped.”39 Remarks like these led to accusations that Jung gave people a way of avoiding responsibility for their actions: they didn’t decide to become Nazis, the archetypes “made them do it.” Yet they are remarkably similar to what the philosopher Jean Gebser, who had firsthand experience of Nazism, believed was at work: the “magical structure of consciousness,” which Gebser characterized as a “vegetative intertwining of all living things,” and which requires a “sacrifice of consciousness” and “occurs in the state of trance, or when consciousness dissolves as a result of mass reactions, slogans, or ‘isms.’ ” Curiously, Gebser believed the “magical structure” was also responsible for synchronicities,40 and in an interview in 1938, Jung himself said that “Hitler’s power is not political; it is magic.”41

Robert Askins Brings ‘Hand to God’ to Broadway Chad Batka for The New York Times Robert Askins at the Booth Theater, where his play “Hand to God” opens on Tuesday. By MICHAEL PAULSON The conceit is zany: In a church basement, a group of adolescents gathers (mostly at the insistence of their parents) to make puppets that will spread the Christian message, but one of the puppets turns out to be more demonic than divine. The result — a dark comedy with the can-puppets-really-do-that raunchiness of “Avenue Q” and can-people-really-say-that outrageousness of “The Book of Mormon” — is “Hand to God,” a new play that is among the more improbable entrants in the packed competition for Broadway audiences over the next few weeks. Given the irreverence of some of the material — at one point stuffed animals are mutilated in ways that replicate the torments of Catholic martyrs — it is perhaps not a surprise to discover that the play’s author, Robert Askins, was nicknamed “Dirty Rob” as an undergraduate at Baylor, a Baptist-affiliated university where the sexual explicitness and violence of his early scripts raised eyebrows. But Mr. Askins had also been a lone male soloist in the children’s choir at St. John Lutheran of Cypress, Tex. — a child who discovered early that singing was a way to make the stern church ladies smile. His earliest performances were in a deeply religious world, and his writings since then have been a complex reaction to that upbringing. “It’s kind of frustrating in life to be like, ‘I’m a playwright,’ and watch people’s face fall, because they associate plays with phenomenally dull, didactic, poetic grad-schoolery, where everything takes too long and tediously explores the beauty in ourselves,” he said in a recent interview. “It’s not church, even though it feels like church a lot when we go these days.” The journey to Broadway, where “Hand to God” opens on Tuesday at the Booth Theater, still seems unlikely to Mr. Askins, 34, who works as a bartender in Brooklyn and says he can’t afford to see Broadway shows, despite his newfound prominence. He seems simultaneously enthralled by and contemptuous of contemporary theater, the world in which he has chosen to make his life; during a walk from the Cobble Hill coffee shop where he sometimes writes to the Park Slope restaurant where he tends bar, he quoted Nietzsche and Derrida, described himself as “deeply weird,” and swore like, well, a satanic sock-puppet. “If there were no laughs in the show, I’d think there was something wrong with him,” said the actor Steven Boyer, who won raves in earlier “Hand to God” productions as Jason, a grief-stricken adolescent with a meek demeanor and an angry-puppet pal. “But anybody who is able to write about such serious stuff and be as hilarious as it is, I’m not worried about their mental health.” Mr. Askins’s interest in the performing arts began when he was a boy attending rural Texas churches affiliated with the conservative Lutheran Church-Missouri Synod denomination; he recalls the worshipers as “deeply conservative, old farm folks, stone-faced, pride and suffering, and the only time anybody ever really livened up was when the children’s choir would perform.” “My grandmother had a cross-stitch that said, ‘God respects me when I work, but he loves me when I sing,’ and so I got into that,” he said. “For somebody who enjoys performance, that was the way in.” The church also had a puppet ministry — an effort to teach children about the Bible by use of puppets — and when Mr. Askins’s mother, a nurse, began running the program, he enlisted to help. He would perform shows for other children at preschools and vacation Bible camps. “The shows are wacky, but it was fun,” he said. “They’re badly written attempts to bring children to Jesus.” Not all of his formative encounters with puppets were positive. Particularly scarring: D

He could mentally picture, in great detail, some of the grand, intricately detailed pastries and cakes Lani had constructed at Gateau. Her inspired creations had drawn raves. She hadn't been a Beard nominee during her first year of eligibility for nothing. She'd worked tirelessly to perfect even the tiniest detail, not because the client- or an awards committee- would have noticed, but because it mattered to her that each effort be her best. In fact, it was her work ethic and dedication that had first caught his attention. She wasn't a grandstander, like most with her natural ability, behaving in whatever manner it took to stick out and be noticed. She let her work speak for her. And speak it did. It fairly shouted, in fact. Once he'd noticed, he couldn't help being further captivated by how different her demeanor was from most budding chefs. Bravado, with a healthy dose of self-confidence bordering on arrogance, was a trademark of the profession. Some would say it was a requirement. Leilani's quiet charm, and what he'd come to describe as her relentless calm and ruthless optimism had made an indelible mark on him. She wasn't like any baker he'd ever met, much less any top-notch chef. She cared, she labored- hard- and she lived, breathed, ate, and slept food, as any great chef did. But she was never frantic, never obsessed, never... overwrought, as most great chefs were. That teetering-off-the-cliff verve was the atmosphere he'd lived in, thrived on, almost his entire life. Leilani had that same core passion in spades, but it resided in a special place inside her. She simply allowed it to flow outward, like a quietly rippling stream, steady and true. As even the gentlest flowing stream could wear away the sturdiest stone, so had Leilani worn down any resistance he'd tried to build up against her steady charm... and she'd done it without even trying.

First Lady Eleanor Roosevelt was heard often on radio beginning soon after her husband’s inauguration in 1932. To stem inevitable criticism, all fees from her commercial broadcasts were donated to charity. Her shows were often behindscenes color pieces: on one 1937 Blue Network Pond’s Cream broadcast, her topic was “White Housekeeping,” a discussion of life in the White House, with recipes. Her early talks were given in a hesitant, nervous voice, leading to widespread mimicry and even cruel ridicule. “Eleanor” jokes became common at parties and in the workplace. Perhaps her best radio series came after her husband’s death, when she had attained a kind of senior stateswoman status. She was in Paris for the opening programs of Eleanor and Anna Roosevelt, and her voice was heard by transcription while her daughter, Anna Boettiger, handled the rest of the show live from California. It made instant news: Mrs. Roosevelt blasted the “Dixiecrat” wing of the Democratic Party and called upon party bosses to throw the boll weevils out. While Washington buzzed, Variety raved about her courage and cited her as one of the “standout commentators of the air.

Poetry Reading To be a boxer, or not to be there at all. O Muse, where are our teeming crowds? Twelve people in the room, eight seats to spare— it’s time to start this cultural affair. Half came inside because it started raining, the rest are relatives. O Muse. The women here would love to rant and rave, but that’s for boxing. Here they must behave. Dante’s Inferno is ringside nowadays. Likewise his Paradise. O Muse. Oh, not to be a boxer but a poet, one sentenced to hard shelleying for life, for lack of muscles forced to show the world the sonnet that may make the high-school reading lists with luck. O Muse, O bobtailed angel, Pegasus. In the first row, a sweet old man’s soft snore: he dreams his wife’s alive again. What’s more, she’s making him that tart she used to bake. Aflame, but carefully—don’t burn his cake!— we start to read. O Muse.

-give it a break, it says- It's an art to realize our worst fears Glee is the body turned out of shape, where meaningless expectations drool a string stiffened at both ends in fists of life and failures belief pirouette, bows and falls Those milky decision exiled in dust of time She says, "this year is raving, its skeleton has crippled the soil" Code blue has alarmed electronic crickets chime on monitor rhythms of farewell dance of death lodestar grins at distance. (Give it a break) The stars are gleaming outside the window birds chirruping intermittently valid sound of crickets dust settling on painted cities A cyclic equilibrium, I tell you, to bring the body in shape.

My seven-year-old was diagnosed with PDD (similar to autism) at the age of four. He has always had behavior issues (screaming, tantrums, hitting his siblings, hurting himself), and I’ve tried everything I could to change this—including taking parenting classes, because I thought I was doing something wrong. In December 2011, my husband and I were introduced to the Whole30. Within just a few days, he was like a brand-new child! He woke up one morning with a smile on his face, was very compliant, and would even sit down and do his homework without whining and crying about it. We are so happy with the results of our whole family that we have continued to eat clean foods, and we rave about this program to anyone who will listen.

Raven My heart skips a beat when I see Ares leaning against his car as he waits for me in front of my office building. I pause for a moment and take him in. His dark hair, that sharp jaw, those green eyes that are identical to Sierra’s. It isn’t fair that he continues to get more handsome the older we get. Each time I see him, he feels a little more out of reach. Ares looks up and straightens when he notices me standing by the entrance, a smile transforming his face. “Hi!” I tell him as he holds the door open for me. Ares grins at me, and I smile back at him. There’s a good chance I’ll regret giving into him later, but until then, I’m going to enjoy every second of it. “Where are we going?” I ask when he gets in beside me, his hands wrapping around the steering wheel. Ares leans back against the headrest and tilts his face toward me. “Raven,” he says, sounding petulant. I can’t help the way my heart races when he says my name like that, and I involuntarily turn toward him, facing him. “Why don’t I ever see you anymore?” Ares genuinely looks distraught, as though he really has missed me, and that fire I keep trying to douse reignites once more. “I’ve just been busy.” My voice is weak, soft, as though I can’t make myself lie to him with authority. “I’m working really insane hours. I’ve got so many modeling contracts, and I’m trying to grow my fashion brand at the same time. Honestly, some days I barely have time to eat or sleep.” He nods and drags his gaze away, a hint of concern in his expression as he starts the car. “Don’t overwork yourself, Rave. Remember to take care of yourself, okay? You can’t always be working. You need to have a social life too. When was the last time you saw your parents?” I force a smile onto my face and cross my arms. The older I get, the less I see my parents. Their entire world revolves around Hannah, and I hate going where I’m not welcome. I shouldn’t feel excluded in my own home, but I do. “Sierra was actually just in my office,” I tell him. “I do have friends, you know.” He glances at me the way he does sometimes, as though he can see straight through my lies and deception, but he nods nonetheless. “What are you thinking of buying this year?” I ask him, my tone light and friendly. He glances back at me with a smile on his face. “What do you think of some jewelry, maybe?” I nod. “A new statement piece, perhaps?” Ares looks at me with such a blank expression that I burst out laughing, and that just makes him smile in return. “I haven’t heard you laugh in so long, Raven. I missed it.” My smile melts away and I look down at my lap, my heart aching. I wish he wouldn’t say things like that. He sees me as an

George A. Lopez, characterizing techniques common to the State as terrorist, lists four approaches—information control, law enforcement/legal, economic coercion, and outright life threatening (including kidnapping, disappearances, torture, etc.). He argues with unusual acumen that all four are entwined with the dynamic of patriarchy: “The emphasis on masculinity demands the assumption of warrior-hero characteristics: a proclivity for violence, an aura of the fighter, and an explicit rejection of those characteristics associated with the frail and womanly aspects of human beings: sensitivity, pity, emotionality, tenderness toward others, and so on.” He’s right—but the truth is even worse. The phallic malady is epidemic and systemic. It’s too easy to imagine the power concentrated in a series of rooms, with ten or even a hundred high-level would-be-hero bureaucrats raving toward Armageddon for one another’s approval. The more frightening reality is that each individual male in the patriarchy is aware of his relative power in the scheme of things. A few may be distressed at that power, many may claim innocence of it, most may deny it or pretend to ignore it, and some may blatantly delight in it—but all are aware of it.

To refresh your soul and relationships on Sabbath, you must enter it with shalom. Be flexible with what your week and Preparation Day might throw your way. Remember that Satan hates that you’re setting apart Sabbath to be more like Jesus, and he will try to make you a raving, stressed-out, angry person as you enter it. So take control of your attitude. Choose your tasks carefully, knowing that a simple Sabbath full of shalom is better than a fancy one full of stress.

Your delinquency inverse gets decimated only when you do not debauch yourself through iron-handed and undemolished energy in your output. It is not raving your functional style. Today the world is becoming dilapidated and abase to nature and this climate, which has a direct effect in depolarizing and unbracing the life of man. To put it plainly, man is ferocious, vitriolic, devilish, and stoneyhearted. This is happening, and nature is depreciating, rotting, and perishing. This is an unusable, barbarous, grisly, and spiteful comprehension. This is an exceptional aspersion for this environment; this is your own debacle. If you do not want eradication, then you will have to do everything benign, placable, and mild in a conviction state. In the detraction method, there is a heteroclite of things that calumniate anyone's socialist moves by which people take out-turns of malediction and mudslinging in actions. If there is slander in the power of subjects, then it triggers an exclusionary state of concentration where fierce denigration is fixed in functionality, where there is a gathering of dire, satanic, and highhanded and cruel people with extirpation. Here lives have neither amiable nor placid mentality without healing of wellness; there is only collision of competition, which gives adverse and splash dilemmas in unconventional states.

Life will assert itself. Let the bourgeoisie rave, work itself into a frenzy, go to extremes, commit follies, take vengeance on the Bolsheviks in advance, and endeavour to kill off (as in India, Hungary, Germany, etc.) more hundreds, thousands, and hundreds of thousands of yesterday’s and tomorrow’s Bolsheviks. In acting thus, the bourgeoisie is acting as all historically doomed classes have done. Communists should know that, in any case, the future belongs to them; therefore, we can (and must) combine the most intense passion in the great revolutionary struggle, with the coolest and most sober appraisal of the frenzied ravings of the bourgeoisie.

These days good guys can wear black hats, women are attracted to the bad guy, and even the best politician would likely set off a lie detector if he walked within fifty feet of it.

Nothing much changed in Walter Brennan’s domestic life even after he won his Academy Award and received rave reviews for both Come and Get It and Banjo on My Knee. He remembered hurrying home with his gold statuette, strutting in his borrowed tuxedo, and asking his wife how it felt to be married to an Academy Award winner. Ruth gave him a look and said, “Turn out the lights and go to bed. I lived with you when you didn’t have a dime.” His rare moment of bragging caught her off guard, and he had never spoke of stardom. It all seemed just work to him—or so Ruth supposed. Years later, she admitted she had not taken in the honor bestowed on her husband.

What could have possessed her to sleep with Matthew Swift?” “I doubt there was much sleeping involved,” Annabelle replied, her eyes twinkling. Lillian gave her a slitted glare. “If you have the bad taste to be amused by this, Annabelle—” “Daisy was never interested in Lord Llandrindon,” Evie volunteered hastily, trying to prevent a quarrel. “She was only using him to provoke Mr. Swift.” “How do you know?” the other two asked at the same time. “Well, I-I…” Evie made a helpless gesture with her hands. “Last week I m-more or less inadvertently suggested that she try to make him jealous. And it worked.” Lillian’s throat worked violently before she could manage to speak. “Of all the asinine, sheep-headed, moronic—” “Why, Evie?” Annabelle asked in a considerably kinder tone. “Daisy and I overheard Mr. Swift t-talking to Lord Llandrindon. He was trying to convince Llandrindon to court her, and it became obvious that Mr. Swift wanted her for himself.” “I’ll bet he planned it,” Lillian snapped. “He must have known somehow that you would overhear. It was a devious and sinister plot, and you fell for it!” “I don’t think so,” Evie replied. Staring at Lillian’s crimson face, she asked apprehensively, “Are you going to shout at me?” Lillian shook her head and dropped her face in her hands. “I’d shriek like a banshee,” she said through the screen of her fingers, “if I thought it would do any good. But since I’m fairly certain Daisy has been intimate with that reptile, there is probably nothing anyone can do to save her now.” “She may not want to be saved,” Evie pointed out. “That’s because she’s gone stark raving mad,” came Lillian’s muffled growl. Annabelle nodded. “Obviously. Daisy has slept with a handsome, young, wealthy, intelligent man who is apparently in love with her. What in God’s name can she be thinking?” She smiled compassionately as she heard Lillian’s profane reply, and settled a gentle hand between her friend’s shoulders. “Dearest,” she murmured, “as you know, there was a time when it didn’t matter to me whether I married a man I loved or not…it seemed enough just to get my family out of the desperate situation we were in. But when I thought about what it would be like to share a bed with my husband…to spend the rest of my life with him…I knew Simon was the only choice.” She paused, and sudden tears glittered her eyes. Beautiful, self-possessed Annabelle, who hardly ever cried. “When I’m ill,” she continued in a husky voice, “when I’m afraid, when I need something, I know he will move heaven and earth to make everything all right. I trust him with every fiber of my being. And when I see the child we created, the two of us mingled forever in her…my God, how grateful I am that I married Simon. We’ve all been able to choose our own husbands, Lillian. You have to allow Daisy the same freedom.

My characters still talk the way normal people talk. They argue, they are sarcastic with each other, they joke around. I usually end up with one outrageous minor character in each book that people just rave about. We all have that one friend who says and does things that are a riot. A character like that is the salt in the soup: you want just enough to bring everything to life.

One—about cigarettes—I was pleased to see that anticigarette ad on the back issue of Hustler. I'm more offended by seeing ads for cigarettes in magazines than pictures of vaginas, because one kills and the other gives life—and I think that's an important difference.

Sharing both personal details from his life's story as well as discussing the idea of a panentheistic God-that is, a God who is in everything-Garzelli invites readers to think about the who of our Creator.

I want to marry your sister,” he announced after he and Rupert had consumed the better part of a chicken, along with mashed potatoes, gravy, and corn, at the simple table in Rupert’s kitchen. Lily had no illusions that Caleb meant what he said. It was just that even he wouldn’t have the gall to stand there flat-footed and tell Rupert he wanted to keep his sister as a mistress. He and Rupert each took a cigar and lit up. “Don’t I have anything to say about this?” Lily demanded, slamming the cast-iron skillet she’d been about to scour back onto the stove top. Caleb leaned forward in the fog of blue smoke that curled between him and Rupert and said confidentially, “I’ve compromised her, you see. There’s nothing to do but tie the knot before she’s ruined.” Lily would have exploded if she hadn’t been so surprised at Rupert’s reaction. He should have been angry—outraged, even—but he only sat back in his chair and puffed on that damnable cigar. “I see,” he said. “I will not marry this—this pony soldier!” Lily raved. “He’s only fooling, anyway! Do you hear me, Rupert? There will be no wedding!” Rupert assessed her thoughtfully. “Is it true that he’s compromised you?” Lily’s face was red as an ember. She couldn’t have answered that question to save her life. “There might be a child,” he reasoned. “Did you ever think of that?” “Yes,” Caleb collaborated. “Did you ever think of that?” Lily groped for a chair and sank into it. Pregnancy was a possibility she hadn’t once considered. She’d been too wrapped up in her problems for that. “Shut up, both of you,” she murmured, feeling ill. “I think you’d better marry the major,” said Rupert. “I think I’d sooner marry the devil,” countered Lily. Caleb chuckled. “Isn’t she beautiful?” Rupert frowned. “Personally, I think she needs a spanking.” “I agree,” said Caleb. “Will you two please stop talking about me as if I weren’t here? And it would take a bigger man than either of you to get the best of me.” Caleb leaned forward in his chair. “Is that a challenge?” “No,” Lily said, and the word took a great piece of her pride with it as it left her mouth. “I thought not,” said Caleb.

I want to marry your sister,” he announced after he and Rupert had consumed the better part of a chicken, along with mashed potatoes, gravy, and corn, at the simple table in Rupert’s kitchen. Lily had no illusions that Caleb meant what he said. It was just that even he wouldn’t have the gall to stand there flat-footed and tell Rupert he wanted to keep his sister as a mistress. He and Rupert each took a cigar and lit up. “Don’t I have anything to say about this?” Lily demanded, slamming the cast-iron skillet she’d been about to scour back onto the stove top. Caleb leaned forward in the fog of blue smoke that curled between him and Rupert and said confidentially, “I’ve compromised her, you see. There’s nothing to do but tie the knot before she’s ruined.” Lily would have exploded if she hadn’t been so surprised at Rupert’s reaction. He should have been angry—outraged, even—but he only sat back in his chair and puffed on that damnable cigar. “I see,” he said. “I will not marry this—this pony soldier!” Lily raved. “He’s only fooling, anyway! Do you hear me, Rupert? There will be no wedding!” Rupert assessed her thoughtfully. “Is it true that he’s compromised you?” Lily’s face was red as an ember. She couldn’t have answered that question to save her life. “There might be a child,” he reasoned. “Did you ever think of that?” “Yes,” Caleb collaborated. “Did you ever think of that?” Lily groped for a chair and sank into it. Pregnancy was a possibility she hadn’t once considered. She’d been too wrapped up in her problems for that. “Shut up, both of you,” she murmured, feeling ill. “I think you’d better marry the major,” said Rupert. “I think I’d sooner marry the devil,” countered Lily. Caleb chuckled. “Isn’t she beautiful?” Rupert frowned. “Personally, I think she needs a spanking.” “I agree,” said Caleb. “Will you two please stop talking about me as if I weren’t here? And it would take a bigger man than either of you to get the best of me.” Caleb leaned forward in his chair. “Is that a challenge?” “No,” Lily said, and the word took a great piece of her pride with it as it left her mouth. “I thought not,” said Caleb. “Don’t push your luck,” said Lily. Nothing

let’s think about Jesus’s statement. It’s a command against something that many of us feel is involuntary. I mean, I don’t normally think I choose anxiety. I’ve never said to my husband, “Honey, I’m going to take some time to go for a walk and just focus on how I can make myself feel utterly out of control and stressed out. I will fixate on all the things I’m unhappy about or I can’t change in my life, and hopefully when I return, I will be a raving lunatic.” That would be ridiculous. But, if you think about it, Jesus states this as if it is indeed a choice. Do not worry. It’s a command from Jesus

So he’s the Patron Saint of Raves and just happens to risk his life for you because, what the hell, he loves a party?

this one is a matter of personal testimony; I could put together a whole volume of tales I’ve been told along the lines of “I used to be an atheist, and I was [strung out on drugs] [cruel to my family] [divorcing my wife] [etc.], but then I found Jesus and became a new man of high character and deep happiness, therefore Jesus was real.” The entire churchgoing people of America must once have been raving angry atheist hedonists in broken relationships—which suggests that at an earlier time in our civic life, the parties were much more fun and the libertines far more common. Unfortunately, I’ve never been able to identify this magical period in recent history, even though I’ve lived through a few generations now. Yet all the Christians today seem to be citing this mythical past of ubiquitous godlessness. I really regret that I missed it all. Having

We’ve had lots and lots of millionaires in our ranks. And it just drives me crazy when they flaunt it. Maybe it’s none of my business, but I’ve done everything I can to discourage our folks from getting too extravagant with their homes and their automobiles and their lifestyles. As I said earlier, I just don’t believe the lifestyle here in Bentonville should be much different than what would be high moderate income in most other places. But from time to time I’ve had a hard time holding back folks who have never had the opportunity to get their hands on the kind of money they’ve made with their Wal-Mart stock holdings. Every now and then somebody will do something particularly showy, and I don’t hesitate to rant and rave about it at the Saturday morning meeting. And a lot of times, folks who just can’t hold back will go ahead and leave the company. It goes back to what I said about learning to value a dollar as a kid. I don’t think that big mansions and flashy cars are what the Wal-Mart culture is supposed to be about. It’s great to have the money to fall back on, and I’m glad some of these folks have been able to take off and go fishing at a fairly early age. That’s fine with me. But if you get too caught up in that good life, it’s probably time to move on, simply because you lose touch with what your mind is supposed to be concentrating on: serving the customer.

The Idiot, Dostoevsky. Part 2 Ch.5 The doorway was dark and gloomy at any time; but just at this moment it was rendered doubly so by the fact that the thunder-storm had just broken, and the rain was coming down in torrents. And in the semi-darkness the prince distinguished a man standing close to the stairs, apparently waiting. There was nothing particularly significant in the fact that a man was standing back in the doorway, waiting to come out or go upstairs; but the prince felt an irresistible conviction that he knew this man, and that it was Rogojin. The man moved on up the stairs; a moment later the prince passed up them, too. His heart froze within him. “In a minute or two I shall know all,” he thought. The staircase led to the first and second corridors of the hotel, along which lay the guests’ bedrooms. As is often the case in Petersburg houses, it was narrow and very dark, and turned around a massive stone column. On the first landing, which was as small as the necessary turn of the stairs allowed, there was a niche in the column, about half a yard wide, and in this niche the prince felt convinced that a man stood concealed. He thought he could distinguish a figure standing there. He would pass by quickly and not look. He took a step forward, but could bear the uncertainty no longer and turned his head. The eyes—the same two eyes—met his! The man concealed in the niche had also taken a step forward. For one second they stood face to face. Suddenly the prince caught the man by the shoulder and twisted him round towards the light, so that he might see his face more clearly. Rogojin’s eyes flashed, and a smile of insanity distorted his countenance. His right hand was raised, and something glittered in it. The prince did not think of trying to stop it. All he could remember afterwards was that he seemed to have called out: “Parfen! I won’t believe it.” Next moment something appeared to burst open before him: a wonderful inner light illuminated his soul. This lasted perhaps half a second, yet he distinctly remembered hearing the beginning of the wail, the strange, dreadful wail, which burst from his lips of its own accord, and which no effort of will on his part could suppress. Next moment he was absolutely unconscious; black darkness blotted out everything. He had fallen in an epileptic fit. As is well known, these fits occur instantaneously. The face, especially the eyes, become terribly disfigured, convulsions seize the limbs, a terrible cry breaks from the sufferer, a wail from which everything human seems to be blotted out, so that it is impossible to believe that the man who has just fallen is the same who emitted the dreadful cry. It seems more as though some other being, inside the stricken one, had cried. Many people have borne witness to this impression; and many cannot behold an epileptic fit without a feeling of mysterious terror and dread. Such a feeling, we must suppose, overtook Rogojin at this moment, and saved the prince’s life. Not knowing that it was a fit, and seeing his victim disappear head foremost into the darkness, hearing his head strike the stone steps below with a crash, Rogojin rushed downstairs, skirting the body, and flung himself headlong out of the hotel, like a raving madman. The prince’s body slipped convulsively down the steps till it rested at the bottom.

Metahemeralism. Tell me about it. Everything you know. I gotta know something about metahemeralism." "I'm sorry. I don't know what that is." "I don't either," Bunny would say brokenly. "Got to do with art or pastoralism or something. That's how I gotta tie together John Donne and Izaak Walton, see." He would resume pacing. "Donne. Walton. Metahemeralism. That's the problem as I see it." "Bunny, I don't think "metahemeralism" is even a word." "Sure it is. Comes from the Latin. Has to do with irony and the pastoral. Yeah. That's it. Painting or sculpture or something, maybe." "Is it in the dictionary?" "Dunno. Don't know how to spell it. I mean" — he made a picture frame with his hands — "the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here, see?" And so it would go on, for sometimes half an hour or more, with Bunny raving about fishing, and sonnets, and heaven knew what, until in the middle of his monologue he would be struck by a brilliant thought and bluster off as suddenly as he had descended. He finished the paper four days before the deadline and ran around showing it to everyone before he turned it in. "This is a nice paper, Bun — ," Charles said cautiously. "Thanks, thanks." "But don't you think you ought to mention John Donne more often? Wasn't that your assignment?" "Oh, Donne," Bunny had said scoffingly. "I don't want to drag him into this." Henry had refused to read it. "I'm sure it's over my head, Bunny, really," he said, glancing over the first page. "Say, what's wrong with this type?" "Tripled spaced it," said Bunny proudly. "These lines are about an inch apart." "Looks kind of like free verse, doesn't it?" Henry made a funny little snorting noise through his nose. "Looks kind of like a menu," he said. All I remember about the paper was that it ended with the sentence "And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.

Rave used to think tears meant weakness. But they didn’t. They were a release, helping you let go of the should have been. Helping you process the what was. Each tear was a memorial. And once they were shed, the giver understood that life could be harsh, even cruel, but it didn’t have to break you. Rave wasn’t ashamed of tears. They were a badge that said you were strong enough to rise above your circumstances. He no longer associated them with weakness.

I had gone rapidly from embarrassment to an embarrassing sense of pride. All my life people had capitulated to Blackwood Maner. They had positively raved about it, and I wondered now that I had been so mortified. But this being, this strangely compelling and handsome individual into whose hands I’d put my very life, had grown up in a castle, and I had feared he would laugh at what he saw.

Around the shadow is a heat of abundant sweat. I’m alive.» «I'm alive. But I feel that I have yet to reach my limits, borders with what? without borders, the adventure of dangerous freedom. But I take risks, I live taking risks. I’m full of acacias swaying yellow, and I who have barely started my journey, I start it with a sense of tragedy, guessing toward which lost ocean my steps of life are leading. And madly I take control of the recesses of myself, my ravings suffocate me with so much beauty. I am before, I am almost, I am never. And all of this I won when I stopped loving you. I write to you as an exercise in sketching before painting. I see words.

* In modern mathematics, information content has a precise numerical value, based on the reverse of the probability that you can predict it in advance. Thus, an astrology column has virtually no information, a great poem has high information, and the ravings of an acute schizophrenic have such enormous information that nobody can predict them or make use of them.