Rave Culture Quotes

We have gone sick by following a path of untrammelled rationalism, male dominance, attention to the visible surface of things, practicality, bottom-line-ism. We have gone very, very sick. And the body politic, like any body, when it feels itself to be sick, it begins to produce antibodies, or strategies for overcoming the condition of dis-ease. And the 20th century is an enormous effort at self-healing. Phenomena as diverse as surrealism, body piercing, psychedelic drug use, sexual permissiveness, jazz, experimental dance, rave culture, tattooing, the list is endless. What do all these things have in common? They represent various styles of rejection of linear values. The society is trying to cure itself by an archaic revival, by a reversion to archaic values. So when I see people manifesting sexual ambiguity, or scarifying themselves, or showing a lot of flesh, or dancing to syncopated music, or getting loaded, or violating ordinary canons of sexual behaviour, I applaud all of this; because it's an impulse to return to what is felt by the body -- what is authentic, what is archaic -- and when you tease apart these archaic impulses, at the very centre of all these impulses is the desire to return to a world of magical empowerment of feeling. And at the centre of that impulse is the shaman: stoned, intoxicated on plants, speaking with the spirit helpers, dancing in the moonlight, and vivifying and invoking a world of conscious, living mystery. That's what the world is. The world is not an unsolved problem for scientists or sociologists. The world is a living mystery: our birth, our death, our being in the moment -- these are mysteries. They are doorways opening on to unimaginable vistas of self-exploration, empowerment and hope for the human enterprise. And our culture has killed that, taken it away from us, made us consumers of shoddy products and shoddier ideals. We have to get away from that; and the way to get away from it is by a return to the authentic experience of the body -- and that means sexually empowering ourselves, and it means getting loaded, exploring the mind as a tool for personal and social transformation. The hour is late; the clock is ticking; we will be judged very harshly if we fumble the ball. We are the inheritors of millions and millions of years of successfully lived lives and successful adaptations to changing conditions in the natural world. Now the challenge passes to us, the living, that the yet-to-be-born may have a place to put their feet and a sky to walk under; and that's what the psychedelic experience is about, is caring for, empowering, and building a future that honours the past, honours the planet and honours the power of the human imagination. There is nothing as powerful, as capable of transforming itself and the planet, as the human imagination. Let's not sell it straight. Let's not whore ourselves to nitwit ideologies. Let's not give our control over to the least among us. Rather, you know, claim your place in the sun and go forward into the light. The tools are there; the path is known; you simply have to turn your back on a culture that has gone sterile and dead, and get with the programme of a living world and a re-empowerment of the imagination. Thank you very, very much.

Stories--from the literature of our culture to descriptions of our days to the lunatic's ravings--appear to be hardwired into us. Even in sleep we tell ourselves stories through our dreams, and it's been shown that those who are prevented from doing so cease to function.

As educational standards decline and pop culture disseminates the inarticulate ravings and unintelligible patois of surfers, jocks, and valley girls, we are turning into a nation of functioning illiterates [...]. English itself will steadily decay unless we get back to basics and start to respect our language again.

Don't forget that you are the product of a culture that went stark raving mad about ten thousand years ago. Adjust your thinking accordingly.

When you create a hospitality-first culture, everything about your business improves—whether that means finding and retaining great talent, turning customers into raving fans, or increasing your profitability

The Sabbat arose as a conspiracy to destroy the rotten edifice of Church and State, meeting on the heath to avoid the gaze of authority, guised in anonymity and foreboding. This revolutionized the nature of witchcraft, regardless of the pre-existence of the Sabbat form. I do not simply refer here to the inspiring fantasies of Jules Michelet, but the important modern work of Silvia Federici. We see the same attacks on freedom of assembly in the destruction of the free festivals, rave culture and the occupy movement. These have been met by the masked Anonymous, the faceless black bloc anarchists, the direct actions of the ELF. These are expressions of popular witchcraft and have been persecuted by the same inquisition that came for us. I do not say that these are examples of operative witchcraft, I say that we, the people who are the Witchcraft, have a sacred duty to join this war. We need to celebrate Grand Sabbats again, infuse them with our witchblood, our cunning.

I’d grown up with disco in the 1970s, when I just knew it as exciting pop music on AM radio. In the 1980s it died off, but still inspired everyone from New Order to Duran Duran to Kraftwerk. And then in the late 1980s the ghost of disco came back with a fury, giving birth to house music, techno, rave culture, and even a lot of hip-hop. Disco was the crucible in which most modern music had been born, and within the disco pantheon no one had ever reigned higher or more supreme than Donna Summer.

All this was only, in my father's estimation, a means; the end was the Earthly Paradise, the translation of William Morris's 'News from Nowhere' into 'News from Somewhere.' Then Whitman's sense of abounding joy in his own and all creation's sensuality would sweep away the paltry backwaters of bourgeois morality; the horrors of industrial ugliness which Ruskin so eloquently denounced would dissolve, and die forgotten as a dream (phrases from hymns still washed about in my father's mind) as slums were transformed into garden cities, and the belching smoke of hateful furnaces into the cool elegance of electric power. As for the ferocious ravings of my namesake, Carlyle, about the pettifogging nature of modern industrial man's pursuits and expectations -- all that would be corrected as he was induced to spend ever more of his increasing leisure in cultural and craft activities; in the enjoyment of music, literature and art. It was pefectly true -- a point that Will Straughan was liable to bring up at the Saturday evening gatherings -- that on the present form the new citizenry might be expected to have a marked preference for dog-racing over chamber music or readings from 'Paradise Lost,' but, my father would loftily point out, education would change all that. Education was, in fact, the lynchpin of the whole operation; the means whereby the Old Adam of the Saturday night booze-up, and fondness for Marie Lloyd in preference to Beatrice Webb, would be cast off, and the New Man be born as potential fodder for third Programmes yet to come.

A girl chatting to Prince Charles at an unemployment training centre confided in HRH about the friendliness of ‘raves’. She told him, if he was interested, that everyone puts their arms around each other. To which the prince replied: ‘Ah, one does not have to be introduced.’ Independent, 1993

Jungle's sound-world constitutes a sort of abstract social realism; when I listen to techstep, the beats sound like collapsing (new) buildings and the bass feels like the social fabric shredding. Jungle's treacherous rhythms offer its audience an education in anxiety (and anxiety, according to Freud, is essential defence mechanism, without which you'd be vulnerable trauma).

Our culture tells us to want sex, pleasure, and instant gratification. Every hit song raves about it. Consumerism tells us that we need it now. There are a thousand voices that will sell us on these things; they’ll tell you everything you want to hear, being sure only to leave in the good parts and leave out the bad. They’ll sell you 'til you’re hooked, then you’ll sell yourself. Heck, at that point, you’ll sell your soul.

One way to get a life and keep it is to put energy into being an S&M (success and money) queen. I first heard this term in Karen Salmansohn’s fabulous book The 30-Day Plan to Whip Your Career Into Submission. Here’s how to do it: be a star at work. I don’t care if you flip burgers at McDonald’s or run a Fortune 500 company. Do everything with totality and excellence. Show up on time, all the time. Do what you say you will do. Contribute ideas. Take care of the people around you. Solve problems. Be an agent for change. Invest in being the best in your industry or the best in the world! If you’ve been thinking about changing professions, that’s even more reason to be a star at your current job. Operating with excellence now will get you back up to speed mentally and energetically so you can hit the ground running in your new position. It will also create good karma. When and if you finally do leave, your current employers will be happy to support you with a great reference and often leave an open door for additional work in the future. If you’re an entrepreneur, look at ways to enhance your business. Is there a new product or service you’ve wanted to offer? How can you create raving fans by making your customer service sparkle? How can you reach more people with your product or service? Can you impact thousands or even millions more? Let’s not forget the M in S&M. Getting a life and keeping it includes having strong financial health as well. This area is crucial because many women delay taking charge of their financial lives as they believe (or have been culturally conditioned to believe) that a man will come along and take care of it for them. This is a setup for disaster. You are an intelligent and capable woman. If you want to fully unleash your irresistibility, invest in your financial health now and don’t stop once you get involved in a relationship. If money management is a challenge for you, I highly recommend my favorite financial coach: David Bach. He is the bestselling author of many books, including The Automatic Millionaire, Smart Women Finish Rich, and Smart Couples Finish Rich. His advice is clear-cut and straightforward, and, most important, it works.

While the party of Obama has little in common with that of JFK, for a better comparison, try exploring the Communist Party USA’s website (CPUSA.org), and you’ll be stunned at the resemblance between it and today’s Democratic Party. You might also take a moment to thoughtfully reflect on the Democrats’ candidates who in recent decades were either elected, or nearly elected, as president: Bill Clinton, a serial sexual predator; Al Gore, by many accounts a raving lunatic; John Kerry, who betrayed his fellow Vietnam vets and his country;10 Barack Obama, a deceitful, America-hating, Far-Left radical; and Hillary Clinton, accurately described by Pulitzer-winning New York Times columnist and Presidential Medal of Freedom recipient William Safire as “a congenital liar.”11 Whatever

The pièce de résistance, put into the can on the very first day, owed its inspiration to Little Richard, who would whip audiences to further frenzy between numbers by self-congratulatory cries of “Well...all right!” Buddy turned the phrase into a gentle love song infused with all his special quality of patience and optimism and his developing ability to make personal sentiments into universal ones. “Well, All Right” is a riposte to all the criticism and condescension that teenagers faced from their elders in the rock 'n' roll fifties—and have in every decade since. The setting is as adventurously simple as that of “Everyday”: Buddy plays flamenco-accented acoustic guitar, with only a plashing cymbal for company. The mood is not one of youthful anger and defiance but of maturity before its time: calm, stoical, steadfast in affirming its “dreams and wishes.” The intimacy in the voice could equally be that of lover or elder brother. Girl or boy, you can imagine you and he are alone together, gazing into the fire and imagining a bright future when the young will “live and love with all our might,” which could almost be a prophecy of the sixties' hippie culture.

My mission with Rave Scout is to promote cultural inclusiveness and increase the visibility of marginalized talent and diversify the underground scene through and by producing digital immersive experiences. The ultimate aim is to motivate the community and the scene to experience and learn how to feel and passively accept their vulnerabilities and one another.

Statistically, GHB is most commonly used by POC and LGBTQ+ groups from low-income backgrounds who cannot afford the limitless amount of ketamine, coke, and alcohol during their nights out. Why not put the energy into educating and providing your community with providing harm reduction guides on how to use it rather than shame and condemn it. The ban approach hasn't worked for the scene in the past decade, if anything it's killing more people, harming more communities and scrutinizing our spaces even more.

One of the greatest (and least discussed) barriers to compassion practice is the fear of setting boundaries and holding people accountable. I know it sounds strange, but I believe that understanding the connection between boundaries, accountability, acceptance, and compassion has made me a kinder person. Before the breakdown, I was sweeter—judgmental, resentful, and angry on the inside—but sweeter on the outside. Today, I think I’m genuinely more compassionate, less judgmental and resentful, and way more serious about boundaries. ... The heart of compassion is really acceptance. The better we are at accepting ourselves and others, the more compassionate we become. Well, it's difficult to accept people when they are hurting us or taking advantage of us or walking all over us. This research has taught me that if we really want to practice compassion, we have to start by setting boundaries and hold people accountable for their behavior. We live in a blame culture -- we want to know whose fault it is and how they're going to pay. In our personal, social, and political worlds, we do a lot of screaming and finger-pointing, but we rarely hold people accountable. How could we? We're so exhausted from ranting and raving that we don't have the energy to develop meaningful consequences and enforce them. From Washington, D.C., and Wall Street to our own schools and homes, I think this rage-blame-too-tired-and-busy-to-follow-through-mind-set is why we're so heavy on self-righteous anger and so low on compassion.

We’ve had lots and lots of millionaires in our ranks. And it just drives me crazy when they flaunt it. Maybe it’s none of my business, but I’ve done everything I can to discourage our folks from getting too extravagant with their homes and their automobiles and their lifestyles. As I said earlier, I just don’t believe the lifestyle here in Bentonville should be much different than what would be high moderate income in most other places. But from time to time I’ve had a hard time holding back folks who have never had the opportunity to get their hands on the kind of money they’ve made with their Wal-Mart stock holdings. Every now and then somebody will do something particularly showy, and I don’t hesitate to rant and rave about it at the Saturday morning meeting. And a lot of times, folks who just can’t hold back will go ahead and leave the company. It goes back to what I said about learning to value a dollar as a kid. I don’t think that big mansions and flashy cars are what the Wal-Mart culture is supposed to be about. It’s great to have the money to fall back on, and I’m glad some of these folks have been able to take off and go fishing at a fairly early age. That’s fine with me. But if you get too caught up in that good life, it’s probably time to move on, simply because you lose touch with what your mind is supposed to be concentrating on: serving the customer.

Asked to paint a picture of the company in 20 years, the executives mentioned such things as “on the cover of Business Week as a model success story . . . the Fortune most admired top-ten list . . . the best science and business graduates want to work here . . . people on airplanes rave about one of our products to seatmates . . . 20 consecutive years of profitable growth . . . an entrepreneurial culture that has spawned half a dozen new divisions from within . . .

Poetry Reading To be a boxer, or not to be there at all. O Muse, where are our teeming crowds? Twelve people in the room, eight seats to spare— it’s time to start this cultural affair. Half came inside because it started raining, the rest are relatives. O Muse. The women here would love to rant and rave, but that’s for boxing. Here they must behave. Dante’s Inferno is ringside nowadays. Likewise his Paradise. O Muse. Oh, not to be a boxer but a poet, one sentenced to hard shelleying for life, for lack of muscles forced to show the world the sonnet that may make the high-school reading lists with luck. O Muse, O bobtailed angel, Pegasus. In the first row, a sweet old man’s soft snore: he dreams his wife’s alive again. What’s more, she’s making him that tart she used to bake. Aflame, but carefully—don’t burn his cake!— we start to read. O Muse.

One—about cigarettes—I was pleased to see that anticigarette ad on the back issue of Hustler. I'm more offended by seeing ads for cigarettes in magazines than pictures of vaginas, because one kills and the other gives life—and I think that's an important difference.

There is not much to say about Burrough's writing. It consists of semiliterate ravings by a very sick mind, a kaleidoscope or surrealistic depictions of drug-taking, violent, often misogynistic fantasy, and sexual depravity.

We must learn this Jesus or else we will continue to find ourselves retreating on every cultural battlefield. If we don’t understand in our bones the difference between Christ-like troublemaking and fleshly pride and bluster, then we will only be left with cowards and fools. On the one hand, we will continue to have good men constantly second guessing, afraid of stirring up strife, apologizing for speaking the truth, caving to the pressures of popular opinion for acting like the real Jesus and hurting feelings. And on the other hand, in place of these “good” cowards, we will have the undisciplined ravings of a few who see the insanity but do not know what spirit they are of, men who constantly undermine the mission of the Kingdom with their destructive outbursts.

The Presidential Sonnet This little sonnet I give to thee, Who is to lead our land of the free. Rising above all personal glee, Open your eyes to what others can't see. The path you seek your heart will pave, For you to protect our home of the brave. In case you fall into the corruption grave, Awaken your dignity and do not rave. I write this sonnet in ink of humanity, So that you never forget your priority. Stand upright and never you accept pity, For you are to lead our land of liberty. Let’s sail boldly into the storms of annihilation, Breathing light into dark by sheer determination.

...the maintenance of racial inequality does not happen because of raving racists, but rather 1) because of subtle processes emboldened by widespread cultural narratives that shape individual understandings of the social order and thus how they operate in the world, 2) equally important, because of the impact that these racialized norms have on organizational practices, so that even apparently "race-neutral" rules reproduce or create racialized outcomes. The mechanisms that generated and reproduced racial inequality in the past are not the same as those that operate today ---but their legacies are still felt. From: Despite the Best Intentions: How Racial Inequality Thrives in Good Schools

Yet even years after 3Ball’s breakthrough, no other tribal groups have signed record deals. The industry only supports the trio, treating them as a singularity rather than as artists in an active genre. Who wouldn’t want to see neo-Aztec rave music nights in Las Vegas and Berlin? For this to happen 3Ball needs competition, peers.

This is what we did with our time; this is how we made it Our Time.

There are, it is true, fashionable 'theories' to the effect that a pathological condition is a higher state, and that schizophrenics and paranoiacs can attain spiritual heights in their ravings unattainable by an ordinary person in a normal state. These 'theories' are not, of course, fortuitous. They are very characteristic of the period of decay and corruption of bourgeois culture.

copy or are influenced by our music.” 4 The 1996 documentary Universal Techno, produced by French-German public television service ARTE,5 features interviews with such major players as the Belleville Three, Aphex Twin, and LFO, in an attempt to historicize techno and rave culture as a form of global collaboration. As one of the oldest artifacts of the dance music phenomenon, Universal Techno documents their first encounters with rave culture and offers a pre-global oral history of techno's

I regard this radical experience of rave as a manifestation of the religious ‘fête’,13 or ‘celebration’. The ‘festive’, a religious category different from that of ritual, is, for Georges Bataille specifically, a human fusion in which this accursed share is given expression. Fuelled by desire, an instinct, a call for destruction, exhilaration, dis-order, a motivation often understood as animalistic, the fête, in which the paradoxes of human and social life collide, is simultaneously harnessed and subordinated by a wisdom which enables the participants to come back from this confusional state with a feeling of replenishment, as if having received some kind of impetus from the ‘outside’ (Bataille 1989: 54).

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