Raunchy Love Quotes

As our kissing progresses, I don’t care that our tryst seems raunchy and wrong. I don’t care that I’m at school, in the boy’s bathroom. I don’t care that to most people this would seem cheap, dirty, and despicable. The only thing I can think about while he kisses me deeper, harder, faster, is that Henry Garner is the plague and the only thing I want him to do is infect me.

We better get over to Beckett’s if you want to see how my day goes—before his crowd gets too raunchy.” Blake stood up and held out his hand. “It’s eight thirty in the morning. How raunchy could they be?” Livia wondered what, exactly, Beckett did for a living. Her question was soon answered. Everything bad.

How is your love life, Minz?” she would ask hungrily, hoping to be entertained by raunchy details. I had none. “Um, you know. So hard to meet guys,” I answered vaguely, hoping my lack of a sex life would seem mysterious and not pathetic.

So Fifty Shades of Grey is about Chri- auh the name... Christian Grey. Uhh, this was a, porn - almost a porno in my book. It was a sexy thriller, full of uhh nudity, and sex of all kinds. Dirty sex and - uhh pornographic sex... and it was uhh... hard to keep... uhh my - hard to keep calm during the movie, because it was so raunchy. And I loved it. And I give it five bags of popcorn... and five cold glasses of soda, to put between my legs. Um.. to cool down.

I know that gen Z has it tough—they’re losing their proms and graduations to the quarantine, they’re on deck to bear the full brunt of climate catastrophe, and they’re inheriting a carcass of a society that’s been fattened up and picked clean by the billionaire class, leaving them with virtually no shot at a life without crushing financial and existential anxiety, let alone any fantasy of retiring from their thankless toil or leaving anything of value to their own children. That’s bad. BUT, counterpoint! Millennials have to deal with a bunch of that same stuff, kind of, PLUS we had to be teenagers when American Pie came out!... American Pie absolutely captivated a generation because my generation is tacky as hell. “I have a hot girlfriend but she doesn’t want to have sex” was an entire genre of movies in the ’90s. In the ’90s, people loved it when things were “raunchy” (ew!). Every guy at my high school wanted to be Stifler! Can you imagine what that kind of an environment does to a person? To be of the demographic that has a Ron Burgundy quote for every occasion, without the understanding that Ron Burgundy is a satire? This is why we have Jenny McCarthy, I’m pretty sure, and, by extension, the great whooping cough revival of 2014. Thanks a lot, jocks!

I think we all collectively have gone a little crazy. We worry about the wrong things. I have an acquaintance, Christy, whose twelve–year–old son managed to get into a very violent PG–13 movie. I don’t know how many machine–gunnings, explosions, and killings this boy wound up witnessing. As I recall, the boy had nightmares for a week afterward. That disturbed his mother—but not as much as if her son had stumbled into a different kind of movie. “At least there wasn’t any sex,” she said with dead–serious concern. “No,” I said, “probably not a single bare breast.” I didn’t add that most societies do not regard the adult female breast as being primarily an object of sexual desire. After all, it’s just a big gland that makes milk in order to feed hungry babies. “You know what I’m talking about,” she snapped. “I mean graphic sex.” We were sitting in a café drinking tea. She cut off the volume of her speech at the end of her sentence, whispering and exaggerating the consonants of S–E–X as if she needed me to read her lips—as if giving voice to this word might disturb our neighbors and brand her as a deviant. “I don’t think children should see that kind of thing,” she added. “What should children see?” I asked her. I am not arguing that we should let our children buy tickets to raunchy movies. I never let my daughters bring home steamy videos or surf the Internet for porn. But something is wrong when sex becomes a dirty word that we don’t even want our children to hear. Why must we regard almost anything sexual as tantamount to obscene? I think many of us are like Christy. We wouldn’t want our children—even our very sexual teenagers—to see certain kinds of movies, even if they happened to be erotic masterpieces, true works of art. It wouldn’t matter if a movie gave us a wonderful scene of a wife and a husband very lovingly making love with the conscious intention of engendering new life. It wouldn’t matter that sex is life, and therefore must be regarded as sacred as anything could possibly be. It wouldn’t even matter that not one of us could have come into the world but for the sexual union of our fathers and our mothers. If a movie portrayed a man and woman in the ecstatic dance of love—actually showed naked bellies and breasts, burning lips and adoring eyes and the glistening, impassioned organs of sex—most people I know would rather their children watch the vile action movie. They would rather their “innocent” sons and daughters behold the images of bloody, blasted bodies, torture, murder, and death.

Robert Askins Brings ‘Hand to God’ to Broadway Chad Batka for The New York Times Robert Askins at the Booth Theater, where his play “Hand to God” opens on Tuesday. By MICHAEL PAULSON The conceit is zany: In a church basement, a group of adolescents gathers (mostly at the insistence of their parents) to make puppets that will spread the Christian message, but one of the puppets turns out to be more demonic than divine. The result — a dark comedy with the can-puppets-really-do-that raunchiness of “Avenue Q” and can-people-really-say-that outrageousness of “The Book of Mormon” — is “Hand to God,” a new play that is among the more improbable entrants in the packed competition for Broadway audiences over the next few weeks. Given the irreverence of some of the material — at one point stuffed animals are mutilated in ways that replicate the torments of Catholic martyrs — it is perhaps not a surprise to discover that the play’s author, Robert Askins, was nicknamed “Dirty Rob” as an undergraduate at Baylor, a Baptist-affiliated university where the sexual explicitness and violence of his early scripts raised eyebrows. But Mr. Askins had also been a lone male soloist in the children’s choir at St. John Lutheran of Cypress, Tex. — a child who discovered early that singing was a way to make the stern church ladies smile. His earliest performances were in a deeply religious world, and his writings since then have been a complex reaction to that upbringing. “It’s kind of frustrating in life to be like, ‘I’m a playwright,’ and watch people’s face fall, because they associate plays with phenomenally dull, didactic, poetic grad-schoolery, where everything takes too long and tediously explores the beauty in ourselves,” he said in a recent interview. “It’s not church, even though it feels like church a lot when we go these days.” The journey to Broadway, where “Hand to God” opens on Tuesday at the Booth Theater, still seems unlikely to Mr. Askins, 34, who works as a bartender in Brooklyn and says he can’t afford to see Broadway shows, despite his newfound prominence. He seems simultaneously enthralled by and contemptuous of contemporary theater, the world in which he has chosen to make his life; during a walk from the Cobble Hill coffee shop where he sometimes writes to the Park Slope restaurant where he tends bar, he quoted Nietzsche and Derrida, described himself as “deeply weird,” and swore like, well, a satanic sock-puppet. “If there were no laughs in the show, I’d think there was something wrong with him,” said the actor Steven Boyer, who won raves in earlier “Hand to God” productions as Jason, a grief-stricken adolescent with a meek demeanor and an angry-puppet pal. “But anybody who is able to write about such serious stuff and be as hilarious as it is, I’m not worried about their mental health.” Mr. Askins’s interest in the performing arts began when he was a boy attending rural Texas churches affiliated with the conservative Lutheran Church-Missouri Synod denomination; he recalls the worshipers as “deeply conservative, old farm folks, stone-faced, pride and suffering, and the only time anybody ever really livened up was when the children’s choir would perform.” “My grandmother had a cross-stitch that said, ‘God respects me when I work, but he loves me when I sing,’ and so I got into that,” he said. “For somebody who enjoys performance, that was the way in.” The church also had a puppet ministry — an effort to teach children about the Bible by use of puppets — and when Mr. Askins’s mother, a nurse, began running the program, he enlisted to help. He would perform shows for other children at preschools and vacation Bible camps. “The shows are wacky, but it was fun,” he said. “They’re badly written attempts to bring children to Jesus.” Not all of his formative encounters with puppets were positive. Particularly scarring: D

Thad, did she come over?” said Quentin Erwin, Jr., the Hickam County District Attorney and Thaddeus Murfee’s best friend. “I sent her to see you because I sure as hell didn’t know what to do with her. Great tits, though, huh?” Quentin loved raunchy cases like Ermeline’s.

It features characters well over 40 having the best sex of their lives, not a bunch of college kids or post-college kids who have no idea what great sex is. They’re honest, raw, sometimes raunchy, and very often funny, not to mention willing to explore and have a little frisky adventure.

All the things you’re not supposed to do on land you’re supposed to do on a cruise because it’s one of America’s official responsibility-free zones, like Mardi Gras, New Year’s Eve or Courtney Love. Twenty-four-hour free buffets all over the place, raunchy stage shows, countless bars that won’t cut you off as long as you can knee-walk into a casino and blow the mortgage—

Feinstein’s fact-finding missions often verged on the ludicrous. An ardent opponent of the city’s growing porn industry, Feinstein decided she should go to an adult movie to see for herself what she was up against, dragging along another nice Jewish girl, Chronicle society columnist Merla Zellerbach, to a seedy theater. Predictably, Feinstein and her friend were horrified. On another occasion, Feinstein—determined to clean up the Tenderloin, the city’s drugged-out red-light district—put on a blond wig and stood on a street corner for three hours to learn more about the raunchy neighborhood.

I personally would like a lot more stuff around here to make sense. But when something ghastly happens, it is not helpful to many people if you say that it's all part of God's perfect plan, or that it's for the highest good of every person in the drama, or that more will be revealed, even if that is all true. Because at least for me, if someone's cute position minimizes the crucifixion, it's bullshit. Which I say with love. To use just one Christian example: Christ really did suffer, as the innocent of the earth really do suffer. It's the ongoing tragedy of humans. Our lives and humanity are untidy: disorganized and careworn. Life on earth is often a raunchy and violent experience. It can be agony just to get through the day. And yet, I do believe there is ultimately meaning in the chaos, and also in the doldrums. What I resist is not the truth but when people put a pretty bow on scary things instead of saying, 'This is a nightmare. I hate everything. I'm going to go hide in the garage.'... My understanding of incarnation is that we are not served by getting away from the grubbiness of suffering... It would be great if we could shop, sleep or date our way out of this. Sometimes we think we can, but it feels that way only for a while. To heal, it seems we have to stand in the middle of the horror, at the foot of the cross, and wait out another's suffering where that person can see us.

I had little idea what a homosexual was, and when it was explained to me that homosexuals like to have sex with others of the same gender, I found the whole notion pointless and inconceivable, like concrete clothing or square wheels. Later, when I grew a bit older, homosexuality seemed to be associated with anuses and fetishes and raunchy pornography—an impression which, come to think of it, gay activism in the 1970s did as much as it could to reinforce. In any case, homosexuality was clearly about certain acts of sex, which I felt were of no interest to me. What I was in the dark about was something which in fact much or most of the world still misunderstands: homosexuality is not about what you may or may not do for sex, it is about whom you fall in love with.

A Revolutionary Act A hug, a moment of embrace; once an ordinary thing, now an act of revolution. See her smile there! The mask of shame lifted; teeth, shining bright against the gold of the sun; it's rays of love wrap the skin as if to say, "it's okay." A touch has become a weapon. The evil use it against us, as they label us dirty and contaminated. Uncover and breathe the free air again! I set the captive free from demonic chains that bound the humblest of folk~ confined no more by their black cloak. We run through green meadows, lined with blue and purple violets and daisies. Children laugh and throw toys about like the free-spirited tots they are. The lowly, lifted up upon our barter of silver and gold; hungry no more. The psychopath, brought down by the wolves; hunted, as the masses grow weary. Tired of their lies and raunchy alibis they ready themselves to strike at the polls. No more will they accept their false claims that we are a danger to ourselves and others. No more shaming the unmasked; we will live free or die fighting!