Rap Best Quotes

Personally, I just think rap music is the best thing out there, period. If you look at my deck in my car radio, you're always going to find a hip-hop tape; that's all I buy, that's all I live, that's all I listen to, that's all I love.

Rap has been a path between cultures in the best tradition of popular music.

I like to quote Shakespeare. But in this case, the rapper Eminem said it best: Words are a motherfucker.

But this is one of the things that makes rap at its best so human. It doesn't force you to pretend to be only one thing or another, to be a saint or a sinner. It recognizes that you can be true to yourself and still have unexpected dimensions and opposing ideas. Having a devil on one shoulder and an angel on the other is the most common thing in the world. The real bullshit is when you act like you don't have contradictions inside you, that you're so dull and unimaginative that your mind never changes or wanders into strange, unexpected places.

when there was a third rap.

Fat Charlie blew his nose. "I never knew I had a brother," he said. "I did," said Spider. "I always meant to look you up, but I got distracted. You know how it is." "Not really." "Things came up." "What kind of things?" "Things. They came up. That's what things do. They come up. I can't be expected to keep track of them all." "Well, give me a f'rinstance." Spider drank more wine. "Okay. The last time I decided that you and I should meet, I, well, I spent days planning it. Wanted it to go perfectly. I had to choose my wardrobe. Then I had to decide what I'd say to you when we met. I knew that the meeting of two brothers, well, it's the subject of epics, isn't it? I decided that the only way to treat it with the appropriate gravity would be to do it in verse. But what kind of verse? Am I going to rap it? Declaim it? I mean, I'm not going to greet you with a limerick. So. It had to be something dark, something powerful, rhythmic, epic. And then I had it. The perfect line: Blood calls to blood like sirens in the night. It says so much. I knew I'd be able to get everything in there - people dying in alleys, sweat and nightmares, the power of free spirits uncrushable. Everything was going to be there. And then I had to come up with a second line, and the whole thing completely fell apart. The best I could come up with was Tum-tumpty-tumpty-tumpty got a fright." Fat Charlie blinked. "Who exactly is Tum-tumpty-tumpty-tumpty?" "It's not anybody. It's just there to show you where the words ought to be. But I never really got any futher on it than that, and I couldn't turn up with just a first line, some tumpties and three words of an epic poem, could I? That would have been disrespecting you." "Well...." "Exactly. So I went to Hawaii for the week instead. Like I said, something came up.

I called the cops to see if I had a rap sheet. I do, and it rhymes.

My next important discovery: Children of Hermes cannot rap. At all. Bless his conniving little heart, Cecil Markowitz tried his best, but he kept throwing off my rhythm with his spastic clapping and terrible air mic noises. After a few trial runs, I demoted him to dancer. His job would be to shimmy back and forth and wave his hands, which he did with the enthusiasm of a tent-revival preacher. The others managed to keep up. They still looked like half-plucked, highly combustible chickens, but they bopped with the proper amount of soul.

But let’s all realize we are in the same boat dealing with the same shit. So if you aren’t into someone, before just ignoring them, try to be mindful of how frustrating it is to be on the other side of that and maybe try crafting them an honest message or, at the least, lie and say: “Hey, sorry, working on my debut rap album, Fantabulous, so gonna be in the studio nonstop and need to focus, not dating at the moment. I’m very flattered though and you are a great person, all the best.”  •

But let’s all realize we are in the same boat dealing with the same shit. So if you aren’t into someone, before just ignoring them, try to be mindful of how frustrating it is to be on the other side of that and maybe try crafting them an honest message or, at the least, lie and say: “Hey, sorry, working on my debut rap album, Fantabulous, so gonna be in the studio nonstop and need to focus, not dating at the moment. I’m very flattered though and you are a great person, all the best.

Remember how you asked me where I like to live best, the country or the city?”                 “And you said...”                 “And I said I wanted to live in the country and in the city both?”                 Buddy nodded.                 “And you,” I continued with a sudden force, “laughed and said I had the perfect setup of a true neurotic and that that question came from some questionnaire you’d had in psychology class that week?”                 Buddy’s smile dimmed.                 “Well, you were right. I am neurotic. I could never settle down in either the country or the city.”                 “You could live between them,” Buddy suggested helpfully. “Then you could go to the city sometimes and to the country sometimes.”                 “Well, what’s so neurotic about that?”                 Buddy didn’t answer.                 “Well?” I rapped out, thinking, You can’t coddle these sick people, it’s the worst thing for them, it’ll spoil them to bits.                 “Nothing,” Buddy said in a pale, still voice.                 “Neurotic, ha!” I let out a scornful laugh. “If neurotic is wanting two mutually exclusive things at one and the same time, then I’m neurotic as hell. I’ll be flying back and forth between one mutually exclusive thing and another for the rest of my days.

Millennials are getting a bad rap these days, as many people erroneously attribute recent campus trends to them. This is a book about the very different attitudes toward speech and safety that spread across universities as the Millennials were leaving. We are not blaming iGen. Rather, we are proposing that today’s college students were raised by parents and teachers who had children’s best interests at heart but who often did not give them the freedom to develop their antifragility.

the same time. You can’t be named the best rapper of all time if you didn’t use your gift to address social issues in the hood. Rapping about money and bitches is cool, but to leave an impression that lasts a lifetime you have to touch people’s heart. Tupac did that better than anybody.

Lord, he thought, I can hardly wait. He laughed out loud. When was the last time you said that? When you were a kid, could hardly wait, had a list of hard-to-wait-for things. Christmas, my God, was always a billion miles off. Easter? Half a million. Halloween? Dear sweet Halloween, pumpkins, running, yelling, rapping windows, ringing doorbells, and the mask, cardboard smelling hot with breath over your face. All Hallows! The best. But a lifetime away. And July Fourth with great expectations, trying to be first out of bed, first half-dressed, first jumping out on the lawn, first to light six-inchers, first to blow up the town! Hey, listen! First! July Fourth. Can hardly wait. Hardly wait!

I do three weeks at the Hall of Justice Jail. It's a potent crime primer. I'm the geek that all the pro thugs disdain. I observe them up close. It's the '60s. It's social-grievance-as-justification-for-bad-actions time. My cellmates have sadness raps down. I gain a notch on my crime-as-continuing-circumstance notion. Crime is large-scale individual moral default. That means you, motherfucker.

When he was barely 14, he auditioned on one of the most prestigious reality shows in South Korea, known as Superstar K. A show designed to find raw talent in the Korean music industry. The show achieved just that with the discovery of Jungkook. Interestingly, Jungkook did not win the show; neither was he part of the individuals who were selected. But his difference was evident to most of the individuals in the room, and before the show was over, he had received more than seven offers from seven different entertainment companies. The decision he made appeared to be the best decision he made all his life. He chose Big Hit Entertainment and started a 36-month training program with them.  Years later, he was quoted to have said that his present bandmate, Rap Monster, in the label was what influenced his decision.

Do those of you in like Chicago or NYC ever notice how commuters on the train tend to get all quiet and intense when South Side or South Bronx starts to flow past? If you look closely at the faces, you see it’s not depression, not even discomfort; it’s a kind of rigid fascination with the beauty of ruins in which people live but look or love nothing like you, a horizonful of numbly complex vistas in slab-gray and spraypaint-red. Hieroglyphs on walls, people on stoops, hoops w/o nets. White people have always loved to gaze at the ‘real black world,’ preferably at a distance and while moving briskly through, toward business. A view from this remove yields easy abstractions about rap in its role as just the latest ‘black’ music. Like: the less real power a people have, the more they’ll assert hegemony in areas that don’t much matter in any grand scheme. A way to rule in hell: their own vocabulary, syntax, gestures, music, dance; own food; religious rhetoric; social and party customs; that…well-known athletic superiority—the foot-speed, vertical leap—we like them in fields, cotton- or ball-. It’s a Hell we like to look at because it has so clearly been made someone else’s very own….And the exported popular arts! The singing and dancing!…each innovation, new Scene, and genius born of a ‘suffering’ we somehow long to imagine, even as we co-opt, overpay, homogenize, make the best of that suffering song go to stud for our own pale performers.

Leadership is a skill you will need to learn to be successful in business. Good leaders are able to inspire their teams and achieve more than those who are overly forceful or too weak. The best business leaders have a mix of formal education and street smarts, stay focused on the mission, welcome feedback, and listen to their teams. They seek to bring out the best in people. Sometimes being a leader means making tough decisions—you have to be prepared to take the rap for whatever choices you make.

We tell each other everything. You take the rap for bad things I do, we have this amazing time together and then all day in classes you ignore me like I don't exist. And I have to watch you and Sally together, and you licking her arse and not telling her about me. And when she says something mean to me you just stand there. I don't even answer back like I used to, I take it and you just stand there and let her speak to me the way she does. What about the fact that I am your best friend now? How do you think that feels, Flo? It feels HORRIBLE, that is how it feels. HORRIBLE.' I leave her standing in the rain. I deliberately go slowly so she can catch me up, but she doesn’t. I get all the way home and she never comes after me.

I’m Sushi K and I’m here to say I like to rap in a different way Look out Number One in every city Sushi K rap has all most pretty My special talking of remarkable words Is not the stereotyped bucktooth nerd My hair is big as a galaxy Cause I attain greater technology [...] I like to rap about sweetened romance My fond ambition is of your pants So here is of special remarkable way Of this fellow raps named Sushi K The Nipponese talking phenomenon Like samurai sword his sharpened tongue Who raps the East Asia and the Pacific Prosperity Sphere, to be specific [...] Sarariman on subway listen For Sushi K like nuclear fission Fire-breathing lizard Gojiro He my always big-time hero His mutant rap burn down whole block Start investing now Sushi K stock It on Nikkei stock exchange Waxes; other rappers wane Best investment, make my day Corporation Sushi K [...] Coming to America now Rappers trying to start a row Say “Stay in Japan, please, listen! We can’t handle competition!” U.S. rappers booing and hissin’ Ask for rap protectionism They afraid of Sushi K Cause their audience go away He got chill financial backin’ Give those U.S. rappers a smackin’ Sushi K concert machine Fast efficient super clean Run like clockwork in a watch Kick old rappers in the crotch [...] He learn English total immersion English/Japanese be mergin’ Into super combination So can have fans in every nation Hong Kong they speak English, too Yearn of rappers just like you Anglophones who live down under Sooner later start to wonder When they get they own rap star Tired of rappers from afar [...] So I will get big radio traffic When you look at demographic Sushi K research statistic Make big future look ballistic Speed of Sushi K growth stock Put U.S. rappers into shock

When a middle school teacher in San Antonio, Texas, named Rick Riordan began thinking about the troublesome kids in his class, he was struck by a topsy-turvy idea. Maybe the wild ones weren’t hyperactive; maybe they were misplaced heroes. After all, in another era the same behavior that is now throttled with Ritalin and disciplinary rap sheets would have been the mark of greatness, the early blooming of a true champion. Riordan played with the idea, imagining the what-ifs. What if strong, assertive children were redirected rather than discouraged? What if there were a place for them, an outdoor training camp that felt like a playground, where they could cut loose with all those natural instincts to run, wrestle, climb, swim, and explore? You’d call it Camp Half-Blood, Riordan decided, because that’s what we really are—half animal and half higher-being, halfway between each and unsure how to keep them in balance. Riordan began writing, creating a troubled kid from a broken home named Percy Jackson who arrives at a camp in the woods and is transformed when the Olympian he has inside is revealed, honed, and guided. Riordan’s fantasy of a hero school actually does exist—in bits and pieces, scattered across the globe. The skills have been fragmented, but with a little hunting, you can find them all. In a public park in Brooklyn, a former ballerina darts into the bushes and returns with a shopping bag full of the same superfoods the ancient Greeks once relied on. In Brazil, a onetime beach huckster is reviving the lost art of natural movement. And in a lonely Arizona dust bowl called Oracle, a quiet genius disappeared into the desert after teaching a few great athletes—and, oddly, Johnny Cash and the Red Hot Chili Peppers—the ancient secret of using body fat as fuel. But the best learning lab of all was a cave on a mountain behind enemy lines—where, during World War II, a band of Greek shepherds and young British amateurs plotted to take on 100,000 German soldiers. They weren’t naturally strong, or professionally trained, or known for their courage. They were wanted men, marked for immediate execution. But on a starvation diet, they thrived. Hunted and hounded, they got stronger. They became such natural born heroes, they decided to follow the lead of the greatest hero of all, Odysseus, and

And Ella starts rapping: Straight A's, good grades, that's the plan Study hard, top of the class Doing the best you can You won't need it but you're studying algebra Won't use Japanese, world history or calculus You follow the path they tell you to Go straight to college when you finish school If there's no scholarship take out a loan Clock up a debt kid, you're on your own Take all your stuff, you're leaving home The big wide world is yours to roam The crowd roars. She is seriously so good! Damon picks up his guitar and starts singing: But life can give us lemons and not ice cream And the path we take is not what it seems But we can't give up and cry and scream We have to turn up and change our dream Ella raps again: Science, physics and chemistry Make sure you ace your SATs Gotta get into an Ivy League Make my parents proud of me The say the road is straight and clear No need to wait, choose a career Doctor, lawyer, engineer Need to make a hundred grand a year And Damon sings: But life can give you lemons and not ice cream Find yourself against the current going upstream And all you wanna do is cry and scream Because you realize this ain't your dream You realize you have to change your dream Ella raps: Sat in class reading Romeo and Juliet But never understanding a word of it It's so old fashioned, it just doesn't fit You hate it so much, you wanna quit That's the stuff they think you need to learn But what happens when you crash and burn What happens when life deals you a blow What happens when you sink so low? And Damon sings: When life gives you lemons and not ice cream When you find yourself without a team When it throws you things that are too extreme When you can no longer chase your dream Then know it's time to change your dream And together they sing: When life gives you lemons and not ice cream When you wanna cry and shout and scream When you've fallen off your balance beam Then you know it's time to change your dream And you can do it You Can Change Your Dream

Thoreau was superficial. I mean that in the best possible sense. The superficial gets a bum rap. It’s often used synonymously with “shallow,” but they are different. Shallow is a lack of depth. Superficial is depth diffused. Our portion of the infinite spread thin, but very wide.

that it’s getting tougher and tougher to pin their jobs on hoods, tougher to make a rap stick. For good or ill, that’s the way it is. You damn near have to catch them in the act of dismembering the body … And I had it. I was lugging my damned camera. Maybe there’d been a reason—besides the fact that I had some splendidly provocative shots of Tootsie in the exposed footage—for my hanging onto the Bolex. The next best thing to actually catching hoods in the commission of a crime should be a movie of them in the middle of it. A shot of them chasing after me, shooting at me, should be enough for any court in the land, temporarily. That meant I would have to get into the film somehow, myself, while taking care that the action was merely of the boys shooting at me, not in me. So, for one, I couldn’t stand holding the camera, filming them while they ran down on top of me. And for another, I was going to have to run at least another mile. But I was quite a bit ahead of them now—though a shot still rang out from time to time—so I sprinted as hard as I could for a hundred yards, the last thirty of which were quite straight, and then skidded to a stop. The Bolex was battery-operated and, once started, would function unaided until the film ran out, if I locked the shutter release down. But there was only one hundred feet of film, and that would run past the lens in four minutes. I didn’t think I could be sure of running another mile in four minutes—not after what I’d recently been through. In fact, I was pretty sure I couldn’t. But there was still a way. If I set the camera speed to expose not the normal sixteen frames a second but only eight, which I could do merely by turning a little knob on the side of the camera, the thing would run twice as long, or for eight minutes. True, when projected it would be in fast motion, the action speeded up, but that didn’t matter. The faces—and guns—of those lobs would be identifiable. The only ticklish part, actually, after adjusting the lens aperture and frames-per-second setting, was spotting a limb in the right place and at the right angle to hold the camera firmly. But I found one suitable, jammed the Bolex into place pointing back down the path, depressed and locked the shutter release to start it whirring and moved out of there.

willing to close large distances in response to calls. Does that make them stupid? No! Due to the vastness of the landscape these birds often call home, it’s not uncommon for a walk-about tom to respond and come to a live-hen call that barely tickles his eardrums. When calling Merriam’s birds, I prefer to run calls that carry great distances and cut the all-to-often howling western wind. My favorite reach-out-and-touch-their-ears Merriam’s call is a trusty box call. Box calls get a bad rap. When I give seminars, I hear a lot of negative comments about them. They’re too easy to use. Every hunter on the planet hammers away on them. They don’t work on public land. You can’t get the exact pitch you want. I could go on forever with the complaints I’ve heard from hunters about box calls. Here’s my opinion on the matter. They work great to cut the western winds. They also work great when trying to raise the interest of a distant tom. On multiple occasions, I’ve been able to sit behind a quality spotting scope and watch a tom 500 yards away take notice of my box call. Once you master them, box calls can produce pitch-perfect tones. I especially feel this is the case when using a true chalk-on-wood system. Another Merriam’s eardrum ringer is an aluminum pot-and-peg call. I’ve found aluminum pot calls carry great distances. I’m also a fan of glass. What I love about pot-and-peg calls is that I can easily adjust the volume and pitch simply by swapping strikers. And that’s not all. Once you really know what you’re doing, these calls produce, in my opinion, simply the best turkey tones. Like many turkey fanatics, my go-to call is a diaphragm. Through this wonderful

I slowed my steps as I started up the path toward the front entrance, feeling like I was about to walk on smoldering embers. Had the fire burned down enough that it couldn’t harm me? Or would I be scorched? Reaching the front door, I took a deep breath, aware of the importance of what I was about to do and fearful that I would not succeed. Then I rapped firmly upon the dark wood. This was not the time to practice timidity. Grayden opened the door himself and our eyes met. For a moment, neither of us moved, equally flustered--he was stunned to find me on his stoop, while I had expected a servant to answer my knock. “May I come in, my lord?” I inquired, sounding more nervous than I would have liked. “As you wish.” He leaned back against the door frame and gestured for me to enter, his manner not entirely hospitable. I stepped inside and glanced around the spacious foyer, then cleared my throat, ready to begin a short, but well-rehearsed, statement of contrition. “I owe you an apology, Lord Grayden. I’m sorry for failing to attend the dinner to which you were invited at my family’s home. While I do not deserve your kind regard, I hope you will be gracious enough to forgive me.” “That depends on what you were doing instead.” “Excuse me?” I squeaked, for this was an unexpected reaction. My mind spun, trying to decide what to do. Did I need to apologize better? Or should I just leave? He laughed, and I felt even more flustered. “Your mother and sisters kept changing their stories. Makes me think they didn’t know what you were doing. I’d like the mystery solved.” Taken aback, I surveyed him, noting his dark brown hair that made his skin appear all the more fair, his perfectly proportioned nose, his gorgeous green eyes and his inviting smile. He wanted me to be honest. I decided to risk it, for nothing worse could come of his knowing the truth. “I forgot you were coming.” He straightened and rubbed the back of his neck with one hand. “At least I know you’re not a liar.” “Not usually,” I blurted, and he laughed once more. “Well then, I accept your apology.” “That’s very considerate of you.” I hesitated then gave him another curtsey. “Good day to you, my lord.” His eyebrows rose in surprise. “You’re leaving so soon?” “Yes,” I replied, a grin playing at the corners of my mouth. “You see, I haven’t been invited to stay.” Before he could respond, I slipped past him and out the door, pleased at his befuddled expression. All in all, things had gone well--I had accomplished my appointed task; at the same time, I was certain I could cross another suitor off the list. After all, even the best impressions Lord Grayden had of me left much to be desired. But I didn’t feel as happy about that outcome as I had expected. Strangely, the young man held more appeal for me now than he had before. I sighed, for my nature did indeed appear to be a fickle one.

He scowled and pushed her hand away. “Sit down.” She didn’t budge. “Please, have a seat, Miss Gregory.” He sighed. “I’d prefer to talk to you face-to-face rather than have you hover over me like my overbearing grade-school teacher. A woman, as a matter of fact, I didn’t much care for.” “The best I can promise is not to rap your knuckles with a ruler.

The most significant innovation in Chisholm’s overhaul of the office involves an “early intervention” program, which begins after a defendant is arrested but before arraignment. Each defendant is given an eight-question assessment, which can be conducted in about fifteen minutes and is compared to the information on the rap sheet and in the police report. The questions include: “Two or more prior adult convictions?” “Arrested under age sixteen?” “Currently unemployed?” “Some criminal friends?” A low score can lead to an offer of “diversion”—a kind of unofficial probation that, if successfully completed, leaves the individual without a criminal record. A high score leads to a second, more detailed, fifty-four-question assessment. The questions include: “Ever walked away/escaped from a halfway house?” “Were you ever suspended or expelled from school?” “Does your financial situation contribute to your stress?” “Tell me the best thing about your supervisor/teacher.” Results of the assessment may

Don’t like me or dislike me because I’m from Texas, like me or dislike me because of the music I make and the way I rap and what I rap about and how I bring it. And if you can’t appreciate me for that, then I can’t help you. I’m not interested in being the best in the South. I’m interested in being the best.

I’ve always known why we were making the music we were making, just like I know how a lifetime of subtle and blatant racism and oppression can make you want to reach for your pistol and either shoot the oppressor or shoot yourself. When you live in a society that repeatedly tells you that it values a white person’s life, safety, values, and lifestyle more than your own, and you get reminders of it every day and at every turn—whether it’s the Michael Brown case or just talking to a friend or family member about some fucked-up shit they just went through while living their life—it’s very easy to come to the conclusion that the best solution to all of this shit is violence.

Moving to New York was the best decision I’ve ever made. It gets a bad rap because back in the day it was pretty shady; but truthfully, I think that’s part of the appeal. This is an island of outcasts: the smart ones, the dumb ones, the pretty ones, the weird ones. We’re all the same here. We all come from somewhere else looking for the same thing. We weren’t accepted where we came from, for one reason or another, so we exiled ourselves to a place where we felt safe amongst the chaos of other misfits. The most interesting and talented individuals end up here and it suddenly becomes desirable to be a part of such an obscure group. The nerds are the popular kids and the popular kids work at a McDonald’s in the hometown you left behind. People visit our show all year long just to catch a glimpse of the madness, to feel an ounce of whimsy, but it’s lost on them. This is our island. The island of the lost, but for all who dwell here, it’s the island of the found. Before

Keri answered the door, looking frazzled and not having the best hair day he’d ever seen. “Hi, Sean. I was just thinking, gee, I need more Kowalskis in my life right now.” He laughed and stepped into the big foyer. “Baby acting up?” “I thought the Kowalski men were royal pains in the ass—no offense—but you guys have nothing on the girls.” “Joe writing?” She blew out a sharp breath and put her hands on her hips. “No. Joe is pretending to write so I won’t dump Brianna in his lap, but he’s probably playing some stupid game.” From the other room came a pissed-off howl that Sean hoped was their daughter and not a wild animal foraging for table scraps. “So he’s in his office?” Keri nodded and waved a hand in that direction before making a growling sound and heading off to appease her daughter. Welcome to the jungle, he mused before heading to Joe’s office. He rapped twice on the door, then let himself in. Joe looked up with a guilty start and Sean knew his wife had him all figured out. “She knows you’re only pretending to write so you don’t have to deal with the kid.” “You know what really sucks? Everybody keeps saying to just wait till she’s older. Like it gets worse. How can it get worse?” Sean lifted his hands in a “don’t ask me” gesture. “For years I’ve been writing about boogeymen and the evil that lurks in the hearts of men. I had no idea there’s nothing scarier than a baby girl.” Sean laughed. “She can’t be that bad. What does she weigh? Ten pounds?” “Fifteen. But it’s fifteen pounds of foul temper and fouler smells. Trust me.” “I’ll take your word for it.” Joe leaned back in his leather office chair and sighed. “Let’s talk about your life. She still on the couch?” “Yes, she is.” “Good. I said you’d last three weeks.” Maybe, but Sean wouldn’t bet on it. Or he shouldn’t have bet on it, anyway. Especially a whole month. His balls ached just thinking about it. “You guys come up with a plan for the kids for Saturday yet?” “Yeah, but it’s going to cost you.” “Not a problem. I’ll just take it out of all the money I’m going to collect from you idiots at the end of the month.” Joe grinned. “You keep telling yourself that, buddy.” He was. With as much oomph as he could muster. And he’d probably keep telling himself that up to the minute he got Emma naked.

No one can identify the uninformed until they voice their ignorance about a topic. Silence is a fool’s best friend. Sadly, he is often too foolish to realize it.

In fact, to the best of my knowledge, the only things he ever read growing up were pornographic comic books (we used to call them “Tijuana bibles,” but I’m sure that’s no longer considered polite, what with all these immigrants driving around everywhere in their lowriders, listening to raps and shooting all the jobs).

Father Gregory Boyle, put it best in his book, Tattoos on the Heart: “You stand with the least likely to succeed until success is succeeded by something more valuable: kinship. You stand with the belligerent, the surly, and the badly behaved until bad behavior is recognized for the language it is: the vocabulary of the deeply wounded and of those whose burdens are more than they can bear.

complement the first. The initial credit line Junior offered for investing in artists was only $100 million, much less than what had been available at Warner, but Morris could see that, sitting on a limitless tap of booze money, there was a lot more where that came from.4 Best of all, Seagram was domiciled in Canada, where the lyrics of popular rap songs were not a pressing political issue. Although Jimmy Iovine and Doug Morris were temporarily estranged as colleagues, they remained best friends and hoped to reunite. Fuchs’ actions had stung them both, and Iovine had raised such a stink after Morris’ sacking that he was no longer permitted in the Time Warner Building. Under normal circumstances, he too would have been fired, but Iovine didn’t actually work for Warner directly—he was an equity partner in a joint venture, and the only way to get rid of him was to sell him back his shares. This was an expensive proposition, as Interscope had diversified beyond rap, signing No Doubt, Nine Inch Nails, and Marilyn Manson. Together, the two came up with a plan. Iovine, the agitator, would make himself unbearable to Fuchs, and push extreme albums like Dogg Food and Antichrist Superstar that made the provocations of The Chronic seem boring by comparison. Morris,

Us yokels who majored in beer and getting the skirts off Tri-Delts bear no responsibility for Thoreau’s hippie jive or John Kenneth Galbraith’s nitwit economics or Henry Kissinger’s brown-nosing the Shah of Iran. None of us served as models for characters in that greasy Love Story book. Our best and brightest stick to running insurance agencies and don’t go around cozening the nation into Vietnam wars. It wasn’t my school that laid the educational groundwork for FDR’s demagoguery or JFK’s Bay of Pigs slough-off or even Teddy Roosevelt’s fool decision to split the Republican Party and let that buttinski Wilson get elected. You can’t pin the rap on us.

I lay in bed listening to the keys of her manual machine rapping on the paper like heavy rain falling on a tin roof.

I may have affected the future … no, I have affected the future. And I don’t know how, and that’s what frightens me so much.” “Um.” Anselm grunted thoughtfully, and motioned to a passing lay brother, who hastened over with a fresh pasty and more ale. He refilled both cups before speaking. “If you have taken life, you have also preserved it. How many of the sick you have treated would have died without your intervention? They also will affect the future. What if a person you have saved should commit an act of great evil? Is that your fault? Should you on that account have let that person die? Of course not.” He rapped his pewter mug on the table for emphasis. “You say that you are afraid to take any actions here for fear of affecting the future. This is illogical, Madame. Everyone’s actions affect the future. Had you remained in your own place, your actions would still have affected what was to happen, no less than they will now. You have still the same responsibilities that you would have had then—that any man has at any time. The only difference is that you may be in a position to see more exactly what effects your actions have—and then again, you may not.” He shook his head, looking steadily across the table. “The ways of the Lord are hidden to us, and no doubt for good reason. You are right, ma chère; the laws of the Church were not formulated with situations such as yours in mind, and therefore you have little guidance other than your own conscience and the hand of God. I cannot tell you what you should do, or not do. “You have free choice; so have all the others in this world. And history, I believe, is the cumulation of all those actions. Some individuals are chosen by God to affect the destinies of many. Perhaps you are one of those. Perhaps not. I do not know why you are here. You do not know. It is likely that neither of us will ever know.” He rolled his eyes, comically. “Sometimes I don’t even know why I am here!” I laughed and he smiled in return. He leaned toward me across the rough planks of the table, intense. “Your knowledge of the future is a tool, given to you as a shipwrecked castaway might find himself in possession of a knife or a fishing line. It is not immoral to use it, so long as you do so in accordance with the dictates of God’s law, to the best of your ability.

knowing that I wanted to be a piano player, and knowing that practicing, of course, was just something piano players did, I turned my daily practice into a habit. Now, habits get a bad rap; we tend to think of things like biting our nails or smoking when we talk about them. But really, a habit is defined as “a settled or regular tendency or practice, especially one that is hard to give up.” Tooth brushing is a habit (for most of us). So is showing up to work on time. Those are some good habits. Habits can be good; say it with me. Once you’ve trained your brain to view practicing as a habit, the next step is finding the motivation to adopt that habit. The key to motivation, I’ve learned, is coupling your profound inspiration to a strong belief in yourself, and that’s not something even the best teacher is able to instill. It has to come from within. Building a strong core identity to drive your motivation requires first believing that you’ll eventually master the skill you’ve set out to learn—no matter how farfetched that might initially seem to yourself and others. Having the correct image of yourself is really key here; you have to think of yourself as the thing you want to be long before other people think of you as that. You may only have taken one trumpet lesson and sound horrible, but you still must think of yourself as a trumpet player in order for the habit to stick. You are whatever you do repeatedly. Practicing became such a constant in my day—and in such a natural, unforced way—that I hardly had to think about it. It had become, in other words, a habit.

But when I landed in college, I noticed what looked like a gleaming. A goofy, doofy, curly-haired man with broad shoulders brushed by me in the hallway one day. He smelled like cinnamon. He had teddy-brown eyes and performed in the college’s improv group. He was the best one by far, made big gestures, made jokes from a place of kindness and whimsy, pulled ripples of laughter out of this cold, hard world. I used to sit in the audience and marvel. He seemed like an impossibility. It took years. Years of slowly befriending him through mutual friends. Years of calling into his late-night, freestyle-rap radio show, daring my tongue to try… to rhyme on the fly! I even joined the improv group. And eventually, one night I told him how I felt and instead of flinching away, as I had assumed he would, as the boys in the hallway had made it seem that he would, he kissed me. After graduating college, we moved in together, to a small one-bedroom apartment in Brooklyn with a red Formica table and a great front stoop. I finagled my way into a job helping produce a radio program all about science and wonder. He was continuing with comedy—stand-up and improv and writing—and working as a yellow-cab driver to support himself. We stayed up late into the night, sipping beers on the stoop, talking about our days, turning awkward moments and missteps into jokes. I felt like I had found the thing I had thought could never exist. Refuge. It smelled like cinnamon and its walls were made of bad puns and cheap rhymes, piling higher and higher against the chill of the world. My head became full of visions for the future. The TV shows we would write, the tree houses we would build, the way the grass would curl between our toes as we chased our kids through the yard. Until, seven years into it, I toppled the whole thing. Late one night on a beach five hundred miles away from him, possessed by moonlight and red wine and the smell of a bonfire, I reached out for the bouncing blond girl I had been trying not to eye all night. She was wet from swimming; she was prickled in goose bumps, hundreds of goose bumps, that I wanted to press flat with my tongue. She smiled as I placed my hand on her waist, as I touched my lips to her neck. The stars wrapped around us. Her steam became mine. When I told the curly-haired man what I had done, he told me it was over.

the KLF were a bunch of conceptual pop tricksters who won the hearts of their home country with stunts like recording country singer Tammy Wynette in a rap context. Performing at the prestigious BRIT awards, Extreme Noise Terror blasted the KLF hit “3 a.m. Eternal” into oblivion while the KLF sprayed the audience with machine guns preloaded with blanks. When the KLF were awarded “Best British Group” honors later that night,

having fully somali children doesn’t even really matter bc as soon as they touch down on the grave, they become white they’ll start to smell of dead people, not foox or caano fadi when i touch down on the grave my brain will be devoured my broken somali will be broken down even more in the mouths of maggots you know that soft east african skin that drake keeps rapping about it’ll become even softer when it gets digested &you best believe my natural hair will then floss all the remains

William Shakespeare's character Hamlet said it best: “There is nothing either good or bad, but thinking makes it so.” It is how we interpret these emotions—and choose to handle them—that makes the difference. Anger, for example, gets a bad rap. While many let it lead them to violence, others let it lead them to positive action. Many of the most significant, positive changes in this world came about because someone became angry about an injustice and let that anger drive them to do something about it.

This was followed by the sweet sound of Millie’s voice. It was such a great combination and we knew that we sounded good. But the highlight was when Jack broke into his awesome rap. To me, that was the coolest sound ever. The reaction from the audience was amazing. And the cheering and whistling of the kids in our grade spurred us on as we continued with more hit songs, perfectly played. When our final song came to an end, the audience was on their feet, demanding more. All we could do was stare at the sight in front of us. It was unbelievable that they loved our music so much. Without a doubt, it was the proudest moment of my life. And after a nod from Mrs. Harding, giving us permission to continue, we burst into another song. Glancing back towards her, I caught the beaming smile on her own face and could see that she was filled with pride as well. When we later lined up for the last of the official photos, I realized that Blake’s eye was as black as the cap on his head. But no one cared and we all joked about the stories that would be told when looking back at those photos in years to come. Out of all the photos taken, one of my favorites was the one that my brother snapped just before leaving. What made it even more special was the fact that he later decided to keep a copy for himself. That meant more to me than anything. It had been such an incredible night, one that I knew I would never forget. And when my parents surprised me afterward with a family dinner at a special restaurant in town, I couldn’t have felt happier. In addition to graduating, I had received the best report card ever and it was definitely time to celebrate. As I lay in bed later that night, reliving every minute of the previous several hours in my head, not in a million years did I anticipate that in a week’s time, an abrupt turn of events would change everything. And when I was later faced with the news, I simply could not come to terms with how things had changed so dramatically. It was incomprehensible and I did not understand. Too sudden and too unexpected, nothing could ever have prepared me.

Today, the best-selling titles for blacks are in a genre most whites have never even heard of: “ghetto lit.” This is the pulp-novel equivalent of rap music—books that glorify drugs, violence, hot sex, easy money, and the pimping life.

Oh, my name is Mr. Cookie Face And I am here to flow Singing hip-hop songs Is what I know Now, gather ‘round And listen to this Because if you ignore my words You’ll get hit with my fist Because I’m a hip-hop master And I’m crafting a sick beat I can’t rap any faster Because then I’ll need to eat Creepers, skeletons, and zombies all know it I’m the Man and I don’t need to show it Haters try to flex But won’t block my success Rhymes flow through my brain Like honey in a bee’s nest Mr. Cookie Face ain’t no dessert Best back away or You gonna get hurt.

Then I smelled it—the sweet scent of vanilla flooded the kitchen. “Aw shit,” I huffed. I’d smelled Aidric’s desire enough through the years to recognize it. “Mate,” Carter growled, taking a step toward Aidric. Aidric squeaked. That was the best way to describe the sound that came out of him. “Goddess,” Dolf muttered. “Oh, fuck me,” Temple said at the same time. Marshell burst out laughing. Of course. That seemed to break the tension in the kitchen. The rest of us all started talking at once while Carter and Aidric stared at each other. I was pretty sure nothing else existed around them. Finally Dolf rapped his knuckles on the table, and that seemed to break whatever hold the two other men were in. Carter took a deep breath and ran one of those huge paws he called a hand over his bald head. Aidric started breathing again. But that didn’t seem to be enough. He took another breath and then another… and pretty soon he was panting. Oh, that wasn’t good. I edged my way closer to him while keeping an eye on the other Alpha

I’m Sushi K and I’m here to say I like to rap in a different way Look out Number One in every city Sushi K rap has all most pretty My special talking of remarkable words Is not the stereotyped bucktooth nerd My hair is big as a galaxy Cause I attain greater technology [...] I like to rap about sweetened romance My fond ambition is of your pants So here is of special remarkable way Of this fellow raps named Sushi K The Nipponese talking phenomenon Like samurai sword his sharpened tongue Who raps the East Asia and the Pacific Prosperity Sphere, to be specific [...] Sarariman on subway listen For Sushi K like nuclear fission Fire-breathing lizard Gojiro He my always big-time hero His mutant rap burn down whole block Start investing now Sushi K stock It on Nikkei stock exchange Waxes; other rappers wane Best investment, make my day Corporation Sushi K [...] Coming to America now Rappers trying to start a row Say “Stay in Japan, please, listen! We can’t handle competition!” U.S. rappers booing and hissin’ Ask for rap protectionism They afraid of Sushi K Cause their audience go away He got chill financial backin’ Give those U.S. rappers a smackin’ Sushi K concert machine Fast efficient super clean Run like clockwork in a watch Kick old rappers in the crotch

Ross’s team, mostly farmworkers, was highly motivated but untested. Ross turned the campaign into a boot camp of sorts: many of the graduates went on to become among the union’s most skilled organizers. They fine-tuned their raps and role-played interactions, searching for messages that best resonated with workers.

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