Rank 2 Quotes

We've searched our database for all the quotes and captions related to Rank 2. Here they are! All 100 of them:

Most little girls in England grow up wanting to marry a prince. Bex grew up wanting to kick James Bond's butt and assume his double-0 ranking.
Ally Carter (Cross My Heart and Hope to Spy (Gallagher Girls, #2))
Part of their problem was Percy. He fought like a demon, whirling through the defender's ranks in a completely unorthodox style, rolling under their feet, slashing with his sword instead of stabbing like a Roman would, whacking campers with the flat of his blade, and generally causing mass panic.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Thus we may know that there are five essentials for victory: 1 He will win who knows when to fight and when not to fight. 2 He will win who knows how to handle both superior and inferior forces. 3 He will win whose army is animated by the same spirit throughout all its ranks. 4 He will win who, prepared himself, waits to take the enemy unprepared. 5 He will win who has military capacity and is not interfered with by the sovereign.
Sun Tzu (The Art of War)
As long as you're alive, there's always a chance things will get better." "Or worse," said Liraz. "Yes," he conceded. "Usually worse." Hazael cut in. "My sister, Sunshine, and my brother, Light. You two should rally the ranks. You'll have us killing ourselves by morning.
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
Bubbles. On a scale of one to ten, a bubble bath has to rank zero as far as things I'd expect an older-than-dirt-badass vampire to indulge in. The only thing that would surprise me more would be if you pulled out a rubber ducky. -Kira to Mencheres
Jeaniene Frost (Eternal Kiss of Darkness (Night Huntress World, #2))
Ash nodded. “Look for Oberon or Mab,” he said grimly, scanning the battlefield. “They’ll likely be on opposite sides of the river. Try not to engage anything, Goodfellow. We don’t want a fight — we just want to get the scepter to the queen.” “Don’t kid yourself, Prince.” Puck grinned and drew his daggers, pointing to Ash with the tip. “You’re a traitor, Meghan’s the Summer princess, and I’m Robin Goodfellow. I’m sure the ranks of Unseelie will just let us waltz right through.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
How unjust then to meet that person you love, and be kept away from them only because ones bed is made of hay , and the other, feathers.
Kristin Cashore (Fire (Graceling Realm, #2))
He said, 'Damianos.' Before Damen could tell him to rise, he heard it again, echoed in another voice, and then another. It was passing over the gathered men in the courtyard, his name in tones of shock and of awe. The steward beside Nikandros was kneeling. And then four of the men in the front ranks. And then more, dozens of men, rank after rank of soldiers. And as Damen looked out, the army was dropping to its knees, until the courtyard was a sea of bowed heads, and silence replaced the murmur of voices, the words spoken over and over again. 'He lives. The King's son lives. Damianos.'
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
These are delicious! What are they?" "Double chocolate chip with peanut butter filling." "They're the second best thing I've ever tasted." I laughed. "You said the same thing at dinner." "I recently readjusted the ranking.
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
Living in a bookshop is like living in a warehouse of explosives. Those shelves are ranked with the most furious combustibles in the world--the brains of men.
Christopher Morley (The Haunted Bookshop (Parnassus, #2))
If that rank bastard comes near my baby– (Sunshine's grandmother) Grandma! (Sunshine) Well, he is. Messing with my granddaughter. I’ll boil his warts in oil and feed his head to the wolves. (Sunshine's grandmother) You know, wolves don’t really like to eat heads. Meat, yes, but heads are really hard on the jaws. Not to mention, the cranium gets caught between your teeth. (Vane)
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
The ranks of society are once again filled with Ambitious Mamas, whose only aim is to see their Darling Daughters married off to Determined Bachelors
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
Call me Dudley. We're of equal rank. I'm older, but you're far better looking. I can tell we're going to be grand partners.
James Ellroy (The Big Nowhere (L.A. Quartet, #2))
How true is the saying that the very highest in rank are always the most simple and kindly. It is from you half-and-half sort of people that you get pomposity and vulgarity
H. Rider Haggard (Allan Quatermain (Allan Quatermain, #2))
All reality is a game. Physics at its most fundamental, the very fabric of our universe, results directly from the interaction of certain fairly simple rules, and chance; the same description may be applied to the best, most elefant and both intellectually and aesthetically satisfying games. By being unknowable, by resulting from events which, at the sub-atomic level, cannot be fully predicted, the future remains makkeable, and retains the possibility of change, the hope of coming to prevail; victory, to use an unfashionable word. In this, the future is a game; time is one of the rules. Generally, all the best mechanistic games - those which can be played in any sense "perfectly", such as a grid, Prallian scope, 'nkraytle, chess, Farnic dimensions - can be traced to civilisations lacking a realistic view of the universe (let alone the reality). They are also, I might add, invariably pre-machine-sentience societies. The very first-rank games acknowledge the element of chance, even if they rightly restrict raw luck. To attempt to construct a game on any other lines, no matter how complicated and subtle the rules are, and regardless of the scale and differentiation of the playing volume and the variety of the powers and attibutes of the pieces, is inevitably to schackle oneself to a conspectus which is not merely socially but techno-philosophically lagging several ages behind our own. As a historical exercise it might have some value, As a work of the intellect, it's just a waste of time. If you want to make something old-fashioned, why not build a wooden sailing boat, or a steam engine? They're just as complicated and demanding as a mechanistic game, and you'll keep fit at the same time.
Iain Banks (The Player of Games (Culture #2))
I suddenly felt like the Grinch feels when he discovers what Chrismas is all about. For the first time in a long time, I felt like I had a purpose being in the Navy. It wasn't about money and rank or prestige. It was about raising the flag. We do what we do because no one else can or will do it. We fight so others can sleep at night. And I had forgotten that.
Timothy Ciciora (The Right Words at the Right Time Volume 2: Your Turn!)
I was the dhampir daughter of the family patriarch, the little known stain on an otherwise immaculate record. Louis-Cesare, on the other hand, was vamp royalty. The only Child of Mircea’s younger, and far stranger, brother Radu, he was a first-level master--the highest and rarest vampire rank. A month ago, the prince and the pariah had crossed paths because we had one thing in common: we were very good at killing things. And Mircea’s bug-eyed crazy brother Vlad had needed killing if anyone ever had. The collaboration hadn’t exactly been stress free, but to my surprise, we eventually sorted things out and got the job done. By the end, I’d even started to think that it was kind of nice, having someone to watch my back for a change. Sometimes, I could be really stupid.
Karen Chance (Death's Mistress (Dorina Basarab, #2))
As a child he had grown up without a mother or even a grandmother. He had never really explored emotional relationships or marriage. He'd never been given advice on the matter. The closest he'd really come to seeing a relationship was watching Ryland Miller pursue Lily. The man had lost his mind. Nicholas had a feeling he'd joined the ranks of en losing their mind over women.
Christine Feehan (Mind Game (GhostWalkers, #2))
It’s not that we don’t trust you,” Royce said as Hadrian prepared the bow. “It’s just that we’ve learned over the years that honor among nobles is usually inversely proportionate to their rank. As a result, we prefer to rely on more concrete methods for motivations—such as self-preservation. You already know we don’t want you dead, but if you have ever been riding full tilt and had a horse buckle under you, you understand that death is always a possibility, and broken bones are almost a certainty.” “There’s also the danger of missing the horse completely,” Hadrian added. “I’m a good shot, but even the best archers have bad days. So to answer your question—yes, you can control your own horse.
Michael J. Sullivan (Theft of Swords (The Riyria Revelations, #1-2))
Rome was mud and smoky skies; the rank smell of the Tiber and the exotically spiced cooking fires of a hundred different nationalities. Rome was white marble and gilding and heady perfumes; the blare of trumpets and the shrieking of market-women and the eternal, sub-aural hum of more people, speaking more languages than Gaius had ever imagined existed, crammed together on seven hills whose contours had long ago disappeared beneath this encrustation if humanity. Rome was the pulsing heart of the world.
Marion Zimmer Bradley (The Forest House (Avalon, #2))
I've been a soldier all my life. I've fought from the ranks on up, you know my service. But sir, I must tell you now, I believe this attack will fail. No 15,000 men ever made could take that ridge. It's a distance of more than a mile, over open ground. When the men come out of the trees, they will be under fire from Yankee artillery from all over the field. And those are Hancock's boys! And now, they have the stone wall like we did at Fredericksburg. - Lieutenant General James Longstreet to General Robert E. Lee after the initial Confederate victories on day one of the Battle of Gettysburg.
Michael Shaara (The Killer Angels (The Civil War Trilogy, #2))
When He'd told his mother he wanted to go to military school so he could though up, she'd given him a strange look. (Not as strange as if he'd said he wanted to go to demon-fighting school so he could drink from the Mortal Cup, Ascend to the ranks of Shadowhunter, and just maybe get back the memories that had been stolen from him in a nearby hell dimension, but close.)
Cassandra Clare (The Lost Herondale (Tales from the Shadowhunter Academy, #2))
Mr. Red Clay smiled; I had the impression it was meant to hide a smirk. "You'll forgive me for saying this," he said, "but I don't put much stock in this country's education system. There's a reason why American schools are ranked twenty-first in the entire world. Let me put it this way, Skylar. There are only three things you need to know in life. Who you are, how the world works, and how you can change it.
Rose Christo (Looks Over (Gives Light, #2))
We found out the ERC was going to cut us from the Class I ranks if we didn't stop losing. Coach asked Andrew for a miracle, and Andrew gave us one. He made Coach come up with a number between one and five, and that's how many points he let the other team get before he shut them out. It was probably the most badass thing I've ever seen.
Nora Sakavic (The Raven King (All for the Game, #2))
In Greek mythology, Pallas Athena was celebrated as the goddess of reason and justice.1 To end the cycle of violence that began with Agamemnon’s sacrifice of his daughter, Iphigenia, Athena created a court of justice to try Orestes, thereby installing the rule of law in lieu of the reign of vengeance.2 Recall also the biblical Deborah (from the Book of Judges).3 She was at the same time prophet, judge, and military leader. This triple-headed authority was exercised by only two other Israelites, both men: Moses and Samuel. People came from far and wide to seek Deborah’s judgment. According to the rabbis, Deborah was independently wealthy; thus she could afford to work pro bono.4 Even if its members knew nothing of Athena and Deborah, the U.S. legal establishment resisted admitting women into its ranks far too long.
Ruth Bader Ginsburg (My Own Words)
Well, girls who rank high in hot points will eventually get old and will no longer be hot, so their hot points get lower. If you have cute points, they last forever, even when you are old. So they are definitely way more important.
Chanda Hahn (Fairest (An Unfortunate Fairy Tale, #2))
Part of their problem was Percy. He fought like a demon, whirling through the defenders’ ranks in a completely unorthodox style, rolling under their feet, slashing with his sword instead of stabbing like a Roman would, whacking campers with the flat of his blade, and generally causing mass panic. Octavian screamed in a shrill voice—maybe ordering the First Cohort to stand their ground, maybe trying to sing soprano—but Percy put a stop to it. He somersaulted over a line of shields and slammed the butt of his sword into Octavian’s helmet. The centurion collapsed like a sock puppet. Frank
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
But some gifts are worse than curses, and the dark side of the gift is that they know. The lost, the stragglers, those who should not have been taken but were, the innocents, the struggling, tormented shades, the gathering ranks of the dead, they know. And they come.
John Connolly (Dark Hollow (Charlie Parker, #2))
This icon is formally known as the blade, and it represents aggression and manhood. In fact, this exact phallus symbol is still used today on modern military uniforms to denote rank.” “Indeed.” Teabing grinned. “The more penises you have, the higher your rank. Boys will be boys.
Dan Brown (The Da Vinci Code (Robert Langdon, #2))
If I were not so highly ranked and mature for two hundred, I would test the genetics and make a point out of telling the male that he had been rejected in favor of my sperm.” “You’re having a fantasy about that right now, aren't you?" Liam asked. "Yes
Lyn Gala (Assimilation, Love, and Other Human Oddities (Claimings, #2))
What I've been trying to say is that measuring a person's worth solely by their exam scores and their ranking is foolish.
Wataru Watari (やはり俺の青春ラブコメはまちがっている。2)
She had long since ascended to the rank of double douchebag.
Tamsyn Muir (Harrow the Ninth (The Locked Tomb, #2))
At times, competition can be a good thing. But a person's value isn't something that can be ranked, is it?
Hotaru Odagiri (Invisible Boy, Volume 2)
If SUV drivers were a nation, in 2018 they would have ranked seventh for CO2 emissions.
Andreas Malm (How to Blow Up a Pipeline)
The worst evil of all is to leave the ranks of the living before one dies.
Sophie Jordan (Too Wicked to Tame (The Derrings, #2))
Naohiro stared at Kaga, shaking his head. “One last question. What’s your rank?” “Sergeant.” “Well, they should promote you to lieutenant,” declared Naohiro, and headed for the door.
Keigo Higashino (Newcomer (Kyoichiro Kaga, #2))
She was followed by another thaumaturge, one rank beneath Sybil, who had dark skin and piercing eyes and no purpose, it seemed to Kai, other than to stand behind his queen and look smug.
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
Which cat would give her a seventh life? She scanned the ranks and purred when she saw that Mosskit was padding forward, her tiny paws sending up sparks of starlight where they touched the ground. She had to rear up on her hind paws to touch Bluefur’s head. “With this life I give you trust. Believe in your Clan and in yourself. Never doubt that you know the right path to take.
Erin Hunter (Bluestar's Prophecy (Warriors Super Edition, #2))
I told you I don't care! I said again and again! I don't care! Whoever you are. Whatever you do. Rank or nobility, they have nothing to do with me. I just want to be with you! I've told you many times!
Shoko Hidaka (Blue Morning, Vol. 2)
First item in the crew roster is given name, so I'll input 'Skippy'. Second item is surname-" "The Magnificent." "Really?" "It is entirely appropriate, Joe." "Oh, uh huh, because that's what everyone calls you," I retorted sarcastically, rolling my eyes. Not wanting to argue with him, I typed in 'TheMagnificent'. "Next question is your rank, this file is designed for military personnel." "I'd like 'Grand Exalted Field Marshall El Supremo'." "Right, I'll type in 'Cub Scout'. Next question-" "Hey! You jerk-" "-is occupational specialty." "Oh, clearly that should be Lord God Controller of All Things." "I'll give you that one, that is spelled A, S, S, H, O, L, E. Next-" "Hey! You shithead, I should-" "Age?" I asked. "A couple million, at least. I think." "Mentally, you're a six year old, so that's what I typed in." "Joe, I just changed your rank in the personnel file to 'Big Poopyhead'." Skippy laughed. "Five year old. You're a five year old." "I guess that's fair," he admitted. "Sex? I'm going to select 'n/a' on that one for you," I said. "Joe, in your personnel file, I just updated Sex to 'Unlikely'." "This is not going well, Skippy." "You started it!" "That was mature. Four year old, then. Maybe Terrible Twos." "I give up," Skippy snorted. "Save the damned file and we'll call it even, Ok?" "No problem. We should do this more often, huh?" "Oh, shut up.
Craig Alanson (SpecOps (Expeditionary Force, #2))
The game the mind must play to unleash destruction. He’d stood amidst the ranks more than once, sensing the soldiers alongside him seeking and finding that place in the mind, cold and silent, the place where husbands, fathers, wives and mothers became killers. And practice made it easier, each time. Until it becomes a place you never leave.
Steven Erikson (Deadhouse Gates (Malazan Book of the Fallen, #2))
Do you want anything from the shop?” definitely ranked as one of my top three favorite sentences of all time. It’s right up there with, “School’s been cancelled because of the weather” and “Would you like me to go down on you first?
L.H. Cosway (The Player and the Pixie (Rugby, #2))
According to Bishop Edouard, the College of Cardinals has elected someone below the rank of monsignor for the first time in the history of the Church. This says that the new Pope is a Jesuit priest … a certain Father Paul Duré.” Dur
Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
By around 480, as he put it, ‘now that the old degrees of official rank are swept away . . . the only token of nobility will henceforth be a knowledge of letters’; the official hierarchy had gone, only traditional Roman culture survived.
Chris Wickham (The Inheritance of Rome: Illuminating the Dark Ages 400-1000 (The Penguin History of Europe Book 2))
There was a point of equilibrium in any organization’s middle management, a fulcrum of responsibility that remained still while the upper and lower ranks of the bureaucracy moved around it. Tyren knew from experience that a shrewd official could find this pivot-point within the org chart and, once entrenched, enjoy near-complete autonomy with almost no responsibility.
J. Zachary Pike (Son of a Liche (The Dark Profit Saga, #2))
They mainly seem interested in where I'm applying to college. I mean, maybe I should start carrying flyers with my list of schools, ranked by preference. Or maybe - maybe - these random adults should reflect on why they give a shit in the first place.
Becky Albertalli (The Upside of Unrequited (Simonverse, #2))
Masses of warring men animated the horizon, crashing into stubborn ranks, churning in melee. The air didn’t so much thunder as hiss with the sound of distant battle, like a sea heard through a conch shell, Martemus thought—an angry sea. Winded, he watched the first of Conphas’s assassins stride up behind Prince Kellhus, raise his short-sword … There was an impossible moment—a sharp intake of breath. The Prophet simply turned and caught the descending blade between his thumb and forefinger. “No,” he said, then swept around, knocking the man to the turf with an unbelievable kick. Somehow the assassin’s sword found its way into his left hand. Still crouched, the Prophet drove it down through the assassin’s throat, nailing him to the turf. A mere heartbeat had passed.
R. Scott Bakker (The Warrior Prophet (The Prince of Nothing, #2))
(1) He will win who knows when to fight and when not to fight. (2) He will win who knows how to handle both superior and inferior forces. (3) He will win whose army is animated by the same spirit throughout all its ranks. (4) He will win who, prepared himself, waits to take the enemy unprepared. (5) He will win who has military capacity and is not interfered with by the sovereign. 18. Hence the saying: If you know the enemy and know yourself, you need not fear the result of a hundred battles. If you know yourself but not the enemy, for every victory gained you will also suffer a defeat. If you know neither the enemy nor yourself, you will succumb in every battle.
Sun Tzu (The Art of War)
Rafe hadn't sworn in front of a lady since he was fifteen and said something unacceptable in his mother's hearing. Though he'd been twice her size already, she grabbed him by his hair queue and dragged him to her boudoir, where she proceeded to wash his mouth out with lavendar soap. He had been vilely sick, to this day couldn't bear the scent of lavendar, anhd watched his tongue around females of all ages and social rank.
Laurie Alice Eakes (Heart's Safe Passage (The Midwives, #2))
What were you looking at?" She pointed to a bright star. "Polaris." He shook his head, and pointed to another part of the sky. "That's Polaris. You were looking at Vega." She chuckled. "Ah. No wonder I was finding it unimpressive." He leaned back and stretched his long legs out. "It's the fifth brightest star in the sky." She laughed. "You forget I am one of five sisters. In my world, fifth brightest is last." She looked up. "With apologies to the star in question, of course." "And are you often last?" She shrugged. "Sometimes. It is not a pleasant ranking." "I assure you, Pippa. You are rarely last.
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
The biggest chore of training was coping with the nitpicking, rank-pulling, much-loathed lieutenant who oversaw their flights. Once, when one of Super Man’s engines quit during a routine flight, Phil turned the plane back and landed at Kahuku, only to be accosted by the furious lieutenant in a speeding jeep, ordering them back up. When Louie offered to fly on three engines so long as the lieutenant joined them, the lieutenant abruptly changed his mind.
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience and Redemption)
1 One went to the door of the Beloved and knocked. A voice asked: “Who is there?” He answered: “It is I.” The voice said: “There is no room here for me and thee.” The door was shut. After a year of solitude and deprivation this man returned to the door of the Beloved. He knocked. A voice from within asked: “Who is there?” The man said: “It is Thou.” The door was opened for him. 2 The minute I heard my first love story, I started looking for you, not knowing how blind that was. Lovers don’t finally meet somewhere, they’re in each other all along. 3 Love is from the infinite, and will remain until eternity. The seeker of love escapes the chains of birth and death. Tomorrow, when resurrection comes, The heart that is not in love will fail the test. 4 When your chest is free of your limiting ego, Then you will see the ageless Beloved. You can not see yourself without a mirror; Look at the Beloved, He is the brightest mirror. 5 Your love lifts my soul from the body to the sky And you lift me up out of the two worlds. I want your sun to reach my raindrops, So your heat can raise my soul upward like a cloud. 6 There is a candle in the heart of man, waiting to be kindled. In separation from the Friend, there is a cut waiting to be stitched. O, you who are ignorant of endurance and the burning fire of love– Love comes of its own free will, it can’t be learned in any school. 7 There are two kinds of intelligence: one acquired, as a child in school memorizes facts and concepts from books and from what the teacher says, collecting information from the traditional sciences as well as from the new sciences. With such intelligence you rise in the world. You get ranked ahead or behind others in regard to your competence in retaining information. You stroll with this intelligence in and out of fields of knowledge, getting always more marks on your preserving tablets. There is another kind of tablet, one already completed and preserved inside you. A spring overflowing its springbox. A freshness in the center of the chest. This other intelligence does not turn yellow or stagnate. It’s fluid, and it doesn’t move from outside to inside through conduits of plumbing-learning. This second knowing is a fountainhead from within you, moving out.
Rumi (Jalal ad-Din Muhammad ar-Rumi)
Owen had never felt so tempted in his life. He saw the road in front of him. But it would mean betraying Severn. It would mean betraying the man who had guided him and given him his current rank. The man who had sent him to Atabyrion to help Evie win the heart of another man. Owen’s heart ached with pain. This is why men rebelled. This is how they fell.
Jeff Wheeler (The Thief's Daughter (Kingfountain, #2))
I search for a capital I know that I don't think anyone else does. "Rhode Island." She claps her hands. "The boy knows how to play! Now, Rhode Island is the smallest US state in land area, but did you know it ranks number two in population density per square mile? That means that are a lot of people in each others' space. Oh, and the capital is Providence.
Katie McGarry (Walk the Edge (Thunder Road, #2))
The only thing that has changed is my tolerance for you, guardian. It now ranks somewhere between mosquitoes and YouTube commercials—annoying and practically unavoidable.
Susan Illene (Chained by Darkness (The Sensor, #2.5))
Aren’t you a little young to be a captain? Not that I’m sure you weren’t wonderful at it,” I added hastily, “but Frank’s got to be your same age, and Mr. Graces and Mr. Liu are both older than you. How on earth did it happen?” He shut down. It was like a curtain being pulled across a window. This was a subject he definitely did not wish to discuss. “The title is honorary,” he said, not meeting my gaze. “I can’t stop them calling me that, even though I’ve asked them not to. I was the highest-ranking officer to survive the…accident.” Accident? I supposed this was another one of those things he didn’t want to tell me because it would make me hate him. Recognizing that dropping that particular topic-for now at least-would probably be best. I said, “John, I can warn you about the Furies. And I know exactly where the coffin is. All you have to do is take me back to Isla Huesos-just this one time, to help Alex-and I’ll never mention going there again. I’ll even,” I said, reaching up to straighten the collar of his leather jacket, which had gone askew, “forgive you for the waffles-“ John seized me by both shoulders, pulling me towards him so abruptly that Hope gave an alarmed flap of her wings. “Pierce,” he said. “Do you mean that?” When I pushed back some of the hair that had tumbled into my face and raised my dark eyes to meet his light ones, I saw that he was staring down at me with an intensity that burned. “You’ll never mention going back to Isla Huesos again if I take you there right now, this once, to talk to your cousin Alex?” he demanded. “You’ll give…cohabitation another chance?” His sudden fierceness was making me nervous. “Of course, John,” I said. “But it’s not like I have a choice.” “What if you did?” he asked, his grip tightening. I blinked. “But I can’t. You said-“ He gave me a little shake. “Never mind what I said. What if I was wrong?” I reached up to lay a hand on his cheek. It felt a little scratchy, because he hadn’t shaved. I didn’t care about stubble. What I cared about was the desperate need I saw in his eyes. The need for me. “I’d come back,” I said, simply, “to stay with you.” A second later, the late-and everything around it-was gone.
Meg Cabot (Underworld (Abandon, #2))
A Bluesman hates to be told what to do. Authority rankles him, inspires his rebellion, and plays to his need to self-destruct. A Bluesman doesn't take to having a boss unless he's on a chain gang (for the chain gang boss ranks below only a mean old woman and a sweet young thing in the hierarchy of the Blues Muse, followed closely by bad liquor, a dead dog, and the Man).
Christopher Moore (The Lust Lizard of Melancholy Cove (Pine Cove, #2))
His last relationship had ended less than a month ago. Given that the Bishop Beartongue, highest ranked of the priests of the Temple of the White Rat in Archenhold, had nearly run him into the ground, he'd been looking forward to a few months of celibacy to recuperate. The bishop was a marvelous woman, but she had a great many aggressions to work out and limited free time to do it in.
T. Kingfisher (Paladin's Strength (The Saint of Steel, #2))
These people care about bloodlines and rank and power and shit, but none of that matters to me. I’d never pursue a woman because of who her father is. Chances are I’d just hate her. In case you haven’t noticed, most of the women in the life are spoiled, uptight bitches who feel like people owe them. And I refuse to accept the fact that I owe anyone a thing . . . except you, maybe. So, no thanks.
J.M. Darhower (Redemption (Sempre, #2))
If Luce had to rank the worst moments of his existence, Abaddon's betrayal would be up there with the day he was cast into the pit by his own brother. Neither came close to the sting of losing Serah, though.
J.M. Darhower (Reignite (Extinguish, #2))
Gentlemen,” he said, “I am a simple soldier. When I was a cadet at Norwich, I was told, and I believed, and my subsequent career has proven true, that the essence of command is to make sure the troops have confidence in what they are doing. Troops must have faith in their officers Officers build and maintain that faith in a very simple manner: They never lie to their troops; they never ask them to do something they cannot do themselves, or are unwilling to do themselves; and they never partake of creature comforts until the last private in the rear rank has that creature comfort. If you’ll keep that in mind, I’m sure that we’ll get along.
W.E.B. Griffin (The Captains (Brotherhood Of War, #2))
Perhaps it was a toad. Perhaps the whole world was a toad. It was no stupider than anyone else’s cosmology. Clara would leave the order of St. Ursa and found the order of St. Toad. They would sleep a lot. Yes. Sleeping seemed like a good commandment for the order. Sleep and hot tea. Yes. She was working out the various ranks and the secondary rules for St. Toad’s worship when Galen said, “There’s smoke rising ahead. We’re nearly there.
T. Kingfisher (Paladin's Strength (The Saint of Steel, #2))
A 2012 CNBC report ranked the fifty states by overall quality of life, and Vermont placed third. New Hampshire, the second-least-religious state, was first in quality of life, and Maine, the third-least-religious state, was fourth in quality of life. At the other end of the list were Alabama (third-most-religious state) ranked forty-seventh for quality of life, and Louisiana (fourth-most-religious state) ranked fiftieth for quality of life.8 A 2012 ranking of the most and least peaceful states in America showed the same pattern. States with the lowest violent crime are 1. Maine, 2. Vermont, and 3. New Hampshire, the three least-religious states in America. The most dangerous state in America, with the highest murder and incarceration rates, is also the fourth-most-religious state, Louisiana.9 Statistics and rankings do not prove that Christianity caused or exacerbates the challenges faced by the most religious states in America, of course. What is clear, however, is that Christianity has not solved its most serious problems, despite repeated assurances from Christians that it can and does.
Guy P. Harrison (50 Simple Questions for Every Christian)
My story, gracious ladies, will not be of folk of so high a rank as those of whom Elisa has told us, but perchance ‘twill not be less touching. ’Tis brought to my mind by the recent mention of Messina, where the matter befell.
Giovanni Boccaccio (The Decameron and Collected Works of Giovanni Boccaccio (Illustrated) (Delphi Series Nine Book 2))
Far better to dare mighty things, to win glorious triumphs, even though checkered by failure, than to rank with those poor spirits who neither enjoy nor suffer because they live in a gray twilight that knows not victory nor defeat.
Peter Zuckerman (Buried in the Sky: The Extraordinary Story of the Sherpa Climbers on K2's Deadliest Day)
We spend more per pupil than any other country, but among industrialized nations, American students rank near the bottom in science and math. Only 13 percent of high school seniors know what high school seniors should know about American history.
Glenn Beck (Conform: Exposing the Truth About Common Core and Public Education (The Control Series Book 2))
She imagined Jack standing among the bins of nails and tool belts and the ranks of crowbars, unspoken to beyond the ordinary courtesies, seeming unaware of their awareness of him, watching flickering television in that cave full of the smells of leather and wood and oily metal, idle among all those implements of force and purpose, citified among the steel-toed boots and the work shirts. An odd place for a man to loiter who was so alive to embarrassment, so predisposed to sensing even the thought of rebuke.
Marilynne Robinson (Home (Gilead, #2))
The Army of Eisenhower’s day valued understatement. With rare exceptions generals did not decorate themselves like Christmas trees. Action spoke for itself. Nothing did that more eloquently than the simple soldier’s funeral of the nation’s thirty-fourth president. On April 2, 1969, in Abilene, Kansas, Eisenhower was laid to rest in the presence of his family. He was buried in a government-issue, eighty-dollar pine coffin, wearing his famous Ike jacket with no medals or decorations other than his insignia of rank.
Jean Edward Smith (Eisenhower in War and Peace)
Let me be candid. If I had to rank book-acquisition experiences in order of comfort, ease, and satisfaction, the list would go like this: 1. The perfect independent bookstore, like Pygmalion in Berkeley. 2. A big, bright Barnes & Noble. I know they’re corporate, but let’s face it—those stores are nice. Especially the ones with big couches. 3. The book aisle at Walmart. (It’s next to the potting soil.) 4. The lending library aboard the U.S.S. West Virginia, a nuclear submarine deep beneath the surface of the Pacific. 5. Mr. Penumbra’s 24-Hour Bookstore.
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
Intimidation (Journeyman I). You have learned that the most efficient method of dealing with people is saying exactly what you want. Honesty is key, and people have learned to respect that! This skill allows you to make new friends, gain better prices at shops, and speed up conversation. Sometimes people will even give you money for no particular reason! +2% chance to make a new friend, gain money, and get better prices per skill rank. Caution, sometimes people are afraid of the truth and will get mad about how friendly you are. They may even call guards to attack you!
Dakota Krout (Rexus: Side Quest (The Completionist Chronicles, #3))
...I listened to you say that we are all - Jana'ata and Runa and H'uman - children of a God so high that our ranks and our differences are as nothing in his far sight." ... " I thought then that this was merely a song sung by a foreigner to a foolish girl who believed nonsense. ... I was willing to hear this song, because I had once yearned for a world in which lives would be governed not by lineage and lust and moribund law, but by love and loyalty. In this one valley, such lives are possible, she said, "If it is a mistake to hope for such a world, then it is a magnificent mistake.
Mary Doria Russell (Children of God (The Sparrow, #2))
17.  Thus we may know that there are five essentials for victory: (1) He will win who knows when to fight and when not to fight. [Chang Yu says: If he can fight, he advances and takes the offensive; if he cannot fight, he retreats and remains on the defensive. He will invariably conquer who knows whether it is right to take the offensive or the defensive.] (2) He will win who knows how to handle both superior and inferior forces. [This is not merely the general’s ability to estimate numbers correctly, as Li Ch’uan and others make out. Chang Yu expounds the saying more satisfactorily: “By applying the art of war, it is possible with a lesser force to defeat a greater, and vice versa. The secret lies in an eye for locality, and in not letting the right moment slip. Thus Wu Tzu says: ‘With a superior force, make for easy ground; with an inferior one, make for difficult ground.’"] (3) He will win whose army is animated by the same spirit throughout all its ranks. (4) He will win who, prepared himself, waits to take the enemy unprepared. (5) He will win who has military capacity and is not interfered with by the sovereign. [Tu Yu quotes Wang Tzu as saying: “It is the sovereign’s function to give broad instructions, but to decide on battle it is the function of the general.” It is needless to dilate on the military disasters which have been caused by undue interference with operations in the field on the part of the home government. Napoleon undoubtedly owed much of his extraordinary success to the fact that he was not hampered by central authority.] 18.  Hence the saying: If you know the enemy and know yourself, you need not fear the result of a hundred battles. If you know yourself but not the enemy, for every victory gained you will also suffer a defeat.
Sun Tzu (The Art of War)
Pray with a quorum of 10 Debate withassembly of 9 Scottish dance with a collective of 8 Party with a gathering of 7 Play volleyball with a group of 6 Rank on a scale to 5 Practice music with a band of 4 Perceive in a dimension of 3 Make love with the intimacy of 2 Write poetry for an audience of 1
Beryl Dov
Conversely, from the standpoint of the circulation process, the distinction between fixed and circulating capital, it is just as immaterial in what proportion a given value of circulating capital is divided between material of labour and wages. From the one standpoint, the material of labour is ranked in the same category as the means of labour, as opposed to the capital value laid out on labour-power. From the other standpoint, the part of capital laid out on labour-power is ranked together with that laid out on material of labour, as opposed to the part of capital laid out on means of labour.
Karl Marx (Capital: Critique of Political Economy, Vol 2)
For the record…I didn't die on Sol 6. Certainly the rest of the crew thought I did, and I can't blame them. Maybe there'll be a day of national mourning for me, and my Wikipedia page will say, "Mark Witney is the only human being to have died on Mars." Let's see…where do I begin? The Ares Program. Mankind reaching out to Mars to send people to another planet for the very first time and expand the horizons of humanity blah, blah, blah. The Ares 1 crew did their thing and came back heroes. They got parades and fame and love of the world. Ares 2 did the same thing , in a different location in Mars. They got a firm handshake and a hot cup of coffee when they got home. Ares 3. Well, that was my mission. Okey, not MINE per se. Commander Louis was in charge. I was just one of the crew. Actually, I was the very lowest ranked member of the crew. I would only be "in command" if I were the only remaining person. What do you know? I'm in command.
Andy Weir (The Martian)
What the fuck is that?" one of the cops yells. "I'm the magic Negro from all your worst nightmares," Cyrus laughs. "Now scatter!" He swirls his arms like he's gonna shoot a fireball at them and they take off, tearing through the ranks of NYCOD agents and disappearing around the corner. "I like this dude," Riley whispers. Cyrus
Daniel José Older (Salsa Nocturna (Bone Street Rumba #2.5))
The matter of the breath of the poor weighs upon Shakespeare and his characters. Cleopatra shudders at the thought that “mechanic slaves, With greasy aprons, rules and hammers, shall Uplift us to the view; in their thick breaths Rank of gross diet, shall we be enclouded, And forced to drink their vapor.” (Antony and Cleopatra, Act 5, Sc. 2.)
William Shakespeare (Complete Works of William Shakespeare)
The word power has two different meanings. There is power to: strength, gift, skill, art, the mastery of a craft, the authority of knowledge. And there is power over: rule, dominion, supremacy, might, mastery of slaves, authority over others. Ged was offered both kinds of power. Tenar was offered only one. Heroic fantasy descends to us from an archaic world. I hadn’t yet thought much about that archaism. My story took place in the old hierarchy of society, the pyramidal power structure, probably military in origin, in which orders are given from above, with a single figure at the top. This is the world of power over, in which women have always been ranked low. In such a world, I could put a girl at the heart of my story, but I couldn’t give her a man’s freedom, or chances equal to a man’s chances. She couldn’t be a hero in the hero-tale sense. Not even in a fantasy? No. Because to me, fantasy isn’t wishful thinking, but a way of reflecting, and reflecting on reality. After all, even in a democracy, in the second decade of the twenty-first century, after forty years of feminist striving, the reality is that we live in a top-down power structure that was shaped by, and is still dominated by, men. Back in 1969, that reality seemed almost unshakable. So I gave Tenar power over—dominion, even godhead—but it was a gift of which little good could come. The dark side of the world was what she had to learn, as Ged had to learn the darkness in his own heart.
Ursula K. Le Guin (The Tombs of Atuan (Earthsea Cycle, #2))
So you worked for the war industry but came to your senses!” [Margy Van Alstyne] darted a glance at her son. “What rank were you?” “I was a captain when I resigned.” [Clare] “Ha!” Margy Van Alstyne’s elbow caught Russ in the solar plexus. “She outranks you, son! Finally, a woman who can boss you around!” “Every woman in my life bosses me around,” he muttered, rubbing his stomach.
Julia Spencer-Fleming (A Fountain Filled with Blood (Rev. Clare Fergusson & Russ Van Alstyne Mysteries, #2))
Socially, politically, economically, militarily, culturally, racially, sexually, demographically, even mythologically, World War II was the crucible that forged modern America. It was the transforming event that reshaped all who lived through it, and continues to affect those born after it. Only the American Revolution that created the new nation and the Civil War that preserved the Union rank with it in importance.
Haynes Johnson
I wonder if you've ever considered how strange it is that the educational and character-shaping structures of our culture expose us but a single time in our lives to the ideas of Socrates, Plato, Euclid, Aristotle, Herodotus, Augustine, Machiavelli, Shakespeare, Descartes, Rousseau, Newton, Racine, Darwin, Kant, Kierkegaard, Tolstoy, Schopenhauer, Goethe, Freud, Marx, Einstein, and dozens of others of the same rank, but expose us annually, monthly, weekly, and even daily to the ideas of persons like Jesus, Moses, Muhammad, and Buddha. Why is it, do you think, that we need quarterly lectures on charity, while a single lecture on the laws of thermodynamics is presumed to last us a lifetime? Why is the meaning of Christmas judged to be so difficult of comprehension that we must hear a dozen explications of it, not once in a lifetime, but every single year, year after year after year?
Daniel Quinn (The Story of B (Ishmael, #2))
On one hand the Christian missionaries sought to convert the heathen, by fire and sword if need be, to the gospel of peace, brotherhood, and heavenly beatitude; on the other, the more venturesome spirits wished to throw off the constraining traditions and customs, and begin life afresh, levelling distinctions of class, eliminating superfluities and luxuries, privileges and distinctions, and hierarchical rank. In short, to go back to the Stone Ages, before the institutions of Bronze Age civilization had crystallized. Though the Western hemisphere was indeed inhabited, and many parts of it were artfully cultivated, so much of it was so sparsely occupied that the European thought of it as a virgin continent against whose wildness he pitted his manly strength. In one mood the European invaders preached the Christian gospel to the native idolaters, subverted them with strong liquors, forced them to cover their nakedness with clothes, and worked them to an early death in mines; in another, the pioneer himself took on the ways of the North American Indian, adopted his leather costume, and reverted to the ancient paleolithic economy: hunting, fishing, gathering shellfish and berries, revelling in the wilderness and its solitude, defying orthodox law and order, and yet, under pressure, improvising brutal substitutes. The beauty of that free life still haunted Audubon in his old age.
Lewis Mumford (The Pentagon of Power (The Myth of the Machine, Vol 2))
I take a seat behind my new desk for the first time since I’ve returned home. “Shera doesn’t really know my taste in decor as well as I’d hoped she would,” I say as I look around, taking in my underwhelming office. Isiah glares at the door when someone knocks. “I’ve been trying to speak to you all day. You need to adjust the beta rankings on paper, because Shera was left in charge by the outdated documentation, regardless of your wishes for me to take control until your return.” “I heard you did quite well, even without the adequate authority,” I state dismissively, peering into one of the drawers full of pencils. “Now why would I need a bunch of sharpened pencils?” Shera walks in, shutting the door behind her when she grows tired of waiting for an invitation. “It was fun sharpening all of them, and that drawer looked empty.” When I open the next drawer, I find it also full of sharpened pencils. I give her a wry look. She shrugs unapologetically. “It was empty too.” “So you got me a desk full of pencils,” I say with a roll of my eyes.
Kristy Cunning (Gypsy Freak (All The Pretty Monsters, #2))
We are contending with an enemy who, as I understand, drives every able-bodied man he can reach into his ranks, very much as a butcher drives bullocks into a slaughter pen. No time is wasted, no argument is used. This produces an army … with a rapidity not to be matched on our side if we first waste time to re-experiment with the volunteer system.” His intention, he said in closing, was to be “just and constitutional, and yet practical, in performing the important duty with which I am charged, of maintaining the unity and free principles of our common country.
Shelby Foote (The Civil War, Vol. 2: Fredericksburg to Meridian)
THE TEN MOST COMMON PROBLEMS Here are the ten most common problems in communications. Read the list. If any of them apply to you, the principles in this book will help you solve them. 1. Lack of initial rapport with listeners 2. Stiffness or woodenness in use of body 3. Presentation of material is intellectually oriented; speaker forgets to involve the audience emotionally 4. Speaker seems uncomfortable because of fear of failure 5. Poor use of eye contact and facial expression 6. Lack of humor 7. Speech direction and intent unclear due to improper  preparation 8. Inability to use silence for impact 9. Lack of energy, causing inappropriate pitch pattern, speech  rate, and volume 10. Use of boring language and lack of interesting material Various polls show that the ability to communicate well is ranked the number-one key to success by leaders in business, politics, and the professions. If you don’t communicate effectively, you may not die, like some POWs or neglected babies we mentioned earlier, but you also won’t live as fully as you should, nor will you achieve personal goals. This was a lesson drummed into me at a very early age.
Roger Ailes (You Are the Message: Getting What You Want by Being Who You Are)
Eva’s chin ticked up. “Are you threatening me, m’lord?” Scoffing, he gave an exaggerated eye roll. “Heaven forbid someone threaten William Wallace’s woman.” Narrowing her eyes, she glared at him for a moment. Even if he’d seen her take the pictures, he wouldn’t have a clue what she was up to. And she’d turned the flash off. He had absolutely no grounds on which to make any accusations. With a dismissive nod she turned her attention back to Christina. “But—” Comyn stepped closer, making the hackles on the back of Eva’s neck stand on end. “One day that big fella will fall out of favor, and then a pretty lassie such as yourself willna be so smug.” “I beg your pardon, Lord Comyn?” Lady Murray threw her shoulders back. “You over inflate your station. Regardless of your noble birth, Miss Eva is the daughter of a knight, and I daresay she ought not be spoken to like a mere commoner.” “Not to worry.” Eva flashed a wry grin. “I am very comfortable being identified as among the loyal servants of Scotland. Unlike some high-ranking gentry present whose questionable actions have proved their very hypocrisy, and their willingness to change allegiances on a whim only to protect their personal wealth.
Amy Jarecki (In the Kingdom's Name (Guardian of Scotland, #2))
the men of these two outfits fought as if the outcome of the battle, and with it the war, depended on their valor: as indeed perhaps it did, since whoever had possession of this craggy height on the Union left would dominate the whole fishhook position. “The blood stood in puddles in some places on the rocks,” Oates said later. Losses were especially heavy among Federals of rank. O’Rorke, who was barely twenty-three and an officer of much promise, having been top man in the West Point class of ’61, was killed along with more than two dozen of his men in the first blast of musketry that greeted his arrival.
Shelby Foote (The Civil War, Vol. 2: Fredericksburg to Meridian)
Two decades after its first democratic election, South Africa ranks as the most unequal country on Earth.1 A host of policy tools could patch each of South Africa’s ills in piecemeal fashion, yet one force would unquestionably improve them all: economic growth.2 Diminished growth lowers living standards. With 5 percent annual growth, it takes just fourteen years to double a country’s GDP; with 3 percent growth, it takes twenty-four years. In general, emerging economies with a low asset base need to grow faster and accumulate a stock of assets more quickly than more developed economies in which basic living standards are already largely met. Meaningfully increasing per capita income is a critical way to lift people’s living standards and take them out of poverty, thereby truly changing the developmental trajectory of the country. South Africa has managed to push growth above a mere 3 percent only four times since the transition from apartheid, and it has remained all but stalled under 5 percent since 2008. And the forecast for growth in years to come hovers around a paltry 1 percent. Because South Africa’s population has been growing around 1.5 percent per year since 2008, the country’s per capita income has been stagnant over the period.
Dambisa Moyo (Edge of Chaos: Why Democracy Is Failing to Deliver Economic Growth-and How to Fix It)
Jiang was not Han Chinese. She was a Turkic Uighur, a Muslim minority which emanated from the westernmost province of Xinjiang. Jiang’s family came from the desert capital Urumqi; her family had moved to Beijing when she was a child when Jiang’s father, a mid-ranking Party cadre, was posted to the Minorities Institute in the capital in the 1970s. Since her father was both an official and a Uighur, the family had been treated with a special deference reserved for select representatives of minority groups who served as symbols for the Party’s efforts to build ‘socialist solidarity’ between central China and the non-Han regions. In Beijing, Jiang had attended a special ‘experimental’ school reserved for the children of the Party élite.
Stephen Baxter (Titan (NASA Trilogy, #2))
To the door of an inn in the provincial town of N. there drew up a smart britchka—a light spring-carriage of the sort affected by bachelors, retired lieutenant-colonels, staff-captains, land-owners possessed of about a hundred souls, and, in short, all persons who rank as gentlemen of the intermediate category. In the britchka was seated such a gentleman—a man who, though not handsome, was not ill-favoured, not over-fat, and not over-thin. Also, though not over-elderly, he was not over-young. His arrival produced no stir in the town, and was accompanied by no particular incident, beyond that a couple of peasants who happened to be standing at the door of a dramshop exchanged a few comments with reference to the equipage rather than to the individual who was seated in it. "Look at that carriage," one of them said to the other. "Think you it will be going as far as Moscow?" "I think it will," replied his companion. "But not as far as Kazan, eh?" "No, not as far as Kazan." With that the conversation ended. Presently, as the britchka was approaching the inn, it was met by a young man in a pair of very short, very tight breeches of white dimity, a quasi-fashionable frockcoat, and a dickey fastened with a pistol-shaped bronze tie-pin. The young man turned his head as he passed the britchka and eyed it attentively; after which he clapped his hand to his cap (which was in danger of being removed by the wind) and resumed his way. On the vehicle reaching the inn door, its occupant found standing there to welcome him the polevoi, or waiter, of the establishment—an individual of such nimble and brisk movement that even to distinguish the character of his face was impossible. Running out with a napkin in one hand and his lanky form clad in a tailcoat, reaching almost to the nape of his neck, he tossed back his locks, and escorted the gentleman upstairs, along a wooden gallery, and so to the bedchamber which God had prepared for the gentleman's reception. The said bedchamber was of quite ordinary appearance, since the inn belonged to the species to be found in all provincial towns—the species wherein, for two roubles a day, travellers may obtain a room swarming with black-beetles, and communicating by a doorway with the apartment adjoining. True, the doorway may be blocked up with a wardrobe; yet behind it, in all probability, there will be standing a silent, motionless neighbour whose ears are burning to learn every possible detail concerning the latest arrival. The inn's exterior corresponded with its interior. Long, and consisting only of two storeys, the building had its lower half destitute of stucco; with the result that the dark-red bricks, originally more or less dingy, had grown yet dingier under the influence of atmospheric changes. As for the upper half of the building, it was, of course, painted the usual tint of unfading yellow. Within, on the ground floor, there stood a number of benches heaped with horse-collars, rope, and sheepskins; while the window-seat accommodated a sbitentshik[1], cheek by jowl with a samovar[2]—the latter so closely resembling the former in appearance that, but for the fact of the samovar possessing a pitch-black lip, the samovar and the sbitentshik might have been two of a pair.
Nikolai Gogol (Dead Souls)
I have heard the songs of many gods, child. Silly gods, powerful gods, and capricious gods, and biddable gods, and dull. Long ago, when you first welcomed us to your household, and fed us and gave us shelter, and invited us to stay, I listened to you say that we are all -- Jana'ata and Runa and H'uman -- children of a God so high that our ranks and our differences are as nothing in his far sight." Suukmel looked out over the sweep of the valley, dotted now with small stone houses and filled with the sound of voices high and low, home to Runa and to Jana'ata and to the one single outlandish being whom Ha'anala called brother. "I thought then that this was merely a song sung by a foreigner to a foolish girl who believed nonsense. But Taksayu was dear to me, and Isaac was dear to you. I was willing to hear this song, because I had once yearned for a world in which lives would be governed not by lineage and lust and moribund law, but by love and loyalty. In this one valley, such lives are possible," she said. "If it is a mistake to hope for such a world, then it is a magnificent mistake.
Mary Doria Russell (Children of God (The Sparrow, #2))
His smile, a little mischievous around the edges, had her melting into the sand. Then his lips brushed hers, and the stars collided. She cupped his face in her hands and shut her eyes. Kissing had always ranked high on her list of favorite things to do, but Bryce took it to a whole new level. Forget about his mouth on her fingertips, this linked to all her happy zones and more. He'd literally swept her off her feet and his kiss quickened the beat of her heart. His lips were soft and warm and hungry. His kiss moved through her like warm honey, filling all the places inside her that had been cold for so long. He slid his tongue along the seam of her lips, licking her before he pressed further. She willingly opened to him, stroked his tongue, kissed him harder. He groaned. He tasted like champagne and everything good as he delved deeper and committed a full-on assault inside her mouth. His hand gripped her waist. They sank further into the sand. She clutched his shoulders, smoothed her palms down his back. He pulled gruffly away, nipped at her ear. "You have no idea how much I want you," he said.
Robin Bielman (Blame it on the Kiss (Kisses in the Sand, #2))
People fell into the error of imagining that an art which portrays the life of simple folks is also intended for simple folk, whereas the truth is, in reality, rather the opposite. It is usually only the conservatively thinking and feeling ranks of society that seek in art for an image of their own way of life, the portrayl of their own social environment. Oppressed and upward-striving classes wish to see the representation of conditions of life which they themselves envisage as an ideal to aim at, but not the kind of conditions they are trying to work themselves out of. Only people who are themselves superior to them feel sentimentally about simple conditions of life. That is so today, and it was no different in sixteenth century. Just as the working class and the petty bourgeoisie of today want to see the milieu of rich people and not the circumstances of their own constricted lives in the cinema, and just as the working-class drama of the last century achieved their outstanding successes not in the popular theatres but in the West End of the big cities, so Bruegel's art was not intended for the peasantry but for the higher or, at any rate, the urban levels of society.
Arnold Hauser (The Social History of Art: Volume 2: Renaissance, Mannerism, Baroque)
1. Sovereignty of the human will; in short, despotism. 2. Inequality of wealth and rank. 3. Property — above JUSTICE, always invoked as the guardian angel of sovereigns, nobles, and proprietors; JUSTICE, the general, primitive, categorical law of all society. We must ascertain whether the ideas of despotism, civil inequality and property, are in harmony with the primitive notion of justice, and necessarily follow from it, — assuming various forms according to the condition, position, and relation of persons; or whether they are not rather the illegitimate result of a confusion of different things, a fatal association of ideas. And since justice deals especially with the questions of government, the condition of persons, and the possession of things, we must ascertain under what conditions, judging by universal opinion and the progress of the human mind, government is just, the condition of citizens is just, and the possession of things is just; then, striking out every thing which fails to meet these conditions, the result will at once tell us what legitimate government is, what the legitimate condition of citizens is, and what the legitimate possession of things is; and finally, as the last result of the analysis, what justice is.
Pierre-Joseph Proudhon (What Is Property?)
I jumped then. It seemed I heard a child laugh. My imagination, of course. And then, when I should have known better, I headed for the closet and the high and narrow door at the very back end and the steep and narrow dark stairs. A million times I’d ascended these stairs. A million times in the dark, without a candle, or a flashlight. Up into the dark, eerie, gigantic attic, and only when I was there did I feel around for the place where Chris and I had hidden our candles and matches. Still there. Time did stand still in this place. We’d had several candle holders, all of pewter with small handles to grasp. Holders we’d found in an old trunk along with boxes and boxes of short, stubby, clumsily made candles. We’d always presumed them to be homemade candles, for they had smelled so rank and old when they burned. My breath caught! Oh! It was the same! The paper flowers still dangled down, mobiles to sway in the drafts, and the giant flowers were still on the walls. Only all the colors had faded to indistinct gray—ghost flowers. The sparkling gem centers we’d glued on had loosened, and now only a few daisies had sequins, or gleaming stones, for centers. Carrie’s purple worm was there only now he too was a nothing color. Cory’s epileptic snail didn’t appear a bright, lopsided beach ball now, it was more a tepid, half-rotten squashy orange. The BEWARE signs Chris and I had painted in red were still on the walls, and the swings still dangled down from the attic rafters. Over near the record player was the barre Chris had fashioned, then nailed to the wall so I could practice my ballet positions. Even my outgrown costumes hung limply from nails, dozens of them with matching leotards and worn out pointe shoes, all faded and dusty, rotten smelling. As in an unhappy dream I was committed to, I drifted aimlessly toward the distant schoolroom, with the candelight flickering. Ghosts were unsettled, memories and specters followed me as things began to wake up, yawn and whisper. No, I told myself, it was only the floating panels of my long chiffon wings . . . that was all. The spotted rocking-horse loomed up, scary and threatening, and my hand rose to my throat as I held back a scream. The rusty red wagon seemed to move by unseen hands pushing it, so my eyes took flight to the blackboard where I’d printed my enigmatic farewell message to those who came in the future. How was I to know it would be me? We lived in the attic, Christopher, Cory, Carrie and me— Now there are only three. Behind the small desk that had been Cory’s I scrunched down, and tried to fit my legs under. I wanted to put myself into a deep reverie that would call up Cory’s spirit that would tell me where he lay.
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
It is a painful irony that silent movies were driven out of existence just as they were reaching a kind of glorious summit of creativity and imagination, so that some of the best silent movies were also some of the last ones. Of no film was that more true than Wings, which opened on August 12 at the Criterion Theatre in New York, with a dedication to Charles Lindbergh. The film was the conception of John Monk Saunders, a bright young man from Minnesota who was also a Rhodes scholar, a gifted writer, a handsome philanderer, and a drinker, not necessarily in that order. In the early 1920s, Saunders met and became friends with the film producer Jesse Lasky and Lasky’s wife, Bessie. Saunders was an uncommonly charming fellow, and he persuaded Lasky to buy a half-finished novel he had written about aerial combat in the First World War. Fired with excitement, Lasky gave Saunders a record $39,000 for the idea and put him to work on a script. Had Lasky known that Saunders was sleeping with his wife, he might not have been quite so generous. Lasky’s choice for director was unexpected but inspired. William Wellman was thirty years old and had no experience of making big movies—and at $2 million Wings was the biggest movie Paramount had ever undertaken. At a time when top-rank directors like Ernst Lubitsch were paid $175,000 a picture, Wellman was given a salary of $250 a week. But he had one advantage over every other director in Hollywood: he was a World War I flying ace and intimately understood the beauty and enchantment of flight as well as the fearful mayhem of aerial combat. No other filmmaker has ever used technical proficiency to better advantage. Wellman had had a busy life already. Born into a well-to-do family in Brookline, Massachusetts, he had been a high school dropout, a professional ice hockey player, a volunteer in the French Foreign Legion, and a member of the celebrated Lafayette Escadrille flying squad. Both France and the United States had decorated him for gallantry. After the war he became friends with Douglas Fairbanks, who got him a job at the Goldwyn studios as an actor. Wellman hated acting and switched to directing. He became what was known as a contract director, churning out low-budget westerns and other B movies. Always temperamental, he was frequently fired from jobs, once for slapping an actress. He was a startling choice to be put in charge of such a challenging epic. To the astonishment of everyone, he now made one of the most intelligent, moving, and thrilling pictures ever made. Nothing was faked. Whatever the pilot saw in real life the audiences saw on the screen. When clouds or exploding dirigibles were seen outside airplane windows they were real objects filmed in real time. Wellman mounted cameras inside the cockpits looking out, so that the audiences had the sensation of sitting at the pilots’ shoulders, and outside the cockpit looking in, allowing close-up views of the pilots’ reactions. Richard Arlen and Buddy Rogers, the two male stars of the picture, had to be their own cameramen, activating cameras with a remote-control button.
Bill Bryson (One Summer: America, 1927)
Moscow can be a cold, hard place in winter. But the big old house on Tverskoy Boulevard had always seemed immune to these particular facts, the way that it had seemed immune to many things throughout the years. When breadlines filled the streets during the reign of the czars, the big house had caviar. When the rest of Russia stood shaking in the Siberian winds, that house had fires and gaslight in every room. And when the Second World War was over and places like Leningrad and Berlin were nothing but rubble and crumbling walls, the residents of the big house on Tverskoy Boulevard only had to take up a hammer and drive a single nail—to hang a painting on the landing at the top of the stairs—to mark the end of a long war. The canvas was small, perhaps only eight by ten inches. The brushstrokes were light but meticulous. And the subject, the countryside near Provence, was once a favorite of an artist named Cézanne. No one in the house spoke of how the painting had come to be there. Not a single member of the staff ever asked the man of the house, a high-ranking Soviet official, to talk about the canvas or the war or whatever services he may have performed in battle or beyond to earn such a lavish prize. The house on Tverskoy Boulevard was not one for stories, everybody knew. And besides, the war was over. The Nazis had lost. And to the victors went the spoils. Or, as the case may be, the paintings. Eventually, the wallpaper faded, and soon few people actually remembered the man who had brought the painting home from the newly liberated East Germany. None of the neighbors dared to whisper the letters K-G-B. Of the old Socialists and new socialites who flooded through the open doors for parties, not one ever dared to mention the Russian mob. And still the painting stayed hanging, the music kept playing, and the party itself seemed to last—echoing out onto the street, fading into the frigid air of the night. The party on the first Friday of February was a fund-raiser—though for what cause or foundation, no one really knew. It didn’t matter. The same people were invited. The same chef was preparing the same food. The men stood smoking the same cigars and drinking the same vodka. And, of course, the same painting still hung at the top of the stairs, looking down on the partygoers below. But one of the partygoers was not, actually, the same. When she gave the man at the door a name from the list, her Russian bore a slight accent. When she handed her coat to a maid, no one seemed to notice that it was far too light for someone who had spent too long in Moscow’s winter. She was too short; her black hair framed a face that was in every way too young. The women watched her pass, eyeing the competition. The men hardly noticed her at all as she nibbled and sipped and waited until the hour grew late and the people became tipsy. When that time finally came, not one soul watched as the girl with the soft pale skin climbed the stairs and slipped the small painting from the nail that held it. She walked to the window. And jumped. And neither the house on Tverskoy Boulevard nor any of its occupants ever saw the girl or the painting again.
Ally Carter (Uncommon Criminals (Heist Society, #2))
Simonton finds that on average, creative geniuses weren’t qualitatively better in their fields than their peers. They simply produced a greater volume of work, which gave them more variation and a higher chance of originality. “The odds of producing an influential or successful idea,” Simonton notes, are “a positive function of the total number of ideas generated.” Consider Shakespeare: we’re most familiar with a small number of his classics, forgetting that in the span of two decades, he produced 37 plays and 154 sonnets. Simonton tracked the popularity of Shakespeare’s plays, measuring how often they’re performed and how widely they’re praised by experts and critics. In the same five-year window that Shakespeare produced three of his five most popular works—Macbeth, King Lear, and Othello—he also churned out the comparatively average Timon of Athens and All’s Well That Ends Well, both of which rank among the worst of his plays and have been consistently slammed for unpolished prose and incomplete plot and character development. In every field, even the most eminent creators typically produce a large quantity of work that’s technically sound but considered unremarkable by experts and audiences. When the London Philharmonic Orchestra chose the 50 greatest pieces of classical music, the list included six pieces by Mozart, five by Beethoven, and three by Bach. To generate a handful of masterworks, Mozart composed more than 600 pieces before his death at thirty-five, Beethoven produced 650 in his lifetime, and Bach wrote over a thousand. In a study of over 15,000 classical music compositions, the more pieces a composer produced in a given five-year window, the greater the spike in the odds of a hit. Picasso’s oeuvre includes more than 1,800 paintings, 1,200 sculptures, 2,800 ceramics, and 12,000 drawings, not to mention prints, rugs, and tapestries—only a fraction of which have garnered acclaim. In poetry, when we recite Maya Angelou’s classic poem “Still I Rise,” we tend to forget that she wrote 165 others; we remember her moving memoir I Know Why the Caged Bird Sings and pay less attention to her other 6 autobiographies. In science, Einstein wrote papers on general and special relativity that transformed physics, but many of his 248 publications had minimal impact. If you want to be original, “the most important possible thing you could do,” says Ira Glass, the producer of This American Life and the podcast Serial, “is do a lot of work. Do a huge volume of work.” Across fields, Simonton reports that the most prolific people not only have the highest originality; they also generate their most original output during the periods in which they produce the largest volume.* Between the ages of thirty and thirty-five, Edison pioneered the lightbulb, the phonograph, and the carbon telephone. But during that period, he filed well over one hundred patents for other inventions as diverse as stencil pens, a fruit preservation technique, and a way of using magnets to mine iron ore—and designed a creepy talking doll. “Those periods in which the most minor products appear tend to be the same periods in which the most major works appear,” Simonton notes. Edison’s “1,093 patents notwithstanding, the number of truly superlative creative achievements can probably be counted on the fingers of one hand.
Adam M. Grant (Originals: How Non-Conformists Move the World)
To Lillian’s surprise, she had been seated near the head of Lord Westcliff’s table, only three places away from his right hand. Occupying a place so close to the host was a mark of high favor, very seldom given to an unmarried girl with no rank. Wondering if the footman had make a mistake in seating her there, she glanced cautiously at the faces of those guests nearest her, and saw that they too were puzzled by her presence. Even the countess, who was being seated at the very end of the table, stared at her with a frown. Lillian gave Lord Westcliff a questioning glance as he took his place at the head of the table. One of his dark brows arched. “Is something amiss? You seem a bit perturbed, Miss Bowman.” The correct response would probably have been to blush and thank him for the unexpected honor. But as Lillian stared at his face, which was softened by the influence of candleglow, she found herself answering with brazen frankness. “I am wondering why I am sitting near the head of the table. In light of what happened this morning, I assumed you would have me seated all the way out on the back terrace.” There was a moment of utter silence as the guests around them registered shock that Lillian would so openly refer to the conflict between them. However, Westcliff astonished them all by laughing quietly, his gaze locked with hers. After a moment, the others joined in with forced chuckles. “Knowing of your penchant for trouble, Miss Bowman, I have concluded that it is safer to keep you in my sight, and within arm’s reach if possible.” His statement was delivered with matter-of-fact lightness. One would have to search very hard to find any innuendo in his tone. And yet Lillian felt a strange liquid ripple inside, sensation passing from one nerve to another like a flow of warm honey.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
The defenders retreated, but in good order. A musket flamed and a ball shattered a marine’s collar bone, spinning him around. The soldiers screamed terrible battle-cries as they began their grim job of clearing the defenders off the parapet with quick professional close-quarter work. Gamble trod on a fallen ramrod and his boots crunched on burnt wadding. The French reached steps and began descending into the bastion. 'Bayonets!' Powell bellowed. 'I want bayonets!' 'Charge the bastards!' Gamble screamed, blinking another man's blood from his eyes. There was no drum to beat the order, but the marines and seamen surged forward. 'Tirez!' The French had been waiting, and their muskets jerked a handful of attackers backwards. Their officer, dressed in a patched brown coat, was horrified to see the savage looking men advance unperturbed by the musketry. His men were mostly conscripts and they had fired too high. Now they had only steel bayonets with which to defend themselves. 'Get in close, boys!' Powell ordered. 'A Shawnee Indian named Blue Jacket once told me that a naked woman stirs a man's blood, but a naked blade stirs his soul. So go in with the steel. Lunge! Recover! Stance!' 'Charge!' Gamble turned the order into a long, guttural yell of defiance. Those redcoats and seamen, with loaded weapons discharged them at the press of the defenders, and a man in the front rank went down with a dark hole in his forehead. Gamble saw the officer aim a pistol at him. A wounded Frenchman, half-crawling, tried to stab with his sabre-briquet, but Gamble kicked him in the head. He dashed forward, sword held low. The officer pulled the trigger, the weapon tugged the man's arm to his right, and the ball buzzed past Gamble's mangled ear as he jumped down into the gap made by the marines charge. A French corporal wearing a straw hat drove his bayonet at Gamble's belly, but he dodged to one side and rammed his bar-hilt into the man's dark eyes. 'Lunge! Recover! Stance!
David Cook (Heart of Oak (The Soldier Chronicles, #2))