Rail Museum Quotes

The women paused to regard the taxidermied creatures with awe. Predictably, Pandora went forward with her hand outstretched. “Pandora,” Lady Berwick snapped, “if you molest the exhibits, we will not be returning to the museum.” Turning, Pandora gave her a pleading glance. “A giraffe is right there—it once roamed the African savannah—don’t you want to know how it feels?” “Indeed not.” “There’s no sign that says we can’t.” “The railing implies it.” “But the giraffe is so close,” Pandora said woefully. “If you would look the other way for five seconds, I could reach out and touch it so easily . . . and then I wouldn’t have to wonder anymore

Abraham helped build their cabin and split rails for a fence, but he soon left home for good. The log cabin near Decatur was, I learned, the one that went on tour after the assassination. It was dismantled by John Hanks, Lincoln's second cousin, and taken to Chicago and then to Boston. The last sighting of it, as least as far as we can ascertain, was at P.T. Barnum's museum in New York. It was apparently lost at sea while being shipped to England.

The Montreux Palace Hotel was built in an age when it was thought that things would last. It is on the very shores of Switzerland's Lake Geneva, its balconies and iron railings look across the water, its yellow-ocher awnings are a touch of color in the winter light. It is like a great sanitarium or museum. There are Bechstein pianos in the public rooms, a private silver collection, a Salon de Bridge. This is the hotel where the novelist Vladimir Vladimirovich Nabokov and his wife, Véra, live. They have been here for 14 years. One imagines his large and brooding reflection in the polished glass of bookcases near the reception desk where there are bound volumes of the Illustrated London News from the year 1849 to 1887, copies of Great Expectations, The Chess Games of Greco and a book called Things Past, by the Duchess of Sermoneta. Though old, the hotel is marvelously kept up and, in certain portions, even modernized. Its business now is mainly conventions and, in the summer, tours, but there is still a thin migration of old clients, ancient couples and remnants of families who ask for certain rooms when they come and sometimes certain maids. For Nabokov, a man who rode as a child on the great European express trains, who had private tutors, estates, and inherited millions which disappeared in the Russian revolution, this is a return to his sources. It is a place to retire to, with Visconti's Mahler and the long-dead figures of La Belle Epoque, Edward VII, d'Annunzio, the munitions kings, where all stroll by the lake and play miniature golf, home at last.

Maia had thought that having Finn with them would make it easier--at least they could all be miserable together--but it didn’t. Finn had disappeared into himself. He was very quiet and stood hunched up over the rail, looking out at the gray sea. The cold surprised him; he would shiver suddenly in the wind. He had decided that Westwood was to be his fate. “It’s what you said in the museum,” he told Miss Minton. “Come out, Finn Taverner, and be a man.’ I thought I could run away forever, but if Clovis is in trouble, I’ve got to help him.” It was his time with the Xanti which had changed him. They thought that everyone’s life was like a river; you had to flow with the current and not struggle, which wasted breath and made you more likely to drown. And the river of life seemed to be carrying him back to Westwood.

You don’t like feeling powerless? Then change your definition of power. Do not fix unfixable problems. Do not devote yourself to things you cannot control. You cannot make this world respect you. You cannot make it dignify you. It will never bend to you. This world does not belong to door. She tied her long hair away from her face, meticulously turning on specific track lights and not others, perhaps to highlight the beauty of her Scandinavian-style furniture choices or the incomparable city view. Then she poured herself a glass of wine from a previously opened bottle, joining Reina on the sofa with an air of hospitably withheld dread. “I was born here in Tokyo,” Reina commented. “Not far from here, actually. There was a fire the day I was born. People died. My grandmother always thought it meant something that I was—” She broke off. “What I was.” “People often search for meaning where there is none,” said Aiya placidly. Perhaps in a tone of sympathy, though Reina wasn’t sure what to think anymore. “Just because you can see two points does not mean anything exists between them.” “In other words, fate is a lie we tell ourselves?” asked Reina drolly. Aiya shrugged. Despite the careful curation of her lighting, she looked tired. “We tell ourselves many stories. But I don’t think you came here just to tell me yours.” No. Reina did not know why she was there, not really. She had simply wanted to go home, and when she realized home was an English manor house, she had railed against the idea so hard it brought her here, to the place she’d once done everything in her power to escape. “I want,” Reina began slowly, “to do good. Not because I love the world, but because I hate it. And not because I can,” she added. “But because everyone else won’t.” Aiya sighed, perhaps with amusement. “The Society doesn’t promise you a better world, Reina. It doesn’t because it can’t.” “Why not? I was promised everything I could ever dream of. I was offered power, and yet I have never felt so powerless.” The words left her like a kick to the chest, a hard stomp. She hadn’t realized that was the problem until now, sitting with a woman who so clearly lived alone. Who had everything, and yet at the same time, Reina did not see anything in Aiya Sato’s museum of a life that she would covet for her own. Aiya sipped her wine quietly, in a way that made Reina feel sure that Aiya saw her as a child, a lost little lamb. She was too polite to ask her to leave, of course. That wasn’t the way of things and Reina ought to know it. Until then, Aiya would simply hold the thought in her head. “So,” Aiya said with an air of teacherly patience. “You are disappointed in the world. Why should the Society be any better? It is part of the same world.” “But I should be able to fix things. Change things.” “Why?” “Because I should.” Reina felt restless. “Because if the world cannot be fixed by me, then how can it be fixed at all?” “These sound like questions for the Forum,” Aiya said with a shrug. “If you want to spend your life banging down doors that will never open, try their tactics instead, see how it goes. See if the mob can learn to love you, Reina Mori, without consuming or destroying you first.” Another reflective sip. “The Society is no democracy. In fact, it chose you because you are selfish.” She looked demurely at Reina. “It promised you glory, not salvation. They never said you could save others. Only yourself.” “And that is power to you?” Aiya’s smile was so polite that Reina felt it like the edge of a weapon. “You don’t like feeling powerless? Then change your definition of power. Do not fix unfixable problems. Do not devote yourself to things you cannot control. You cannot make this world respect you. You cannot make it dignify you. It will never bend to you. This world does not belong to you, Reina Mori, you belong to it, and perhaps when it is ready for a revolution it will look to you for leadership.

P lanning a wedding can be murder. Planning weddings for a living is nothing short of suicide. “Is there a patron saint for wedding consultants? Because I think after this wedding, I just might meet the requirements.” I stood near the top of the wide marble staircase that swept down the middle of the Corcoran Gallery of Art’s central foyer. Below me, dozens of tuxedo-clad waiters scurried around the enormous hall filled end to end with tables and gold ladder-backed chairs. After having draped ivory chiffon into swags on all forty tables, I massaged the red indentations left on my fingers by the heavy pins. “Annabelle, darling, I may be a lapsed Catholic, but I’m pretty sure you have to be dead to qualify for sainthood.” Richard Gerard has been one of my closest friends since I arrived in Washington, D.C. three years ago and started “Wedding Belles.” At the time he’d been the only top caterer who’d bother talking to a new wedding planner. Now I worked with him almost exclusively. “The wedding isn’t over yet.”“At least your suffering hasn’t been in vain.” Richard motioned at the room below us. “It’s divine.” The museum’s enormous hall did look magical. The side railings of the staircase were draped with a floral garland, leading to a pair of enormous white rose topiaries flanking the bottom of the stairs. Amber light washed each of the three-story limestone columns bordering the room, and white organza hung from the ceiling, creating sheer curtains that were tied back at each column with clusters of ivory roses. “I just hope the MOB is happy.” My smile disappeared as I thought

Royal Ontario Museum, Toronto. by Keith Schengili-Roberts Stuffed heath hen specimen at Boston Museum of Scienceby C. Horwitz Barbary lion from Algeria. Photographed by Sir Alfred Edward Pease. Thylacine in Washington D.C. National Zoo, c. 1904 author E.J. Keller, Baker Wake Island rail by W. S. Grooch Tecopa pupfish by Phil Pister Department of Fish and Game, State of California Caspian Tiger at Berlin Zoo, 1899 by unknown author (retouched) Golden toad of Costa Rica by Charles H. Smith U.S. Fish and Wildlife Service Imperial woodpecker reconstruction at Museum Wiesbaden by Fritz Geller-Grimm