Raging Loop Quotes

Due to Mom’s condition, she would attack “The Walls” from sun-up to sun-down and day after day due to her mentalparanoia. With the death of her sister, no barrier, partition, fence, or any standing surface would’ve been safe. That kind of trauma would’ve created an endless loop of rages such as: “Oh no! Oh no! Not my sister, you Devil Ass Dawg! Oh Jesus, those Dead Dawg have come and taken my sister away! Help me Jesus! Help me get those Dawg out of my house! Lawd, I can’t take these Dawg howling anymore! Lawd Jesus, bring her back! Lawd, bring her back!

Fasting makes sense of the hunger. The constant internal grasping. The only sensible answer to this is to always withdraw the thing after which I grasp. To subvert. To thwart. To deny. It closes the loop. If I am hungry and I eat and I remain hungry, hunger becomes rage. But to deny fulfillment makes sense of the hunger – I don’t eat, so I am hungry.

...My father muttered something to me, and I responded with a mumbled "What". He shouted, "You heard me," thundered up from his chair, pulled his belt out of its loops, and inflicted a beating that seemed never to end. I curled my arms around my body as he stood over me like a titan and delivered the blows. This was the only incident of its kind in our family. My father was never physically abusive toward my mother or sister and he was never again physically extreme with me. However, this beating and his worsening tendency to rages directed at my mother - which I heard in fright through the thin walls of our home - made me resolve, with icy determination, that only the most formal relationship would exist between my father and me, and for perhaps thirty years, neither he nor I did anything to repair the rift. The rest of my childhood, we hardly spoke; there was little he said to me that was not critical, and there was little I said back that was not terse or mumbled. When I graduated from high school, he offered to buy me a tuxedo. I refused because I had learned from him to reject all aid and assistance; he detested extravagance and pleaded with us not to give him gifts. I felt, through a convoluted logic, that in my refusal, I was being a good son. I wish now that I had let him buy me a tuxedo, that I had let him be a dad. Having cut myself off from him, and by association the rest of the family, I was incurring psychological debts that would come due years later in the guise of romantic misconnections and a wrongheaded quest for solitude. I have heard it said that a complicated childhood can lead to a life in the arts. I tell you this story of my father and me to let you know I am qualified to be a comedian.

Symptoms of illness and distress, plus your feelings about them, can be viewed as messengers coming to tell you something important about your body or about your mind. In the old days, if a king didn't like the message he was given, he would sometimes have the messenger killed. This is tantamount to suppressing your symptoms or your feelings because they are unwanted. Killing the messenger and denying the message or raging against it are not intelligent ways of approaching healing. The one thing we don't want to do is to ignore or rupture the essential connections that can complete relevant feedback loops and restore self-regulation and balance. Our real challenge when we have symptoms is to see if we can listen to their message and really hear them and take them to heart, that is, make the connection fully.

You get anxious about confronting somebody in your life. That anxiety cripples you and you start wondering why you’re so anxious. Now you’re becoming anxious about being anxious. Oh no! Doubly anxious! Now you’re anxious about your anxiety, which is causing more anxiety. Quick, where’s the whiskey? Or let’s say you have an anger problem. You get pissed off at the stupidest, most inane stuff, and you have no idea why. And the fact that you get pissed off so easily starts to piss you off even more. And then, in your petty rage, you realize that being angry all the time makes you a shallow and mean person, and you hate this; you hate it so much that you get angry at yourself. Now look at you: you’re angry at yourself getting angry about being angry. Fuck you, wall. Here, have a fist. Or you’re so worried about doing the right thing all the time that you become worried about how much you’re worrying. Or you feel so guilty for every mistake you make that you begin to feel guilty about how guilty you’re feeling. Or you get sad and alone so often that it makes you feel even more sad and alone just thinking about it. ..Welcome to the feedback loop from hell.

A feedback loop exists between self-esteem, anger, and how a community responds to a person’s needs.

I do not imagine I will ever cling to her like she is the last handhold on an otherwise sheer cliff. I have wings. I am ever here in this moment because she is where I want to be. She is not some inanimate savior, she has wings of her own to flutter and soar. I intend to fly beside her, to tumble through the air in loops and gambols, to carry her when she grows tired, to keep her warm beneath them against raging winds.

That accounts for his crying so. Poor creature!” ”Well--you must do the sticking--there's no help for it. I'll showyou how. Or I'll do it myself--I think I could. Though as it issuch a big pig I had rather Challow had done it. However, his basketo' knives and things have been already sent on here, and we can use'em.” ”Of course you shan't do it,” said Jude. ”I'll do it, since it mustbe done.” He went out to the sty, shovelled away the snow for the space of acouple of yards or more, and placed the stool in front, with theknives and ropes at hand. A robin peered down at the preparationsfrom the nearest tree, and, not liking the sinister look of thescene, flew away, though hungry. By this time Arabella had joinedher husband, and Jude, rope in hand, got into the sty, and noosed theaffrighted animal, who, beginning with a squeak of surprise, rose torepeated cries of rage. Arabella opened the sty-door, and togetherthey hoisted the victim on to the stool, legs upward, and while Judeheld him Arabella bound him down, looping the cord over his legs tokeep him from struggling. The animal's note changed its quality. It was not now rage, but thecry of despair; long-drawn, slow and hopeless. ”Upon my soul I would sooner have gone without the pig than have hadthis to do!” said Jude. ”A creature I have fed with my own hands.” ”Don't be such a tender-hearted fool! There's the sticking-knife--the one with the point. Now whatever you do, don't stick un toodeep.” ”I'll stick him effectually, so as to make short work of it. That'sthe chief thing.” ”You must not!” she cried. ”The meat must be well bled, and to dothat he must die slow. We shall lose a shilling a score if the meatis red and bloody! Just touch the vein, that's all. I was broughtup to it, and I know. Every good butcher keeps un bleeding long.He ought to be eight or ten minutes dying, at least.” ”He shall not be half a minute if I can help it, however the meat maylook,” said Jude determinedly. Scraping the bristles from the pig'supturned throat, as he had seen the butchers do, he slit the fat;then plunged in the knife with all his might. ”'Od damn it all!” she cried, ”that ever I should say it! You'veover-stuck un! And I telling you all the time--” ”Do be quiet, Arabella, and have a little pity on the creature!

He stood up, rushed to the fanned-out glossy company brochures. His finger landed on one in the center. Three stylized gold crowns. Corona Labs—BRINGING THE FUTURE TODAY. “This,” he said, finger tapping. Each time he touched the paper it seemed to get warmer. This turned out to be the brochure for a new company. Catherine picked it up, showed it to her husband. “I thought I knew more or less all the research labs in the country, but this is a new one.” Mac turned the glossy paper over in his big hands. There was a videolette loop embedded in the paper, all the rage nowadays. Some smiling woman in a lab coat endlessly raising a test tube in triumph, putting it down, raising it . . . Nick was shaking with tension. The logo, the name Corona Laboratories meant nothing to him, but still they shone in his mind.

Will those insights be tested,or simply used to justify the status quo and reinforce prejudices? When I consider the sloppy and self-serving ways that companies use data, I'm often reminded of phrenology, a pseudoscience that was briefly the rage in the nineteenth century. Phrenologists would run their fingers over the patient's skull, probing for bumps and indentations. Each one, they thought, was linked to personality traits that existed in twenty-seven regions of the brain. Usually the conclusion of the phrenologist jibed with the observations he made. If the patient was morbidly anxious or suffering from alcoholism, the skull probe would usually find bumps and dips that correlated with that observation - which, in turn, bolstered faith in the science of phrenology. Phrenology was a model that relied on pseudoscientific nonsense to make authoritative pronouncements, and for decades it went untested. Big Data can fall into the same trap. Models like the ones that red-lighted Kyle Behm and black-balled foreign medical students and St. George's can lock people out, even when the "science" inside them is little more than a bundle of untested assumptions.

Will those insights be tested, or simply used to justify the status quo and reinforce prejudices? When I consider the sloppy and self-serving ways that companies use data, I'm often reminded of phrenology, a pseudoscience that was briefly the rage in the nineteenth century. Phrenologists would run their fingers over the patient's skull, probing for bumps and indentations. Each one, they thought, was linked to personality traits that existed in twenty-seven regions of the brain. Usually the conclusion of the phrenologist jibed with the observations he made. If the patient was morbidly anxious or suffering from alcoholism, the skull probe would usually find bumps and dips that correlated with that observation - which, in turn, bolstered faith in the science of phrenology. Phrenology was a model that relied on pseudoscientific nonsense to make authoritative pronouncements, and for decades it went untested. Big Data can fall into the same trap. Models like the ones that red-lighted Kyle Behm and black-balled foreign medical students and St. George's can lock people out, even when the "science" inside them is little more than a bundle of untested assumptions.

I'll come with you,' I said softly to Tamlin, to Lucien, shifting on his feet, 'if you leave them alone. Let them go.' You do not hold me. Tamlin's face contorted with wrath. 'They're monsters. They're-' He didn't finish as he stalked across the floor to grab me. To drag me out of here, then no doubt winnow away. You do not hold me. The fist gripping my power relaxed. Vanished. Tamlin lunged for me over the few feet that remained. So fast- too fast- I became mist and shadow. I winnowed beyond his reach. The king let out a low laugh as Tamlin stumbled. And went sprawling as Rhysand's fist connected with his face. Panting, I retreated right into Rhysand's arms as one looped around my waist, as Azriel's blood on him soaked into my back. Behind us, Mor leaped in to fill the space Rhys had vacated, slinging Azriel's arm over her shoulders. ... Tamlin rose, wiping the blood now trickling from his nose as he backed to where Lucien held his position with a hand on his sword. But just as Tamlin neared his Emissary, he staggered a step. His face went white with rage. And I knew Tamlin understood a moment before the king laughed. 'I don't believe it. Your bride left you only to find her mate. The Mother has a warped sense of humour, it seems. And what a talent- tell me, girl; how did you unravel that spell?' I ignored him. But the hatred in Tamlin's eyes made my knees buckle. 'I'm sorry,' I said, and meant it. Tamlin's eyes were on Rhysand, his face near-feral. 'You,' he snarled, the sound more animal than Fae. 'What did you do to her?

Infinity of your thoughts Time does not seem to pass, As moments appear to be frozen in an unknown thought, I try hard to bypass, This eerie feeling and the war always lost yet often fought, And I wonder what is this feeling, This enigmatic state of endless time, With which I have now been for very long dealing, A state where time no longer remembers it is time, Then in this moment, Where infinity is cast in a battle with finity, Time remains suspended in an uncertain moment, Where every virtue exists except for certainty, As the war rages and both lose, Infinity retreats to its zone while finity retains its domain, And time that had been held trapped in this noose, Now attains its lost state and claims its lost domain, That spreads across infinity in the subsets of finity, Then my darling Irma, I love you infinitely, Because now there is certainty, And I want you to know, you are my only joy, my moment in time, my eternity, As time resumes its pace, I think of you in the lanes of my mind, And within it I discover our space, Where time still lies trapped, and it does not mind, This existence in a moment where infinity lies everywhere, The infinity of your feelings, your memories and your beauty, And there I lie thinking of you always somewhere, To feed the appetite of our love and its eternity, So if you ever talk to me my love, Maybe I am thinking in this corner feeding the infinity, Of your beauty and our love, To steal from time, from fate, from the Universe, our destiny, Where you lie within me, And we lie in this space of infinity, You loving me and I loving thee, Discovering the charms of your beauty, That is where my love I shall be, If you ever talk to me and you still need to find me, Walk into my mind, but tread softly for you shall be treading over infinity, Where I have spread my feelings just for thee, only thee, And as you behold me, Do not hesitate to wake me up, There in the corner of my mind where I shall always be, Kiss me and wake me up, Then let me cast you into the infinity of my mind and its thoughts, And reveal your own beauty to you, And as you wake up in the infinity of my thoughts, Allow me to cast the veil of infinity bearing your beauty and you, Then let time stop forever, Because now there shall be no need of new thoughts or new feelings, And we shall now exist forever, and forever, In infinities impenetrable ceilings, Where everything is just you and me, Nothing else, and where nothing exists, You and I lying in an eternally amorous state and what a wonder it shall be, Because now there is no identity, I am you and you are me, And both of us surrounded by eternity, In the universe where we have created our own space beyond every scalable limit, And we have become the masters of our own destiny, With nothing to include and nothing to omit, Because there is only one need, Your love for me and my love for you, And there is nothing to worry about or heed, Just your beauty and you, only you, in an endless existence where it is only you, Everywhere, here and there and even that space that time refers to as somewhere, There we lie wound on every loop of infinity, To spread with it everywhere, And believe in the beauty of our singular destiny!

The absurdity feeds itself in a perpetual loop of rage, ignorance, and credulity. What is terrifying is how easy it was to get here.

It’s my dreams that refuse to set me free, my dreams that keep the war raging in my head, the loss shredding my heart, forcing me to re-live the hardest parts, over and over in an agonizing loop.

Piers Morgan Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s. The conversation moved swiftly to the latest edition of “Have I Got News for You.” “Oh, Mummy, it was hilarious,” laughed William. “They had a photo of Mrs. Parker Bowles and a horse’s head and asked what the difference was. The answer was that there isn’t any!” Diana absolutely exploded with laughter. We talked about which was the hottest photo to get. “Charles and Camilla is still the really big one,” I said, “followed by you and a new man, and now, of course, William with his first girlfriend.” He groaned. So did Diana. Our “big ones” are the most intimate parts of their personal lives. It was a weird moment. I am the enemy, really, but we were getting on well and sort of developing a better understanding of each other as we went along. Lunch was turning out to be basically a series of front-page exclusive stories--none of which I was allowed to publish, although I did joke that “I would save it for my book”--a statement that caused Diana to fix me with a stare, and demand to know if I was carrying a tape recorder. “No,” I replied, truthfully. “Are you?” We both laughed, neither quite knowing what the answer really was. The lunch was one of the most exhilarating, fascinating, and exasperating two hours of my life. I was allowed to ask Diana literally anything I liked, which surprised me, given William’s presence. But he was clearly in the loop on most of her bizarre world and, in particular, the various men who came into it from time to time. The News of the World had, during my editorship, broken the Will Carling, Oliver Hoare, and James Hewitt scoops, so I had a special interest in those. So, unsurprisingly, did Diana. She was still raging about Julia Carling: “She’s milking it for all she’s worth, that woman. Honestly. I haven’t seen Will since June ’95. He’s not the man in black you lot keep going on about. I’m not saying who that is, and you will never guess, but it’s not Will.” William interjected: “I keep a photo of Julia Carling on my dartboard at Eton.” That was torture. That was three fantastic scoops in thirty seconds. Diana urged me to tell William the story of what we did to Hewitt in the Mirror after he spilled the beans in the ghastly Anna Pasternak book. I dutifully recounted how we hired a white horse, dressed a Mirror reporter in full armor, and charged Hewitt’s home to confront him on allegations of treason with regard to his sleeping with the wife of a future king--an offense still punishable by death. Diana exploded again. “It was hysterical. I have never laughed so much.” She clearly had no time for Hewitt, despite her “I adored him” TV confessional.

In the old days, if a king didn’t like the message he was given, he would sometimes have the messenger killed. This is tantamount to suppressing your symptoms or your feelings because they are unwanted. Killing the messenger and denying the message or raging against it are not intelligent ways of approaching healing. The one thing we don’t want to do is to ignore or rupture the essential connections that can complete relevant feedback loops and restore allostasis, self-regulation, and balance. Our real challenge when we have symptoms is to see if we can listen to their messages and really hear them and take them to heart, that is, make the connection fully.

When Angelina had scored, Harry had done a couple of loop-the-loops to let off his feelings. Now he was back to staring around for the Snitch. Once he caught sight of a flash of gold, but it was just a reflection from one of the Weasleys’ wristwatches, and once a Bludger decided to come pelting his way, more like a cannonball than anything, but Harry dodged it and Fred Weasley came chasing after it. “All right there, Harry?” he had time to yell, as he beat the Bludger furiously toward Marcus Flint. “Slytherin in possession,” Lee Jordan was saying, “Chaser Pucey ducks two Bludgers, two Weasleys, and Chaser Bell, and speeds toward the — wait a moment — was that the Snitch?” A murmur ran through the crowd as Adrian Pucey dropped the Quaffle, too busy looking over his shoulder at the flash of gold that had passed his left ear. Harry saw it. In a great rush of excitement he dived downward after the streak of gold. Slytherin Seeker Terence Higgs had seen it, too. Neck and neck they hurtled toward the Snitch — all the Chasers seemed to have forgotten what they were supposed to be doing as they hung in midair to watch. Harry was faster than Higgs — he could see the little round ball, wings fluttering, darting up ahead — he put on an extra spurt of speed — WHAM! A roar of rage echoed from the Gryffindors below — Marcus Flint had blocked Harry on purpose, and Harry’s broom spun off course, Harry holding on for dear life. “Foul!” screamed the Gryffindors. Madam Hooch spoke angrily to Flint and then ordered a free shot at the goalposts for Gryffindor. But in all the confusion, of course, the Golden Snitch had disappeared from sight again. Down

The Feedback Loop from Hell There’s an insidious quirk to your brain that, if you let it, can drive you absolutely batty. Tell me if this sounds familiar to you: You get anxious about confronting somebody in your life. That anxiety cripples you and you start wondering why you’re so anxious. Now you’re becoming anxious about being anxious. Oh no! Doubly anxious! Now you’re anxious about your anxiety, which is causing more anxiety. Quick, where’s the whiskey? Or let’s say you have an anger problem. You get pissed off at the stupidest, most inane stuff, and you have no idea why. And the fact that you get pissed off so easily starts to piss you off even more. And then, in your petty rage, you realize that being angry all the time makes you a shallow and mean person, and you hate this; you hate it so much that you get angry at yourself. Now look at you: you’re angry at yourself getting angry about being angry. Fuck you, wall. Here, have a fist. Or you’re so worried about doing the right thing all the time that you become worried about how much you’re worrying. Or you feel so guilty for every mistake you make that you begin to feel guilty about how guilty you’re feeling. Or you get sad and alone so often that it makes you feel even more sad and alone just thinking about it.

Drastic measures were called for, or one of them would soon be in strong hysterics. “Oh, fine, then,” he groused. “Get yourself killed and leave a man to grieve all over again when he’s hardly getting his bearings.” He sat back against the headboard and folded his arms behind his head. “Leave his only surviving child utterly bereft, cast adrift by a cousin too cavalier to accept the protection lying immediately to hand.” He raised his gaze toward the shadows flickering on the ceiling. “Go ahead and thwart my authority as head of the family, head of the household, and the local magistrate.” Gilly crawled across the mattress, which was roughly the dimensions of a foaling stall. “Leave me to drown in guilt and helpless rage,” he went on. “To waste my remaining years in fervent prayer for your immortal and entirely too stubborn and misguided soul. Strong drink will be necessary in quantity, I’m sure, and given the bodily ordeals I’ve been subjected—” “Hush.” She looped his arm across her shoulders and curled down against him. “I’ll stay here for now, but you must hush.

Cycle of the Midnight Ape by Stewart Stafford Janus creature of paradox, Liquid hostage of conscience, Swinging midnight's ape, On cartwheel chandeliers. This being's bender reveal — Of the existential, maddening itch, To sling aside life’s burdens, And slake its raging thirst. An anthropological anomaly, Naked in its contradictions, A déjà vu loop grinds on, This peerless hellraiser royal. © 2025, Stewart Stafford. All rights reserved.

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