Rage Movie Quotes

Anger gets you into trouble, ego keeps you in trouble.

Craziness is only a matter of degree, and there are lots of people besides me who have the urge to roll heads. They go to stock-car races and the horror movies and the wrestling matches they have in Portland Expo. Maybe what she said smacked of all those things, but I admired her for saying out loud, all the same--the price of honesty is always high. She had an admirable grasp of the fundamentals. Besides, she was tiny and pretty.

These boys, now, were living as we'd been living then, they were growing up with a rush and their heads bumped abruptly against the low ceiling of their actual possibilities. They were filled with rage. All they really knew were two darknesses, the darkness of their lives, which were now closing in on them, and the darkness of the movies, which had blinded them to that other darkness, and in which they now, vindictively, dreamed, at once more together than they were at any other time, and more alone.

In order to get [Mean Streets] made I had to learn how to make a movie," says Scorsese. "I didn't learn how to make a movie in film school. What you learned in film school was to express yourself with pictures and sound. But learning to make a movie is totally different.

You know what this is?" Lula said. "This here's plane rage." Plane rage isn't allowed. It got taken off the allowed activities list along with eating. If you make a scene they'll hual you off in leg irons." Stephanie said. I'm tired of being stapped in here, too," Lula said. "This seat belt's too tight and it's giving me gas." Anything else?" There's no movie.

My secret weapon is my anger. That's what stimulates me as an artist. I want change. I want it yesterday. I'm pissed off at America. Society. American movies. American TV. American culture. American politicians. Capitalism. I'm a little like my old man in that way only I'm a recovered drunk. He wasn't. I should have been dead years ago like my brother but somehow I dodged the bullet and it gave me something to say. Impatience and rage are always just beneath the surface for me.

He smiled without his teeth. Small, shyly. I found myself smiling back. Like an impulse Then he ruined it by saying… "You're not like other girls, are you?" And I activated. Every single emotion I'd been squashing into my guts exploded like a burst appendix. I jumped off the bed and turned to him with a scowl I was sure he'd need permanent therapy to recover from. "Are you kidding me Harry?" "Woah Audrey. Hey, hey, hey. It's a compliment." I felt like screaming. "It's NOT a compliment. I threw my arms up, any motion to get rid of the rage pulsing through me. It's an insult to every single woman on this PLANET. Don't you DARE try and pull that shit on me. "What shit?!" Harry was stupid enough to ask. "I was saying something nice…" I shook my head so hard. "No, you were saying something clichéd and UNTRUE. I AM like other girls, Harry. Don't misinterpret my hatred of romance as some kooky, laid-back, manic pixie NONSENSE. I am DAMAGED. I am not CUTE. I am emotionally-fucking-traumatised right now, okay? I am screaming on the inside. I am too angry and messed up to contain all the stuff girls spend every day containing. That's why I seem different. That is NOT sexy.

My darling Julie, I know you'll never see this letter, but it helps to write to you every day. It keeps you close to me. G-d, I miss you so. You haunt every hour of my life. I wish I'd never met you. No-I don't mean that! What good would my life be without my memories of you to make me smile. I keep wondering if you're happy. I want you to be. I want you to have a glorious life. That's why I couldn't say the things I knew you wanted to hear when we were together. I was afraid if I did, you'd wait for me for years. I knew you wanted me to say I loved you. Not saying that to you was the only unselfish thing I did in Colorado, and I now I regret even that. I love you, Julie. Christ, I love you so much. I'd give up all my life to have one year with you. Six months. Three. Anything. You stole my heart in just a few days, darling, but you gave me your heart, too. I know you did- I could see it in your eyes every time you looked at me. I don't regret the loss of my freedom any more or rage at the injustice of the years I spent in prison. Now, my only regret is that I can't have you. You're young, and I know you'll forget about me quickly and go on with your own life. That's exactly what you should do. It's what you must do. I want you to do that, Julie. That's such a lousy lie. What I really want is to see you again, to hold you in my arms, to make love to you over and over again until I've filled you so completely that there's no room left inside of you for anyone but me, ever. I never thought of sexual intercourse as 'making love' until you. You never knew that. .... I wish I had time to write you a better letter or that I'd kept one of the others I've written so I could send that instead. They were all much more coherent than this one. I won't send another letter to you, so don't watch for one. Letters will make us both hope and dream, and if I don't stop doing that, I will die of wanting you. Before I go--I see from the newspapers that Costner has a new movie coming out in the States. If you dare to start fantasizing over Kevin after you see it, I will haunt you for the rest of your life. I love you, Julie. I loved in Colorado. I love you here, where I am. I will always love you. Everywhere. Always.

What matters is that you do good work. What matters is that you produce things that are true and will stand. What matters is that the Flaming Lips’s new album is ravishing and I’ve listened to it a thousand times already, sometimes for days on end, and it enriches me and makes me want to save people. What matters is that it will stand forever, long after any narrow-hearted curmudgeons have forgotten their appearance on goddamn 90210. What matters is not the perception, nor the fashion, not who’s up and who’s down, but what someone has done and if they meant it. What matters is that you want to see and make and do, on as grand a scale as you want, regardless of what the tiny voices of tiny people say. Do not be critics, you people, I beg you. I was a critic and I wish I could take it all back because it came from a smelly and ignorant place in me, and spoke with a voice that was all rage and envy. Do not dismiss a book until you have written one, and do not dismiss a movie until you have made one, and do not dismiss a person until you have met them. It is a fuckload of work to be open-minded and generous and understanding and forgiving and accepting, but Christ, that is what matters. What matters is saying yes.

Before we fully learn to love ourselves, all people of color in the United States learn that we are supporting characters and spectators in the collective story of white people's lives. The stories we watch and read ask us to put aside their whiteness and relate to their very "universal" human struggles around conflict with the world, the self, and others. The problem is that only the experiences of white people are treated as universal. Meanwhile, Black movies, shows, and books are typically seen as limited and particular.

Hey, I got an idea, let’s go to the movies. I wanna go to the movies, I want to take you all to the movies. Let’s go and experience the art of the cinema. Let’s begin with the Scream Of Fear, and we are going to haunt us for the rest of our lives. And then let’s go see The Great Escape, and spend our summer jumping our bikes, just like Steve McQueen over barb wire. And then let’s catch The Seven Samurai for some reason on PBS, and we’ll feel like we speak Japanese because we can read the subtitles and hear the language at the same time. And then let’s lose sleep the night before we see 2001: A Space Odyssey because we have this idea that it’s going to change forever the way we look at films. And then let’s go see it four times in one year. And let’s see Woodstock three times in one year and let’s see Taxi Driver twice in one week. And let’s see Close Encounters of the Third Kind just so we can freeze there in mid-popcorn. And when the kids are old enough, let’s sit them together on the sofa and screen City Lights and Stage Coach and The Best Years of Our Lives and On The Waterfront and Midnight Cowboy and Five Easy Pieces and The Last Picture Show and Raging Bull and Schindler’s List… so that they can understand how the human condition can be captured by this amalgam of light and sound and literature we call the cinema.

Reese spent a lifetime observing cis women conform their genders through male violence. Watch any movie on the Lifetime channel. Go to any schoolyard. Or just watch your local heterosexuals drinking in a bar. Hear women define themselves through pain, or rage against the assumption that they do, which still places pain front and center. Hear the strange sense of satisfaction when they talk about the men who have hurt them—the unspoken subtext of it being because I am a woman. The quiet dignity of saying ow anytime a man gets a little rough—asserting that you are a woman, and thus delicate and capable of sustaining harm.

To put it in conclusion, sir, final girls are the vessel we keep all our hope in. Bad guys don't just die by themselves, I mean. Sometimes they need help in the form of a furie running at them, her mouth open in scream, her eyes white hot, her heart forever pure.

The Light has a request: It asks that you enjoy the process. Connecting to the Light is like taking part in a movie that is guaranteed to have a happy ending. Even as the storms rage and the bad guys attack, you play your part, but inside you’re not worried. That’s because you know you’re going to end up defeating the villains and walking into the sunset with Julia Roberts or Brad Pitt on your arm.

The battle against good and evil is raging now! Look at your television programming and movie advertisements presenting the occult…the demonic…the satanic…the practice of witchcraft and sorcery in popular books…the open hostility toward Christianity and the revival of anti-Semitism. The fight is on for the hearts and minds of our children in ours homes, our schools, our universities, and our society.

Great men speak secrets about themselves with nods and gestures, walking away from jokes about women rather than condemn the jokester; if with a woman, the turning of their head during a nude scene in a movie speaking volumes about their character without ever saying a word. It is a language foreign to women, but those that take the time to learn it find themselves knowing more about their man than by any other means.

Sadly, our culture raises man to be strong and silent. Straight or gay, the pressure is on from the time we're very young to become our culture's John Wayne-style of man. * The more pain I can take, the more of a man I am. * Showing feelings is for women. * The more I can drink, the manlier I am. * Intimacy is sex; sex is intimacy. * Only women depend on others. * A man takes care of himself without help from others. * No one can hurt you if you're strong. * I am what I earn. * It is best to keep your problems to yourself. * Winning is all that really matters. Where did this stuff come from? It's everywhere in our society from the movies heroes we love to the politicians we vote for. Our culture demands that man fit in a tightly defined role.

Without rich people who want it done now, who would animate the free world? In theory, you want everyone to live peacefully according to their needs, along the banks of a river. In fact, you worry that you'd die of boredom there. In fact, you get a buzz from someone like Carole Potter, who keeps prize chickens and could teach a graduate course in landscaping; who maintains a staff of four (more in the summers, during High Guest Season); a handsome, slightly ridiculous husband; a beautiful daughter at Harvard and an incorrigible son doing something or other on Bondi Beach; Carole who is charming and self-deprecating and capable, if pushed, of a hostile indifference crueler than any form of rage; who reads novels and goes to movies and theater and yes, yes, bless her, buys art, serious art, about which she actually fucking knows a thing or two.

Some find that they can keep bereavement at bay by staying busy. This is a perfectly normal way of coping which works well for some – but if you keep bereavement away by constant action, you may pay for it later. The action may turn out to be an avoidance technique, like putting a finger on the pause button on the bereavement video. When you stop doing whatever you were doing – going to parties, helping others, seeing movies – you still return home to a film which hasn’t moved on since you stopped watching it.

Sunrise swept out to sea, a sea of her own tears. “Hey,” Jacaranda said, acting as though it were “only a movie,” a sound in her voice of carefree girlish abandon,

Space monsters.” He shrugs. “George calls them my ‘white male rage’ movies.

And though it has been in no way a romantic evening, she embraces me and this time emanates a warmth I’m not familiar with. I am so used to imagining everything happening the way it occurs in movies, visualizing things falling somehow into the shape of events on a screen, that I almost hear the swelling of an orchestra, can almost hallucinate the camera panning low around us, fireworks bursting in slow motion overhead, the seventy-millimeter image of her lips parting and the subsequent murmur of “I want you” in Dolby sound. But my embrace is frozen and I realize, at first distantly and they with greater clarity, that the havoc raging inside me is gradually subsiding and she is kissing me on the mouth and this jars me back into some kind of reality and I lightly push her away. She glances up at me fearfully. “Listen, I’ve got to go,” I say, checking my Rolex. “I don’t want to miss… Stupid Pet Tricks.

Experts say that the movie King Kong (1933) released the pent-up rage of the Great Depression. Well, COVID-19 Halloween displays could do the same for our feelings about the 2020 lockdown.

It so happens I am sick of being a man. And it happens that I walk into tailorshops and movie houses dried up, waterproof, like a swan made of felt steering my way in a water of wombs and ashes. The smell of barbershops makes me break into hoarse sobs. The only thing I want is to lie still like stones or wool. The only thing I want is to see no more stores, no gardens, no more goods, no spectacles, no elevators. It so happens that I am sick of my feet and my nails and my hair and my shadow. It so happens I am sick of being a man. Still it would be marvelous to terrify a law clerk with a cut lily, or kill a nun with a blow on the ear. It would be great to go through the streets with a green knife letting out yells until I died of the cold. I don't want to go on being a root in the dark, insecure, stretched out, shivering with sleep, going on down, into the moist guts of the earth, taking in and thinking, eating every day. I don't want so much misery. I don't want to go on as a root and a tomb, alone under the ground, a warehouse with corpses, half frozen, dying of grief. That's why Monday, when it sees me coming with my convict face, blazes up like gasoline, and it howls on its way like a wounded wheel, and leaves tracks full of warm blood leading toward the night. And it pushes me into certain corners, into some moist houses, into hospitals where the bones fly out the window, into shoeshops that smell like vinegar, and certain streets hideous as cracks in the skin. There are sulphur-colored birds, and hideous intestines hanging over the doors of houses that I hate, and there are false teeth forgotten in a coffeepot, there are mirrors that ought to have wept from shame and terror, there are umbrellas everywhere, and venoms, and umbilical cords. I stroll along serenely, with my eyes, my shoes, my rage, forgetting everything, I walk by, going through office buildings and orthopedic shops, and courtyards with washing hanging from the line: underwear, towels and shirts from which slow dirty tears are falling

Why is it that men reduce themselves to one-liners and bad movie quotes whenever they get into a fight?" said Parker. "Is there some kind of script they're supposed to follow when they get to this point? Or does the raging testosterone just shut down their higher brain functions?

Read. Read as much as possible. Read the big stuff, the challenging stuff, the confronting stuff, and read the fun stuff too. Visit galleries and look at paintings, watch movies, listen to music, go to concerts – be a little vampire running around the place sucking up all the art and ideas you can. Fill yourself with the beautiful stuff of the world. Have fun. Get amazed. Get astonished. Get awed on a regular basis, so that getting awed is habitual and becomes a state of being. Fully understand your enormous value in the scheme of things because the planet needs people like you, smart young creatives full of awe, who can minister to the world with positive, mischievous energy, young people who seek spiritual enrichment and who see hatred and disconnection as the corrosive forces they are. These are manifest indicators of a human being with immense potential. Absorb into yourself the world’s full richness and goodness and fun and genius, so that when someone tells you it’s not worth fighting for, you will stick up for it, protect it, run to its defence, because it is your world they’re talking about, then watch that world continue to pour itself into you in gratitude. A little smart vampire full of raging love, amazed by the world – that will be you, my young friend, the earth shaking at your feet.

So let’s get this straight right now. Have you ever seen a teen movie or TV show with a big, raging party scene? Get that out of your mind. This is high school, not college, and it’s Texas. In Texas, we do bonfires on the ranch…not mansions and hotel rooms. We do daisy dukes, backward baseball caps and faded blue jeans…not sparkling cocktail dresses or fancy button ups. I love Texas. I love the laid-back, country style of my hometown and my people.

Maybe the prolonged “festival of cruelty” going on in our literature and movies is an attempt to get rid of repressed anger by expressing it, acting it out symbolically. Kick everybody’s ass all the time! Torture the torturer! Describe every agony! Blow up everything over and over! Does this orgy of simulated or “virtual” violence relieve anger, or increase the leaden inward load of fear and pain that causes it? For me, the latter; it makes me sick and scares me. Anger that targets everything and everybody indiscriminately is the futile, infantile, psychotic rage of the man with an automatic rifle shooting preschoolers. I can’t see it as a way of life, even pretended life. You hear the anger in my tone? Anger indulged rouses anger. Yet anger suppressed breeds anger. What is the way to use anger to fuel something other than hurt, to direct it away from hatred, vengefulness, self-righteousness, and make it serve creation and compassion?

As she crossed the defence team, Indrani saw Sesha sitting in a chair with his legs crossed and looking cool and composed. Mythili, who was by his side, was offering him coffee from a flask. As if they were in a cinema house waiting for the movie to resume after intermission. When everything pointed to an adverse verdict, how could he be so relaxed? He was typing something into his cell phone; perhaps tweeting. He had a massive following on Twitter. It ranged from simple appreciation for his administrative prowess to absolute fetish over everything about him—his trademark cotton pants and shirt, which had become a rage among his female fans, his Santro car, which had become a symbol of simplicity and his frugal dietary habits, which somehow raised him to a sainthood and absolved him of anything wicked. The more the mainstream media like TV and newspapers worked against him, the stronger was the support he got from his Twitter followers.

Before we fully learn to love ourselves, all people of color in the United States learn that we are supporting characters and spectators in the collective story of white people’s lives. The stories we watch and read ask us to put aside their whiteness and relate to their very “universal” human struggles around conflict with the world, the self, and others. The problem is that only the experiences of white people are treated as universal. Meanwhile, Black movies, shows, and books are typically seen as limited and particular.

Nobody knew what he knew. The whirl of time, the true life inside him. This was his leverage, his only control. He watched his mother browning the flour, her hands rising sticky-white from the heavy-bottomed pan. He ran messages to steamship lines. He lay near sleep, falling into reverie, the powerful world of Oswald-hero, guns flashing in the dark. The reverie of control, perfection of rage, perfection of desire, the fantasy of night, rain-slick streets, the heightened shadows of men in dark coats, like men on movie posters. The dark had a power.

Right around that time, I started dating a guy named Jeff. He was a classically handsome, popular guy. But there was something different about him too. He was angrier than most teenage boys, and a little misunderstood. I ignored the signs that he was probably a bit unstable. Signs like when they gave him a fish fillet at McDonald’s instead of a Big Mac, he became so furious that he cried. Truly lost it. Real tears of rage. Like the kind of tears guys are only supposed to get when they watch a movie that touches on their dad issues. (So, most movies.) Isn’t it funny that they say most girls have daddy issues, when really, every dude does? But this dude had daddy, mommy, doggy, and fish fillet issues. I just thought, Well, he can’t help it. But I understand him. I’m here for him. Even though we were both generally well liked, when we were together it was us vs. the world. I’ve only recently broken my pattern of being drawn to the “you’re the only one who gets me” guy. Which is a bad guy to be drawn to, and it’s not a coincidence if everyone—including all your friends and family and your dog—dislikes him. But

There have been moments when writing this book has made me hopeful, but almost always I’ve felt rage or despair. You’ve been stealing those pleasures. Hope? Yes, but also rage and despair. Stealing? Not giving anything in return. Rage and despair are pleasures? The guiltiest. Why do you think New York magazine’s doomsday article about global warming went viral? People were suddenly ravenous for climate science? No, we were ravenous for a vivid description of our apocalypse. We’re drawn to it the same way we’re drawn to horror movies, car accidents, and the chaos of the current administration. And don’t pretend that the bleakest scenarios aren’t your favorite parts to write. I’m not pretending.

Malibu catches fire. It is simply what Malibu does from time to time. Tornadoes take the flatlands of the Midwest. Floods rise in the American South. Hurricanes rage against the Gulf of Mexico. And California burns. The land caught fire time and again when it was inhabited by the Chumash in 500 B.C.E. It caught fire in the 1800s when Spanish colonizers claimed the area. It caught fire on December 4, 1903, when Frederick and May Rindge owned the stretch of land now called Malibu. The flames seized thirty miles of coastland and consumed their Victorian beach house. Malibu caught fire in 1917 and 1929, well after the first movie stars got there. It caught fire in 1956 and 1958, when the longboarders and beach bunnies trickled to its shores. It caught fire in 1970 and 1978, after the hippies settled in its canyons. It caught fire in 1982, 1985, in 1993, 1996, in 2003, 2007, and 2018. And times in between. Because it is Malibu’s nature to burn.

Here’s the thing, people: We have some serious problems. The lights are off. And it seems like that’s affecting the water flow in part of town. So, no baths or showers, okay? But the situation is that we think Caine is short of food, which means he’s not going to be able to hold out very long at the power plant.” “How long?” someone yelled. Sam shook his head. “I don’t know.” “Why can’t you get him to leave?” “Because I can’t, that’s why,” Sam snapped, letting some of his anger show. “Because I’m not Superman, all right? Look, he’s inside the plant. The walls are thick. He has guns, he has Jack, he has Drake, and he has his own powers. I can’t get him out of there without getting some of our people killed. Anybody want to volunteer for that?" Silence. “Yeah, I thought so. I can’t get you people to show up and pick melons, let alone throw down with Drake.” “That’s your job,” Zil said. “Oh, I see,” Sam said. The resentment he’d held in now came boiling to the surface. “It’s my job to pick the fruit, and collect the trash, and ration the food, and catch Hunter, and stop Caine, and settle every stupid little fight, and make sure kids get a visit from the Tooth Fairy. What’s your job, Zil? Oh, right: you spray hateful graffiti. Thanks for taking care of that, I don’t know how we’d ever manage without you.” “Sam…,” Astrid said, just loud enough for him to hear. A warning. Too late. He was going to say what needed saying. “And the rest of you. How many of you have done a single, lousy thing in the last two weeks aside from sitting around playing Xbox or watching movies? “Let me explain something to you people. I’m not your parents. I’m a fifteen-year-old kid. I’m a kid, just like all of you. I don’t happen to have any magic ability to make food suddenly appear. I can’t just snap my fingers and make all your problems go away. I’m just a kid.” As soon as the words were out of his mouth, Sam knew he had crossed the line. He had said the fateful words so many had used as an excuse before him. How many hundreds of times had he heard, “I’m just a kid.” But now he seemed unable to stop the words from tumbling out. “Look, I have an eighth-grade education. Just because I have powers doesn’t mean I’m Dumbledore or George Washington or Martin Luther King. Until all this happened I was just a B student. All I wanted to do was surf. I wanted to grow up to be Dru Adler or Kelly Slater, just, you know, a really good surfer.” The crowd was dead quiet now. Of course they were quiet, some still-functioning part of his mind thought bitterly, it’s entertaining watching someone melt down in public. “I’m doing the best I can,” Sam said. “I lost people today…I…I screwed up. I should have figured out Caine might go after the power plant.” Silence. “I’m doing the best I can.” No one said a word. Sam refused to meet Astrid’s eyes. If he saw pity there, he would fall apart completely. “I’m sorry,” he said. “I’m sorry.

SPIEGEL: You have a lot of respect for the Dalai Lama, you even rewrote some Buddhist writings for him. Are you a religious person? Cleese: I certainly don't think much of organized religion. I am not committed to anything except the vague feeling that there is something more going on than the materialist reductionist people think. I think you can reduce suffering a little bit, like the Buddhists say, that is one of the few things I take seriously. But the idea that you can run this planet in a rational and kind way -- I think it's not possible. There will always be these sociopaths at the top -- selfish people, power-seekers who want to spend their whole lives seeking it. Robin Skynner, the psychiatrist that I wrote two books with, said to me that you could begin to enjoy life when you realized how bad the planet is, how hopeless everything is. I reached that point these last two or three years when I saw that our existence here is absolutely hopeless. I see the rich people have got a stranglehold on us. If somebody had said that to me when I was 20, I would have regarded him as a left-wing loony. SPIEGEL: You may not have been a left-wing loony, but you were happy to attack and ridicule the church. The "Life of Brian," the story of a young man in Judea who isn't Jesus Christ, but is nevertheless followed like a savior and crucified afterwards, was regarded as blasphemy when it was released in 1979. Cleese: Well there was a small number of people in country towns, all very conservative, who got upset and said, "You can't show the film." So people hired a coach and drove 15 miles to the next town and went to see the film there. But a lot of Christians said, "We got it, we know that the joke is not about religion, but about the way people follow religion." If Jesus saw the Spanish Inquisition I think he would have said, "What are you doing there?" SPIEGEL: These days Muslims and Islam are risky subjects. Do you think they are good issues for satire? Cleese: For sure. In 1982, Graham Chapman and I wrote a number of scenes for "The Meaning of Life" movie which had an ayatollah in them. This ayatollah was raging against all the evil inventions of the West, you know, like toilet paper. These scenes were never included in the film, although I thought they were much better than many other scenes that were included. And that's why I didn't do any more Python films: I didn't want to be outvoted any longer. But I wouldn't have made fun of the prophet. SPIEGEL: Why not? Cleese: How could you? How could you make fun of Jesus or Saint Francis of Assisi? They were wonderful human beings. People are only funny when they behave inappropriately, when they've been taken over by some egotistical emotion which they can't control and they become less human. SPIEGEL: Is there a difference between making fun of our side, so to speak, the Western, Christian side, and Islam? Cleese: There shouldn't be a difference. [SPIEGEL Interview with John Cleese: 'Satire Makes People Think' - 2015]

The tornadic bundle of legs and arms and feet and hands push farther into the kitchen until only the occasional flailing limb is visible from the living room, where I can’t believe I’m still standing. A spectator in my own life, I watch the supernova of my two worlds colliding: Mom and Galen. Human and Syrena. Poseidon and Triton. But what can I do? Who should I help? Mom, who lied to me for eighteen years, then tried to shank my boyfriend? Galen, who forgot this little thing called “tact” when he accused my mom of being a runaway fish-princess? Toraf, who…what the heck is Toraf doing, anyway? And did he really just sack my mom like an opposing quarterback? The urgency level for a quick decision elevates to right-freaking-now. I decide that screaming is still best for everyone-it’s nonviolent, distracting, and one of the things I’m very, very good at. I open my mouth, but Rayna beats me to it-only, her scream is much more valuable than mine would have been, because she includes words with it. “Stop it right now, or I’ll kill you all!” She pushed past me with a decrepit, rusty harpoon from God-knows-what century, probably pillaged from one of her shipwreck excursions. She waves it at the three of them like a crazed fisherman in a Jaws movie. I hope they don’t notice she’s got it pointed backward and that if she fires it, she’ll skewer our couch and Grandma’s first attempt at quilting. It works. The bare feet and tennis shoes stop scuffling-out of fear or shock, I’m not sure-and Toraf’s head appears at the top of the counter. “Princess,” he says, breathless. “I told you to stay outside.” “Emma, run!” Mom yells. Toraf disappears again, followed by a symphony of scraping and knocking and thumping and cussing. Rayna rolls her eyes at me, grumbling to herself as she stomps into the kitchen. She adjusts the harpoon to a more deadly position, scraping the popcorn ceiling and sending rust and Sheetrock and tetanus flaking onto the floor like dirty snow. Aiming it at the mound of struggling limbs, she says, “One of you is about to die, and right now I don’t really care who it is.” Thank God for Rayna. People like Rayna get things done. People like me watch people like Rayna get things done. Then people like me round the corner of the counter as if they helped, as if they didn’t stand there and let everyone they love beat the shizzle out of one another. I peer down at the three of them all tangled up. Crossing my arms, I try to mimic Rayna’s impressive rage, but I’m pretty sure my face is only capable of what-the-crap-was-that. Mom looks up at me, nostrils flaring like moth wings. “Emma, I told you to run,” she grinds out before elbowing Toraf in the mouth so hard I think he might swallow a tooth. Then she kicks Galen in the ribs. He groans, but catches her foot before she can re-up. Toraf spits blood on the linoleum beside him and grabs Mom’s arms. She writhes and wriggles, bristling like a trapped badger and cussing like sailor on crack. Mom has never been girlie. Finally she stops, her arms and legs slumping to the floor in defeat. Tears puddle in her eyes. “Let her go,” she sobs. “She’s got nothing to do with this. She doesn’t even know about us. Take me and leave her out of this. I’ll do anything.” Which reinforces, right here and now, that my mom is Nalia. Nalia is my mom. Also, holy crap.

It occurs to me that I could learn from this child something about the nature of humanity--and if I accept Harry's pronouncement that I am a born philosopher then this baby could be an ambitious philosophical project! What if I reared it in a cupboard without light? Or in a room full of mirrors? Or Dali paintings? Apparently babies have to learn to smile so what if I never taught him or showed him laughter? No television of course no movies maybe no society either--what if he never saw another human other than me or not even me? What would happen? Would cruelty develop in that miniature universe? Would sarcasm? Would rage? Yes I could really learn something here tho why stop at one child? Could have a collective of children of "family" & alter variables in environment that will govern life of each one to see what's natural what's inevitable what's environmental & what's conditioning. Above all I will strive to raise a being that understands itself. What if I gave child head start by encouraging self-awareness at an unnaturally young age, maybe 3? Maybe earlier? Would need to create optimum conditions for flowering of self-awareness. This child will know a lot of solitude that's for sure.

Read. Read as much as possible. Read the big stuff, the challenging stuff, the confronting stuff, and read the fun stuff too. Visit galleries and look at paintings, watch movies, listen to music, go to concerts – be a little vampire running around the place sucking up all the art and ideas you can. Fill yourself with the beautiful stuff of the world. Have fun. Get amazed. Get astonished. Get awed on a regular basis, so that getting awed is habitual and becomes a state of being. Fully understand your enormous value in the scheme of things because the planet needs people like you, smart young creatives full of awe, who can minister to the world with positive, mischievous energy, young people who seek spiritual enrichment and who see hatred and disconnection as the corrosive forces they are. These are manifest indicators of a human being with immense potential. Absorb into yourself the world’s full richness and goodness and fun and genius, so that when someone tells you it’s not worth fighting for, you will stick up for it, protect it, run to its defence, because it is your world they’re talking about, then watch that world continue to pour itself into you in gratitude. A little smart vampire full of raging love, amazed by the world – that will be you, my young friend, the earth shaking at your feet.

Hey, I got an idea, let’s go to the movies. I wanna go to the movies, I want to take you all to the movies. Let’s go and experience the art of the cinema. Let’s begin with the Scream Of Fear, and we're gonna have it haunt us for the rest of our lives. And then let’s go see The Great Escape, and spend our summer jumping our bikes, just like Steve McQueen over barb wire. And then let’s catch The Seven Samurai for some reason on PBS, and we’ll feel like we speak Japanese because we can read the subtitles and hear the language at the same time. And then let’s lose sleep the night before we see 2001: A Space Odyssey because we have this idea that it’s going to change forever the way we look at films. And then let’s go see it four times in one year. And let’s see Woodstock three times in one year and let’s see Taxi Driver twice in one week. And let’s see Close Encounters of the Third Kind just so we can freeze there in mid-popcorn. And when the kids are old enough, let’s sit them together on the sofa and screen City Lights and Stage Coach and The Best Years of Our Lives and On The Waterfront and Midnight Cowboy and Five Easy Pieces and The Last Picture Show and Raging Bull and Schindler’s List… so that they can understand how the human condition can be captured by this amalgam of light and sound and literature we call the cinema.

I thought about the aftermath of the 1862 war, when thirty-eight hastily condemned warriors had been hung in Mankato, in the country's largest-ever mass execution. Their bodies were buried in shallow graves and then dug up for study by local doctors, including Dr. Mayo, who kept the body of Cut Nose for his personal examination. I thought about my father losing his teaching job, about his struggle with depression and drinking. About how angry he was that our history was not taught in schools. Instead, we had to battle sports mascots and stereotypes. Movie actors in brownface. Tourists with cameras. Welfare lines. Alcoholism. 'After stealing everything,' he would rage, 'now they want to blame us for it, too.' Social services broke up Native families, sending children like me to white foster parents. Every week, the newspapers ran stories about Indians who rolled their cars while drunk or the rise of crack cocaine on the reservations or somebody's arrest for gang-related crimes. No wonder so many Native kids were committing suicide. But there was so much more to the story of the run. What people didn't see because they chose never to look. Unlike the stone monument in New Ulm, built to memorialize the settlers' loss with angry pride, the Dakhota had created a living, breathing memorial that found healing in prayer and ceremony. What the two monuments shared, however, was remembering. We were all trying to find a way through grief.

In a widely viewed documentary titled Singularity or Bust, Hugo de Garis, a renowned researcher in the field of AI and author of The Artilect War, speaks of this phenomenon. He says: In a sense, we are the problem. We’re creating artificial brains that will get smarter and smarter every year. And you can imagine, say twenty years from now, as that gap closes, millions will be asking questions like ‘Is that a good thing? Is that dangerous?’ I imagine a great debate starting to rage and, though you can’t be certain talking about the future, the scenario I see as the most probable is the worst. This time, we’re not talking about the survival of a country. This time, it’s the survival of us as a species. I see humanity splitting into two major philosophical groups, ideological groups. One group I call the cosmists, who will want to build these godlike, massively intelligent machines that will be immortal. For this group, this will be almost like a religion and that’s potentially very frightening. Now, the other group’s main motive will be fear. I call them the terrans. If you look at the Terminator movies, the essence of that movie is machines versus humans. This sounds like science fiction today but, at least for most of the techies, this idea is getting taken more and more seriously, because we’re getting closer and closer. If there’s a major war, with this kind of weaponry, it’ll be in the billions killed and that’s incredibly depressing. I’m glad I’m alive now. I’ll probably die peacefully in my bed. But I calculate that my grandkids will be caught up in this and I won’t. Thank God, I won’t see it. Each person is going to have to choose. It’s a binary decision, you build them or you don’t build them.

a candlelit dinner with a band. A band? Where the fuck do bitches get this kind of shit? It’s all those fuckin princess movies, that’s where.

Unfortunately, I knew exactly what I was suffering from. LIPID (Last Idiot Person I Dated) syndrome: a largely undiagnosed but pervasive disease that afflicts single women. My roommates and I had come up with the term in college, to explain the baffling phenomenon of nostalgia for one’s most recent ex. No matter how absolutely awful that person had been at the time, after a few weeks, the relationship would take on a rosy tint, and wistful little phrases would begin to creep into conversation, like, “I know he cheated on me with three people at the same time, but he was such a fabulous dancer,” or “All right, so he was a raging alcoholic, but when he was sober he did such sweet things! Remember those flowers he bought for me that one time?” Inexplicable, but inevitable. A few weeks of singledom render even the most inexcusable ex charming in retrospect. Hence, LIPID syndrome. As everyone knows, lipids are fats, and fats are bad for you, and therefore ex-boyfriends must be avoided at all costs. This is what comes of having a bio major as a roommate for four years. The one sure way to fight off LIPID syndrome was to distract oneself. True, the only foolproof cure is a new relationship, thus knocking the LIPID back down the dating chain into harmless obscurity, but there are other, temporary diversions. Reading a novel, watching a movie, or delving into the private lives of historical characters. With an anticipatory

None of it made any sense to her - the deceit, the betrayal, the sheer chutzpah of it. Like something from a movie. Who in real life acted this way? But then she remembered this had happened in India, and India was not real life. The most heartbreaking, most desperate, most bizarre stories she had ever heard all came from India. Every story was epic; every emotion was exaggerated; every action was melodramatic. Desperate love, mad obsessions, outbursts of rage, bizarre self sacrifice, self immolation. Young women eat rat poison, jumping off buildings, or burning themselves alive. Young men throwing themselves onto railroad tracks in the path of oncoming trains. And all this self destruction over issues that in the West would be solved by a simple elopement or estrangement from one's parents or a move to a different city.

You see the problem is us—our perception. We simply cannot conceive how anyone could rape and kill a teenage boy, or strangle a woman and cut her into tiny pieces, and yet that's exactly what these monsters did. For those of us with a sound mind, there has to be something else at work. And so we come up with Satan, Lucifer, the Devil. As if the notion of some external evil spirit excuses them from their villainy. I think they have no such excuse. We should not give them any place to hide. “We personify evil. We turn evil into a devil, but there's no such creature as Baal or Beelzebub. There's just us. This universe is what we make of it. We have to make this world better in spite of the Dahmers and the Gacys. “Never forget, these monsters had mothers and fathers, brothers and sisters who loved them, who cried when they went to the electric chair. They grew up just like we did, laughing at the same movies, kicking a soccer ball around in the park and throwing a Frisbee for the family dog. And yet somewhere along the line, the wheels fell off the train. At some point, rage or jealousy, lust or envy got the better of them. They wanted power. They wanted control. They succumbed to their own base desires, not those of some mythical demigod rising out of the fires of Hades.

Until then, my teenage soul--suspicious of cheerfulness, though still reflexively respectful of authority--would feel increasingly uncomfortable in the presence of the official soul. The official soul, as transmitted through church and Christian paraphernalia, was upbeat, incurious, happy with its lot. It did not have any heroes other than the ones who appeared in the Bible, and it was content to hear the same stories about these people over and over again. It described pain and suffering in such a way that a person might think alcoholism or the loss of a child were no more inconvenient than a tussle with the flu: after it passed, you could stand in front of the congregation on Sunday and testify that it was all better, and God was good. As far as I could tell, that was the only story told by the official soul, and the real and true sadnesses had be excised for a more mellifluous account. Which made it seem as if there were things you couldn't talk about in church, or with people from church--what made you laugh, why you cried at a movie, what made you angry, or what books you read that hadn't been written by C.S. Lewis, A.W. Tozer, or D.L. Moody. Church was supposed to be the most important thing in life, but so much of life was left out, because so much of its trouble was assumed to be conquered. My pastor mentioned Kierkegaard in a sermon only once, and it would be a long time before I discovered that there was a storied Christian who suffered from, and so in some way sanctioned, depression, rage, sarcasm, and despair--the diseases that took hold in adolescence, for which church offered no cure.

*I’ve always had an alternative reading of the Body Snatchers movies (Siegel’s, Kaufman’s, and Ferrara’s). Each movie presents the Pod People in a sinister light. Yet really, almost nothing they do on screen really bears out this sinister interpretation. If you’re one who believes that your soul is what makes you you, then I suppose the Pod People are murdering the Earthlings they duplicate and replace. However, if you’re more of the mind that it is your intellect and your consciousness that make you who you are, then the Pod People transformation is closer to a rebirth than a murder. You’re reborn as straight intellect, with a complete possession of your past and your abilities, but unburdened by messy human emotions. You also possess a complete fidelity to your fellow beings and a total commitment to the survival of your species. Are they inhuman? Of course, they’re vegetables. But the movies try to present their lack of humanity (they don’t have a sense of humor, they’re unmoved when a dog is hit by a car) as evidence of some deep-seated sinisterness. That’s a rather species-centric point of view. As human beings it may be our emotions that make us human, but it’s a stretch to say it’s what makes us great. Along with those positive emotions—love, joy, happiness, amusement—come negative emotions—hate, selfishness, racism, depression, violence, and rage. For instance, with all the havoc that Donald Sutherland causes in the Kaufman version, including the murder of various Pod People, there never is a thought of punishment or vengeance on the Pod People’s part, even though he’s obviously proven himself to be a threat. They just want him to become one of them. Imagine in the fifties, when the Siegel film was made, that instead of some little town in Northern California (Santa Mira) that the aliens took root in, it was a horribly racist, segregated Ku Klux Klan stronghold in the heart of Mississippi. Within weeks the color lines would disappear. Blacks and whites would be working together (in genuine brotherhood) towards a common goal. And humanity would be represented by one of the racist Kluxers whose investigative gaze notices formerly like-minded white folks seemingly enter into a conspiracy with some members of the county’s black community. Now picture his hysterical reaction to it (“Those people are coming after me! They’re not human! You’re next! You’re next!”). *Solving the problems, both large and small, of your actors—lead actors especially—is the job of a film director.

We live in an age of what scholars call stochastic terrorism, otherwise known as ‘lone-wolf terrorism’, although that phrase is imprecise. ‘Lone wolf’ sounds like something from the movies. It implies that acts of spectacular violence are the result of organization, that there are masterminds hiding, like Bond villains, in distant countries, elaborating schemes and then disseminating them over networks, to be undertaken by their secretive minions. The reality of the current threat is much more banal. The background hum of hyper-partisanship, the rage and loathing of everyday American politics, generates a widespread tolerance for violence. Eventually somebody acts on it.

I ask if he has any potential stories in mind. “Sorry Graham, I've not done me prep,” he then clears his throat. “I did have an idea for one called ‘The Death of Standards’.” I'm thrilled by the fact he already has a title for it. And what a title! He goes on to outline the bare bones of a story about a woman who works in local government. On her drive to work she perpetrates a hit and run. Upon arriving at the office, she rants to her staff about how hit and run drivers should be executed. Then members of her staff start behaving in the same odd manner: performing terrible acts then raging against those very acts. This sounds exactly like something I'd love to watch.

trying to remember what my friend in Toronto had told me recently: that in ten years time shame will be all the rage, talking about it, dissecting it, and banishing it. We’d had a bit of an argument then because I told him that it was ludicrous to think that we could just talk our way out of shame, that shame was necessary, that it prevented us from repeating shameful actions and that it motivated us to say we were sorry and to seek forgiveness and to empathize with our fellow humans and to feel the pain of self-loathing which motivated some of us to write books as a futile attempt at atonement, and shame also helped, I told my friend, to fuck up relationships and fucked-up relationships are the life force of books and movies and theater so sure, let’s get rid of shame but then we can kiss art goodbye too.

Berserker A warrior driven by emotion. Particularly anger. Gains bonuses related to critical hits, as well as resistant to many mental status effects such as Charm and Fear. Only class that can access the 'Undying Rage' ultimate, which prevents death for ten seconds upon activation.

Those women, her age and a little older, who’d all gone crazy or who were hooking in the Polo Lounge or who were married to real old movie stars and had to look old too, to match. Those occasional men of genius who, like one friend of hers, could cast the right person for the right part and never miss—never.

Last night's harsh phone call seemed to be a distant memory as we spent the day in the snow with my new fake friends, going for one last turn on the mountain while I drank boiled wine at the bottom of the ski lift at the hutte. I honestly told Anette in the ski lift during the day what Sabrina had told me on the phone the night before, but she remained silent and didn't seem surprised for some reason. I didn't think Anette would conspire with Betty to test me or win me. I didn’t think they would conspire with Sabrina but perhaps I didn’t know her well enough to assume what she was capable of when jealous, mad, sad, confused or in love. Perhaps they did not. Everything I don't know. I try to write here all that I know and have managed to figure out, taking a long time. I try to share what I have been through because I am sure that others will find it useful to learn from my mistakes, faults, sins, virtues, and so on. Perhaps only my luck, good or bad, I don't know. I could not have figured out what happened if I had not written down exactly how things unfolded in order to be able to see through it all and comprehend what really happened since I bought that Roberto Saviano book and met Sabrina. Perhaps the women had been conspiring for one reason or another; perhaps they had not. Nonetheless, it was odd. „Water is wet, the sky is blue, women have secrets. Who gives a f..k?” – Joe Hallenbeck Do all men have to be natural-born and supernatural detectives like Bruce Willis in all his movies, or in The Last Boy Scout? I'm not sure how many coincidences can fit so strangely into reality by chance, or is it all manipulation? Is it all because of the story of Eve and the snake and the apple?

I have love in me the likes of which you can scarcely imagine and rage the likes of which you would not believe. If I cannot satisfy the one, I will indulge the other."  Mary Shelley’s Frankenstein (movie)

your memory bank is that ungettable Snyder’s bag, every movie star and city name and book title and adjective, and you’re shaking the machine, trying to snake your hand up through the slot, pressing the coin return button in a rage. Forget it. Oh, you already have! Ha ha ha.

popular Hallmark and Lifetime Christmas movies, of which there seem to be hundreds churned out every year, often feature a young woman from the city who finds herself stuck in a small town through some accident of fortune, whereupon she learns the value of a simpler life and often dumps her no-good boyfriend back in the city in favor of the hunky small-town man she meets early in the movie.

Reese spent a lifetime observing cis women confirm their genders through male violence. Watch any movie on the Lifetime channel. Go to any schoolyard. Or just watch your local heterosexuals drinking in a bar. Hear women define themselves through pain, or rage against the assumption that they do, which still places pain front and. center. Hear the strange sense of satisfaction when they talk about the men who have hurt them - the unspoken subtext of it being 'because I am a woman'.

Now, sometimes, at night, when I think back, I feel like I'm looking at an old black-and-white movie of myself. Why it should be black-and-white I don't know, but it is.

WOMEN AND CHILDREN.” STILL? You’re on the Titanic II. It has just hit an iceberg and is sinking. And, as last time, there are not enough lifeboats. The captain shouts, “Women and children first!” But this time, another voice is heard: “Why women?” Why, indeed? Part of the charm of the cosmically successful movie Titanic is the period costume, period extravagance, period class prejudice. An audience can enjoy these at a distance. Oddly, however, of all the period mores in the film, the old maritime tradition of “women and children first” enjoys total acceptance by modern audiences. Listen to the booing and hissing at the on-screen heavies who try to sneak on with—or ahead of—the ladies. But is not grouping women with children a raging anachronism? Should not any self-respecting modern person, let alone feminist, object to it as patronizing and demeaning to women? Yet its usage is as common today as it was in 1912. Consider these examples taken almost at random from recent newspapers: Dateline Mexico:

At age fifteen, when I accompanied my mother and her three sisters to see the movie premiere of Waiting to Exhale, I knew what it meant, then, when Bernadine, after being newly separated from her cheating husband, went to the hairdresser and asked her stylist to chop off nearly every inch of her beautiful luxurious mane. Even though I didn’t have the emotional maturity to understand the devastation of losing a marriage, I knew how much effort it took to grow that length and thickness of hair and keep it beautiful. I knew how much Black women and girls envied having long, thick hair in a world where white women’s ability to grow and regrow hair like weeds was the standard of beauty. Chopping it all off meant she was going through something exceedingly terrible.

Travis ignored her protests as he pulled his cell phone from his pocket, thankful anew for that little Changeling quirk that allowed him to retain his clothes and everything that was within his aura each time he shifted. Christ, if life was like the movies, he’d end up naked and penniless every damn time he ran as a wolf. No wonder Hollywood werewolves were insane with rage. Probably pissed off at the sheer inconvenience of their lives.

It wasn’t what I expected,” Natalie said, her expression soft. “It was so loud. The roar of the fire was like a beast screaming in my ear. So much rage and heat, and I just watched. Nobody could do anything. I saw inside a window, and there was an old movie poster in the room, and I watched it curl and burn and vanish. I wondered how many memories I was watching just…” She made a gesture. “Poof. Disappear.

He did take her to the movies. They saw Father of the Bride. Grace hated it. She hated girls like Elizabeth Taylor in that movie, she hated spoiled rich girls of whom nothing was ever asked but that they wheedle and demand. Maury said that it was only supposed to be a comedy, but she said that was not the point. She could not make clear what the point was. Anybody would think that it was because she worked as a waitress and was too poor to go to college, and that if she wanted anything like that kind of wedding she would have to spend years saving up to pay for it herself. (Maury did think this, and was stricken with respect for her, almost with reverence.) She could not explain or quite understand that it wasn’t altogether jealousy she felt, it was rage. And not because she couldn’t shop like that or dress like that. It was because that was what girls were supposed to be like. That was what men— people, everybody—thought they should be like. Beautiful, treasured, spoiled, selfish, pea-brained. That was what a girl should be, to be fallen in love with. Then she would become a mother and she’d be all mushily devoted to her babies. Not selfish anymore, but just as pea-brained. Forever. She was fuming about this while sitting beside a boy who had fallen in love with her because he had believed—instantly—in the integrity and uniqueness of her mind and soul, and had seen her poverty as a romantic gloss on that.

He cannot ward off the thought that in the movies it always looks different, and that after the opening credits they should give a warning: “Ladies and gentlemen, be advised that in reality, committing murder demands bestial strength, physical coordination, and above all, perfect fitness. Don’t try this at home.” Just holding on to the victim is a major feat. The body defends itself against death in all sorts of ways. It’s hard to call it a fight; it’s more like something in between convulsions and an epileptic fit—every muscle tenses, and it’s not at all the way they describe it in novels, where the victim gradually weakens. The nearer the end, the more forcefully the muscle cells try to use the last remnants of oxygen to liberate the body. Which

It is eerie, watching the shots of the audience. You never see anyone just plain laughing, as if they’d heard something that was funny. You see, instead, behavior more appropriate at a fascist rally, as his fans stick their fists in the air and chant his name as if he were making some kind of statement for them. Perhaps he is. Perhaps he is giving voice to their rage, fear, prejudice, and hatred. They seem to cheer him because he is getting away with expressing the sick thoughts they don’t dare to say.

Before I even think too hard about it, I drive Pretty Girl, my 1980 Chevrolet Citation that I bought on Craigslist for $300, to the airport and book the first ticket to West Virginia. Yeah, West Virginia. That alone is proof that I must be going crazy. I’ve seen WAY too many horror movies that use that state as a backdrop to ever go there in my right mind. If I get murdered by some inbred “The Hills Have Eyes” lunatic, I’m gonna be so mad!

If Columbia Pictures had not succumbed to Richard’s demands, and if I were a cocky, son-of-a-bitch movie star, and if Sidney Poitier had not held in his rage, there would have been no Stir Crazy. For the sake of my psychological health, I should have let out my anger at the time that I was angry. From the point of view of getting the picture made—I’m glad I didn’t. The picture was a great success.

You want some?” Cha0s said as he turned toward Eliot. “Come and get it!” “Why is it that men reduce themselves to one-liners and bad movie quotes whenever they get into a fight?” said Parker. “Is there some kind of script they’re supposed to follow when they get to this point? Or does the raging testosterone just shut down their higher brain functions?

The research on Toxoplasma gondii has thrown up some interesting findings. We know, for instance, that infections are more common amongst people with certain psychiatric disorders, such as schizophrenia and bipolar disorder. But even more disconcerting is the link to a condition called ‘intermittent explosive disorder’. Those with IED are prone to moments of uncontrolled aggression; one of the symptoms is an increased tendency to display road rage, for example

That’s when David spoke up. He said he lived close to Hornsby, and it would be no trouble and his pleasure to drive me home. Everyone except me was thrilled to have the problem solved. I had become suddenly exhausted. I did not think I could manage to make conversation with a strange albeit handsome man on what would be an hour’s drive, all the way home from Newtown to Hornsby. If you are a fellow introvert you will understand. We’re all the rage these days. Movie stars regularly describe themselves as introverted while being charismatic on talk shows.