Rage Becomes Her Quotes

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We are so busy teaching girls to be likeable that we often forget to teach them, as we do boys, that they should be respected.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
A society that does not respect women's anger is one that does not respect women; not as human beings, thinkers, knowers, active participants, or citizens.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
And then I unwind her. One strand for my mother. One for my father. One for me. I unravel the rage until it courses through my veins like fuel in an engine. I let it become a part of me, but not all of me. Hot, scorching pain under my skin, under my tongue, under my nails. I let it spread through me—until there is no more “Before” and no more “After.” I am her and she is me.
Tracy Deonn (Legendborn (The Legendborn Cycle, #1))
Ask a man what his greatest fear is about serving jail time, and he will almost inevitably say he fears being raped. What can we deduce from the fact that jail is to men what life is to so many women?
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
All depression has its roots in self-pity, and all self-pity is rooted in people taking themselves too seriously.” At the time Switters had disputed her assertion. Even at seventeen, he was aware that depression could have chemical causes. “The key word here is roots,” Maestra had countered. “The roots of depression. For most people, self-awareness and self-pity blossom simultaneously in early adolescence. It's about that time that we start viewing the world as something other than a whoop-de-doo playground, we start to experience personally how threatening it can be, how cruel and unjust. At the very moment when we become, for the first time, both introspective and socially conscientious, we receive the bad news that the world, by and large, doesn't give a rat's ass. Even an old tomato like me can recall how painful, scary, and disillusioning that realization was. So, there's a tendency, then, to slip into rage and self-pity, which if indulged, can fester into bouts of depression.” “Yeah but Maestra—” “Don't interrupt. Now, unless someone stronger and wiser—a friend, a parent, a novelist, filmmaker, teacher, or musician—can josh us out of it, can elevate us and show us how petty and pompous and monumentally useless it is to take ourselves so seriously, then depression can become a habit, which, in tern, can produce a neurological imprint. Are you with me? Gradually, our brain chemistry becomes conditioned to react to negative stimuli in a particular, predictable way. One thing'll go wrong and it'll automatically switch on its blender and mix us that black cocktail, the ol’ doomsday daiquiri, and before we know it, we’re soused to the gills from the inside out. Once depression has become electrochemically integrated, it can be extremely difficult to philosophically or psychologically override it; by then it's playing by physical rules, a whole different ball game. That's why, Switters my dearest, every time you've shown signs of feeling sorry for yourself, I've played my blues records really loud or read to you from The Horse’s Mouth. And that’s why when you’ve exhibited the slightest tendency toward self-importance, I’ve reminded you that you and me— you and I: excuse me—may be every bit as important as the President or the pope or the biggest prime-time icon in Hollywood, but none of us is much more than a pimple on the ass-end of creation, so let’s not get carried away with ourselves. Preventive medicine, boy. It’s preventive medicine.” “But what about self-esteem?” “Heh! Self-esteem is for sissies. Accept that you’re a pimple and try to keep a lively sense of humor about it. That way lies grace—and maybe even glory.
Tom Robbins (Fierce Invalids Home from Hot Climates)
We minimize our anger, calling it frustration, impatience, exasperation, or irritation, words that don't convey the intrinsic social and public demand that 'anger' does. We learn to contain our selves: our voices, hair, clothes, and, most importantly, speech. Anger is usually about saying "no" in a world where women are conditioned to say almost anything but "no.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
I have actually known a case where a Woman has exterminated her whole household, and half an hour afterwards, when her rage was over and the fragments swept away, has asked what has become of her husband and her children.
Edwin A. Abbott (Flatland: A Romance of Many Dimensions)
A mother carries her child's innocence in her memory. No matter who they become. We carry our hopes and dreams for them and such things are woven into our souls as God is woven into the fibers of this earth.
Sabaa Tahir (All My Rage)
One of the most powerful effects of learning to prioritize other people's perspectives above your own is that you lose the ability to see others as blameworthy, even when they are openly acting as aggressors.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
The first women we know are our mothers, and yet we sometimes treat them, especially when they are angry, with the least compassion. That becomes a model for how we treat other women.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
She could not explain or quite understand that it wasn't altogether jealousy she felt, it was rage. And not because she couldn't shop like that or dress like that. It was because that was what girls were supposed to be like. That was what men - people, everybody - thought they should be like. Beautiful, treasured, spoiled, selfish, pea-brained. That was what a girl should be, to be fallen in love with. Then she would become a mother and she'd be all mushily devoted to her babies. Not selfish anymore, but just as pea-brained. Forever.
Alice Munro (Runaway: Stories)
Rage became a layer of my skin.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
There is not a woman alive who does not understand that women's anger is openly reviled.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
When a woman shows anger in institutional, political, and professional settings, she automatically violates gender norms.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
How many times does a woman say, "I'm so tired," because she cannot say, "I am so angry!" How many times is women's anger deliberately miscast as exhaustion?
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
When Nico had woken up at Barrachina and found the Hunters’ note about kidnapping Reyna, he’d torn apart the courtyard in rage. He didn’t want the Hunters stealing another important person from him. Fortunately, he’d got Reyna back, but he didn’t like how brooding she had become. Every time he tried to ask her about the incident on the Calle San Jose – those ghosts on the balcony, all staring at her, whispering accusations – Reyna shut him down.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
It took me too long to realize that the people most inclined to say “You sound angry” are the same people who uniformly don’t care to ask “Why?” They’re interested in silence, not dialogue. This response to women expressing anger happens on larger and larger scales: in schools, places of worship, the workplace, and politics. A society that does not respect women’s anger is one that does not respect women—not as human beings, thinkers, knowers, active participants, or citizens.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
If #MeToo has made men feel vulnerable, panicked, unsure, and fearful as a result of women finally, collectively, saying "Enough!" so be it. If they wonder how their every word and action will be judged and used against them, Welcome to our world. If they feel that everything they do will reflect on other men and be misrepresented and misunderstood, take a seat. You are now honorary women.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
Anger is a forward-looking emotion, rooted in the idea that there should be change. Resentment, on the other hand, is locked in the past and usually generates no meaningful difference in the situation.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
Women are just as motivated by the desire for power as men; it's just that our cultural ideas about power don't associate it with femininity.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
Why does anyone think that men who cannot say the word period and do not know that the vagina and the stomach are not connected are competent and trustworthy leaders?
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
Dandelion, staring into the dying embers, sat much longer, alone, quietly strumming his lute. It began with a few bars, from which an elegant, soothing melody emerged. The lyric suited the melody, and came into being simultaneously with it, the words bending into the music, becoming set in it like insects in translucent, golden lumps of amber. The ballad told of a certain witcher and a certain poet. About how the witcher and the poet met on the seashore, among the crying of seagulls, and how they fell in love at first sight. About how beautiful and powerful was their love. About how nothing - not even death - was able to destroy that love and part them. Dandelion knew that few would believe the story told by the ballad, but he was not concerned. He knew ballads were not written to be believed, but to move their audience. Several years later, Dandelion could have changed the contents of the ballad and written about what had really occurred. He did not. For the true story would not have move anyone. Who would have wanted to hear that the Witcher and Little Eye parted and never, ever, saw each other again? About how four years later Little Eye died of the smallpox during an epidemic raging in Vizima? About how he, Dandelion, had carried her out in his arms between corpses being cremated on funeral pyres and buried her far from the city, in the forest, alone and peaceful, and, as she had asked, buried two things with her: her lute and her sky blue pearl. The pearl from which she was never parted. No, Dandelion stuck with his first version. And he never sang it. Never. To no one. Right before the dawn, while it was still dark, a hungry, vicious werewolf crept up to their camp, but saw that it was Dandelion, so he listened for a moment and then went on his way.
Andrzej Sapkowski (Miecz przeznaczenia (Saga o Wiedźminie, #0.7))
I found myself hating him, wanting to hurt him, to drive him away from the red-haired girl who was supposed to be mine. Breathless, I slumped to the wall, numb with the realization. This anger, these illogical feelings of rage and possessiveness...I was jealous. I was jealous of a girl I was supposed to be stalking, seducing, for the sole purpose of revealing her true nature. This had become more than an objective, more than a mission. I was falling for her.
Julie Kagawa (Talon (Talon, #1))
Every woman has a rape story, whether she has been sexually assaulted or not.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
If we accept the interpretation of life as we know it, we make it acceptable. So I refuse, which makes me seem angry and aggressive simply by existing.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
I have since learned that my rage is a critical part of my self, and it is a part of myself that I have grown to respect and love instead of suppress.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
Anger has a bad rap, but it is actually one of the most hopeful and forward thinking of all our emotions. It begets transformation, manifesting our passion and keeping us invested in the world. It is a rational and emotional response to trespass, violation, and moral disorder. It bridges the divide between what “is” and what “ought” to be, between a difficult past and an improved possibility. Anger warns us viscerally of violation, threat, and insult.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
Age shame is also a problem primarily for women. As women approach and go through menopause, naturally gaining weight as fat-to-muscle ratios shift, they exhibit many of the same anxieties and symptoms that teenage girls do. The process of growing older makes women's 'flaws' more visible and acute, thus, aging, a natural process, becomes frightening, disorienting, and difficult for many women.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
Nice is something you do to please others, even if you have no interest, desire, or reason to. Kindness, on the other hand, assumes that you are true to yourself first.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
Single, childless women are the only women who report that they have the time and freedom to pursue interests, ambitions, and hobbies at the same rate as married heterosexual men do.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
Anger is an assertion of rights and worth. It is communication, equality, and knowledge. It is intimacy, acceptance, fearlessness, embodiment, revolt, and reconciliation. Anger is memory and rage. It is rational thought and irrational pain. Anger is freedom, independence, expansiveness, and entitlement. It is justice, passion, clarity, and motivation. Anger is instrumental, thoughtful, complicated, and resolved. In anger, whether you like it or not, there is truth. Anger is the demand of accountability, It is evaluation, judgment, and refutation. It is reflective, visionary, and participatory. It's a speech act, a social statement, an intention, and a purpose. It's a risk and a threat. A confirmation and a wish. It is both powerlessness and power, palliative and a provocation. In anger, you will find both ferocity and comfort, vulnerability and hurt. Anger is the expression of hope. How much anger is too much? Certainly not the anger that, for many of us, is a remembering of a self we learned to hide and quiet. It is willful and disobedient. It is survival, liberation, creativity, urgency, and vibrancy. It is a statement of need. An insistence of acknowledgment. Anger is a boundary. Anger is boundless. An opportunity for contemplation and self-awareness. It is commitment. Empathy. Self-love. Social responsibility. If it is poison, it is also the antidote. The anger we have as women is an act of radical imagination. Angry women burn brighter than the sun. In the coming years, we will hear, again, that anger is a destructive force, to be controlled. Watch carefully, because not everyone is asked to do this in equal measure. Women, especially, will be told to set our anger aside in favor of a kinder, gentler approach to change. This is a false juxtaposition. Reenvisioned, anger can be the most feminine of virtues: compassionate, fierce, wise, and powerful. The women I admire most—those who have looked to themselves and the limitations and adversities that come with our bodies and the expectations that come with them—have all found ways to transform their anger into meaningful change. In them, anger has moved from debilitation to liberation. Your anger is a gift you give to yourself and the world that is yours. In anger, I have lived more fully, freely, intensely, sensitively, and politically. If ever there was a time not to silence yourself, to channel your anger into healthy places and choices, this is it.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
Men learn to regard rape as a moment in time; a discreet episode with a beginning, middle, and end. But for women, rape is thousands of moments that we fold into ourselves over a lifetime. Its' the day that you realize you can't walk to a friend's house anymore or the time when your aunt tells you to be nice because the boy was just 'stealing a kiss.' It's the evening you stop going to the corner store because, the night before, a stranger followed you home. It's the late hour that a father or stepfather or brother or uncle climbs into your bed. It's the time it takes you to write an email explaining that you're changing your major, even though you don't really want to, in order to avoid a particular professor. It's when you're racing to catch a bus, hear a person demand a blow job, and turn to see that it's a police officer. It's the second your teacher tells you to cover your shoulders because you'll 'distract the boys, and what will your male teachers do?' It's the minute you decide not to travel to a place you've always dreamed about visiting and are accused of being 'unadventurous.' It's the sting of knowing that exactly as the world starts expanding for most boys, it begins to shrink for you. All of this goes on all day, every day, without anyone really uttering the word rape in a way that grandfathers, fathers, brothers, uncles, teachers, and friends will hear it, let alone seriously reflect on what it means.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
Most girls, however much they resent their mothers, do become very much like them. Rebellion can rarely survive the aversion therapy that passes for being brought up female. Male violence acts directly on the girl through her father or brother or uncle or any number of male professionals or strangers, as it did and does on her mother, and she too is forced to learn to conform in order to survive. A girl may, as she enters adulthood, repudiate the particular set of males with whom her mother is allied, run with a different pack as it were, but she will replicate her mother’s patterns in acquiescing to male authority within her own chosen set. Using both force and threat, men in all camps demand that women accept abuse in silence and shame, tie themselves to hearth and home with rope made of self-blame, unspoken rage, grief, and resentment.
Andrea Dworkin (Right-Wing Women)
Ask a woman if she has been harassed, or if she thinks about rape regularly, and she will almost always say "no" initially. Who wants to think about rape? Ask her, however, if she makes eye contact when she walks down the street, where and when she loiters for pleasure on a warm day, if she runs by herself at night, or if she pays for cabs instead of peacefully strolling home. Then ask her why. We are taught to fear rape but not to question its pervasive threat or doubt how "natural" it is or isn't.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
Every girl learns, in varying degrees, to filter herself through messages of women's relative cultural irrelevance, powerlessness, and comparative worthlessness. Images and words conveying disdain for girls, women, and femininity come at children fast and furiously, whereas most boys' passage to adulthood—even for boys disadvantaged by class or ethnicity—remains cloaked in the cultural centrality of maleness and masculinity.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
Sometimes it’s hard to grasp why it is that the answers to the present lie in the past. A simple analogy might be helpful: a leading psychiatrist in the field of sexual abuse once told me she had, in thirty years of extensive work with paedophiles, never met one who hadn’t himself been abused as a child. This doesn’t mean that all abused children go on to become abusers; but it is impossible for someone who was not abused to become an abuser. No one is born evil. As Winnicott put it: ‘A baby cannot hate the mother, without the mother first hating the baby.’ As babies, we are innocent sponges, blank slates – with only the most basic needs present: to eat, shit, love and be loved. But something goes wrong, depending on the circumstances into which we are born, and the house in which we grow up. A tormented, abused child can never take revenge in reality, as she is powerless and defenceless, but she can – and must – harbour vengeful fantasies in her imagination. Rage, like fear, is reactive in nature.
Alex Michaelides (The Silent Patient)
Anger is like water. No matter how hard a person tries to dam, divert, or deny it, it will find a way, usually along the path of least resistance. As I will discuss in this book, women often ¨feel¨ their anger in their bodies. Unprocessed, anger threads itself through our appearances, bodies, eating habits, and relationships, fueling low self-esteem, anxiety, depression, self-harm, and actual physical illness. The harms are more than physical, however. Gendered ideas about anger make us question ourselves, doubt our feelings, set aside our needs, and renounce our own capacity for moral conviction. Igrnoring anger makes us careless with ourselves and allows society to be careless with us. It is notable, however, that treating women's anger and pain in these ways makes it easier to exploit us—for reproduction, labor, sex, and idealogy.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
If there is a word that should be retired from use in the service of women's expression, health, well-being, and equality, it is appropriate - a sloppy, mushy word that purports to convey some important moral essence but in reality is just a policing term used to regulate our language, appearance and demands. It's a control word. We are done with control.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
The importance and visibility of women's collective anger can't be overstated. This anger takes determination, thoughtfulness, and work. It means respecting our own anger and being willing to respect the anger of other women.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
Forgiveness is valuable and important to relationships, but if your instinct is to withhold forgiveness, it is probably a good one.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
Anger is usually about saying “no” in a world where women are conditioned to say almost anything but “no.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
God, but the coast here was painfully beautiful, the dark lush greens of the fir trees piercing his brain, the half-raging sky and sea, the surge of salt water against the rocks twinned to the urgent wash of blood through his arteries as he waited for her to kill him or hear him out. Seditious thoughts: there would be nothing too terrible about dying out here, about becoming part of all of this.
Jeff VanderMeer (Authority (Southern Reach, #2))
And I felt, I think for the first time, a rage against men. Not because they could say, "I'm going," and go. Not because they could go to college and become lawyers or preachers while women could only be drudge or ornament but nothing between. Not because they could be parents at no cost to their bodies. But because when they love a woman they may be with her, and all society will protect their possession of her.
Isabel Miller (Patience & Sarah)
One of the most astounding and telling features of the Women's March and the #MeToo movement is that they both illustrate how many angry women it takes to generate public response.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
I wanted to own my anger, because it brought me back to myself. It gave me clarity and purpose.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
Contrary to the idea that anger clouds thinking, properly understood, it is an astoundingly clarifying emotion.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
Women are more likely to be targeted with hateful violence simply because they are women, every day.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
Valdivia had to hold back the familiar mixture of sadness, rage, and revulsion to keep herself from shouting at the world in front of her. Of course, she had seen bad things before. But now, violence against women was a particular anguish, and the pursuit of their killers had become a personal mission.
Jonathan Epps (Until Morning Comes (The American Wrath Trilogy))
The ugly truth is that more people are still motivated by the desire to prioritize men's income generating and reputations than they are by the desire to ensure women's rights and safety.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
When heaven doth weep, doth not the earth o'erflow? If the winds rage, doth not the sea wax mad, Threatening the welking with his big-swoln face? And wilt though have a reason for this coil? I am the sea; hark, how her sighs do blow! She is the weeping welkin, I the earth: Then must my sea be moved with her sighs; Then must my earth with her continual tears Become a deluge, overflow'd and drown'd; For why my bowels cannot hide her woes, But like a drunkard must I vomit them. Then give me leave, for losers will have leave To ease their stomachs with their bitter tongues.
William Shakespeare
Arrow let the slow pulse of the vibrating strings flood into her. She felt the lament raise a lump in her throat, fought back tears. She inhaled sharp and fast. Her eyes watered, and the notes ascended the scale. The men on the hills, the men in the city, herself, none of them had the right to do the things they'd done. It had never happened. It could not have happened. But she knew these notes. They had become a part of her. They told her that everything had happened exactly as she knew it had, and that nothing could be done about it. No grief or rage or noble act could undo it. But it could all have been stopped. It was possible. The men on the hills didn't have to be murderers. Then men in the city didn't have to lower themselves to fight their attackers. She didn't have to be filled with hatred. The music demanded that she remember this, that she know to a certainity that the world still held the capacity for goodness. The notes were proof of that.
Steven Galloway (The Cellist of Sarajevo)
Anger remains the emotion that is least acceptable for girls and women because it is the first line of defense against injustice. Believing that you have the right to use your anger with power reflects multiple, overlapping social entitlements. In the end, faced with yet another
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
It goes without saying that “angry women” are “ugly women,” the cardinal sin in a world where women’s worth, safety, and glory are reliant on their sexual and reproductive value to men around them. None of this leads us to think of anger as the moral or political property of women.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
She didn't have the right to lose herself in her rage and let it take her to oblivion. No matter what she'd been through. She wouldn't allow herself to become a human scar, a compendium of personal loss. She had the obligation to be more than the sum of her grievances with the world.
F.C. Yee
Women often endure infertility, pregnancy, infant loss, miscarriages, and stillbirths in isolation, because while sadness is a socially palatable response to these often life-altering events, rage, frustration, jealousy, and guilt are not.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
In a study of children's toy and television preferences, researchers Isabelle Cherney and Kamala London found that, when left alone, half of boys ages five through thirteen picked "girl" and "boy" toys equally - until they thought they were being watched. They were especially concerned about what their fathers would think if they saw them. Over time, boys' interests in toys and media become more rigidly masculinized and codified, whereas girls' stay relatively open ended and flexible.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
Women who are actively aware of discrimination and develop a comfort level in speaking about it openly are the most likely to challenge aggressions in their daily lives and report higher levels of "closure" and satisfaction than those who don't.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
Shame infuses women's most intimate experiences, from menstruation to sex. Women who internalize objectified ideas about their bodies often feel intense disgust with bodily functions – even pregnancy. Objectification and self-surveillance also put women at higher risk of sexual dysfunction. Rather than enjoying sex or engaging with their partners to ensure sexual satisfaction, women, distracted by what their bodies smell, feel, and look like, become unable to think about their own pleasure.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
Reenvisioned, anger can be the most feminine of virtues: compassionate, fierce, wise, and powerful. The women I admire most... have all found ways to transform their anger into meaningful change. In them, anger has moved from deliberation to liberation.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
For many men, just seeing a woman in a sexually objectifying pose, such as in a bikini, deactivates the part of the brain's prefrontal cortex, the part of the brain where thinking about people and their intentions, feelings and actions happens. Instead, the region of the brain that lights up... is the one that reacts to looking at inanimate objects, such as a pen or a ball.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
In their 2001 study 'The Girl Who Cried Pain: A Bias Against Women in the Treatment of Pain,' Diane E Hoffmann and Anita J. Tarzian pointed out that women are 'more likely to have their pain reports discounted as 'emotional' or 'psychogenic' and, therefore, 'not real.' This invalidation parallels the invalidation of women's anger, which is similarly often reduced to proof of women's mental weakness. One study of postoperative pain relief for patients who had undergone coronary artery bypass surgery revealed that men in pain were given pain relief medication, but women were given sedatives. Sedatives aren't pain relievers, or analgesics. They're calming and dulling agents that 'take the edge off.' But for whom, exactly?
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
In 2015 a sixth-grade girl named Madeline Messer analyzed the fifty most popular 'endless runner game' apps and found that 98 percent came with built-in boy characters, compared with only 46 percent that offered girl characters. The real kicker, however, was that in 90 percent of the games, the male characters were free, whereas 85 percent of the games charged extra for the ability to select a female character. This is a simple but telling example of the ways children learn to think that masculine = normal; male = standard; boys = human; and girls = have to pay.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
The magic was boiling her blood. The darkness—it would be a relief compared to the hell smoldering in her veins. The Valg prince advanced, and part of her was screaming—screaming at herself to get up, to keep fighting, to rage and roar against this horrible end. But moving her limbs, even breathing, had become a monumental effort. She was so tired.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
To the accomplishment-oriented mother, what you achieve in life is paramount. Success depends on what you do, not who you are. She expects you to perform at the highest possible level. This mom is very proud of her children’s good grades, tournament wins, admission into the right college, and graduation with the pertinent degrees. She loves to brag about them too. But if you do not become what your accomplishment-oriented mother thinks you should, and accomplish what she thinks is important, she is deeply embarrassed, and may even respond with a rampage of fury and rage. A confusing dynamic is at play here. Often, while the daughter is trying to achieve a given goal, the mother is not supportive because it takes away from her and the time the daughter has to spend on her. Yet if the daughter achieves what she set out to do, the mother beams with pride at the awards banquet or performance. What a mixed message. The daughter learns not to expect much support unless she becomes a great hit, which sets her up for low self-esteem and an accomplishment-oriented lifestyle.
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
He sounds interesting," Savannah murmured. Instantly Gregori could feel his muscles tighten. That black, nameless rage that made him so dangerous boiled in his gut. He would always live with the fear that he had stolen Savannah from another. That some other Carpathian male held the secret to her heart. That he had condemned another to death or,worse, to becoming the undead,because he had stolen Savannah. Since Gregori had manipulated the outcome of their joining, perhaps there was some other whose chemistry matched hers perfectly. His silver eyes were cold and lethal, small red flames leaping in their depths. "You do not need to find Savage interesting. I would never give you up, Savannah." "Don't be an idiot, Gregori," she said impatiently. "As if I'd ever want some other beast just out of the cave when I've almost got you trained.
Christine Feehan (Dark Magic (Dark, #4))
Even in school, children get subtle messages about whose stories matter. Literature classes routinely feature literature written by women and men of color as exceptional (one among many white male writers) or available for study in some schools as elective classes only. A recent global review found that gender bias is also "rife in textbooks." The result of pedagogical choices like these shape self-esteem, empathy, and understanding. They also shape resentment, confusion, and anger.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
She breathes music. Lives it and bleeds it. Her headphones have become her heartbeat. Her lyrics are her life. Music is her outlet of pain, love, and rage. Every note unplayed is another minute unlived. Every song unsung is another moment lost forever. She relies on music to show her the way, make fantasies real and to ease the pain of everyday life. Each day is another chance to create pure artistry. Music is the reason she is who she is...the good and the bad. Her life without it is like a bird without wings or lungs with out air. Life is for the living. Death is for the dead. Her life is her music. Her death will be the note unsaid.
-x-Myistic-x
such an ill-cooked roast at the future queen’s wedding?” he cries. The princess-cook appears before her father, but she is so changed he does not recognize her. “I would not serve you salt, Your Majesty,” she explains. “For did you not exile your youngest daughter for saying that it was of value?” At her words, the king realizes that not only is she his daughter—she is, in fact, the daughter who loves him best. And what then? The eldest daughter and the middle sister have been living with the king all this time. One has been in favor one week, the other the next. They have been driven apart by their father’s constant comparisons. Now the youngest has returned, the king yanks the kingdom from his eldest, who has just been married. She is not to be queen after all. The elder sisters rage. At first, the youngest basks in fatherly love. Before long, however, she realizes the king is demented and power-mad. She is to be queen, but she is also stuck tending to a crazy old tyrant for the rest of her days. She will not leave him, no matter how sick he becomes. Does she stay because she loves him as meat loves salt? Or does she stay because he has now promised her the kingdom? It is hard for her to tell the difference. 17 THE FALL AFTER the European trip,
E. Lockhart (We Were Liars)
Rage swallowed remorse. Rage drop-kicked self-pity. Rage murdered sorrow. And then, like blood-red wine tucked into the refrigerator, rage chilled to become cold, calculating anger. Anger was a creature that arrived on her doorstep with a suitcase full of strategy and vengeance. It tipped its hat at her and hopped into her brain. It knocked on the Logic Department's door. It found a broken mirror somewhere in the crevices between her hippocampus and her hypothalamus, and it was wondering if somebody had misplaced it. No retaliation? It scoffed. Think again, missy.
Angela Panayotopulos (The Wake Up)
Harassment and the ever-present suggestions of violence at this scale constantly reminds women and girls of their place. For the most part, girls' and women's experiences with harassment are still cloaked in silence, and we continue, as a global society, to peddle dangerous advice to girls about "staying safe." This isn't about safety. If it were, we'd teach boys, who are also subject to childhood molestation and risk, the same lessons, but we don't. It's about social control.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
A meta-analysis of almost two hundred studies conducted in more than fifteen countries found that women are more physically and emotionally exhausted than men, accounting for their higher rates of burnout in many sectors, such as media. "An awful lot of middle-aged women are furious and overwhelmed," wrote Ada Calhoun in a 2016 article titled "The New Midlife Crisis: Why (and How) It's Hitting Gen X Women." What we don't talk about enough is how the deck is stacked against their feeling any other way.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
Cursing numbs pain. The relationship between pain and cursing is not one-way (for example, stubbing your toe and letting out a stream of expletives in rage). Those expletives, in turn, affect our perceptions of pain. Through a series of creative experiments, scientists have found that the stronger the curse words people use while experiencing pain the higher their tolerance for that pain. Byrne notes, depressingly, that women who curse when in pain, however, are less well cared for by those around them.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
ONCE UPON A time there was a king who had three beautiful daughters. As he grew old, he began to wonder which should inherit the kingdom, since none had married and he had no heir. The king decided to ask his daughters to demonstrate their love for him. To the eldest princess he said, “Tell me how you love me.” She loved him as much as all the treasure in the kingdom. To the middle princess he said, “Tell me how you love me.” She loved him with the strength of iron. To the youngest princess he said, “Tell me how you love me.” This youngest princess thought for a long time before answering. Finally she said she loved him as meat loves salt. “Then you do not love me at all,” the king said. He threw his daughter from the castle and had the bridge drawn up behind her so that she could not return. Now, this youngest princess goes into the forest with not so much as a coat or a loaf of bread. She wanders through a hard winter, taking shelter beneath trees. She arrives at an inn and gets hired as assistant to the cook. As the days and weeks go by, the princess learns the ways of the kitchen. Eventually she surpasses her employer in skill and her food is known throughout the land. Years pass, and the eldest princess comes to be married. For the festivities, the cook from the inn makes the wedding meal. Finally a large roast pig is served. It is the king’s favorite dish, but this time it has been cooked with no salt. The king tastes it. Tastes it again. “Who would dare to serve such an ill-cooked roast at the future queen’s wedding?” he cries. The princess-cook appears before her father, but she is so changed he does not recognize her. “I would not serve you salt, Your Majesty,” she explains. “For did you not exile your youngest daughter for saying that it was of value?” At her words, the king realizes that not only is she his daughter—she is, in fact, the daughter who loves him best. And what then? The eldest daughter and the middle sister have been living with the king all this time. One has been in favor one week, the other the next. They have been driven apart by their father’s constant comparisons. Now the youngest has returned, the king yanks the kingdom from his eldest, who has just been married. She is not to be queen after all. The elder sisters rage. At first, the youngest basks in fatherly love. Before long, however, she realizes the king is demented and power-mad. She is to be queen, but she is also stuck tending to a crazy old tyrant for the rest of her days. She will not leave him, no matter how sick he becomes. Does she stay because she loves him as meat loves salt? Or does she stay because he has now promised her the kingdom? It is hard for her to tell the difference.
E. Lockhart (We Were Liars)
For years in this country there was no one for black men to vent their rage on except black women. And for years black women accepted that rage—even regarded that acceptance as their unpleasant duty. But in doing so, they frequently kicked back, and they seem never to have become the “true slave” that white women see in their own history. True, the black woman did the housework, the drudgery; true, she reared the children, often alone, but she did all of that while occupying a place on the job market, a place her mate could not get or which his pride would not let him accept. And she had nothing to fall back on: not maleness, not whiteness, not ladyhood, not anything. And out of the profound desolation of her reality she may very well have invented herself. —Toni Morrison, “What the Black Woman Thinks About Women’s Lib,” The New York Times, 1971
Tara M. Stringfellow (Memphis)
Only women could bleed without injury or death; only they rose from the gore each month like a phoenix; only their bodies were in tune with the ululations of the universe and the timing of the tides. Without this innate lunar cycle, how could men have a sense of time, tides, space, seasons, movement of the universe, or the ability to measure anything at all? How could men mistress the skills of measurement necessary for mathematics, engineering, architecture, surveying—and so many other professions? In Christian churches, how could males, lacking monthly evidence of Her death and resurrection, serve the Daughter of the Goddess? In Judaism, how could they honor the Matriarch without the symbol of Her sacrifices recorded in the Old Ovariment? Thus insensible to the movements of the planets and the turning of the universe, how could men become astronomers, naturalists, scientists—or much of anything at all?
Gloria Steinem (Moving Beyond Words: Essays on Age, Rage, Sex, Power, Money, Muscles: Breaking the Boundaries of Gender)
Denial helps the bystander. We don't want to know what the boys we send to Iraq have done to others out of terror, or what others have done to them. We would rather not know about terror or be confronted with evil. This is as true about Abu Ghraib as it is about person assaults and more private crimes, the crimes that occur inside families. But the victim, too, cannot bear to believe. She may bury or dissociate from or disown her pain...to be raped or abused or threatened with violent death; to be treated as an object in a perpetrator's dream, rather than the subject of your own - these are bad enough. But when observers become complicit in the victim's desire to forget, they become perpetrators, too. When authorities disbelieve the victim, when bystanders refute what they cannot bear to know, they rob the victim of normal existence on the earth. Bystander and victim collude in denial or forgetting, and in so doing, repeat the abuse. Life for the victim now begins anew. In this new world, the victim can no longer trust the evidence of her senses. Something seems to have happened, but what? The ground disappears. This is the alchemy of denial: terror, rage, and pain are replaced with free-floating shame. The victim will being to wonder: What did I do? She will being to believe: I must have done something bad. But the sensation of shame is shameful itself, so we dissociate that, too. In the end, a victim who has suffered the denial of others will come to see herself as a liar.
Jessica Stern (Denial: A Memoir of Terror)
You might not believe in our rebellion. But I saw Tactus change before his future was robbed from him. I’ve seen Ragnar forget his bonds and reach for what he wants in this world. I’ve seen Sevro become a man. I’ve seen myself change. I truly do believe we choose who we want to be in this life. It isn’t preordained. You taught me loyalty, more than Mustang, more than Roque. And because of that, I believe in you, Victra. As much as I’ve ever believed in anyone.” I hold out my hand. “Be my family and I will never forsake you. I will never lie to you. I will be your brother as long as you live.” Startled by the emotion in my voice, the cold woman stares up at me. Those defenses she erected forgotten now. In another life we might have been a pair. Might have had that fire I feel for Mustang, for Eo. But not in this life. Victra does not soften. Does not crumble to tears. There’s still rage inside her. Still raw hate and so much betrayal and frustration and loss coiled around her icy heart. But in this moment, she is free of it all. In this moment, she reaches solemnly up to grasp my hand. And I feel the hope flicker in me. “Welcome to the Sons of Ares.
Pierce Brown (Morning Star (Red Rising, #3))
It was, of course, the memory of Sophie and Nathan's long-ago plunge that set loose this flood [of tears], but it was also a letting go of rage and sorrow for the many others who during these past months had battered at my mind and now demanded my mourning: Sophie and Nathan, yes, but also Jan and Eva -- Eva with her one-eyed mis -- and Eddie Farrell, and Bobby Weed, and my young black savior Artiste, and Maria Hunt, and Nat Turner, and Wanda Muck-Horch von Kretschmann, who were but a few of the beaten and butchered and betrayed and martyred children of the earth. I did not weep for the six million Jews or the two million Poles or the one million Serbs or the five million Russians -- I was unprepared to weep for all humanity -- but I did weep for these others who in one way or another had become dear to me, and my sobs made an unashamed racket across the abandoned beach; then I had no more tears to shed, I lowered myself to the sand...and slept...When I awoke it was nearly morning...I heard children chattering nearby. I stirred...Blessing my resurrection, I realized that the children had covered me with sand, protectively, and that I lay as safe as a mummy beneath this fine, enveloping overcoat.
William Styron (Sophie’s Choice)
There is a dark side to religious devotion that is too often ignored or denied. As a means of motivating people to be cruel or inhumane -- as a means of inciting evil, to borrow the vocabulary of the devout -- there may be no more potent force than religion. When the subject of religiously inspired bloodshed comes up, many Americans immediately think of Islamic fundamentalism, which is to be expected in the wake of the September 11 attacks on New York and Washington. But men have been committing heinous acts in the name of God ever since mankind began believing in deities, and extremists exist within all religions. Muhammad is not the only prophet whose words have been used to sanction barbarism; history has not lacked for Christians, Jews, Hindus, Sikhs, and even Buddhists who have been motivated by scripture to butcher innocents. Plenty of these religious extremists have been homegrown, corn-fed Americans. Faith-based violence was present long before Osama bin Laden, and it ill be with us long after his demise. Religious zealots like bin Laden, David Koresh, Jim Jones, Shoko Asahara, and Dan Lafferty are common to every age, just as zealots of other stripes are. In any human endeavor, some fraction of its practitioners will be motivated to pursue that activity with such concentrated focus and unalloyed passion that it will consume them utterly. One has to look no further than individuals who feel compelled to devote their lives to becoming concert pianists, say, or climbing Mount Everest. For some, the province of the extreme holds an allure that's irresistible. And a certain percentage of such fanatics will inevitably fixate on the matters of the spirit. The zealot may be outwardly motivated by the anticipation of a great reward at the other end -- wealth, fame, eternal salvation -- but the real recompense is probably the obsession itself. This is no less true for the religious fanatic than for the fanatical pianist or fanatical mountain climber. As a result of his (or her) infatuation, existence overflows with purpose. Ambiguity vanishes from the fanatic's worldview; a narcissistic sense of self-assurance displaces all doubt. A delicious rage quickens his pulse, fueled by the sins and shortcomings of lesser mortals, who are soiling the world wherever he looks. His perspective narrows until the last remnants of proportion are shed from his life. Through immoderation, he experiences something akin to rapture. Although the far territory of the extreme can exert an intoxicating pull on susceptible individuals of all bents, extremism seems to be especially prevalent among those inclined by temperament or upbringing toward religious pursuits. Faith is the very antithesis of reason, injudiciousness a crucial component of spiritual devotion. And when religious fanaticism supplants ratiocination, all bets are suddenly off. Anything can happen. Absolutely anything. Common sense is no match for the voice of God...
Jon Krakauer (Under the Banner of Heaven: A Story of Violent Faith)
Kylo had rummaged through these hopes and fears, things he had no right to. But as he searched, something had changed. Even as he callously rifled through her mind, he had somehow revealed his own. Rey found herself in his mind even as he invaded hers. She felt his rage, like a ruinous storm that filled his head, and his hatred, and his lust to dominate and humiliate those who wronged him. But she also felt his hurt, and his loneliness. And his fear -- that he would never prove as strong as Darth Vader, the ghost who haunted his dreams. Kylo had retreated at finding Rey in his head -- had practically fled from her. But that had not been the end of that strange, sudden connection. She had seen more -- far more. Somehow, almost instinctually, she knew how he accessed some of the powers at his command -- even though she didn't understand them. It was as if his training had become hers, unlocking and flinging open door after door in her mind. But now Rey couldn't shut those doors -- and she feared what had been set loose. Kylo had urged her to let him be her teacher -- had pleaded with her, almost.
Jason Fry (The Last Jedi: Expanded Edition (Exclusive Edition) (Star Wars))
She understood the genre constraints, the decencies we were supposed to be observing. The morally cosy vision allows the embrace of monstrosity only as a reaction to suffering or as an act of rage against the Almighty. Vampire interviewee Louis is in despair at his brother’s death when he accepts Lestat’s offer. Frankenstein’s creature is driven to violence by the violence done to him. Even Lucifer’s rebellion emerges from the agony of injured pride. The message is clear: By all means become an abomination—but only while unhinged by grief or wrath. By rights, Talulla knew, she should have been orphaned or raped or paedophilically abused or terminally ill or suicidally depressed or furious at God for her mother’s death or at any rate in some way deranged if she was to be excused for not having killed herself, once it became apparent that she’d have to murder and devour people in order to stay alive. The mere desire to stay alive, in whatever form you’re lumbered with—werewolf, vampire, Father of Lies—really couldn’t be considered a morally sufficient rationale. And yet here she was, staying alive. You love life because life’s all there is.
Glen Duncan (The Last Werewolf (The Last Werewolf, #1))
Tonight, no one will rage and cry: "My Kingdom for a horse!" No ghost will come to haunt the battlements of a castle in the kingdom of Denmark where, apparently something is rotten. Nor will anyone wring her hands and murmur: "Leave, I do not despise you." Three still young women will not retreat to a dacha whispering the name of Moscow, their beloved, their lost hope. No sister will await the return of her brother to avenge the death of their father, no son will be forced to avenge an affront to his father, no mother will kill her three children to take revenge on their father. And no husband will see his doll-like wife leave him out of contempt. No one will turn into a rhinoceros. Maids will not plot to assassinate their mistress, after denouncing her lover and having him jailed. No one will fret about "the rain in Spain!" No one will emerge from a garbage pail to tell an absurd story. Italian families will not leave for the seashore. No soldier will return from World War II and bang on his father's bedroom dor protesting the presence of a new wife in his mother's bed. No evanescent blode will drown. No Spanish nobleman will seduce a thousand and three women, nor will an entire family of Spanish women writhe beneath the heel of the fierce Bernarda Alba. You won't see a brute of a man rip his sweat-drenched T-shirt, shouting: "Stella! Stella!" and his sister-in-law will not be doomed the minute she steps off the streetcar named Desire. Nor will you see a stepmother pine away for her new husband's youngest son. The plague will not descend upon the city of Thebes, and the Trojan War will not take place. No king will be betrayed by his ungrateful daughters. There will be no duels, no poisonings, no wracking coughs. No one will die, or, if someone must die, it will become a comic scene. No, there will be none of the usual theatrics. What you will see tonight is a very simple woman, a woman who will simply talk...
Michel Tremblay
But to be furious, murderously furious, is to be alive. No longer young, no longer pretty, no longer loved, or sweet, or lovable, unmasked, writhing on the ground for all to see in my utter ingloriousness, there’s no telling what I might do. I could film my anger and sell it, I could do some unmasking of my own, beat the fuckers at their own game, and on the way I could become the best-known fucking artist in America, out of sheer spite. You never know. I’m angry enough to set fire to a house just by looking at it. It can’t be contained, stored away with the recycling. I’m done staying quietly upstairs. My anger is not a little person’s, a sweet girl’s, a dutiful daughter’s. My anger is prodigious. My anger is a colossus. I’m angry enough to understand why Emily Dickinson shut out the world altogether, why Alice Neel betrayed her children, even though she loved them mightily. I’m angry enough to see why you walk into the water with rocks in your pockets, even though that’s not the kind of angry I am. Virginia Woolf, in her rage, stopped being afraid of death; but I’m angry enough, at last, to stop being afraid of life, and angry enough—finally, God willing, with my mother’s anger also on my shoulders, a great boil of rage like the sun’s fire in me—before I die to fucking well live. Just watch me.
Claire Messud (The Woman Upstairs)
When we are taught that our anger is undesirable, selfish, powerless, and ugly, we learn that we are undesirable, selfish, powerless, andy ugly. When we forgo talking about anger, because it represents risk or challenge, or because it disrupts a comfortable status quo, we forgo valuable lessons about risk and challenge and the discomforts of the status quo. By naturalizing the idea that girls and women aren't angry but are sad, by instisting that they keep their anger to themselves, we render women's feelings and demands mute and with little social value. When we call our anger sadness instead of anger, we often fail to acknowledge what is wrong, specifically in a way that discourages us from imagining and pursuing change. Sadness, as an emotion, is paired with acceptance. Anger, on the other hand, invokes the possibility of change and of fighting back. What I wish I had taught my daughter in that moment was that she had every right to be angry, and subsequently demand that the adults around her pay attention to that anger. Only then can she feel she has the right to make demands on the world.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
The girl moved from throwing weapons to hand-to-hand combat: a punch of power, a sweeping kick of flame. Her flames had become gloriously varied—golds and reds and oranges. And her technique—not the magic, but the way she moved … Her master had been a monster, there was no doubt of that. But he had trained her thoroughly. She ducked and flipped and twisted, relentless, raging, and— She swore with her usual color as the wall sent the punch of ruby flame back at her. She managed to shield, but still got knocked on her ass. Yet none of the sentries laughed. Rowan didn’t know if it was because of his presence or because of her. He got his answer a heartbeat later, as he waited for her to shout or shriek or walk away. But the princess just slowly got to her feet, not bothering to brush off the dirt and leaves, and kept practicing.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
At first she did nothing, waiting for her husband to wake, which he did not, because that wasn’t a thing he ever did. She waited longer than she usually did, waited and waited, the boy wailing while she lay as still as a corpse, patiently waiting for the day when her corpse self would miraculously be reanimated and taken into the Kingdom of the Chosen, where it would create an astonishing art installation composed of many aesthetically interesting beds. The corpse would have unlimited child-care and be able to hang out and go to show openings and drink corpse wine with the other corpses whenever it wanted, because that was heaven. That was it. She lay there as long as she could without making a sound, a movement. Her child’s screams fanned a flame of rage that flickered in her chest. That single, white-hot light at the center of the darkness of herself—that was the point of origin from which she birthed something new, from which all women do. You light a fire early in your girlhood. You stoke it and tend it. You protect it at all costs. You don’t let it rage into a mountain of light, because that’s not becoming of a girl. You keep it secret. You let it burn. You look into the eyes of other girls and see their fires flickering there, offer conspiratorial nods, never speak aloud of a near-unbearable heat, a growing conflagration. You tend the flame because if you don’t you’re stuck, in the cold, on your own, doomed to seasonal layers, doomed to practicality, doomed to this is just the way things are, doomed to settling and understanding and reasoning and agreeing and seeing it another way and seeing it his way and seeing it from all the other ways but your own. And upon hearing the boy’s scream, the particular pitch and slice, she saw the flame behind her closed eyes. For a moment, it quivered on unseen air, then, at once, lengthened and thinned, paused, and dropped with a whump into her chest, then deeper into her belly, setting her aflame
Rachel Yoder (Nightbitch)
As my mom sees it, her dry, flaky skin is some immigrant’s vocational opportunity. Plus, hurting her offers immigrants a nifty cathartic therapy for venting their rage. Her chapped lips and split ends constitute someone’s rungs up the socioeconomic ladder to escape poverty. Sliding into middle age complete with cellulite and scaly elbows, my mother has become an economic engine, generating millions of dollars which will be wired to feed families and purchase cholera medicine in Ecuador. Should she ever decide to “let herself go,” no doubt tens of thousands would perish.
Chuck Palahniuk (Damned (Damned #1))
My pulse roared like a raging river in response, but I held back. I slipped my hand into her hair, angling her face toward mine, savoring each hitch in her breath, each jump of my heart. It seemed like we’d waited a millennium to get here. And I languished in the slight teasing before our kiss. I brushed my lips against hers, once, twice. Each pass gaining the slightest bit of pressure. I moved before our mouths made that final contact, kissing the corner of her lips, her cheek, along the underside of her jaw. I drew slow circles down the side of her bodice and she arched into my touch, urging me lower. I wanted to slide my fingers along the silkiness of her stockings, feel the layers of her full skirts brush over my skin as I explored her body the way she seemed to beg me to. I brought my mouth back to hers and kissed her, slow and languorously, savoring the feel of her.
Kerri Maniscalco (Becoming the Dark Prince (Stalking Jack the Ripper, #3.5))
Anger is an assertion of rights and worth. It is communication, equality, and knowledge. It is intimacy, acceptance, fearlessness, embodiment, revolt, and reconciliation. Anger is memory and rage. It is rational thought and irrational pain. Anger is freedom, independence, expansiveness, and entitlement. It is justice, passion, clarity, and motivation. Anger is instrumental, thoughtful, complicated, and resolved. In anger, whether you like it or not, there is truth. Anger is the demand of accountability. It is evaluation, judgment, and refutation. It is reflective, visionary, and participatory. It's a speech act, a social statement, an intention, and a purpose. It's a risk and a threat. A confirmation and a wish. It is both powerlessness and power, palliative and a provocation. In anger, you will find both ferocity and comfort, vulnerability and hurt. Anger is the expression of hope.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
It's true,' replied Doris with a sniff in Bessy's direction to make her sensible of a victory, even if a minor one. 'It is amazing how so many people go insane. One day a man is a normal, friendly husband and the next he suddenly becomes a raging schizoid and slays his wife and himself as well. The result of what cause? Why, perhaps he chanced to find some schoolgirl treasure of another beau who had been his greatest rival and is stunned to discover that she secretly retains this. But usually the matter is not so simple, you know. Next to nothing may happen, jarring awake some sleeping monstrosity in a man's complex mental machinery and turning him from a sane person to a mentally sick individual. It is wholly impossible to say when a man is sane, for' -she tittered- 'scarce one of us is normal.' 'You mean - it might happen to any of us?' 'Of course,' said Doris, charmed by all this interest. 'One moment we are seated here, behaving normally and the next some tiny thing, a certain voice, a certain combination of thoughts may throw out the balance wheel of our intellects and we become potential inmates for asylums the rest of our lives. No, not one of us knows when the world will cease to be a normal, ordinary place. You know, no one ever knows when he goes insane: He supposes it is the world altering, not himself. Rooms become peopled with strange shapes and beings, sounds distort themselves into awful cries and, poof! we are judged insane.' 'Poof -' said Jacob, feeling weak and ill. ("He Didn't Like Cats")
L. Ron Hubbard
With bare feet in the dirt, fulmia, ten times with conviction, will shake the earth to its roots, if you have the strength, Jaga’s book had told me, and the Dragon had believed it enough not to let me try it anywhere near the tower. I had felt doubtful, anyway, about conviction: I hadn’t believed I had any business shaking the earth to its roots. But now I fell to the ground and dug away the snow and the fallen leaves and rot and moss until I came to the hard-frozen dirt. I pried up a large stone and began to smash at the earth, again and again, breaking up the dirt and breathing on it to make it softer, pounding in the snow that melted around my hands, pounding in the hot tears that dripped from my eyes as I worked. Kasia was above me with her head flung up, her mouth open in its soundless cry like a statue in a church. “Fulmia,” I said, my fingers deep in the dirt, crushing the solid clods between my fingers. “Fulmia, fulmia,” I chanted over and over, bleeding from broken nails, and I felt the earth hear me, uneasily. Even the earth was tainted here, poisoned, but I spat on the dirt and screamed, “Fulmia,” and imagined my magic running into the ground like water, finding cracks and weaknesses, spreading out beneath my hands, beneath my cold wet knees: and the earth shuddered and turned over. A low trembling began where my hands drove into the ground, and it followed me as I started prying at the roots of the tree. The frozen dirt began to break up into small chunks all around them, the tremors going on and on like waves. The branches above me were waving wildly as if in alarm, the whispering of the leaves becoming a muted roaring. I straightened up on my knees. “Let her out!” I screamed at the tree: I beat on its trunk with my muddy fists. “Let her out, or I’ll bring you down! Fulmia!” I cried out in rage, and threw myself back down at the ground, and where my fists hit, the ground rose and swelled like a river rising with the rain. Magic was pouring out of me, a torrent: every warning the Dragon had ever given me forgotten and ignored. I would have spent every drop of myself and died there, just to bring that horrible tree down: I couldn’t imagine a world where I lived, where I left this behind me, Kasia’s life and heart feeding this corrupt monstrous thing. I would rather have died, crushed in my own earthquake, and brought it down with me. I tore at the ground ready to break open a pit to swallow us all.
Naomi Novik (Uprooted)
The Canonization" For God's sake hold your tongue, and let me love, Or chide my palsy, or my gout, My five gray hairs, or ruined fortune flout, With wealth your state, your mind with arts improve, Take you a course, get you a place, Observe his honor, or his grace, Or the king's real, or his stampèd face Contemplate; what you will, approve, So you will let me love. Alas, alas, who's injured by my love? What merchant's ships have my sighs drowned? Who says my tears have overflowed his ground? When did my colds a forward spring remove? When did the heats which my veins fill Add one more to the plaguy bill? Soldiers find wars, and lawyers find out still Litigious men, which quarrels move, Though she and I do love. Call us what you will, we are made such by love; Call her one, me another fly, We're tapers too, and at our own cost die, And we in us find the eagle and the dove. The phœnix riddle hath more wit By us; we two being one, are it. So, to one neutral thing both sexes fit. We die and rise the same, and prove Mysterious by this love. We can die by it, if not live by love, And if unfit for tombs and hearse Our legend be, it will be fit for verse; And if no piece of chronicle we prove, We'll build in sonnets pretty rooms; As well a well-wrought urn becomes The greatest ashes, as half-acre tombs, And by these hymns, all shall approve Us canonized for Love. And thus invoke us: "You, whom reverend love Made one another's hermitage; You, to whom love was peace, that now is rage; Who did the whole world's soul contract, and drove Into the glasses of your eyes (So made such mirrors, and such spies, That they did all to you epitomize) Countries, towns, courts: beg from above A pattern of your love!
John Donne
I shall amuse you with a tale, then,” said Will. “The tale of my hellride with Balios from London to Cadair Idris, in Wales. Your mother, James, was missing—kidnapped by the miscreant Mortmain. I leaped into Balios’s saddle. ‘If ever you loved me, Balios,’ I cried, ‘let your feet now be swift, and carry me to my dear Tessa before harm befalls her.’ It was a stormy night, though the storm that raged inside my breast was fiercer still—” “I can’t believe you haven’t heard this story before, James,” said Magnus, mildly. The two of them were sharing one side of the carriage, as it had become quickly apparent on the first day of their journey that Will needed the entire other side for dramatic gesturing. It was very strange to have heard tales of Magnus all James’s life, and now to be traveling in close quarters with him. What he’d learned in their days of travel was that despite his elaborate costumes and theatrical airs, which had alarmed several innkeepers, Magnus was surprisingly calm and practical. “I haven’t,” said James. “Not since last Thursday.
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
I at this writing am an old man, only three years short of my three score and ten. And they tell me that Wycliffe’s bones have been dug up and burned and cast into the river that leads to the sea. The Church--she thinks--has had her revenge. But, as I hear it, Wycliffe’s writings had already touched one man in Bohemia, John Huss, whom the Church burned several years ago. And though both Wycliffe and Huss be dead, There are rumors of unrest in that small country, unrest caused by those who seek true religion. In England, King Henry rules hand in glove with the Pope, but not forever, I think. We are still here--the Lollards, I mean. Did you guess it? Yes, I have become a “poor priest.” And I will tell you this: the writings of Wycliffe have been driven out of Oxford, but they can be found in every other nook in England. Indeed, many a time I have talked with an Oxford scholar on the road and have seen God open his heart to the truth. This is what Saint Paul meant when he spoke of Christians as being pressed but never pinned. The Church rages, but the truth goes on. Many a stout English yeoman embraces it in these days and leads his family in true godly worship. John Wycliffe was our morning star. When all was darkest and England lay asleep in the deadly arms of the papacy, God sent him to us. The Scripture has come to England. What will it hold back? Soon--though perhaps not in my lifetime-- the dawn will break, and there will be a new day in England.
Andy Thomson (Morning Star of the Reformation)
I believe that social media has become a treacherous platform for love interests. Before the Internet invaded our lives, I’m sure that each single person liked a lot of people at one time. Before falling into a committed relationship, there are steps taken to get there. Often, this involves talking to and even dating a few people at once. That’s logical. But with Facebook, your competition is suddenly splattered in your face. All I had to do was click onto Number 23’s profile and scan one after another wall post from ladies who may or may not be his mating potentials or mating pasts. I see their names and faces. When I click onto their photos, I open a Pandora’s box into their lives. I see their friends, professions, achievements, hobbies, and bodies. I evaluate, I compare, and when I’m insecure, I tear apart. I copy, paste, email, and text the images to my friends, so that they can assure me that I’m prettier, smarter, have bigger breasts, clearer skin, have something that would make him a fool to want her over me. Suddenly, I am stalking, letting fits of rage overcome me with violent hatred for these women who I’ve never met.
Maggie Georgiana Young (Just Another Number)
Consider these traditional theories of domestic abuse: - Learned helplessness suggest that abused women learn to become helpless under abusive conditions; they are powerless to extricate themselves from such relationships and/or unable to make adaptive choices - The cycle of violence describes a pattern that includes a contrition or honeymoon phase. The abusive husband becomes contrite and apologetic after a violent episode, making concerted efforts to get back in his wife’s good graces. - Traumatic bonding attempts to explain the inexplicable bond that is formed between a woman and her abusive partner - The theory of past reenactments posits that women in abusive relationships are reliving unconscious feelings from early childhood scenarios. My research results and experience with patients do not conform to these concepts. I have found that the upscale abused wife is not a victim of learned helplessness. Rather, she makes specific decisions along the path to be involved in the abusive marriage, including silent strategizing as she chooses to stay or leave the marriage. Nor does the upscale abused wife experience the classic cycle of violence, replete with the honeymoon stage, in which the husband courts his wife to seek her forgiveness. As in the case of Sally and Ray, the man of means actually does little to seek his wife’s forgiveness after a violent episode. Further, the upscale abused wife voices more attachment to her lifestyle than the traumatic bonding with her abusive mate. And very few of the abused women I have met over the years experienced abuse in their childhoods or witnessed it between their parents. In fact, it is this lack of experience with violence, rage, and abuse that makes this woman even more overwhelmed and unclear about how to cope with something so alien to her and the people in her universe.
Susan Weitzman (Not To People Like Us: Hidden Abuse In Upscale Marriages)
The summer my daughters were six and four, we were at the beach one day and went for a long walk. It was astonishingly hot, and the sun, bouncing off a clear sea and blinding sand, was relentless. Wearing bikini bottoms but no tops, my children alternated between making sandpiles and running into the sea to cool off. The beach was empty. Eventually a woman and her son appeared in the distance, moving lazily in our direction. The boy seemed to be around the same age. Eventually the children came together, playing in the water with on another but not talking. His mother and I, farther back in each direction, waved and smiled. I thought we would just keep walking, but when we got close to the children, she said loudly, 'You really should put tops on them.' At first, I didn't understand her. 'Thanks,' I replied. 'They're covered in sunscreen.' 'They're girls,' she said. It wasn't until she was near my daughters that she'd realized this. I was dumbfounded. She might have been equally dumbfounded if I had taken the time to explain that her statement was an overtly sexist sexualization. The four children were physically indistinguishable, physically active on a hot beach. When I made no move toward shielding her son from the girls' scary, tempting, and corrupting bodies, she pulled him out of the water by the arm. They rushed down the beach before it crossed my mind to whip off my own top. Aggression takes many forms.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
But it is the nature of narcissistic entitlement to see the situation from only one very subjective point of view that says “My feelings and needs are all that matter, and whatever I want, I should get.” Mutuality and reciprocity are entirely alien concepts, because others exist only to agree, obey, flatter, and comfort – in short, to anticipate and meet my every need. If you cannot make yourself useful in meeting my need, you are of no value and will most likely be treated accordingly, and if you defy my will, prepare to feel my wrath. Hell hath no fury like the Narcissist denied. Narcissists hold these unreasonable expectations of particularly favorable treatment and automatic compliance because they consider themselves uniquely special. In social situations, you will talk about them or what they are interested in because they are more important, more knowledgeable, or more captivating than anyone else. Any other subject is boring and won’t hold interest, and, in their eyes, they most certainly have a right to be entertained. In personal relationships, their sense of entitlement means that you must attend to their needs but they are under no obligation to listen to or understand you. If you insist that they do, you are “being difficult” or challenging their rights. How dare you put yourself before me? they seem to (or may actually) ask. And if they have real power over you, they feel entitled to use you as they see fit and you must not question their authority. Any failure to comply will be considered an attack on their superiority. Defiance of their will is a narcissistic injury that can trigger rage and self-righteous aggression. The conviction of entitlement is a holdover from the egocentric stage of early childhood, around the age of one to two, when children experience a natural sense of grandiosity that is an essential part of their development. This is a transitional phase, and soon it becomes necessary for them to integrate their feelings of self-importance and invincibility with an awareness of their real place in the overall scheme of things that includes a respect for others. In some cases, however, the bubble of specialness is never popped, and in others the rupture is too harsh or sudden, as when a parent or caretaker shames excessively or fails to offer soothing in the wake of a shaming experience. Whether overwhelmed with shame or artificially protected from it, children whose infantile fantasies are not gradually transformed into a more balanced view of themselves in relation to others never get over the belief that they are the center of the universe. Such children may become self-absorbed “Entitlement monsters,” socially inept and incapable of the small sacrifices of Self that allow for reciprocity in personal relationships. The undeflated child turns into an arrogant adult who expects others to serve as constant mirrors of his or her wonderfulness. In positions of power, they can be egotistical tyrants who will have their way without regard for anyone else. Like shame, the rage that follows frustrated entitlement is a primitive emotion that we first learn to manage with the help of attuned parents. The child’s normal narcissistic rages, which intensify during the power struggles of age eighteen to thirty months – those “terrible twos” – require “optimal frustration” that is neither overly humiliating nor threatening to the child’s emerging sense of Self. When children encounter instead a rageful, contemptuous or teasing parent during these moments of intense arousal, the image of the parent’s face is stored in the developing brain and called up at times of future stress to whip them into an aggressive frenzy. Furthermore, the failure of parental attunement during this crucial phase can interfere with the development of brain functions that inhibit aggressive behavior, leaving children with lifelong difficulties controlling aggressive impulses.
Sandy Hotchkiss (Why Is It Always About You?)
The older a woman got, the more diligent she had to become about not burdening men with the gory details of her past, lest she scare them off. That was the name of the game: Don’t Scare the Men. Those who encouraged you to indulge in your impulse to share, largely did so to expedite a bus. Like I felt the wind of the bus. I could even see a couple of the passengers, all shaken by a potential suicide. And out of nowhere, the guy rushes over, yanks me toward him, and escorts me out of the street.” “The birthday boy?” “No, different guy. You all start to look the same after a while, you know that? Anyway, we were both so high on adrenaline, we couldn’t stop laughing the whole night. Then he asked me out. Now one of our jokes is about that time I flung myself into traffic to avoid him.” “You were in shock.” “No, I wasn’t.” “Why isn’t the joke that he saved your life?” “I don’t know, Amos,” I said, folding my fingers together. “Maybe we’re both waiting for the day I turn around and say, ‘That’s right, asshole, I did fling myself into traffic to avoid you.’ I’m joking.” “Are you?” “Am I?” I mimicked him. “Should the day come when you manage to face-plant yourself into a relationship, you’ll find there are certain fragile truths every couple has. Sometimes I’m uncomfortable with the power, knowing I could break us up if I wanted. Other times, I want to blow it up just because it’s there. But then the feeling passes.” “That’s bleak.” “To you, it is. But I’m not like you. I don’t need to escape every room I’m in.” “But you are like me. You think you want monogamy, but you probably don’t if you dated me.” “You’re faulting me for liking you now?” “All I’m saying is you can’t just will yourself into being satisfied with this guy.” “Watch me,” I said, trying to burn a hole in his face. “If it were me, the party would have been our first date and it never would have ended.” “Oh, yes it would have,” I said, laughing. “The date would have lasted one week, but the whole relationship would have lasted one month.” “Yeah,” he said, “you’re right.” “I know I’m right.” “It wouldn’t have lasted.” “This is what I’m saying.” “Because if I were this dude, I would have left you by now.” Before I could say anything, Amos excused himself to pee. On the bathroom door was a black and gold sticker in the shape of a man. I felt a rage rise up all the way to my eyeballs, thinking of how naturally Amos associated himself with that sticker, thinking of him aligning himself with every powerful, brilliant, thoughtful man who has gone through that door as well as every stupid, entitled, and cruel one, effortlessly merging with a class of people for whom the world was built. I took my phone out, opening the virtual cuckoo clocks, trying to be somewhere else. I was confronted with a slideshow of a female friend’s dead houseplants, meant to symbolize inadequacy within reason. Amos didn’t have a clue what it was like to be a woman in New York, unsure if she’s with the right person. Even if I did want to up and leave Boots, dating was not a taste I’d acquired. The older a woman got, the more diligent she had to become about not burdening men with the gory details of her past, lest she scare them off. That was the name of the game: Don’t Scare the Men. Those who encouraged you to indulge in your impulse to share, largely did so to expedite a decision. They knew they were on trial too, but our courtrooms had more lenient judges.
Sloane Crosley (Cult Classic)
The bonds of family can be wonderful but there is a time to know when to stand apart." She held out a hand to Rycca on the nearby bench. "Besides, we are your family now, all of us, and we know your worth." Deeply touched, Rycca had to blink several times before she could respond. She knew both women spoke pure truth and loved them for it.After a lifetime of emotional solitude unbroken but for Thurlow, it was still difficult for her to comprehend that she was no longer alone. Yet was she beginning to understand it. Softly,she said, "I worry over Dragon. He refuses to talk of my father or of what will happen now that we are here, but I fear he is planning to take matters into his own hands." Cymbra and Krysta exchanged a glance. Quietly,Cymbra said, "Your instinct is not wrong. Dragon simmers with rage at the harm attempted to you. In Landsende I caught a mere glimpse of it,and it was like peering into one of those mountains that belch fire." Despite the heat of the sauna, Rycca shivered. "He came close to losing his life once because of me.I cannot bear for it to happen again." There was silence for a moment,broken only by the crackling of the fire and the hiss of steam.Finally, Cymbra said, "We are each of us married to an extraordinary man. There is something about them...even now I don't really know how to explain it." She looked at Krysta. "Have you told Rycca about Thorgold and Raven?" Krysta shook her head. "There was no time before." She turned on her side on the bench,facing the other two. "Thorgold and Raven are my...friends. They are somewhat unusual." Cymbra laughed at that,prompting a chiding look from Krysta,who went on to say, "I'm not sure how but I think somehow I called them to me when I was a child and needed them very much." "Krysta has the gift of calling," Cymbra said, "as I do of feeling and you do of truthsaying. Doesn't it strike you as odd that three very unusual women, all bearing special gifts, ccame to be married to three extraordinary men who are united by a common purpose,to bring peace to their peoples?" "I had not really thought about it," said Rycca, who also had not known of Krysta's gift and was looking at her with some surprise. All three of them? That was odd. "I believe," said Cymbra, who clearly had been thinking about it, "that there is a reason for it beyond mere coincidence. I think we are meant to be at their sides, to help them as best we can, the better to transform peace from dream to reality." "It is a good thought," Krysta said. Rycca nodded. Very quietly, she said, "Blessed are the peacemakers." Cymbra grinned. "And poor things, we appear to be their blessings. So worry not for Dragon, Rycca. He will prevail. We will all see to it." They laughed then,the trio of them, ancient and feminine laughter hidden in a chamber held in the palm of the earth. The steam rose around them, half obscuringm half revealing them. In time,when the heat had become too intense,they rose, wrapped themselves in billowing cloths,and ran through the gathering darkness to the river, where they frolicked in cool water and laughed again beneath the stars. The torches had been lit by the time they returned to the stronghold high on the hill. They dressed and hastened to the hall,where they greeted their husbands, who stood as one when they entered,silent and watchful men before beauty and strength, and took their seats at table. Wine was poured, food brought,music played. They lingered over the evening,taking it into night. The moon was high when they found the sweet,languid sanctuary of their beds. Day came too swiftly.
Josie Litton (Come Back to Me (Viking & Saxon, #3))