Rage 2 Quotes

We've searched our database for all the quotes and captions related to Rage 2. Here they are! All 100 of them:

Just because you said dragon demons were extinct—" "I said mostly extinct." Alec jabbed a finger toward him. "Mostly extinct," he said, his voice trembling with rage, "is NOT EXTINCT ENOUGH." "I see," said Jace. "I'll just have them change the entry in the demonology textbook from 'almost extinct' to 'not extinct enough for Alec. He prefers his monsters really, really extinct.' Will that make you happy?
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Charlotte slammed the paper down onto her desk with an exclamation of rage. “Aloysius Starkweather is the most stubborn, hypocritical, obstinate, degenerate—” She broke off, clearly fighting for control of her temper. Tessa had never seen Charlotte’s mouth so firmly set into a hard line. “Would you like a thesaurus?” Will inquired. “You seem to be running out of words.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
Matthias was dreaming again. Dreaming of her. The storm raged around him, drowning out Nina’s voice. And yet his heart was easy. Somehow he knew that she would be safe, she would find shelter from the cold. He was on the ice once more, and somewhere he could hear the wolves howling. But this time, he knew they were welcoming him home.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
And because she was young, and so damn clever and amusing and wonderful, wherever she made her home, there would be some man who would fall in love with her and who would make her his wife, and that would be the worst truth of all. It had snuck up on him, this pain and terror and rage at the thought of anyone else with her. Every look, every word from her... he didn't even know when it had started.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
Kindness eases change. Love quiets fear. And a sweet and powerful Positive obsession Blunts pain, Diverts rage, And engages each of us In the greatest, The most intense Of our chosen struggles.
Octavia E. Butler (Parable of the Talents (Earthseed, #2))
Think of all the women you know who will not allow themselves to be seen without makeup. I often wonder how they feel about themselves at night when they are climbing into bed with intimate partners. Are they overwhelmed with secret shame that someone sees them as they really are? Or do they sleep with rage that who they really are can be celebrated or cared for only in secret?
bell hooks (Communion: The Female Search for Love (Love Song to the Nation, 2))
I wished to see storms only on those coasts where they raged with most violence...
Marcel Proust (Within a Budding Grove (In Search of Lost Time, #2))
He didn't slam the door, didn't rage, didn't weep, he simply left.
Melissa Marr (Ink Exchange (Wicked Lovely, #2))
She didn’t know what to do with it, that rage. It still burned and hunted her, still made her want to rip and roar and rend the world into pieces. She felt it all—too keenly, too sharply. Hated and cared and loved and dreaded, more than other people, she sometimes thought.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Anger is useful only to a certain point. After that, it becomes rage, and rage will make you careless.
Lauren Oliver (Pandemonium (Delirium, #2))
But I don’t panic. I don’t bolt like a frightened gazelle. I am more than the sum of my fear. It isn’t fear that will defeat them. Not fear or faith or hope or even love, but rage.
Rick Yancey (The Infinite Sea (The 5th Wave, #2))
It's hot rain and humid days and broken thermostats. It's screaming and raging steam engines and wanting to take your clothes off just to feel a breeze. It's the kind of kiss that makes you realize oxygen is overrated.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
Today is filled with anger, fueled with hidden hate. Scared of being outkast, afraid of common fate. Today is build on tragedies which no one want's to face. Nightmares to humanity and morally disgraced. Tonight is filled with Rage, violence in the air. Children bred with ruthlessness cause no one at home cares. Tonight I lay my head down but the pressure never stops, knowing that my sanity content when I'm droped. But tomorrow I see change, a chance to build a new, build on spirit intent of heart and ideas based on truth. Tomorrow I wake with second wind and strong because of pride. I know I fought with all my heart to keep the dream alive.
Tupac Shakur
I didn't know until then that rage had a taste and it tasted like your own blood.
Rick Yancey (The Infinite Sea (The 5th Wave, #2))
I think you're a raging asshole. Ruger laughed. "Yeah, well I think you're a bitch, but my cock likes you, so we'll figure something out.
Joanna Wylde (Reaper's Legacy (Reapers MC, #2))
I raged across the field, killing all before me. They ran when they saw me coming, and I chased them down, and killed them before they could take someone else's friend away from them.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
She didn't want someone to hold her while she cried and tell her it would be all right. She wanted fury, she wanted rage, she wanted a villain to tell her she'd done exactly what she needed to do.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
The naïve girl in me had been bitch-slapped into womanhood. I’d been razed by pain, grief, loss and suffering, and honed by lust, rage and an acute awareness of my need to survive.
C.J. Roberts (Seduced in the Dark (The Dark Duet, #2))
What gave her strength then? We cannot know for sure. That contrary thing inside her? The hard stone of rage all lonely girls possess?
Leigh Bardugo (The Language of Thorns: Midnight Tales and Dangerous Magic (Grishaverse, #0.5, 2.5, 2.6))
A hint of sensual frustration roughened his voice. “And I will curse the gods along with them, Min. Some wild monsoon raged through me as I looked at you just now. It’s left me rearranged inside, and I don’t have a map.
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
Her rage took her to a place where she only knew three things: that Chaol had been taken from her, that she was a weapon forged to end lives, and that if Chaol was hurt, no one was going to walk out of that warehouse.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
Sometimes God calms the storm, but sometimes God lets the storm rage and calms His child.
Leslie Gould (The Amish Nanny (The Women of Lancaster County, #2))
He is no true knight, but he saved me all the same,” she told the mother. “Save him if you can, and gentle the rage inside him -Sansa
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
Quiet anger frightens me. The drunks, the idiots, the ones that rage easily - them I can handle. I know when to step out of their way. It's the ones that hold the anger in, the men that think about what they do and how they do it, that scare me. They're the ones that cause damage.
Katie McGarry (Dare You To (Pushing the Limits, #2))
In another life, you would have been one of my sons, Darrow. I would have found you earlier, before whatever happened that filled you with this rage. I would not have raised you to be a great man. There is no peace for great men. I would have had you be a decent one. I would have given you the quiet strength to grow old with the woman you love.
Pierce Brown (Golden Son (Red Rising Saga, #2))
I tried to warn you, But girls never listen. Got your innocence insured? ’Cause it’s ’bout to be stolen Right out from under your nose. Prepare to curl your toes. I’ve got a one-track mind. You’ve got a nice behind. Chorus: I had a good thing goin’ All numb in my shell, Then you took me by surprise And now I’m scared as hell. I don’t wanna feel for you, I don’t wanna feel. If feeling means hurting, Then I don’t wanna be real. You crank up my lust, girl, You tame down my rage. You let your inner vixen Roam out of her cage. The moment our lips met I saw it in your eyes, But you were seeing me, too, I now realize. Chorus What do I want from you? I want everything. And I’m not gonna share— This ain’t a casual fling. You can be my bad girl, I’ll even be your good boy. How’d the tables get turned? F*** it, I’ll be your love toy.
Wendy Higgins (Sweet Peril (Sweet, #2))
There are three sides to every story. Yours Mine. What really happened: the truth.
Jeyn Roberts (Rage Within (Dark Inside, #2))
Scummer, pox and wound rot!" roared Tunstall, slamming his fist down on the bed. "Gods cursed the pig-tarsed mammering craven currish beef-witted bum-licking gut-griping louts that did this to me! May every flea, leech and hookworm in all creation find and feast upon them!
Tamora Pierce (Bloodhound (Beka Cooper, #2))
There is a pause, while she turns the great pages of her volume of rage, and puts her finger on just the right word.
Hilary Mantel (Bring Up the Bodies (Thomas Cromwell, #2))
For storms will rage and oceans roar, When Gabriel stands on sea and shore, And as he blows his wondrous horn, Old worlds die and new be born.
Deborah Harkness (Shadow of Night (All Souls, #2))
Miles exhaled carefully, faint with rage and reminded grief. He does not know, he told himself. He cannot know... "Ivan, one of these days somebody is going to pull out a weapon and plug you, and you're going to die in bewilderment, crying, "What did I say? What did I say?" "What did I say?" asked Ivan indignantly.
Lois McMaster Bujold (The Warrior's Apprentice (Vorkosigan Saga, #2))
Polyphemus stiffened. "Who said that?" "Nobody!" Annabeth yelled. That got exactly the reaction she'd been hoping for. The monster's face turned red with rage. "Nobody!" Polyphemus yelled back. "I remember you!" "You're too stupid to remember anybody," Annabeth taunted. "Much less Nobody.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
Here’s what I believe: 1. If you are offended or hurt when you hear Hillary Clinton or Maxine Waters called bitch, whore, or the c-word, you should be equally offended and hurt when you hear those same words used to describe Ivanka Trump, Kellyanne Conway, or Theresa May. 2. If you felt belittled when Hillary Clinton called Trump supporters “a basket of deplorables” then you should have felt equally concerned when Eric Trump said “Democrats aren’t even human.” 3. When the president of the United States calls women dogs or talks about grabbing pussy, we should get chills down our spine and resistance flowing through our veins. When people call the president of the United States a pig, we should reject that language regardless of our politics and demand discourse that doesn’t make people subhuman. 4. When we hear people referred to as animals or aliens, we should immediately wonder, “Is this an attempt to reduce someone’s humanity so we can get away with hurting them or denying them basic human rights?” 5. If you’re offended by a meme of Trump Photoshopped to look like Hitler, then you shouldn’t have Obama Photoshopped to look like the Joker on your Facebook feed. There is a line. It’s etched from dignity. And raging, fearful people from the right and left are crossing it at unprecedented rates every single day. We must never tolerate dehumanization—the primary instrument of violence that has been used in every genocide recorded throughout history.
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
He opened his palm and saw that the watch remained. Still there. Still real. Varen looked up at the figure that stood atop the fountain. With a howl of rage, he made it burst apart. He fell to his knees amid the wreckage and floating dust. Crumpling into himself, he released a choking sob, knowing that he, too, belonged to the ruin.
Kelly Creagh (Enshadowed (Nevermore, #2))
The temperature of true rage is absolute zero, and mine is deeper than the ocean, wider than the universe.
Rick Yancey (The Infinite Sea (The 5th Wave, #2))
I am not delicate. I am skinny dipping at 2am; I am dancing naked under the full moon and playing in the mud. I am the reverberating echoes of a curse word ricocheting off the steeply sloping mountain you thought I couldn’t climb; I am bare skin in the deepest depths of winter; I am the song of courage, and the melody of freedom you long to sing. I am a fearless mother. I am a passionate lover; a devoted friend. I am the healer, the witch, the nurturing of your wounds. I am the heat of a wildfire, the rage of a storm. I am strong. Delicate things are pretty-cute, even. But I am not delicate. I am wild, fierce and unpredictable. I am breathtaking. I am beautiful. I am sacred.
Brooke Hampton
Guilt and rage, hatred and fear were pathways to weakness and clumsy choices.
Jonathan Maberry (Dust & Decay (Rot & Ruin, #2))
Your body is full of rage. Every sinew. It is easy to read. You speak volumes with a clenched fist.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Something strange started to rage inside me, hearing you inhale sharply as I tried to kiss those scars away or etch them deeper into your skin, wanting to mark you in an entirely different way.
D.S. Wrights (The Beast In Me (The Beast And Me, #2))
Celaena threw her weight into the dagger she held aloft, and gained an inch. His arms strained. She was going to kill him. She truly going to kill him. He made himself look into her eyes, look at the face so twisted with rage that he couldn't find her. "Celaena," he said, squeezing her wrists so hard that he hoped the pain registered somewhere- wherever she had gone. But she still wouldn't lossen her grip on the blade. "Celaena, I'm your friend." She stared at him, panting through gritted teeth, her breath coming quicker and quicker before she roared, the sound filling the room, his blood, his world: "You will never be my friend. You will always be my enemy." She bellowed the last word with such soul-deep hated that he felt it like a punch to the gut. She surged again, and he lost his grip on the wrist that held the dagger. The blade plunged down.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
The little queen all golden Flew hissing at the sea. To stop each wave Her clutch to save She ventured bravely. As she attacked the sea in rage A holderman came nigh Along the sand Fishnet in hand And saw the queen midsky. He stared at her in wonder For often he'd been told That such as she Could never be Who hovered there, bright gold. He saw her plight and quickly He looked up the cliff he faced And saw a cave Above the wave In which her eggs he placed. The little queen all golden Upon his shoulder stood Her eyes all blue Glowed of her true Undying gratitude.
Anne McCaffrey (Dragonsinger (Harper Hall, #2))
You want me to have feelings?" he said. "I already told you that I love you. What else should I say? That I long to be near you every second of every day? I see colors, only around you....I smell perfume, only around you. God, it's like...like I'm alive again. Sometimes I go crazy just wondering if I imagined it all, and I wait to see when it...you...will be taken away from me." "I feel all these things, Abbey," he continued on. "Rage that I can't run my fingers through your hair. Sorrow that I can't lay my face next to yours. Agony that I can't steal the breath from your lips. I can't eat or breathe or sleep for wanting to touch you, and yet I don't eat or breathe or sleep. I'm just here. Stuck in between.
Jessica Verday (The Haunted (The Hollow, #2))
Rage is only for what you believe can be fixed. All the rest is grief.
Cormac McCarthy (Stella Maris (The Passenger, #2))
Waste and stupidity get you the worst, that’s what he said. Use this time and it’ll temper you. Now’s the hardest test—not letting rage and frustration keep you from thinking. It’s the core of whether you can command or not.
Thomas Harris (The Silence of the Lambs (Hannibal Lecter, #2))
Please," he whispered. His voice was low but clear. "Don't hurt me anymore." Attolia recoiled. Once, as a child, she'd thrown her slipper in a rage and had knocked an amphora of oil from its pedestal. The amphora had been a favorite of hers. It had smashed, and the scent of the hair oil inside had lingered for days. She remembered the scent still, though she didn't know what in the stinking cell had brought it to mind.
Megan Whalen Turner (The Queen of Attolia (The Queen's Thief, #2))
... He'd been about to turn away when she lifted her face to the moon and sang. It was not in any language that he knew. Not in the common tongue, or in Eyllwe, or in the languages of Fenharrow or Melisande, or anywhere else on the continent This language was ancient, each word full of power and rage and agony. She did not have a beautiful voice. And many of the words sounded like half sobs, the vowels stretched by the pangs of sorrow, the consonants hardened by anger. She beat her breast in time, so full of savage grace, so at odds with the black gown and veil she wore. The hair on the back of his neck stood as the lament poured from her mouth, unearthly and foreign, a song of grief so old that it predated the stone castle itself. And the the song finished, its end as butal and sudden as Nehemia's death had been. She stood there a few moments, silent and unmoving.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
I cut off your hand. I have been living with your grief and your rage and your pain ever since. I don't think-I don't think I had felt anything for a long time before that, but those emotions at least were familiar to me. Love I am not familiar with. I didn't recognize that feeling until I thought I had lost you in Ephrata. And when I thought I was losing you a second time, I realized I would give up anything to keep you-my lip service to other gods, but my pride, too, and my rage at all gods, everything for you.
Megan Whalen Turner (The Queen of Attolia (The Queen's Thief, #2))
Rage was sometimes a useful ally in the heat of a fight, but it was a trickster. It made everything seem possible.
Jonathan Maberry (Dust & Decay (Rot & Ruin, #2))
Sometimes shame is a more powerful engine than rage.
Jonathan Maberry (Dust & Decay (Rot & Ruin, #2))
Rage and ruin had not corrupted me. They powered me.
Jennifer L. Armentrout (Rage and Ruin (The Harbinger, #2))
Her voice would die before she ran out of rage. She could scream a hole in her throat and come unraveled, fall to pieces like moth-chewed silk, and still, from the leftover shreds of her, the little pile of tatters, would pour forth this unending scream.
Laini Taylor (Muse of Nightmares (Strange the Dreamer, #2))
Rage is love...twisted in on itself. Rage reaches into the world when we can no longer contain the hurt of being treated as if our life and loves do not matter. Rage, and its consequences, are what we get when the world refuses to change for anything less.
Evan Winter (The Fires of Vengeance (The Burning, #2))
The rage that had expolded inside me diffused. I didn't know where it had come from. I had a short temper and often acted impulsively,but this had been intense and ugly even for me. Weird.
Richelle Mead (Frostbite (Vampire Academy, #2))
There is a purity in rage. It will burn out sorrow. For a time. It will burn out fear. Even cruelty and hatred will seek shelter, rage wants none of them, only to destroy. Rage is the gift our nature gives to us, shaped by untold years. Why discard it?
Mark Lawrence (Grey Sister (Book of the Ancestor, #2))
The pain in her body came first, an intense surge of fire that raged like lava through her veins. But it could not compare with what followed after. A wail rose up from her depths. It left her as an inhuman cry. Finally, she remembered everything.
Kelly Creagh (Enshadowed (Nevermore, #2))
Just remember that certain things you see, you can't take them back. And no amount of wishing will make them go away.
Jeyn Roberts (Rage Within (Dark Inside, #2))
To Madeline, This subtle second self Sheaf of me Can do more than you ever could. Like you, it can leave And go Somewhere else. The night splits me in two. I disconnect — To sink, to fall, to fly And rage Forever And always Without you
Kelly Creagh (Enshadowed (Nevermore, #2))
Wow. What would you do if I said I was angry?' 'I would make fire rain from the heavens to smite your enemies with the flames of our shared rage.
Rachel Vincent (Shadow Bound (Unbound, #2))
He missed her. Even though his heart was blackened and the rage inside him could have lit the entire camp on fire, he missed her with whatever good remained in him.
Israh Azizi (The General (Heroes of the Empire, #2))
Donovan Caine wanted me, but he wasn’t strong enough to accept me. Not my past, not my strength, not the woman I was. Bitter disappointment filled me, replacing my rage, but I forced myself to ask the final question I wanted an answer to...
Jennifer Estep (Web of Lies (Elemental Assassin, #2))
I’ll try,” he breathed. “I’ll try to be better. I don’t … I can’t control it sometimes. The rage. Today was just … today was bad. With the Tithe, with all of it. Today—let’s forget it, let’s just move past it. Please.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Then Carrot said, "It's better to light a candle than curse the darkness, captain. That's what they say." "What?" Vimes' sudden rage was like a thunderclap. "Who says that? When has that ever been true? It's never been true! It's the kind of thing people without power say to make it all seem less bloody awful, but it's just words, it never makes any difference -
Terry Pratchett (Men at Arms (Discworld, #15; City Watch, #2))
The Cyclops was about to roll the stone back into place, when from somewhere outside Annabeth shouted, "Hello, ugly!" Polyphemus stiffened. "Who said that?" "Nobody!" Annabeth yelled. That got exactl;y the reaction she'd been hoping for. The monster's face turned red with rage. "Nobody!" Polyphemus yelled back. "I remember you!" "You're too stupid to remember anybody," Annabeth taunted. "Much less Nobody." I hoped to the gods she was already moving when she said that, because Polyphemus bellowed furiously, grabbed the nearest boulder (which happened to be his front door) and threw it toward the sound of Annabeth's voice. I heard the rock smash into a thousand fragments. To a terrible moment, there was silence. Then Annabeth shouted, "You haven't learned to throw any better, either!" Polyphemus howled. "Come here! Let me kill you, Nobody!" "You can't kill Nobody, you stupid oaf," she taunted. "Come find me!" Polyphemus barreled down the hill toward her voice. Now, the "Nobody" thing would have confused anybody, but Annabeth had explained to me that it was the name Odysseus had used to trick Polyphemus centuries ago, right before he poked the Cyclops's eye out with a large hot stick. Annabeth had figured Polyphemus would still have a grudge about that name, and she was right. In his frenzy to find his old enemy, he forgot about resealing the cave entrance. Apparently, he did even stop to consider that Annabeth's voice was female, whereas the first Nobody had been male. On the other hand, he'd wanted to marry Grover, so he couldn't have been all that bright about the whole male/female thing. I just hoped Annabeth could stay alive and keep distracting him long enough for me to find Grover and Clarisse.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
[Slitscan's audience] is best visualized as a vicious, lazy, profoundly ignorant, perpetually hungry organism craving the warm god-flesh of the anointed. Personally I like to imagine something the size of a baby hippo, the color of a week-old boiled potato, that lives by itself, in the dark, in a double-wide on the outskirts of Topeka. It's covered with eyes and it sweats constantly. The sweat runs into those eyes and makes them sting. It has no mouth, Laney, no genitals, and can only express its mute extremes of murderous rage and infantile desire by changing the channels on a universal remote. Or by voting in presidential elections.
William Gibson (Idoru (Bridge, #2))
Yet I saw crypts when I looked at him, and I heard the beat of kettledrums. I saw torchlit fields where I had never been, heard vague incantations, felt the heat of raging fires on my face. And they didn't come out of him, these visions. Rather I drew them out on my own. Yet I never had Nicolas, mortal or immortal, been so alluring. Never had Gabrielle held me so in thrall. Dear God, this is love. This is desire. And all my past amours have been but the shadow of this." — Lestat de Lioncourt
Anne Rice (The Vampire Lestat (The Vampire Chronicles, #2))
You gave me stars, and that means this is…this is more.” His thumb swept over my cheek. “I don’t know what more means to you, but it means that I love you, Trinity Lynn. That I’m in love with you.
Jennifer L. Armentrout (Rage and Ruin (The Harbinger, #2))
You’re under my skin and in my blood. I can’t get you out.
Jennifer L. Armentrout (Rage and Ruin (The Harbinger, #2))
Wolfe was drinking beer and looking at pictures of snowflakes in a book someone had sent him from Czechoslovakia... ...Wolfe seemed absorbed in the pictures. Looking at him, I said to myself, "He's in a battle with the elements. He's fighting his way through a raging blizzard, just sitting there comfortably looking at pictures of snowflakes. That's the advantage of being an artist, of having imagination." I said aloud, "You mustn't go to sleep, sir, it's fatal. You freeze to death.
Rex Stout (The League of Frightened Men (Nero Wolfe, #2))
She is a song written for someone else.
Jeyn Roberts (Rage Within (Dark Inside, #2))
You say I have a light about me, but you are my light." Zayne reclaimed the space between us, kissing me. "You're never getting rid of me now." "I wouldn't want to.
Jennifer L. Armentrout (Rage and Ruin (The Harbinger, #2))
Will, meet Thammuz, a minor demon from the eighth dimension. Thammuz, meet Will, a minor Shadowhunter from-Wales, was it?" "I will rip out your eyes," hissed the creature. "I will tear the skin from your face." "Don't be rude, Thammuz," said Magnus "Will has questions. You will answer them." Will shook his head. "I don't know, Magnus," he said. "He doesn't look like the right one to me." "You said he was blue. This one's blue." "He is blue," Will acknowledged, stepping closer to the circle of flame. "But the demon I need-well, he was really a cobalt blue. This one's more . . . periwinkle." "What did you call me?" The demon roared with rage. "Come closer, little Shadowhunter, and let me feast upon your liver! I will tear it from your body while you scream.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
Some things you can't take back. Some things take you farther into the darkness.
Jeyn Roberts (Rage Within (Dark Inside, #2))
I am thinking of one woman and the rest is blotto. I say I am thinking of her, but the truth is I am dying a stellar death. I am lying there like a sick star waiting for the light to go out. Years ago I lay on this same bed and I waited and waited to be born. Nothing happened. Except that my mother, in her Lutheran rage, threw a bucket of water over me. My mother, poor imbecile that she was, thought I was lazy. She didn't know that I had gotten caught in the stellar drift, that I was being pulverized to a black extinction out there in the farthest rim of the universe.
Henry Miller (Tropic of Capricorn (Tropic, #2))
Broken people are the most dangerous...because they just don't give a fuck
Ashley Jade (Blame It on the Shame (Blame It on the Shame, #2))
forget being lady-like & allow yourself to show the world just how unapolegeticaly angry this inequality makes you
Amanda Lovelace (The Witch Doesn't Burn in This One (Women Are Some Kind of Magic, #2))
One thing more I must tell you. For the longest time, the only emotion I have ever felt was the hunger to succeed. Then I met you. Is love the desire—no, the need—to be with that person, whatever the cost? Does it cause the rue of rage when you see that person with another? Does it make you ache to hold her, to whisper things that sound foreign and strange to your tongue? Does it make you wish for things you know can never be? I haven't the answers, Riley. In all that I've learned over the years, no one has ever mentioned a force such as this. But whatever it is, I feel it for you. We would have been good together. Written by Misha.
Keri Arthur (Kissing Sin (Riley Jenson Guardian, #2))
A Pandava must be so precise and so skilled that they can separate a shadow from its host! They can grab the wind! They are as swift as - ' 'A river!,' shouted Aru. Mini hollered, ' With the force of a great typhoon!' 'With all the strength of a raging fiiiiire - ' sang Brynne. 'STOP SINGING MULAN!' shouted Boo.
Roshani Chokshi (Aru Shah and the Song of Death (Pandava, #2))
we had goldfish and they circled around and around in the bowl on the table near the heavy drapes covering the picture window and my mother, always smiling, wanting us all to be happy, told me, “be happy, Henry!” and she was right: it’s better to be happy if you can but my father continued to beat her and me several times a week while raging inside his 6-foot-2 frame because he couldn’t understand what was attacking him from within. my mother, poor fish, wanting to be happy, beaten two or three times a week, telling me to be happy: “Henry, smile! why don’t you ever smile?” and then she would smile, to show me how, and it was the saddest smile I ever saw. one day the goldfish died, all five of them, they floated on the water, on their sides, their eyes still open, and when my father got home he threw them to the cat there on the kitchen floor and we watched as my mother smiled. A smile to remember
Charles Bukowski (The Pleasures of the Damned)
Prove it. I'll measure your words against your actions, and from that I will determine your worth.
Jackie Kessler (Rage (Riders of the Apocalypse, #2))
Seven Cities was an ancient civilization, steeped in the power of antiquity, where Ascendants once walked on every trader track, every footpath, every lost road between forgotten places. It was said the sands hoarded power within their sussurating currents, that every stone had soaked up sorcery like blood, and that beneath every city lay the ruins of countless other cities, older cities, cities that went back to the First Empire itself. It was said each city rose on the backs of ghosts, the substance of spirits thick like layers of crushed bone; that each city forever wept beneath the streets, forever laughed, shouted, hawked wares and bartered and prayed and drew first breaths that brought life and the last breaths that announced death. Beneath the streets there were dreams, wisdom, foolishness, fears, rage, grief, lust and love and bitter hatred.
Steven Erikson (Deadhouse Gates (Malazan Book of the Fallen, #2))
His lips twitched at my defiance. He moved his face even nearer to mine, our lips inches apart. "You feel that?" he nearly whispered, his voice low and intent. "You feel that rage inside? Burning hot in the pit of your stomach?" Confused, I hesitantly nodded. What was he doing? "That's what's going to keep you alive, " he said. "Hold on to it. Fear will only sign your death warrant. Stay mad, princess.
Tiffany Snow (Turn to Me (Kathleen Turner, #2))
I'm your Protector. No one, demon or Warden or human, is going to put you in a position of danger." I met his stare. "You're my Protector, not my rabid guard dog that bites anyone who gets too close." "Oh, I'll do more than bite.
Jennifer L. Armentrout (Rage and Ruin (The Harbinger, #2))
I can see you. Each breath you take. The way your lips are parted. How wide your eyes are and how flushed your skin is. That light inside you. The spark. I can see it and it's beautiful. You're beautiful.
Jennifer L. Armentrout (Rage and Ruin (The Harbinger, #2))
What's the problem Earthman?" said Zaphod, now transferring his attention to the animal's enormous rump. "I just don't want to eat an animal that's standing here inviting me to," said Arthur, "it's heartless." "Better than eating an animal that doesn't want to be eaten," said Zaphod. "That's not the point," Arthur protested. Then he thought about it for a moment. "Alright," he said, "maybe it is the point. I don't care, I'm not going to think about it now. I'll just ... er ..." The Universe raged about him in its death throes. "I think I'll just have a green salad," he muttered. "May I urge you to consider my liver?" asked the animal, "it must be very rich and tender by now, I've been force-feeding myself for months." "A green salad," said Arthur emphatically. "A green salad?" said the animal, rolling his eyes disapprovingly at Arthur. "Are you going to tell me," said Arthur, "that I shouldn't have green salad?" "Well," said the animal, "I know many vegetables that are very clear on that point. Which is why it was eventually decided to cut through the whole tangled problem and breed an animal that actually wanted to be eaten and was capable of saying so clearly and distinctly. And here I am." It managed a very slight bow. "Glass of water please," said Arthur.
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
The cliffs are gorgeous. Breath-stealing, really. But not in the soft endearing way of a sunset or a wobbly new lamb. They're gorgeous like a storm is gorgeous —one of those raw, tempestuous ones that leave you feeling awed and scared at the same time. Ever been trapped in a car during a particularly brutal thunderstorm? The cliffs are that kind of beautiful. Think drama, rage, and peace all packed up into one stunning package.
Jenna Evans Welch (Love & Luck (Love & Gelato, #2))
I force my eyes upward and look at Mia for the first time. She's still beautiful. Not in an obvious Vanessa LeGrande or Bryn Shraeder kind of way. In a quiet way that's always been devastating to me. Her hair, long and dark, is down now, swimming damply against her bare shoulders, which are still milky white and covered with the constellation of freckles that I used to kiss. The scar on her left shoulder, the one that used to be an angry red weld is silvery pink now. Almost like the latest rage in tattoo accessories. Almost pretty.
Gayle Forman (Where She Went (If I Stay, #2))
Is love the desire—no, the need—to be with that person, whatever the cost? Does it cause the rue of rage when you see that person with another? Does it make you ache to hold her, to whisper things that sound foreign and strange to your tongue? Does it make you wish for things you know can never be? I haven't the answers, Riley. In all that I've learned over the years, no one has ever mentioned a force such as this. But whatever it is, I feel it for you. We would have been good together.
Keri Arthur (Kissing Sin (Riley Jenson Guardian, #2))
Must I accept the barren Gift? -learn death, and lose my Mastery? Then let them know whose blood and breath will take the Gift and set them free: whose is the voice and whose the mind to set at naught the well-sung Game- when finned Finality arrives and calls me by my secret Name. Not old enough to love as yet, but old enough to die, indeed- -the death-fear bites my throat and heart, fanged cousin to the Pale One's breed. But past the fear lies life for all- perhaps for me: and, past my dread, past loss of Mastery and life, the Sea shall yet give up Her dead! Lone Power, I accept your Gift! Freely I make death a part of me; By my accept it is bound into the lives of all the Sea- yet what I do now binds to it a gift I feel of equal worth: I take Death with me, out of Time, and make of it a path, a birth! Let the teeth come! As they tear me, they tear Your ancient hate for aye- -so rage, proud Power! Fail again, and see my blood teach Death to die!
Diane Duane (Deep Wizardry (Young Wizards, #2))
Words for everyday showers of prettiness, and the kind of misty loveliness that disappears whenever you try to grasp it. Beauty that’s heralded by impressive thunder, but turns out to be all flash. And beyond all these, there’d be this word . . . a word that even the most grizzled, wizened elders might have uttered twice in their lifetimes, and in hushed, fearful tones at that. A word for a sudden, cataclysmic torrent of beauty with the power to change landscapes. Make plains out of valleys and alter the course of rivers and leave people clinging to trees, alive and resentful, shaking their fists at the heavens.” A hint of sensual frustration roughened his voice. “And I will curse the gods along with them, Min. Some wild monsoon raged through me as I looked at you just now. It’s left me rearranged inside, and I don’t have a map.
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
Give me a hot coal glowing bright red, Give me an ember sizzling with heat, These are the jewels made from my beak. We fly between the flames and never get singed We plunge through the smoke and never cringe. The secrets of fire, its strange winds, its rages, We know it all as it rampages Through forests, through canyons, Up hillsides and down. We track it. We'll find it. Take coals by the pound. We'll yarp in the heart of the hottest flame Then bring back its coals an make them tame. For we are the colliers brave and beyond all We are the owls of the colliering chaw!
Kathryn Lasky (The Journey (Guardians of Ga'Hoole, #2))
Uncle Aidan?” Percy began. “Yeah?” “Don’t you think you ought to marry Emma?” Aidan jerked his head up, slamming it against the trunk lid. “FUCK!” he shouted as he saw stars before his eyes. A few more expletives escaped his lips as pain raged through his skull. “Nice mouth you got there,” John chided. Gritting his teeth, Aidan rubbed his aching head. “You mention that one to your mom, and I’ll tell her about your ball-sack comment.” John’s eyes widened. “Dude, that is so not cool!” “Yeah, well, deal with it.” Aidan started to resume gathering up the bags when he noticed Percy staring expectantly at him for an answer. Aidan sighed. “Perce—” His blonde brows knitted together. “Don’t you love her?” “Oh Christ,” Aidan muttered, raking his hand through his hair. He winced as pain once again shot through his head. “Did your mom put you up to this or something?” “No. When I asked her the same question, she just said that you were a cad.” Percy shrugged. “I don’t even know what that means.” “I’m pretty sure it’s a dude who acts like a douchebag to women,” John said. Aidan glared over at John. “I am not a cad!
Katie Ashley (The Proposal (The Proposition, #2))
Yawn... I believe that I love sleep much more than anybody I’ve ever met. I have the ability to sleep for 2 or 3 days and nights. I will go to bed at any given moment. I often confused my girlfriends this way— say it would be about onethirty in the afternoon: “well, I’m going to bed now, I’m going to sleep…” most of them wouldn’t mind, they would go to bed with me thinking I was hinting for sex but I would just turn my back and snore off. this, of course, could explain why so many of my girlfriends left me. as for doctors, they were never any help: “listen, I have this desire to go to bed and sleep, almost all the time. what is wrong with me?” “do you get enough exercise?” “yes…” “are you getting enough nourishment?” “yes…” they always handed me a prescription which I threw away between the office and the parking lot. it’s a curious malady because I can’t sleep between 6 p.m. and midnight. it must occur after midnight and when I arise it can never be before noon. and should the phone ring say at 10:30 a.m. I go into a mad rage don’t even ask who the caller is scream into the phone: “WHAT ARE YOU CALLING ME FOR AT THIS HOUR!” hang up… every person, I suppose, has their eccentricities but in an effort to be normal in the world’s eye they overcome them and therefore destroy their special calling. I’ve kept mine and do believe that they have lent generously to my existence. I think it’s the main reason I decided to become a writer: I can type anytime and sleep when I damn well please.
Charles Bukowski
If Melissa Miller were an artist, she would have painted the world in vicious streaks of red. Nothing like Picasso's rose period, all soft and cheerful and so optimistic that it made you want to puke. Missy's red phase would have been brutal and bright enough to cut your eyes. Missy's art would have been honest.
Jackie Kessler (Rage (Riders of the Apocalypse, #2))
You make this so hard," I muttered. "Make what hard?" Irritated and charmed, and annoyed because I was charmed, I glared at him. "Not liking you," I admitted. Zayne's lips tipped up and a wide, beautiful smile appeared, stealing my breath again. My eyes narrowed as I crossed my arms. "I don't know why you're smiling." "Maybe because..." He rose, extending his hand toward me. "Maybe because I'm not trying to make it easy, Trin.
Jennifer L. Armentrout (Rage and Ruin (The Harbinger, #2))
The morning sun burned away the mist so the valley below is now clear. The scope of what I see drowns out every other sense: There's no river, no water. Instead, hundreds of feet below the bridge the ground shifts and writhes. At first I think maybe it's a field of some sort but then individual colors begin to pull apart. And all at once I understand what it is. Like a river flooding its banks, the entire valley is full of Mudo. The sound is not that of a raging waterfall but the pounding of two hundred million feet. The moans of a hundred million mouths. They pour through the valley, more people than I have ever seen. More people than I ever thought could have existed in one world. And they sense me, reach for me but are trapped by the mountains.
Carrie Ryan (The Dead-Tossed Waves (The Forest of Hands and Teeth, #2))
My darling Julie, I know you'll never see this letter, but it helps to write to you every day. It keeps you close to me. G-d, I miss you so. You haunt every hour of my life. I wish I'd never met you. No-I don't mean that! What good would my life be without my memories of you to make me smile. I keep wondering if you're happy. I want you to be. I want you to have a glorious life. That's why I couldn't say the things I knew you wanted to hear when we were together. I was afraid if I did, you'd wait for me for years. I knew you wanted me to say I loved you. Not saying that to you was the only unselfish thing I did in Colorado, and I now I regret even that. I love you, Julie. Christ, I love you so much. I'd give up all my life to have one year with you. Six months. Three. Anything. You stole my heart in just a few days, darling, but you gave me your heart, too. I know you did- I could see it in your eyes every time you looked at me. I don't regret the loss of my freedom any more or rage at the injustice of the years I spent in prison. Now, my only regret is that I can't have you. You're young, and I know you'll forget about me quickly and go on with your own life. That's exactly what you should do. It's what you must do. I want you to do that, Julie. That's such a lousy lie. What I really want is to see you again, to hold you in my arms, to make love to you over and over again until I've filled you so completely that there's no room left inside of you for anyone but me, ever. I never thought of sexual intercourse as 'making love' until you. You never knew that. .... I wish I had time to write you a better letter or that I'd kept one of the others I've written so I could send that instead. They were all much more coherent than this one. I won't send another letter to you, so don't watch for one. Letters will make us both hope and dream, and if I don't stop doing that, I will die of wanting you. Before I go--I see from the newspapers that Costner has a new movie coming out in the States. If you dare to start fantasizing over Kevin after you see it, I will haunt you for the rest of your life. I love you, Julie. I loved in Colorado. I love you here, where I am. I will always love you. Everywhere. Always.
Judith McNaught (Perfect (Paradise, #2))
Julian made a noise. It was a noise Emma couldn't have described, not as human a sound as a how or a scream. It sounded like it was ripped out of the inside of him, like something brutal was tearing through his chest. He dropped the longsword Livvy had risked so much to bring him, fell to his knees and crawled to her, pulling her into his lap. 'Livvy, Livvy, my Livvy' he whispered, cradling her, feverishly stroking her blood-wet hair away from her face. There was so much blood. He was covered in it in seconds; it had soaked through Livvy's clothes, even her shoes were drenched in it. 'Livia' His hands shook; he fumbled out his stele and put it on her arm. Emma felt as if someone had punched her in the stomach. There were wounds that were beyond and iratze's power. Healing runes only vanished from skin when an occupational poison was involved--or when the person was already dead. 'Livia,' Julian's voice rose, cracking and tumbling over itself like a wave breaking too far out to sea. 'Livvy, my baby, please, sweet- heart, open your eyes it's Jules, I'm here for you, I'm always here for you, please,please--' Blackness exploded behind Emma's eyes. The pain in her arm was gone; she felt nothing but rage. Rage that bleached everything else out of the world except the sight of Annabel cringing against the lectern, staring at Julian cradling his sister's dead body. At what she'd done.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
.... So Cu Chulainn asked and he asked, and at length he learned that the best teacher of the arts of war was a woman, Scathach, a strange creature who lived on a tiny island off the coast of Alba." "A woman?" someone echoed scornfully. "How could that be?" "Ah, well, this was no ordinary woman, as our hero soon found out for himself. When he came to the wild shore of Alba and looked across the raging waters to the island where she lived with her warrior women, he saw that there could be a difficulty before he even set foot there. For the only way across was by means of a high, narrow bridge, just wide enough for one man to walk on. And the instant he set his foot upon its span, the bridge began to shake and flex and bounce up and down, all along its considerable length, so that anyone foolish enough to venture farther along it would straightaway be tossed down onto the knife-sharp rocks or into the boiling surf." "Why didn't he use a boat?" asked Spider with a perplexed frown. "Didn't you hear what Liadan said?" Gull responded with derision. "Raging waters? Boiling surf? No boat could have crossed that sea, I'd wager.
Juliet Marillier (Son of the Shadows (Sevenwaters, #2))
home, alone in my room, with the sounds of #2 and #5 trains rumbling in the distance, I started with a letter to myself. Dear Juliet, Repeat after me: You are a bruja. You are a warrior. You are a feminist. You are a beautiful brown babe. Surround yourself with other beautiful brown and black and indigenous and morena and Chicana, native, Indian, mixed race, Asian, gringa, boriqua babes. Let them uplift you. Rage against the motherfucking machine. Question everything anyone ever says to you or forces down your throat or makes you write a hundred times on the blackboard. Question every man that opens his mouth and spews out a law over your body and spirit. Question every single thing until you find the answer in a daydream. Don’t question yourself unless you hurt someone else. When you hurt someone else, sit down, and think, and think, and think, and then make it right. Apologize when you fuck up. Live forever. Consult the ancestors while counting stars in the galaxy. Hold wisdom under tongue until it’s absorbed into the bloodstream. Do not be afraid. Do not doubt yourself. Do not hide Be proud of your inhaler, your cane, your back brace, your acne. Be proud of the things that the world uses to make you feel different. Love your fat fucking glorious body. Love your breasts, hips, and wide-ass if you have them and if you don’t, love the body you do have or the one you create for yourself. Love the fact that you have ingrown hairs on the back of your thighs and your grandma’s mustache on your lips. Read all the books that make you whole. Read all the books that pull you out of the present and into the future. Read all the books about women who get tattoos, and break hearts, and rob banks, and start heavy metal bands. Read every single one of them. Kiss everyone. Ask first. Always ask first and then kiss the way stars burn in the sky. Trust your lungs. Trust the Universe. Trust your damn self. Love hard, deep, without restraint or doubt Love everything that brushes past your skin and lives inside your soul. Love yourself. In La Virgen’s name and in the name of Selena, Adiosa.
Gabby Rivera (Juliet Takes a Breath)
Good evening," it lowed and sat back heavily on its haunches, "I am the main Dish of the Day. May I interest you in parts of my body? It harrumphed and gurgled a bit, wriggled its hind quarters into a more comfortable position and gazed peacefully at them. Its gaze was met by looks of startled bewilderment from Arthur and Trillian, a resigned shrug from Ford Prefect and naked hunger from Zaphod Beeblebrox. "Something off the shoulder perhaps?" suggested the animal. "Braised in a white wine sauce?" "Er, your shoulder?" said Arthur in a horrified whisper. "But naturally my shoulder, sir," mooed the animal contentedly, "nobody else's is mine to offer." Zaphod leapt to his feet and started prodding and feeling the animal's shoulder appreciatively. "Or the rump is very good," murmured the animal. "I've been exercising it and eating plenty of grain, so there's a lot of good meat there." It gave a mellow grunt, gurgled again and started to chew the cud. It swallowed the cud again. "Or a casserole of me perhaps?" it added. "You mean this animal actually wants us to eat it?" whispered Trillian to Ford. "Me?" said Ford, with a glazed look in his eyes. "I don't mean anything." "That's absolutely horrible," exclaimed Arthur, "the most revolting thing I've ever heard." "What's the problem, Earthman?" said Zaphod, now transferring his attention to the animal's enormous rump. "I just don't want to eat an animal that's standing there inviting me to," said Arthur. "It's heartless." "Better than eating an animal that doesn't want to be eaten," said Zaphod. "That's not the point," Arthur protested. Then he thought about it for a moment. "All right," he said, "maybe it is the point. I don't care, I'm not going to think about it now. I'll just ... er ..." The Universe raged about him in its death throes. "I think I'll just have a green salad," he muttered. "May I urge you to consider my liver?" asked the animal, "it must be very rich and tender by now, I've been force-feeding myself for months." "A green salad," said Arthur emphatically. "A green salad?" said the animal, rolling his eyes disapprovingly at Arthur. "Are you going to tell me," said Arthur, "that I shouldn't have green salad?" "Well," said the animal, "I know many vegetables that are very clear on that point. Which is why it was eventually decided to cut through the whole tangled problem and breed an animal that actually wanted to be eaten and was capable of saying so clearly and distinctly. And here I am." It managed a very slight bow. "Glass of water please," said Arthur. "Look," said Zaphod, "we want to eat, we don't want to make a meal of the issues. Four rare steaks please, and hurry. We haven't eaten in five hundred and seventy-six thousand million years." The animal staggered to its feet. It gave a mellow gurgle. "A very wise choice, sir, if I may say so. Very good," it said. "I'll just nip off and shoot myself." He turned and gave a friendly wink to Arthur. "Don't worry, sir," he said, "I'll be very humane." It waddled unhurriedly off to the kitchen. A matter of minutes later the waiter arrived with four huge steaming steaks.
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))