“
You know what would help?" I asked, not meeting his eyes.
"Hmm?"
"If you turned off this crap music and put on something that came out after the Berlin Wall went down."
Dimitri laughted. "Your worst class is history, yet somehow, you know everything about Eastern Europe."
"Hey, gotta have material for my jokes, Comrade." Still smiling, he turned the radio dail. To a country station.
"Hey! This isn't what I had in mind," I exclaimed. I could tell he was on the verge of laughing again.
"Pick. It's one or the other."
I sighed. "Go back to the 1980s stuff."
He flipped the dail, and I crossed my arms over my chest as some vaguely European-sounding band sang about how video had killed the radio star. I wished someone would kill this radio.
”
”
Richelle Mead (Frostbite (Vampire Academy, #2))
“
Heinrich replied, “The fact that Kramer’s radio station has been wiped out by the British Navy in now classified information!
”
”
Michael G. Kramer (His Forefathers and Mick)
“
Acting Rear Admiral Gillet said, “Captain Scultetus, please try to understand that Britain and Germany are at war! The HMS Armadale Castle has been ordered to wipe the Swakop River Radio station off the map!
”
”
Michael G. Kramer (His Forefathers and Mick)
“
We were quiet on the car ride home. I turned on the radio and found a station playing "Hey Jude." It was true, I didn't want to make it bad. I wanted to take the sad song and make it better. It's just that I didn't know how.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
If I had five million pounds I'd start a radio station because something needs to be done. It would be nice to turn on the radio and hear something that didn't make you feel like smashing up the kitchen and strangling the cat.
”
”
Joe Strummer
“
I watched her face switch among the radio stations of memory
”
”
Diane Ackerman (The Zookeeper's Wife)
“
Did you see that guy in the back, from the radio station?’
His smile is a jar full of fireflies.
‘Crazy Girl,’ he says.
‘All I saw was you.
”
”
Hilary T. Smith (Wild Awake)
“
But feelings, no matter how strong or “ugly,” are not a part of who you are. They are the radio stations your mind listens to if you don’t give it something better to do. Feelings are fluid and dynamic; they change frequently.
Feelings are something you HAVE, not something you ARE. Like physical beauty, a cold sore, or an opinion.
Admitting you feel rage or terrible pain or regret or some old, rotten blame does not mean these feelings are part of who you are as a person. What these feelings mean is, you have to change your thinking to be free of them.
”
”
Augusten Burroughs (This Is How: Proven Aid in Overcoming Shyness, Molestation, Fatness, Spinsterhood, Grief, Disease, Lushery, Decrepitude & More. For Young and Old Alike.)
“
Music itself was color-blind but the media and the radio stations segregate it based on their perceptions of the artists.
”
”
Anthony Kiedis (Scar Tissue)
“
Some people think mental illness is a matter of mood, a matter of personality. They think depression is simply a form of being sad, that OCD is a form of being uptight. They think the soul is sick, not the body. It is, they believe, something that you have some choice over.
I know how wrong this is.
When I was a child, I didn't understand. I would wake up in a new body and wouldn't comprehend why things felt muted, dimmer. Or the opposite--I'd be supercharged, unfocused, like a radio at top volume flipping quickly from station to station. Since I didn't have access to the body's emotions, I assumed the ones I was feeling were my own. Eventually, though, I realized these inclinations, these compulsions, were as much a part of the body as its eye color or its voice. Yes, the feelings themselves were intangible, amorphous, but the cause of the feelings was a matter of chemistry, biology.
It is a hard cycle to conquer. The body is working against you. And because of this, you feel even more despair. Which only amplifies the imbalance. It takes uncommon strength to live with these things. But I have seen that strength over and over again.
”
”
David Levithan (Every Day (Every Day, #1))
“
Razor, calm down. Say hi to our new friends."
The gremlin, now perched on Keirran's arm, turned to stare at us with blazing green eyes and started crackling like a bad radio station.
"They can't understand you, Razor," Keiran said mildly. "English."
"Oh," said the gremlin. "Right." It grinned widely, baring a mouthful of sharp teeth that glowed neon-blue. "Hiiiiiiii.
”
”
Julie Kagawa (The Lost Prince (The Iron Fey: Call of the Forgotten, #1))
“
To be a DJ was to be God. To be a DJ at an alternative public radio station ? That was being God with a mission. It was thinking you were the first person to discover The Clash and you had to spread the word.
”
”
Carrie Vaughn (Kitty and the Midnight Hour (Kitty Norville, #1))
“
No, solitude did not trouble her. She could spend long minutes gazing out the window, hours listening to the BBC on the public radio station. She relished the very texture of her privacy, its depth of space and freedom, much of an entire day hers alone.
”
”
Daphne Kalotay (Russian Winter)
“
Someone needs to buy a radio station, then play nothing but audio books, with a different genre of book played at set times. That way we can always have something new to read, no matter where we are.
”
”
Shana Chartier
“
BILLY: ...Sometimes I’m surprised people still care. I’m surprised they still play us on the radio. Sometimes I listen. The other day, they were playing “Turn It Off” on the classic rock station. I sat in the car in the driveway and listened.
[Laughs]We were pretty good.
DAISY: We were great. We were really great.
”
”
Taylor Jenkins Reid (Daisy Jones & The Six)
“
[The modern age] knows nothing about isolation and nothing about silence. In our quietest and loneliest hour the automatic ice-maker in the refrigerator will cluck and drop an ice cube, the automatic dishwasher will sigh through its changes, a plane will drone over, the nearest freeway will vibrate the air. Red and white lights will pass in the sky, lights will shine along highways and glance off windows. There is always a radio that can be turned to some all-night station, or a television set to turn artificial moonlight into the flickering images of the late show. We can put on a turntable whatever consolation we most respond to, Mozart or Copland or the Grateful Dead.
”
”
Wallace Stegner (Angle of Repose)
“
Religion, mysticism and magic all spring from the same basic 'feeling' about the universe: a sudden feeling of meaning, which human beings sometimes 'pick up' accidentally, as your radio might pick up some unknown station. Poets feel that we are cut off from meaning by a thick, lead wall, and that sometimes for no reason we can understand the wall seems to vanish and we are suddenly overwhelmed with a sense of the infinite interestingness of things.
”
”
Colin Wilson (The Occult)
“
I got in my car and started it up and sighed. The radio station was about to do some Bartok crap and I couldn’t stand that atonal stuff, so I flipped it off. I’d rather head back to my place in silence.
”
”
Michael Grigsby (Segment of One)
“
Terrorism” is a word that has become a plague on our vocabulary, the excuse and reason and moral permit for state-sponsored violence— our violence—which is now used on the innocent of the Middle East ever more outrageously and promiscuously. Terrorism, terrorism, terrorism. It has become a full stop, a punctuation mark, a phrase, a speech, a sermon, the be-all and end-all of everything that we must hate in order to ignore injustice and occupation and murder on a mass scale. Terror, terror, terror, terror. It is a sonata, a symphony, an orchestra tuned to every television and radio station and news agency report, the soap-opera of the Devil, served up on prime-time or distilled in wearyingly dull and mendacious form by the right-wing “commentators” of the American east coast or the Jerusalem Post or the intellectuals of Europe. Strike against Terror. Victory over Terror. War on Terror. Everlasting War on Terror. Rarely in history have soldiers and journalists and presidents and kings aligned themselves in such thoughtless, unquestioning ranks.
”
”
Robert Fisk (The Great War for Civilisation: The Conquest of the Middle East)
“
Writing was never work for me. It had been the same for as long as I could remember: turn on the radio to a classical music station, light a cigarette or a cigar, open the bottle. The typer did the rest. All I had to do was be there. The whole process allowed me to continue when life itself offered very little, when life itself was a horror show. There was always the typer to soothe me, to talk to me, to entertain me, to save my ass. Basically that's why I wrote: to save my ass, to save my ass from the madhouse, from the streets, from myself.
”
”
Charles Bukowski (Hollywood)
“
Personally, I prefer Stevie Wonder," confessed the Chink, "but what the hell. Those cowgirls are always bitching because the only radio station in the area plays nothing but polkas, but I say you can dance to anything if you really feel like dancing." To prove it, he got up and danced to the news.
”
”
Tom Robbins (Even Cowgirls Get the Blues)
“
But feelings, no matter how strong or “ugly,” are not a part of who you are. They are the radio stations your mind listens to if you don’t give it something better to do.
”
”
Augusten Burroughs (This Is How: Surviving What You Think You Can't)
“
I rolled back onto the lawn and pressed my forehead to the ground again and made the noise that Father calls groaning. I make this noise when there is too much information coming into my head from the outside world. It is like when you are upset and you hold the radio against your ear and you tune it halfway between two stations so that all you get is white noise and then you turn the volume right up so that this is all can hear and then you know you are safe because you cannot hear anything else
”
”
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
“
Sometimes you happen to run across a brilliant run of radio songs, where each tie one station goes to commercial, you scan to another that has just started to play a song you love but had almost forgotten about, a song you never would've picked but turns out to be perfect for shouting along to.
”
”
John Green (Turtles All the Way Down)
“
I was getting tired about what the preacher called Christian. Anything he did was Christian, and the people in his church believed it, too. If he stole some book he didn't like from the library, or made the radio station play only part of the day on Sunday, or took somebody off to the state poor home, he called it Christian. I never had much religious training, and I never went to Sunday school because we didn't belong to the church when I was old enough to go, but I thought I knew what believing in Christ meant, and it wasn't half the things the preacher did.
”
”
John Kennedy Toole (The Neon Bible)
“
When I try to picture heaven, I see a place where it's always December, every radio station plays hair bands, and every time I check my pockets they're full of Hershey's Kisses. There's a Christmas parade on every street, every day is my birthday, and the sun always sets at 4:58 p.m.
”
”
Damien Echols (Life After Death)
“
I received no praise for the rescue of this girl, only criticism for "moving the troops about and stirring up the people" and wasting the radio station's time and money. I was shaken by these complaints. A young girl had been in danger and yet going to her rescue was seen as "exhausting the people and draining the treasury". Just what was a woman's life worth in China?
”
”
Xinran (The Good Women of China: Hidden Voices)
“
Each of us is like a radio station, constantly broadcasting the energy of our thoughts, which emanate from us and fill the immensity of space, touching all those around us for good or ill.
”
”
Bradley Nelson (The Emotion Code: How to Release Your Trapped Emotions for Abundant Health, Love and Happiness)
“
Gabe crouches over the radio, trying to get it to pick up one of the mainland music stations, which only works when the weather is just right and the appropriate slain sacrifices have been made.
”
”
Maggie Stiefvater (The Scorpio Races)
“
The Smiths fallout continues in Denver, where someone has held an entire radio station at gunpoint until DJs make the promise to play Smiths music. Unwittingly, this gunman is providing the very first active radio promotion on behalf of the Smiths, and evidently a loaded gun is what it takes to get a Smiths song on the airwaves.
”
”
Morrissey (Autobiography)
“
We still have some time to take advantage of the fact that radio and television stations are not yet guarded by the army.
”
”
Guy Debord (Internationale situationniste (French Edition))
“
The buyer is always tuned in to one radio station: WIIFM (What's In It For Me). The rest is filtered out as noise.
”
”
Steve Woodruff (Clarity Wins: Get Heard. Get Referred.)
“
And then I was offered the job of a particle in factory physics. I was offered the job of an electron in an office atom. I was offered the job of a frequency for a radio station. People told me I could easily make it as a ray in a ray gun. What's the matter with you, don't you want to do well? I wanted to be a beach bum and work on my wave function. I have always loved the sea.
”
”
Jeanette Winterson
“
My parents were quiet in the car to the airport, but I couldn’t escape the voices in my head. You failure. You disaster. You disgusting girl. The self-loathing was like a radio station between my ears. Loser. You mess.
”
”
Cat Marnell (How to Murder Your Life)
“
If we have a choice between believing one of two things, both of which we have evidence for -- I'm unlovable, I'm lovable - often we choose the one that makes us feel bad. Why do we keep our radios tuned to the same static-ridden stations (the everyone's-life-is-better-than-mine, the I-can't-trust-people station, the nothing-works-out-for-me station) instead of moving the dial up or down? Change the station. Walk around the bars. Who's stopping us but ourselves?
”
”
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
“
If the people are the landlords of the public airwaves and the television and radio stations are the tenants, why don’t the tenants pay rent?
”
”
Ralph Nader (The Seventeen Solutions: Bold Ideas for Our American Future)
“
The radio station was playing Tchaikovsky's Swan Lake, a sure sign that things were much worse than they appeared.
”
”
Gary Shteyngart (Absurdistan)
“
Sometimes a radio station will get ONE phone call from ONE person who screams that he is going to complain to the FCC. Instead of the guy at the stating thinking about how many listeners love the song, want to hear it again, and will support the station for playing it, usually the guy panics -- and takes my records off the air. I object that.
It has never mattered to me that thirty million people might think 'I'm wrong.' The number of people who thought Hitler was 'right' did not make him 'right.' The same principle should be applied to anyone who has an individualistic attitude. Why do you necessarily have to be wrong just because a few million people think you are?
”
”
Frank Zappa
“
It's like when you call the radio station when they ask for the ninth caller, but you're never the ninth caller, so when they actually pick up and talk to you, you figure it must be some mistake. Then they put you on the radio, you sound like a complete fool, and then you hang up before you can give them your address, so they can't mail you your concert tickets. Don't laugh - it happened.
”
”
Neal Shusterman (The Schwa Was Here (Antsy Bonano, #1))
“
How does she do it? She makes it sound like she is so cut up to be giving them this information, and it's all just bumph out of her head. She never told them ANYTHING. I don't think she's given them the right name of any airfield in Britain except Mainsend and Buscot, which of course were where she was stationed. They could have easily checked. It's all so close to truth, and so glib--her aircraft identification is rather good considering what a fuss she makes about it. It makes me think of the first day I met her, giving those directions in German. So cool and crisp, such authority--suddenly she really was a radio operator, a German radio operator, she was so good at faking it. Or when I told her to be Jamie, how she just suddenly turned into Jamie.
This confession of hers is rotten with error...
”
”
Elizabeth Wein (Code Name Verity (Code Name Verity, #1))
“
I was in the Midwest, and the rain was all I had left of Camilla’s goodbye kiss. Raindrops on the windshield, radio stations fading in and out. Cornfields bleak in all those gray, wide-open reaches. I had said goodbye to her once before, but it took everything I had to say goodbye to her then, again, for the last time, like poor Orpheus turning for a last backward glance at the ghost of his only love and in the same heartbeat losing her forever: hinc illae lacrimae, hence those tears. I suppose nothing remains
”
”
Donna Tartt (The Secret History)
“
Nobel laureate Steven Weinberg likens this multiple universe theory to radio. All around you, there are hundreds of different radio waves being broadcast from distant stations. At any given instant, your office or car or living room is full of these radio waves. However, if you turn on a radio, you can listen to only one frequency at a time; these other frequencies have decohered and are no longer in phase with each other. Each station has a different energy, a different frequency. As a result, your radio can only be turned to one broadcast at a time.Likewise, in our universe we are "tuned" into the frequency that corresponds to physical reality. But there are an infinite number of parallel realities coexisting with us in the same room, although we cannot "tune into" them. Although these worlds are very much alike, each has a different energy. And because each world consists of trillions upon trillions of atoms, this means that the energy difference can be quite large. Since the frequency of these waves is proportional to their energy (by Planck's law), this means that the waves of each world vibrate at different frequencies and cannot interact anymore. For all intents and purposes, the waves of these various worlds do not interact or influence each other.
”
”
Michio Kaku (Parallel Worlds: A Journey through Creation, Higher Dimensions, and the Future of the Cosmos)
“
There’s a radio playing in our head, Radio Station NST: Non-Stop Thinking. Our mind is filled with noise, and that’s why we can’t hear the call of life, the call of love. Our heart is calling us, but we don’t hear. We don’t have the time to listen to our heart.
”
”
Thich Nhat Hanh (Silence: A Guide to Harnessing Your Most Powerful Inner Resource Through Mindfulness Techniques, Zen Philosophy, and the Art of Embracing Quiet)
“
In the water’s reflection she saw only loving scenes from her childhood, countless memories, her mother kissing her good night, unwrapping a new toy, plopping whipped cream onto pancakes, putting Annie on her first bicycle, stitching a ripped dress, sharing a tube of lipstick, pushing a button to Annie’s favorite radio station. It was as if someone unlocked a vault and all these fond recollections could be examined at once.
Why didn't I feel this before? she whispered. Because we embrace are scars more than our healing, Lorraine said. We can recall the exact day we got hurt, but who remembers the day the wound was gone?
”
”
Mitch Albom (The Next Person You Meet in Heaven)
“
Dreams and coffee and sunrises make up the rhythms of the road.
Music is a part of it, too: the popular music on the jukeboxes and radio stations. You hear it constantly, in diners and on car radios. The music has a rhythm that fits the steady drumming of tires over pavement. It seeps into your bloodstream. After a while it ceases to make any difference whether or not you like the stuff. When you’re traveling alone, a nameless rider with a succession of strangers, it can give you a comforting sense of the familiar to hear the same music over and over.
At any given time, a few current hits will be overplayed to exhaustion by the rock & roll stations. In hitching across the continent, you might hear the same song fifty or sixty times. Certain songs become connected in your mind with certain trips.
”
”
Kenn Kaufman (Kingbird Highway: The Biggest Year in the Life of an Extreme Birder)
“
so I told him jokes. “Do you know why radio announcers have tiny hands?” “Huh?” “Wee paws for station identification,” I would whoop.
”
”
Katherine Paterson (Jacob Have I Loved: A Newbery Award Winner)
“
It was like someone had turned a knob a hair to the right ... and the radio station clicked in so loud and clear it almost knocked her over .
”
”
Todd Field (Little Children: The Shooting Script)
“
While he originally sang about ‘a coloured boy named Johnny B. Goode’, under pressure from white-owned radio stations Berry changed the lyrics to ‘a country boy named Johnny B. Goode’. As
”
”
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
“
I guess it is what you do if you grow up with warnings of damnation ringing from every church door and radio station and family reunion, in a place where total strangers will walk up to you at the Piggly Wiggly and ask if you are Saved. Even if you deny that faith, rebuke it, you still carry it around with you like some half-forgotten Indian head penny you keep in your pocket for luck. I wonder sometimes if I will be the same, if when I see my life coming to an end I will drop to my knees and search my soul for old sins and my memory for forgotten prayers. I reckon so.
”
”
Rick Bragg (All Over But the Shoutin')
“
NPR faded from the radio in a string of announcements of corporate supporters, replaced by a Christian station that alternated pabulum preaching and punchy music. He switched to shit-kicker airwaves and listened to songs about staying home, going home, being home and the errors of leaving home.
”
”
Annie Proulx (That Old Ace in the Hole)
“
The fact was, I wanted the same thing again and again. And so I yielded, bought the good, took them home, cooked, ate, accompanied usually by music, preferably a public radio station that played music I liked. And I am here to tell you, the pleasure never diminished I was happy every time. - Beverly Lowery
”
”
Jenni Ferrari-Adler (Alone in the Kitchen with an Eggplant: Confessions of Cooking for One and Dining Alone)
“
Through the years I found two things that clearly tune in the radio station: one is truth and the other one is love. When we tell ourselves the truth instead of lies, we are automatically tuning in Higher Power energy. In choosing truth, we choose to be loving to self and others; then the radio station is absolutely, perfectly clear.
”
”
Pia Mellody (The Intimacy Factor: The Ground Rules for Overcoming the Obstacles to Truth, Respect, and Lasting Love)
“
For a moment the radio wavered between stations
and I was so busy
making myself marvelous.
”
”
Sarah J. Sloat (In the Voice of a Minor Saint)
“
He had the radio turned to some Spanish-language station at a volume that reminded me of the holding tank at Riker's Island - and for an added touch of authenticity he screamed 'Maricon!' and waved his fist out the open window at another driver who had the audacity to attempt to share the road with us.
”
”
Andrew Vachss (Flood (Burke, #1))
“
One cannot exclude the possibility of a fascist period in Russia,” Staravoitova said on the radio station Echo of Moscow. “We can see too many parallels between Russia’s current situation and that of Germany after the Versailles Treaty. A great nation is humiliated, and many of its nationals live outside the country’s borders. The disintegration of an empire has taken place at a time when many people still have an imperialist mentality.… All this is happening at a time of economic crisis.
”
”
David Remnick (Lenin's Tomb: The Last Days of the Soviet Empire)
“
The doo-wop stalker love song on a Cincinnati oldies station--you broke up with me because I was an obnoxious jerk and now you're dating him, so I drive by your house and stare in your window every night, thereby proving that I'm an even bigger creep than you thought
”
”
Sarah Vowell (Radio On: A Listener's Diary)
“
I'm tired of people using their cars as biographical information centers, informing the world of their sad-sack lives and boring interests. Keep that shit to yourself. I don't want to know what college you went to, who you intend to vote for or what your plan is for world peace. I don't care if you visited the Grand Canyon, Mount Rushmore or the birthplace of Wink Martindale. And I'm not interested in what radio station you listen to or what bands you like. In fact, I'm not interested in you in any way, except to see you in my rearview mirror.
Furthermore, I can do without your profession of faith in God, Allah, Jehova, Yahweh, Peter Cottonail or whoever the fuck it is you've turned your life over to; please keep your superstitions private. I can't tell how happy it would make me to someday drive up to a flaming auto wreck and see smoke curling up around one of those little fish symbols with Jesus written inside it. And as far as I'm concerned you can include the Darwin/fish-with-feet-evolution symbol too. Far too cute for my taste.
So keep the personal and autobiographical messages to yourself. Here's an idea: maybe you could paste them up inside your car, where you can see them and I can't.
”
”
George Carlin (When Will Jesus Bring the Pork Chops?)
“
Zachary notified the local newspapers and all pertinent radio and television stations. He called a press conference at the home of his client, Jennifer Tracey, to announce the filing of a major multimillion-dollar lawsuit against a major religious institution. The dye had been cast. A long, tough road lay ahead. For Zachary, Jennifer, Kenny, and Jake, there was no turning back.
”
”
Mark M. Bello (Betrayal of Faith (Zachary Blake Legal Thriller, #1))
“
Suffice it to say that it is a town like many towns, with a city hall, and a bowling alley (the Desert Flower Bowling Alley and Arcade Fun Complex), and a diner (the Moonlite All-Nite Diner), and a supermarket (Ralphs), and, of course, a community radio station reporting all the news that we are allowed to hear. On all sides it is surrounded by empty desert flatness. It is much like your town, perhaps. It might be more like your town than you’d like to admit.
”
”
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
“
...I took the little radio from the kitchen and I went and sat in the spare room and I tuned it halfway between two stations so that all I could hear was white noise and I turned the volume up really loud and I held it against my ear and the sound filled my head and it hurt so that I couldn't feel any other sort of hurt, like the hurt in my chest
”
”
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
“
Although he had not yet managed to tune it to a clear station, he was shocked by how comforting even the sound of static was. It was not yet music, but it was about to be.
”
”
Maggie Stiefvater (All the Crooked Saints)
“
She was like a song on the radio that touches a person so profoundly they call the station just to find out who sang it.
”
”
Michael Banebrook (The Perfect Holiday)
“
Sometimes you happen across a brilliant run of radio songs, where each time one station goes to commercial, you scan to another that has just started to play a song you love but had almost forgotten about, a song you never would’ve picked but that turns out to be perfect for shouting along to. And so I drove along to one of those miraculous playlists, headed nowhere.
”
”
John Green (Turtles All the Way Down)
“
I was too soft on the inside, you see. No exoskeleton. I felt everything, and still everything bored me. I was like . . . like a radio playing five stations at once, all of them static.
”
”
Brittany Cavallaro (A Study in Charlotte (Charlotte Holmes, #1))
“
English and the detestable tyranny of the Jews. But most of them began with the word Verboten—Forbidden. It was forbidden to walk down the street between nine o’clock in the evening and five o’clock in the morning; forbidden to keep any firearms; forbidden to “aid, abet or shelter” escaped prisoners, English soldiers, or citizens of countries which were enemies of Germany; forbidden to listen to foreign radio stations; forbidden to refuse German currency. And beneath each poster was the same warning in black lettering, underlined twice: ON PAIN OF DEATH.
”
”
Irène Némirovsky (Suite Française)
“
In 1987, under President Ronald Reagan, the Federal Communications Commission (FCC) abolished the Fairness Doctrine. In place since 1949, it had stipulated equal airtime for differing points of view. In this environment where media outlets felt less compelled to present balanced political debate, AM radio stations in particular started to switch to a lucrative form of programming best exemplified by Rush Limbaugh—right-wing talk radio. For hours on end, Limbaugh, and others who followed his lead, would present their view of the world without rebuttal, fact-checking, or any of the other standards in place at most journalistic outlets. Often their commentary included bashing any media coverage that conflicted with the talk-radio narrative.
”
”
Dan Rather (What Unites Us: Reflections on Patriotism)
“
I punched him on the shoulder and turned on the radio, going past WBLM (“Maine’s Rock and Roll Blimp”) to WTHT (“Maine’s #1 Country Station”). I had gotten a taste for c&w. I have never lost it.
”
”
Stephen King (If It Bleeds (Holly Gibney #2))
“
I turned on the radio and found a station playing “Hey Jude.” It was true, I didn’t want to make it bad. I wanted to take the sad song and make it better. It’s just that I didn’t know how. After
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
It’s like you tune in to a supernatural event, and anyone who is destined to interact with that event picks up the same psychic signature. You tune in to radio-station freaky and write what you hear.
”
”
Wen Spencer (Eight Million Gods)
“
MESSAGE + MISSION = MOVEMENT
Its not that you want to be on TV or the radio or in a magazine. If no one watched or listened or read, you wouldn't care about those mediums.
What you want is an audience.
You want to be seen and heard. You have a message to share. That said, the world has giving you your own TV channel (YouTube and any other video platform). The world has given you a radio station and even hosts (podcasts). The world has given you your own magazine and newspaper (websites, blogs, etc).
YOU ARE SEEN AND HEARD. YOU ARE ALREADY STANDING ON THE STAGE.
NOW WHAT?
We are watching and listening.
”
”
Richie Norton
“
[T]he Federal Communications Commission should reestablish two principles that formerly served this country well: the public service requirement and the fairness doctrine. Every television and radio station should once again be required to devote a meaningful percentage of its programming to public service broadcasting. The public, after all, owns the airwaves through which signals are broadcast, and the rights-of-way in which cables are strung. And every television and radio station should once again have to follow the fairness doctrine: those with opposing views should have the right to respond to viewpoints expressed on the station.
”
”
Bernie Sanders (Outsider in the White House)
“
To the family and friends of Intern Jodi: She will be missed. Especially since she alphabetized herself early in the process, and so most of the station still needs doing. If you need college credit or a place to hide from the dangerous world outside, come on down to the station today, and start a long and healthy life in radio.
”
”
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
“
Why’s it okay to draw spaceships if you’re seven, but not okay to draw diabolical mazes? Who decides that spending money on Space Invaders is fine, but if you buy a calculator with loads of symbols you’re asking to be picked on? Why’s it okay to listen to the Top 40 on Radio 1 but not okay to listen to stations in other languages?
”
”
David Mitchell (The Bone Clocks)
“
You've heard shards of our voice in the phantom-radio code of a numbers station in the roar of a crowd - in the screams of your clock - in the scrape of a chalkboard - in the snow static of a TV - in the chainsaw-decibel mating of cicadas - in the urban mythos that spreads amongst children like contagion - in the silence between lies.
White noise becomes a cadence. Words develop self-awareness. Viral. Evolving. Living poetry. Sentient language.
”
”
Joshua Alan Doetsch
“
Nisker wasn’t really in the mood for an LSD trip. After all, he was in a car and heading toward the Oakland–San Francisco Bay Bridge. Then Scoop started thinking to himself. Well, the guy is the “high priest of LSD.” What else can I do? When else am I going to get a chance like this? So, Nisker dropped the acid. By the time they got to the radio station Scoop was so stoned he couldn’t put two words together. But Leary sat down behind the microphone and just let out all this beautiful, flowing prose. He was his usual glib, funny self. Nisker was melting into the floor, mumbling to himself. But there was Leary, totally in charge of himself—so charismatic, so facile. What a performance!
”
”
Don Lattin (The Harvard Psychedelic Club: How Timothy Leary, Ram Dass, Huston Smith, and Andrew Weil Killed the Fifties and Ushered in a New Age for America)
“
He undressed and, wearing slippers and a robe, went to the bathroom to shave. He turned on the radio. They read the newspapers on the Dominican Voice and Caribbean Radio. Until a few years ago the news bulletins had begun at five. But when his brother Petan, the owner of the Dominican Voice, found out that he woke at four, he moved the newscasts up an hour. The other stations followed suit. They knew he listened to the radio while he shaved, bathed, and dressed, and they were painstakingly careful.
”
”
Mario Vargas Llosa (The Feast of the Goat)
“
Of course they were children, he knew that, and that wasn't it. They gave off a terrible glow. They had the blank glow of angels. They lived smack in the middle of reality and never gave it a minute's thought. They'd never felt like actors. They'd never been sick with irony. The long tunnel of their thoughts had never swallowed them. They'd never had restless sleepless nights, the urgent wordless unexplainable wrestling matches with the shadowy bands of soul-thieves. God damn it, Sault thought. Everybody gets to be happy except me. Saul heard Anne's cries. The sun was sweating all over his forehead. He felt faint, and Jewish, as usual. He turned on the radio. It happened to be tuned to a religious station and some choir was singing "When Jesus Wept.
”
”
Charles Baxter
“
California during the 1940s had Hollywood and the bright lights of Los Angeles, but on the other coast was Florida, land of sunshine and glamour, Miami and Miami Beach. If you weren't already near California's Pacific Coast you headed for Florida during the winter. One of the things which made Miami such a mix of glitter and sunshine was the plethora of movie stars who flocked there to play, rubbing shoulders with tycoons and gangsters. Sometimes it was hard to tell the difference between the latter two.
Miami and everything that surrounded it hadn't happened by accident. Carl Fisher had set out to make Miami Beach a playground destination during the 1930s and had succeeded far beyond his dreams. The promenade behind the Roney Plaza Hotel was a block-long lovers' lane of palm trees and promise that began rather than ended in the blue waters of the Atlantic.
Florida was more than simply Miami and Miami Beach, however. When George Merrick opened the Biltmore Hotel in Coral Gables papers across the country couldn't wait to gush about the growing aura of Florida. They tore down Collins Bridge in the Gables and replaced it with the beautiful Venetian Causeway. You could plop down a fiver if you had one and take your best girl — or the girl you wanted to score with — for a gondola ride there before the depression, or so I'd been told.
You see, I'd never actually been to Florida before the war, much less Miami. I was a newspaper reporter from Chicago before the war and had never even seen the ocean until I was flying over the Pacific for the Air Corp. There wasn't much time for admiring the waves when Japanese Zeroes were trying to shoot you out of the sky and bury you at the bottom of that deep blue sea.
It was because of my friend Pete that I knew so much about Miami. Florida was his home, so when we both got leave in '42 I followed him to the warm waters of Miami to see what all the fuss was about. It would be easy to say that I skipped Chicago for Miami after the war ended because Pete and I were such good pals and I'd had such a great time there on leave. But in truth I decided to stay on in Miami because of Veronica Lake.
I'd better explain that. Veronica Lake never knew she was the reason I came back with Pete to Miami after the war. But she had been there in '42 while Pete and I were enjoying the sand, sun, and the sweet kisses of more than a few love-starved girls desperate to remember what it felt like to have a man's arm around them — not to mention a few other sensations. Lake had been there promoting war bonds on Florida's first radio station, WQAM. It was a big outdoor event and Pete and I were among those listening with relish to Lake's sultry voice as she urged everyone to pitch-in for our boys overseas.
We were in those dark early days of the war at the time, and the outcome was very much in question. Lake's appearance at the event was a morale booster for civilians and servicemen alike. She was standing behind a microphone that sat on a table draped in the American flag. I'd never seen a Hollywood star up-close and though I liked the movies as much as any other guy, I had always attributed most of what I saw on-screen to smoke and mirrors. I doubted I'd be impressed seeing a star off-screen. A girl was a girl, after all, and there were loads of real dolls in Miami, as I'd already discovered. Boy, was I wrong." - Where Flamingos Fly
”
”
Bobby Underwood (Where Flamingos Fly (Nostalgic Crime #2))
“
There are cases that I just can't forget.....What it is. I don't know. I think it's the ones where something small changes everything. Where the tiniest act , the smallest space of time, the most inconsequential of decisions, changes a life. A split second separates the long-lost friends who either see or miss each other at an airport. And from that , a relationship does or does not develop, perhaps a lifetime partnership,, perhaps even children. Human beings who might or might not have existed. Whole lives built out of the most fragile of happenstance.
And maybe that's why our lives are beautiful; why they're tragic. One perfect child can be born of an accidental encounter, and another lost to a split-second lapse in attention. If a motorist leans over to change a radio station at the same moment that it first occurs to a four year old that he can let go of his mother's hand as easily as hang onto it, and that if he lets go he will be across the road first, before his mother, and that she will certainly laugh and say, "How fast you are, Johnny!" If the child does this and the motorist does that , and if the world then changes forever and unbearably for everyone involved, then is that not life in its simplest form?
That so little matters so much, and so much matters so little.
”
”
Laura McBride (We Are Called to Rise)
“
Prehistory isn't like a 'veil' or a 'curtain' that 'lifts’ to reveal the pre-set 'stage' of history. Rather, prehistory is an absence of something: an absence of writing. So a better image of the ‘dawn of history’ might be an AM radio in the pre-dawn hours: you recognize wisps of words or music across the dial, inter blending, and noise obscures even the few clear-channel stations. The first ones we find, when we switch on the radio of history about 3200B.C.E., come from Mesopotamia, and those from Egypt soon emerge. Eventually the neighbouring lands produce records, with the effect that the ancient Near East is probably the best documented civilization before the invention of printing.” (Daniels and Bright, page 19)
”
”
Peter T. Daniels (The World's Writing Systems)
“
It was a roaring spring morning with green in the sky, the air spiced with sand sagebrush and aromatic sumac. NPR faded from the radio in a string of announcements of corporate supporters, replaced by a Christian station that alternated pabulum preaching and punchy music. He switched to shit-kicker airwaves and listened to songs about staying home, going home, being home and the errors of leaving home.
”
”
Annie Proulx (That Old Ace in the Hole: A Novel)
“
...this, this life, this "everything" you know is a mere paper construction. You, my TV dinner-sucking, glazed-eyed friends, are living in ... the matrix ... and all you have to do to see the real world, God and Satan's glorious kingdom on Earth, all you have to do to taste real life is to risk being your true self... to dare... to watch... to listen... to all the late-night staticky-voiced deejays playing "race" records blowing in under the radar, shouting their tinny AM radio manifesto, their stations filled with poets, geniuses, rockers, bluesmen, preachers, philosopher kings, speaking to you from deep in the heart of your own soul. Their voices sing, "Listen... listen to what this world is telling you, for it is calling for your love, your rage, your beauty, your sex, your energy, your rebellion... because it needs you in order to remake itself. In order to be reborn into something else, something maybe better, more godly, more wonderful, it needs us.
This new world is a world of black and white. A place of freedom where the two most culturally powerful tribes in American society find common ground, pleasure and joy in each other's presence. Where they use a common language to speak with... to be with one another.
”
”
Bruce Springsteen (Born to Run)
“
Go faster,” I urged Steven, poking him in the shoulder. “Let’s pass that kid on the bike.”
Steven shrugged me off. “Never touch the driver,” he said. “And take your dirty feet off my dashboard.”
I wiggled my toes back and forth. They looked pretty clean to me. “It’s not your dashboard. It’s gonna be my car soon, you know.”
“If you ever get your license,” he scoffed. “People like you shouldn’t even be allowed to drive.”
“Hey, look,” I said, pointing out the window. “That guy in a wheelchair just lapped us!”
Steven ignored me, and so I started to fiddle with the radio. One of my favorite things about going to the beach was the radio stations. I was as familiar with them as I was with the ones back home, and listening to Q94 made me just really know inside that I was there, at the beach.
I found my favorite station, the one that played everything from pop to oldies to hip-hop. Tom Petty was singing “Free Fallin’.” I sang right along with him. “She’s a good girl, crazy ‘bout Elvis. Loves horses and her boyfriend too.”
Steven reached over to switch stations, and I slapped his hand away. “Belly, your voice makes me want to run this car into the ocean.” He pretended to swerve right.
I sang even louder, which woke up my mother, and she started to sing too. We both had terrible voices, and Steven shook his head in his disgusted Steven way. He hated being outnumbered.
”
”
Jenny Han (The Summer I Turned Pretty (Summer, #1))
“
Guess what song they picked for their first dance.”
“What song?”
“‘From This Moment On’ by Shania Twain.”
He frowns. “I never heard of that before.”
“It’s really cheesy, but they love it, apparently. Do you realize that we don’t have a song? Like, a song that’s ours.”
“Okay, then let’s pick one.”
“It doesn’t work like that. You don’t just pick your song. The song picks you. Like the Sorting Hat.”
Peter nods sagely. He finally finished reading all seven Harry Potter books and he’s always eager to prove that he gets my references. “Got it.”
“It has to just…happen. A moment. And the song transcends the moment, you know? My mom and dad’s song was ‘Wonderful Tonight’ by Eric Clapton. They danced to it at their wedding.”
“So how did it become their song, then?”
“It was the first song they ever slow danced to in college. It was at a dance, not long after they first started dating. I’ve seen pictures from that night. Daddy’s wearing a suit that was too big on him and my mom’s hair is in a French twist.”
“How about whatever song comes on next, that’s our song. It’ll be fate.”
“We can’t just make our own fate.”
“Sure we can.” Peter reaches over to turn on the radio.
“Wait! Just any radio station? What if it’s not a slow song?”
“Okay so we’ll put on Lite 101.” Peter hits the button.
“Winnie the Pooh doesn’t know what to do, got a honey jar stuck on his nose,” a woman croons.
Peter says, “What the hell?” as I say, “This can’t be our song.”
“Best out of three?” he suggests.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
There is a feeling that I had Friday night after the homecoming game that I don't know if I will ever be able to describe except to say that it is warm. Sam and Patrick drove me to the party that night, and I sat in the middle of Sam's pickup truck. Sam loves her pick up truck because I think it reminds her of her dad.The feeling I had happened when Sam told Patrick to find a station on the radio. And kept getting commercials. And commercials. And a really bad song about love that had the word "baby" in it. And then more commercials. And finally he found this really amazing song about this boy, and we all got quiet.
Sam tapped her hand on the steering wheel. Patrick held his hand outside the car and made air waves. And I just sat between them. After the song finished I said something.
"I feel infinite"
And Sam and Patrick looked at me like I said the greatest thing they ever heard. Because the song was the greatest and we all paid attention to it.Five minutes of a lifetime were truly spent,and we felt young in a good way. I have since bought the record, and I would tell you what it is, but truthfully, it's not the same unless you're driving to your first real part, and you're sitting in the middle seat of a pickup with two nice people when it starts to rain.
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
Kingsley could ‘do’ the sound of a brass band approaching on a foggy day. He could become the Metropolitan line train entering Edgware Road station. He could be four wrecked tramps coughing in a bus shelter (this was very demanding and once led to heart palpitations). To create the hiss and crackle of a wartime radio broadcast delivered by Franklin Delano Roosevelt was for him scant problem (a tape of it, indeed, was played at his memorial meeting, where I was hugely honored to be among the speakers). The pièce de résistance, an attempt by British soldiers to start up a frozen two-ton truck on a windy morning ‘somewhere in Germany,’ was for special occasions only. One held one's breath as Kingsley emitted the first screech of the busted starting-key. His only slightly lesser vocal achievement—of a motor-bike yelling in mechanical agony—once caused a man who had just parked his own machine in the street to turn back anxiously and take a look. The old boy's imitation of an angry dog barking the words 'fuck off' was note-perfect.
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
Time is weird. That much is obvious. Sometimes I think everything happens at once, which is anything but obvious and even weirder. I feel sorry for people who brag about 'living in the moment'; they're like people who come into the cinema after the film has started or people who drink Diet Coke—they're missing out on the best part. I think time is like the dial on a radio. Most people like to settle on a station with a clear signal and no interference. But that doesn't mean you can't listen to two or even three stations at the same time; it doesn't mean synchrony is impossible. Until quite recently, people believed it was impossible for a universe to fit inside two atoms, but it fits. Why dismiss the idea that on time's radio you can listen to the entire history of humanity simultaneously?
”
”
Marcelo Figueras (Kamchatka)
“
One afternoon in the fall of 2015, while I was writing this book, I was driving in my car and listening to SiriusXM Radio. On the folk music station the Coffee House, a song came on with a verse that directly spoke to me—so much so that I pulled off the road as soon as I could and wrote down the lyrics and the singer’s name. The song was called “The Eye,” and it’s written by the country-folk singer Brandi Carlile and her bandmate Tim Hanseroth and sung by Carlile. I wish it could play every time you open these pages, like a Hallmark birthday card, because it’s become the theme song of this book. The main refrain is: I wrapped your love around me like a chain But I never was afraid that it would die You can dance in a hurricane But only if you’re standing in the eye. I hope that it is clear by now that every day going forward we’re going to be asked to dance in a hurricane, set off by the accelerations in the Market, Mother Nature, and Moore’s law. Some politicians propose to build a wall against this hurricane. That is a fool’s errand. There is only one way to thrive now, and it’s by finding and creating your own eye. The eye of a hurricane moves, along with the storm. It draws energy from it, while creating a sanctuary of stability inside it. It is both dynamic and stable—and so must we be. We can’t escape these accelerations. We have to dive into them, take advantage of their energy and flows where possible, move with them, use them to learn faster, design smarter, and collaborate deeper—all so we can build our own eyes to anchor and propel ourselves and our families confidently forward.
”
”
Thomas L. Friedman (Thank You for Being Late: An Optimist's Guide to Thriving in the Age of Accelerations)
“
She spent the vestigial hours of the night huddled in a large wing-chair, looking too small for it, her little harmonica-sized transistor radio purring away at her elbow. She kept it on the Paterson station, WPAT, which stayed on all night. There were others that did too, but they were crawling with commercials; this one wasn't. It kept murmuring the melodies of Roberta and Can-Can and My Fair Lady, while the night went by and the world, out there beyond its dial, went by with it. She dozed off finally, her head lolling over like a little girl's propped up asleep in a grown-up's chair.
("Too Nice A Day To Die")
”
”
Cornell Woolrich (Tonight, Somewhere in New York: The Last Stories and an Unfinished Novel)
“
Now, just to understand better what's going on, let's imagine the shoe on the other foot. Let's imagine that hundreds of thousands of badly-educated Americans, white Americans, were pouring across the boarder into Mexico. And let's imagine that they were insisting on instruction in school in English rather than Spanish. Let's imagine they were asking for ballot papers in English rather than Spanish, they were celebrating Fourth of July rather than Sinco de Mayo, buying up newspapers, publishing in English, television stations, radios, all publishing and broadcasting in English ,and that there were so many of them coming in that they threatened to reduce Mexicans to minority. Do you think the Mexicans could possibly be tricked into thinking that this was enrichment, this was diversity, that this was great? No. No. They wouldn’t stand for it for a moment. This would be to them an impossible unacceptable invasion of their country. And you would find the same reaction in any non-white country anywhere in the world. Can you imagine say, the Japanese or the Nigerians, the Pakistanis, the Costa Ricans accepting this kind of wholesale demographic change that would change their country, transform their country, and reduce them to a minority? No. These things are impossible to imagine.
”
”
Jared Taylor
“
So,” Ben says, tapping his fingers against his thighs, “Ryder’s going to watch out for you during the storm, I guess. Keep an eye on your place and everything?”
“I promised her dad I would,” Ryder says.
Because God knows that’s the only reason he’d do something nice for me. I can’t help but roll my eyes.
“Well, it’s not like I’m right down the road like Ryder is, but if you need anything, just let me know, okay? I don’t mind coming out there.”
“Thanks, Ben,” I say, patting his shoulder. “That’s sweet.”
And then Ryder leans over and turns on the radio, blasting a country music station loud enough to make conversation impossible.
I guess that means we’re done talking, which is fine by me.
”
”
Kristi Cook (Magnolia (Magnolia Branch, #1))
“
A Day Away We often think that our affairs, great or small, must be tended continuously and in detail, or our world will disintegrate, and we will lose our places in the universe. That is not true, or if it is true, then our situations were so temporary that they would have collapsed anyway. Once a year or so I give myself a day away. On the eve of my day of absence, I begin to unwrap the bonds which hold me in harness. I inform housemates, my family and close friends that I will not be reachable for twenty-four hours; then I disengage the telephone. I turn the radio dial to an all-music station, preferably one which plays the soothing golden oldies. I sit for at least an hour in a very hot tub; then I lay out my clothes in preparation for my morning escape, and knowing that nothing will disturb me, I sleep the sleep of the just. On the morning I wake naturally, for I will have set no clock, nor informed my body timepiece when it should alarm. I dress in comfortable shoes and casual clothes and leave my house going no place. If I am living in a city, I wander streets, window-shop, or gaze at buildings. I enter and leave public parks, libraries, the lobbies of skyscrapers, and movie houses. I stay in no place for very long. On the getaway day I try for amnesia. I do not want to know my name, where I live, or how many dire responsibilities rest on my shoulders. I detest encountering even the closest friend, for then I am reminded of who I am, and the circumstances of my life, which I want to forget for a while. Every person needs to take one day away. A day in which one consciously separates the past from the future. Jobs, lovers, family, employers, and friends can exist one day without any one of us, and if our egos permit us to confess, they could exist eternally in our absence. Each person deserves a day away in which no problems are confronted, no solutions searched for. Each of us needs to withdraw from the cares which will not withdraw from us. We need hours of aimless wandering or spates of time sitting on park benches, observing the mysterious world of ants and the canopy of treetops. If we step away for a time, we are not, as many may think and some will accuse, being irresponsible, but rather we are preparing ourselves to more ably perform our duties and discharge our obligations. When I return home, I am always surprised to find some questions I sought to evade had been answered and some entanglements I had hoped to flee had become unraveled in my absence. A day away acts as a spring tonic. It can dispel rancor, transform indecision, and renew the spirit.
”
”
Maya Angelou (Wouldn't Take Nothing for My Journey Now)
“
They looked so familiar that for a moment Claude feared he had doubled back to Mrs. Merritt's city, until a sudden wave of water blinded his wipers and drove him along with everyone else to the curb, where the crackling radio reported an old man had just now been swept from his backyard by a cloudburst, the latest in a series deluging Tulsa. Clinging there to the side of the hill, no hand brake, Claude rode out the storm, stuffing blankets into the cracks under the doors, watching overhead drips as best he could with the babyseat. When the car next in front crept away from the curb, Claude followed as far as a gas station. There he wondered aloud what lay ahead, but the attendant couldn't say, having swum to work just five minutes ago. Now as Claude pulled away the rain suddenly ceased, it seemed from exhaustion, and for the next hundred miles he spun his dial to catch the latest reports: that old man was still missing, he had last been seen floating downhill toward the river, he had been found, he was dead, he was dying, he was still missing... Claude turned off the radio, for he was beyond range of Tulsa, and Joplin had not heard the news yet. He raced in silence toward the night which he knew already had begun not far ahead.
”
”
Douglas Woolf (Wall to Wall (American Literature))
“
I have to tell you, Major, if we don't get these bombs and stop this Jap fleet, they're gonna come in here and bomb the hell out of this place and maybe recapture it. Then their planes will be dropping these bombs on you. I've gotta have these bombs, sir, or we'll have a disaster on our hands.' Lupo asked who the major's superior was.
The Army officer mentioned a colonel who stationed out toward the front. 'He's out fighting a war, and I'm not going to bother him."
'Well," Lupo said, "that's just too bad." The pilot pulled out his service revolver and pointed it at the major. Then Lupo handed the pistol to his radioman, Earl Gifford, instructing the flabbergasted aircrewman to hold the Army officer at bay. Lupo climbed into the cockpit of his plane and hailed the Fanshaw Bay on the radio. His fellow pilots from VC-68 and other Taffy 3 squadrons were already inbound
”
”
James D. Hornfischer (The Last Stand of the Tin Can Sailors: The Extraordinary World War II Story of the U.S. Navy's Finest Hour)
“
Today the intellectual leaders of the Republican Party are the paranoids, kooks, know-nothings, and bigots who once could be heard only on late-night talk shows, the stations you listened to on long drives because it was hard to fall asleep while laughing. When any political movement loses all sense of self and has no unifying theory of government, it ceases to function as a collective rooted in thought and becomes more like fans of a sports team. Asking the Republican Party today to agree on a definition of conservatism is like asking New York Giants fans to have a consensus opinion on the Law of the Sea Treaty. It’s not just that no one knows anything about the subject; they don’t remotely care. All Republicans want to do is beat the team playing the Giants. They aren’t voters using active intelligence or participants in a civil democracy; they are fans. Their role is to cheer and fund their team and trash-talk whatever team is on the other side. This removes any of the seeming contradiction of having spent years supporting principles like free trade and personal responsibility to suddenly stop and support the opposite. Think of those principles like players on a team. You cheered for them when they were on your team, but then management fired them or traded them to another team, so of course you aren’t for them anymore. If your team suddenly decides to focus on running instead of passing, no fan cares—as long as the team wins. Stripped of any pretense of governing philosophy, a political party will default to being controlled by those who shout the loudest and are unhindered by any semblance of normalcy. It isn’t the quiet fans in the stands who get on television but the lunatics who paint their bodies with the team colors and go shirtless on frigid days. It’s the crazy person who lunges at the ref and jumps over seats to fight the other team’s fans who is cheered by his fellow fans as he is led away on the jumbotron. What is the forum in which the key issues of the day are discussed? Talk radio and the television shows sponsored by the team, like Fox & Friends, Tucker Carlson, and Sean Hannity.
”
”
Stuart Stevens (It Was All a Lie: How the Republican Party Became Donald Trump)
“
Algren’s book opens with one of the best historical descriptions of American white trash ever written.* He traces the Linkhorn ancestry back to the first wave of bonded servants to arrive on these shores. These were the dregs of society from all over the British Isles—misfits, criminals, debtors, social bankrupts of every type and description—all of them willing to sign oppressive work contracts with future employers in exchange for ocean passage to the New World. Once here, they endured a form of slavery for a year or two—during which they were fed and sheltered by the boss—and when their time of bondage ended, they were turned loose to make their own way. In theory and in the context of history the setup was mutually advantageous. Any man desperate enough to sell himself into bondage in the first place had pretty well shot his wad in the old country, so a chance for a foothold on a new continent was not to be taken lightly. After a period of hard labor and wretchedness he would then be free to seize whatever he might in a land of seemingly infinite natural wealth. Thousands of bonded servants came over, but by the time they earned their freedom the coastal strip was already settled. The unclaimed land was west, across the Alleghenies. So they drifted into the new states—Kentucky and Tennessee; their sons drifted on to Missouri, Arkansas and Oklahoma. Drifting became a habit; with dead roots in the Old World and none in the New, the Linkhorns were not of a mind to dig in and cultivate things. Bondage too became a habit, but it was only the temporary kind. They were not pioneers, but sleazy rearguard camp followers of the original westward movement. By the time the Linkhorns arrived anywhere the land was already taken—so they worked for a while and moved on. Their world was a violent, boozing limbo between the pits of despair and the Big Rock Candy Mountain. They kept drifting west, chasing jobs, rumors, homestead grabs or the luck of some front-running kin. They lived off the surface of the land, like army worms, stripping it of whatever they could before moving on. It was a day-to-day existence, and there was always more land to the west. Some stayed behind and their lineal descendants are still there—in the Carolinas, Kentucky, West Virginia and Tennessee. There were dropouts along the way: hillbillies, Okies, Arkies—they’re all the same people. Texas is a living monument to the breed. So is southern California. Algren called them “fierce craving boys” with “a feeling of having been cheated.” Freebooters, armed and drunk—a legion of gamblers, brawlers and whorehoppers. Blowing into town in a junk Model-A with bald tires, no muffler and one headlight … looking for quick work, with no questions asked and preferably no tax deductions. Just get the cash, fill up at a cut-rate gas station and hit the road, with a pint on the seat and Eddy Arnold on the radio moaning good back-country tunes about home sweet home, that Bluegrass sweetheart still waitin, and roses on Mama’s grave. Algren left the Linkhorns in Texas, but anyone who drives the Western highways knows they didn’t stay there either. They kept moving until one day in the late 1930s they stood on the spine of a scrub-oak California hill and looked down on the Pacific Ocean—the end of the road.
”
”
Hunter S. Thompson (The Great Shark Hunt: Strange Tales from a Strange Time (The Gonzo Papers Series Book 1))
“
I would walk round that beautiful, unspoilt little island, with its population of under a hundred and where there isn’t a single tarmac road, thinking about how he would truly sound. Perhaps the quietness of the island helped me do so. ‘Everybody thinks he’s French,’ I said to myself as I walked across the great stones that littered the beach at Rushy Bay, or stomped over the tussocky grass of Heathy Hill, with its famous dwarf pansies. ‘The only reason people think Poirot is French is because of his accent,’ I muttered. ‘But he’s Belgian, and I know that French-speaking Belgians don’t sound French, not a bit of it.’"
"I also was well aware of Brian Eastman’s advice to me before I left for Bryher: ‘Don’t forget, he may have an accent, but the audience must be able to understand exactly what he’s saying.’ There was my problem in a nutshell."
"To help me, I managed to get hold of a set of Belgian Walloon and French radio recordings from the BBC. Poirot came from Liège in Belgium and would have spoken Belgian French, the language of 30 per cent of the country’s population, rather than Walloon, which is very much closer to the ordinary French language. To these I added recordings of English-language stations broadcasting from Belgium, as well as English-language programmes from Paris. My principal concern was to give my Poirot a voice that would ring true, and which would also be the voice of the man I heard in my head when I read his stories. I listened for hours, and then gradually started mixing Walloon Belgian with French, while at the same time slowly relocating the sound of his voice in my body, moving it from my chest to my head, making it sound a little more high-pitched, and yes, a little more fastidious. After several weeks, I finally began to believe that I’d captured it: this was what Poirot would have sounded like if I’d met him in the flesh. This was how he would have spoken to me – with that characteristic little bow as we shook hands, and that little nod of the head to the left as he removed his perfectly brushed grey Homburg hat. The more I heard his voice in my head, and added to my own list of his personal characteristics, the more determined I became never to compromise in my portrayal of Poirot.
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David Suchet (Poirot and Me)
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He’d mentioned it a month before. A month. Not a good month, admittedly, but still—a month. That was enough time for him to have written something, at least. There was still something of him, or by him at least, floating around out there. I needed it. “I’m gonna go to his house,” I told Isaac. I hurried out to the minivan and hauled the oxygen cart up and into the passenger seat. I started the car. A hip-hop beat blared from the stereo, and as I reached to change the radio station, someone started rapping. In Swedish. I swiveled around and screamed when I saw Peter Van Houten sitting in the backseat. “I apologize for alarming you,” Peter Van Houten said over the rapping. He was still wearing the funeral suit, almost a week later. He smelled like he was sweating alcohol. “You’re welcome to keep the CD,” he said. “It’s Snook, one of the major Swedish—” “Ah ah ah ah GET OUT OF MY CAR.” I turned off the stereo. “It’s your mother’s car, as I understand it,” he said. “Also, it wasn’t locked.” “Oh, my God! Get out of the car or I’ll call nine-one-one. Dude, what is your problem?” “If only there were just one,” he mused. “I am here simply to apologize. You were correct in noting earlier that I am a pathetic little man, dependent upon alcohol. I had one acquaintance who only spent time with me because I paid her to do so—worse, still, she has since quit, leaving me the rare soul who cannot acquire companionship even through bribery. It is all true, Hazel. All that and more.” “Okay,” I said. It would have been a more moving speech had he not slurred his words. “You remind me of Anna.” “I remind a lot of people of a lot of people,” I answered. “I really have to go.” “So drive,” he said. “Get out.” “No. You remind me of Anna,” he said again. After a second, I put the car in reverse and backed out. I couldn’t make him leave, and I didn’t have to. I’d drive to Gus’s house, and Gus’s parents would make him leave. “You are, of course, familiar,” Van Houten said, “with Antonietta Meo.” “Yeah, no,” I said. I turned on the stereo, and the Swedish hip-hop blared, but Van Houten yelled over it. “She may soon be the youngest nonmartyr saint ever beatified by the Catholic Church. She had the same cancer that Mr. Waters had, osteosarcoma. They removed her right leg. The pain was excruciating. As Antonietta Meo lay dying at the ripened age of six from this agonizing cancer, she told her father, ‘Pain is like fabric: The stronger it is, the more it’s worth.’ Is that true, Hazel?” I wasn’t looking at him directly but at his reflection in the mirror. “No,” I shouted over the music. “That’s bullshit.” “But don’t you wish it were true!” he cried back. I cut the music. “I’m sorry I ruined your trip. You were too young. You were—” He broke down. As if he had a right to cry over Gus. Van Houten was just another of the endless mourners who did not know him, another too-late lamentation on his wall. “You didn’t ruin our trip, you self-important bastard. We had an awesome trip.” “I am trying,” he said. “I am trying, I swear.” It was around then that I realized Peter Van Houten had a dead person in his family. I considered the honesty with which he had written about cancer kids; the fact that he couldn’t speak to me in Amsterdam except to ask if I’d dressed like her on purpose; his shittiness around me and Augustus; his aching question about the relationship between pain’s extremity and its value. He sat back there drinking, an old man who’d been drunk for years.
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John Green (The Fault in Our Stars)
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Thus, no matter where you live in New York City, you will find within a block or two a grocery store, a barbershop, a newsstand and shoeshine shack, an ice-coal-and-wood cellar (where you write your order on a pad outside as you walk by), a dry cleaner, a laundry, a delicatessen (beer and sandwiches delivered at any hour to your door), a flower shop, an undertaker's parlor, a movie house, a radio-repair shop, a stationer, a haberdasher, a tailor, a drug-store, a garage, a tearoom, a saloon, a hardware store, a liquor store, a shoe-repair shop. Every block or two, in most residential sections of New York, is a little main street. A man starts for work in the morning and before he has gone two hundred yards he has completed half a dozen missions: bought a paper, left a pair of shoes to be soled, picked up a pack of cigarettes, ordered a bottle of whiskey to be dispatched in the opposite direction against his home-coming, written a message to the unseen forces of the wood cellar, and notified the dry cleaner that a pair of trousers awaits call. Homeward bound eight hours later, he buys a bunch of pussy willows, a Mazda bulb, a drink, a shine-- all between the corner where he steps off the bus and his apartment.
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E.B. White (Here Is New York)
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told me more about what happened the other night?” she asked, deciding to air her worst fears. “Am I under suspicion or something?” “Everyone is.” “Especially ex-wives who are publicly humiliated on the day of the murder, right?” Something in Montoya’s expression changed. Hardened. “I’ll be back,” he promised, “and I’ll bring another detective with me, then we’ll interview you and you can ask all the questions you like.” “And you’ll answer them?” He offered a hint of a smile. “That I can’t promise. Just that I won’t lie to you.” “I wouldn’t expect you to, Detective.” He gave a quick nod. “In the meantime if you suddenly remember, or think of anything, give me a call.” “I will,” she promised, irritated, watching as he hurried down the two steps of the porch to his car. He was younger than she was by a couple of years, she guessed, though she couldn’t be certain, and there was something about him that exuded a natural brooding sexuality, as if he knew he was attractive to women, almost expected it to be so. Great. Just what she needed, a sexy-as-hell cop who probably had her pinned to the top of his murder suspect list. She whistled for the dog and Hershey bounded inside, dragging some mud and leaves with her. “Sit!” Abby commanded and the Lab dropped her rear end onto the floor just inside the door. Abby opened the door to the closet and found a towel hanging on a peg she kept for just such occasions, then, while Hershey whined in protest, she cleaned all four of her damp paws. “You’re gonna be a problem, aren’t you?” she teased, then dropped the towel over the dog’s head. Hershey shook herself, tossed off the towel, then bit at it, snagging one end in her mouth and pulling backward in a quick game of tug of war. Abby laughed as she played with the dog, the first real joy she’d felt since hearing the news about her ex-husband. The phone rang and she left the dog growling and shaking the tattered piece of terry cloth. “Hello?” she said, still chuckling at Hershey’s antics as she lifted the phone to her ear. “Abby Chastain?” “Yes.” “Beth Ann Wright with the New Orleans Sentinel.” Abby’s heart plummeted. The press. Just what she needed. “You were Luke Gierman’s wife, right?” “What’s this about?” Abby asked warily as Hershey padded into the kitchen and looked expectantly at the back door leading to her studio. “In a second,” she mouthed to the Lab. Hershey slowly wagged her tail. “Oh, I’m sorry,” Beth Ann said, sounding sincerely rueful. “I should have explained. The paper’s running a series of articles on Luke, as he was a local celebrity, and I’d like to interview you for the piece. I was thinking we could meet tomorrow morning?” “Luke and I were divorced.” “Yes, I know, but I would like to give some insight to the man behind the mike, you know. He had a certain public persona, but I’m sure my readers would like to know more about him, his history, his hopes, his dreams, you know, the human-interest angle.” “It’s kind of late for that,” Abby said, not bothering to keep the ice out of her voice. “But you knew him intimately. I thought you could come up with some anecdotes, let people see the real Luke Gierman.” “I don’t think so.” “I realize you and he had some unresolved issues.” “Pardon me?” “I caught his program the other day.” Abby tensed, her fingers holding the phone in a death grip. “So this is probably harder for you than most, but I still would like to ask you some questions.” “Maybe another time,” she hedged and Beth Ann didn’t miss a beat. “Anytime you’d like. You’re a native Louisianan, aren’t you?” Abby’s neck muscles tightened. “Born and raised, but you met Luke in Seattle when he was working for a radio station . . . what’s the call sign, I know I’ve got it somewhere.” “KCTY.” It was a matter of public record. “Oh, that’s right. Country in the City. But you grew up here and went to local schools, right? Your
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Lisa Jackson (Lisa Jackson's Bentz & Montoya Bundle: Shiver, Absolute Fear, Lost Souls, Hot Blooded, Cold Blooded, Malice & Devious (A Bentz/Montoya Novel))