Racism In Heart Of Darkness Quotes

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Pick a leader who will make their citizens proud. One who will stir the hearts of the people, so that the sons and daughters of a given nation strive to emulate their leader's greatness. Only then will a nation be truly great, when a leader inspires and produces citizens worthy of becoming future leaders, honorable decision makers and peacemakers. And in these times, a great leader must be extremely brave. Their leadership must be steered only by their conscience, not a bribe.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
A NATION'S GREATNESS DEPENDS ON ITS LEADER To vastly improve your country and truly make it great again, start by choosing a better leader. Do not let the media or the establishment make you pick from the people they choose, but instead choose from those they do not pick. Pick a leader from among the people who is heart-driven, one who identifies with the common man on the street and understands what the country needs on every level. Do not pick a leader who is only money-driven and does not understand or identify with the common man, but only what corporations need on every level. Pick a peacemaker. One who unites, not divides. A cultured leader who supports the arts and true freedom of speech, not censorship. Pick a leader who will not only bail out banks and airlines, but also families from losing their homes -- or jobs due to their companies moving to other countries. Pick a leader who will fund schools, not limit spending on education and allow libraries to close. Pick a leader who chooses diplomacy over war. An honest broker in foreign relations. A leader with integrity, one who says what they mean, keeps their word and does not lie to their people. Pick a leader who is strong and confident, yet humble. Intelligent, but not sly. A leader who encourages diversity, not racism. One who understands the needs of the farmer, the teacher, the doctor, and the environmentalist -- not only the banker, the oil tycoon, the weapons developer, or the insurance and pharmaceutical lobbyist. Pick a leader who will keep jobs in your country by offering companies incentives to hire only within their borders, not one who allows corporations to outsource jobs for cheaper labor when there is a national employment crisis. Choose a leader who will invest in building bridges, not walls. Books, not weapons. Morality, not corruption. Intellectualism and wisdom, not ignorance. Stability, not fear and terror. Peace, not chaos. Love, not hate. Convergence, not segregation. Tolerance, not discrimination. Fairness, not hypocrisy. Substance, not superficiality. Character, not immaturity. Transparency, not secrecy. Justice, not lawlessness. Environmental improvement and preservation, not destruction. Truth, not lies. Most importantly, a great leader must serve the best interests of the people first, not those of multinational corporations. Human life should never be sacrificed for monetary profit. There are no exceptions. In addition, a leader should always be open to criticism, not silencing dissent. Any leader who does not tolerate criticism from the public is afraid of their dirty hands to be revealed under heavy light. And such a leader is dangerous, because they only feel secure in the darkness. Only a leader who is free from corruption welcomes scrutiny; for scrutiny allows a good leader to be an even greater leader. And lastly, pick a leader who will make their citizens proud. One who will stir the hearts of the people, so that the sons and daughters of a given nation strive to emulate their leader's greatness. Only then will a nation be truly great, when a leader inspires and produces citizens worthy of becoming future leaders, honorable decision makers and peacemakers. And in these times, a great leader must be extremely brave. Their leadership must be steered only by their conscience, not a bribe.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
He was there below me, and, upon my word, to look at him was as edifying as seeing a dog in a parody of breeches and a featherhat, walking on his hind legs.
Joseph Conrad (Heart of Darkness)
Now is not the time for a fanciful dip into our shadow because it is sexy or fashionable. It is essential, now more than ever, to bravely gaze into the darkest chambers of our hearts. It is only with an honest appraisal of the seat of our souls that we can mend ourselves individually and collectively.
Sasha Graham (Dark Wood Tarot)
People are wrong when they tell you that Conrad was on the side of Africans because his story showed great compassion towards them. Africans are not really served by his compassion, whatever it means; they ask for one thing alone – to be seen for what they are: human beings. Conrad pulls back from granting them this favour in Heart of Darkness.
Chinua Achebe (Africa's Tarnished Name)
When your heart is labeled, The world stays hypnotized in darkness. The moment you rip them to pieces, Tides of light awaken all synapses.
Abhijit Naskar (No Foreigner Only Family)
The most tragic error into which older people can fall is one that is common among educators and politicians. It is to use youth as scapegoats for the sins of their elders. Is the nation wasting its young men and its honor in an unjust war? Never mind — direct your frustration at the long-haired young people who are shouting in the streets that the war must end. Curse them as hippies and immoral, dirty fanatics; after all, we older Americans could not have been wrong about anything important, because our hearts are all in the right place and God is always on our side, so anyone who opposes us must be insane, and probably in the pay of the godless Communists. Youth is in the process of being classed with the dark- skinned minorities as the object of popular scorn and hatred. It    is   as  if  Americans  have  to  have  a  "nigger,"  a  target                             for its hidden frustrations and guilt. Without someone to blame, like the Communists abroad and the young and black at home, middle America would be forced to consider whether all the problems of our time were in any way its own fault. That is the one thing it could never stand to do. Hence, it finds scapegoats. Few adults, I am afraid, will ever break free of the crippling attitudes that have been programmed into their personalities – racism, self-righteousness, lack of concern for the losers of the world, and an excessive regard for property. One reason, as I have noted, is that they do not know they are like this, and that they proclaim ideals that are the reverse of many of their actions. Such hypocrisy, even if it is unconscious, is the real barrier between them and their children.
Shirley Chisholm (Unbought and Unbossed)
I still worry about Africa, we are slaves to western and Eastern Brands and we do not cherish and love our own. We are not even in charge of our economies because we depend heavily on what happens in the East or West, Worse-off we still judge each other based on skin color because those from Northern Africa and even some in East Africa believe that they are not Africans and they do not integrate with the darker Africans. For centuries we are still being victimized by other races from other continents, because they despise our dark skin and think that we are lesser than them.. Xenophobia still lingers and some have the cold heart to kill their black African brothers and sisters and yet the people who owe them reparation and economic freedom are originally from the western countries. We still are held captive by our governments , who abuse our resources only to feed their pockets at the expense our crumbling nations. Why should we continue to suffer when we can apply Pan Africanism and Rise above the Western and Eastern Countries, but sadly we do not because we are not united.. Africa must unite to solve its problems, Happy Africa Day
Tare Munzara
The Elsinore's bow tilted skyward while her stern fell into a foaming valley. Not a man had gained his feet. Bridge and men swept back toward me and fetched up against the mizzen-shrouds. And then that prodigious, incredible old man appeared out of the water, on his two legs, upright, dragging with him, a man in each hand, the helpless forms of Nancy and the Faun. My heart leapt at beholding this mighty figure of a man-killer and slave-driver, it is true, but who sprang first into the teeth of danger so that his slaves might follow, and who emerged with a half-drowned slave in either hand. I knew augustness and pride as I gazed--pride that my eyes were blue, like his; that my skin was blond, like his; that my place was aft with him, and with the Samurai, in the high place of government and command. I nearly wept with the chill of pride that was akin to awe and that tingled and bristled along my spinal column and in my brain. As for the rest--the weaklings and the rejected, and the dark-pigmented things, the half-castes, the mongrel-bloods, and the dregs of long-conquered races--how could they count? My heels were iron as I gazed on them in their peril and weakness. Lord! Lord! For ten thousand generations and centuries we had stamped upon their faces and enslaved them to the toil of our will.
Jack London (The Mutiny of the Elsinore)
All that day and all that night there sat an awful gladness in my heart,—nay, blame me not if I see the world thus darkly through the Veil,—and my soul whispers ever to me saying, “Not dead, not dead, but escaped; not bond, but free.” No bitter meanness now shall sicken his baby heart till it die a living death, no taunt shall madden his happy boyhood. Fool that I was to think or wish that this little soul should grow choked and deformed within the Veil! I might have known that yonder deep unworldly look that ever and anon floated past his eyes was peering far beyond this narrow Now. In the poise of his little curl-crowned head did there not sit all that wild pride of being which his father had hardly crushed in his own heart? For what, forsooth, shall a Negro want with pride amid the studied humiliations of fifty million fellows? Well sped, my boy, before the world had dubbed your ambition insolence, had held your ideals unattainable, and taught you to cringe and bow. Better far this nameless void that stops my life than a sea of sorrow for you.
W.E.B. Du Bois (The Souls of Black Folk)
I looked up at the wall and saw names that had been written there in 1924, 1926, 1931. Those names had been washed away, the men who had written them had also been washed away, in a manner of speaking, but I guess you can never wash anything completely away, not from this dark glass of a world, and now I saw them again, a tangle of names overlying one another, and looking at them was like listening to the dead speak and sing and cry out for mercy. I felt my eyeballs pulsing in their sockets, heard my own heart, felt the windy whoosh of my blood rushing through all the boulevards of my body like letters being mailed to everywhere.
Stephen King (The Green Mile)
After situating herself on a huge flat-sided rock, Baby Suggs bowed her head and prayed silently. The company watched her from the trees. They knew she was ready when she put her stick down. Then she shouted, 'Let the children come!' and they ran from the trees toward her. 'Let your mothers hear you laugh,' she told them, and the woods rang. The adults looked on and could not help smiling. Then 'Let the grown men come,' she shouted. They stepped out one by one from among the ringing trees. 'Let your wives and your children see you dance,' she told them, and groundlife shuddered under their feet. Finally she called the women to her. 'Cry,' she told them. 'For the living and the dead. Just cry.' And without covering their eyes the women let loose. It started that way: laughing children, dancing men, crying women and then it got mixed up. Women stopped crying and danced; men sat down and cried; children danced, women laughed, children cried until, exhausted and riven, all and each lay about the Clearing damp and gasping for breath. In the silence that followed, Baby Suggs, holy, offered up to them her great big heart. She did not tell them to clean up their lives or to go and sin no more. She did not tell them they were the blessed of the earth, its inheriting meek or its glorybound pure. She told them that the only grace they could have was the grace they could imagine. That if they could not see it, they would not have it. 'Here,' she said, 'in this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don't love your eyes; they'd just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. These they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face 'cause they don't love that either. You got to love it, you! And nom they ain't in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I'm telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. And all your inside parts that they'd just as soon slop for hogs, you got to love them. The dark, dark liver-love it, love it, and the beat and beating heart, love that too. More than eyes or feet. More than lungs that have yet to draw free air. More than your life-holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize.
Toni Morrison (Beloved)
To all those who are racists. Those who are taught to be racist and those who are teaching others to be racists. Those who are racists in their hearts , mind, homes, and gatherings thinking other people won’t know that they are racists. Being racists is evil , wrong, unlawful, inhuman, bad and a crime against humanity. Regardless of whether you are being racists private or publicly. It doesn’t matter how good are you in hiding it. As long you are practicing it and thinking it. It is totally wrong. Not everyone can be a racist. It takes an evil, dark heart, horrible , selfish, heartless, uncultured, unmannered, barbaric , mean, retarded, disgusting, low self-esteem, psychopath, narcists, pathological liar, hypocrite, and loser of a person to be racist.
De philosopher DJ Kyos
They were conquerors, and for that you want only brute force—nothing to boast of, when you have it, since your strength is just an accident arising from the weakness of others. They grabbed what they could get for the sake of what was to be got. It was just robbery with violence, aggravated murder on a great scale, and men going at it blind—as is very proper for those who tackle a darkness. The conquest of the earth, which mostly means the taking it away from those who have a different complexion or slightly flatter noses than ourselves, is not a pretty thing when you look into it too much. What redeems it is the idea only. An idea at the back of it; not a sentimental pretence but an idea; and an unselfish belief in the idea—something you can set up, and bow down before, and offer a sacrifice to....
Joseph Conrad
Trying to get to 124 for the second time now, he regretted that conversation: the high tone he took; his refusal to see the effect of marrow weariness in a woman he believed was a mountain. Now, too late, he understood her. The heart that pumped out love, the mouth that spoke the Word, didn't count. They came in her yard anyway and she could not approve or condemn Sethe's rough choice. One or the other might have saved her, but beaten up by the claims of both, she went to bed. The whitefolks had tired her out at last. And him. Eighteen seventy-four and whitefolks were still on the loose. Whole towns wiped clean of Negroes; eighty-seven lynchings in one year alone in Kentucky; four colored schools burned to the ground; grown men whipped like children; children whipped like adults; black women raped by the crew; property taken, necks broken. He smelled skin, skin and hot blood. The skin was one thing, but human blood cooked in a lynch fire was a whole other thing. The stench stank. Stank up off the pages of the North Star, out of the mouths of witnesses, etched in crooked handwriting in letters delivered by hand. Detailed in documents and petitions full of whereas and presented to any legal body who'd read it, it stank. But none of that had worn out his marrow. None of that. It was the ribbon. Tying his flatbed up on the bank of the Licking River, securing it the best he could, he caught sight of something red on its bottom. Reaching for it, he thought it was a cardinal feather stuck to his boat. He tugged and what came loose in his hand was a red ribbon knotted around a curl of wet woolly hair, clinging still to its bit of scalp. He untied the ribbon and put it in his pocket, dropped the curl in the weeds. On the way home, he stopped, short of breath and dizzy. He waited until the spell passed before continuing on his way. A moment later, his breath left him again. This time he sat down by a fence. Rested, he got to his feet, but before he took a step he turned to look back down the road he was traveling and said, to its frozen mud and the river beyond, "What are these people? You tell me, Jesus. What are they?" When he got to his house he was too tired to eat the food his sister and nephews had prepared. He sat on the porch in the cold till way past dark and went to his bed only because his sister's voice calling him was getting nervous. He kept the ribbon; the skin smell nagged him, and his weakened marrow made him dwell on Baby Suggs' wish to consider what in the world was harmless. He hoped she stuck to blue, yellow, maybe green, and never fixed on red. Mistaking her, upbraiding her, owing her, now he needed to let her know he knew, and to get right with her and her kin. So, in spite of his exhausted marrow, he kept on through the voices and tried once more to knock at the door of 124. This time, although he couldn't cipher but one word, he believed he knew who spoke them. The people of the broken necks, of fire-cooked blood and black girls who had lost their ribbons. What a roaring.
Toni Morrison (Beloved)
And sometimes it is possible to rouse them from a seemingly meaningless life with a really good story,' Jane said, 'one that will reach their hearts and wake them up.' 'Can you give me an example?' 'One of my very favorites is fictitious but seems so appropriate now. It is Lord of the Rings.' 'What makes it such an appropriate story for the hopeless?' I asked. 'Because the might the heroes were up against seemed utterly invincible-the might of Mordor, the orcs, and the Black Riders on horses and then on those huge flying beasts. And Samwise and Frodo, two little hobbits, traveling into the heart of danger on their own..... I think it provides us with a blueprint of how we survive and turn around climate change and loos of biodiversity, poverty, racism, discrimination, greed, and corruption. The Dark Lord of Mordor and the Black Riders symbolize all the wickedness we have to fight. The fellowship of the Ring includes all those who are fighting the good fight-we have to work so hard to grow the fellowship around the world.' Jane pointed out that the land of Middle-earth was polluted by the destructive industry of that world in the same way that our environment is devastated today. And she reminded me that Lady Galadriel had given Sam a little box of earth from her orchard. 'Do you remember how he used that gift when he surveyed the devastated landscape after the Dark Lord was finally defeated? He started sprinkling little pinches of the earth all around the country-and everywhere nature sprang back to life. Well, that earth represents all the projects people are doing to restore habitats on planet Earth.
Jane Goodall (The Book of Hope: A Survival Guide for Trying Times)
I didn’t realize how far back I’d have to go in order to tell you about John Coffey, or how long I’d have to leave him there in his cell, a man so huge his feet didn’t just stick off the end of his bunk but hung down all the way to the floor. I don’t want you to forget him, all right? I want you to see him there, looking up at the ceiling of his cell, weeping his silent tears, or putting his arms over his face. I want you to hear him, his sighs that trembled like sobs, his occasional watery groan. These weren’t the sounds of agony and regret we sometimes heard on E Block, sharp cries with splinters of remorse in them; like his wet eyes, they were somehow removed from the pain we were used to dealing with. In a way—I know how crazy this will sound, of course I do, but there is no sense in writing something as long as this if you can’t say what feels true to your heart—in a way it was as if it was sorrow for the whole world he felt, something too big ever to be completely eased. Sometimes I sat and talked to him, as I did with all of them—talking was our biggest, most important job, as I believe I have said—and I tried to comfort him. I don’t feel that I ever did, and part of my heart was glad he was suffering, you know. Felt he deserved to suffer. I even thought sometimes of calling the governor (or getting Percy to do it—hell, he was Percy’s damn uncle, not mine) and asking for a stay of execution. We shouldn’t burn him yet, I’d say. It’s still hurting him too much, biting into him too much, twisting in his guts like a nice sharp stick. Give him another ninety days, your honor, sir. Let him go on doing to himself what we can’t do to him. It’s that John Coffey I’d have you keep to one side of your mind while I finish catching up to where I started—that John Coffey lying on his bunk, that John Coffey who was afraid of the dark perhaps with good reason, for in the dark might not two shapes with blonde curls—no longer little girls but avenging harpies—be waiting for him? That John Coffey whose eyes were always streaming tears, like blood from a wound that can never heal.
Stephen King (The Green Mile)
Cruising down Compton Boulevard in the Catalina, Mickey sensed the charged atmosphere of the place, an energy that said anything could happen. Young men loitered in groups on the sidewalks in baggy T-shirts and bandannas while young women strolled up and down, smirking at the men hollering after them and whistling. When traffic lights turned red, blank-faced children appeared out of the darkness under overpasses like wraiths to sell drugs to drivers. Prostitutes wobbled along the streets on high heels, many of them with the vacant gaze of the addicted, while men with hard hearts and a lust for blood watched their every move. All the while well-intentioned families who called Compton home got ground up in the giant machine of this nation, slipping further toward poverty and the tragic moment when pressing need overtakes good intentions. Even still, Compton was no longer what it once was. Ten years ago, Mickey might not have driven through it, and certainly wouldn’t have stopped and wandered around. But the homicide rate had decreased steadily since ’94, down to forty-eight murders in ’98 from a peak of eighty-seven in ’91, and small businesses were slowly but surely returning to the city. It bothered Mickey deeply that the state of California, with an economy greater than that of most countries, wouldn’t help these people, or that the federal government of the United States, the richest country in the history of the world, wouldn’t help them either, instead spending hundreds of billions of dollars per year on warfare and destruction. The people of Compton could be lifted from poverty with the signing of a bill, and it was no wonder, when you got right down to it, why so many had resorted to crime.
Philip Elliott (Porno Valley)
But a work of art that condemns racism can also be racist at the same time, as Chinua Achebe argued about Joseph Conrad’s Heart of Darkness, an inspiration for Apocalypse Now.
Viet Thanh Nguyen (A Man of Two Faces: Shortlisted for the Baillie Gifford Prize for Non-Fiction 2024)
Unless, for example, you can intelligently use the phrase "white on white crime," you cannot use the phrase "black on black crime." It has no meaning and no use other than exoticizing blacks, separating the violence blacks do to one another into some nineteenth-century anthropological racism where the "dark continent was understood to be violent, blank, unpeopled (the people were likened to nature), an easily available site of Conrad's Heart of Darkness where whites went for self-realization, self-discovery, and loot.
Toni Morrison (The Source of Self-Regard: Selected Essays, Speeches, and Meditations)