Rachel Roth Quotes

We've searched our database for all the quotes and captions related to Rachel Roth. Here they are! All 22 of them:

Or even tell me it's because you could not live without The Boy's stunning Boyfruits for another night..." Sam's face was twisted into a weird shape at the mention of his Boyfruits.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
Will you finally sign my yearbook now?” he asks when we quiet down. “I have to have a Rowan Roth autograph for when you get famous.
Rachel Lynn Solomon (Today Tonight Tomorrow)
Sometimes I feel like I'm playing at being an adult, like I'm constantly looking around, waiting for a real adult to tell me what to do if my garbage disposal starts making a weird sound or if I should be putting more money in my Roth IRA. I am just...I feel like a complete mess.
Rachel Lynn Solomon (The Ex Talk)
But sometimes I get this strange feeling, an ache not for something i miss, but for something I've never known.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
But if it were an essay, here's the thesis statement: I am in love with you, Rowan Roth
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
He holds me tighter. "I love you, Rowan Roth," he says. "I can't believe that's a thing I get to say.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
You’re looking at me like you can’t believe I’m not done yet, so let me wrap this up before I turn it into a five-paragraph essay. But if it were an essay, here’s the thesis statement: I am in love with you, Rowan Roth. Please don’t make too much fun of me at graduation?
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Artoo, I'm switching back to regular handwriting. Calligraphy is hard, and I didn't bring my good pens. Or I need more practice. Right now you're sitting across from me, probably writing HAGS 30 times in a row. I know a little bit of a lot of languages, but even so, I struggle to put this into words. Okay. I'm just going to do it. First of all, I need you to know I'm not putting this out there with any hope of reciprocation. This is something I have to get off my chest (cliché, sorry) before we go our separate ways (cliché). It's the last day of school, and therefore my last chance. "Crush" is too weak a word to describe how I feel. It doesn't do you justice, but maybe it works for me. I am the one who is crushed. I'm crushed that we have only ever regarded each other as enemies. I'm crushed when the day ends and I haven't said anything to you that isn't coated in five layers of sarcasm. I'm crushed, concluding this year without having known that you like melancholy music or eat cream cheese straight from the tub in the middle of the night or play with your bangs when you're nervous, as though you're worried they look bad. (They never do.) You're ambitious, clever, interesting, and beautiful. I put "beautiful" last because for some reason, I have a feeling you'd roll your eyes if I wrote it first. But you are. You're beautiful and adorable and so fucking charming. And you have this energy that radiates off you, a shimmering optimism I wish I could borrow for myself sometimes. You're looking at me like you can't believe I'm not done yet, so let me wrap this up before I turn it into a five-paragraph essay. But if this were an essay, here's the thesis statement: I'm in love with you, Rowan Roth. Please don't make too much fun of me at graduation? Yours, Neil P. McNair
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
I am in love with you, Rowan Roth.
Rachel Lynn Solomon (Today Tonight Tomorrow)
Thank God, he half smiles at that. “Only the best for Rowan Roth,” he says, and then I’m spiraling again. In the light, his freckles are almost glowing, his hair a golden amber. Everything about him is softer nearly to the point of appearing blurry, like I can’t quite tell who this new version of Neil McNair is, leaving me more uncertain than ever.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Artoo, I'm switching back to regular handwriting. Calligraphy is hard, and I didn't bring my good pens. Or I need more practice. Right now you're sitting across from me, probably writing HAGS 30 times in a row. I know a little bit of a lot of languages, but even so, I struggle to put this into words. Okay. I'm just going to do it. First of all, I need you to know I'm not putting this out there with any hope of reciprocation. This is something I have to get off my chest (cliché, sorry) before we go our separate ways (cliché). It's the last day of school, and therefore my last chance. "Crush" is too weak a word to describe how I feel. It doesn't do you justice, but maybe it works for me. I am the one who is crushed. I'm crushed that we have only ever regarded each other as enemies. I"m crushed when the day ends and I haven't said anything to you that isn't cloaked in five layers of sarcasm. I'm crushed, concluding this year without having known that you like melancholy music or eat cream cheese straight from the tub in the middle of the night or play with your bangs when you're nervous, as though you're worried they look bad. (They never do.) You're ambitious, clever, interesting, and beautiful. I put "beautiful" last because for some reason, I have a feeling you'd roll your eyes if I wrote it first. But you are. You're beautiful and adorable and so fucking charming. And you have this energy that radiates off you, a shimmering optimism I wish I could borrow for myself sometimes. You're looking at me like you can't believe I'm not done yet, so let me wrap this up before I turn it into a five-paragraph essay. But if it were an essay, here's the thesis statement. I am in love with you, Rowan Roth Please don't make too much fun of me at graduation? Yours, Neil P. McNair
Rachel Lynn Solomon
A laugh-out-loud moment before she would send them to the underworld; or it would have been if she could still laugh. She’s tried to remember how but she honestly couldn’t make the sound anymore, another strange side effect.
Rachel Roth (The Undead Redhead: The Girl in the Mall)
In the end, he somehow ended up looking like her father. Even with the dark bloody hair, pimple face and thin, crooked smile, he, like everything else, eventually looked like her father in the end.
Rachel Roth (The Undead Redhead: The Girl in the Mall)
The boy was bred to be Catholic; shame and judgement were his bread and butter and anger his red wine. Too bad he was an atheist.
Rachel Roth (The Undead Redhead: The Girl in the Mall)
Her silver eyes reflected in the dark. They reminded him of the nocturnal exhibit in the zoo where the halls were pitch black and illuminated only by soft blue lights inside the cages. Pacing about in one was the first predatory big feline he ever saw. An anxious and muscular cougar not suited for the captivity it had been forced into. When the cat turned to look at the crowd, its eyes were two glowing spheres. A vivid green lining within an eye that looked like Ruby’s stared out at the viewing crowd.
Rachel Roth (The Undead Redhead: The Girl in the Mall)
A love of life pulsed into his heart; all he wanted was to rip it out and hand it over. Hold out his own heart in the palm of his hand as an offering to confirm his undying devotion.
Rachel Roth (The Undead Redhead: The Girl in the Mall)
Sometimes I feel like I’m playing at being an adult, like I’m constantly looking around, waiting for a real adult to tell me what to do if my garbage disposal starts making a weird sound or if I should be putting more money in my Roth IRA. I am just . . . I feel like a complete mess.
Rachel Lynn Solomon (The Ex Talk)
by telling me that the substances will not change overnight.
Rachel Roth (Here There Is No Why)
the best cure for Communist ideals is to live, even for a short time, under a Communist regime.
Rachel Roth (Here There Is No Why)
Artoo, I’m switching back to regular handwriting. Calligraphy is hard, and I didn’t bring my good pens. Or I need more practice. Right now you’re sitting across from me, probably writing HAGS 30 times in a row. I know a little bit of a lot of languages, but even so, I struggle to put this into words. Okay. I’m just going to do it. First of all, I need you to know I’m not putting this out there with any hope of reciprocation. This is something I have to get off my chest (cliché, sorry) before we go our separate ways (cliché). It’s the last day of school, and therefore my last chance. “Crush” is too weak a word to describe how I feel. It doesn’t do you justice, but maybe it works for me. I am the one who is crushed. I’m crushed that we have only ever regarded each other as enemies. I’m crushed when the day ends and I haven’t said anything to you that isn’t cloaked in five layers of sarcasm. I’m crushed, concluding this year without having known that you like melancholy music or eat cream cheese straight from the tub in the middle of the night or play with your bangs when you’re nervous, as though you’re worried they look bad. (They never do.) You’re ambitious, clever, interesting, and beautiful. I put “beautiful” last because for some reason, I have a feeling you’d roll your eyes if I wrote it first. But you are. You’re beautiful and adorable and so fucking charming. And you have this energy that radiates off you, a shimmering optimism I wish I could borrow for myself sometimes. You’re looking at me like you can’t believe I’m not done yet, so let me wrap this up before I turn it into a five-paragraph essay. But if it were an essay, here’s the thesis statement: I am in love with you, Rowan Roth. Please don’t make too much fun of me at graduation? Yours, Neil P. McNair
Rachel Lynn Solomon (Today Tonight Tomorrow)
Now, I stood beside him ticking through the past few months of success and failure. Toni Cade Bambara and Ishiguro, yes, all of Murakami, yes, Philip Roth, James Baldwin and Colson Whitehead (Get out. Read these a hundred times). Yaa Gyasi, yes, Rachel Kushner, yes, and W. G. Sebald, but no more mysteries because he complains that he becomes compulsive. A month ago, I gave him Denis Johnson’s Angels, which he liked well enough. He tried Tree of Smoke and excoriated Johnson for enervating him with the evidence of hard research, although, he said, he could see where in fact the book was pretty good. I had then pressed Train Dreams into his hands. He came back and faced me, teeth gritted. ‘What else you got by this guy?’ Which told me he’d been extremely moved. This lasted a week. He has now finished all of Johnson. We are in trouble. If I sell him a book he dislikes, my favorite customer will return with an injured air, his voice cheated and tattered. What shall it be? I pull The Beginning of Spring, by Penelope Fitzgerald, off the shelf. He grumpily buys it. Much later that day, just before the store closes, Dissatisfaction returns. The Beginning of Spring is a short book, after all. He shuts his hands violently on a copy of Fitzgerald’s masterpiece, The Blue Flower, and bears it away.
Louise Erdrich (The Sentence)
I hand red bricks to the Jewish builders. Those rough bricks scrape the skin off our hands, but I don’t mind because I can get some free time during the lunch break or while waiting for a new shipment of bricks. Then I can sneak into the deserted bookstore, which is filled with books, though they are all in a state of disarray. Books lie open on shelves, school texts and collections of fairy tales with colorful, happy illustrations. Thick books with dark covers are lined up on one of the upper shelves, and the sight of them fills me with awe. I feel at home here, among my old friends.
Rachel Roth (Here There Is No Why)