Rabbit Run Quotes

Man is the only creature that consumes without producing. He does not give milk, he does not lay eggs, he is too weak to pull the plough, he cannot run fast enough to catch rabbits. Yet he is lord of all the animals. He sets them to work, he gives back to them the bare minimum that will prevent them from starving, and the rest he keeps for himself.

My Chief Rabbit has told me to stay and defend this run, and until he says otherwise, I shall stay here. --Bigwig

If you have the guts to be yourself, other people'll pay your price.

This evening I spied her in the back orchard. I decided to sacrifice one of my better old shirts and carried it out to her. The weather’s been warm of late. Buds on the apple trees are ready to burst. Usually by this time of the year, at that time of day, the back orchard is full of screaming children. Damut’s boys were the only two. They were on the terrace below her, running through the slanted sunlight, chasing each other around tree trunks. She stood above them, like a merlin watching rabbits play.

How can you respect the world when you see it's being run by a bunch of kids turned old?

What is that?" "A hunt," Puck replied, looking off into the distance. He grimaced. "You know, I was just thinking we needed to be run down like rabbits and torn apart. My day just isn't complete without something trying to kill me." -Puck

The rabbit runs faster than the fox, because the rabbit is running for his life while the fox is only running for his dinner.

Everybody who tells you how to act has whiskey on their breath.

If life is slumping down into the algorithms of depression, succumbing to instigating moods of worthlessness, we must endeavor to get out of the rabbit hole of mistrust, shape challenging decisions, pick the fitting fight-or-flight mode, and hit the ground running. ("A glimpse of the future")

Here I am in a rabbit run, here I am in a valley of pine, waiting for you to find me. I could pretend I’m speaking to everyone—assume a middle distance and transcend myself—but I’m taking to you and you know it.

You do things and do things and nobody really has a clue.

GATHERING LEAVES Spades take up leaves No better than spoons, And bags full of leaves Are light as balloons. I make a great noise Of rustling all day Like rabbit and deer Running away. But the mountains I raise Elude my embrace, Flowing over my arms And into my face. I may load and unload Again and again Till I fill the whole shed, And what have I then? Next to nothing for weight, And since they grew duller From contact with earth, Next to nothing for color. Next to nothing for use. But a crop is a crop, And who's to say where The harvest shall stop?

I didn't do it,' he insisted. 'Then why did you run?' Sabrina asked. 'And send rabbits to eat us! I'm a seven-year-old girl,' Daphne said. 'Do you know how important bunny rabbits are to me?

But it is just two lovers, holding hands and in a hurry to reach their car, their locked hands a starfish leaping through the dark.

There is this quality, in things, of the right way seeming wrong at first.

Rhiannon's Law #16: If it looks like a rabbit, and it hops like a rabbit, run the other way and fast. That shit is liable to tear you arm off.

...hate suits him better than forgiveness. Immersed in hate, he doesn't have to do anything; he can be paralyzed, and the rigidty of hatred makes a kind of shelter for him.

I once did something right. I played first-rate basketball. I really did. And after you're first-rate at something, no matter what, it kind of takes the kick out of being second-rate.

Children have always tumbled down rabbit holes, fallen through mirrors, been swept away by unseasonal floods or carried off by tornadoes. Children have always traveled, and because they are young and bright and full of contradictions, they haven’t always restricted their travel to the possible. Adulthood brings limitations like gravity and linear space and the idea that bedtime is a real thing, and not an artificially imposed curfew. Adults can still tumble down rabbit holes and into enchanted wardrobes, but it happens less and less with every year they live. Maybe this is a natural consequence of living in a world where being careful is a necessary survival trait, where logic wears away the potential for something bigger and better than the obvious. Childhood melts, and flights of fancy are replaced by rules. Tornados kill people: they don’t carry them off to magical worlds. Talking foxes are a sign of fever, not guides sent to start some grand adventure. But children, ah, children. Children follow the foxes, and open the wardrobes, and peek beneath the bridge. Children climb the walls and fall down the wells and run the razor’s edge of possibility until sometimes, just sometimes, the possible surrenders and shows them the way to go home.

Man is the only creature that consumes without producing. He does not give milk, he does not lay eggs, he is too weak to pull the plough, he cannot run fast enough to catch rabbits. Yet he is lord of all the animals.

The Nobodies Fleas dream of buying themselves a dog, and nobodies dream of escaping poverty: that one magical day good luck will suddenly rain down on them---will rain down in buckets. But good luck doesn't rain down yesterday, today, tomorrow, or ever. Good luck doesn't even fall in a fine drizzle, no matter how hard the nobodies summon it, even if their left hand is tickling, or if they begin the new day with their right foot, or start the new year with a change of brooms. The nobodies: nobody's children, owners of nothing. The nobodies: the no ones, the nobodied, running like rabbits, dying through life, screwed every which way. Who are not, but could be. Who don't speak languages, but dialects. Who don't have religions, but superstitions. Who don't create art, but handicrafts. Who don't have culture, but folklore. Who are not human beings, but human resources. Who do not have faces, but arms. Who do not have names, but numbers. Who do not appear in the history of the world, but in the police blotter of the local paper. The nobodies, who are not worth the bullet that kills them.

Books are, let's face it, better than everything else. If we played cultural Fantasy Boxing League, and made books go 15 rounds in the ring against the best that any other art form had to offer, then books would win pretty much every time. Go on, try it. “The Magic Flute” v. Middlemarch? Middlemarch in six. “The Last Supper” v. Crime and Punishment? Fyodor on points. See? I mean, I don’t know how scientific this is, but it feels like the novels are walking it. You might get the occasional exception -– “Blonde on Blonde” might mash up The Old Curiosity Shop, say, and I wouldn’t give much for Pale Fire’s chance against Citizen Kane. And every now and again you'd get a shock, because that happens in sport, so Back to the Future III might land a lucky punch on Rabbit, Run; but I'm still backing literature 29 times out of 30.

The fucking world is running out of gas.

The difficulty with humorists is that they will mix what they believe with what they don’t—whichever seems likelier to win an effect.

I saw you running," she says, her attention on the rabbit. "What were you running from?" "Just running," I say. She watching me silently and intently, like a cat. "Why?" she asks. I shrug. "Why not?" "It's not Productive." She says it like productivity is holy, the only thing worth having. "So?" ~Amy

Running along the bank was a white rabbit wearing a waistcoat and looking worriedly at a clock. Appearing and disappearing at various points on both banks was a dark blue British police telephone booth, out of which a perplexed-looking man holding a screwdriver would periodically emerge. A group of dwarf bandits could be seen disappearing into a hole in the sky. "Time travelers," said Nobodaddy in a voice of gentle disgust. "They're everywhere these days.

The fullness ends when we give Nature her ransom, when we make children for her. Then she is through with us, and we become, first inside, and then outside, junk. Flower stalks.

Yeah, I get it; you're a vampire," she said. "Creepy. And okay, a little hot, I admit." "You don't mean that." "Come on. I still like you, you know, even if you... crave plasma." Michael blinked and looked at her as if he had never seen her before. "You what?" "Like. You." Eve enunciated slowly, as if Michael might not know the words. "Idiot. I always have. What, you didn't know?" Eve sounded cool and grown-up about it, but Claire saw the hectic color in her cheeks, under the makeup. "How clueless are you? Does it come with the fangs?" "I guess I... I just thought... Hell. I just didn't think... You're kind of intimidating, you know." "I'm intimidating? Me? I run like a rabbit from trouble, mostly," Eve said. "It's all show and makeup. You're the one who's intimidating. I mean, come on. All that talent, and you look... Well, you know how you look." " How do I look?" He sounded fascinated now, and he'd actually moved a little closer to Eve on the couch. She laughed. "Oh come on. You're a total model-babe." "You're kidding." "You don't think you are?" He shook his head. "Then you're kind of an idiot, Glass. Smart, but and idiot." Eve crossed her arms. “So? What exactly do you think about me, except that I’m intimidating?” “I think you’re…you’re…ah, interesting?” Michael was amazingly bad at this, Claire thought, but then he saved it by looking away and continuing. “I think you’re beautiful. And really, really strange.” Eve smiled and looked down, and that looked like a real blush, under the rice powder. “Thanks for that, “ she said, “I never thought you knew I existed, or if you did, that you thought I was anything but Shane’s bratty freak friend.” “Well, to be fair, you are Shane’s bratty freak friend.” “Hey!” “You can be bratty and beautiful,” Michael said. “I think it’s interesting.

What is it, Val? What are you watch . . .” His word trailed off as his eyes landed on the TV screen. The headline looming at the bottom of the screen said it all— “Planet Killer Aimed at Earth” Wordlessly, Jeremy moved around the couch and plopped down beside Valerie, whose eyes were glued to the screen. After moments of watching, he turned to look at her, and her mouth was sagging open. It was only then he realized his was too. He closed it with an audible click, returning his attention to the screen. The narrator continued on about the details of the new discovery until he got to the scientific name for the asteroid and the new media moniker; Rabbit’s Revenge. Something clicked in the back of his mind. Some little sensation of recognition sparked at the name, but for the life of him Jeremy couldn’t place why.

If you wish to catch a rabbit you put a ferret into the hole, and if the rabbit is there he runs.

Everybody knows that no healthy person would take up writing novels. Healthy people do healthy things. All this darned hoopla and hot air about literature—what is it really but mental derangement run through a printing press?

I think adults must get sort of worn away over time, like rocks out at sea, but remain who they are, just slower and grayer with those funny vertical wrinkles in front of their ears. But the young are a different shape from one week to the next. To know us is to run alongside us, like someone trying to shout through the window of a moving train.

Life bullies us son, but God don't. He had good reasons for fixin' it where if'n you git too sick or too hurt to live, why, you can die, same as a sick chicken. I've knowed a few really sick chickens to git well, and lots a-folks git well thet nobody ever thought to see out a-bed agin cept in a coffin. Still and all, common sense tells you this much: everwhat makes a wheel run over a track will make it run over a boy if'n he's in the way. If'n you'd a got kilt, it'd mean you jest didn't move fast enough, like a rabbit that gits caught by a hound dog... When it comes to prayin' we got it all over the other animals, but we ain't no different when it comes to livin' and dyin'. If'n you give God the credit when somebody don't die, you go'n blame Him when they do die? Call it His Will? Ever noticed we git well all the time and don't die but once't? Thet has to mean God always wants us to live if'n we can.

What is this? He has a sensation of touching glass. He doesn't know if they are talking about nothing or making code for the deepest meanings.

As if pity is, as he has been taught, not a helpless outcry but a powerful tide that could redeem the world...

Justin took off in a run. Frosty and Bronx, too. It wasn’t long before Frosty was carrying Kat, Bronx was carrying Reeve and Justin was carrying Jaclyn. I think every one of them was crying. I forced myself to stand, to inch forward, toward the slayers.

…he is unlike the other customers. They sense it too, and look at him with hard eyes, eyes like little metal studs pinned into the white faces of young men [...] In the hush his entrance creates, the excessive courtesy the weary woman behind the counter shows him amplifies his strangeness. He orders coffee quietly and studies the rim of the cup to steady the sliding in his stomach. He had thought, he had read, that from shore to shore all America was the same. He wonders, Is it just these people I’m outside or is it all America?

It frightens him to think of her this way. It makes her seem, in terms of love, so vast.

Laws aren't ghosts in this country, they walk around with the smell of earth on them.

He tries to picture how it will end, with an empty baseball field, a dark factory, and then over a brook in a dirt road, he doesn’t know. He pictures a huge vacant field of cinders and his heart goes hollow.

As I walked out one evening, Walking down Bristol Street, The crowds upon the pavement Were fields of harvest wheat. And down by the brimming river I heard a lover sing Under an arch of the railway: "Love has no ending. "I'll love you, dear, I'll love you Till China and Africa meet, And the river jumps over the mountain And the salmon sing in the street, "I'll love till the ocean Is folded and hung up to dry And the seven stars go squawking Like geese about the sky. "The years shall run like rabbits, For in my arms I hold The Flower of the Ages, And the first love of the world." But all the clocks in the city Began to whirr and chime: "O let not Time deceive you, You cannot conquer Time. "In the burrows of the Nightmare Where Justice naked is, Time watches from the shadow And coughs when you would kiss. "In headaches and in worry Vaguely life leaks away, And Time will have his fancy Tomorrow or today. "Into many a green valley Drifts the appalling snow; Time breaks the threaded dances And the diver's brilliant bow. "O plunge your hands in water, Plunge them in up to the wrist; Stare, stare in the basin And wonder what you've missed. "The glacier knocks in the cupboard, The desert sighs in the bed, And the crack in the teacup opens A lane to the land of the dead. "Where the beggars raffle the banknotes And the Giant is enchanting to Jack, And the Lily-white Boy is a Roarer, And Jill goes down on her back. "O look, look in the mirror, O look in your distress; Life remains a blessing Although you cannot bless. "O stand, stand at the window As the tears scald and start; You shall love your crooked neighbor With all your crooked heart." It was late, late in the evening, The lovers they were gone; The clocks had ceased their chiming, And the deep river ran on.

The thing about her is, she’s good-natured. He knew it the second he saw her standing by the parking meters. He could just tell from the soft way her belly looked. With women, you keep bumping against them, because they want different things, they’re a different race. Either they give, like a plant, or scrape, like a stone. In all the green world nothing feels as good as a woman’s good nature.

...but with his mother there's no question of liking him they're not even in a way separate people he began in her stomach and if she gave him life she can take it away and if he feels that withdrawal it will be the grave itself.

They’ve not forgotten him: worse, they never heard of him.

It's the strange thing about you mystics, how often your little ecstasies wear a skirt.

I warned you, he says, I warned you, Harry, but youth is deaf. Youth is careless.

If you’re not gratified, you should be,” he told her as he tucked the letter back in the breast pocket of his jacket. “All the other members of my staff were running around like panicked rabbits without you.” “But not you, I am sure.” “I was too astonished to panic.

But I want to extol not the sweetness nor the placidity of the dog, but the wilderness out of which he cannot step entirely, and from which we benefit. For wilderness is our first home too, and in our wild ride into modernity with all its concerns and problems we need also all the good attachments to that origin that we can keep or restore. Dog is one of the messengers of that rich and still magical first world. The dog would remind us of the pleasures of the body with its graceful physicality, and the acuity and rapture of the senses, and the beauty of forest and ocean and rain and our own breath. There is not a dog that romps and runs but we learn from him. The other dog—the one that all its life walks leashed and obedient down the sidewalk—is what a chair is to a tree. It is a possession only, the ornament of a human life. Such dogs can remind us of nothing large or noble or mysterious or lost. They cannot make us sweeter or more kind. Only unleashed dogs can do that. They are a kind of poetry themselves when they are devoted not only to us but to the wet night, to the moon and the rabbit-smell in the grass and their own bodies leaping forward.

With his white collar he forges god’s name on every word he speaks

Sun and moon, sun and moon, time goes.

The years shall run like rabbits, For in my arms I hold The Flower of the Ages, And the first love of the world.

Some enterprising rabbit had dug its way under the stakes of my garden again. One voracious rabbit could eat a cabbage down to the roots, and from the looks of things, he'd brought friends. I sighed and squatted to repair the damage, packing rocks and earth back into the hole. The loss of Ian was a constant ache; at such moments as this, I missed his horrible dog as well. I had brought a large collection of cuttings and seeds from River Run, most of which had survived the journey. It was mid-June, still time--barely--to put in a fresh crop of carrots. The small patch of potato vines was all right, so were the peanut bushes; rabbits wouldn't touch those, and didn't care for the aromatic herbs either, except the fennel, which they gobbled like licorice. I wanted cabbages, though, to preserve a sauerkraut; come winter, we would want food with some taste to it, as well as some vitamin C. I had enough seed left, and could raise a couple of decent crops before the weather turned cold, if I could keep the bloody rabbits off. I drummed my fingers on the handle of my basket, thinking. The Indians scattered clippings of their hair around the edges of the fields, but that was more protection against deer than rabbits. Jamie was the best repellent, I decided. Nayawenne had told me that the scent of carnivore urine would keep rabbits away--and a man who ate meat was nearly as good as a mountain lion, to say nothing of being more biddable. Yes, that would do; he'd shot a deer only two days ago; it was still hanging. I should brew a fresh bucket of spruce beer to go with the roast venison, though . . . (Page 844)

Running. She was always running. Like a rabbit chased by coywolv. Always hunting for some new safe bolt hole, and every time, the soldier boys found her, and forced her to rabbit again. The doctor was wrong. There was no place to hide, and she’d never be safe as long as she remained close to the Drowned Cities.

Mirabelle loved the forest. It was cool and full of shadows and little shifting pools of sunlight. It was strange and secret, full of unknown things, magic things perhaps. It sheltered flocks of colored birds, and rabbits and squirrels and the big-eyed, delicate-footed deer. It breathed with the scent of flowers and the sound of running water, and at night it held all the stars in its branches.

Do you think God wants a waterfall to be a tree?

[About John Updike's Rabbit Run] The author fails to convince us that his puppets are interesting in themselves, or that their plight has implications that transcend their narrow world.

The most pleased of the lot was the other lion, who kept running about everywhere pretending to be very busy but really in order to say to everyone he met, “Did you hear what he said? Us lions. That means him and me. Us lions. That’s what I like about Aslan. No side, no standoffishness. Us lions. That meant him and me.” At least he went on saying this till Aslan had loaded him up with three dwarfs, one dryad, two rabbits, and a hedgehog. That steadied him a bit.

The clangor of the body shop comes up softly. It's noise comforts him, tells him he is hidden and safe, that while he hides men are busy nailing the world down, and toward the disembodied sounds his heart makes in darkness a motion of love.

Dabbling in the sandbox gives Rabbit a small headache. Over at the pavilion the rubber thump of Roofball and the click of checkers call to his memory, and the forgotten smell of that narrow plastic ribbon you braid bracelets and whistlechains out of and of glue and of the sweat on the handles on athletic equipment is blown down by a breeze laced with children's murmuring. He feels the truth: the thing that has left his life has left irrevocably; no search would recover it. No flight would reach it. It was here, beneath the town, in these smells and these voices, forever behind him. The fullness ends when we give Nature her ransom, when we make children for her. Then she is through with us, and we become, first inside, and then outside, junk. Flower stalks.

Yes, well, years. Some die young; some are born old.

Freud is like God; you make it true.

When the sugarcane's burning and the rabbits are running, look for the boys who are quicker than flame.

Right and wrong aren't dropped from the sky. We. We make them. Against misery. Invariably, Harry, invariably--he grows confident of his ability to negotiate long words--misery follows their disobedience. Not our own, often at first not our own.

Man, that was one trippy ride. Especially when those big white rabbits started running alongside the car through Crow Canyon. Dave and Mickey looked at me like I was nuts until they figured out I was so fucked-up tired, I'd hallucinated the white mailboxes we'd passed along the road into galloping rabbits.

I'm going to run away," she said. "Where to?" "Atlantis," she said. "Where's that?" "No one really knows where it is," she said. "But I'll find it and then I'll go and then they'll worry.

There were days so clear and skies so brilliant blue, with white clouds scudding across them like ships under full sail, and she felt she could lift right off the ground. One moment she was ambling down a path, and the next thing she knew, the wind would take hold of her, like a hand pushing against her back. Her feet would start running without her even willing it, even knowing it. And she would run faster and faster across the prairie, until her heart jumped like a rabbit and her breath came in deep gasps and her feet barely skimmed the ground. It felt good to spend herself this way. The air tasted fresh and delicious; it smelled like damp earth, grass, and flowers. And her body felt strong, supple, and hungry for more of everything life could serve up. She ran and felt like one of the animals, as though her feet were growing up out of the earth. And she knew what they knew, that sometimes you ran just because you could, because of the way the rush of air felt on your face and how your legs reached out, eating up longer and longer patches of ground. She ran until the blood pounded in her ears, so loud that she couldn't hear the voices that said, You're not good enough, You're not old enough, You're not beautiful or smart or loveable, and you will always be alone. She ran because there were ghosts chasing her, shadows that pursued her, heartaches she was leaving behind. She was running for her life, and those phantoms couldn't catch her, not here, not anywhere. She would outrun fear and sadness and worry and shame and all those losses that had lined up against her like a column of soldiers with their guns shouldered and ready to fire. If she had to, she would outrun death itself. She would keep on running until she dropped, exhausted. Then she would roll over onto her back and breathe in the endless sky above her, sun glinting off her face. To be an animal, to have a body like this that could taste, see hear, and fly through space, to lie down and smell the earth and feel the heat of the sun on your face was enough for her. She did not need anything else but this: just to be alive, cool air caressing her skin, dreaming of Ivy and what might be ahead.

Some of us fall through the unseen cracks in the world of health on a bright summer’s day through a run-in with machine or microbe, like Alice down the rabbit hole. Some of us were born this way. And some find out that our genes have hidden within them a ticking time bomb. Waiting. Silently. However we got here, we are now inhabitants of the state of sickness. Our papers for the world of health have been rescinded without notice. Our body-world has been colonised by patriarchs, and we, the natives, should know our place: small folded patient, compliant, silent, not defiant. They seem to believe that our bodies are just an errant version of theirs. That our souls are not woman-shaped on the inside. That it’s not our place to take our space and insist on our inner difference. Their gospel is scribbled down on prescription pads in spider scrawl. They are not to be questioned, especially not with our own heresy.

I live in gratitude to my parents for initiating me--and as early as I begged for it, without keeping me waiting--into knowledge of the word, into reading and spelling, by way of the alphabet. They taught it to me at home in time for me to begin to read before starting school. My love for the alphabet, which endures, grew out of reciting it but, before that, out of seeing the letters on the page. In my own story books, before I could read them for myself I fell in love with various winding, enchanted-looking initials drawn by Walter Crane at the head of fairy tales. In "Once upon a time," an "o" had a rabbit running it as a treadmill, his feet upon flowers. When the day came years later for me to see the Book of Kells, all the wizardry of letter, initial, and word swept over me a thousand times, and the illumination, the gold, seemed a part of the world's beauty and holiness that had been there from the start.

I did exactly as Sampson said and I conjured up a creature with rabbit ears, a wolf face, a snake body, frog feet, a pig tail, and spikes running from the top of its head to the end of its tail. “Now,” Sampson said. “This is the kind of magic that you shouldn’t do.

Sleep this night is not a dark haunted domain the mind must consciously set itself to invade, but a cave inside himself, into which he shrinks while the claws of the bear rattle like rain outside. Sunshine,

ONE WHO WRAPS HIMSELF God called the Prophet Muhammad Muzzammil, "The One Who Wraps Himself," and said, "Come out from under your cloak, you so fond of hiding and running away. Don't cover your face. The world is a reeling, drunken body, and you are its intelligent head. Don't hide the candle of your clarity. Stand up and burn through the night, my prince. Without your light a great lion is held captive by a rabbit! Be the captain of the ship, Mustafa, my chosen one, my expert guide. Look how the caravan of civilization has been ambushed. Fools are everywhere in charge. Do not practice solitude like Jesus. Be in the assembly, and take charge of it. As the bearded griffin, the Humay, lives on Mt. Qaf because he's native to it, so you should live most naturally out in public and be a communal teacher of souls.

At age 43, when I decided to run again, I realized that the images used to describe runners didn't fit me. I wasn't a rabbit. I wasn't a gazelle or a cheetah or any of the other animals that run fast and free. But I wasn't a turtle or a snail either. I wasn't content anymore to move slowly through my life and hide in my shell when I was scared. I was a round little man with a heavy heart but a hopeful spirit. I didn't really run, or even jog. I waddled. I was a Penguin. This was the image that fit. Emperor-proud, I stand tallto face the elements of my life. Yes, I am round. Yes, I am slow. Yes, I run as thought my legs are tied together at the knees. But I am running. And that is all that matters.

A woman once of some height, she is bent small, and the lingering strands of black look dirty in her white hair. She carries a cane, but in forgetfulness, perhaps, hangs it over her forearm and totters along with it dangling loose like an outlandish bracelet. Her method of gripping her gardener is this: he crooks his right arm, pointing his elbow toward her shoulder, and she shakily brings her left forearm up within his and bears down heavily on his wrist with her lumpish freckled fingers. Her hold is like that of a vine to a wall; one good pull will destroy it, but otherwise it will survive all weathers.

Many of us with anxiety don’t look like we’ve got a problem because outwardly we function ludicrously well. Or so the merry story goes. Our anxiety sees us make industrious lists and plans, run purposefully from one thing to the next, and move fast upstairs and across traffic intersections. We are a picture of efficiency and energy, always on the move, always doing. We’re Rabbit from Winnie the Pooh, always flitting about convinced everyone depends on us to make things happen and to be there when they do. And to generally attend to happenings. But beneath that veneer were being pushed by fear and doubt and a voice that tells us we’re a bad husband, and insufficient sister, we’re wasting time, we’re not producing enough, - that we turn everything into a clusterfuck.

Трудность общения с остряками cостоит в том, что они смешивают то, во что верят, с тем, во что не верят лишь бы скорее произвести желанный эффект.

If you're telling me I'm not mature, that's one thing I don't cry over since as far as I can make out it's the same thing as being dead.

A quick run past the rabbits' execution shed, a turn around the kittens' quicklime pit, a moment's hesitation beyond the monkeys' gas-chamber--and they are gone: ay, not so long ago these canines fled away into the storm. It would be pleasant to report that that night Dr. Boycott dreamt of many a woe, and all his whitecoat-men with shade and form of witch and demon and large coffin-worm were long be-nightmared. One might even have hoped to add that Tyson the old died palsy-twitched, with meagre face deform. But in fact--as will be seen--none of these things happened. Slowly the rain ceased, the grey rack blowing away and over Windermere as first light came creeping into the sky and the remaining inmates of Lawson Park woke to another day in the care and service of humanity.

I know more about my father than I used to know: I know he wanted to be a pilot in the war but could not, because the work he did was considered essential to the war effort… I know he grew up on a farm in the backwoods of Nova Scotia, where they didn’t have running water or electricity. This is why he can build things and chop things… He did his high school courses by correspondence, sitting at the kitchen table and studying by the light by a kerosene lamp; he put himself through university by working in lumber camps and cleaning out rabbit hutches, and was so poor he lived in a tent in the summers to save money… All this is known, but unimaginable. Also I wish I did not know it. I want my father to be just my father, the way he has always been, not a separate person with an earlier, mythological life of his own. Knowing too much about other people puts you in their power, they have a claim on you, you are forced to understand their reasons for doing things and then you are weakened.

Removing the thought about the rotten feather, for now, Yuan calms his core, inhaling prana—the source energy from air. The animal’s wound healing. All the rabbits turn their necks now, watching him. At last, he deserves attention. They run to the Monk; jumping; climbing along the layered folds of his dark shawl; settling on his lap, thighs, and shoulders; competing with one another for the healing energy; seeking a share of the purity coming from the highest possible evolution in the universe. A monk’s purity procured through strict abstention won’t stain. Even a dead bird’s foul feather can’t tinge it.

Have you ever seen a rabbit go to a pharmacy, a hospital, or a mental asylum?” he asks rhetorically. “They don’t look for medicine, they heal themselves or die. Humans aren’t so simple; they’ve let technology get in the way of who they really are.” It’s an idea that I’ve thought a lot about, and one that doesn’t always sit comfortably. Yes the modern world has its drawbacks, but nature can also be brutal. So I interrupt the budding diatribe. “But rabbits get eaten by wolves,” I say. Hof doesn’t skip a beat at my interjection. “Yes, they know fight and flight. The wolf chases them and they die. But everything dies one day. It is just that in our case we aren’t eaten by wolves. Instead, without predators, we’re being eaten by cancer, by diabetes, and our own immune systems. There’s no wolf to run from, so our bodies eat themselves.

As they entered November, the weather turned very cold. The mountains around the school became icy gray and the lake like chilled steel. Every morning the ground was covered in frost. Hagrid could be seen from the upstairs windows defrosting broomsticks on the Quidditch field, bundled up in a long moleskin overcoat, rabbit fur gloves, and enormous beaverskin boots. The Quidditch season had begun. On Saturday, Harry would be playing in his first match after weeks of training: Gryffindor versus Slytherin. If Gryffindor won, they would move up into second place in the House Championship. Hardly anyone had seen Harry play because Wood had decided that, as their secret weapon, Harry should be kept, well, secret. But the news that he was playing Seeker had leaked out somehow, and Harry didn’t know which was worse — people telling him he’d be brilliant or people telling him they’d be running around underneath him holding a mattress. It was really lucky that Harry now had Hermione as a friend. He didn’t know how he’d have gotten through all his homework without her, what with all the last-minute Quidditch practice Wood was making them do. She had also lent him Quidditch Through the Ages, which turned out to be a very interesting read.

Although this block of brick three-stories is just like the one he left, something in it makes him happy; the steps and windowsills seem to twitch and shift in the corner of his eye, alive. This illusion trips him. His hands lift of their own and he feels the wind on his ears even before, his heels hitting heavily on the pavement at first but with an effortless gathering out of a kind of sweet panic growing lighter and quicker and quieter, he runs. Ah: runs. Runs.

The creature in the doorway. At first he was a shadow, blocking the light, then he was a man in a rabbit suit, and even then it didn’t occur to Charlie to be afraid. She knew this rabbit. Sammy hadn’t even noticed him yet. He continued to play with his toy truck, running it back and forth hypnotically across the floor. Charlie stared up at the thing in the doorway, and a coldness began to gather in the pit of her stomach. This was not the rabbit she knew. Its eyes shifted back and forth subtly between the twins, taking its time: making its choice. When the eyes settled on Charlie, the cold feeling spread all through her, then he looked away again, at Sammy, who still hadn’t turned around. Then a sudden movement, and the costumes on their hangers all leaped together, covering her so she couldn’t see. She heard the toy truck hit the ground and spin in place for a moment, then everything was still. She was alone, a vital part of her

You couldn’t see anything, you were just getting on with your life, and then one day you could just physically feel that you’d got caught in the gravitational field, and then you were lost, you got sucked into a black hole of hopelessness and infinite despair. And in there everything was the mirror image of the way it was outside. You’d keep asking yourself if there was any reason to have any hope, if there was any good reason not to despair. It was a hole in which you just had to let time run its course, put on a record by another depressed soul, the angry man of jazz, Charles Mingus, and hope you emerged on the other side, like some fucking Alice popping out of her rabbit hole. But according to Finkelstein and the others, that might be exactly what it was like, that there was a sort of mirror-image wonderland on the other side of the black hole. I don’t know, but it strikes me that it’s as good and reliable a religion as any other.

He lops, lifts, digs. He plants annuals, packets the old lady gives him--nasturtiums, poppies, sweet peas, petunias. He loves folding the hoed ridge of crumbs of soil over the seeds. Sealed, they cease to be his. The simplicity. Getting rid of something by giving it to itself. God Himself folded into the tiny adamant structure, Self-destined to a succession of explosions, the great slow gathering out of water and air and silicon: this is felt without words in the turn of the round hoe-handle in his palms.

Nelson! Stop that this minute!" She turns rigid in the glider but does not rise to see what is making the boy cry. Eccles, sitting by the screen, can see. The Fosnacht boy stands by the swing, holding two red plastic trucks. Angstrom's son, some inches shorter, is batting with an open hand toward the bigger boy's chest, but does not quite dare to move forward a step and actually strike him...Nelson's face turns up toward the porch and he tries to explain, "Pilly have - Pilly -" But just trying to describe the injustice gives it unbearable force, and as if struck from behind he totters forward and slaps the thief's chest and receives a mild shove that makes him sit on the ground. He rolls on his stomach and spins in the grass, revolved by his own incoherent kicking. Eccles' heart seems to twist with the child's body; he knows so well the propulsive power of a wrong, the way the mind batters against it and each futile blow sucks the air emptier until it seems the whole frame of blood and bone must burst in a universe that can be such a vacuum.

We know what the law is, Mister Po-leess-maan. The law is the land. You say, "This is my land", but you did not make the land. You did not make your sheep, you did not make the rabbits on which we live, you did not make the cows, or the horses, but you say, "These things are mine". This cannot be a truth. I make my axe, my pots, and these are mine. What I wear is mine. Some love was mine. Now it has gone. I think you are a good man, Mister Po-leess-maan but we see the turning of the times. Maybe a hundred or two hundred years ago there was in the world what people called "the wilderness", or "no man's land", or "wasteland", and we lived in such places, we are waste people. There was the troll race, the dwarf race, the human race, and I am sorry for the goblin race that we cannot run so fast.

Fleas dream of buying themselves a dog, and nobodies dream of escaping poverty: that one magical day good luck will suddenly rain on them-will rain down in buckets. But good luck doesn’t rain down yesterday, today, tomorrow, or ever. Good luck doesn’t even fall in a fine drizzle, no matter how hard the nobodies summon it, even if their left hand is tickling, or if they begin the new day with their right foot, or start the new year with a change of brooms. The nobodies: nobody’s children, owners of nothing. The nobodies: the no ones, the nobodied, running like rabbits, dying trough life, screwed every which way. Who are not, but could be. Who don’t speak languages, but dialects. Who don’t have religions, but superstitions. Who don’t create art, but handicrafts. Who don’t have culture, but folklore. Who are not human beings, but human resources. Who do not have faces, but arms. Who do not have names, but numbers. Who do not appear in the history of the world, but in the police blotter of the local paper. The nobodies, who are not worth the bullet that kills them.

You are the sun. The sun doesn't move, this is what it does. You are the Earth. The Earth is here for a start, and then the Earth moves around the sun. And now, we'll have an explanation that simple folks like us can also understand, about immortality. All I ask is that you step with me into the boundlessness, where constancy, quietude and peace, infinite emptiness reign. And just imagine, in this infinite sonorous silence, everywhere is an impenetrable darkness. Here, we only experience general motion, and at first, we don't notice the events that we are witnessing. The brilliant light of the sun always sheds its heat and light on that side of the Earth which is just then turned towards it. And we stand here in its brilliance. This is the moon. The moon revolves around the Earth. What is happening? We suddenly see that the disc of the moon, the disc of the moon, on the Sun's flaming sphere, makes an indentation, and this indentation, the dark shadow, grows bigger... and bigger. And as it covers more and more, slowly only a narrow crescent of the sun remains, a dazzling crescent. And at the next moment, the next moment - say that it's around one in the afternoon - a most dramatic turn of event occurs. At that moment the air suddenly turns cold. Can you feel it? The sky darkens, then goes all dark. The dogs howl, rabbits hunch down, the deer run in panic, run, stampede in fright. And in this awful, incomprehensible dusk, even the birds... the birds too are confused and go to roost. And then... Complete Silence. Everything that lives is still. Are the hills going to march off? Will heaven fall upon us? Will the Earth open under us? We don't know. We don't know, for a total eclipse has come upon us... But... but no need to fear. It's not over. For across the sun's glowing sphere, slowly, the Moon swims away. And the sun once again bursts forth, and to the Earth slowly there comes again light, and warmth again floods the Earth. Deep emotion pierces everyone. They have escaped the weight of darkness

I was six when I first saw kittens drown. Dan Taggart pitched them, ‘the scraggy wee shits’, Into a bucket; a frail metal sound, Soft paws scraping like mad. But their tiny din Was soon soused. They were slung on the snout Of the pump and the water pumped in. ‘Sure isn’t it better for them now?’ Dan said. Like wet gloves they bobbed and shone till he sluiced Them out on the dunghill, glossy and dead. Suddenly frightened, for days I sadly hung Round the yard, watching the three sogged remains Turn mealy and crisp as old summer dung Until I forgot them. But the fear came back When Dan trapped big rats, snared rabbits, shot crows Or, with a sickening tug, pulled old hens’ necks. Still, living displaces false sentiments And now, when shrill pups are prodded to drown, I just shrug, ‘Bloody pups’. It makes sense: ‘Prevention of cruelty’ talk cuts ice in town Where they consider death unnatural, But on well-run farms pests have to be kept down.

And the dog episode?" He tried for innocence, but his laughter was echoing in her mind. "What do you mean?" "You know very well what I mean," she insisted. "When Dragon walked me home." "Ah,yes,I seem to recall now. The big bad wolf decked out in chains and spikes, afraid of a little dog." "Little? A hundred-and-twenty-pound Rottweiler mix? Foaming at the mouth. Roaring.Charging him!" "He ran like a rabbit." Gregori's soft, caressing voice echoed his satisfaction. He had taken great pleasure in running that particular jackass off.How dare the man try to lay a hand on Savannah? "No wonder I couldn't touch the dog's mind and call him off. You rotten scoundrel." "After Dragon left you,I chased him for two blocks, and he went up a tree. I kept him there for several hours, just to make a point.He looked like a rooster with his orange comb." She laughed in spite of her desire not to. "He never came near me again." "Of course not.It was unacceptable," he said complacently,with complete satisfaction, the warmth of his breath heating her blood. His mouth touched, skimmed, moved across her nipple, branding her with his heat, with flame, before finding the underside of her breast. Savannah closed her eyes against a need so intense that she shook with it. How could she want something that hurt so terribly? No pain,ma petite,only pleasure. His tongue created an aching void in her. I swear it on my life. His mouth was hot velvet closing over her breast. Fire danced over her skin, invading her body, melted her insides so that she was liquid heat, pulsing with need for him, only for him.

It was so awful! And he kept on looking at me and I knew I must get out of bed or he'd come and touch me. I did, too, but when I got out I wasn't me-I was a little white bunny. And he started out of the room and I had to go with him for fear he'd touch me. It felt so horrid, going out with him and looking back at mother there asleep. "We went into the main part of the house, and one of the big front doors was open, and we went out through it. And then he gave a big jump, and so did I, and it took us clear up into the sky. We couldn't fly, but we kept jumping and jumping. "Sometimes we stayed in the sky a little while, jumping from cloud to cloud, and the moon would get closer and closer and bigger and bigger, and its face would change and get horrible and grin at us until it seemed like its mouth was a mile wide and open, to swallow us up. And then we'd come down again and jump from one cliff to another, and the sea would be roaring down under us, and the waves all grey and cold and moving around and boiling like they were mad or afraid. "We went all over the island and sometimes we jumped over the sea to the mainland and back again; and sometimes I tried to get away and run back to Mother - I thought she'd know me even if I was a bunny - but always, whichever way I turned, the hare was there in front of me, and his teeth were shining. "We kept it up all night, and I was so tired and cold and miserable, and so scared. I didn't know whether he would ever let me go home or whether he would take me to Aunt Sarai. Then finally I did get away and the hare chased me!" She broke off, her voice rising again to a wail. "It was so awful! I ran all over the island, into all sorts of queer little places that I never knew were there before - it seems so different after dark - and finally, when two or three times I'd been so tired that I thought I just couldn't go any farther, before he caught me, I saw the house in front of me and the front door still open and I started to run in, and then I thought - what if they'd planned it that way, and Aunt Sarai had come down from her portrait and was inside there in the dark, waiting for me?

Everyone's here except for St. Clair." Meredith cranes her neck around the cafeteria. "He's usually running late." "Always," Josh corrects. "Always running late." I clear my throat. "I think I met him last night. In the hallway." "Good hair and an English accent?" Meredith asks. "Um.Yeah.I guess." I try to keep my voice casual. Josh smirks. "Everyone's in luuurve with St. Clair." "Oh,shut up," Meredith says. "I'm not." Rashmi looks at me for the first time, calculating whether or not I might fall in love with her own boyfriend. He lets go of her hand and gives an exaggerated sigh. "Well,I am. I'm asking him to prom. This is our year, I just know it." "This school has a prom?" I ask. "God no," Rashmi says. "Yeah,Josh. You and St. Clair would look really cute in matching tuxes." "Tails." The English accent makes Meredith and me jump in our seats. Hallway boy. Beautiful boy. His hair is damp from the rain. "I insist the tuxes have tails, or I'm giving your corsage to Steve Carver instead." "St. Clair!" Josh springs from his seat, and they give each other the classic two-thumps-on-the-back guy hug. "No kiss? I'm crushed,mate." "Thought it might miff the ol' ball and chain. She doesn't know about us yet." "Whatever," Rashi says,but she's smiling now. It's a good look for her. She should utilize the corners of her mouth more often. Beautiful Hallway Boy (Am I supposed to call him Etienne or St. Clair?) drops his bag and slides into the remaining seat between Rashmi and me. "Anna." He's surprised to see me,and I'm startled,too. He remembers me. "Nice umbrella.Could've used that this morning." He shakes a hand through his hair, and a drop lands on my bare arm. Words fail me. Unfortunately, my stomach speaks for itself. His eyes pop at the rumble,and I'm alarmed by how big and brown they are. As if he needed any further weapons against the female race. Josh must be right. Every girl in school must be in love with him. "Sounds terrible.You ought to feed that thing. Unless..." He pretends to examine me, then comes in close with a whisper. "Unless you're one of those girls who never eats. Can't tolerate that, I'm afraid. Have to give you a lifetime table ban." I'm determined to speak rationally in his presence. "I'm not sure how to order." "Easy," Josh says. "Stand in line. Tell them what you want.Accept delicious goodies. And then give them your meal card and two pints of blood." "I heard they raised it to three pints this year," Rashmi says. "Bone marrow," Beautiful Hallway Boy says. "Or your left earlobe." "I meant the menu,thank you very much." I gesture to the chalkboard above one of the chefs. An exquisite cursive hand has written out the morning's menu in pink and yellow and white.In French. "Not exactly my first language." "You don't speak French?" Meredith asks. "I've taken Spanish for three years. It's not like I ever thought I'd be moving to Paris." "It's okay," Meredith says quickly. "A lot of people here don't speak French." "But most of them do," Josh adds. "But most of them not very well." Rashmi looks pointedly at him. "You'll learn the lanaguage of food first. The language of love." Josh rubs his belly like a shiny Buddha. "Oeuf. Egg. Pomme. Apple. Lapin. Rabbit." "Not funny." Rashmi punches him in the arm. "No wonder Isis bites you. Jerk." I glance at the chalkboard again. It's still in French. "And, um, until then?" "Right." Beautiful Hallway Boy pushes back his chair. "Come along, then. I haven't eaten either." I can't help but notice several girls gaping at him as we wind our way through the crowd.

Darwin’s Bestiary PROLOGUE Animals tame and animals feral prowled the Dark Ages in search of a moral: the canine was Loyal, the lion was Virile, rabbits were Potent and gryphons were Sterile. Sloth, Envy, Gluttony, Pride—every peril was fleshed into something phantasmic and rural, while Courage, Devotion, Thrift—every bright laurel crowned a creature in some mythological mural. Scientists think there is something immoral in singular brutes having meat that is plural: beasts are mere beasts, just as flowers are floral. Yet between the lines there’s an implicit demurral; the habit stays with us, albeit it’s puerile: when Darwin saw squirrels, he saw more than Squirrel. 1. THE ANT The ant, Darwin reminded us, defies all simple-mindedness: Take nothing (says the ant) on faith, and never trust a simple truth. The PR men of bestiaries eulogized for centuries this busy little paragon, nature’s proletarian— but look here, Darwin said: some ants make slaves of smaller ants, and end exploiting in their peonages the sweating brows of their tiny drudges. Thus the ant speaks out of both sides of its mealy little mouth: its example is extolled to the workers of the world, but its habits also preach the virtues of the idle rich. 2. THE WORM Eyeless in Gaza, earless in Britain, lower than a rattlesnake’s belly-button, deaf as a judge and dumb as an audit: nobody gave the worm much credit till Darwin looked a little closer at this spaghetti-torsoed loser. Look, he said, a worm can feel and taste and touch and learn and smell; and ounce for ounce, they’re tough as wrestlers, and love can turn them into hustlers, and as to work, their labors are mythic, small devotees of the Protestant Ethic: they’ll go anywhere, to mountains or grassland, south to the rain forests, north to Iceland, fifty thousand to every acre guzzling earth like a drunk on liquor, churning the soil and making it fertile, earning the thanks of every mortal: proud Homo sapiens, with legs and arms— his whole existence depends on worms. So, History, no longer let the worm’s be an ignoble lot unwept, unhonored, and unsung. Moral: even a worm can turn. 3. THE RABBIT a. Except in distress, the rabbit is silent, but social as teacups: no hare is an island. (Moral: silence is golden—or anyway harmless; rabbits may run, but never for Congress.) b. When a rabbit gets miffed, he bounds in an orbit, kicking and scratching like—well, like a rabbit. (Moral: to thine own self be true—or as true as you can; a wolf in sheep’s clothing fleeces his skin.) c. He populates prairies and mountains and moors, but in Sweden the rabbit can’t live out of doors. (Moral: to know your own strength, take a tug at your shackles; to understand purity, ponder your freckles.) d. Survival developed these small furry tutors; the morals of rabbits outnumber their litters. (Conclusion: you needn’t be brainy, benign, or bizarre to be thought a great prophet. Endure. Just endure.) 4. THE GOSSAMER Sixty miles from land the gentle trades that silk the Yankee clippers to Cathay sift a million gossamers, like tides of fluff above the menace of the sea. These tiny spiders spin their bits of webbing and ride the air as schooners ride the ocean; the Beagle trapped a thousand in its rigging, small aeronauts on some elusive mission. The Megatherium, done to extinction by its own bigness, makes a counterpoint to gossamers, who breathe us this small lesson: for survival, it’s the little things that count.

Every evening they announce that they want punch our nose, us and all the other Nazi pigs. Sure, you want to, but doing it is something rather different, gentlemen! The whole affair has a certain tragicomic tone. The Jews talk as if they were really strong, but soon they have to move their tents and run like rabbits from the approaching German soldiers. Qui mange du juif, en meurt! One could almost say that anyone with the Jews on his side has already lost. They are the best pillar of the coming defeat. They carry the seed of destruction. They hoped this war would bring the last desperate blow against National Socialist Germany and an awakening Europe. They will collapse. Already today we begin to hear the cries of the desperate and seduced peoples throughout the world: “The Jews are guilty! The Jews are guilty!” The court that will pronounce judgment on them will be fearful. We do not need to do anything ourselves. It will come because it must come. Just as the fist of an awakened Germany has struck this racial filth, the fist of an awakened Europe will surely follow. Mimicry will not help the Jews then. They will have to face their accusers. The court of the nations will judge their oppressor. Without pity or forgiveness, the blow will strike. The world enemy will fall, and Europe will have peace. "Mimicry", Das Reich, 20 July 1941

Asking a writer why they like to write {in the theoretical sense of the question} is like asking a person why they breathe. For me, writing is a natural reflex to the beauty, the events, and the people I see around me. As Anais Nin put it, "We write to taste life twice." I live and then I write. The one transfers to the other, for me, in a gentle, necessary way. As prosaic as it sounds, I believe I process by writing. Part of the way I deal with stressful situations, catty people, or great joy or great trials in my own life is by conjuring it onto paper in some way; a journal entry, a blog post, my writing notebook, or my latest story. While I am a fair conversationalist, my real forte is expressing myself in words on paper. If I leave it all chasing round my head like rabbits in a warren, I'm apt to become a bug-bear to live with and my family would not thank me. Some people need counselors. Some people need long, drawn-out phone-calls with a trusted friend. Some people need to go out for a run. I need to get away to a quiet, lonesome corner--preferably on the front steps at gloaming with the North Star trembling against the darkening blue. I need to set my pen fiercely against the page {for at such moments I must be writing--not typing.} and I need to convert the stress or excitement or happiness into something to be shared with another person. The beauty of the relationship between reading and writing is its give-and-take dynamic. For years I gathered and read every book in the near vicinity and absorbed tale upon tale, story upon story, adventures and sagas and dramas and classics. I fed my fancy, my tastes, and my ideas upon good books and thus those aspects of myself grew up to be none too shabby. When I began to employ my fancy, tastes, and ideas in writing my own books, the dawning of a strange and wonderful idea tinged the horizon of thought with blush-rose colors: If I persisted and worked hard and poured myself into the craft, I could create one of those books. One of the heart-books that foster a love of reading and even writing in another person somewhere. I could have a hand in forming another person's mind. A great responsibility and a great privilege that, and one I would love to be a party to. Books can change a person. I am a firm believer in that. I cannot tell you how many sentiments or noble ideas or parts of my own personality are woven from threads of things I've read over the years. I hoard quotations and shadows of quotations and general impressions of books like a tzar of Russia hoards his icy treasures. They make up a large part of who I am. I think it's worth saying again: books can change a person. For better or for worse. As a writer it's my two-edged gift to be able to slay or heal where I will. It's my responsibility to wield that weapon aright and do only good with my words. Or only purposeful cutting. I am not set against the surgeon's method of butchery--the nicking of a person's spirit, the rubbing in of a salty, stinging salve, and the ultimate healing-over of that wound that makes for a healthier person in the end. It's the bitter herbs that heal the best, so now and again you might be called upon to write something with more cayenne than honey about it. But the end must be good. We cannot let the Light fade from our words.

I tell you, I know what it is.” “What is it? What is it? Is it hard or soft? Harry. Is it blue? Is it red? Does it have polka dots?” It hits Rabbit depressingly that he really wants to be told. Underneath all this I-know-more-about-it-than-you heresies-of-the-early-Church business he really wants to be told about it, wants to be told that it is there, that he’s not lying to all those people every Sunday. As if it’s not enough to be trying to get some sense out of this crazy game you have to carry around this madman trying to swallow your soul. The hot strap of the bag gnaws at his shoulder. “The truth is,” Eccles tells him with womanish excitement, in a voice embarrassed but determined, “you’re monstrously selfish. You’re a coward. You don’t care about right or wrong; you worship nothing except your own worst instincts.” They reach the tee, a platform of turf beside a hunchbacked fruit tree offering fists of taut ivory-colored buds. “Let me go first,” Rabbit says. “ ’Til you calm down.” His heart is hushed, held in mid-beat, by anger. He doesn’t care about anything except getting out of this tangle. He wants it to rain. In avoiding looking at Eccles he looks at the ball, which sits high on the tee and already seems free of the ground. Very simply he brings the clubhead around his shoulder into it. The sound has a hollowness, a singleness he hasn’t heard before. His arms force his head up and his ball is hung way out, lunarly pale against the beautiful black blue of storm clouds, his grandfather’s color stretched dense across the north. It recedes along a line straight as a ruler-edge. Stricken; sphere, star, speck. It hesitates, and Rabbit thinks it will die, but he’s fooled, for the ball makes its hesitation the ground of a final leap: with a kind of visible sob takes a last bite of space before vanishing in falling. “That’s it!” he cries and, turning to Eccles with a grin of aggrandizement, repeats, “That’s it.

The real nemesis of the modern economy is ecological collapse. Both scientific progress and economic growth take place within a brittle biosphere, and as they gather steam, so the shock waves destabilise the ecology. In order to provide every person in the world with the same standard of living as affluent Americans, we would need a few more planets – but we only have this one. If progress and growth do end up destroying the ecosystem, the cost will be dear not merely to vampires, foxes and rabbits, but also to Sapiens. An ecological meltdown will cause economic ruin, political turmoil, a fall in human standards of living, and it might threaten the very existence of human civilisation. We could lessen the danger by slowing down the pace of progress and growth. If this year investors expect to get a 6 per cent return on their portfolios, in ten years they will be satisfied with a 3 per cent return, in twenty years only 1 per cent, and in thirty years the economy will stop growing and we’ll be happy with what we’ve already got. Yet the creed of growth firmly objects to such a heretical idea. Instead, it suggests we should run even faster. If our discoveries destabilise the ecosystem and threaten humanity, then we should discover something to protect ourselves. If the ozone layer dwindles and exposes us to skin cancer, we should invent better sunscreen and better cancer treatments, thereby also promoting the growth of new sunscreen factories and cancer centres. If all the new industries pollute the atmosphere and the oceans, causing global warming and mass extinctions, then we should build for ourselves virtual worlds and hi-tech sanctuaries that will provide us with all the good things in life even if the planet is as hot, dreary and polluted as hell.

In December the first frosts came with the full moon, and then my nights of vigil held a quality harder to bear. There was a sort of beauty to them, cold and clear, that caught at the heart and made me stare in wonder. From my windows the long lawns dipped to the meadows, and the meadows to the sea, and all of them were white with frost, and white too under the moon. The trees that fringed the lawns were black and still. Rabbits came out and pricked about the grass, then scattered to their burrows; and suddenly, from the hush and stillness, I heard that high sharp bark of a vixen, with the little sob that follows it, eerie, unmistakable, unlike any other call that comes by night, and out of the woods I saw the lean low body creep and run out upon the lawn, and hide again where the trees would cover it. Later I heard the call again, away in the distance, in the open park, and now the full moon topped the trees and held the sky, and nothing stirred on the lawns beneath my window. I wondered if Rachel slept, in the blue bedroom; or if, like me, she left her curtains wide. The clock that had driven me to bed at ten struck one, struck two, and I thought that here about me was a wealth of beauty that we might have shared.

On this bald hill the new year hones its edge. Faceless and pale as china The round sky goes on minding its business. Your absence is inconspicuous; Nobody can tell what I lack. Gulls have threaded the river’s mud bed back To this crest of grass. Inland, they argue, Settling and stirring like blown paper Or the hands of an invalid. The wan Sun manages to strike such tin glints From the linked ponds that my eyes wince And brim; the city melts like sugar. A crocodile of small girls Knotting and stopping, ill-assorted, in blue uniforms, Opens to swallow me. I’m a stone, a stick, One child drops a carrette of pink plastic; None of them seem to notice. Their shrill, gravelly gossip’s funneled off. Now silence after silence offers itself. The wind stops my breath like a bandage. Southward, over Kentish Town, an ashen smudge Swaddles roof and tree. It could be a snowfield or a cloudbank. I suppose it’s pointless to think of you at all. Already your doll grip lets go. The tumulus, even at noon, guargs its black shadow: You know me less constant, Ghost of a leaf, ghost of a bird. I circle the writhen trees. I am too happy. These faithful dark-boughed cypresses Brood, rooted in their heaped losses. Your cry fades like the cry of a gnat. I lose sight of you on your blind journey, While the heath grass glitters and the spindling rivulets Unpool and spend themselves. My mind runs with them, Pooling in heel-prints, fumbling pebble and stem. The day empties its images Like a cup of a room. The moon’s crook whitens, Thin as the skin seaming a scar. Now, on the nursery wall, The blue night plants, the little pale blue hill In your sister’s birthday picture start to glow. The orange pompons, the Egyptian papyrus Light up. Each rabbit-eared Blue shrub behind the glass Exhales an indigo nimbus, A sort of cellophane balloon. The old dregs, the old difficulties take me to wife. Gulls stiffen to their chill vigil in the drafty half-light; I enter the lit house.