Ra Sun God Quotes

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Don't tell anyone, but on the pagan day of the sun god Ra, I kneel at the foot of an ancient instrument of torture and consume ritualistic symbols of blood and flesh. ...And if any of you care to join me, come to the Harvard chapel on Sunday, kneel beneath the crucifix, and take Holy Communion.
Dan Brown (The Lost Symbol (Robert Langdon, #3))
Professor Langdon,' called a young man with curly hair in the back row, 'if Masonry is not a secret society, not a corporation, and not a religion, then what is it?' 'Well, if you were to ask a Mason, he would offer the following definition: Masonry is a system of morality, veiled in allegory and illustrated by symbols.' 'Sounds to me like a euphemism for "freaky cult." ' 'Freaky, you say?' 'Hell yes!' the kid said, standing up. 'I heard what they do inside those secret buildings! Weird candlelight rituals with coffins, and nooses, and drinking wine out of skulls. Now that's freaky!' Langdon scanned the class. 'Does that sound freaky to anyone else?' 'Yes!' they all chimed in. Langdon feigned a sad sigh. 'Too bad. If that's too freaky for you, then I know you'll never want to join my cult.' Silence settled over the room. The student from the Women's Center looked uneasy. 'You're in a cult?' Langdon nodded and lowered his voice to a conspiratorial whisper. 'Don't tell anyone, but on the pagan day of the sun god Ra, I kneel at the foot of an ancient instrument of torture and consume ritualistic symbols of blood and flesh.' The class looked horrified. Langdon shrugged. 'And if any of you care to join me, come to the Harvard chapel on Sunday, kneel beneath the crucifix, and take Holy Communion.' The classroom remained silent. Langdon winked. 'Open your minds, my friends. We all fear what we do not understand.
Dan Brown (The Lost Symbol (Robert Langdon, #3))
Don't tell anyone, but on the pagan day of the sun god Ra, I kneel at the foot of an ancient instrument of torture and consume ritualistic symbols of blood and flesh.
Dan Brown (The Lost Symbol (Robert Langdon, #3))
Whether Hindus or Greeks, Egyptians or Japanese, Chinese, Sumerians, or ancient Americans -- or even Romans, the most "modern" among people of antiquity -- they all placed the Golden Age, the Age of Truth, the rule of Kronos or of Ra or of any other gods on earth -- the glorious beginning of the slow, downward unfurling of history, whatever name it be given -- far behind them in the past.
Savitri Devi (The Lightning and the Sun)
We’re all atheists. You don’t believe in Zeus or Thor or Neptune or Augustus Caesar or Mars or Venus or Sun Ra. You reject a thousand gods. Why should it bother you if someone else rejects a thousand and one?
Lee Child (Nothing to Lose (Jack Reacher, #12))
We've dug our holes and hallowed caves Put goblin foes in shallow graves This day our work is just begun In the mines where silver rivers run Beneath the stone the metal gleams Torches shine on silver streams Beyond the eyes of he spying sun In the mines where silver rivers run The hammers chime on Mithral pure As dwarven mines in days of yore A craftsman's work is never done In the mines where silver rivers run To dwarven gods we sing or praise Put another orc in a shallow grave We know our work has just began In the mines where silver rivers run
R.A. Salvatore (Streams of Silver (Forgotten Realms: Icewind Dale, #2; Legend of Drizzt, #5))
Crispin Hershey!” Lady Suze holds up both hands as if I’m the sun god Ra. “Your event was totes amazeballs! As they say.
David Mitchell (The Bone Clocks)
The Egyptians saw the sun and called him Ra, the Sun God. He rode across the sky in his chariot until it was time to sleep. Copernicus and Galileo proved otherwise and poor Ra lost his divinity.
Ashwin Sanghi
Langdon feigned a sad sigh. "Too bad. If that's too freaky for you, then I know you'll never want to join my cult." Silence settled over the room. The student from the Women's Center looked uneasy. "You're in a cult?" Langdon nodded and lowered his voice to a conspiratorial whisper. "Don't tell anyone, but on the pagan day of the sun god Ra, I kneel at the foot of an ancient instrument of torture and consume ritualistic symbols of blood and flesh." The class looked horrified. Langdon shrugged. "And if any of you care to join me, come to the Harvard chapel on Sunday, kneel beneath the crucifix, and take Holy Communion." The classroom remained silent. Langdon winked. "Open your minds, my friends. We all fear what we do not understand.
Dan Brown (The Lost Symbol (Robert Langdon, #3))
I pray that the world never runs out of dragons. I say that in all sincerity, though I have played a part in the death of one great wyrm. For the dragon is the quintessential enemy, the greatest foe, the unconquerable epitome of devastation. The dragon, above all other creatures, even the demons and the devils, evokes images of dark grandeur, of the greatest beast curled asleep on the greatest treasure hoard. They are the ultimate test of the hero and the ultimate fright of the child. They are older than the elves and more akin to the earth than the dwarves. The great dragons are the preternatural beast, the basic element of the beast, that darkest part of our imagination. The wizards cannot tell you of their origin, though they believe that a great wizard, a god of wizards, must have played some role in the first spawning of the beast. The elves, with their long fables explaining the creation of every aspect of the world, have many ancient tales concerning the origin of the dragons, but they admit, privately, that they really have no idea of how the dragons came to be. My own belief is more simple, and yet, more complicated by far. I believe that dragons appeared in the world immediately after the spawning of the first reasoning race. I do not credit any god of wizards with their creation, but rather, the most basic imagination wrought of unseen fears, of those first reasoning mortals. We make the dragons as we make the gods, because we need them, because, somewhere deep in our hearts, we recognize that a world without them is a world not worth living in. There are so many people in the land who want an answer, a definitive answer, for everything in life, and even for everything after life. They study and they test, and because those few find the answers for some simple questions, they assume that there are answers to be had for every question. What was the world like before there were people? Was there nothing but darkness before the sun and the stars? Was there anything at all? What were we, each of us, before we were born? And what, most importantly of all, shall we be after we die? Out of compassion, I hope that those questioners never find that which they seek. One self-proclaimed prophet came through Ten-Towns denying the possibility of an afterlife, claiming that those people who had died and were raised by priests, had, in fact, never died, and that their claims of experiences beyond the grave were an elaborate trick played on them by their own hearts, a ruse to ease the path to nothingness. For that is all there was, he said, an emptiness, a nothingness. Never in my life have I ever heard one begging so desperately for someone to prove him wrong. This is kind of what I believe right now… although, I do not want to be proved wrong… For what are we left with if there remains no mystery? What hope might we find if we know all of the answers? What is it within us, then, that so desperately wants to deny magic and to unravel mystery? Fear, I presume, based on the many uncertainties of life and the greatest uncertainty of death. Put those fears aside, I say, and live free of them, for if we just step back and watch the truth of the world, we will find that there is indeed magic all about us, unexplainable by numbers and formulas. What is the passion evoked by the stirring speech of the commander before the desperate battle, if not magic? What is the peace that an infant might know in its mother’s arms, if not magic? What is love, if not magic? No, I would not want to live in a world without dragons, as I would not want to live in a world without magic, for that is a world without mystery, and that is a world without faith. And that, I fear, for any reasoning, conscious being, would be the cruelest trick of all. -Drizzt Do’Urden
R.A. Salvatore (Streams of Silver (Forgotten Realms: Icewind Dale, #2; Legend of Drizzt, #5))
The sun god Ra was described as the ba which “came forth from Nun,” the ba “which Nun created.” In these terms, the ba is a potentiality which is actualized. According to these statements, Chaos produced Order. Nun, primordial Chaos, generated the god Ra who then made the ordered cosmos. This is actually extremely similar to science’s version of Big Bang theory. Randomness – primordial Chaos, formlessness or non-existence (non-being) – miraculously produced its opposite: a formed, ordered cosmos. In truth, science hasn’t moved on at all from Egyptian mythology. It has no better explanation for how the cosmos was produced than ancient Egyptian priests spinning mythological webs did.
Steve Madison (Think Like an Egyptian: How the Ancient Mind Worked)
Such golden discs were similar to the moon-discs worn by other members of the divine bovine family, including those donned by Hathor, the cow-goddess-mother of the sun god, Ra. While other religions have practiced similar venerations of cattle—most notably Hinduism and in India where the humped Zebu cow continues to be worshipped as the representative of Aditi,
Thomas Horn (The Wormwood Prophecy: NASA, Donald Trump, and a Cosmic Cover-up of End-Time Proportions)
In the "British Museum Papyrus" of the Egyptian Book of the Dead, parts of which may date to 7,000 years ago,3 the God Sun Ra is called "the lord of heaven, the lord of earth, the king of righteousness, the lord of eternity, the prince of everlasting, ruler of gods all, god of life, maker of eternity, creator of heaven..."4 The bulk of these epithets were later used to describe the Christian solar logos, Jesus.
D.M. Murdock (Suns of God: Krishna, Buddha and Christ Unveiled)
Apophis the god of Chaos Anubis the god of funerals and death Babi the baboon god Bast the cat goddess Bes the dwarf god Disturber a god of judgement who works for Osiris Geb the earth god Gengen-Wer the goose god Hapi the god of the Nile Heket the frog goddess Horus the war god, son of Isis and Osiris Isis the goddess of magic, wife of her brother Osiris and mother of Horus Khepri the scarab god, Ra’s aspect in the morning Khonsu the moon god Mekhit minor lion goddess, married to Onuris Neith the hunting goddess Nekhbet the vulture goddess Nut the sky goddess Osiris the god of the Underworld, husband of Isis and father of Horus Ra the sun god, the god of order; also known as Amun-Ra Sekhmet the lion goddess Serqet the scorpion goddess Set the god of evil Shu the air god, great-grandfather of Anubis Sobek the crocodile god Tawaret the hippo goddess Thoth the god of knowledge
Rick Riordan (The Serpent's Shadow (The Kane Chronicles Book 3))
Legend says the world will end when Ra gets too tired to continue living in his weakened state. Apophis will swallow the sun. Darkness will reign. Chaos will overcome Ma’at, and the Serpent will reign forever.” Part of me thought this was absurd. The planets would not simply stop spinning. The sun would not cease to rise. On the other hand, here I was riding a boat through the Land of the Dead with a demon and a god. If Apophis was real too, I didn’t fancy meeting him.
Rick Riordan
The Nile acted as a principle of order and centralization, necessitated collective work, created solidarity, imposed organizations on the people, and cemented them in a society. In turn the Nile was the work of the Sun, the supreme author of the universe. Ra — the Sun — the demiurge was the founder of all order human and divine, the creator of gods themselves. Its power was reflected in an absolute monarch to whom everything was subordinated. It has been suggested that such power followed the growth of astronomical knowledgeb by which the floods of the Nile could be predicted, notably a discovery of the sidereal year in which the rising of Sirius coincided with the period of floods.
Harold A. Innis (Empire and Communications (Voyageur Classics Book 4))
The fall of dusk upon the Egyptian scene is an unforgettable event, an event of unearthly beauty. Everything is transformed in colour and the most vivid contrasts come into being between sky and earth. I sat alone on the yielding yellow sand before the stately, regal figure of the crouching Sphinx, a little to one side, watching with fascinated eyes the wonderful play of ethereal colours which swiftly appear and as swiftly pass when the dying sun no longer covers Egypt with golden glory. For who can receive the sacred message which is given him by the beautiful, mysterious afterglow of an African sunset, without being taken into a temporary paradise? So long as men are not entirely coarse and spiritually dead, so long will they continue to love the Father of Life, the sun, which makes these things possible by its unique sorceries. They were not fools, those ancients, who revered Ra, the great light, and took it into their hearts as god.
Paul Brunton (A Search in Secret Egypt)
I am strange, my mind is tinted with the colors of madness, they fight in silent furor in their effort to possess each other, I am strange. I have approached a degree of love that is so unwise, In one world that it is wisdom in another, I am strange, I no longer have respect for hate, I'm stronger than hate. I'm contemptuous of both those who hate and those who destroy, I'm not a part of the world which hates and the world which destroys, I want a better world and not only do I want a better world, I seek to live a better life, that I might have a right to be a part of a better world, if I hate and destroy I have no right to speak of love, love is greater than hate, and I have chosen love above all else in the world. I am strange, I know a secret truth, I have a secret rendesvouz, and the wind touches against my window pane, come with me! it says, come with me, I am a force, you are a force. We are brothers. Though I am invisible, I cover the leaf when I unravel, no wall can hold me, nothing can withstand my will. What is your god? What is your desire? Come my brother, you are dear to me, I cannot come to you in full force, for you are too weak to contain me, I might lift you from the ground and frighten you, at this careless moment, I might drop you in my jaw that you want me to come to you, I cannot approach you in your weakness, I am too strong, come to me! as cautious as you will, I will accept you, for the spirit of man is more like myself than anything on earth. All the most I think I am the power for the spirit of man, for the spirit of man is strong, no power on earth is greater and no world can contain it, it will cover the breadth and the width of earth, for like I, the wind, an aroused spirit is greatly to be feared, but weapons of that you will cast invisible, only fools seek to harm the wind, only fools seek to harm the brother of the wind. Come spirit of man, I will take you to new worlds, I will take you to inner unseen worlds, greater in splendors than anything life contains, if you are fearful, you will die in your fear, but if you become as I you will be strong and do as I, I the wind come and go as I choose, and none can stop me.
Sun Ra
The men who had inhabited prehistoric Egypt, who had carved the Sphinx and founded the world‘s oldest civilization, were men who had made their exodus from Atlantis to settle on this strip of land that bordered the Nile. And they had left before their ill-fated continent sank to the bottom of the Atlantic Ocean, a catastrophe which had drained the Sahara and turned it into a desert. The shells which to-day litter the surface of the Sahara in places, as well as the fossil fish which are found among its sands, prove that it was once covered by the waters of a vast ocean. It was a tremendous and astonishing thought that the Sphinx provided a solid, visible and enduring link between the people of to-day and the people of a lost world, the unknown Atlanteans. This great symbol has lost its meaning for the modern world, for whom it is now but an object of local curiosity. What did it mean to the Atlanteans? We must look for some hint of an answer in the few remnants of culture still surviving from peoples whose own histories claimed Atlantean origin. We must probe behind the degenerate rituals of races like the Incas and the Mayas, mounting to the purer worship of their distant ancestors, and we shall find that the loftiest object of their worship was Light, represented by the Sun. Hence they build pyramidal Temples of the Sun throughout ancient America. Such temples were either variants or slightly distorted copies of similar temples which had existed in Atlantis. After Plato went to Egypt and settled for a while in the ancient School of Heliopolis, where he lived and studied during thirteen years, the priest-teachers, usually very guarded with foreigners, favoured the earnest young Greek enquirer with information drawn from their well-preserved secret records. Among other things they told him that a great flat-topped pyramid had stood in the centre of the island of Atlantis, and that on this top there had been build the chief temple of the continent – a sun temple. […] The Sphinx was the revered emblem in stone of a race which looked upon Light as the nearest thing to God in this dense material world. Light is the subtlest, most intangible of things which man can register by means of one of his five senses. It is the most ethereal kind of matter which he knows. It is the most ethereal element science can handle, and even the various kind of invisible rays are but variants of light which vibrate beyond the power of our retinas to grasp. So in the Book of Genesis the first created element was Light, without which nothing else could be created. „The Spirit of God moved upon the face of the Deep,“ wrote Egyptian-trained Moses. „And God said, Let there be Light: and there was Light.“ Not only that, it is also a perfect symbol of that heavenly Light which dawns within the deep places of man‘s soul when he yields heart and mind to God; it is a magnificent memorial to that divine illumination which awaits him secretly even amid the blackest despairs. Man, in turning instinctively to the face and presence of the Sun, turns to the body of his Creator. And from the sun, light is born: from the sun it comes streaming into our world. Without the sun we should remain perpetually in horrible darkness; crops would not grow: mankind would starve, die, and disappear from the face of this planet. If this reverence for Light and for its agent, the sun, was the central tenet of Atlantean religion, so also was it the central tenet of early Egyptian religion. Ra, the sun-god, was first, the father and creator of all the other gods, the Maker of all things, the One, the self-born [...] If the Sphinx were connected with this religion of Light, it would surely have some relationship with the sun.
Paul Brunton (A Search in Secret Egypt)
The Sumerian pantheon was headed by an "Olympian Circle" of twelve, for each of these supreme gods had to have a celestial counterpart, one of the twelve members of the Solar System. Indeed, the names of the gods and their planets were one and the same (except when a variety of epithets were used to describe the planet or the god's attributes). Heading the pantheon was the ruler of Nibiru, ANU whose name was synonymous with "Heaven," for he resided on Nibiru. His spouse, also a member of the Twelve, was called ANTU. Included in this group were the two principal sons of ANU: E.A ("Whose House Is Water"), Anu's Firstborn but not by Antu; and EN.LIL ("Lord of the Command") who was the Heir Apparent because his mother was Antu, a half sister of Anu. Ea was also called in Sumerian texts EN.KI ("Lord Earth"), for he had led the first mission of the Anunnaki from Nibiru to Earth and established on Earth their first colonies in the E.DIN ("Home of the Righteous Ones")—the biblical Eden. His mission was to obtain gold, for which Earth was a unique source. Not for ornamentation or because of vanity, but as away to save the atmosphere of Nibiru by suspending gold dust in that planet's stratosphere. As recorded in the Sumerian texts (and related by us in The 12th Planet and subsequent books of The Earth Chronicles), Enlil was sent to Earth to take over the command when the initial extraction methods used by Enki proved unsatisfactory. This laid the groundwork for an ongoing feud between the two half brothers and their descendants, a feud that led to Wars of the Gods; it ended with a peace treaty worked out by their sister Ninti (thereafter renamed Ninharsag). The inhabited Earth was divided between the warring clans. The three sons of Enlil—Ninurta, Sin, Adad—together with Sin's twin children, Shamash (the Sun) and Ishtar (Venus), were given the lands of Shem and Japhet, the lands of the Semites and Indo-Europeans: Sin (the Moon) lowland Mesopotamia; Ninurta, ("Enlil's Warrior," Mars) the highlands of Elam and Assyria; Adad ("The Thunderer," Mercury) Asia Minor (the land of the Hittites) and Lebanon. Ishtar was granted dominion as the goddess of the Indus Valley civilization; Shamash was given command of the spaceport in the Sinai peninsula. This division, which did not go uncontested, gave Enki and his sons the lands of Ham—the brown/black people—of Africa: the civilization of the Nile Valley and the gold mines of southern and western Africa—a vital and cherished prize. A great scientist and metallurgist, Enki's Egyptian name was Ptah ("The Developer"; a title that translated into Hephaestus by the Greeks and Vulcan by the Romans). He shared the continent with his sons; among them was the firstborn MAR.DUK ("Son of the Bright Mound") whom the Egyptians called Ra, and NIN.GISH.ZI.DA ("Lord of the Tree of Life") whom the Egyptians called Thoth (Hermes to the Greeks)—a god of secret knowledge including astronomy, mathematics, and the building of pyramids. It was the knowledge imparted by this pantheon, the needs of the gods who had come to Earth, and the leadership of Thoth, that directed the African Olmecs and the bearded Near Easterners to the other side of the world. And having arrived in Mesoamerica on the Gulf coast—just as the Spaniards, aided by the same sea currents, did millennia later—they cut across the Mesoamerican isthmus at its narrowest neck and—just like the Spaniards due to the same geography—sailed down from the Pacific coast of Mesoamerica southward, to the lands of Central America and beyond. For that is where the gold was, in Spanish times and before.
Zecharia Sitchin (The Lost Realms (The Earth Chronicles, #4))
Anubis the god of funerals and death Apophis the god of chaos Babi the baboon god Bast the cat goddess Bes the dwarf god Geb the earth god Heket the frog goddess Horus the war god, son of Isis and Osiris Isis the goddess of magic, wife of her brother Osiris and mother of Horus Khepri the scarab god, Ra’s aspect in the morning Khnum the ram-headed god, Ra’s aspect at sunset in the underworld Khonsu the moon god Mekhit minor lion goddess, married to Onuris Nekhbet the vulture goddess Nephthys the river goddess Nut the sky goddess Osiris the god of the underworld, husband of his sister Isis and father of Horus Ptah the god of craftsmen Ra the sun god, the god of order. Also known as Amun-Ra. Sekhmet the lion goddess Set the god of evil Shu the air god Sobek the crocodile god Tawaret the hippo goddess Thoth the god of knowledge
Rick Riordan (The Throne of Fire (The Kane Chronicles #2))
Zia’s senile grandfather? Nope. That was Ra, god of the sun, first divine pharaoh of Egypt and archenemy of Apophis. Last spring we’d gone on a quest to find him and revive him from his twilight sleep, trusting he would rise in all his glory and fight the Chaos snake for us.
Rick Riordan (The Kane Chronicles (The Kane Chronicles #1-3))
In addition to details about Apophis, its name draws some attention because the cosmic mass was named after the Egyptian god of chaos,75 ironically also known as the Great Serpent, who, since he was also the enemy of the sun god Ra, existed in darkness. He is said by
Thomas Horn (The Wormwood Prophecy: NASA, Donald Trump, and a Cosmic Cover-up of End-Time Proportions)
God fights to free His people. Every plague poured out on Egypt corresponds to an Egyptian god. God actively kills false gods that enslave people. The Egyptians worshipped the Nile, so God turned its waters to blood. They worshipped cattle, so he killed the livestock. They worshipped the god of the crops, so God sent locusts to devour the crops. They worshiped the sun god Ra, so God blacked out the sky and made it pitch black. God literally wiped out the Egyptian gods, exposing them for what they were--not gods at all.
Matt Chandler (Take Heart: Christian Courage in the Age of Unbelief)
Khnum was one aspect of the sun god,” I said. “Ra had three different personalities. He was Khepri the scarab god in the morning; Ra during the day; and Khnum, the ram-headed god, at sunset, when he went into the underworld.” “That’s confusing,” Jaz said. “Not really,” Sadie said. “Carter has different personalities. He goes from zombie in the morning to slug in the afternoon to—” “Sadie,” I said, “shut up.
Rick Riordan (The Throne of Fire (Kane Chronicles, #2))
That deliverance entailed not just leaving behind the land of Egypt, but leaving behind the ways of Egypt. Each of the ten plagues was more than just a dramatic sign to Pharaoh that he must release the Hebrews. Each was a symbolic defeat of an Egyptian deity. Osiris, whose bloodstream was believed to be the Nile, bleeds out before his worshipers when Yahweh turns the Nile to blood. In reverence to Heqet, the frog-goddess of birth, Egyptians regarded frogs as sacred and not to be killed. Yahweh slays them by the thousands. Egyptian gods governing fertility, crops, livestock, and health are all shown to be impotent before the mighty outstretched arm of Israel’s God. In the ninth plague of darkness, Yahweh demonstrates his rule over the sun god Ra, whom Pharaoh was believed to embody. And in the final plague, the death of the firstborn, God shows himself supreme over the entire Egyptian pantheon by demonstrating his power over life and death.
Jen Wilkin (Ten Words to Live By: Delighting in and Doing What God Commands)
An interesting idea, sir, but I’m afraid this symbol—a circle with a round dot in the middle—has dozens of meanings. It’s called a circumpunct, and it’s one of the most widely used symbols in history.” “What are you talking about?” the dean asked, sounding skeptical. Langdon was stunned that a Mason was not more familiar with the spiritual importance of this symbol. “Sir, the circumpunct has countless meanings. In ancient Egypt, it was the symbol for Ra—the sun god—and modern astronomy still uses it as the solar symbol. In Eastern philosophy, it represents the spiritual insight of the Third Eye, the divine rose, and the sign of illumination. The Kabbalists use it to symbolize the Kether—the highest Sephiroth and ‘the most hidden of all hidden things.’ Early mystics called it the Eye of God and it’s the origin of the All-Seeing Eye on the Great Seal. The Pythagoreans used the circumpunct as the symbol of the Monad—the Divine Truth, the Prisca Sapientia, the at-one-ment of mind and soul, and the—
Dan Brown (The Lost Symbol (Robert Langdon, #3))
The sun pressed down on his eyelids, a hot illumination that would soon make him feel drowsy. This must be the way blind people absorbed light into their heads: raising their faces to the sun, to Ra, god of the blind. Everyone needed real light, not just the artificial, thought-up light of the imagination.
Achmat Dangor (Bitter Fruit)
No such thing as a man and a woman. That's over with. Everybody on this planet is a god.
Sun Ra
For example, the frog was honored as the special representative of an Egyptian goddess, flies were associated with several of their gods, and the sun, which would be completely eclipsed during the ninth plague, was associated with their greatest god, Ra.
John F. MacArthur Jr. (Exodus and Numbers: The Exodus from Egypt (MacArthur Bible Studies))
The term Israelite has its etymological origins in Iesa, the name of the Druidic solar king, and Ra, the name of the Egyptian sun god. A high initiate of the Cult of Iesa was known as an “Is-Ra-ite” or, as it has come down to us, an “Israelite.” The Israelites were worshipers of the sun, stars and zodiac. They were the Stellar Priesthood of Ireland, and closely associated with the Chaldean Magi and Egyptian Amenists. We find them obliquely referred to in the New Testament’s “Nativity” story. Apparently, three of their number followed the sun or bright star in heaven to the birthplace of Jesus, king of light. It appears the authors of the Bible wished to incorporate information about the Druids early on in the story of Jesus. The references to “three Kings” and “three Shepherds” are cryptic allusions to them, or members of their worldwide society. The Gospels, however, do not elaborate on the visiting Magi or explain why and how they came to a remote inn at the moment of Jesus’ birth.
Michael Tsarion (The Irish Origins of Civilization, Volume One: The Servants of Truth: Druidic Traditions & Influence Explored)