Qwerty Quotes

Each human being is unique, each with their own qualities, instincts, forms of pleasure, and desire for adventure. However, society always imposes on us a collective ways of behaving, and people never stop to wonder why they should behave like that. They just accept it, the way typists accepted the fact that the QWERTY keyboard was the best possible one. Have you ever met anyone is your entire life who asked why the hands of a clock should go in one particular direction and not the other?

The computer's password protected. I try the basics: 1,2,3,4. QWERTY. YTREWQ, which is qwerty backward. PASSWORD. A few others. Whoever uses this computer isn't quite that dumb. They are, however, dumb enough to write it down in the corner of the desk blotter.

The moths were fluttering all over the sign at the desk that read DASHIELL QWERTY, SUB-LIBRARIAN. He was younger than I think of librarians as being, younger than the father of anyone I knew, and he had the hairstyle one gets if one is attacked by a scissors-carrying maniac and lives to tell the tale.

Are you saying that being a criminal is a matter of opinion?" I asked. Qwerty smiled, but it was sad around the edges. "No," he said. "It's a matter of handcuffs.

Have you ever been to Florence?” asked Dr. Igor. “No.” “You should go there; it’s not far, for that is where you will find my second example. In the cathedral in Florence, there’s a beautiful clock designed by Paolo Uccello in 1443. Now, the curious thing about this clock is that, although it keeps time like all other clocks, its hands go in the opposite direction to that of normal clocks.” “What’s that got to do with my illness?” “I’m just coming to that. When he made this clock, Paolo Uccello was not trying to be original: The fact is that, at the time, there were clocks like his as well as others with hands that went in the direction we’re familiar with now. For some unknown reason, perhaps because the duke had a clock with hands that went in the direction we now think of as the “right” direction, that became the only direction, and Uccello’s clock then seemed an aberration, a madness.” Dr. Igor paused, but he knew that Mari was following his reasoning. “So, let’s turn to your illness: Each human being is unique, each with their own qualities, instincts, forms of pleasure, and desire for adventure. However, society always imposes on us a collective way of behaving, and people never stop to wonder why they should behave like that. They just accept it, the way typists accepted the fact that the QWERTY keyboard was the best possible one. Have you ever met anyone in your entire life who asked why the hands of a clock should go in one particular direction and not in the other?” “No.” “If someone were to ask, the response they’d get would probably be: ‘You’re crazy.’ If they persisted, people would try to come up with a reason, but they’d soon change the subject, because there isn’t a reason apart from the one I’ve just given you. So to go back to your question. What was it again?” “Am I cured?” “No. You’re someone who is different, but who wants to be the same as everyone else. And that, in my view, is a serious illness.” “Is wanting to be different a serious illness?” “It is if you force yourself to be the same as everyone else. It causes neuroses, psychoses, and paranoia. It’s a distortion of nature, it goes against God’s laws, for in all the world’s woods and forests, he did not create a single leaf the same as another. But you think it’s insane to be different, and that’s why you chose to live in Villete, because everyone is different here, and so you appear to be the same as everyone else. Do you understand?” Mari nodded. “People go against nature because they lack the courage to be different, and then the organism starts to produce Vitriol, or bitterness, as this poison is more commonly known.

Have you ever wondered why the keys on a typewriter are arranged in that particular order?” “No, I haven’t.” “We call it the QWERTY keyboard, because that’s the order of the letters on the first row of keys. I once wondered why it was like that, and I found the answer. The first machine was invented by Christopher Sholes, in 1873, to improve on calligraphy, but there was a problem: If a person typed very fast, the keys got stuck together and stopped the machine from working. Then Sholes designed the QWERTY keyboard, a keyboard that would oblige typists to type more slowly. ” “I don’t believe it.” “But it’s true. It so happened that Remington—which made sewing machines as well as guns at the time—used the QWERTY keyboard for its first typewriters. That meant that more people were forced to learn that particular system, and more companies started to make those keyboards, until it became the only available model. To repeat: The keyboard on typewriters and computers was designed so that people would type more slowly, not more quickly, do you understand? If you changed the letters around, you wouldn’t find anyone to buy your product.” When she saw a keyboard for the first time, Mari had wondered why the letters weren’t in alphabetical order, but she had then promptly forgotten about it. She assumed it was simply the best layout for people to type quickly.

Still another factor is compatibility with vested interests. This book, like probably every other typed document you have ever read, was typed with a QWERTY keyboard, named for the left-most six letters in its upper row. Unbelievable as it may now sound, that keyboard layout was designed in 1873 as a feat of anti-engineering. It employs a whole series of perverse tricks designed to force typists to type as slowly as possible, such as scattering the commonest letters over all keyboard rows and concentrating them on the left side (where right-handed people have to use their weaker hand). The reason behind all of those seemingly counterproductive features is that the typewriters of 1873 jammed if adjacent keys were struck in quick succession, so that manufacturers had to slow down typists. When improvements in typewriters eliminated the problem of jamming, trials in 1932 with an efficiently laid-out keyboard showed that it would let us double our typing speed and reduce our typing effort by 95 percent. But QWERTY keyboards were solidly entrenched by then. The vested interests of hundreds of millions of QWERTY typists, typing teachers, typewriter and computer salespeople, and manufacturers have crushed all moves toward keyboard efficiency for over 60 years.

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qwerty find my account

qwerty ytrewq qwerty

qwert qwerty ytrewq qwer

NIGHT TIME PASSIONS My tongue remembers your name. It whispers it to itself at night, thinking I am asleep, not realising its linguistic dance is keeping me from slumber. My tongue remembers your taste too, but keeps those wet memories to itself, no matter how much I ask.

This book, like probably every other typed document you have ever read, was typed with a QWERTY keyboard, named for the left-most six letters in its upper row. Unbelievable as it may now sound, that keyboard layout was designed in 1873 as a feat of anti-engineering. It employs a whole series of perverse tricks designed to force typists to type as slowly as possible, such as scattering the commonest letters over all keyboard rows and concentrating them on the left side (where right-handed people have to use their weaker hand). The reason behind all of those seemingly counterproductive features is that the typewriters of 1873 jammed if adjacent keys were struck in quick succession, so that manufacturers had to slow down typists. When improvements in typewriters eliminated the problem of jamming, trials in 1932 with an efficiently laid-out keyboard showed that it would let us double our typing speed and reduce our typing effort by 95 percent. But QWERTY keyboards were solidly entrenched by then. The vested interests of hundreds of millions of QWERTY typists, typing teachers, typewriter and computer salespeople, and manufacturers have crushed all moves toward keyboard efficiency for over 60 years. While the story of the QWERTY

Where’s the baby?” “I just fed and changed him,” Haven said. Hardy lifted Luke’s carrier and gave it to Jack, who took it with his free hand. “Thank you.” I gave Haven a woeful glance as she handed me the diaper bag. “I’m sorry.” “For what?” “For falling asleep like that.” Haven smiled and reached out to hug me. “There’s nothing to be sorry about. What’s a little narcolepsy among friends?” Her body was slim and strong, one small hand patting my back. The gesture surprised me in its naturalness and ease. I returned the embrace awkwardly. Haven said over my shoulder, “I like this one, Jack.” Jack didn’t answer, only nudged me out into the hallway. I trudged forward, nearly blind with exhaustion, staggering with it. It took extreme focus to keep one foot in front of the other. “I don’t know why I’m so tired tonight,” I said. “It’s all caught up with me, I guess.” I felt Jack’s hand descend to the center of my back, guiding me forward. I decided to talk to keep myself awake. “You know, chronic sleep deper . . . dep . . .” “Deprivation?” “Yes.” I shook my head to clear it. “It gives you memory problems and raises your blood pressure. And it results in occupational hazards. It’s lucky I can’t get hurt doing my job. Unless I fall forward and hit my head on the keyboard. If you ever see QWERTY imprinted on my forehead, you’ll know what happened.” “Here we go,” Jack said, loading me onto the elevator. I squinted at the row of buttons and reached for one. “No,” he said patiently, “that’s the nine, Ella. Press the upside-down one.” “They’re all upside-down,” I told him, but I managed to find the 6. Propping myself up in the corner, I wrapped my arms around my midriff. “Why did Haven tell you ‘I like this one’?” “Why shouldn’t she like you?” “It’s just . . . if she says it to you, it implies . . .”— I tried to wrap my foggy brain around the idea—“. . . something.” A quiet laugh escaped him. “Don’t try thinking just now, Ella. Save it for later.” That sounded like a good idea. “Okay.

SECRET SMILE End your day with a secret smile on your face.

THIS This is a moment to remember, this, our breaths still heavy, the smell of summer gentle through the window, the sound of the world, not even a distraction, the words ‘I love you’ unneeded.

Dvorak siempre ha batido a QWERTY.

oiuyt qwerty qwerty

QWERTY, which refers to the first six keys on the left side of the third row of a keyboard, was a relic, a keyboard arrangement from the era of manual typewriters that was designed to keep the individual letter-embossing hammers from getting tangled up when the user was typing at high speed.

Though patented in 1932, the Dvorak Simplified Keyboard was written off. QWERTY survives due to the high costs of changing user behavior.

used the non-Qwerty Caligraph machine. The Times offered that “the Caligraph people have chosen a very pleasant and effective way of proving not only the superior speed of their machine, but the falsity

QWERTY was designed with commonly used characters spaced far apart. This layout prevented typists from jamming the metal type bars of early machines.11 This physical limitation is an anachronism in the digital age, yet QWERTY keyboards remain the standard despite the invention of far better layouts.

Instead, infrastructural systems are repaired or rebuilt in modular increments, like steadily working through the replacement of water mains in a neighborhood or fixing potholes every spring. But that continuity has a flip side: it locks us into these ways of doing things. The QWERTY keyboard layout was designed to keep fast typists from jamming the keys on manual typewriters, but it’s still in use on smartphone touchscreens. Decisions made decades or even centuries ago—how we treat wastewater, the use of alternating current instead of direct current for electricity grids, pipelines laid for fossil fuels—all of these shape not just the technologies and systems in use today but those that haven’t yet been built. That continuity means there’s a path dependence—that the kinds of systems we have today depend on the characteristics of the systems that came before—in addition to growth and accumulation, as these systems build on each other. We now live surrounded by technological systems of nearly unimaginable scale, extent, and complexity.

The QWERTY keyboard is inefficient and awkward. This typewriter keyboard takes twice as long to learn as it should, and makes us work about twenty times harder than is necessary. But QWERTY has persisted since 1873, and today unsuspecting individuals are being taught to use the QWERTY keyboard, unaware that a much more efficient typewriter keyboard is available.

Typewriters became mechanically more efficient, and the QWERTY keyboard design was no longer necessary to prevent key jamming. The search for an improved design was led by Professor August Dvorak at the University of Washington, who in 1932 used time-and-motion studies to create a much more efficient keyboard arrangement.

The newer arrangement requires less jumping back and forth from row to row; with the QWERTY keyboard, a good typists’ fingertips travel more than twelve miles a day, jumping from row to row. These unnecessary intricate movements cause mental tension, typist fatigue, and lead to more typographical errors.

One might expect, on the basis of its overwhelming advantages, that the Dvorak keyboard would have completely replaced the inferior QWERTY keyboard. On the contrary, after more than 50 years, almost all typists are still using the inefficient QWERTY keyboard.

… I am at best an ‘arranger’ of sorts. Someone who gets lucky at times in arranging those meaningless letters in a sensible pattern; letters that have in them the power of endless possibilities. End of it, despite my best efforts, some of my writings may still remain as disjointed and incoherent as they are on a QWERTY keyboard. And that to me is the rationale for the name of this blog: Worthless Whispers. To sum up, I am like the curious kid who runs his tender fingers on the melodiously mysterious piano, unwittingly hitting the right notes, alternating between music and noise, as if his fingers are guided by the will of the invisible.

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A better justification is that people can type on a smartphone QWERTY keyboard without thinking about it. The keyboard can melt away, it can recede, and when it does, it leaves a space for what people really care about.

Ogni essere umano è unico, con le proprie qualità, i propri istinti, le proprie forme di piacere, il proprio spirito d'avventura. Ma la società finisce per imporre una maniera collettiva di agire: nessuno si ferma mai a domandarsi perché sia necessario comportarsi in quel modo. Ci si limita all'accettazione, come i dattilografi accettarono il fatto che QWERTY fosse la tastiera la migliore. Nel corso della tua esistenza, hai mai conosciuto qualcuno che si sia domandato perché le lancette dell'orologio si muovono in una direzione, e non in quella opposta?" "No." "Se qualcuno lo domandasse, probabilmente si sentirebbe rispondere: 'Ma tu sei matto!' Se insistesse nella domanda, dapprima le persone tenterebbero di trovare una ragione, poi cambierebbero argomento, perché non può esistere alcun motivo oltre a quello che ti ho spiegato. Ora torno alla tua domanda. Ripetila." "Sono guarita?" "No. Tu sei una persona diversa, che vuole essere uguale. E questo, dal mio punto di vista, è considerato una malattia grave." "È grave essere diversi?" "E grave sforzarsi di essere uguali: provoca nevrosi, psicosi, paranoie. È grave voler essere uguali, perché questo significa forzare la natura, significa andare contro le leggi di Dio che, in tutti i boschi e le foreste del mondo, non ha creato una sola foglia identica a un'altra.

Dr Igor paused but he knew that Mari was following his reasoning. "So let's turn to your illness. Each human being is unique. Each with their own qualities, instincts, forms of pleasure, and desire for adventure. However, society always imposes on us a collective way of behaving. And people never stop to wonder why they should behave like that. They just accept it, the way typist accepted the fact that the qwerty keyboard is the best possible one. How you ever met anyone in your entire life who asked, why the hands of a clock should go in one particular direction, and not in the other?" "No" "If someone were to ask, the response they got would probably be, you are mad! If they persisted people would try to come up with a reason but they'd soon change the subject because there isn't a reason apart from the one I just given you. So, to go back to your question, what was it again?" "Am I cured?" "No, you are someone who is different. But who wants to be the same as everyone else. And that, in my view, is a serious illness." "Is wanting to be different a serious illness?" "It is if you force yourself to be the same as everyone else. It causes neurosis, psychosis and paranoia. It's a distortion of nature, it goes against god's laws for in all the world's woods and forests, he did not create a single leaf the same as another".

patent in 1878 for a new "Type-Writing Machine", as it was known. This was the first time the QWERTY keys had been introduced, and these are the same as we have today. But why did Sholes change his key layout from alphabetical to the QWERTY style?

QWERTY

One legend swirls more persistently around the QWERTY design than all others: how its inventor developed the arrangement to slow down typists. This is correct, as far as it goes, but it focuses on the wrong thing. Given the limits of nineteenth-century technology and the need for a complex scheme to actuate a series of metallic keys to strike a page, a major problem was developing a system where the keys didn’t jam. The time it took to clear key jams was the real bane of speedy typists, so QWERTY was an excellent compromise between an efficient key arrangement for people’s fingers and the need for a typing apparatus to whirl and clack. The QWERTY layout actually helped people type faster.4

We could have chosen any key arrangement we wanted for Purple, and perhaps we missed a golden opportunity at the advent of touchscreen typing. We could have banished QWERTY forever. Yet this assumes QWERTY is bad. It isn’t, and the reasons have to do with how taste and empathy combine with craft to make a technology like a software keyboard.

popularity doesn’t equal excellence. A better justification is that people can type on a smartphone QWERTY keyboard without thinking about it. The keyboard can melt away, it can recede, and when it does, it leaves a space for what people really care about. A properly judged mixture of taste and empathy is the secret formula for making products that are intuitive, easy to use, and easy to live with.