β
You said you were going for a walk!? What kind of walk takes six hours?"
"A long one?
β
β
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β
Well, Iβm not kissing the mundane," said Jace. "Iβd rather stay down here and rot."
"Forever?" said Simon. "Foreverβs an awfully long time."
Jace raised his eyebrows. "I knew it," he said. "You want to kiss me, donβt you?
β
β
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
β
It is more fun to talk with someone who doesn't use long, difficult words but rather short, easy words like "What about lunch?
β
β
A.A. Milne (Winnie-the-Pooh (Winnie-the-Pooh, #1))
β
What is an "instant" death anyway? How long is an instant? Is it one second? Ten? The pain of those seconds must have been awful as her heart burst and her lungs collapsed and there was no air and no blood to her brain and only raw panic. What the hell is instant? Nothing is instant. Instant rice takes five minutes, instant pudding an hour. I doubt that an instant of blinding pain feels particularly instantaneous.
β
β
John Green (Looking for Alaska)
β
How long was I asleep?" she whispered. He didn't respond.
"How long was I asleep?" she asked again, and noticed a hint of red in his cheeks.
"You were asleep, too?"
"Until you began drooling on my shoulder.
β
β
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
β
Rhysand stared at me for long enough that I faced him.
"Be glad of your human heart, Feyre. Pity those who don't feel anything at all.
β
β
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
β
If I have learned anything in this long life of mine, it is this: in love we find out who we want to be; in war we find out who we are.
β
β
Kristin Hannah (The Nightingale)
β
The Voice
There is a voice inside of you
That whispers all day long,
"I feel this is right for me,
I know that this is wrong."
No teacher, preacher, parent, friend
Or wise man can decide
What's right for you--just listen to
The voice that speaks inside.
β
β
Shel Silverstein
β
I have come to accept the feeling of not knowing where I am going. And I have trained myself to love it. Because it is only when we are suspended in mid-air with no landing in sight, that we force our wings to unravel and alas begin our flight. And as we fly, we still may not know where we are going to. But the miracle is in the unfolding of the wings. You may not know where you're going, but you know that so long as you spread your wings, the winds will carry you.
β
β
C. JoyBell C.
β
You're beautiful and sad," I said finally, not looking at him when I did. "Just like your eyes. You're like a song that I heard when I was a little kid but forgot I knew until I heard it again." For a long moment there was only the whirring sound of the tires on the road, and then Sam said softly, "Thank you.
β
β
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
β
I've been waiting for you a long time, Alina" He said. "You and I are going to change the world.
β
β
Leigh Bardugo (Shadow and Bone (Shadow and Bone, #1))
β
I can talk to fish!" Angel said happily, water dripping off her long, skinny body. "Ask one over for dinner," Fang said, joining us.
β
β
James Patterson (School's OutβForever (Maximum Ride, #2))
β
God, but life is loneliness, despite all the opiates, despite the shrill tinsel gaiety of "parties" with no purpose, despite the false grinning faces we all wear. And when at last you find someone to whom you feel you can pour out your soul, you stop in shock at the words you utter - they are so rusty, so ugly, so meaningless and feeble from being kept in the small cramped dark inside you so long. Yes, there is joy, fulfillment and companionship - but the loneliness of the soul in its appalling self-consciousness is horrible and overpowering.
β
β
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
β
I nibbled my lower lip. "If you could see into my past just by touching my back, you'd have a hard time resisting the temptation too."
"I have a hard time keeping my hands off you without that added bonus.
β
β
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
β
Your memory feels like home to me.
So whenever my mind wanders, it always finds itβs way back to you.
β
β
Ranata Suzuki
β
Isabelle drifted over, Jace a pace behind her. She was wearing a long black dress with boots and an even longer cutaway coat of soft green velvet, the color of moss. "I can't believe you did it!" she exclaimed. "How did you get Magnus to let Jace leave?"
"Traded him for Alec," Clary said.
Isabelle looked mildly alarmed. "Not permanently?"
"No," said Jace. "Just for a few hours. Unless I don't come back," he added thoughtfully. "In which case, maybe he does get to keep Alec. Think of it as a lease with an option to buy."
Isabelle looked dubious. "Mom and Dad won't be pleased if they find out."
"That you freed a possible criminal by trading away your brother to a warlock who looks like a gay Sonic the Hedgehog and dresses like the Child Catcher from Chitty Chitty Bang Bang?" Simon inquired. "No, probably not.
β
β
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
β
Rabbit's clever," said Pooh thoughtfully.
"Yes," said Piglet, "Rabbit's clever."
"And he has Brain."
"Yes," said Piglet, "Rabbit has Brain."
There was a long silence.
"I suppose," said Pooh, "that that's why he never understands anything.
β
β
A.A. Milne (Winnie-the-Pooh (Winnie-the-Pooh, #1))
β
How about a kiss, Saumensch?"
He stood waist-deep in the water for a few moments longer before climbing out and handing her the book. His pants clung to him, and he did not stop walking. In truth, I think he was afraid. Rudy Steiner was scared of the book thief's kiss. He must have longed for it so much. He must have loved her so incredibly hard. So hard that he would never ask for her lips again and would go to his grave without them.
β
β
Markus Zusak (The Book Thief)
β
Killing oneself is, anyway, a misnomer. We don't kill ourselves. We are simply defeated by the long, hard struggle to stay alive. When somebody dies after a long illness, people are apt to say, with a note of approval, "He fought so hard." And they are inclined to think, about a suicide, that no fight was involved, that somebody simply gave up. This is quite wrong.
β
β
Sally Brampton (Shoot the Damn Dog: A Memoir of Depression)
β
I wouldn't change it," Simon said. "I wouldn't give up loving you. Not for anything. You know what Raphael told me? That I didn't know how to be a good vampire, that vampires accept that they're dead. But as long as I remember what it was like to love you, I'll always feel like I'm alive.
β
β
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β
I was blind and heart broken and didn't want to do anything and Gus burst into my room and shouted, "I have wonderful news!" And I was like, "I don't really want to hear wonderful news right now," and Gus said, "This is wonderful news you want to hear," and I asked him, "Fine, what is it?" and he said, "You are going to live a good and long life filled with great and terrible moments that you cannot even imagine yet!
β
β
John Green (The Fault in Our Stars)
β
How long have you been standing there?"
"Just long enough to see you give Daemon the middle finger."
"He deserved it.
β
β
Jennifer L. Armentrout (Obsidian (Lux, #1))
β
So do you believe in second chances?" I bite my lip.
"Second, third, fourth. Whatever it takes. However long it takes. If the person is right," he adds.
"If the person is... Lola?"
This time, he holds my gaze. "Only if the other person is Cricket.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
How long?"
His smile was amazingly sweet. "The longest."
For ever?"
Sam's lips smiled, but above his grin, his yellow eyes turned sad, as if he knew it was a lie. "Longer.
β
β
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
β
Excellent. I've been told I have a lovely, melodic reading voice." He flipped the book open to the front page, where the title was printed in ornate script. Across from it was a long dedication, the ink faded now and barely legible, though Clary could make out the signature: With hope at last, William Herondale.
β
β
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
β
How do you feel about helicopters?"
There was a long pause. "How do you mean? Ethically?"
"As a mode of transportation."
"Faster than camels, but less sustainable.
β
β
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
β
I've already had to wait so long."
"How long?" Luce asked.
"Not so long that I've forgotten that you're worth everything. Every sacrifice. Every pain.
β
β
Lauren Kate (Fallen (Fallen, #1))
β
Can't stay long, Mother," he said. "I'm up front, the prefects have got two compartments to themselves-"
"Oh, are you a prefect, Percy?" said one of the twins, with an air of great surprise. "You should have said something, we had no idea."
"Hang on, I think I remember him saying something about it," said the other twin. "Once-"
"Or twice-"
"A minute-"
"All summer-"
"Oh, shut up," said Percy the Prefect.
β
β
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
β
That's you," Wrath said. You shall be called the Black Dagger warrior Dhestroyer, descended of Wrath son of Wrath."
"But you'll always be Butch to us," Rhage cut in. "As well as hard-ass. Smart-ass. Royal pain in the ass. You know, whatever the situation calls for. I think as long as there's an ASS in there, it'll be accurate."
"How about bASStard?" Z suggested.
"Nice. I feel that.
β
β
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
β
In one thing you have not changed, dear friend," said Aragorn: "you still speak in riddles."
"What? In riddles?" said Gandalf. "No! For I was talking aloud to myself. A habit of the old: they choose the wisest person present to speak to; the long explanations needed by the young are wearying.
β
β
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
β
Water that never moves." I say to him. "Its fine for a little while. You can drink from it and it'll sustain you. But if it sits too long it goes bad. It grows stale. It becomes toxic." I shake my head. "I need waves. I need waterfalls. I want rushing currents.
β
β
Tahereh Mafi (Ignite Me (Shatter Me, #3))
β
Toska - noun /ΛtΕ-skΙ/ - Russian word roughly translated as sadness, melancholia, lugubriousness.
"No single word in English renders all the shades of toska. At its deepest and most painful, it is a sensation of great spiritual anguish, often without any specific cause. At less morbid levels it is a dull ache of the soul, a longing with nothing to long for, a sick pining, a vague restlessness, mental throes, yearning. In particular cases it may be the desire for somebody of something specific, nostalgia, love-sickness. At the lowest level it grades into ennui, boredom.
β
β
Vladimir Nabokov
β
What I like doing best is Nothing."
"How do you do Nothing," asked Pooh after he had wondered for a long time.
"Well, it's when people call out at you just as you're going off to do it, 'What are you going to do, Christopher Robin?' and you say, 'Oh, Nothing,' and then you go and do it.
It means just going along, listening to all the things you can't hear, and not bothering."
"Oh!" said Pooh.
β
β
A.A. Milne (Winnie-the-Pooh (Winnie-the-Pooh, #1))
β
Oh, my sweet summer child," Old Nan said quietly, "what do you know of fear?
Fear is for the winter, my little lord, when the snows fall a hundred feet
deep and the ice wind comes howling out of the north. Fear is for the long
night, when the sun hides its face for years at a time, and little children
are born and live and die all in darkness while the direwolves grow gaunt and
hungry, and the white walkers move through the woods
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
For a long time, she held a special place in my heart. I kept this special place just for her, like a "Reserved" sign on a quiet corner table in a restaurant. Despite the fact that I was sure I'd never see her again.
β
β
Haruki Murakami (South of the Border, West of the Sun)
β
People wait around too long for love. I'm happy with all of my lusts!
β
β
C. JoyBell C.
β
Dude, you tried to slice my you-know-what's off!"
Thomas laughed, something that he hadn't done in a long time. He welcomed it happily. "Too bad I didn't. Could've saved the world from future little Minhos.
β
β
James Dashner (The Death Cure (The Maze Runner, #3))
β
She was right about something else too," Dimitri said after a long pause. My back was to him, but there was a strange quality to his voice that made me turn around.
"What's that?" I asked.
"That I do still love you."
With that one sentence, everything in the universe changed.
β
β
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
β
The common people pray for rain, healthy children, and a summer that never ends," Ser Jorah told her. "It is no matter to them if the high lords play their game of thrones, so long as they are left in peace." He gave a shrug. "They never are.
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
Can I come back and see you sometime?"
"Long as you bring me some chocolate," Gramma said, and smiled. "I'm partial to chocolate."
"Gramma, you're diabetic."
"I'm old, girl. Gonna die of something. Might as well be chocolate.
β
β
Rachel Caine (The Dead Girls' Dance (The Morganville Vampires, #2))
β
Why wonβt you leave me alone?β I whispered one night as he hovered behind me while I tried to work at my desk.
Long minutes passed. I didnβt think he would answer. I even had time to hope he might have gone, until I felt his hand on my shoulder.
βThen Iβd be alone, too," he said, and he stayed the whole night through, till the lamps burned down to nothing.
β
β
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
β
Catching sight of himself in the long mirrors that ran along the walls, he stiffened in shock...His eyes were surrounded by black shadows, his shirt smeared with dried blood and filthy mud...
"Admiring yourself?" The Inquisitor's voice cut through his reverie. "You won't look so pretty when the Clave gets through with you."
"You do seem obsessed with my look...Could it be that you're attracted to me?"
"Don't be revolting...You could be my son.
β
β
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
β
I think perhaps I will always hold a candle for you β even until it burns my hand.
And when the light has long since gone β¦. I will be there in the darkness holding what remains, quite simply because I cannot let go.
β
β
Ranata Suzuki
β
His blue eyes glittered with amusement. βNaΓ―ve, darlin'," He murmured. "I stole you a long time ago. Round the time you f**kin' stole me.
β
β
Madeline Sheehan (Undeniable (Undeniable, #1))
β
Ash brought my hand to his lips, his eyes never leaving mine. "I love you, Meghan Chase," he murmured against my skin. "For the rest of my life, however long we have left. I'll consider it an honor to die beside you.
β
β
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
β
If Peeta and I were both to die, or they thought we were....My fingers fumble with the pouch on my belt, freeing it. Peeta sees it and his hand clamps on my wrist. "No, I won't let you." "Trust me," I whisper. He holds my gaze for a long moment then lets go. I loosen the top of the pouch and pour a few spoonfuls of berries into his palm. Then I fill my own. "On the count of three?" Peeta leans down and kisses me once, very gently. "The count of three," he says. We stand, our backs pressed together, our empty hands locked tight. "Hold them out. I want everyone to see," he says. I spread out my fingers, and the dark berries glisten in the sun. I give Peeta's hand one last squeeze as a signal, as a good-bye, and we begin counting. "One." Maybe I'm wrong. "Two." Maybe they don't care if we both die. "Three!" It's too late to change my mind. I lift my hand to my mouth taking one last look at the world. The berries have just passed my lips when the trumpets begin to blare. The frantic voice of Claudius Templesmith shouts above them. "Stop! Stop! Ladies and gentlemen, I am pleased to present the victors of the 74th Hunger Games, Katniss Everdeen and Peeta Mellark! I give you - the tributes of District 12!
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
I had one last try.
"Does it bother you that I'm not a virgin?" He hesitated a moment before answering.
"Well, no," he said slowly, "so long as it doesna bother you that I am." He grinned at my drop-jawed expression, and backed toward the door.
"Reckon one of us should know what they're doing," he said. The door closed softly behind him; clearly the courtship was over.
β
β
Diana Gabaldon (Outlander (Outlander, #1))
β
I didn't know a van could go up on two wheels like that, for so long." -Nudge
β
β
James Patterson (The Angel Experiment (Maximum Ride, #1))
β
Sometimes," Jem said, "our lives can change so fast that the change outpaces our minds and hearts. It's those times, I think, when our lives have altered but we still long for the time before everything was altered-- that is when we feel the greatest pain. I can tell you, though, from experience, you grow accustomed to it. You learn to live your new life, and you can't imagine, or even really remember, how things were before.
β
β
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
β
A soft noise, almost a sob. Ash rose, hesitated, as if fighting the compulsion to obey. "I will always be your knight, Meghan Chase," he whispered in a strained voice, as if every moment he remained was painful to him. "And I swear, if there is a way for us to be together, I will find it. No matter how long it takes. If I have to chase your soul to the ends of eternity, I won't stop until I find you, I promise."
And then he was gone.
β
β
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
β
As long as everyone's wearing their own pants."
"I see I have come in on a fascinating moment in the conversation.
β
β
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
β
Then, in the spirit of benevolence, "Your face is well balanced." She slapped him encouragingly on the back, "You have very long eyelashes. Like a cow.
β
β
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
β
When you look at her what do you feel?... Joy, fear, frustration, longing, friendship, anger, need, despair, love, lust?"
"Yes."
"Yes, what?"
"All of it.
β
β
Katja Millay (The Sea of Tranquility)
β
Poetry can be dangerous, especially beautiful poetry, because it gives the illusion of having had the experience without actually going through it.
β
β
Jalal ad-Din Muhammad ar-Rumi (The Book of Love: Poems of Ecstasy and Longing)
β
As long as we continue to live as if we are what we do, what we have, and what other people think about us, we will remain filled with judgments, opinions, evaluations, and condemnations. We will remain addicted to putting people and things in their "right" place.
β
β
Henri J.M. Nouwen
β
Because I can't help doing it," he said with a shrug. "And hey, if I keep loving you, maybe you'll eventually crack and love me too. Hell, I'm pretty sure you're already half in love with me."
"I am not! And everything you just said is ridiculous. That's terrible logic."
Adrian returned to his crossword puzzle. "Well, you can think what you want, so long as you remember-no matter how ordinary things seem between us-I'm still here, still in love with you, and care about you more than any other guy, evil or otherwise, ever will."
"I don't think you're evil."
"See? Things are already looking promising.
β
β
Richelle Mead (The Indigo Spell (Bloodlines, #3))
β
So long as you don't bleed in the shape of wing joints, you should pass for human. Oh, and don't let anyone pick you up. They'll know you're not right as soon as they feel how light you are."
"I'll be sure not to let anyone but you carry me in her arms.
β
β
Susan Ee (Angelfall (Penryn & the End of Days, #1))
β
As long as I live, I'll hear waterfalls and birds and winds sing. I'll interpret the rocks, learn the language of flood, storm, and the avalanche. I'll acquaint myself with the glaciers and wild gardens, and get as near the heart of the world as I can".
β
β
John Muir
β
You don't know how long I've waited to hear those words," he says. "You don't want me dead.
β
β
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
β
Patch reached for my hand and pushed my dad's ring off the tip of his finger and into my palm, curling my fingers around it. He kissed my knuckles. "I was going to give this back earlier, but it wasn't finished."
I opened my palm and held the ring up. The same heart was engraved on the underside, but now there were two names carved on either side of it: NORA and JEV.
I looked up. "Jev? That's your real name?"
"Nobody's called me that in a long time.
β
β
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
β
He won every game, yet she hardly noticed. As long as she hit the ball, it resulted in shameless bragging. When she missed - well, even the fires of Hell couldn't compare to the rage that burst from her mouth. He couldn't remember a time when he'd laugh so hard.
β
β
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
β
I've been waiting a long time for a quest, seaweed brain," she said. "Athena is no fan of Poseidon, but if you're going to save the world, I'm the best person to keep you from messing up.
β
β
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
β
Anger is like flowing water; there's nothing wrong with it as long as you let it flow. Hate is like stagnant water; anger that you denied yourself the freedom to feel, the freedom to flow; water that you gathered in one place and left to forget. Stagnant water becomes dirty, stinky, disease-ridden, poisonous, deadly; that is your hate. On flowing water travels little paper boats; paper boats of forgiveness. Allow yourself to feel anger, allow your waters to flow, along with all the paper boats of forgiveness. Be human.
β
β
C. JoyBell C.
β
The Fourteenth Book is entitled, "What can a Thoughtful Man Hope for Mankind on Earth, Given the Experience of the Past Million Years?"
It doesn't take long to read The Fourteenth Book. It consists of one word and a period.
This is it: "Nothing.
β
β
Kurt Vonnegut Jr. (Catβs Cradle)
β
All right then," said the savage defiantly, I'm claiming the right to be unhappy."
"Not to mention the right to grow old and ugly and impotent; the right to have syphilis and cancer; the right to have too little to eat, the right to be lousy; the right to live in constant apprehension of what may happen tomorrow; the right to catch typhoid; the right to be tortured by unspeakable pains of every kind."
There was a long silence.
"I claim them all," said the Savage at last.
β
β
Aldous Huxley (Brave New World)
β
How do people, like, not curse? How is it possible? There are these gaps in speech where you just have to put a "fuck." I'll tell you who the most admirable people in the world are: newscasters. If that was me, I'd be like, "And the motherfuckers flew the fucking plane right into the Twin Towers." How could you not, if you're a human being? Maybe they're not so admirable. Maybe they're robot zombies.
β
β
Nick Hornby (A Long Way Down)
β
I long for you; I who usually longs without longing, as though I am unconscious and absorbed in neutrality and apathy, really, utterly long for every bit of you.
β
β
Franz Kafka (Letters to Milena)
β
Now there is a final reason I think that Jesus says, "Love your enemies." It is this: that love has within it a redemptive power. And there is a power there that eventually transforms individuals. Just keep being friendly to that person. Just keep loving them, and they canβt stand it too long. Oh, they react in many ways in the beginning. They react with guilt feelings, and sometimes theyβll hate you a little more at that transition period, but just keep loving them. And by the power of your love they will break down under the load. Thatβs love, you see. It is redemptive, and this is why Jesus says love. Thereβs something about love that builds up and is creative. There is something about hate that tears down and is destructive. So love your enemies. (from "Loving Your Enemies")
β
β
Martin Luther King Jr. (A Knock at Midnight: Inspiration from the Great Sermons of Reverend Martin Luther King, Jr.)
β
Inherited Will, The Destiny of the Age, and The Dreams of the People. As long as people continue to pursue the meaning of Freedom, these things will never cease to be!" - Gol D. Roger
β
β
Eiichiro Oda
β
How long will you keep me?" I asked.
You shrugged. "Forever, of course.
β
β
Lucy Christopher (Stolen (Stolen, #1))
β
An animal?" Thorne said, and she realized he'd been waiting for her to further explain what she was seeing.
"It has long legs and horns and...and it's beautiful."
"Oh, good, we're back to this, then.
β
β
Marissa Meyer (Cress (The Lunar Chronicles, #3))
β
Did I want him to act? Or would I prefer a lifetime of longing provided we both kept this little Ping-Pong game going: not knowing, not-not-knowing, not-not-not-knowing? Just be quiet, say nothing, and if you can't say "yes," don't say "no," say "later." Is this why people say "maybe" when they mean "yes," but hope you'll think it's "no" when all they really mean is, Please, just ask me once more, and once more after that?
β
β
AndrΓ© Aciman (Call Me by Your Name)
β
Percy, let me go" she croaked. "You can't pull me up."
His face was white with effort. She could see in his eyes that he knew it was hopeless.
"Never," he said. He looked up at Nico, fifteen feet above.
"The other side, Nico! We'll see you there. Understand?"
Nico's eyes widened. "But-"
"Lead them!" Percy shouted. "Promise me!"
"I-I will."
Below them, the voice laughed in the darkness. Sacrifices. Beautiful sacrifices to wake the goddess.
Percy tightened his grip on Annabeth's wrist. His face was gaunt, scraped and bloody, his hair dusted with cobwebs, but when he locked eyes with her, she thought he had never looked more handsome.
"We're staying together," he promised. "You're not getting away from me. Never again."
Only then did she understand what would happen. A one-way trip. A very hard fall.
"As long as we're together," she said.
She heard Nico and Hazel still screaming for help. She saw sunlight far, far above- maybe the last sunlight she would ever see.
Then Percy let go of his ledge, and together, holding hands, he and Annabeth fell into the endless darkness.
β
β
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
β
Aw, you trust me?"
"As long as I have a clear shot." I tighten my hold on the gun in my hand.
β
β
Tahereh Mafi (Shatter Me (Shatter Me, #1))
β
Barrons laughed again. "And there, my dear Fio, you make one of Womankind's greatest mistakes: Falling in love with a man's potential. We so rarely share the same view of it, and even more rarely care to achieve it. Stop pining for the man you think I could be -- and take a good, long, hard look at the one I am.
β
β
Karen Marie Moning (Darkfever (Fever, #1))
β
Camille brushed by Jem, hardly looking at him, and Will followed, pausing only long enough to mutter "She doesn't smell like anything" to Jem under his breath.
Jem looked alarmed. "You've been smelling her?
β
β
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
β
He brought his lips to my ear. "I would have been gentle with you, though." I shuddered as I closed my eyes. Every inch of my body went taut as his words echoed through me. "I would have had you moaning my name throughout it all. And I would have taken a very, very long time, Feyre.
β
β
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
β
My mother made a squeaking sound that might of been either "yes" or "help".
Poseidon took it as a yes and came in.
Paul was looking back and forth between us, trying to read our expressions.
Finally he stepped forward.
"Hi, I'm Paul Blofis."
Poseidon raised an eyebrow and then shook his hand.
"Blowfish, did you say?"
"Ah, no. Blofis, actually."
"Oh, I see," Poseidon said. "A shame. I quite like blowfish. I am Poseidon."
"Poseidon? That's an interesting name."
"Yes, I like it. I've gone by other names, but I do prefer Poseidon."
"Like the god of the sea."
"Very much like that, yes"
"Well!" My mother interrupted. "Um, were so glad you could drop by. Paul, this is Percy's father."
"Ah." Paul nodded, though he didn't look real pleased. "I see."
Poseidon smiled at me. "There you are, my boy. And Tyson, hello, son!"
"Daddy!" Tyson [shouted]...
Paul's jaw dropped. He stared at my mother. "Tyson is..."
"Not mine," she promised. "It's a long story.
β
β
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
β
It is a long way to Ireland, Janet, and I am sorry to send my little friend on such weary travels: but if I can't do better, how is it to be helped? Are you anything akin to me, do you think, Jane?"
I could risk no sort of answer by this time: my heart was still.
"Because, he said, "I sometimes have a queer feeling with regard to you - especially when you are near me, as now: it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame. And if that boisterous channel, and two hundred miles or so of land some broad between us, I am afraid that cord of communion will be snapt; and then I've a nervous notion I should take to bleeding inwardly. As for you, - you'd forget me.
β
β
Charlotte BrontΓ« (Jane Eyre)
β
I raised you so high that every other man on earth is now doomed to live in your shadow.
β
β
Ranata Suzuki
β
This thing with us is the only real thing I've had in a long time. You're the only real thing." He raised our hands and kissed my knuckles. "And I'm done pretending I don't want you.
β
β
Rachel Hawkins (Demonglass (Hex Hall, #2))
β
How long do you want me?" he asked.
How long can I have you? I thought.
β
β
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
β
What was it like to lose him?" Asked Sorrow.
There was a long pause before I responded:
It was like hearing every goodbye ever said to
meβsaid all at once.
β
β
Lang Leav (Love & Misadventure)
β
We'd been apart so long--I'd been dead so long," she said in English. "I thought surely you'd built a new life, with no room in it for me. I'd hoped that."
"My life is nothing but room for you." I said. "It could never be filled by anyone but you.
β
β
Kurt Vonnegut Jr. (Mother Night)
β
I donβt know how long it takes for me to realize that isnβt going to happen,
that she is gone. But when I do I feel all the strength go out of me, and I fall to my knees beside the table and I think I cry, then, or at least I want to, and everything inside me screams for just one more kiss, one more word, one more glance, one more.
β
β
Veronica Roth (Allegiant (Divergent, #3))
β
Good Morning!" said Bilbo, and he meant it. The sun was shining, and the grass was very green. But Gandalf looked at him from under long bushy eyebrows that stuck out further than the brim of his shady hat.
"What do you mean?" he said. "Do you wish me a good morning, or mean that it is a good morning whether I want it or not; or that you feel good this morning; or that it is a morning to be good on?"
"All of them at once," said Bilbo. "And a very fine morning for a pipe of tobacco out of doors, into the bargain.
...
"Good morning!" he said at last. "We don't want any adventures here, thank you! You might try over The Hill or across The Water." By this he meant that the conversation was at an end.
"What a lot of things you do use Good morning for!" said Gandalf. "Now you mean that you want to get rid of me, and that it won't be good till I move off.
β
β
J.R.R. Tolkien (The Hobbit, or There and Back Again)
β
After a long pause in which he took the time to blink several times, he asked, "You named your breasts?"
I turned my back to him with a shrug. "I named my ovaries, too, but they don't get out as much.
β
β
Darynda Jones (First Grave on the Right (Charley Davidson, #1))
β
You two are too cute,β the counter girl said, setting two cups piled with whipped cream on the counter. She had a sort of lopsided, open smile that made me think she laughed a lot. βSeriously. How long have you been going out?β
Sam let go of my hands to get his wallet and took out some bills. βSix years.β
I wrinkled my nose to cover a laugh. Of course he would count the time that weβd been two entirely different species.
Whoa.β Counter girl nodded appreciatively. βThatβs pretty amazing for a couple your age."
Sam handed me my hot chocolate and didnβt answer. But his yellow eyes gazed at me possessivelyβI wondered if he realized that the way he looked at me was far more intimate than copping a feel could ever be.
I crouched to look at the almond bark on the bottom shelf in the counter. I wasnβt quite bold enough to look at either of them when I admitted, βWell, it was love at first sight.β
The girl sighed. βThat is just so romantic. Do me a favor, and donβt you two ever change. The world needs more love at first sight.
β
β
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
β
Pulvis et umbra sumus. It's a line from Horace. 'We are dust and shadows'. Appropriate, don't you think?" Will said. "It's not a long life, killing demons; one tends to die young, and then they burn your body - dust to dust, in the literal sense. And then we vanish into the shadows of history, nary a mark on the page of a mundane book to remind the world that once we existed at all.
β
β
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
β
Princess." He smiled up at me, but it was weak. "If i'd known that this is what it would take to get you to hold me, I would've collapsed a long time ago.
β
β
Amanda Hocking (Ascend (Trylle, #3))
β
I want to live the rest of my life, however long or short, with as much sweetness as I can decently manage, loving all the people I love, and doing as much as I can of the work I still have to do. I am going to write fire until it comes out of my ears, my eyes, my noseholes--everywhere. Until it's every breath I breathe. I'm going to go out like a fucking meteor!
β
β
Audre Lorde
β
It's a long shot, it's suicide maybe, but I do the only thing I can think of. I lean in and kiss Peeta full on the mouth. His whole body starts shuddering, but I keep my lips pressed to his until I have to come up for air. My hands slide up his wrists to clasp his. "Don't let him take you from me."
Peeta's panting hard as he fights the nightmares raging his head. "No. I don't want to. . ."
I clench his hands to the point of pain. "Stay with me."
His pupils contract to pinpoints, dilate again rapidly, and then return to something resembling normalcy. "Always," he murmurs.
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
I'm glad you misdialed."
"Well. Easy mistake to make," she said. Might do it again." A very, very long pause. She opened her mouth to fill it, then changed her mind and didn't. She was shivering again, even though she wasn't cold with the pillow on her legs.
"Shouldn't," Gansey said finally. "But I hope you do.
β
β
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
β
Adam stares at me so long I begin to blush. He tips my chin up so I meet his eyes. Blue blue blue boring into me. His voice is deep, steady. "I don't think I've ever heard you laugh."
He's so excruciatingly correct I don't know how to respond except with the truth. My smile is tucked into a straight line. "Laughter comes from living." I shrug, try to sound indifferent. "I've never really been alive before.
β
β
Tahereh Mafi (Shatter Me (Shatter Me, #1))
β
No matter how long or how difficult, we will undo whatever that Moroi boy has done to you."
I managed a wavering smile, tasting blood in my mouth. "You sure about that, Dad? Because he's done everything to me.
β
β
Richelle Mead (The Fiery Heart (Bloodlines, #4))
β
You undo me, Merit. Wholly and completely. You don't take me at my word. You challenge me at every opportunity. And that means when I'm with you, I am less than the head of this House...and I am more than the head of this House. I am a man." He stroked my cheeks with his thumbs. "In my very, very long life, I need you more than I have ever needed anything.
β
β
Chloe Neill (Twice Bitten (Chicagoland Vampires, #3))
β
What if I mess up?"
"Oh, you will. You'll mess up, you'll make mistakes, you'll break things. Some you'll be able to piece together, and others you'll lose. That's all a given. But there's only one thing you have to do for me."
"What's that?"
"Stay alive long enough to mess up again.
β
β
Victoria Schwab (The Archived (The Archived, #1))
β
Are you going to babysit me every day or just until I learn my way around?"
"What do you think?"
"Here's to a long and happy friendship, Officer Samos."
"Likewise, my lady."
"Don't call me that."
"Whatever you say, my lady.
β
β
Victoria Aveyard (Red Queen (Red Queen, #1))
β
He bowed is head into my throat, groaning softly. "I loved you long before you loved me. It's the only thing I have you beat at, and I'll bring it up every chance I get." His mouth pressed to my skin, took on a devilish curve. "Lets get out of here. I'm taking you back to my place, this time for good. We have unfinished business, and I think its time we do something about it.
β
β
Becca Fitzpatrick (Silence (Hush, Hush, #3))
β
I love you, Savannah, and I always will," I breathed. "You're the best thing that's ever happened to me. You were my best friend and my lover, and I dont regret a single moment of it. You made me feel alive again, and most of all, you gave me my father. I'll never forget you for that. You're always going to be the very best part of me. I'm sorry it has to be this way, but I have to leave, and you have to see your husband." As I spoke, I could feel her shaking with sobs, and I continued to hold her for a long time afterward. When we finally seperated, I knew that it would be the last time I ever held her. I backed away, my eyes holding Savannah's. "I love you, too, John," she said. "Good-bye." I raised a hand.
β
β
Nicholas Sparks (Dear John)
β
As long as you're alive, there's always a chance things will get better."
"Or worse," said Liraz.
"Yes," he conceded. "Usually worse."
Hazael cut in. "My sister, Sunshine, and my brother, Light. You two should rally the ranks. You'll have us killing ourselves by morning.
β
β
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
β
He's twenty-nine. And what did you think he was going to look like?"
She shrugged.
"You know-old. Grizzled. Long white beard. Scruffy robes. Loveable, smart, a little absent minded."
I bit back a grin.
" I said 'sorcerer,' not 'Dumbledore.' So he's hot. It could be worse.
β
β
Chloe Neill (Some Girls Bite (Chicagoland Vampires, #1))
β
You're amazing."
"I know it didn't take you this long to realize that."
"No. I've always known it." I watched him root around for another strawberry. "Maybe not in the beginning..."
He peeked up. "My awesomeness is all about the stealth.
β
β
Jennifer L. Armentrout (Opal (Lux, #3))
β
He took something out of his jacket and handed it to her. It was a long thin dagger in a leather sheath. The hilt of the dagger was set with a single red stone carved in the shape of a rose.
She shook her head. "I wouldn't even know how to use that--"
He pressed it into her hand, curling her fingers around it. "You'd learn." He dropped his voice. "It's in your blood."
She drew her hand back slowly. "All right."
"I could give you a thigh sheath to put that in," Isabelle offered. "I've got tons."
"CERTAINLY NOT," said Simon.
β
β
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
Tis some visitor," I muttered, "tapping at my chamber door β
Only this, and nothing more."
Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; β vainly I had sought to borrow
From my books surcease of sorrow β sorrow for the lost Lenore β
For the rare and radiant maiden whom the angels name Lenore β
Nameless here for evermore.
And the silken sad uncertain rustling of each purple curtain
Thrilled me β filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
Tis some visitor entreating entrance at my chamber door β
Some late visitor entreating entrance at my chamber door; β
This it is, and nothing more."
Presently my soul grew stronger; hesitating then no longer,
Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"β here I opened wide the door; β
Darkness there, and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore?"
This I whispered, and an echo murmured back the word, "Lenore!" β
Merely this, and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
Surely," said I, "surely that is something at my window lattice:
Let me see, then, what thereat is, and this mystery explore β
Let my heart be still a moment and this mystery explore; β
'Tis the wind and nothing more."
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door β
Perched upon a bust of Pallas just above my chamber door β
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore.
Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient raven wandering from the Nightly shore β
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven, "Nevermore."
Much I marveled this ungainly fowl to hear discourse so plainly,
Though its answer little meaningβ little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blest with seeing bird above his chamber door β
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore.
β
β
Edgar Allan Poe (The Raven)
β
He shook his head. "The next time I hear a women going on about how neurotic men are, I'm going to remember this. You tell me you like my body, and what do I say? I say, thank you. Then I tell you I like yours and what do I hear? A long lists of grievances.
β
β
Susan Elizabeth Phillips (Kiss an Angel)
β
What do you think they're going to do to us when they find us guilty?" she says after a few minutes of silence have passed.
"Honestly?"
"Does now seem like the time for honesty?"
I look at her from the corner of my eye. "I think they're going to force us to eat lots of cake and then take an unreasonably long nap.
β
β
Veronica Roth (Insurgent (Divergent, #2))
β
If other people do not understand our behaviorβso what? Their request that we must only do what they understand is an attempt to dictate to us. If this is being "asocial" or "irrational" in their eyes, so be it. Mostly they resent our freedom and our courage to be ourselves. We owe nobody an explanation or an accounting, as long as our acts do not hurt or infringe on them. How many lives have been ruined by this need to "explain," which usually implies that the explanation be "understood," i.e. approved. Let your deeds be judged, and from your deeds, your real intentions, but know that a free person owes an explanation only to himselfβto his reason and his conscienceβand to the few who may have a justified claim for explanation.
β
β
Erich Fromm (The Art of Being)
β
Writing simply means no dependent clauses, no dangling things, no flashbacks, and keeping the subject near the predicate. We throw in as many fresh words we can get away with. Simple, short sentences don't always work. You have to do tricks with pacing, alternate long sentences with short, to keep it vital and alive.... Virtually every page is a cliffhanger--you've got to force them to turn it."~
β
β
Dr. Seuss
β
Sometimes I go to God and say, "God, if Thou dost never answer another prayer while I live on this earth, I will still worship Thee as long as I live and in the ages to come for what Thou hast done already. Godβs already put me so far in debt that if I were to live one million millenniums I couldnβt pay Him for what Heβs done for me.
β
β
A.W. Tozer
β
I am a flawed person. A brook with many stones, a clear blue sky with many blackbirds. I have many shortcomings. A rainbow thatβs not long enough, a starry night with clouds. But I can only be thankful to the God who loves me just this way, and I can only be grateful to the people in my life who accept the clear blue sky with many blackbirds and who are patient with the rainbow that isnβt long enough. And because of this, I am taught love, because of this I love my God, and I love these people.
β
β
C. JoyBell C.
β
How do you get your information, Mister Brekker?"
"You might say I'm a lockpick."
"You must be a very gifted one."
"I am indeed." Kaz leaned back slightly. "You see, every man is a safe, a vault of secrets and longings. Now, there are those who take the brute's way, but I prefer a gentler approach - the right pressure applied at the right moment, in the right place. It's a delicate thing."
"Do you always speak in metaphors, Mister Brekker?"
Kaz smiled. "It's not a metaphor."
He was out of his chair before his chains hit the ground.
β
β
Leigh Bardugo (Six of Crows (Six of Crows, #1))
β
He glares at me as if he already hates it. βWhat is it?β I consider lying but whatβs the point? I clear my throat. βPooky Bear."
Heβs silent for so long Iβm beginning to think he didnβt hear me when he finally says, βPooky. Bear.β βIt was just a little joke. I didnβt know.β
βIβve mentioned that names have power, right? Do you realize that when she fights battles, sheβs going to have to announce herself to the opposing sword? Sheβll be forced to say something ridiculous like, βI am Pooky Bear, from an ancient line of archangel swords.β Or, βBow down to me, Pooky Bear, who has only two other equals in all the worlds.βββ He shakes his head. βHow is she going to get any respect?
β
β
Susan Ee (World After (Penryn & the End of Days, #2))
β
I believe everything happens for a reason. Whether it is decided by the Mother, or the Cauldron, or some sort of tapestry of Fate, I don't know. I don't really care. But I am grateful for it, whatever it is. Grateful that it brought you all into my life. If it hadn't... I might have become as awful as that prick we're going to face today. If I had not met an Illyrian warrior-in-training," he said to Cassian, "I would not have known the true depths of strength, of resilience, of honor and loyalty." Cassian's eyes gleamed bright. Rhys said to Azriel, "If I had not met a shadowsinger, I would not have known that it is the family you make, not the one you are born into, that matters. I would not have known what it is to truly hope, even when the world tells you to despair." Azriel bowed his head in thanks.
Mor was already crying when Rhys spoke to her. "If I had not met my cousin, I would neer have learned that light can be found in even the darkest of hells. That kidness can thrive even amongst cruelty." She wiped away her teas as she nodded.
I waited for Amren to offer a retort. But she was only waiting.
Rhys bowed his head to her. "If I had not met a tiny monster who hoards jewels more fiercely than a firedrake..." A quite laugh from all of us at that. Rhys smiled softly. "My own power would have consumed me long ago."
Rhys squeezed my hand as he looked to me at last. "And if I had not met my mate..." His words failed him as silver lined his eyes.
He said down the bond, I would have waited five hundred more years for you. A thousand years. And if this was all the time we were allowed to have... The wait was worth it.
He wiped away the tears sliding down my face. "I believe that everything happened, exactly the way it had to... so I could find you." He kissed another tear away.
β
β
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
β
I find it odd- the greed of mankind. People only like you for as long as they perceive they can get what they want from you. Or for as long as they perceive you are who they want you to be. But I like people for all of their changing surprises, the thoughts in their heads, the warmth that changes to cold and the cold that changes to warmth... for being human. The rawness of being human delights me.
β
β
C. JoyBell C.
β
I feel I owe you another explanation Harry," said Dumbledore hesitantly. "You may, perhaps, wondered why I never chose you as a prefect? I must confess...that I rather thought...you had enough responsibility to be going on with."
Harry looked up at him and saw a tear trickling down Dumbledore's face into his long silver beard.
β
β
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
β
Stop!" Narcissus got to his feet. "This is not right! This person is obviously not awesome, so he must be..." He struggled for the right words. It had probably been a long time since he'd talked about anything other than himself. "He must be tricking us."
Apparently Narcissus wasn't completely stupid.
β
β
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
β
I can write the saddest poem of all tonight.
Write, for instance: "The night is full of stars,
and the stars, blue, shiver in the distance."
The night wind whirls in the sky and sings.
I can write the saddest poem of all tonight.
I loved her, and sometimes she loved me too.
On nights like this, I held her in my arms.
I kissed her so many times under the infinite sky.
She loved me, sometimes I loved her.
How could I not have loved her large, still eyes?
I can write the saddest poem of all tonight.
To think I don't have her. To feel that I've lost her.
To hear the immense night, more immense without her.
And the poem falls to the soul as dew to grass.
What does it matter that my love couldn't keep her.
The night is full of stars and she is not with me.
That's all. Far away, someone sings. Far away.
My soul is lost without her.
As if to bring her near, my eyes search for her.
My heart searches for her and she is not with me.
The same night that whitens the same trees.
We, we who were, we are the same no longer.
I no longer love her, true, but how much I loved her.
My voice searched the wind to touch her ear.
Someone else's. She will be someone else's. As she once
belonged to my kisses.
Her voice, her light body. Her infinite eyes.
I no longer love her, true, but perhaps I love her.
Love is so short and oblivion so long.
Because on nights like this I held her in my arms,
my soul is lost without her.
Although this may be the last pain she causes me,
and this may be the last poem I write for her.
β
β
Pablo Neruda
β
The acceptance of oneself is the essence of the whole moral problem and the epitome of a whole outlook on life. That I feed the hungry, that I forgive an insult, that I love my enemy in the name of Christ -- all these are undoubtedly great virtues. What I do unto the least of my brethren, that I do unto Christ. But what if I should discover that the least among them all, the poorest of all the beggars, the most impudent of all the offenders, the very enemy himself -- that these are within me, and that I myself stand in need of the alms of my own kindness -- that I myself am the enemy who must be loved -- what then? As a rule, the Christian's attitude is then reversed; there is no longer any question of love or long-suffering; we say to the brother within us "Raca," and condemn and rage against ourselves. We hide it from the world; we refuse to admit ever having met this least among the lowly in ourselves.
β
β
C.G. Jung (Memories, Dreams, Reflections)
β
Oh, so that's why you're up here. For a pity party."
"This isn't a joke. I'm serious." I could tell Lissa was getting angry. It was trumping her earlier distress.
He shrugged and leaned casually against the sloping wall. "So am I. I love pity parties. I wish I'd brought the hats. What do you want to mope about first? How it's going to take you a whole day to be popular and loved again? How you'll have to wait a couple weeks before Hollister can ship out some new clothes? If you spring for rush shipping, it might not be so long.
β
β
Richelle Mead (Vampire Academy (Vampire Academy, #1))
β
For long the two enemies looked at one another, Hook shuddering slightly, and Peter with the strange smile upon his face.
"So, Pan," said Hook at last, "this is all your doing."
"Ay, James Hook," came the stern answer, "it is all my doing."
"Proud and insolent youth," said Hook, "prepare to meet thy doom."
"Dark and sinister man," Peter answered, "have at thee.
β
β
J.M. Barrie (Peter Pan (Peter Pan, #2))
β
You can run away from yourself so often, and so much, just because the broken pieces of you cut your feet too deeply if you stay around for too long. But then what if someone were to come along and pick up those pieces for you? Then you wouldn't have to run away from yourself anymore. You could stop running. If someone sees you as something worth staying withβ maybe you'll stay with yourself, too.
β
β
C. JoyBell C.
β
When I think of you and me and what we shared, I know it would be easy for others to dismiss our time together as simply a by-product of the days and nights we spent by the sea, a "fling" that, in the long run, would mean absolutely nothing. Thats why I don't tell people about us. They wouldn't understand, and I don't feel the need to explain, simply becasue I know in my heart how real it was... how real this is. When I think of you I cant help smiling, knowing that you've completed me somehow. I love you, not just for now, but for always, and I dream of the day that you'll take me in your arms again
β
β
Nicholas Sparks (Dear John)
β
But one type of book that practically no one likes to read is a book about the law. Books about the law are notorious for being very long, very dull, and very difficult to read. This is one reason many lawyers make heaps of money. The money is an incentive - the word "incentive" here means "an offered reward to persuade you to do something you don't want to do - to read long, dull, and difficult books.
β
β
Lemony Snicket (The Bad Beginning (A Series of Unfortunate Events, #1))
β
Not everything is supposed to become something beautiful and long-lasting. Sometimes people come into your life to show you what is right and what is wrong, to show you who you can be, to teach you to love yourself, to make you feel better for a little while, or to just be someone to walk with at night and spill your life to. Not everyone is going to stay forever, and we still have to keep on going and thank them for what theyβve given us.
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Emery Allen
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I don't know who Azazel is," he said. "Isn't he the cat from The Smurfs?" He cast about , but Isabelle just looked up and rolled her eyes at him.
"Clary?" he thought
Her voice came through, tinged with alarm. "What is it? What happened? Did my mom find out I'm gone?"
"Not yet," he thought back. "Is Azazel the cat from The Smurfs?" There was a long pause. "That's Azrael, Simon. And no more using the magic rings for Smurf questions.
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Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
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May she wake in torment!" he cried, with frightful vehemence, stamping his foot, and groaning in a sudden paroxysm of ungovernable passion. "Why, she's a liar to the end! Where is she? Not thereβnot in heavenβnot perishedβwhere? Oh! you said you cared nothing for my sufferings! And I pray one prayerβI repeat it till my tongue stiffensβMay she wake in torment!" he cried, with frightful vehemence, stamping his foot, and groaning in a sudden paroxysm of ungovernable passion. "Why, she's a liar to the end! Where is she? Not thereβnot in heavenβnot perishedβwhere? Oh! you said you cared nothing for my sufferings! And I pray one prayerβI repeat it till my tongue stiffensβCatherine Earnshaw, may you not rest as long as I am living; you said I killed youβhaunt me, then! The murdered do haunt their murderers, I believe. I know that ghosts have wandered on earth. Be with me alwaysβtake any formβdrive me mad! only do not leave me in this abyss, where I cannot find you! Oh, God! it is unutterable! I cannot live without my life! I cannot live without my soul!
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Emily BrontΓ« (Wuthering Heights)
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Clary widened her eyes, which was good for keeping herself from crying. "Isabelle, can I ask you something?"
"Sure," said Isabelle, wielding the eyeliner expertly.
"Is Alec gay?"
Isabelle's wrist jerked. The eyeliner skidded, inking a long line of black from the corner of Clary's eye to her hairline. "Oh hell," Isabelle said, putting the pen down.
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Cassandra Clare (City of Bones (The Mortal Instruments, #1))
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So--what's it like, being a vampire?"
"Aline!" Isabelle looked appalled. "You can't just go around asking people what's it like to be a vampire!"
"I don't see why," Aline said. "He hasn't been a vampire that long, has he? So he must still remember what it was like being a person." She turned back to Simon. "Does blood taste like blood to you? Or does it taste like something else now, like orange juice or something? Because I would think the taste of blood would-"
"It tastes like chicken," Simon said, just to shut her up.
"Really?" Aline looked astonished.
"He's making fun of you, Aline," said Sebastain
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Cassandra Clare (City of Glass (The Mortal Instruments, #3))
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It starts so young, and I'm angry about that. The garbage we're taught. About love, about what's "romantic." Look at so many of the so-called romantic figures in books and movies. Do we ever stop and think how many of them would cause serious and drastic unhappiness after The End? Why are sick and dangerous personality types so often shown a passionate and tragic and something to be longed for when those are the very ones you should run for your life from? Think about it. Heathcliff. Romeo. Don Juan. Jay Gatsby. Rochester. Mr. Darcy. From the rigid control freak in The Sound of Music to all the bad boys some woman goes running to the airport to catch in the last minute of every romantic comedy. She should let him leave. Your time is so valuable, and look at these guys--depressive and moody and violent and immature and self-centered. And what about the big daddy of them all, Prince Charming? What was his secret life? We dont know anything about him, other then he looks good and comes to the rescue.
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Deb Caletti (The Secret Life of Prince Charming)
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Well I'm not kissing the mundane," said Jace. "I'd rather stay down here and rot."
"Forever?" said Simon. "Forever is an awfully long time."
Jace raised his eyebrows, "I knew it," he said, "you want to kiss me, don't you?"
Simon threw his hands up in exasperation. "Of course not but if-"
"I guess it's true what they say," observed Jace. "There are no straight men in the trenches."
"That's atheists jackass," said Simon furiously. "There are no atheists in the trenches.
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Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
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I was giving up. I would have given up - if a voice hadn't made itself heard in my heart. The voice said "I will not die. I refuse it. I will make it through this nightmare. I will beat the odds, as great as they are. I have survived so far, miraculously. Now I will turn miracle into routine. The amazing will be seen everyday. I will put in all the hard work necessary. Yes, so long as God is with me, I will not die. Amen.
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Yann Martel (Life of Pi)
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When you stand out there," John continues in a hoarse voice, "keep your chin up, all right? Don't let them get to you."
"I won't."
"Make them work for it. Punch someone if you have to." John gives me a sad, crooked smile. "You're a scary kid. So scare them. Okay? All the way until the end."
For the first time in a long time, I feel like a little brother. I have to swallow hard to keep my eyes dry. "Okay," I whisper.
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Marie Lu (Legend (Legend, #1))
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I borrowed this from Kyle. My other shirt was pretty filthy."
"Wow, you're wearing each other's clothes now. That's, like, best friend stuff."
"Feeling left out?" said Kyle. "I suppose you want to borrow a black T-shirt too."
"As long as everyone's wearing their own pants."
"I see have come in on a fascinating moment in the conversation." Eric poked his head through the curtain.
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Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
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They say: sufferings are misfortunes," said Pierre. 'But if at once this minute, I was asked, would I remain what I was before I was taken prisoner, or go through it all again, I should say, for God's sake let me rather be a prisoner and eat horseflesh again. We imagine that as soon as we are torn out of our habitual path all is over, but it is only the beginning of something new and good. As long as there is life, there is happiness. There is a great deal, a great deal before us.
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Leo Tolstoy (War and Peace)
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Captain Carswell Thorne, is it?β
"Thatβs right."
"Iβm afraid you wonβt have claim to that title for long. Iβm about to commandeer your Rampion for the queen."
"I am sorry to hear about that."
"Additionally, I assume you are aware that assisting a wanted fugitive, such as Linh Cinder, is a crime punishable by death on Luna. Your sentence is to be carried out immediately."
"Efficiency. I respect that.
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Marissa Meyer (Cress (The Lunar Chronicles, #3))
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A demigod!" one snarled.
"Eat it!" yelled another.
But that's as far as they got before I slashed a wide arc with Riptide and vaporized the entire front row of monsters.
"Back off!" I yelled at the rest, trying to sound fierce. Behind them stood their instructor--a six-foot tall telekhine with Doberman fangs snarling at me. I did my best to stare him down.
"New lesson, class," I announced. "Most monsters will vaporize when sliced with a celestial bronze sword. This change is completely normal, and will happen to you right now if you don't BACK OFF!"
To my surprise, it worked. The monsters backed off, but there was at least twenty of them. My fear factor wasn't going to last that long.
I jumped out of the cart, yelled, "CLASS DISMISSED!" and ran for the exit.
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Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
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Wait a second," Four says. I turn toward him, wondering which version of Four I'll see now-the one who scolds me, or the one who climbs Ferris wheels with me. He smiles a little, but the smile doesn't spread to his eyes, which look less tense and worried.
"You belong here, you know that?" he says. "You belong with us. It'll be over soon, so just hold on, okay?"
He scratches behind his ear and looks away, like he's embarrassed by what he said.
I stare at him. I feel my heartbeat everywhere, even in my toes. I feel like doing something bold, but I could just as easily walk away. I am not sure which option is smarter, or better. I am not sure that I care.
I reach out and take his hand. His fingers slide between mine. I can't breathe.
I stare up at him, and he stares down at me. For a long moment, we stay that way. Then I pull my hand away and run after Uriah and Lynn and Marlene. Maybe now he thinks I'm stupid, or strange. Maybe it was worth it.
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Veronica Roth (Divergent (Divergent, #1))
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No problem," Gale replies. "I wake up ten times a night anyway."
"To make sure Katniss is still here?" asks Peeta.
"Something like that,"...
"That was funny, what Tigris said. About no one knowing what to do with her."
"Well, WE never have,"...
"She loves you, you know," says Peeta. "She as good as told me after they whipped you."
"Don't believe it,"Gale answers. "The way she kissed you in the Quarter Quell...well she never kissed me like that."
"It was just part of the show," Peeta tells him, although there's an edge of doubt in his voice.
"No, you won her over. Gave up everything for her. Maybe that's the only way to convince her you love her." There's a long pause. "I should have volunteered to take your place in the first Games. Protected her then."
"You couldn't," says Peeta. "She'd never have forgiven you. You had to take care of her family. They matter more to her than her life."
...
"I wonder how she'll make up her mind."
"Oh, that I do know." I can just catch Gale's last words through the layer of fur. "Katniss will pick whoever she thinks she can't survive without
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Suzanne Collins (Mockingjay (The Hunger Games, #3))
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Jesus Christ. . . he was not Omega's son. Was he?
"No." V said. "You are not. He just wants to believe you are. And he wants you to think you are. But that doesn't make it true."
There was a long silence. Then Rhage's hand landed on Butch's shoulder. "Besides, you don't look a thing like him. I mean. . . hello? You are this beefy Irish white boy. He's like. . . bus exhaust or some shit."
Butch glanced over at Hollywood. "You're sick, you know that?"
"Yeah, but you love me, right? Come on, I know you feel me.
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J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
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My dear friend, what is this our life? A boat that swims in the sea, and all one knows for certain about it is that one day it will capsize. Here we are, two good old boats that have been faithful neighbors, and above all your hand has done its best to keep me from "capsizing"! Let us then continue our voyageβeach for the other's sake, for a long time yet, a long time! We should miss each other so much! Tolerably calm seas and good winds and above all sunβwhat I wish for myself, I wish for you, too, and am sorry that my gratitude can find expression only in such a wish and has no influence at all on wind or weather!
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Friedrich Nietzsche
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One word, Ma'am," he said, coming back from the fire; limping, because of the pain. "One word. All you've been saying is quite right, I shouldn't wonder. I'm a chap who always liked to know the worst and then put the best face I can on it. So I won't deny any of what you said. But there's one more thing to be said, even so. Suppose we have only dreamed, or made up, all those things-trees and grass and sun and moon and stars and Aslan himself. Suppose we have. Then all I can say is that, in that case, the made-up things seem a good deal more important than the real ones. Suppose this black pit of a kingdom of yours is the only world. Well, it strikes me as a pretty poor one. And that's a funny thing, when you come to think of it. We're just babies making up a game, if you're right. But four babies playing a game can make a play-world which licks your real world hollow. That's why I'm going to stand by the play world. I'm on Aslan's side even if there isn't any Aslan to lead it. I'm going to live as like a Narnian as I can even if there isn't any Narnia. So, thanking you kindly for our supper, if these two gentlemen and the young lady are ready, we're leaving your court at once and setting out in the dark to spend our lives looking for Overland. Not that our lives will be very long, I should think; but that's a small loss if the world's as dull a place as you say.
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C.S. Lewis (The Silver Chair (Chronicles of Narnia, #4))
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Women of the Gallagher Academy, who comes here?" she asked.
Just then, every girl at every table (even the newbies) stood and said in unison, "We are the sisters of Gillian."
"Why do you come?" my mother asked.
"To learn her skills. Honor her sword. And keep her secrets."
"To what end do you work?"
"To the cause of justice and light."
"How long will you strive?"
"For all the days of our lives," we finished and I felt a little like a character in one of my grandma's soap operas.
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Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
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Something is wrong here. War, disease, death, destruction, hunger, filth, poverty, torture, crime, corruption, and the Ice Capades. Something is definitely wrong. This is not good work. If this is the best God can do, I am not impressed. Results like these do not belong on the rΓ©sumΓ© of a Supreme Being. This is the kind of shit you'd expect from an office temp with a bad attitude. And just between you and me, in any decently-run universe, this guy would've been out on his all-powerful ass a long time ago. And by the way, I say "this guy", because I firmly believe, looking at these results, that if there is a God, it has to be a man.
No woman could or would ever fuck things up like this. So, if there is a God, I think most reasonable people might agree that he's at least incompetent, and maybe, just maybe, doesn't give a shit. Doesn't give a shit, which I admire in a person, and which would explain a lot of these bad results.
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George Carlin
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You said you're done with me, and I accept that. I'm a different person since I met you. I've changed... for the better. But no matter how hard I try, I can't seem to do right by you. We were friends first, Pigeon. I will always love you, but if I can't make you happy, it doesn't make much sense for me to try to get you back. I can't imagine being with anyone else, but I'll be happy as long as we're friends.
"You want to be friends?" I asked, the words burning in my mouth.
"I want you to be happy. Whatever that takes.
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Jamie McGuire (Beautiful Disaster (Beautiful, #1))
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Beds empty! No note! Car gone β could have crashed β out of my mind with worry β did you care? β never, as long as Iβve lived β you wait until your father gets home, we never had trouble like this from Bill or Charlie or Percy β"
"Perfect Percy,β muttered Fred.
βYOU COULD DO WITH TAKING A LEAF OUT OF PERCYβS BOOK!β yelled Mrs. Weasley, prodding a finger in Fredβs chest. βYou could have died, you could have been seen, you could have lost your father his job ββ
It seemed to go on for hours. Mrs. Weasley had shouted herself hoarse before she turned on Harry, who backed away.
βIβm very pleased to see you, Harry, dear,β she said.
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J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
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The world is like a ride in an amusement park. And when you choose to go on it you think it's real because that's how powerful our minds are. And the ride goes up and down and round and round. It has thrills and chills and it's very brightly coloured and it's very loud and it's fun, for a while. Some people have been on the ride for a long time and they begin to question: "Is this real, or is this just a ride?" And other people have remembered, and they come back to us, they say, "Hey, don't worry, don't be afraid, ever, because this is just a ride." And we kill those people.
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Bill Hicks
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Make it quick," I said when I picked up.
"Okay. Two men from the FBI are here." Cookie said. Quickly.
Crap. "Men in black are at the office?"
"Well, yes, but they're actually in more of a navy."
Crapola. I so don't have time for men. In any color. "Okay, two questions. Do they look mad, and are they hot?"
After a long, long, pause, Cookie said, "One, not really. Two, no comment at this time. And three, you're on speakerphone."
After another long, long pause, I said, "Okie dokie then. Be there in a jiff.
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Darynda Jones (Second Grave on the Left (Charley Davidson, #2))
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The worst part is wondering how youβll find the strength tomorrow to go on doing what you did today and have been doing for much too long, where youβll find the strength for all that stupid running around, those projects that come to nothing, those attempts to escape from crushing necessity, which always founder and serve only to convince you one more time that destiny is implacable, that every night will find you down and out, crushed by the dread of more and more sordid and insecure tomorrows. And maybe itβs treacherous old age coming on, threatening the worst. Not much music left inside us for life to dance to. Our youth has gone to the ends of the earth to die in the silence of the truth. And where, I ask you, can a man escape to, when he hasnβt enough madness left inside him? The truth is an endless death agony. The truth is death. You have to choose: death or lies. Iβve never been able to kill myself.
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Louis-Ferdinand CΓ©line
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The stories never said why she was wicked. It was enough to be an old woman, enough to be all alone, enough to look strange because you have no teeth. It was enough to be called a witch. If it came to that, the book never gave you the evidence of anything. It talked about "a handsome prince"... was he really, or was it just because he was a prince that people called handsome? As for "a girl who was as beautiful as the day was long"... well, which day? In midwinter it hardly ever got light! The stories don't want you to think, they just wanted you to believe what you were told...
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Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
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Still, I wonder if we shall ever be put into songs or tales. We're in one, of course, but I mean: put into words, you know, told by the fireside, or read out of a great big book with red and black letters, years and years afterwards. And people will say: "Let's hear about Frodo and the Ring!" And they will say: "Yes, that's one of my favourite stories. Frodo was very brave, wasn't he, dad?" "Yes, my boy, the famousest of the hobbits, and that's saying a lot."
'It's saying a lot too much,' said Frodo, and he laughed, a long clear laugh from his heart. Such a sound had not been heard in those places since Sauron came to Middle-earth. To Sam suddenly it seemed as if all the stones were listening and the tall rocks leaning over them. But Frodo did not heed them; he laughed again. 'Why, Sam,' he said, 'to hear you somehow makes me as merry as if the story was already written. But you've left out one of the chief characters: Samwise the stouthearted. "I want to hear more about Sam, dad. Why didn't they put in more of his talk, dad? That's what I like, it makes me laugh. And Frodo wouldn't have got far without Sam, would he, dad?"'
'Now, Mr. Frodo,' said Sam, 'you shouldn't make fun. I was serious.'
'So was I,' said Frodo, 'and so I am.
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J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
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I think there must be probably different types of suicides. I'm not one of the self-hating ones. The type of like "I'm shit and the world'd be better off without poor me" type that says that but also imagines what everybody'll say at their funeral. I've met types like that on wards. Poor-me-I-hate-me-punish-me-come-to-my-funeral. Then they show you a 20 X 25 glossy of their dead cat. It's all self-pity bullshit. It's bullshit. I didn't have any special grudges. I didn't fail an exam or get dumped by anybody. All these types. Hurt themselves. I didn't want to especially hurt myself. Or like punish. I don't hate myself. I just wanted out. I didn't want to play anymore is all. I wanted to just stop being conscious. I'm a whole different type. I wanted to stop feeling this way. If I could have just put myself in a really long coma I would have done that. Or given myself shock I would have done that. Instead.
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David Foster Wallace (Infinite Jest)
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I choose you," he said very softly, "Max."
Then his hard, rough hand tenderly cuppoed my chin, and suddenly his mouth was on mine, and every synapse in my brain shorted out.
We had kissed a couple of times before, but this was different. This time, I squelched my immediate, overwhelming desire to run away screaming. I closed my eyes and put my arms around him despite my fear. Then somehow we slid sideways so we were lying in the cool sand. I was holding him fiercely, and he was kissing me fiercely, and it was...just so, so intensely good. Once I got past my usual, gut-wrenching terror, there was a long, sweet slide into mindlessness, when all I felt was Fang, and all I heard was his breathing, and all I could think was "Oh, God, I want to do this all the time.
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James Patterson (Max (Maximum Ride, #5))
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His eyes softened. I thought maybe he pitied me, but it was something else. "Ultimately, it will be your burden to bear. It's always the Mortal who bears it. Trust me, I know."
"I don't trust you and you're wrong. We aren't too different."
"Mortals. I envy you. You think you can change things. Stop the universe. Undo what was done long before you came along. You are such beautiful creatures." He was talking to me, but it didn't feel like he was talking about me anymore. "I apologize for the intrusion. I'll leave you to your sleep.
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Kami Garcia (Beautiful Creatures (Caster Chronicles, #1))
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O Deep Thought computer," he said, "the task we have designed you to perform is this. We want you to tell us...." he paused, "The Answer."
"The Answer?" said Deep Thought. "The Answer to what?"
"Life!" urged Fook.
"The Universe!" said Lunkwill.
"Everything!" they said in chorus.
Deep Thought paused for a moment's reflection.
"Tricky," he said finally.
"But can you do it?"
Again, a significant pause.
"Yes," said Deep Thought, "I can do it."
"There is an answer?" said Fook with breathless excitement.
"Yes," said Deep Thought. "Life, the Universe, and Everything. There is an answer. But, I'll have to think about it."
...
Fook glanced impatiently at his watch.
βHow long?β he said.
βSeven and a half million years,β said Deep Thought.
Lunkwill and Fook blinked at each other.
βSeven and a half million years...!β they cried in chorus.
βYes,β declaimed Deep Thought, βI said Iβd have to think about it, didnβt I?"
[Seven and a half million years later.... Fook and Lunkwill are long gone, but their descendents continue what they started]
"We are the ones who will hear," said Phouchg, "the answer to the great question of Life....!"
"The Universe...!" said Loonquawl.
"And Everything...!"
"Shhh," said Loonquawl with a slight gesture. "I think Deep Thought is preparing to speak!"
There was a moment's expectant pause while panels slowly came to life on the front of the console. Lights flashed on and off experimentally and settled down into a businesslike pattern. A soft low hum came from the communication channel.
"Good Morning," said Deep Thought at last.
"Er..good morning, O Deep Thought" said Loonquawl nervously, "do you have...er, that is..."
"An Answer for you?" interrupted Deep Thought majestically. "Yes, I have."
The two men shivered with expectancy. Their waiting had not been in vain.
"There really is one?" breathed Phouchg.
"There really is one," confirmed Deep Thought.
"To Everything? To the great Question of Life, the Universe and everything?"
"Yes."
Both of the men had been trained for this moment, their lives had been a preparation for it, they had been selected at birth as those who would witness the answer, but even so they found themselves gasping and squirming like excited children.
"And you're ready to give it to us?" urged Loonsuawl.
"I am."
"Now?"
"Now," said Deep Thought.
They both licked their dry lips.
"Though I don't think," added Deep Thought. "that you're going to like it."
"Doesn't matter!" said Phouchg. "We must know it! Now!"
"Now?" inquired Deep Thought.
"Yes! Now..."
"All right," said the computer, and settled into silence again. The two men fidgeted. The tension was unbearable.
"You're really not going to like it," observed Deep Thought.
"Tell us!"
"All right," said Deep Thought. "The Answer to the Great Question..."
"Yes..!"
"Of Life, the Universe and Everything..." said Deep Thought.
"Yes...!"
"Is..." said Deep Thought, and paused.
"Yes...!"
"Is..."
"Yes...!!!...?"
"Forty-two," said Deep Thought, with infinite majesty and calm.
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Douglas Adams (The Hitchhikerβs Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
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The world is like a ride in an amusement park, and when you choose to go on it you think it's real because that's how powerful our minds are. The ride goes up and down, around and around, it has thrills and chills, and it's very brightly colored, and it's very loud, and it's fun for a while. Many people have been on the ride a long time, and they begin to wonder, "Hey, is this real, or is this just a ride?" And other people have remembered, and they come back to us and say, "Hey, don't worry; don't be afraid, ever, because this is just a ride." And we β¦ kill those people. "Shut him up! I've got a lot invested in this ride, shut him up! Look at my furrows of worry, look at my big bank account, and my family. This has to be real." It's just a ride. But we always kill the good guys who try and tell us that, you ever notice that? And let the demons run amok β¦ But it doesn't matter, because it's just a ride. And we can change it any time we want. It's only a choice. No effort, no work, no job, no savings of money. Just a simple choice, right now, between fear and love. The eyes of fear want you to put bigger locks on your doors, buy guns, close yourself off. The eyes of love instead see all of us as one. Here's what we can do to change the world, right now, to a better ride. Take all that money we spend on weapons and defenses each year and instead spend it feeding and clothing and educating the poor of the world, which it would pay for many times over, not one human being excluded, and we could explore space, together, both inner and outer, forever, in peace.
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Bill Hicks
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He's not-" Daniel started to say. He watched a red-tailed hawk land in an oak tree over their heads. "He's not good enough for you."
Luce had heard people say that line a thousand times before. It was what everyone always said. Not good enough. But when the words passed Daniel's lips, they sounded important, even somehow true and relevant, not vague and dismissive the way the phrase had always sounded to her in the past.
"Well, then," she said in a quiet voice, "who is?"
Daniel put his hands on his hips. He laughed to himself for a long time. "I don't know," he said finally. "That's a terrific question."
Not exactly the answer Luce was looking for. "It's not like it's that hard," she said, stuffing her hands into her pockets because she wanted to reach out for him. "To be good enough for me."
Daniel's eyes looked like they were falling, all the violet that had been in them a moment before turned a deep, dark gray. "Yes," he said. "Yes, it is.
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Lauren Kate
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No one really needs me," he says, and there's no self pity in his voice. It's true his family doesn't need him. They will mourn him, as will a handful of friends. But they will get on. Even Haymitch, with the help of a lot of white liquor, will get on. I realize only one person will be damaged beyond repair if Peeta dies. Me.
"I do," I say. "I need you." he looks upset, takes a deep breath as if to begin a long argument, and that's no good, no good at all, because he'll start going on about Prim and my mother and everything and I'll just get confused. So before he can talk, i stop his lips with a kiss.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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But I don't want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness, I want sin.'
'In fact,' said Mustapha Mond, 'you're claiming the right to be unhappy.'
'All right then,' said the Savage defiantly, 'I'm claiming the right to be unhappy.'
'Not to mention the right to grow old and ugly and impotent; the right to have syphilis and cancer; the right to have too little to eat; the right to be lousy; the right to live in constant apprehension of what may happen tomorrow; the right to catch typhoid; the right to be tortured by unspeakable pains of every kind.' There was a long silence.
'I claim them all,' said the Savage at last.
Mustapha Mond shrugged his shoulders. 'You're welcome," he said.
β
β
Aldous Huxley (Brave New World)
β
It was not the thought that I was so unloved that froze me. I had taught myself to do without love.
It was not the thought that God was cruel that froze me. I had taught myself never to expect anything from Him.
What froze me was the fact that I had absolutely no reason to move in any direction. What had made me move through so many dead and pointless years was curiosity.
Now even that had flickered out.
How long I stood frozen there, I cannot say. If I was ever going to move again, someone else was going to have to furnish the reason for moving.
Somebody did.
A policeman watched me for a while, and then he came over to me, and he said, "You alright?"
Yes," I said.
You've been standing here a long time," he said.
I know," I said.
You waiting for somebody?" he said.
No," I said.
Better move on, don't you think?" he said.
Yes, sir," I said.
And I moved on.
β
β
Kurt Vonnegut Jr. (Mother Night)
β
So what I want to know is why it is that I can no longer find you, in my mind. You are still there, just, but you are there like a ghost, a will o' the wisp. Not long ago you burned--your heart burned--in my mind like silver fire. But after that night in the inn it became patchy and dim, and now it is not there at all."
"Could it be that the heart that you seek is no longer my own? I have given my heart to another."
"The boy? The one in the inn? With the unicorn?"
"Yes."
"You should have let me take it back then, for my sisters and me. We could have been young again, well into the next age of the world. Your boy will break it, or waste it, or lose it. They all do."
"Nonetheless, he has my heart. I hope your sisters will not be too hard on you, when you return to them without it.
β
β
Neil Gaiman (Stardust)
β
Isabelle rolled her eyes. "Oh, for the Angel's sake. Look, if there's no other way of getting out of this, I'll kiss Simon. I've done it before, it wasn't that bad."
"Thanks," said Simon. "That's very flattering."
"Well, I'm not kissing the mundane," said Jace. "I'd rather stay down here and rot."
"Forever?" said Simon. "Forever's an awfully long time."
Jace raised his eyebrows. "I knew it," he said. "You want to kiss me, don't you?"
Simon threw up his hands in exasperation. "Of course not. But ifβ"
"I guess it's true what they say," observed Jace. "There are no straight men in the trenches."
"That's atheists, jackass," said Simon furiously. "There are no atheists in the trenches.
β
β
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
β
Just that you do the right thing. The rest doesn't matter. Cold or warm. Tired or well-rested. Despised or honored. Dying...or busy with other assignments. Because dying, too, is one of our assignments in life. There as well: "To do what needs doing." Look inward. Don't let the true nature of anything elude you. Before long, all existing things will be transformed, to rise like smoke (assuming all things become one), or be dispersed in fragments...to move from one unselfish act to another with God in mind. Only there, delight and stillness...when jarred, unavoidably, by circumstances, revert at once to yourself, and don't lose the rhythm more than you can help. You'll have a better grasp of the harmony if you keep going back to it.
β
β
Marcus Aurelius (Meditations)
β
Why? You want to know why?
Step into a tanning booth and fry yourself for two or three days. After your skin bubbles and peels off, roll in coarse salt, then pull on long underwear woven from spun glass and razor wire. Over that goes your regular clothes, as long as they are tight.
Smoke gunpowder and go to school to jump through hoops, sit up and beg, and roll over on command. Listen to the whispers that curl into your head at night, calling you ugly and fat and stupid and bitch and whore and worst of all, "a disappointment." Puke and starve and cut and drink because you don't want to feel any of this. Puke and starve and drink and cut because you need the anesthetic and it works. For a while. But then the anesthetic turns into poison and by then it's too late because you are mainlining it now, straight into your soul. It is rotting you and you can't stop.
Look in a mirror and find a ghost. Hear every heartbeat scream that everysinglething is wrong with you.
"Why?" is the wrong question.
Ask "Why not?
β
β
Laurie Halse Anderson (Wintergirls)
β
One of the new things people began to find out in the last century was that thoughtsβjust mere thoughtsβare as powerful as electric batteriesβas good for one as sunlight is, or as bad for one as poison. To let a sad thought or a bad one get into your mind is as dangerous as letting a scarlet fever germ get into your body. If you let it stay there after it has got in you may never get over it as long as you live... surprising things can happen to any one who, when a disagreeable or discouraged thought comes into his mind, just has the sense to remember in time and push it out by putting in an agreeable determinedly courageous one. Two things cannot be in one place.
"Where you tend a rose, my lad, A thistle cannot grow.
β
β
Frances Hodgson Burnett (The Secret Garden)
β
Do not confuse "duty" with what other people expect of you; they are utterly different. Duty is a debt you owe to yourself to fulfill obligations you have assumed voluntarily. Paying that debt can entail anything from years of patient work to instant willingness to die. Difficult it may be, but the reward is self-respect.
But there is no reward at all for doing what other people expect of you, and to do so is not merely difficult, but impossible. It is easier to deal with a footpad than it is with the leech who wants "just a few minutes of your time, pleaseβthis won't take long." Time is your total capital, and the minutes of your life are painfully few. If you allow yourself to fall into the vice of agreeing to such requests, they quickly snowball to the point where these parasites will use up 100 percent of your timeβand squawk for more!
So learn to say Noβand to be rude about it when necessary. Otherwise you will not have time to carry out your duty, or to do your own work, and certainly no time for love and happiness. The termites will nibble away your life and leave none of it for you.
(This rule does not mean that you must not do a favor for a friend, or even a stranger. But let the choice be yours. Don't do it because it is "expected" of you.)
β
β
Robert A. Heinlein (Time Enough for Love)
β
The tears grappled with her face.
Rudy, please, wake up, Goddamn it, wale up, I love you. Come on, Rudy, come on, Jesse Owens, don't you know I love you, wake up, wake up, wake up.."
But nothing cared...
She leaned down and looked at his lifeless face and Liesel kissed her best friend, Rudy Steiner, soft and true on his lips. He tasted dusty and sweet. He tasted like regret in the shadows of trees and in the glow of the anarchist's suit collection. She kissed him long and soft, and when she pulled hersel away, she touched his mouth with her fingers. Her hands were tremblin, her lips were fleshy, and she leaned in once more, this time losing control and misjudging it. Their teeth collided on the demolised world of Himmel Street.
β
β
Markus Zusak (The Book Thief)
β
Amor"
So many days, oh so many days
seeing you so tangible and so close,
how do I pay, with what do I pay?
The bloodthirsty spring
has awakened in the woods.
The foxes start from their earths,
the serpents drink the dew,
and I go with you in the leaves
between the pines and the silence,
asking myself how and when
I will have to pay for my luck.
Of everything I have seen,
it's you I want to go on seeing:
of everything I've touched,
it's your flesh I want to go on touching.
I love your orange laughter.
I am moved by the sight of you sleeping.
What am I to do, love, loved one?
I don't know how others love
or how people loved in the past.
I live, watching you, loving you.
Being in love is my nature.
You please me more each afternoon.
Where is she? I keep on asking
if your eyes disappear.
How long she's taking! I think, and I'm hurt.
I feel poor, foolish and sad,
and you arrive and you are lightning
glancing off the peach trees.
That's why I love you and yet not why.
There are so many reasons, and yet so few,
for love has to be so,
involving and general,
particular and terrifying,
joyful and grieving,
flowering like the stars,
and measureless as a kiss.
That's why I love you and yet not why.
There are so many reasons, and yet so few,
for love has to be so,
involving and general,
particular and terrifying,
joyful and grieving,
flowering like the stars,
and measureless as a kiss.
β
β
Pablo Neruda (Intimacies: Poems of Love)
β
Is it time for your period, or something?"
With unerring instinct, he'd found a great big red button, and pushed it. Wyatt fights to win, which means he fights dirty. I understand the concept because that's how I fight, too, but understanding it didn't stop me from reacting. I could practically feel my blood bubbling with steam. "What?"
He turned around, all controlled aggression, and damned if he didn't push the button again. "What is it about having a period that makes women so bitchy?"
... It was an effort, but I said as sweetly as possible, "It isn't that we're bitchier, it's that having a period makes us feel all tired and achy, so we have less tolerance for all the bullshit we normally SUFFER IN SILENCE." By the time the sentence ended the sweetness was long gone, my jaw was clenched, and I think my eyes were bugging out.
Wyatt took a step back, belatedly looking alarmed.
β
β
Linda Howard (Drop Dead Gorgeous (Blair Mallory, #2))
β
Ian stood above me, his chest heaving with exertion and fury. For a second he turned away and put the door back in place with one swift wrench. And then he was glowering again.
I took a deep breath and rolled up onto my knees, holding my hands out, palms up, wishing that some magic would appear in them. Something I could give him, something I could say. But my hands were empty.
"You. Are. Not. Leaving. Me." His eyes blazed - burning brighter than I had ever seen them, blue fires.
"Ian," I whispered. "You have to see that... that I can't stay. You must se that."
"No!" he shouted at me.
I cringed back, and, abruptly, Ian crumpled forward, falling to his knees, falling into me. He buried his head in my stomach, and his arms locked around my waist. He was shaking, shaking hard, and loud, desperate sobs were breaking out of his chest.
"No, Ian, no," I begged. This was so much worse than his anger. "Don't, please. Please, don't."
"Wanda," he moaned.
"Ian, please. Don't feel this way. Don't. I'm so sorry. Please."
I was crying too, shaking too, though that might have been him shaking me.
"You can't leave."
"I have to, I have to," I sobbed.
And then we cried wordlessly for a long time.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Destiny guides our fortunes more favorably than we could have expected. Look there, Sancho Panza, my friend, and see those thirty or so wild giants, with whom I intend to do battle and kill each and all of them, so with their stolen booty we can begin to enrich ourselves. This is nobel, righteous warfare, for it is wonderfully useful to God to have such an evil race wiped from the face of the earth."
"What giants?" Asked Sancho Panza.
"The ones you can see over there," answered his master, "with the huge arms, some of which are very nearly two leagues long."
"Now look, your grace," said Sancho, "what you see over there aren't giants, but windmills, and what seems to be arms are just their sails, that go around in the wind and turn the millstone."
"Obviously," replied Don Quijote, "you don't know much about adventures.
β
β
Miguel de Cervantes Saavedra (Don Quixote)
β
Isn't it weird," I said, "the way you remember things, when someone's gone?"
What do you mean?"
I ate another piece of waffle. "When my dad first died, all I could think about was that day. It's taken me so long to be able to think back to before that, to everything else."
Wes was nodding before I even finished. "It's even worse when someone's sick for a long time," he said. "You forget they were ever healthy, ever okay. It's like there was never a time when you weren't waiting for something awful to happen."
But there was," I said. "I mean, it's only been in the last few months that I've started remembering all this good stuff, funny stuff about my dad. I can't believe I ever forgot it in the first place."
You didn't forget," Wes said, taking a sip of his water. "You just couldn't remember right then. But now you're ready to, so you can."
I thought about this as I finished off my waffle.
β
β
Sarah Dessen (The Truth About Forever)
β
Being with Anna is easy. She's the one."
The one. It stops my heart. I thought Max was the one, but... there's that other one.
The first one.
"Do you believe in that?" I ask quietly. "In one person for everyone?"
Something changes in St Clair's eyes. Maybe sadness. "I can't speak for anyone but myself," he says. "But, for me, yes. I have to be with Anna. But this is something you have to figure out on your own. I can't answer that for you, no one can."
"Oh."
"Lola." He rolls his chair over to my side. "I know things are shite right now. And in the name of friendship and full disclosure, I went through something similar last year. When I met Anna, I was with someone else. And it took a long time before I found the courage to do the hard thing. But you have to do the hard thing."
I swallow. "And what's the hard thing?"
"You have to be honest with yourself.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
And after a long time the boy came back again.
"I am sorry, Boy," said the tree, "but I have nothing left to give you-
My apples are gone."
"My teeth are too weak for apples," said the boy.
"My branches are gone," said the tree.
"You cannot swing on them-"
"I am too old to swing on branches," said the boy.
"My trunk is gone," said the tree.
"You cannot climb-"
"I am too tired to climb," said the boy.
"I am sorry," sighed the tree.
"I wish that I could give you something... but I have nothing left. I am an old stump. I am sorry..."
"I don't need very much now," said the boy, "just a quiet pleace to sit and rest. I am very tired."
"Well," said the tree, straightening herself up as much as she could,
"well, an old stump is a good for sitting and resting. Come, Boy, sit down. Sit down and rest."
And the boy did.
And the tree was happy.
β
β
Shel Silverstein (The Giving Tree)
β
Did you miss me, Alina? Did you miss me when you were gone?"
"Every day," I said hoarsely.
"I missed you every hour. And you know what the worst part was? It caught me completely by surprise. I'd catch myself walking around to find you, not for any reason, just out of habit, because I'd seen something I wanted to tell you about, or because I just wanted to hear your voice. And then I'd realize that you weren't there anymore, and every time, every single time, it was like having the wind knocked out of me. I've risked my life for you. I've walked half the length of Ravka for you, and I'd do it again and again and again just to be with you, just to starve with you and freeze with you and hear you complain about hard cheese every day. So don't tell me we don't belong together," he said fiercely. He was very close now, and my heart was suddenly hammering in my chest. "I'm sorry it took me so long to see you, Alina. But I see you now.
β
β
Leigh Bardugo (Shadow and Bone (Shadow and Bone, #1))
β
It comes from a very ancient democracy, you see..."
"You mean, it comes from a world of lizards?"
"No," said Ford, who by this time was a little more rational and coherent than he had been, having finally had the coffee forced down him, "nothing so simple. Nothing anything like so straightforward. On its world, the people are people. The leaders are lizards. The people hate the lizards and the lizards rule the people."
"Odd," said Arthur, "I thought you said it was a democracy."
"I did," said Ford. "It is."
"So," said Arthur, hoping he wasn't sounding ridiculously obtuse, "why don't people get rid of the lizards?"
"It honestly doesn't occur to them," said Ford. "They've all got the vote, so they all pretty much assume that the government they've voted in more or less approximates to the government they want."
"You mean they actually vote for the lizards?"
"Oh yes," said Ford with a shrug, "of course."
"But," said Arthur, going for the big one again, "why?"
"Because if they didn't vote for a lizard," said Ford, "the wrong lizard might get in. Got any gin?"
"What?"
"I said," said Ford, with an increasing air of urgency creeping into his voice, "have you got any gin?"
"I'll look. Tell me about the lizards."
Ford shrugged again.
"Some people say that the lizards are the best thing that ever happenned to them," he said. "They're completely wrong of course, completely and utterly wrong, but someone's got to say it."
"But that's terrible," said Arthur.
"Listen, bud," said Ford, "if I had one Altairian dollar for every time I heard one bit of the Universe look at another bit of the Universe and say 'That's terrible' I wouldn't be sitting here like a lemon looking for a gin.
β
β
Douglas Adams (So Long, and Thanks for All the Fish (Hitchhiker's Guide to the Galaxy, #4))
β
how come you're so ugly?"
"my life has hardly been pretty β the hospitals, the jails, the jobs, the women, the drinking. some of my critics claim that i have deliberately inflicted myself with pain. i wish that some of my critics had been along with me for the journey. itβs true that i haven't always chosen easy situations but that's a hell of a long ways from saying that i leaped into the oven and locked the door. hangover, the electric needle, bad booze, bad women, madness in small rooms, starvation in the land of plenty, god knows how i got so ugly, i guess it just comes from being slugged and slugged again and again, and not going down, still trying to think, to feel, still trying to put the butterfly back together againβ¦itβs written a map on my face that nobody would ever want to hang on their wall.
sometimes iβll see myself somewhereβ¦suddenlyβ¦say in a large mirror in a supermarketβ¦eyes like little mean bugsβ¦face scarred, twisted, yes, i look insane, demented, what a messβ¦spilled vomit of skinβ¦yet, when i see the βhandsomeβ men i think, my god my god, iβm glad iβm not them
β
β
Charles Bukowski (Charles Bukowski: Sunlight Here I Am: Interviews and Encounters 1963-1993)
β
He fell to the seat, she by his side. There were no more words. The stars were beginning to shine. How was it that the birds sing, that the snow melts, that the rose opens, that May blooms, that the dawns whitens behind the black trees on the shivering summit of the hills?
One kiss, and that was all.
Both trembled, and they looked at each other in the darkness with brilliant eyes.
They felt neither the cool night, nor the cold stone, nor the damp ground, nor the wet grass; they looked at each other, and their hearts were full of thought. They had clasped hands, without knowing it.
She did not ask him; did not even think where and how he had managed to get into the garden. It seemed so natural to her that he should be there.
From time to time Mariusβ knee touched Cosetteβs. A touch that thrilled.
At times, Cosette faltered out a word. Her soul trembled on her lips like a drop of dew on a flower.
Gradually, they began to talk. Overflow succeeded to silence, which is fullness. The night was serene and glorious above their heads. These two beings, pure as spirits, told each other everything, their dreams, their frenzies, their ecstasies, their chimeras, their despondencies, how they had adored each other from afar, how they had longed for each other, their despair when they had ceased to see each other. They had confided to each other in an intimacy of the ideal, which already, nothing could have increased, all that was most hidden and most mysterious in themselves. They told each other, with a candid faith in their illusions, all that love, youth and the remnant of childhood that was theirs, brought to mind. These two hearts poured themselves out to each other, so that at the end of an hour, it was the young man who had the young girlβs soul and the young girl who had the soul of the young man. They interpenetrated, they enchanted, they dazzled each other.
When they had finished, when they had told each other everything, she laid her head on his shoulder, and asked him: "What is your name?"
My name is Marius," he said. "And yours?"
My name is Cosette.
β
β
Victor Hugo (Les MisΓ©rables)
β
Athena called, "Annabeth Chase, my own daughter."
Annabeth squeezed my arm, then walked forward and knelt at her mother's feet.
Athena smiled. "You, my daughter, have exceeded all expectations. You have used your wits, your strength, and your courage to defend this city, and our seat of power. It has come to our attention that Olympus is...well, trashed. The Titan lord did much damage that will have to be repaired. We could rebuild it by magic, of course, and make it just as it was. But the gods feel that the city could be improved. We will take this as an opportunity. And you, my daughter, will design these improvements."
Annabeth looked up, stunned. "My...my lady?"
Athena smiled wryly. "You are an architect, are you not? You have studied the techniques of Daedalus himself. Who better to redesign Olympus and make it a monument that will last for another eon?"
"You mean...I can design whatever I want?"
"As your heart desires," the goddess said. "Make us a city for the ages."
"As long as you have plenty of statues of me," Apollo added.
"And me," Aphrodite agreed.
"Hey, and me!" Ares said. "Big statues with huge wicked swords and-"
All right!" Athena interrupted. "She gets the point. Rise, my daughter, official architect of Olympus.
β
β
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
β
His breath caught, harsh enough that she looked over her shoulder.
But his eyes weren't on her face. Or the water. They were on her bare back.
Curled as she was against her knees, he could see the whole expanse of ruined flesh, each scar from the lashing. "Who did that to you?"
It would have been easy to lie, but she was so tired, and he had saved her useless hide. So she said, "A lot of people. I spent some time in the Salt Mines of Endovier."
He was so still that she wondered if he'd stopped breathing. "How long?" he asked after a moment. She braced herself for the pity, but his face was so carefully blank-no, not blank. Calm with lethal rage.
"A year. I was there a year before... it's a long story." She was too exhausted, her throat too raw, to say the rest of it. She noticed then his arms were bandaged, and more bandages across his broad chest peeked up from beneath his shirt. She'd burned him again. And yet he had held her- had run all the way here and not let go once.
"You were a slave."
She gave him a slow nod. He opened his mouth, but shut it and swallowed, that lethal rage winking out. As if he remembered who he was talking to and that it was the least punishment she deserved.
He turned on his heel and shut the door behind him. She wished he'd slammed it-wished he'd shattered it. But he closed it with barely more than a click and did not return.
β
β
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
β
Do you know the hallmark of a second rater? It's resentment of another man's achievement. Those touchy mediocrities who sit trembling lest someone's work prove greater than their own - they have no inkling of the loneliness that comes when you reach the top. The loneliness for an equal - for a mind to respect and an achievement to admire. They bare their teeth at you from out of their rat holes,thinking that you take pleasure in letting your brilliance dim them - while you'd give a year of my life to see a flicker of talent anywhere among them. They envy achievement, and their dream of greatness is a world where all men have become their acknowledged inferiors. They don't know that that dream is the infallible proof of mediocrity, because that sort of world is what the man of achievement would not be able to bear. They have no way of knowing what he feels when surrounded by inferiors - hatred? no, not hatred, but boredom - the terrible, hopeless, draining, paralyzing boredom. Of what account are praise and adulation from men whom you don't respect? Have you ever felt the longing for someone you could admire? For something, not to look down at, but up to?"
"I've felt it all my life," she said.
β
β
Ayn Rand (Atlas Shrugged)
β
There was a soft chuckle beside me, and my heart stopped.
"So this is Oberon's famous half-blood," Ash mused as I whirled around. His eyes, cold and inhuman, glimmered with amusement. Up close, he was even more beautiful, with high cheekbones and dark tousled hair falling into his eyes. My traitor hands itched, longing to run my fingers through those bangs. Horrified, I clenched them in my lap, trying to concentrate on what Ash was saying. "And to think," the prince continued, smiling, "I lost you that day in the forest and didn't even know what I was chasing."
I shrank back, eyeing Oberon and Queen Mab. They were deep in conversation and did not notice me. I didn't want to interrupt them simply because a prince of the Unseelie Court was talking to me.
Besides, I was a faery princess now. Even if I didn't quite believe it, Ash certainly did. I took a deep breath, raised my chin, and looked him straight in the eye.
"I warn you," I said, pleased that my voice didn't tremble, "that if you try anything, my father will remove your head and stick it to a plaque on his wall."
He shrugged one lean shoulder. "There are worse things." At my horrified look, he offered a faint, self-derogatory smile. "Don't worry, princess, I won't break the rules of Elysium. I have no intention of facing Mab's wrath should I embarrass her. That's not why I'm here."
"Then what do you want?"
He bowed. "A dance."
"What!" I stared at him in disbelief. "You tried to kill me!"
"Technically, I was trying to kill Puck. You just happened to be there. But yes, if I'd had the shot, I would have taken it."
"Then why the hell would you think I'd dance with you?"
"That was then." He regarded me blandly. "This is now. And it's tradition in Elysium that a son and daughter of opposite territories dance with each other, to demonstrate the goodwill between the courts."
"Well, it's a stupid tradition." I crossed my arms and glared. "And you can forget it. I am not going anywhere with you."
He raised an eyebrow. "Would you insult my monarch, Queen Mab, by refusing? She would take it very personally, and blame Oberon for the offense. And Mab can hold a grudge for a very, very long time."
Oh, damn. I was stuck.
β
β
Julie Kagawa (The Iron King (The Iron Fey, #1))
β
... so this is for us.
This is for us who sing, write, dance, act, study, run and love
and this is for doing it even if no one will ever know
because the beauty is in the act of doing it.
Not what it can lead to.
This is for the times I lose myself while writing, singing, playing
and no one is around and they will never know
but I will forever remember
and that shines brighter than any praise or fame or glory I will ever have,
and this is for you who write or play or read or sing
by yourself with the light off and door closed
when the world is asleep and the stars are aligned
and maybe no one will ever hear it
or read your words
or know your thoughts
but it doesnβt make it less glorious.
It makes it ethereal. Mysterious.
Infinite.
For it belongs to you and whatever God or spirit you believe in
and only you can decide how much it meant
and means
and will forever mean
and other people will experience it too
through you.
Through your spirit. Through the way you talk.
Through the way you walk and love and laugh and care
and I never meant to write this long
but what I want to say is:
Donβt try to present your art by making other people read or hear or see or touch it; make them feel it. Wear your art like your heart on your sleeve and keep it alive by making people feel a little better. Feel a little lighter. Create art in order for yourself to become yourself
and let your very existence be your song, your poem, your story.
Let your very identity be your book.
Let the way people say your name sound like the sweetest melody.
So go create. Take photographs in the wood, run alone in the rain and sing your heart out high up on a mountain
where no one will ever hear
and your very existence will be the most hypnotising scar.
Make your life be your art
and you will never be forgotten.
β
β
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
β
I measure every Grief I meet
With narrow, probing, Eyes;
I wonder if It weighs like Mine,
Or has an Easier size.
I wonder if They bore it long,
Or did it just begin?
I could not tell the Date of Mine,
It feels so old a pain.
I wonder if it hurts to live,
And if They have to try,
And whether, could They choose between,
It would not be, to die.
I note that Some --
gone patient long --
At length, renew their smile.
An imitation of a Light
That has so little Oil.
I wonder if when Years have piled,
Some Thousands -- on the Harm
Of early hurt -- if such a lapse
Could give them any Balm;
Or would they go on aching still
Through Centuries above,
Enlightened to a larger Pain
By Contrast with the Love.
The Grieved are many,
I am told;
The reason deeper lies, --
Death is but one
and comes but once,
And only nails the eyes.
There's Grief of Want
and Grief of Cold, --
A sort they call "Despair";
There's Banishment from native Eyes,
In sight of Native Air.
And though I may not guess the kind
Correctly, yet to me
A piercing Comfort it affords
In passing Calvary,
To note the fashions of the Cross,
And how they're mostly worn,
Still fascinated to presume
That Some are like My Own.
β
β
Emily Dickinson (I'm Nobody! Who Are You? (Scholastic Classics))
β
There is probably no better or more reliable measure of whether a woman has spent time in ugly duckling status at some point or all throughout her life than her inability to digest a sincere compliment. Although it could be a matter of modesty, or could be attributed to shyness- although too many serious wounds are carelessly written off as "nothing but shyness"- more often a compliment is stuttered around about because it sets up an automatic and unpleasant dialogue in the woman's mind.
If you say how lovely she is, or how beautiful her art is, or compliment anything else her soul took part in, inspired, or suffused, something in her mind says she is undeserving and you, the complimentor, are an idiot for thinking such a thing to begin with. Rather than understand that the beauty of her soul shines through when she is being herself, the woman changes the subject and effectively snatches nourishment away from the soul-self, which thrives on being acknowledged."
"I must admit, I sometimes find it useful in my practice to delineate the various typologies of personality as cats and hens and ducks and swans and so forth. If warranted, I might ask my client to assume for a moment that she is a swan who does not realzie it. Assume also for a moment that she has been brought up by or is currently surrounded by ducks.
There is nothing wrong with ducks, I assure them, or with swans. But ducks are ducks and swans are swans. Sometimes to make the point I have to move to other animal metaphors. I like to use mice. What if you were raised by the mice people? But what if you're, say, a swan. Swans and mice hate each other's food for the most part. They each think the other smells funny. They are not interested in spending time together, and if they did, one would be constantly harassing the other.
But what if you, being a swan, had to pretend you were a mouse? What if you had to pretend to be gray and furry and tiny? What you had no long snaky tail to carry in the air on tail-carrying day? What if wherever you went you tried to walk like a mouse, but you waddled instead? What if you tried to talk like a mouse, but insteade out came a honk every time? Wouldn't you be the most miserable creature in the world?
The answer is an inequivocal yes. So why, if this is all so and too true, do women keep trying to bend and fold themselves into shapes that are not theirs? I must say, from years of clinical observation of this problem, that most of the time it is not because of deep-seated masochism or a malignant dedication to self-destruction or anything of that nature. More often it is because the woman simply doesn't know any better. She is unmothered.
β
β
Clarissa Pinkola EstΓ©s (Women Who Run With the Wolves)
β
Tohrment spoke. "Bella's brother called. He's tabled the sehelusion request and asked that she stay here for a couple of days."
Z jacked his head up. "Why?"
"He didn't give a reason-" Tohr's eye's narrowed on Z's face. "Oh... my God."
"What the fuck are you looking at?"
Phury pointed to the antique mirror hanging on the wall next to the double doors. "See for yourself."
Zsadist marched across the room, ready to give them all hell. Bella was what mattered-
His mouth went lax at his reflection. With a shaky hand he reached out to the eyes in the old-fashioned leaded glass. His irises were no longer black. They were yellow. Just like his twin's.
"Phury?" he said softly. "Phury... what happened to me?"
As the male came up behind him, his brother's face appeared right beside Z's. And then Wrath's dark reflection showed up in the mirror, all long hair and sunglasses. Then Rhage's star-fallen beauty. And Vishous's Sox cap. And Tohrment's brush cut. And Butch's busted nose.
One by one they reached out and touched him, their big hands gently on his shoulders.
"Welcome back, my brother," Phury whispered.
Zsadist stared at the males who were behind him. And the oddest thought that if he were to let himself go limp and fall backward... they would catch him.
β
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J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
β
I never believed in Santa Claus. None of us kids did. Mom and Dad refused to let us. They couldn't afford expensive presents and they didn't want us to think we weren't as good as other kids who, on Christmas morning, found all sorts of fancy toys under the tree that were supposedly left by Santa Claus.
Dad had lost his job at the gypsum, and when Christmas came that year, we had no money at all. On Christmas Eve, Dad took each one of us kids out into the desert night one by one.
"Pick out your favorite star", Dad said.
"I like that one!" I said.
Dad grinned, "that's Venus", he said. He explained to me that planets glowed because reflected light was constant and stars twinkled because their light pulsed.
"I like it anyway" I said.
"What the hell," Dad said. "It's Christmas. You can have a planet if you want."
And he gave me Venus.
Venus didn't have any moons or satellites or even a magnetic field, but it did have an atmosphere sort of similar to Earth's, except it was super hot-about 500 degrees or more. "So," Dad said, "when the sun starts to burn out and Earth turns cold, everyone might want to move to Venus to get warm. And they'll have to get permission from your descendants first.
We laughed about all the kids who believed in the Santa myth and got nothing for Christmas but a bunch of cheap plastic toys. "Years from now, when all the junk they got is broken and long forgotten," Dad said, "you'll still have your stars.
β
β
Jeannette Walls (The Glass Castle)
β
There is a distinct difference between "suspense" and "surprise," and yet many pictures continually confuse the two. I'll explain what I mean.
We are now having a very innocent little chat. Let's suppose that there is a bomb underneath this table between us. Nothing happens, and then all of a sudden, "Boom!" There is an explosion. The public is surprised, but prior to this surprise, it has seen an absolutely ordinary scene, of no special consequence. Now, let us take a suspense situation. The bomb is underneath the table and the public knows it, probably because they have seen the anarchist place it there. The public is aware the bomb is going to explode at one o'clock and there is a clock in the decor. The public can see that it is a quarter to one. In these conditions, the same innocuous conversation becomes fascinating because the public is participating in the scene. The audience is longing to warn the characters on the screen: "You shouldn't be talking about such trivial matters. There is a bomb beneath you and it is about to explode!"
In the first case we have given the public fifteen seconds of surprise at the moment of the explosion. In the second we have provided them with fifteen minutes of suspense. The conclusion is that whenever possible the public must be informed. Except when the surprise is a twist, that is, when the unexpected ending is, in itself, the highlight of the story.
β
β
Alfred Hitchcock
β
And then," Ress was saying, his boyish face set with fiendish delight, "just as he got her into bed, stark naked as the day he was born, her father walked in"- winces and groans came from the guards, even Chaol himself-"and he dragged him out of bed by his feet, took him down the hall, and dumped him down the stairs. He was shrieking like a pig the whole time."
Chaol leaned back in his seat, crossing his arms. "You would be, too, if someone were dragging your naked carcass across the ice-cold floor." He smirked as Ress tried to deny it. Chaol seemed so comfortable with the men, his body relaxed, eyes alight. And they respected him, too-always glancing at him for approval, for confirmation, for support. As Celaena's chuckle faded, Chaol looked at her, his brows high.
"You're one to laugh. You moan about the cold floor more than anyone else than I know."
She straightened as the guards gave hesitant smiles. "If I recall correctly, you complain about every time I wipe the floor with you when we spar."
"Oho!" Ress cried, and Chaol's brows rose higher. Celaena gave him a grin.
"Dangerous words," Chaol said. "Do we need to go to the training hall to see if you can back them up?"
"Well, as long as your men don't object to seeing you knocked on your ass."
"We certainly do not object to that," Ress crowed. Chaol shot him a look, more amused than warning.
Ress quickly added, "Captain.
β
β
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
β
I know there's no way I can convince you this is not one of their tricks, but I don't care, I am me. My name is Valerie, I don't think I'll live much longer and I wanted to tell someone about my life. This is the only autobiography ill ever write, and god, I'm writing it on toilet paper. I was born in Nottingham in 1985, I don't remember much of those early years, but I do remember the rain. My grandmother owned a farm in Tuttlebrook, and she use to tell me that god was in the rain. I passed my 11th lesson into girl's grammar; it was at school that I met my first girlfriend, her name was Sara. It was her wrists. They were beautiful. I thought we would love each other forever. I remember our teacher telling us that is was an adolescent phase people outgrew. Sara did, I didn't. In 2002 I fell in love with a girl named Christina. That year I came out to my parents. I couldn't have done it without Chris holding my hand. My father wouldn't look at me, he told me to go and never come back. My mother said nothing. But I had only told them the truth, was that so selfish? Our integrity sells for so little, but it is all we really have. It is the very last inch of us, but within that inch, we are free. I'd always known what I wanted to do with my life, and in 2015 I starred in my first film, "The Salt Flats". It was the most important role of my life, not because of my career, but because that was how I met Ruth. The first time we kissed, I knew I never wanted to kiss any other lips but hers again. We moved to a small flat in London together. She grew Scarlet Carsons for me in our window box, and our place always smelled of roses. Those were there best years of my life. But America's war grew worse, and worse. And eventually came to London. After that there were no roses anymore. Not for anyone. I remember how the meaning of words began to change. How unfamiliar words like collateral and rendition became frightening. While things like Norse Fire and The Articles of Allegiance became powerful, I remember how different became dangerous. I still don't understand it, why they hate us so much. They took Ruth while she was out buying food. I've never cried so hard in my life. It wasn't long till they came for me.It seems strange that my life should end in such a terrible place, but for three years, I had roses, and apologized to no one. I shall die here. Every inch of me shall perish. Every inch, but one. An Inch, it is small and it is fragile, but it is the only thing the world worth having. We must never lose it or give it away. We must never let them take it from us. I hope that whoever you are, you escape this place. I hope that the world turns and that things get better. But what I hope most of all is that you understand what I mean when I tell you that even though I do not know you, and even though I may never meet you, laugh with you, cry with you, or kiss you. I love you. With all my heart, I love you. -Valerie
β
β
Alan Moore (V for Vendetta)
β
Wanted, wanted: Dolores Haze.
Hair: brown. Lips: scarlet.
Age: five thousand three hundred days.
Profession: none, or "starlet"
Where are you hiding, Dolores Haze?
Why are you hiding, darling?
(I Talk in a daze, I walk in a maze
I cannot get out, said the starling).
Where are you riding, Dolores Haze?
What make is the magic carpet?
Is a Cream Cougar the present craze?
And where are you parked, my car pet?
Who is your hero, Dolores Haze?
Still one of those blue-capped star-men?
Oh the balmy days and the palmy bays,
And the cars, and the bars, my Carmen!
Oh Dolores, that juke-box hurts!
Are you still dancin', darlin'?
(Both in worn levis, both in torn T-shirts,
And I, in my corner, snarlin').
Happy, happy is gnarled McFate
Touring the States with a child wife,
Plowing his Molly in every State
Among the protected wild life.
My Dolly, my folly! Her eyes were vair,
And never closed when I kissed her.
Know an old perfume called Soliel Vert?
Are you from Paris, mister?
L'autre soir un air froid d'opera m'alita;
Son fele -- bien fol est qui s'y fie!
Il neige, le decor s'ecroule, Lolita!
Lolita, qu'ai-je fait de ta vie?
Dying, dying, Lolita Haze,
Of hate and remorse, I'm dying.
And again my hairy fist I raise,
And again I hear you crying.
Officer, officer, there they go--
In the rain, where that lighted store is!
And her socks are white, and I love her so,
And her name is Haze, Dolores.
Officer, officer, there they are--
Dolores Haze and her lover!
Whip out your gun and follow that car.
Now tumble out and take cover.
Wanted, wanted: Dolores Haze.
Her dream-gray gaze never flinches.
Ninety pounds is all she weighs
With a height of sixty inches.
My car is limping, Dolores Haze,
And the last long lap is the hardest,
And I shall be dumped where the weed decays,
And the rest is rust and stardust.
β
β
Vladimir Nabokov (Lolita)
β
When they bombed Hiroshima, the explosion formed a mini-supernova, so every living animal, human or plant that received direct contact with the rays from that sun was instantly turned to ash.
And what was left of the city soon followed. The long-lasting damage of nuclear radiation caused an entire city and its population to turn into powder.
When I was born, my mom says I looked around the whole hospital room with a stare that said, "This? I've done this before." She says I have old eyes.
When my Grandpa Genji died, I was only five years old, but I took my mom by the hand and told her, "Don't worry, he'll come back as a baby."
And yet, for someone who's apparently done this already, I still haven't figured anything out yet.
My knees still buckle every time I get on a stage. My self-confidence can be measured out in teaspoons mixed into my poetry, and it still always tastes funny in my mouth.
But in Hiroshima, some people were wiped clean away, leaving only a wristwatch or a diary page. So no matter that I have inhibitions to fill all my pockets, I keep trying, hoping that one day I'll write a poem I can be proud to let sit in a museum exhibit as the only proof I existed.
My parents named me Sarah, which is a biblical name. In the original story God told Sarah she could do something impossible and she laughed, because the first Sarah, she didn't know what to do with impossible.
And me? Well, neither do I, but I see the impossible every day. Impossible is trying to connect in this world, trying to hold onto others while things are blowing up around you, knowing that while you're speaking, they aren't just waiting for their turn to talk -- they hear you. They feel exactly what you feel at the same time that you feel it. It's what I strive for every time I open my mouth -- that impossible connection.
There's this piece of wall in Hiroshima that was completely burnt black by the radiation. But on the front step, a person who was sitting there blocked the rays from hitting the stone. The only thing left now is a permanent shadow of positive light. After the A bomb, specialists said it would take 75 years for the radiation damaged soil of Hiroshima City to ever grow anything again. But that spring, there were new buds popping up from the earth.
When I meet you, in that moment, I'm no longer a part of your future. I start quickly becoming part of your past. But in that instant, I get to share your present. And you, you get to share mine. And that is the greatest present of all.
So if you tell me I can do the impossible, I'll probably laugh at you. I don't know if I can change the world yet, because I don't know that much about it -- and I don't know that much about reincarnation either, but if you make me laugh hard enough, sometimes I forget what century I'm in.
This isn't my first time here. This isn't my last time here. These aren't the last words I'll share.
But just in case, I'm trying my hardest to get it right this time around.
β
β
Sarah Kay
β
Closing The Cycle
One always has to know when a stage comes to an end. If we insist on staying longer than the necessary time, we lose the happiness and the meaning of the other stages we have to go through. Closing cycles, shutting doors, ending chapters - whatever name we give it, what matters is to leave in the past the moments of life that have finished.
Did you lose your job? Has a loving relationship come to an end? Did you leave your parents' house? Gone to live abroad? Has a long-lasting friendship ended all of a sudden?
You can spend a long time wondering why this has happened. You can tell yourself you won't take another step until you find out why certain things that were so important and so solid in your life have turned into dust, just like that. But such an attitude will be awfully stressing for everyone involved: your parents, your husband or wife, your friends, your children, your sister, everyone will be finishing chapters, turning over new leaves, getting on with life, and they will all feel bad seeing you at a standstill.
None of us can be in the present and the past at the same time, not even when we try to understand the things that happen to us. What has passed will not return: we cannot for ever be children, late adolescents, sons that feel guilt or rancor towards our parents, lovers who day and night relive an affair with someone who has gone away and has not the least intention of coming back.
Things pass, and the best we can do is to let them really go away. That is why it is so important (however painful it may be!) to destroy souvenirs, move, give lots of things away to orphanages, sell or donate the books you have at home. Everything in this visible world is a manifestation of the invisible world, of what is going on in our hearts - and getting rid of certain memories also means making some room for other memories to take their place.
Let things go. Release them. Detach yourself from them. Nobody plays this life with marked cards, so sometimes we win and sometimes we lose. Do not expect anything in return, do not expect your efforts to be appreciated, your genius to be discovered, your love to be understood. Stop turning on your emotional television to watch the same program over and over again, the one that shows how much you suffered from a certain loss: that is only poisoning you, nothing else.
Nothing is more dangerous than not accepting love relationships that are broken off, work that is promised but there is no starting date, decisions that are always put off waiting for the "ideal moment." Before a new chapter is begun, the old one has to be finished: tell yourself that what has passed will never come back. Remember that there was a time when you could live without that thing or that person - nothing is irreplaceable, a habit is not a need. This may sound so obvious, it may even be difficult, but it is very important.
Closing cycles. Not because of pride, incapacity or arrogance, but simply because that no longer fits your life. Shut the door, change the record, clean the house, shake off the dust. Stop being who you were, and change into who you are.
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β
Paulo Coelho
β
I waited for him to say something more, but he was quiet.
"Was there something you wanted?" I asked.
He didn't answer right away, but I could feel him struggling, so I waited.
"If I asked you something, would you tell me the truth?"
It was my turn to hesitate. "I don't know everything," I hedged.
"You would know this. When we were walking... me and Jeb... he was telling me some things. Things he thought, but I don't know if he's right."
Melanie was suddenly very in my head.
Jamie's whisper was hard to hear, quieter than my breathing. "Uncle Jeb thinks that Melanie might still be alive. Inside there with you, I mean."
Melanie sighed.
I said nothing to either of them.
"I didn't know that could happen. Does that happen?" His voice broke and I could hear that he was fighting tears. He was not a boy to cry, and here I'd grieved him this deeply twice in one day. A pain pierced through the general region of my chest.
"Does it, Wanda?"
"Why won't you answer me?" Jamie was really crying now but trying to muffle the sound.
I crawled off the bed, squeezing into the hard space between the mattress and the mat, and threw my arm over his shaking chest. I leaned my head against his hair and felt his tears, warm on my neck.
"Is Melanie still alive, Wanda? Please?"
He was probably a tool. The old man could have sent him just for this, Jeb was smart enough to see how easily Jamie broke through my defenses.
Jamie's body shook beside me.
Melanie cried. She battered ineffectually at my control.
But I couldn't blame this on Melanie if it turned out to be a huge mistake. I knew who was speaking now.
"She promised she would come back, didn't she?" I murmured. "Would Melanie break a promise to you?"
Jamie slid his arms around my waist and clung to me for a long time. After a few minutes, he whispered. "Love you, Mel."
"She loves you, too. She's so happy that you're here and safe."
He was silent long enough for the tears on my skin to dry, leaving a fine, salty dust behind.
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Stephenie Meyer (The Host (The Host, #1))
β
Close your eyes, Maxon."
"What?"
"Close your eyes.
Somewhere in this palace, there is a woman who will be your wife. This girl? Imagine that she depends on you. She needs you to cherish her and make her feel like the Selection didn't even happen. Like if you were dropped in your own out in the middle of the country to wander around door to door, she's still the one you would have found. She was always the one you would have picked. She needs you to provide for her and protect her. And if it came to a point where there was absolutely nothing to eat, and you couldn't even fall asleep at night because the sound of her stomach growling kept you awakeβ"
"Stop it!"
"Sorry."
"Is that really what it's like? Out there... does that happen? Are people hungry like that a lot?"
"Maxon, I..."
"Tell me the truth."
"Yes. That happens. I know of families where people give up their share for their children or siblings. I know of a boy who was whipped in the town square for stealing food. Sometimes you do crazy things when you are desperate."
"A boy? How old?"
"Nine."
"Have you ever been like that? Starving?...How bad?"
"Maxon, it will only upset you more."
"Probably, but I'm only starting to realize how much I don't know about my own country. Please."
"We've been pretty bad. Most time if it gets to where we have to choose, we keep the food and lose electricity. The worst was when it happened near Christmas one year. May didn't understand why we couldn't exchange gifts. As a general rule, there are never any leftovers at my house. Someone always wants more. I know the checks we've gotten over the last few weeks have really helped, and my family is really smart about money. I'm sure they have already tucked it away so it will stretch out for a long time. You've done so much for us, Maxon."
"Good God. When you said that you were only here for the food, you weren't kidding, were you?"
"Really, Maxon, we've been doing pretty well lately. Iβ"
"I'll see you at dinner.
β
β
Kiera Cass (The Selection (The Selection, #1))
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Man is a rope stretched between the animal and the Superman--a rope over an abyss.
A dangerous crossing, a dangerous wayfaring, a dangerous looking-back, a dangerous trembling and halting.
What is great in man is that he is a bridge and not a goal: what is lovable in man is that he is an OVER-GOING and a DOWN-GOING.
I love those that know not how to live except as down-goers, for they are the over-goers.
I love the great despisers, because they are the great adorers, and arrows of longing for the other shore.
I love those who do not first seek a reason beyond the stars for going down and being sacrifices, but sacrifice themselves to the earth, that the earth of the Superman may hereafter arrive.
I love him who lives in order to know, and seeks to know in order that the Superman may hereafter live. Thus seeks he his own down-going.
I love him who labors and invents, that he may build the house for the Superman, and prepare for him earth, animal, and plant: for thus seeks he his own down-going.
I love him who loves his virtue: for virtue is the will to down-going, and an arrow of longing.
I love him who reserves no share of spirit for himself, but wants to be wholly the spirit of his virtue: thus walks he as spirit over the bridge.
I love him who makes his virtue his inclination and destiny: thus, for the sake of his virtue, he is willing to live on, or live no more.
I love him who desires not too many virtues. One virtue is more of a virtue than two, because it is more of a knot for one's destiny to cling to.
I love him whose soul is lavish, who wants no thanks and does not give back: for he always bestows, and desires not to keep for himself.
I love him who is ashamed when the dice fall in his favor, and who then asks: "Am I a dishonest player?"--for he is willing to succumb.
I love him who scatters golden words in advance of his deeds, and always does more than he promises: for he seeks his own down-going.
I love him who justifies the future ones, and redeems the past ones: for he is willing to succumb through the present ones.
I love him who chastens his God, because he loves his God: for he must succumb through the wrath of his God.
I love him whose soul is deep even in the wounding, and may succumb through a small matter: thus goes he willingly over the bridge.
I love him whose soul is so overfull that he forgets himself, and all things that are in him: thus all things become his down-going.
I love him who is of a free spirit and a free heart: thus is his head only the bowels of his heart; his heart, however, causes his down-going.
I love all who are like heavy drops falling one by one out of the dark cloud that lowers over man: they herald the coming of the lightning, and succumb as heralds.
Lo, I am a herald of the lightning, and a heavy drop out of the cloud: the lightning, however, is the SUPERMAN.--
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Friedrich Nietzsche (Thus Spoke Zarathustra)
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Soon after the completion of his college course, his whole nature was kindled into one intense and passionate effervescence of romantic passion. His hour came,βthe hour that comes only once; his star rose in the horizon,βthat star that rises so often in vain, to be remembered only as a thing of dreams; and it rose for him in vain. To drop the figure,βhe saw and won the love of a high-minded and beautiful woman, in one of the northern states, and they were affianced. He returned south to make arrangements for their marriage, when, most unexpectedly, his letters were returned to him by mail, with a short note from her guardian, stating to him that ere this reached him the lady would be the wife of another. Stung to madness, he vainly hoped, as many another has done, to fling the whole thing from his heart by one desperate effort. Too proud to supplicate or seek explanation, he threw himself at once into a whirl of fashionable society, and in a fortnight from the time of the fatal letter was the accepted lover of the reigning belle of the season; and as soon as arrangements could be made, he became the husband of a fine figure, a pair of bright dark eyes, and a hundred thousand dollars; and, of course, everybody thought him a happy fellow.
The married couple were enjoying their honeymoon, and entertaining a brilliant circle of friends in their splendid villa, near Lake Pontchartrain, when, one day, a letter was brought to him in that well-remembered writing. It was handed to him while he was in full tide of gay and successful conversation, in a whole room-full of company. He turned deadly pale when he saw the writing, but still preserved his composure, and finished the playful warfare of badinage which he was at the moment carrying on with a lady opposite; and, a short time after, was missed from the circle. In his room,alone, he opened and read the letter, now worse than idle and useless to be read. It was from her, giving a long account of a persecution to which she had been exposed by her guardian's family, to lead her to unite herself with their son: and she related how, for a long time, his letters had ceased to arrive; how she had written time and again, till she became weary and doubtful; how her health had failed under her anxieties, and how, at last, she had discovered the whole fraud which had been practised on them both. The letter ended with expressions of hope and thankfulness, and professions of undying affection, which were more bitter than death to the unhappy young man. He wrote to her immediately:
I have received yours,βbut too late. I believed all I heard. I was desperate. I am married, and all is over. Only forget,βit is all that remains for either of us."
And thus ended the whole romance and ideal of life for Augustine St. Clare. But the real remained,βthe real, like the flat, bare, oozy tide-mud, when the blue sparkling wave, with all its company of gliding boats and white-winged ships, its music of oars and chiming waters, has gone down, and there it lies, flat, slimy, bare,βexceedingly real.
Of course, in a novel, people's hearts break, and they die, and that is the end of it; and in a story this is very convenient. But in real life we do not die when all that makes life bright dies to us.
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Harriet Beecher Stowe (Uncle Tomβs Cabin)
β
Oh. My. God. You're Rose Hathaway aren't you?"
"Yeah." I said with surprise. "Do you know me?"
"Everyone knows you. I mean, everyone heard about you. You're the one who ran away. And then you came back and killed the Strigoi. That is so cool! Did you get molnija marks?" Her words came out in one long string. She hardly took a breath.
"Yeah. I have two." Thinking about the tiny tattoos on the back of my neck made my skin itch.
Her pale green eyesβif possibleβgrew wider. "Oh my God. Wow." I usually grew irate when people made a big deal about molnija marks. After all, the circumstances had not been cool. But this girl was young, and there was something appealing about her.
"What's your name?" I asked.
"JillianβJill. I mean, just Jill. Not both. Jillian's my full name. Jill's what everyone calls me."
"Right." I said, hiding a smile. "I figured it out."
"I heard Moroi used magic on that trip to fight. Is that true? I would love to do that. I wish someone would teach me. I use air. Do you think i could fight Strigoi with that? Everyone says I'm crazy!" For centuries, Moroi using magic to fight had been viewed as a sin. Everyone believed it should be used peacefully. Recently, some had started to question that, particularly after Christian had proved useful in the Spokane escape.
"I don't know." I said. "You should talk to Christian Ozera."
She gaped. "Would he talk to me?"
"If you bring up fighting the establishment, yeah he'll talk to you."
"Okay, cool. Was that Guardian Belikov?" she asked, switching subjects abruptly.
"Yeah."
I swore I thought she might faint then and there. "Really? He's even cuter then I heard. He's your teacher right? Like, your own personal teacher?"
"Yeah." I wondered where he was. Talking to Jill was exhausting.
"Wow. You know you guys don't even act like teacher and student. You seem like friends. Do you hang out when you're not training?"
"Er, well, kind of. Sometimes." I remembered my earlier thoughts, about how I was one of the few people Dimitri was social with outside of his guardian duties.
"I knew it! I can't even imagine thatβI'd be freaking out all the time around him. I'd never get anything done, but your so cool about it all, kind of like, 'Yeah. I'm with this totally hot guy, but whatever it doesn't matter!'"
I laughed in spite of myself. "I think you're giving me more credit than I deserve."
"No way. And I don't believe any of those stories, you know."
"Um, stories?"
"Yeah about you beating up Christian Ozera."
"Thanks." I said.
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Richelle Mead (Shadow Kiss (Vampire Academy, #3))
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Peeta and I sit on the damp sand, facing away from each other, my right shoulder and hip pressed against his.
...
After a while I rest my head against his shoulder. Feel his hand caress my hair.
"Katniss... If you die, and I live, there's no life for me at all back in District Twelve. You're my whole life", he says. "I would never be happy again."
I start to object but he puts a finger to my lips. "It's different for you. I'm not sayin it wouldn't be hard. But there are other people who'd make your life worth living." ... "Your family needs you, Katniss", Peeta says.
My family. My mother. My sister. And my pretend cousin Gale. But Peeta's intension is clear. That Gale really is my family, or will be one day, if I live. That I'll marry him. So Peeta's giving me his life and Gale at the same time. To let me know I shouldn't ever have doubts about it.
Everithing. That's what Peeta wants me to take from him.
...
"No one really needs me", he says, and there's no self-pity in his voice. It's true his family doesen't need him. They will mourn him, as will a handful of friends. But they will get on. Even Haymitch, with the help of a lot of white liquor, will get on. I realize only one person will be damaged beyond repair if Peeta dies. Me.
"I do", I say. "I need you." He looks upset, takes a deep breath as if to begin a long argument, and that's no good, no good at all, because he'll start going on about Prim and my mother and everything and I'll just get confused. So before he can talk, I stop his lips with a kiss.
I feel that thing again. The thing I only felt once before. In the cave last year, when I was trying to get Haymitch to send us food. I kissed Peeta about a thousand times during those Games and after. But there was only one kiss that made me feel something stir deep inside. Only one that made me want more. But my head wound started bleeding and he made me lie down.
This time, there is nothing but us to interrupt us. And after a few attempts, Peeta gives up on talking. The sensation inside me grows warmer and spreads out from my chest, down through my body, out along my arms and legs, to the tips of my being. Instead of satisfying me, the kisses have the opposite effect, of making my need greater. I thought I was something of an expert on hunger, but this is an entirely new kind.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Before I got here, I thought for a long time that the way out of the labyrinth was to pretend that it did not exist, to build a small, self-sufficient world in a back corner of, the endless maze and to pretend that I was not lost, but home. But that only led to a lonely life accompanied only by the last words of the looking for a Great Perhaps, for real friends, and a more-than minor life.
And then i screwed up and the Colonel screwed up and Takumi screwed up and she slipped through our fingers. And there's no sugar-coating it: She deserved better friends.
When she fucked up, all those years ago, just a little girl terrified. into paralysis, she collapsed into the enigma of herself. And I could have done that, but I saw where it led for her. So I still believe in the Great Perhaps, and I can believe in it spite of having lost her.
Beacause I will forget her, yes. That which came together will fall apart imperceptibly slowly, and I will forget, but she will forgive my forgetting, just as I forgive her for forgetting me and the Colonel and everyone but herself and her mom in those last moments she spent as a person. I know that she forgives me for being dumb and sacred and doing the dumb and scared thing. I know she forgives me, just as her mother forgives her. And here's how I know:
I thought at first she was just dead. Just darkness. Just a body being eaten by bugs. I thought about her a lot like that, as something's meal. What was her-green eyes, half a smirk, the soft curves of her legs-would soon be nothing, just the bones I never saw. I thought about the slow process of becoming bone and then fossil and then coal that will, in millions of years, be mined by humans of the future, and how they would their homes with her, and then she would be smoke billowing out of a smokestack, coating the atmosphere.
I still think that, sometimes. I still think that, sometimes, think that maybe "the afterlife" is just something we made up to ease the pain of loss, to make our time in the labyrinth bearable. Maybe she was just a matter, and matter gets recycled.
But ultimately I do not believe that she was only matter. The rest of her must be recycled, too. I believe now that we are greater than the sum of our parts. If you take Alaska's genetic code and you add her life experiences and the relationships she had with people, and then you take the size and shape of her body, you do not get her. There is something else entirety. There is a part of her knowable parts. And that parts has to go somewhere, because it cannot be destroyed. Although no one will ever accuse me of being much of a science student, One thing I learned from science classes is that energy is never created and never destroyed.
And if Alaska took her own life, that is the hope I wish I could have given her. Forgetting her mother, failing her mother and her friends and herself -those are awful things, but she did not need to fold into herself and self-destruct. Those awful things are survivable because we are as indestructible as we believe ourselves to be.
When adults say "Teenagers think they are invincible" with that sly, stupid smile on their faces, they don't know how right they are. We need never be hopeless, because we can never be irreparably broken. We think that we are invincible because we are.
We cannot be born, and we cannot die. Like all energy, we can only change shapes and sizes manifestations. They forget that when they get old. They get scared of losing and failing. But that part of us greater than the sum of our parts cannot begin and cannot end, and so it cannot fail.
So I know she forgives me, just as I forgive her. Thomas Eidson's last words were: "It's very beautiful over there." I don't know where there is, but I believe it's somewhere, and I hope it's beautiful.
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John Green (Looking for Alaska)