Quotes Or Single Quotes

We've searched our database for all the quotes and captions related to Quotes Or Single. Here they are! All 100 of them:

I DON'T CARE!" Harry yelled at them, snatching up a lunascope and throwing it into the fireplace. "I'VE HAD ENOUGH, I'VE SEEN ENOUGH, I WANT OUT, I WANT IT TO END, I DON'T CARE ANYMORE!" "You do care," said Dumbledore. He had not flinched or made a single move to stop Harry demolishing his office. His expression was calm, almost detached. "You care so much you feel as though you will bleed to death with the pain of it.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
One can never have enough socks," said Dumbledore. "Another Christmas has come and gone and I didn't get a single pair. People will insist on giving me books.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
People where you live," the little prince said, "grow five thousand roses in one garden... yet they don't find what they're looking for... They don't find it," I answered. And yet what they're looking for could be found in a single rose, or a little water..." Of course," I answered. And the little prince added, "But eyes are blind. You have to look with the heart.
Antoine de Saint-Exupéry (The Little Prince)
A rock pile ceases to be a rock pile the moment a single man contemplates it, bearing within him the image of a cathedral.
Antoine de Saint-Exupéry (The Little Prince)
I'll always choose you." Yes that was the word. "Every single lifetime, I'll choose you. Just as you have always chosen me. Forever.
Lauren Kate (Passion (Fallen, #3))
I missed you every hour. And you know what the worst part was? It caught me completely by surprise. I'd catch myself just walking around to find you, not for any reason, just out of habit, because I'd seen something that I wanted to tell you about or because I wanted to hear your voice. And then I'd realize that you weren't there anymore, and every time, every single time, it was like having the wind knocked out of me. I've risked my life for you. I've walked half the length of Ravka for you, and I'd do it again and again and again just to be with you, just to starve with you and freeze with you and hear you complain about hard cheese every day. So don't tell me why we don't belong together," he said fiercely.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
Coach: "All right, Patch. let's say you're at a party. the room is full of girls of all shapes and sizes. You see blondes, brunettes, redheads, a few girl with black hair. Some are talkive, while other appear shy. You've one girl who fits your profile - attractive, intelligent and vulnerable. Dow do you let her know you're interested?" Patch: "Single her out. Talk to her." Coach: "Good. Now for the big question - how do you know if she's game or if she wants you to move on?" Patch: "I study her. I figure out what she's thinking and feeling. She's not gonig to come right out and tell me, which is why i have to pay attention. Does she turn her body toward mine? Does she hold me eyes, then look away? Does she bite her lip and play with her hair, the way Nora is doing right now?
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
Toska - noun /ˈtō-skə/ - Russian word roughly translated as sadness, melancholia, lugubriousness. "No single word in English renders all the shades of toska. At its deepest and most painful, it is a sensation of great spiritual anguish, often without any specific cause. At less morbid levels it is a dull ache of the soul, a longing with nothing to long for, a sick pining, a vague restlessness, mental throes, yearning. In particular cases it may be the desire for somebody of something specific, nostalgia, love-sickness. At the lowest level it grades into ennui, boredom.
Vladimir Nabokov
Just take the weapon you hold in your hand and drive it through his heart," Valentine's voice was soft. "One simple motion. Nothing you haven't done before." Jace met his father's stare with a level gaze. "I saw Agramon," he said. "It had your face." "You saw Agramon?" The Soul-Sword glittered as Valentine moved toward his son. "And you lived?" "I killed it." "You killed the Demon of Fear, but you won't kill a single vampire, not even at my order?" Jace stood watching Valentine without expression. "He's a vampire, that's true," he said. "But his name is Simon.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Emotions, in my experience, aren't covered by single words. I don't believe in "sadness," "joy," or "regret." Maybe the best proof that the language is patriarchal is that it oversimplifies feeling. I'd like to have at my disposal complicated hybrid emotions, Germanic train-car constructions like, say, "the happiness that attends disaster." Or: "the disappointment of sleeping with one's fantasy." I'd like to show how "intimations of mortality brought on by aging family members" connects with "the hatred of mirrors that begins in middle age." I'd like to have a word for "the sadness inspired by failing restaurants" as well as for "the excitement of getting a room with a minibar." I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever.
Jeffrey Eugenides (Middlesex)
It's a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown I back, throat to the stars, "more like deer than human being." To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn.
Donna Tartt (The Secret History)
If you come, you better come in force because I will kill every single one of you. My hand won't shake, my aim won't falter. My face will be the last thing you'll see before you die." I jammed my knife into the table and walked out.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
Funny how a single word can change everything in your life." "It is not funny at all. Steel is power. Money is power. But of all the things in all the worlds, words are power.
Pierce Brown (Red Rising (Red Rising Saga, #1))
When you healed my arm...You didn't need to bargain with me. You could have demanded every single week of the year." My brows knit together as he turned, already half-consumed by the dark. "Every single week, and I would have said yes." It wasn't entirely a question, but I needed the answer. A half smile appeared on his sensuous lips. "I know," he said, and vanished.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
And second, keep in mind that you are a weapon. In theory, when you're done with training, you should be able to kick a hole in a wall or knock out a moose with a single punch." "I would never hit a moose," said Clary. "They're endangered.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
Share your weaknesses. Share your hard moments. Share your real side. It'll either scare away every fake person in your life or it will inspire them to finally let go of that mirage called "perfection," which will open the doors to the most important relationships you'll ever be a part of.
Dan Pearce (Single Dad Laughing: The Best of Year One)
I love you, Savannah, and I always will," I breathed. "You're the best thing that's ever happened to me. You were my best friend and my lover, and I dont regret a single moment of it. You made me feel alive again, and most of all, you gave me my father. I'll never forget you for that. You're always going to be the very best part of me. I'm sorry it has to be this way, but I have to leave, and you have to see your husband." As I spoke, I could feel her shaking with sobs, and I continued to hold her for a long time afterward. When we finally seperated, I knew that it would be the last time I ever held her. I backed away, my eyes holding Savannah's. "I love you, too, John," she said. "Good-bye." I raised a hand.
Nicholas Sparks (Dear John)
We sat down and Lend put his arm around me. Every single jaw at the table dropped. "Man," John said, shaking his head. "All this time I was pretty sure you were gay.
Kiersten White (Paranormalcy (Paranormalcy, #1))
He took something out of his jacket and handed it to her. It was a long thin dagger in a leather sheath. The hilt of the dagger was set with a single red stone carved in the shape of a rose. She shook her head. "I wouldn't even know how to use that--" He pressed it into her hand, curling her fingers around it. "You'd learn." He dropped his voice. "It's in your blood." She drew her hand back slowly. "All right." "I could give you a thigh sheath to put that in," Isabelle offered. "I've got tons." "CERTAINLY NOT," said Simon.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Heaven has no taste." "Now-" "And not one single sushi restaurant." A look of pain crossed the angel's suddenly very serious face.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
No, I really did. I walked into that room and saw the hottest, sexiest guy I've ever seen - wet and half naked. And I said, "Ewww." I know. How am I still single, right?
Nicole Christie (Falling for the Ghost of You)
If I had to define a major depression in a single sentence, I would describe it as a "genetic/neurochemical disorder requiring a strong environmental trigger whose characteristic manifestation is an inability to appreciate sunsets.
Robert M. Sapolsky (Why Zebras Don't Get Ulcers)
Never do a single thing in the anticipation to prove something to someone who has hurt you. If someone has hurt or offended you (whoever that person may be), never perform anything or strive for anything in your life with the mind of proving something to that someone/ to those people. May nothing that you do be done with any thought of them in mind. There is nothing that needs to be proven.
C. JoyBell C.
Yes, I'm a hermit. Mostly I brood," Mad Rogan said. "Also, I'm very good at wallowing in self-pity. I spend my days steeped in melancholy, looking out the window. Occasionally a single tear quietly rolls down my cheek.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
Dogs are minor angels, and I don't mean that facetiously. They love unconditionally, forgive immediately, are the truest of friends, willing to do anything that makes us happy, etcetera. If we attributed some of those qualities to a person we would say they are special. If they had ALL of them, we would call them angelic. But because it's "only" a dog, we dismiss them as sweet or funny but little more. However when you think about it, what are the things that we most like in another human being? Many times those qualities are seen in our dogs every single day-- we're just so used to them that we pay no attention.
Jonathan Carroll
Believing in negative thoughts is the single greatest obstruction to success.
Charles F. Glassman (Brain Drain - The Breakthrough That Will Change Your Life)
Sometimes a "mistake" can end up being the best decision you ever make.
Mandy Hale (The Single Woman–Life, Love, and a Dash of Sass: Embracing Singleness with Confidence)
Single" means you are brave enough to face the glorious unknown of the unaccompanied journey.
Mandy Hale (The Single Woman–Life, Love, and a Dash of Sass: Embracing Singleness with Confidence)
A dragon has just flown over the tree-tops and lighted on the beach. Yes, I am afraid it is between us and the ship. And arrows are no use against dragons. And they're not at all afraid of fire." "With your Majesty's leave-" began Reepicheep. "No, Reepicheep," said the King very firmly, "you are not to attempt a single combat with it.
C.S. Lewis (The Chronicles of Narnia (The Chronicles of Narnia, #1-7))
It was only then I realized I didn't know the name of Elodin's class. I leafed through the ledger until I spotted Elodin's name, then ran my finger back to where the title of the class was listed in fresh dark ink: "Introduction to Not Being a Stupid Jackass." I sighed and penned my name in the single blank space beneath.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
You're not hurt, Watson? For God's sake, say that you are not hurt!" It was worth a wound -- it was worth many wounds -- to know the depth of loyalty and love which lay behind that cold mask. The clear, hard eyes were dimmed for a moment, and the firm lips were shaking. For the one and only time I caught a glimpse of a great heart as well as of a great brain. All my years of humble but single-minded service culminated in that moment of revelation.
Arthur Conan Doyle (The Case-Book of Sherlock Holmes (Sherlock Holmes, #9))
In theory, when yoou're done with training, you should be able ot kick a hole in a wall or eknock out a moose with a single punch." "I would never hit a moose," said Clary. "They're endangered.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
What?" she asks, but I don't answer. Instead I kiss her, one time, and try to tell her in that single gesture everything that she'll forget as soon as she turns away. I tell her I love her. I tell her I'll miss her. And then I let her go.
Kendare Blake (Girl of Nightmares (Anna, #2))
Love is not just a passion spark between two people; there is infinite difference between falling in love and standing in love. Rather, love is a way of being, a "giving to," not a 'falling for"; a mode of relating at large, not an act limited to a single person.
Irvin D. Yalom (Love's Executioner and Other Tales of Psychotherapy)
Pretend that every single person you meet has a sign around his or her neck that says, "Make me feel important." Not only will you succeed in sales, you will succeed in life.
Mary Kay Ash
she was completely whole and yet never fully complete
Maquita Donyel Irvin Andrews (Stories of a Polished Pistil: Lace and Ruffles)
Every single desire can lead to dream and every single dream has possibility to become reality.
Santosh Kalwar (Quote Me Everyday)
He managed a single laugh. "Who would have thought from the first time we met that we'd be sitting here? You couldn't have told me three months ago that I'd be this miserable over saying goodbye to a girl." My stomach sank. "I don't want you to be miserable." "Then don't go.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
Perry," he said quietly, his fingers trailing down the side of my face, "you'll never have to save my life. You gave me life. I never lived a single day until the first day I met you.
Karina Halle (On Demon Wings (Experiment in Terror, #5))
Preoccupied with a single leaf... you won't see the tree. Preoccupied with a single tree... you'll miss the entire forest. Don't be preoccupied with a single spot. See everything in it's entirety... effortlessly. That is what it means to truly "see.
Takehiko Inoue
The butterfly's wing beat of love can engender a mystical attraction in the neural meanders of our mind and generate emotional torments with a single stroke. ("I seek you")
Erik Pevernagie
Why do you wear gloves, Mister Brekker?" Kaz raised a brow. "I'm sure you've heard the stories." "Each more grotesque than the last." Kaz had heard them, too. Brekker's hands were stained with blood. Brekker's hands were covered in scars. Brekker had claws and not fingers because he was part demon. Brekker's touch burned like brimstone - a single brush of his bare skin caused your flesh to wither and die. "Pick one," Kaz said as he vanished into the night, thoughts already turning to thirty million kruge and the crew he'd need to help him get it. "They're all true enough.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Why haven't I got a husband and children?" mused Greta Garbo to the Dutchess of Windsor, "I never met a man I could marry.
Greta Garbo
Why is it me? Why do you always single me out?" "Because," he says quietly. "You're the only person worth paying attention to.
Ann Liang (I Hope This Doesn't Find You)
The Queen touched her lips thoughtfully with a single long white finger. 'The Fair Folk, unlike humans, do not concern themselves overmuch with liking. Love, perhaps, and hate. Both are useful emotions. But liking . . ." She shrugged elegantly.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Oh, Will," she said, "What can we do? Whatever can we do? I want to live with you forever. I want to kiss you and lie down with you and wake up with you every day of my life till I die, years and years and years away. I don't want a memory, just a memory..." "No," he said. "Memory's a poor thing to have. It's your own real hair and mouth and arms and eyes and hands I want. I didn't know I could ever love anything so much. Oh, Lyra, I wish this night would never end! If only we could stay here like this, and the world could stop turning, and everyone else could fall into a sleep..." "Everyone except us! And you and I could live here forever and just love each other." "I will love you forever; whatever happens. Till I die and after I die, and when I find my way out of the land of the dead, I'll drift about forever, all my atoms, till I find you again..." "I'll be looking for you, Will, every moment, every single moment. And when we do find each other again, we'll cling together so tight that nothing and no one'll ever tear us apart. Every atom of me and every atom of you...We'll live in birds and flowers and dragonflies and pin trees and in clouds and in those little specks of light you see floating in sunbeams...And when they use our atoms to make new lives, they won't just be able to take one, they'll have to take two, one of you and one of me, we'll be joined so tight..." They lay side by side, hand in hand, looking at the sky.
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
Language is a skin: I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip of my words. My language trembles with desire. The emotion derives from a double contact: on the one hand, a whole activity of discourse discreetly, indirectly focuses upon a single signified, which is "I desire you," and releases, nourishes, ramifies it to the point of explosion (language experiences orgasm upon touching itself); on the other hand, I enwrap the other in my words, I caress, brush against, talk up this contact, I extend myself to make the commentary to which I submit the relation endure.
Roland Barthes (A Lover's Discourse: Fragments)
If we take the time to unravel the surreptitious fragments from the past that are veiled in the muddle and jumble of our memory, we may single out the essentials for the present that might be best shots for the future. (Never looking back again", )
Erik Pevernagie
Now you listen to me," says Ove calmly while he carefully closes the door. "You've given birth to two children and quite soon will be squeezing out a third. You've come here from a land far away and most likely you fled war and persecution and all sorts of other nonsense. You've learned a new language and got yourself an education and you're holding together a family of obvious incompetents. And I'll be damned if I've seen you afraid of a single bloody thing in this world before now....I'm not asking for brain surgery. I'm asking you to drive a car. It's got an accelerator, a brake and a clutch. Some of the greatest twits in world history have sorted out how it works. And you will as well." And then he utters seven words, which Parvaneh will always remember as the loveliest compliment he'll ever give her. "Because you are not a complete twit.
Fredrik Backman (A Man Called Ove)
What is a man’s life worth?” Dalinar asked softly. “The slavemasters say one is worth about two emerald broams,” Kaladin said, frowning. “And what do you say?” “A life is priceless,” he said immediately, quoting his father. Dalinar smiled, wrinkle lines extending from the corners of his eyes. “Coincidentally, that is the exact value of a Shardblade. So today, you and your men sacrificed to buy me twenty-six hundred priceless lives. And all I had to repay you with was a single priceless sword. I call that a bargain.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
He swapped the fistful of my shirt for one in my hair, and ground his mouth against mine. I exploded. I shoved at him, and clawed him closer. He shoved me back, and yanked me tighter to his body. I pulled his hair. He pulled mine. He didn‘t fight fair. Actually, he fought exactly fair. He didn‘t extend courtesies, not a single one. I bit his lip. He tripped me and pushed me down to the stone floor of the cavern. I punched him. He straddled me. I ripped his shirt down the front, left it hanging in tatters from his shoulders. "I liked that shirt", he snarled. He rose over me, a dark demon, glistening in the torchlight, dripping sweat and blood, his torso covered with tattoos that disappeared beneath his waistband. He grabbed the hem of my shirt, tore it straight up to my neck, and inhaled sharply.
Karen Marie Moning (Bloodfever (Fever, #2))
Grace: "I wanted to tell you how I felt. Why I was always so mean to you, Shane." - "Because you feel broken?" - "Completely shattered," I whispered softly. Bringing his hands to my face, he leaned over me, lightly stroking my cheeks with his fingertips. - "Then let me in, because I promise you, I will pick up every little broken piece of you, every single fucking piece, Grace, and for the rest of my fucking life I will put you back together... I'll make you whole again.
Christine Zolendz (Saving Grace (Mad World, #2))
Let us thrust aside all the “questions with a single answer”, since the starkness of our imagination can earmark a bountiful logbook to conjure up a widening array of groovy and relevant replies to impending insidious questions. ("Finally things had lost their weightiness")
Erik Pevernagie
And I think missing you hurts the most when something funny happens. Because in that one moment I find myself laughing, and within the next second I want to tell or text you what happened. And then it hits me again, every single time, that you aren’t there anymore. That I lost that one thing that mattered to me.
Elisabeth Van den Abeele
If memorable settings do not ring any bells anymore in the twisting lobes of our memory or do not raise a single tingling in our emotions, let us, then, rethink things over to re-invent ourselves and find out what killed the vital air of our recollection. ("Just for a moment" )
Erik Pevernagie
Let us take care of our Garden of Eden with the fragrance of its flowers and the oxygen of its sheltering trees and savor the fruits of each precious single moment ever since life can be a sparkling ballet expressing the beauties and values that enlighten and enrich us. ( "Why step out of nature?")
Erik Pevernagie
You can close your eyes and think of England, if you like." "I've never even been to England," she said, but she shut her eyelids. She could feel the dank heaviness of her clothes, cold and itchy against her skin, and the cloying sweet air of the cave, colder yet, and the weight of Jace's hands on her shoulders, the only things that were warm. And then he kissed her. She felt the brush of his lips, light at first, and her own opened automatically beneath the pressure. Almost against her will she felt herself go fluid and pliant, stretching upward to twine her arms around his neck the way that a sunflower twists toward light. His arms slid around her, his hands knotting in her hair, and the kiss stopped being gentle and became fierce, all in a single moment like tinder flaring into a blaze.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
The door buzzer sounded again. The two boys exchanged a single look before both bolting down the narrow hallway to the door. Jordan got there first. He grabbed for the coatrack that stood by the door, ripped the coats off it, and flung the door wide, the rack held aboe his head like a javelin. On the other side of the door was Jace. He blinked. "Is that a coatrack?" Jordan slammed the coatrack down on the ground and sighed. "If you'd been a vampire, this would have been a lot more useful." "Yes," said Jace. "Or, you know, just someone with a lot of coats.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
Because it's one of those things I never expected in my lifetime," he told me. "Like a comet. Or world peace. I'm just used to you being single." For some reason, that bothered me. "What, you don't think any guy would ever be interested in me?" Actually," said Adrian, sounding remarkably serious, "I can imagine lots of guys being interested in you.
Richelle Mead (The Golden Lily (Bloodlines, #2))
Love doesn’t die with death. Love is like liquid; when it pours out, it seeps into others’ lives. Love changes form and shape. Love gets into everything. Death doesn’t conquer all; love does. Love wins every single time. Love wins by lasting through death. Love wins by loving more, loving again, loving without fear.
Kate O'Neill
The world of literature has everything in it, and it refuses to leave anything out. I have read like a man on fire my whole life because the genius of English teachers touched me with the dazzling beauty of language. Because of them I rode with Don Quixote and danced with Anna Karenina at a ball in St. Petersburg and lassoed a steer in "Lonesome Dove" and had nightmares about slavery in "Beloved" and walked the streets of Dublin in "Ulysses" and made up a hundred stories in the Arabian nights and saw my mother killed by a baseball in "A Prayer for Owen Meany." I've been in ten thousand cities and have introduced myself to a hundred thousand strangers in my exuberant reading career, all because I listened to my fabulous English teachers and soaked up every single thing those magnificent men and women had to give. I cherish and praise them and thank them for finding me when I was a boy and presenting me with the precious gift of the English language.
Pat Conroy
How did you learn all this?" Vic sighed. "See, while you spend all your time making out with Balthazar, and Raquel stays holed up with her art projects, and Ranulf's off studying his Norse myths again, i do something else. Something crazy. Something strange. I call it 'talking to other people.' Through this miraculous process, I am sometimes able to learn facts about two or three other human beings in a single day. Scientists plan to study my method." ~Vic
Claudia Gray (Stargazer (Evernight, #2))
Did you miss me, Alina? Did you miss me when you were gone?" "Every day," I said hoarsely. "I missed you every hour. And you know what the worst part was? It caught me completely by surprise. I'd catch myself walking around to find you, not for any reason, just out of habit, because I'd seen something I wanted to tell you about, or because I just wanted to hear your voice. And then I'd realize that you weren't there anymore, and every time, every single time, it was like having the wind knocked out of me. I've risked my life for you. I've walked half the length of Ravka for you, and I'd do it again and again and again just to be with you, just to starve with you and freeze with you and hear you complain about hard cheese every day. So don't tell me we don't belong together," he said fiercely. He was very close now, and my heart was suddenly hammering in my chest. "I'm sorry it took me so long to see you, Alina. But I see you now.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
Let us not subside into a single mandatory way of thinking or feeling, immersed by a spirit of self-gratification. But let’s dig into the fresh energy of new boundaries and at the same time pick the blossoms of poetry welling up along the path of our life, and enjoy the innocence of the little wonders of every day. ("A Thousand times touched." )
Erik Pevernagie
The many unsuspected little things on our road can strike us in their innocence and cure eye blindness and deafness. They may connect us with the people, and with our selves. The sparkle of every single moment can conjure up promising expectations and new budding of imagination. ("The grass was greener over there")
Erik Pevernagie
It amazes me that we are all on Twitter and Facebook. By "we" I mean adults. We're adults, right? But emotionally we're a culture of seven-year-olds. Have you ever had that moment when are you updating your status and you realize that every status update is just a variation on a single request: "Would someone please acknowledge me?
Marc Maron (Attempting Normal)
If I had a camera," I said, "I'd take a picture of you every day. That way I'd remember how you looked every single day of your life." "I look exactly the same." "No, you don't. You're changing all the time. Every day a tiny bit. If I could, I'd keep a record of it all." "If you're so smart, how did I change today?" "You got a fraction of a millimeter taller, for one thing. Your hair grew a fraction of a millimeter longer. And your breasts grew a fraction of a—" "They did not!" "Yes, they did." "Did NOT." "Did too." "What else, you big pig?" "You got a little happier and also a little sadder." "Meaning they cancel out each other, leaving me exactly the same." "Not at all. The fact that you got a little happier today doesn't change the fact that you also become a little sadder. Every day you become a little more of both, which means that right now, at this exact moment, you're the happiest and the saddest you've ever been in your whole life." "How do you know?" "Think about it. Have you ever been happier or sadder than right now, lying here in this grass?" "I guess not. No." "And have you ever been sadder?" "No." "It isn't like that for everyone, you know. Some people[...]" "What about you? Are you the happiest and saddest right now that you've ever been?" "Of course I am." "Why?" "Because nothing makes me happier and nothing makes me sadder than you.
Nicole Krauss (The History of Love)
If Cinderella were given a single shining epiphany (instead of a fairy godmother), she would have realized: "This is my father's house. This is my father's estate. I am the rightful heiress to everything here!" then she would have said: "Get off of my property, take nothing with you, and never show your faces to me again! You ugly, bitter, insecure, envious witches!" And I'm sure she would have been happier, sooner!
C. JoyBell C.
I mean, d'you know what eternity is? There's this big mountain, see, a mile high, at the end of the universe, and once every thousand years there's this little bird-" -"What little bird?" said Aziraphale suspiciously. -"This little bird I'm talking about. And every thousand years-" -"The same bird every thousand years?" -Crowley hesitated. "Yeah," he said. -"Bloody ancient bird, then." -"Okay. And every thousand years this bird flies-" -"-limps-" -"-flies all the way to this mountain and sharpens its beak-" -"Hold on. You can't do that. Between here and the end of the universe there's loads of-" The angel waved a hand expansively, if a little unsteadily. "Loads of buggerall, dear boy." -"But it gets there anyway," Crowley persevered. -"How?" -"It doesn't matter!" -"It could use a space ship," said the angel. Crowley subsided a bit. "Yeah," he said. "If you like. Anyway, this bird-" -"Only it is the end of the universe we're talking about," said Aziraphale. "So it'd have to be one of those space ships where your descendants are the ones who get out at the other end. You have to tell your descendants, you say, When you get to the Mountain, you've got to-" He hesitated. "What have they got to do?" -"Sharpen its beak on the mountain," said Crowley. "And then it flies back-" -"-in the space ship-" -"And after a thousand years it goes and does it all again," said Crowley quickly. There was a moment of drunken silence. -"Seems a lot of effort just to sharpen a beak," mused Aziraphale. -"Listen," said Crowley urgently, "the point is that when the bird has worn the mountain down to nothing, right, then-" Aziraphale opened his mouth. Crowley just knew he was going to make some point about the relative hardness of birds' beaks and granite mountains, and plunged on quickly. -"-then you still won't have finished watching The Sound of Music." Aziraphale froze. -"And you'll enjoy it," Crowley said relentlessly. "You really will." -"My dear boy-" -"You won't have a choice." -"Listen-" -"Heaven has no taste." -"Now-" -"And not one single sushi restaurant." A look of pain crossed the angel's suddenly very serious face.
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
You don’t have any friends, your sister dumped you, you’re a freak eater..and you’ve got some weird thing about Simon Snow." "I object to every single thing you just said." Reagan chewed. And frowned. She was wearing dark red lipstick. "I have lots of friends," Cath said. "I never see them." "I just got here. Most of my friends went to other schools. Or they’re online." "Internet friends don’t count." "Why not?" Reagan shrugged disdainfully. "And I don’t have a weird thing with Simon Snow," Cath said. "I’m just really active in the fandom." "What the fuck is ‘the fandom’?
Rainbow Rowell (Fangirl)
That's all true, but I'm not doing it." Raphael looked incredulous. "Why not?" The words exploded out of Simon. "Are you kidding me? Because you have never done one single thing for me in the entire time since I became a vampire. Instead you have done your level best to make my life miserable and then end it. So-if you want it in vampire language-it affords me great pleasure, my liege, to say to you now: Hell, no.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
If the difference between guys and men is still unclear, here are a few examples that apply to dating: A guy uses women to build his self-esteem. A man already has it. A guy likes to "hang out" with a woman he's interested in. A man asks her out. A guy doesn't make a move until he's sure there's no risk. A man is bold and clear with his intentions. A guy plays games with a woman. A man has no time for games because they keep him from getting to know the woman. A guy will become bitter and angry with a woman when she denies him. A man accepts that dating involves risk. A guy fears and worships women. A man respects and adores them but fears and worships only God. Guys are cool and indifferent. Men are hot and passionate.
Stephen W. Simpson (What Women Wish You Knew about Dating: A Single Guy'S Guide To Romantic Relationships)
Living a life fully engaged and full of whimsy and the kind of things that love does is something most people plan to do, but along the way they just kind of forget. Their dreams become one of those "we'll go there next time" deferrals. The sad thing is, for many there is no "next time" because passing on the chance to cross over is an overall attitude toward life rather than a single decision.
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
Woods? Do you have a sec?" Ty asks. "Sure." "Alone?" Ty eyes Henry and Jerry Rice, and I jerk my head at Henry. "Fine," Henry says, rolling his eyes. "Divorce me if you must, Woods. I can't believe I've only been married half an hour and I'm already a single parent." Ty holds the door to the gym open so Henry can get the stroller through. I giggle at the sight of him carrying those diaper bags across the gym.
Miranda Kenneally (Catching Jordan (Hundred Oaks, #1))
You know the old saying: 'one riot, one Ranger.'" The saying stemmed from a legendary event in the past. A minor fief had risen up against their cruel and avaricious lord, with hundreds of people surrounding his mano house, threatening to burn it to the ground. The panicked nobleman's message for help was answered by the arrival of a single Ranger. Aghast, the nobleman confronted the solitary figure. They sent one Ranger?" he said incredulously. "One man?" How many riots do you have?" the Ranger replied. On this occasion, however, Duncan was not inclined to be swayed by a legend. "I have a new saying," he replied. "One daughter, two Rangers." Two and a half," Will corrected him. The King couldn't help smiling at the eager young face before him. Don't sell yourself short," he said. "Two and three-quarters.
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
Professor Dumbledore. Can I ask you something?" "Obviously, you've just done so," Dumbledore smiled. "You may ask me one more thing, however." "What do you see when you look in the mirror?" "I? I see myself holding a pair of thick, woolen socks." Harry stared. "One can never have enough socks," said Dumbledore. "Another Christmas has come and gone and I didn't get a single pair. People will insist on giving me books." It was only when he was back in bed that it struck Harry that Dumbledore might not have been quite truthful. But then, he thought, as he shoved Scabbers off his pillow, it had been quite a personal question.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
...And I'm not ready to tell you I'm in love with you, because I'm not. Not yet. But whatever this I'm feeling - it's so much more than like...And for the past few weeks I've been trying to figure it out. I've been trying to figure out why there isn't some word to describe it. I want to tell you exactly how I feel but there isn't a single goddamned word in the entire dictionary that can describe this point between liking you and loving you, but I need that word..." "Living,"she finally whispers. "I live you, Sky...I live you so much.
Colleen Hoover (Losing Hope (Hopeless, #2))
With the world securely in order, Dain was able to devote the leisurely bath time to editing his mental dictionary. He removed his wife from the general category labeled "Females" and gave her a section of her own. He made a note that she didn't find him revolting, and proposed several explanations: (a) bad eyesight and faulty hearing, (b)a defect in a portion of her otherwise sound intellect, (c) an inherited Trent eccentricity, or (d) an act of God. Since the Almighty had not done him a single act of kindness in at least twenty-five years, Dain thought it was about bloody time, but he thanked his Heavenly Father all the same, and promised to be as good as he was capable of being.
Loretta Chase (Lord of Scoundrels (Scoundrels, #3))
Karrin." She looked up at me. She looked very young somehow. "Remember what I said yesterday," I said. "You're hurt. But you'll get through it. You'll be okay." She closed her eyes tightly. "I'm scared. So scared I'm sick." "You'll get through it." "What if I don't?" I squeezed her fingers. "Then I will personally make fun of you every day for the rest of your life," I said. "I will call you a sissy girl in front of everyone you know, tie frilly aprons on your car, and lurk in the parking lot at CPD and whistle and tell you to shake it, baby. Every. Single. Day." Murphy's breath escaped in something like a hiccup. She opened her eyes, a mix of anger and wary amusement easing into them in place of fear. "You do realize I'm holding a gun, right?
Jim Butcher (Summer Knight (The Dresden Files, #4))
Always. In the twilight of the morphling, Peeta whispers the word and I go searching for him. It's a gauzy, violet-tinted world, with no hard edges, and many places to hide. I push through cloud banks, follow faint tracks, catch the scent of cinnamon, of dill. Once I feel his hand on my cheek and try to trap it, but it dissolves like mist through my fingers. When I finally begin to surface into the sterile hospital room in 13, I remember. I was under the influence of sleep syrup. My heel had been injured after I'd climbed out on a branch over the electric fence and dropped back into 12. Peeta had put me to bed and I had asked him to stay with me as I was drifting off. He had whispered something I couldn't quite catch. But some part of my brain had trapped his single word of reply and let it swim up through my dreams to taunt me now. "Always.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
I carried the books to my room and read through the night. I loved the fiery pages of Mary Wollstonecraft, but there was a single line written by John Stuart Mill that, when I read it, moved the world: "It is a subject on which nothing final can be known." The subject Mill had in mind was the nature of women. Mill claimed that women have been coaxed, cajoled, shoved and squashed into a series of feminine contortions for so many centuries, that it is now quite impossible to define their natural abilities or aspirations. Blood rushed to my brain; I felt an animating surge of adrenaline, of possibility, of a frontier being pushed outward. Of the nature of women, nothing final can be known. Never had I found such comfort in a void, in the black absence of knowledge. It seemed to say: whatever you are, you are woman.
Tara Westover (Educated)
Only two years dead, and it was getting harder for me to feel…anything. I was starting to slip into the darkness. The numbness. And the worst part is that it wasn’t even scary. I was losing myself, and I didn’t even care. Then I met you, and at first I didn’t understand what had happened. What had changed. All I knew was that I wanted to be near you. Then you helped me with Addison, even though it nearly got you killed—I nearly got you killed—and I started to understand how special you are. But by then, you were getting serious with Nash. With my brother—one of few people in the whole world I still gave a damn about. So I tried to stay away. I tried so hard.” His voice cracked on the last word, and my heart cracked with it. Tears stood in my eyes, but I was afraid to let them fall. I was afraid to even breathe for fear of missing a single word. "But you kept pulling me back. You’re the brightest thing I’ve ever seen, Kaylee. You’re this beautiful ball of fire spitting sparks out at the world, burning fiercely, holding back the dark by sheer will. And I always knew that if I reached out—if I tried to touch you—I’d get burned. Because you’re not mine. I’m not supposed to feel the fire. I’m not supposed to want it. But I do. I want you, Kaylee, like I’ve never wanted anything. Ever. I want the fire. I want the heat, and the light, and I want the burn.
Rachel Vincent (If I Die (Soul Screamers, #5))
Dispassionately, reasonably, he contemplated the failure that his life must appear to be. He had wanted friendship and the closeness of friendship that might hold him in the race of mankind; he had had two friends, one of whom had died senselessly before he was known, the other of whom had now withdrawn so distantly into the ranks of the living that... He had wanted the singleness and the still connective passion of marriage; he had had that, too, and he had not known what to do with it, and it had died. He had wanted love; and he had had love, and had relinquished it, had let it go into the chaos of potentiality. Katherine, he thought. "Katherine." And he had wanted to be a teacher, and he had become one; yet he knew, he had always known, that for most of his life he had been an indifferent one. He had dreamed of a kind of integrity, of a kind of purity that was entire; he had found compromise and the assaulting diversion of triviality. He had conceived wisdom, and at the end of the long years he had found ignorance. And what else? he thought. What else? What did you expect? he asked himself.
John Williams (Stoner)
Hey!" I yell. Everyone turns around and looks at us. I glance at Six and her eyes are wide. I inhale a deep breath, then turn back to the table. Specifically to Holder. "She fist bumped me,"I say, pointing at Six. "It's not my fault. She hates purses and she fist bumped me, then she made me push her on the damn merry-go-round. After that, she demanded to see where I had sex in the park, then she forced me to sneak into my own bedroom. She's weird and half the time I can't keep up with her, but she thinks I'm funny as hell. And Chunk asked me this morning if I wanted to love her someday, and I realized I've never hoped I could love someone more than I want to love her. So every single one of you who has an issue with us dating is going to have to get over it because..." I pause and turn toward Six. "Because you fist bumped me and I could care less who knows we're together. I'm not going anywhere and I don't want to go anywhere so stop thinking I'm into you because I'm not supposed to be into you." I lift my hands and tilt her face toward mine. "I'm into you because you're awesome. And because you let me accidentally touch your boob." She's smiling wider than I've ever seen her smile. "Daniel Wesley, where'd you learn those smooth moves?" I laugh. "Not moves, Six. Charisma.
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
There was a loud scraping noise as five chairs slid backward. The men rose as a unit. And started coming for her. She looked to the faces of the two she knew, but their grave expressions weren't encouraging. And then the knives came out. With a metallic whoosh, five black daggers were unsheathed. She backed up frantically, hands in front of herself. She slammed into a wall and was about to scream for Wrath when the men dropped down on bended knees in a circle around her. In a single movement, as if they'd been choreographed, they buried the daggers into the floor at her feet and bowed their heads. The great whoomp of sound as steel met wood seemed both a pledge and a battle cry. The handles of the knives vibrated. The rap music continued to pound. They seemed to be waiting for some kind of response from her. "Umm. Thank you," she said. The men's heads lifted. Etched into the harsh planes of their faces was total reverence. Even the scarred one had a respectful expression. And then Wrath came in with a squeeze bottle of Hershey's syrup. "Bacon's on the way." He smiled. "Hey, they like you." "And thank God for that," she murmured, looking down at the daggers.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
Can I tell you a boring science fact?" she whispered. "I bet you didn't learn it in Shadowhunter history class." "If you're trying to distract me from talking about my feelings, you're not being very subtle about it." He touched her face. "You know I make speeches. It's okay. You don't have to make them back. Just tell me you love me," "I'm not trying to distract you." She held up her hand and wiggles the fingers. "There are a hundred trillion cells in the human body," she said. "And every single one of the cells of my body loves you. We shed cells, and grow new ones, and my new cells love you more than the old ones, which is why I love you more every day than I did before. It's science. And when I die and they burn my body and I become ashes that mix with the air, and part of the ground and the trees and the stars, everyone who breathes air of sees the flowers that grow out of the ground or looks up at the stars will remember you and love you, because I love you that much," She smiled. "How was that for a speech?
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
But, of course, putting yourself out there takes vulnerability. Vulnerability is hard, and we, as a rule, tend to go for what’s easy; by that logic, closing ourselves off is the easiest thing in the world. We quote the words of others to do our talking for us, send each other links to articles and stories in lieu of actual conversation, post pretty pictures to adequately convey our current state of mind, all to avoid having to proffer a single identifiable human emotion. We keep in touch with relatives by emailing them mawkishly inspirational chain letters once in a while. We regurgitate memes to approximate the feeling of being in the loop.
Phil Roland
We live together, we act on, and react to, one another; but always and in all circumstances we are by ourselves. The martyrs go hand in hand into the arena; they are crucified alone. Embraced, the lovers desperately try to fuse their insulated ecstasies into a single self-transcendence; in vain. By its very nature every embodied spirit is doomed to suffer and enjoy in solitude. Sensations, feelings, insights, fancies - all these are private and, except through symbols and at second hand, incommunicable. We can pool information about experiences, but never the experiences themselves. From family to nation, every human group is a society of island universes. Most island universes are sufficiently like one another to Permit of inferential understanding or even of mutual empathy or "feeling into." Thus, remembering our own bereavements and humiliations, we can condole with others in analogous circumstances, can put ourselves (always, of course, in a slightly Pickwickian sense) in their places. But in certain cases communication between universes is incomplete or even nonexistent. The mind is its own place, and the Places inhabited by the insane and the exceptionally gifted are so different from the places where ordinary men and women live, that there is little or no common ground of memory to serve as a basis for understanding or fellow feeling. Words are uttered, but fail to enlighten. The things and events to which the symbols refer belong to mutually exclusive realms of experience.
Aldous Huxley (The Doors of Perception & Heaven and Hell)
He cocked his head in an overly dramatic fashion. "Hey, I just got it: it was you, wasn't it?" He looked at Lissa, the back at me. "She got you to kill the fox, didn't she?Some weird kind of lesbian voo—ahhh!” Ralf burst into flames. I jumped up and pushed Lissa out of the way—not easy to do, since we were sitting at our desks. We both ended up on the floor as screams—Ralf's in particular—filled the classroom and Ms. Meissner sprinted for the fire extinguisher. And then, just like that, the flames disappeared. Ralf was still screaming and patting himself down, but he didn't have a single singe mark on him. The only indication of what had happened was the lingering smell of smoke in the air. For several seconds, the entire classroom froze. Then, slowly, everyone put the pieces together. Moroi magical specializations were well known, and after scanning the room, I deduced three fire users: Ralf, his friend Jacob, and— Christian Ozera. Since neither Jacob nor Ralf would have set Ralf on fire, it sort of made the culprit obvious. The fact that Christian was laughing hysterically sort of gave it away too.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
Then the best thing I can do is—" He froze. The brown eyes that had been narrowed with aggravation suddenly went wide with...what? Amazement? Awe? Or perhaps that stunned feeling I kept having when I saw him? Because suddenly, I was pretty sure he was experiencing the same thing I had earlier. He'd seen me plenty of times in Siberia. He'd seen me just the other night at the warehouse. But now...now he was truly viewing me with his own eyes. Now that he was no longer Strigoi, his whole world was different. His outlook and feelings were different. Even his soul was different. It was like one of those moments when people talked about their lives flashing before their eyes. Because as we stared at one another, every part of our relationship replayed in my mind's eye. I remembered how strong and invincible he'd been when we first met, when he'd come to bring Lissa and me back to the folds of Moroi society. I remembered the gentleness of his touch when he's bandaged my bloodies and bettered hands. I remembered him carrying me in his arms after Victor's daughter Natalie had attacked me. Most of all, I remembered the night we'd been together in the cabin, just before the Strigoi had taken him. A year. We'd known each other only a year but we'd lived a lifetime in it. And he was realizing that too, I knew as he studied me. His gaze was all-powerful, taking in every single one of my features and filing them away. Dimly, I tried to recall what I looked like today. I still wore the dress from the secret meeting and knew it looked good on me. My eyes were probably bloodshot from crying earlier, and I'd only had time for a quick brushing of my hair before heading off with Adrian. Somehow, I doubted any of it mattered. The way Dimitri was looking at me...it confirmed everything I'd suspected. The feelings he'd had for me before he'd been turned-the feelings that had become twisted while a Strigoi—were all still there. They had to be. Maybe Lissa was his savior. Maybe the rest of the Court thought she was a goddess. I knew, right then, that no matter how bedraggled I looked or how blank he tried to keep his face, I was a goddess to him.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
Maybe I owe you something too, human," she said, drawing her pistol. Butler almost reacted, but decided to give Holly the benefit of the doubt. Captain Short plucked a gold coin from her belt, flicking it fifty feet into the moonlit sky. With one fluid movement, she brought her weapon up and loosed a single blast. The coin rose another fifty feet, then spun earthward. Artemis somehow managed to snatch it from the air. The first cool movement of his young life. "Nice shot," he said. The previously solid disk now had a tiny hole in the center. Holly held out her hand, revealing the still raw scar on her finger. "If it wasn't for you, I would have missed altogether. No mech-digit can replicate that kind of accuracy. So, thank you too, I suppose." Artemis held out the coin. "No," said Holly. "You keep it, to remind you." "To remind me?" Holly stared at him frankly. "To remind you that deep beneath the layers of deviousness, you have a spark of decency. Perhaps you could blow on that spark occasionally." Artemis closed his fingers around the coin. It was warm against his palm. "Yes, perhaps.
Eoin Colfer (The Arctic Incident (Artemis Fowl, #2))
...Whilst on board the Beagle I was quite orthodox, and I remember being heartily laughed at by several of the officers... for quoting the Bible as an unanswerable authority on some point of morality... But I had gradually come by this time, i.e., 1836 to 1839, to see that the Old Testament from its manifestly false history of the world, with the Tower of Babel, the rainbow at sign, &c., &c., and from its attributing to God the feelings of a revengeful tyrant, was no more to be trusted than the sacred books of the Hindoos, or the beliefs of any barbarian. ...By further reflecting that the clearest evidence would be requisite to make any sane man believe in the miracles by which Christianity is supported, (and that the more we know of the fixed laws of nature the more incredible do miracles become), that the men at that time were ignorant and credulous to a degree almost uncomprehensible by us, that the Gospels cannot be proved to have been written simultaneously with the events, that they differ in many important details, far too important, as it seemed to me, to be admitted as the usual inaccuracies of eyewitnesses; by such reflections as these, which I give not as having the least novelty or value, but as they influenced me, I gradually came to disbelieve in Christianity as a divine revelation. The fact that many false religions have spread over large portions of the earth like wild-fire had some weight with me. Beautiful as is the morality of the New Testament, it can be hardly denied that its perfection depends in part on the interpretation which we now put on metaphors and allegories. But I was very unwilling to give up my belief... Thus disbelief crept over me at a very slow rate, but was at last complete. The rate was so slow that I felt no distress, and have never since doubted even for a single second that my conclusion was correct. I can indeed hardly see how anyone ought to wish Christianity to be true; for if so the plain language of the text seems to show that the men who do not believe, and this would include my Father, Brother and almost all of my friends, will be everlastingly punished. And this is a damnable doctrine.
Charles Darwin (The Autobiography of Charles Darwin, 1809–82)
I mean it. I can't go alone. And I really can't go with Levana." "Well, there are about 200,000 single girls in this city who would fall over themselves to have the privilege." A hush passed between them... "Cinder." She couldn't help it. She looked at him... "200,000 single girls," he said. "Why not you?" Cyborg. Lunar. Mechanic. She was the last thing he wanted. She opened her lips, and the elevator stopped. "I'm sorry. But trust me---you don't want to go with me." The doors opened and the tension released her. She rushed out of the elevator, head down, trying to look at the small group of people waiting for the elevator. "Come to the ball with me." She froze. Everyone in the hallway froze. Cinder turned back. Kai was still standing in elevator B one hand propping open the door. Her nerves frazzled, and all the emotions of the past hour were converging into a single sickening feeling---exasperation. The hall was filled with doctors, nurses, androids, officials, technicians, and they all fell into an awkward hush and stared at the prince and the girl in the baggy cargo pants he was flirting with. Flirting. Squaring her shoulders, she retreated back into the elevator and pushed him inside, not even caring that it was her metal hand. "Hold the elevator," he said to the android as the doors shut behind him. He smiled. "That got your attention.
Marissa Meyer
The means of production being the collective work of humanity, the product should be the collective property of the race. Individual appropriation is neither just nor serviceable. All belongs to all. All things are for all men, since all men have need of them, since all men have worked in the measure of their strength to produce them, and since it is not possible to evaluate every one's part in the production of the world's wealth. All things are for all. Here is an immense stock of tools and implements; here are all those iron slaves which we call machines, which saw and plane, spin and weave for us, unmaking and remaking, working up raw matter to produce the marvels of our time. But nobody has the right to seize a single one of these machines and say, "This is mine; if you want to use it you must pay me a tax on each of your products," any more than the feudal lord of medieval times had the right to say to the peasant, "This hill, this meadow belong to me, and you must pay me a tax on every sheaf of corn you reap, on every rick you build." All is for all! If the man and the woman bear their fair share of work, they have a right to their fair share of all that is produced by all, and that share is enough to secure them well-being. No more of such vague formulas as "The Right to work," or "To each the whole result of his labour." What we proclaim is The Right to Well-Being: Well-Being for All!
Pyotr Kropotkin (The Conquest of Bread (Working Classics))
You are not you--you have no body, no blood, no bones, you are but a thought. I myself have no existence; I am but a dream--your dream, a creature of your imagination. In a moment you will have realized this, then you will banish me from your visions and I shall dissolve into the nothingness out of which you made me. I am perishing already, I am failing, I am passing away. In a little while you will be alone in shoreless space, to wander its limitless solitudes without friend or comrade forever—for you will remain a thought, the only existent thought, and by your nature inextinguishable, indestructible. But I, your poor servant, have revealed you to yourself and set you free. Dream other dreams, and better! Strange! that you should not have suspected years ago—centuries, ages, eons, ago!—for you have existed, companionless, through all the eternities. Strange, indeed, that you should not have suspected that your universe and its contents were only dreams, visions, fiction! Strange, because they are so frankly and hysterically insane—like all dreams: a God who could make good children as easily as bad, yet preferred to make bad ones; who could have made every one of them happy, yet never made a single happy one; who made them prize their bitter life, yet stingily cut it short; who gave his angels eternal happiness unearned, yet required his other children to earn it; who gave his angels painless lives, yet cursed his other children with biting miseries and maladies of mind and body; who mouths justice and invented hell—mouths mercy and invented hell—mouths Golden Rules, and forgiveness multiplied by seventy times seven, and invented hell; who mouths morals to other people and has none himself; who frowns upon crimes, yet commits them all; who created man without invitation, then tries to shuffle the responsibility for man's acts upon man, instead of honorably placing it where it belongs, upon himself; and finally, with altogether divine obtuseness, invites this poor, abused slave to worship him! You perceive, now, that these things are all impossible except in a dream. You perceive that they are pure and puerile insanities, the silly creations of an imagination that is not conscious of its freaks—in a word, that they are a dream, and you the maker of it. The dream-marks are all present; you should have recognized them earlier. "It is true, that which I have revealed to you; there is no God, no universe, no human race, no earthly life, no heaven, no hell. It is all a dream—a grotesque and foolish dream. Nothing exists but you. And you are but a thought—a vagrant thought, a useless thought, a homeless thought, wandering forlorn among the empty eternities!
Mark Twain (The Mysterious Stranger)
She's locked up with a spinning wheel She can't recall what it was like to feel She says, "This room's gonna be my grave And there's no one who can save me," She sits down to her colored thread She knows lovers waking up in their beds She says, "How long can I live this way Is there someone I can pay to let me go 'Cause I'm half sick of shadows I want to see the sky Everyone else can watch as the sun goes down So why can't I And it's raining And the stars are falling from the sky And the wind And the wind I know it's cold I've been waiting For the day I will surely die And it's here And it's here for I've been told That I'll die before I'm old And the wind I know it's cold... She looks up to the mirrored glass She sees a horse and rider pass She says, "This man's gonna be my death 'Cause he's all I ever wanted in my life And I know he doesn't know my name And that all the girls are all the same to him But still I've got to get out of this place 'Cause I don't think I can face another night Where I'm half sick of shadows And I can't see the sky Everyone else can watch as the tide comes in So why can't I But there's willow trees And little breezes, waves, and walls, and flowers And there's moonlight every single night As I'm locked in these towers So I'll meet my death But with my last breath I'll sing to him I love And he'll see my face in another place," And with that the glass above Her cracked into a million bits And she cried out, "So the story fits But then I could have guessed it all along 'Cause now some drama queen is gonna write a song for me," She went down to her little boat And she broke the chains and began to float away And as the blood froze in her veins she said, "Well then that explains a thing or two 'Cause I know I'm the cursed one I know I'm meant to die Everyone else can watch as their dreams untie So why can't I
Emilie Autumn
There is nothing so annoying as to be fairly rich, of a fairly good family, pleasing presence, average education, to be "not stupid," kindhearted, and yet to have no talent at all, no originality, not a single idea of one's own—to be, in fact, "just like everyone else." Of such people there are countless numbers in this world—far more even than appear. They can be divided into two classes as all men can—that is, those of limited intellect, and those who are much cleverer. The former of these classes is the happier. To a commonplace man of limited intellect, for instance, nothing is simpler than to imagine himself an original character, and to revel in that belief without the slightest misgiving. Many of our young women have thought fit to cut their hair short, put on blue spectacles, and call themselves Nihilists. By doing this they have been able to persuade themselves, without further trouble, that they have acquired new convictions of their own. Some men have but felt some little qualm of kindness towards their fellow-men, and the fact has been quite enough to persuade them that they stand alone in the van of enlightenment and that no one has such humanitarian feelings as they. Others have but to read an idea of somebody else's, and they can immediately assimilate it and believe that it was a child of their own brain. The "impudence of ignorance," if I may use the expression, is developed to a wonderful extent in such cases;—unlikely as it appears, it is met with at every turn. ... those belonged to the other class—to the "much cleverer" persons, though from head to foot permeated and saturated with the longing to be original. This class, as I have said above, is far less happy. For the "clever commonplace" person, though he may possibly imagine himself a man of genius and originality, none the less has within his heart the deathless worm of suspicion and doubt; and this doubt sometimes brings a clever man to despair. (As a rule, however, nothing tragic happens;—his liver becomes a little damaged in the course of time, nothing more serious. Such men do not give up their aspirations after originality without a severe struggle,—and there have been men who, though good fellows in themselves, and even benefactors to humanity, have sunk to the level of base criminals for the sake of originality)
Fyodor Dostoevsky (The Idiot)
The Western States nervous under the beginning change. Texas and Oklahoma, Kansas and Arkansas, New Mexico, Arizona, California. A single family moved from the land. Pa borrowed money from the bank, and now the bank wants the land. The land company--that's the bank when it has land --wants tractors, not families on the land. Is a tractor bad? Is the power that turns the long furrows wrong? If this tractor were ours it would be good--not mine, but ours. If our tractor turned the long furrows of our land, it would be good. Not my land, but ours. We could love that tractor then as we have loved this land when it was ours. But the tractor does two things--it turns the land and turns us off the land. There is little difference between this tractor and a tank. The people are driven, intimidated, hurt by both. We must think about this. One man, one family driven from the land; this rusty car creaking along the highway to the west. I lost my land, a single tractor took my land. I am alone and bewildered. And in the night one family camps in a ditch and another family pulls in and the tents come out. The two men squat on their hams and the women and children listen. Here is the node, you who hate change and fear revolution. Keep these two squatting men apart; make them hate, fear, suspect each other. Here is the anlarge of the thing you fear. This is the zygote. For here "I lost my land" is changed; a cell is split and from its splitting grows the thing you hate--"We lost our land." The danger is here, for two men are not as lonely and perplexed as one. And from this first "we" there grows a still more dangerous thing: "I have a little food" plus "I have none." If from this problem the sum is "We have a little food," the thing is on its way, the movement has direction. Only a little multiplication now, and this land, this tractor are ours. The two men squatting in a ditch, the little fire, the side- meat stewing in a single pot, the silent, stone-eyed women; behind, the children listening with their souls to words their minds do not understand. The night draws down. The baby has a cold. Here, take this blanket. It's wool. It was my mother's blanket--take it for the baby. This is the thing to bomb. This is the beginning--from "I" to "we." If you who own the things people must have could understand this, you might preserve yourself. If you could separate causes from results, if you could know Paine, Marx, Jefferson, Lenin, were results, not causes, you might survive. But that you cannot know. For the quality of owning freezes you forever into "I," and cuts you off forever from the "we." The Western States are nervous under the begining change. Need is the stimulus to concept, concept to action. A half-million people moving over the country; a million more restive, ready to move; ten million more feeling the first nervousness. And tractors turning the multiple furrows in the vacant land.
John Steinbeck (The Grapes of Wrath)
My dearest friend Abigail, These probably could be the last words I write to you and I may not live long enough to see your response but I truly have lived long enough to live forever in the hearts of my friends. I thought a lot about what I should write to you. I thought of giving you blessings and wishes for things of great value to happen to you in future; I thought of appreciating you for being the way you are; I thought to give sweet and lovely compliments for everything about you; I thought to write something in praise of your poems and prose; and I thought of extending my gratitude for being one of the very few sincerest friends I have ever had. But that is what all friends do and they only qualify to remain as a part of the bunch of our loosely connected memories and that's not what I can choose to be, I cannot choose to be lost somewhere in your memories. So I thought of something through which I hope you will remember me for a very long time. I decided to share some part of my story, of what led me here, the part we both have had in common. A past, which changed us and our perception of the world. A past, which shaped our future into an unknown yet exciting opportunity to revisit the lost thoughts and to break free from the libido of our lost dreams. A past, which questioned our whole past. My dear, when the moment of my past struck me, in its highest demonised form, I felt dead, like a dead-man walking in flesh without a soul, who had no reason to live any more. I no longer saw any meaning of life but then I saw no reason to die as well. I travelled to far away lands, running away from friends, family and everyone else and I confined myself to my thoughts, to my feelings and to myself. Hours, days, weeks and months passed and I waited for a moment of magic to happen, a turn of destiny, but nothing happened, nothing ever happens. I waited and I counted each moment of it, thinking about every moment of my life, the good and the bad ones. I then saw how powerful yet weak, bright yet dark, beautiful yet ugly, joyous yet grievous; is a one single moment. One moment makes the difference. Just a one moment. Such appears to be the extreme and undisputed power of a single moment. We live in a world of appearance, Abigail, where the reality lies beyond the appearances, and this is also only what appears to be such powerful when in actuality it is not. I realised that the power of the moment is not in the moment itself. The power, actually, is in us. Every single one of us has the power to make and shape our own moments. It is us who by feeling joyful, celebrate for a moment of success; and it is also us who by feeling saddened, cry and mourn over our losses. I, with all my heart and mind, now embrace this power which lies within us. I wish life offers you more time to make use of this power. Remember, we are our own griefs, my dear, we are our own happinesses and we are our own remedies. Take care! Love, Francis. Title: Letter to Abigail Scene: "Death-bed" Chapter: The Road To Awe
Huseyn Raza
I saw a banner hanging next to city hall in downtown Philadelphia that read, "Kill them all, and let God sort them out." A bumper sticker read, "God will judge evildoers; we just have to get them to him." I saw a T-shirt on a soldier that said, "US Air Force... we don't die; we just go to hell to regroup." Others were less dramatic- red, white, and blue billboards saying, "God bless our troops." "God Bless America" became a marketing strategy. One store hung an ad in their window that said, "God bless America--$1 burgers." Patriotism was everywhere, including in our altars and church buildings. In the aftermath of September 11th, most Christian bookstores had a section with books on the event, calendars, devotionals, buttons, all decorated in the colors of America, draped in stars and stripes, and sprinkled with golden eagles. This burst of nationalism reveals the deep longing we all have for community, a natural thirst for intimacy... September 11th shattered the self-sufficient, autonomous individual, and we saw a country of broken fragile people who longed for community- for people to cry with, be angry with, to suffer with. People did not want to be alone in their sorrow, rage, and fear. But what happened after September 11th broke my heart. Conservative Christians rallies around the drums of war. Liberal Christian took to the streets. The cross was smothered by the flag and trampled under the feet of angry protesters. The church community was lost, so the many hungry seekers found community in the civic religion of American patriotism. People were hurting and crying out for healing, for salvation in the best sense of the word, as in the salve with which you dress a wound. A people longing for a savior placed their faith in the fragile hands of human logic and military strength, which have always let us down. They have always fallen short of the glory of God. ...The tragedy of the church's reaction to September 11th is not that we rallied around the families in New York and D.C. but that our love simply reflected the borders and allegiances of the world. We mourned the deaths of each soldier, as we should, but we did not feel the same anger and pain for each Iraqi death, or for the folks abused in the Abu Ghraib prison incident. We got farther and farther from Jesus' vision, which extends beyond our rational love and the boundaries we have established. There is no doubt that we must mourn those lives on September 11th. We must mourn the lives of the soldiers. But with the same passion and outrage, we must mourn the lives of every Iraqi who is lost. They are just as precious, no more, no less. In our rebirth, every life lost in Iraq is just as tragic as a life lost in New York or D.C. And the lives of the thirty thousand children who die of starvation each day is like six September 11ths every single day, a silent tsunami that happens every week.
Shane Claiborne (The Irresistible Revolution: Living as an Ordinary Radical)