Quote Board Quotes

We've searched our database for all the quotes and captions related to Quote Board. Here they are! All 100 of them:

There's an epigram tacked to my office bulletin board, pinched from a magazine -- "Wanting to meet an author because you like his work is like wanting to meet a duck because you like pâté.
Margaret Atwood (Negotiating with the Dead: A Writer on Writing)
You have to start over. That's what they say. But life is not a board game, and losing a loved one is never really "starting over." More like "continuing without.
Mitch Albom (The First Phone Call from Heaven)
I know what's happened," Apollo said after a few seconds. My brows furrowed. "What are you talking about?" He nodded at the board. My gaze dropped to the game and I nearly passed out. He'd spelled SEX and AIDEN with those stupid little squares.
Jennifer L. Armentrout (Deity (Covenant, #3))
Aunt Mercy put down her tiles, one at a time. I-T-C-H-I-N. Aunt Grace leaned closer to the board, squinting. "Mercy Lynne, you're cheatin' again! What kinda word is that? Use it in a sentence." "I'm itchin' ta have some a that white cake." "That's not how you spell it." At least one of them could spell. Aunt Grace pulled one of the tiles off the board. "There's no T in itchin'." Or not.
Margaret Stohl (Beautiful Creatures (Caster Chronicles, #1))
we shall board our imagined ship and wildly sail among sacred islands of the mad till death shatters the fabulous stars and makes us real. --from "Tale of A Tub", written 1956
Sylvia Plath (The Collected Poems)
Now that number was gone, covered up by the jet-black image of a chess piece. Neil's knowledge of chess was hazy at best, but he knew for sure that wasn't a king. "You did it," Neil said, too stunned to manage anything else. "Let Riko be King," Kevin said, with the exaggerated enunciation of the thoroughly sloshed. "Most coveted, most protected. He'll sacrifice every piece he has to protect his throne. Whatever. Me?" Kevin gestured again, meaning to indicate himself but too drunk to get his hand higher than his waist. "I'm going to be the deadliest piece on the board." "Queen," Andrew said somewhere behind Neil.
Nora Sakavic (The King's Men (All for the Game, #3))
An open Facebook page is simply a psychiatric dry erase board that screams, “Look at me. I am insecure. I need your reaction to what I am doing, but you’re not cool enough to be my friend. Therefore, I will just pray you see this because the approval of God is not all I need.
Shannon L. Alder
Whenever you see a board up with "Trespassers will be prosecuted," trespass at once.
Virginia Woolf
-BDB on the board- Knitter's Anonimous May 8, 2006 Rhage (in his bedroom posting in V's room on the board) Hi, my name is V. ("Hi, V") I've been knitting for 125 years now. (*gasping noises*) It's begun to impact my personal relationships: my brothers think I'm a nancy. It's begun to affect my health: I'm getting a callus on my forefinger and I find bits of yarn in all my pockets and I'm starting to smell like wool. I can't concentrate at work: I keep picturing all these lessers in Irish sweaters and thick socks. (*sounds of sympathy*) I've come seeking a community of people who, like me, are trying not to knit. Can you help me? (*We're with you*) Thank you (*takes out hand-knitted hankie in pink*) (*sniffles*) ("We embrace you, V") Vishous (in the pit): Oh hell no...you did not just put that up. And nice spelling in the title. Man...you just have to roll up on me, don't you. I got four words for you, my brother. Rhage: Four words? Okay...lemme see... Rhage, you're so sexy. hmmm.... Rhage, you're SO smart. No wait! Rhage, you're SO right! That's it, isn't it...g'head. You can tell me. Vishous: First one starts with a "P" Use your head for the other three. Bastard. Rhage: P? Hmm... Please pass the yarn Vishous: Payback is a bitch! Rhage: Ohhhhhhhhhhhh I'm so scuuuuuurred. Can you whip me up a blanket to hide under?
J.R. Ward (The Black Dagger Brotherhood: An Insider's Guide (Black Dagger Brotherhood))
He uncovered the boat, his hands working the knots like he'd been doing it his whole life. Under the tarp was an old steel rowboat with no oars. The boat had been painted dark blue at one point, but the hull was so crusted with tar and salt it looked like one massive nautical bruise. On the bow, the name Pax was still readable, lettered in gold. Painted eyes drooped sadly at the water level, as if the boat were about to fall asleep. On board were two benches, some steel wool, an old cooler, and a mound of frayed rope with one end tied to the mooring. At the bottom of the boat, a plastic bag and two empty Coke cans floated in several inches of scummy water. "Behold," Frank said. "The mighty Roman navy.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
At the rear of the bus, the driver wrenched a big chunk of smoking metal out of the engine compartment. The bus shuddered, and the engine roared back to life. The passengers cheered. Darn right!" yelled the driver. He slapped the bus with his hat. "Everybody get back on board!
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
I don't care what your nose says! The last time you smelled half-blood, it turned out to be a meatloaf sandwich!" "Meatloaf sandwiches are good! But this is a half-blood scent, I swear. They are on board!" "Bah, your brain isn't on board!
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Relationships are a battle. They are a chess game. And what did I do? I just threw all my chess pieces down on the board at once, and said, "Here! Have them all!
Sophie Kinsella (Can You Keep a Secret?)
Pray tell us, what's your favorite number?"... "Shiva jumped up to the board, uninvited, and wrote 10,213,223"... "And pray, why would this number interest us?" "It is the only number that describes itself when you read it, 'One zero, two ones, three twos, two threes'.
Abraham Verghese (Cutting for Stone)
When you are sorrowful look again in your heart, and you shall see that in truth you are weeping for that which has been your delight. Some of you say, "Joy is greater than sorrow," and others say, "Nay, sorrow is the greater." But I say unto you, they are inseparable. Together they come, and when one sits alone with you at your board, remember that the other is asleep upon your bed. Verily you are suspended like scales between your sorrow and your joy.
Kahlil Gibran (The Prophet)
Let Riko be King," Kevin said, with the exaggerated enunciation of the thoroughly sloshed. "Most coveted, most protected. He'll sacrifice every piece he has to protect his throne. Whatever. Me?" Kevin gestured again, meaning to indicate himself but too drunk to get his hand higher than his waist. "I'm going to be the deadliest piece on the board.
Nora Sakavic (The King's Men (All for the Game, #3))
Oh, for God's sake," I said. "Just give me the stupid thing." I took the panic button and stuck it into my Super Sexy Miracle Bra. "GPS," Ranger said to Morelli. "Probably I can find her breast without it," Morelli said. "But it's good to know there's a navigational system on board if I need it.
Janet Evanovich (Twelve Sharp (Stephanie Plum, #12))
Get rid of their mast, knock holes in the hull, then get back on board." "You want us to sink her?" Gundar asked, and Halt shook his head. "No. I want her badly damaged but capable of making it back to port. I want the word to go out that the strange ship with the red falcon ensign"—he gestured to Evanlyn's ensign, flying from the mast top—"is manned by dangerous, hairy maniacs with axes and is to be avoided at all costs." "That sounds like us," Gundar said cheerfully.
John Flanagan (The Emperor of Nihon-Ja (Ranger's Apprentice, #10))
Look," said Janet, irritated, "if the thing you liked best to do in the world was read, and somebody offered to pay you room and board and give you a liberal arts degree if you would just read for four years, wouldn't you do it?
Pamela Dean (Tam Lin)
Annabeth, thank goodness, would be staying in New York. She'd gotten permission from her parents to attend a boarding school in the city so she could be close to Olympus and oversee the rebuilding efforts. "And close to me?" I asked. "Well, someone's got a big sense of his own importance." But she laced her fingers through mine. I remembered what she'd told me in New York, about building something permanent, and I thought—just maybe—we were off to a good start.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
What do you miss about being alive?" The sound of my mom singing, a little off-key. The way my dad went to all my swim meets and I could hear his whistle when my head was underwater, even if he did yell at me afterward for not trying harder. I miss going to the library. I miss the smell of clothes fresh out of the dryer. I miss diving off the highest board and nailing the landing. I miss waffles" - p. 272.
Laurie Halse Anderson (Wintergirls)
Hold on a minute." She leaned out the window, shouted at the messenger who'd nearly sideswiped her vehicle with his jet-board. "Police property, asshole. If I had time I'd hunt you down and use that board to beat your balls black." "Darling Eve, you know how that kind of talk thrills and excites me. How can I keep my mind off sex now?
J.D. Robb (Survivor In Death (In Death, #20))
You give me a water board, Dick Cheney and one hour, and I'll have him confess to the Sharon Tate murders." (Larry King Live, May 11, 2009)
Jesse Ventura
I'm a witch, not a Ouija board." --Rowan Gant (Perfect Trust: A Rowan Gant Investigation)
M.R. Sellars
I said, "Don't you have other things to deal with?" "Of course I do," he said, shrugging. "I have so many things to deal with that I'm sometimes tempted to unleash my power across the world and wipe the board clean. Just to buy me some damned peace.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
For most people, religion is nothing more than a substitute for a malfunctioning brain. If people need religion, ignore them and maybe they will ignore you, and you can go on with your life. It wasn't until I was beginning to do Star Trek that the subject of religion arose. What brought it up was that people were saying that I would have a chaplain on board the Enterprise. I replied, "No, we don't.
Gene Roddenberry
And with his arm around the younger man's shoulders still, he led him away from the bow and back to the small group by the tiller. Halt glanced up as they approached, caught a look from Gilan and had a pretty good idea what they had been talking about. "Where have you two been?" he asked, his tone light. admiring the view," Gilan told him. "Thought you might need a hand from the two wisest heads on board.
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
At last I took one big, callused hand and slid forward so I knelt on the boards between his knees. I laid my head against his chest, and felt his breath stir my hair. I had no words, but I had made my choice. "'Whither thou goest,'" I said. "'I will go; and where thou lodgest, I will lodge: thy people shall be my people, and thy God my God: Where thou diest, will I die, and there will I be buried.' Be it Scottish hill or southern forest. You do what you have to; I'll be there.
Diana Gabaldon (Drums of Autumn (Outlander, #4))
The author describes how impressed she was with the detailed storyboards that outlined her movie – "not just sketches, but real art". She then describes a Hawaiian sunset as, "God painting His storyboard on the sky".
Bethany Hamilton (Soul Surfer: A True Story of Faith, Family, and Fighting to Get Back on the Board)
A castaway in the sea was going down for the third time when he caught sight of a passing ship. Gathering his last strength, he waved frantically and called for help. Someone on board peered at him scornfully and shouted back, "Get a boat!
Daniel Quinn (Beyond Civilization: Humanity's Next Great Adventure)
May I bring you a drink to go with those warm nuts, Mr. Sedaris?" this woman looking after me asked - this as the people in coach were still boarding. The looks they gave me as they passed were the looks I give when the door of a limousine opens. You always expect to see a movie star, or, at the very least, some better dressed than you, but time and time again it's just a sloppy nobody. Thus the look, which translates to, Fuck you, Sloppy Nobody, for making me turn my head.
David Sedaris (When You Are Engulfed in Flames)
mostly we've had to found ways to amuse ourselves." "Really?" Valkyrie asked. "Like what?" Plight's smile faded. "Like human sacrifice." He grabbed one arm and Lenka grabbed the other and Valkyrie cried out. Then they both let go. laughing. "Naw," Plight said, we just play board games." ..."she fell for it!" gasped Lenka. "She fell for the human sacrifice bit!
Derek Landy (Kingdom of the Wicked (Skulduggery Pleasant, #7))
[Riley] slapped his hands to his face and then dropped them as if in surrender. 'I always say the wrong thing around you. Look, can we start over?' Over?" Yes. Over. Wipe the board clean.' But I would have to go back to hating you and not trusting you' I said Oh, well don't do that.' He paused and chewed his lip. 'Does that mean you like and trust me now?' " - Riley and Trella
Maria V. Snyder (Inside Out (Insider, #1))
It's when I'm around some people that my entire vocabulary goes on vacation. Like now, when Dave's walking next to me wearing an old black singlet and board shorts and the tattoo of a bird on his wrist, every single word in my head except "no" and "huh" is lying somewhere on a beack getting a suntan
Cath Crowley (A Little Wanting Song)
The thing about pawns," Emily said, almost to herself, "is if they reach the other end of the board, they become a queen.
Lauren Smith (Wicked Designs (The League of Rogues, #1))
You need a medic, Lieutenant.” “In a minute. Let me ask you something.” “Ask away.” Having nothing else, he tore part of his ripped sleeve to dab at the blood on her shoulder. “Do I come charging into one of your board rooms when you're having trouble with a business deal?” His eyes flicked to hers. Some of the fierceness died out of them into what was almost a smile. “No, Eve, you don’t. I don’t know what got into me.” "It's okay. This once.
J.D. Robb (Glory in Death (In Death, #2))
...Whilst on board the Beagle I was quite orthodox, and I remember being heartily laughed at by several of the officers... for quoting the Bible as an unanswerable authority on some point of morality... But I had gradually come by this time, i.e., 1836 to 1839, to see that the Old Testament from its manifestly false history of the world, with the Tower of Babel, the rainbow at sign, &c., &c., and from its attributing to God the feelings of a revengeful tyrant, was no more to be trusted than the sacred books of the Hindoos, or the beliefs of any barbarian. ...By further reflecting that the clearest evidence would be requisite to make any sane man believe in the miracles by which Christianity is supported, (and that the more we know of the fixed laws of nature the more incredible do miracles become), that the men at that time were ignorant and credulous to a degree almost uncomprehensible by us, that the Gospels cannot be proved to have been written simultaneously with the events, that they differ in many important details, far too important, as it seemed to me, to be admitted as the usual inaccuracies of eyewitnesses; by such reflections as these, which I give not as having the least novelty or value, but as they influenced me, I gradually came to disbelieve in Christianity as a divine revelation. The fact that many false religions have spread over large portions of the earth like wild-fire had some weight with me. Beautiful as is the morality of the New Testament, it can be hardly denied that its perfection depends in part on the interpretation which we now put on metaphors and allegories. But I was very unwilling to give up my belief... Thus disbelief crept over me at a very slow rate, but was at last complete. The rate was so slow that I felt no distress, and have never since doubted even for a single second that my conclusion was correct. I can indeed hardly see how anyone ought to wish Christianity to be true; for if so the plain language of the text seems to show that the men who do not believe, and this would include my Father, Brother and almost all of my friends, will be everlastingly punished. And this is a damnable doctrine.
Charles Darwin (The Autobiography of Charles Darwin, 1809–82)
Pierre looked into the sky, into the depths of the retreating, twinkling stars. "And all this is mine, and all this is in me, and all this is me!" thought Pierre. "And all this they've caught and put in a shed and boarded it up!
Leo Tolstoy (War and Peace)
Abel put his hands on her shoulders. "You're cold. You're shivering." She nodded. "It's not important..." "Sure it is," and then, in a very low voice, with a private kind of smile, he said, "Rose girl, I told you the branches would wither and you would freeze. You wanted to stay on board..." Anna nodded. "I'm staying.
Antonia Michaelis (The Storyteller)
You'll be boarding the nine twenty-one commercial flight as Shirley and Roderick Cliphorn." "Roderick Cliphorn?" Dan groaned. Only someone with a name like Sinead Starling would have considered that normal.
Peter Lerangis (The Dead of Night (The 39 Clues: Cahills vs. Vespers, #3))
I leaned my head back on the couch and closed my eyes. "I'm not sure what to do next. How are you as a sounding board?" "I can look interested and nod at appropriate moments," he said. "Good enough," I said.
Jim Butcher (Dead Beat (The Dresden Files, #7))
This is the thing: If you have the option to not think about or even consider history, whether you learned it right or not, or whether it even deserves consideration, that’s how you know you’re on board the ship that serves hors d’oeuvres and fluffs your pillows, while others are out at sea, swimming or drowning, or clinging to little inflatable rafts that they have to take turns keeping inflated, people short of breath, who’ve never even heard of the words hors d’oeuvres or fluff. Then someone from up on the yacht says, "It's too bad those people down there are lazy, and not as smart and able as we are up here, we who have built these strong, large, stylish boats ourselves, we who float the seven seas like kings." And then someone else on board says something like, "But your father gave you this yacht, and these are his servants who brought the hors d'oeuvres." At which point that person gets tossed overboard by a group of hired thugs who'd been hired by the father who owned the yacht, hired for the express purpose of removing any and all agitators on the yacht to keep them from making unnecessary waves, or even referencing the father or the yacht itself. Meanwhile, the man thrown overboard begs for his life, and the people on the small inflatable rafts can't get to him soon enough, or they don't even try, and the yacht's speed and weight cause an undertow. Then in whispers, while the agitator gets sucked under the yacht, private agreements are made, precautions are measured out, and everyone quietly agrees to keep on quietly agreeing to the implied rule of law and to not think about what just happened. Soon, the father, who put these things in place, is only spoken of in the form of lore, stories told to children at night, under the stars, at which point there are suddenly several fathers, noble, wise forefathers. And the boat sails on unfettered.
Tommy Orange (There There)
One day I'm going to catch you in a full-blown grin, Mr.Tucker," she said, wagging a finger at him, "and when I do, watch out because I'm going to crow in victory." "We all need goals in life, Miss Richards." J.T. swung two boards up onto his shoulder and peered down at her. "Mine's to get this stuff delivered before the first snow falls. You think I got a chance at making that happen?
Karen Witemeyer (A Tailor-Made Bride)
A pale, slightly luminescent form materialized in front of us. Mason. He looked the same as ever-or did he? The usual sadness was there, but I could see something else, something else I couldn't quite put my finger on. Panic? Frustration? I could have almost sworn it was fear, but honestly, what would a ghost have to be afraid of. "What's wrong?" asked Dimitri. "Do you see him?" I whispered. Dimitri followed my gaze. "See who?" "Mason." Mason's troubled expression grew darker. I might not have been able to adequately identify it, but I knew it wasn't anything good. The nauseous feeling within me intensified, but somehow, I knew it had nothing to do with him. "Rose...we should go back..." said Dimitri carefully. He still wasn't on board with me seeing ghosts. But I didn't move. Mason's face was saying something else to me-or trying to. There was something here, something important that I needed to know. But he couldn't communicate it. "What?" I asked. "What is it?" A look of frustration crossed his face. He pointed off behind me, the dropped his hand. "Tell me," I said, my frustration mirroring his. Dimitri was looking back and forth between me and Mason, though mason was probably only and empty space to him. I was too fixated on Mason to worry what Dimitri might think. There was something here. Something big. Mason opened his mouth, wanting to speak as in previous times but still unable to get the words out. Except, this time, after several agonizing seconds, he managed it. The words were nearly inaudible. "They're...coming....
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
Some of these guys will go on walking long after the laws of biochemistry and handicapping have gone by the boards. There was a guy last year that crawled for two miles at four miles an hour after both of his feet cramped up at the same time, you remember reading about that? Look at Olson, he's worn out but he keeps going. That goddam Barkovitch is running on high-octane hate and he just keeps going and he's as fresh as a daisy. I don't think I can do that. I'm not tired -not really tired- yet. But I will be." The scar stood out on the side of his haggard face as he looked ahead into the darkness "And I think... when I get tired enough... I think I'll just sit down
Stephen King (The Long Walk)
Do you like manga?" she asked after a minute. "Anime?" "Anime's cool. I'm not really into it, but 1 like Japanese movies, animated or not." "Well, I'm into it. I watch the shows, read the books, chat on the boards, and all that. But this girl I know, she's completely into it. She spends most of her allowance on the books and DVDs. She can recite dialogue from them." She caught my gaze. "So would you say she belongs here?" "No. Most kids are that way about something, right? With me, it's movies. Like knowing who directed a sci-fi movie made before I was born.
Kelley Armstrong (The Summoning (Darkest Powers, #1))
You aren't worried are you?" "Why should I be worried? It's just another day in the neighborhood. You know - bombs, fires, people shooting at you. Why should I be worried? Especially since we could be clothes shopping or boarding a plane. I'm not in the least worried." "Hmmm," he mused allowed. "I read about this in the relationship manual. It's called womanly sarcasm and usually means a man is in deep trouble.
Christine Feehan (Mind Game (GhostWalkers, #2))
So when you do board, the first class people, they're sitting there. A lot of them are working as your boarding. They have computers out and calculators. They're looking up at you like, "Hey, we're making money right now! Right now we're making money.
Brian Regan
The realization of what would happen next settled gradually over Harry in the long minutes, like softly falling snow. "I've got to go back, haven't I?" "That is up to you." "I've got a choice?" "Oh yes." Dumbledore smiled at him. "We are in King's Cross, you say? I think that if you decided not to go back, you would be able to…let's say…board a train." "And where would it take me?" "On," said Dumbledore simply.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
A good Board Of Directors team is one where ideas are flowing fluidly - and where each idea is met with an initial welcome, an intellectual challenge, an expression of gratitude, a rigorous scrutiny and a readiness for action.
Hendrith Vanlon Smith Jr.
Ridiculous!" Chrysaor's voice turned shrill. He didn't seem sure where to level his sword-at Percy or his own crew. "Save yourselves!" Percy warned. "It is too late for us!" Then he gasped and pointed to the spot where Frank was hiding. "Oh, no! Frank is turning into a crazy dolphin!" Nothing happened. "I said," Percy repeated, "Frank is turning into a crazy dolphin!" Frank stumbled out of nowhere, making a big show of grabbing his throat. "Oh, no," he said, like he was reading from a teleprompter. "I am turning into a crazy dolphin." He began to change, his nose elongating into a snout, his skin becoming sleek and gray. He fell to the deck as a dolphin, his tail thumping against the boards. The pirate crew disbanded in terror, chattering and clicking as they dropped their weapons, forgot the captives, ignored Chrysaor's orders, and jumped overboard.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Established religion is like established anything else. It's easy. It offers answers you can get prepackaged and predigested, right off the shelf, and the same for everybody. No thinking required, much less hard thinking. Like a board game--you follow the rules, you go to heaven. That's why established religion gets the assholes. They aren't "good" Christians. I rather doubt they ever gave up a thing they valued for any reason or anybody. People like that aren't good anything. What they believe, they believe because it's appropriate; it's what everybody believes because it's the right thing to do--in short, it's easy. Our way isn't easy. We get assholes too, but they usually give up and get out, or get it knocked out of them.
Mercedes Lackey (Burning Water (Diana Tregarde, #1))
You're watching me, princess." His soft lips spread into an appreciative smile. "People might get the wrong idea." "What, that I actually like you now?" I tease. He shakes his head and leans toward me. "No, that you're trying to see past me to get an eyeful of Benson." ------------------------------------------- I shift my gaze to the board and fix an innocent look on my face. "What makes you think that's the WRONG idea?" Quince leans even closer and says, "Because you came back for me.
Tera Lynn Childs (Fins Are Forever (Fins, #2))
Tabula rasa... time to hacer borrón y cuenta nueva, wipe the board clean," the singer chants. Wipe the board clean? I feel like my board is too clean, perpetually wiped bare. What I want is the opposite: a messy scrawl, constellations of indelible things that can't ever be washed away.
Gayle Forman (Just One Year (Just One Day, #2))
If you flinch," Four says, slowly, carefully. "Al takes your place. Understand?" I nod. Four's eyes are still on mine when he lifts his hand, pulls his elbow back, and throws the knife. It is just a flash in the air, and then I hear a thud. The knife is buried in the board, half a foot away from the my cheek. I close my eyes. Thank God. "You about done Stiff?" asks Four. I remember Al's wide eyes and his quiet sobs at night and shake my head. "No." "Eyes open, then." He taps the spot between his eyebrows... "Come on, Stiff," he says. "Let someone else stand there and take it." Why is he trying to goad me into giving up? Does he want me to fail? "Shut up, Four!" ..... My body goes rigid. This time, when it hits the board, my ear stings, and blood tickles my skin. I touch my ear. He nicked it. And judging by the look he gives me, he did it on purpose.
Veronica Roth (Divergent (Divergent, #1))
I walked in without knocking. The screen door banged to a close behind me announcing my presence. I followed my nose to the kitchen and found Kaleb standing by the stove. He stirred something that smelled absolutely delicious a wooden spoon in one hand and a huge chef’s knife in the other. “Are you sober?” I asked from the doorway. He turned and leveled a smile at me that made me a little wobbly. “I am." “Good. Because if not I was going to take the deadly kitchen utensil away from you.” I crossed the room and pulled myself up to sit on the counter beside the stove. A cutting board full of green peppers and two uncut stalks of celery waited for attention from the knife. Melted butter and diced onions bubbled in a sauté pan on the stove. “You cook." Kaleb was so pretty I was jealous. Pretty with ripped muscles and a tattoo of a red dragon covering most of his upper body. “Yes,” he said. “I cook.” “Do you usually wear a wife beater and,” I pushed him back a little by his shoulder “an apron that says ‘Kiss the Cook’ while you’re doing it? ” He leaned so close to me my heart skipped a couple of beats. “I’ll wear it all the time if you’ll consider it.
Myra McEntire (Hourglass (Hourglass, #1))
Flight 2039 to Boston is now boarding at gate 14A," a voice announced over the PA system. Nellie sighed. "I love Irish accents." She paused. "And Australian accents. And English accents." A dreamy look came over her face. "Theo had an awesome accent." Dan snorted. "Yeah, there was just that one tiny problem. He turned out to be a two-timing, backstabbing thief.
Rick Riordan (The Black Book of Buried Secrets)
In this particular tub, two knees jut up like icebergs, while minute brown hairs rise on arms and legs in a fringe of kelp; green soap navigates the tidal slosh of seas breaking on legendary beaches; in faith we shall board our imagined ship and wildly sail among sacred islands of the mad till death shatters the fabulous stars and makes us real. --from "Tale of a Tub", written 1956
Sylvia Plath (The Collected Poems)
But, for a Christian, there are, strictly speaking, no chances. A secret Master of the Ceremonies has been at work. Christ, who said to the disciples "Ye have not chosen me, but I have chosen you," can truly say to every group of Christian friends "You have not chosen one another but I have chosen you for one another." The Friendship is not a reward for our discrimination and good taste in finding one another out. It is the instrument by which God reveals to each the beauties of all the others. They are no greater than the beauties of a thousand other men; by Friendship God opens our eyes to them. They are, like all beauties, derived from Him through the Friendship itself, so that it is His instrument for creating as well as for revealing. At this feast it is He who has spread the board and it is He who has chosen the guests. It is He, we may dare to hope, who sometimes does, and always should, preside. Let us not reckon without our Host.
C.S. Lewis (The Four Loves)
If there is any fixed star in our constitutional constellation, it is that no official, high or petty, can prescribe what shall be orthodox in politics, nationalism, religion, or other matters of opinion or force citizens to confess by word or act their faith therein." [West Virginia State Board of Education v. Barnette, 319 U.S. 624 (1943)]
Robert H. Jackson
Now to sum it up,' said Bernard. 'Now to explain to you the meaning of my life. Since we do not know each other (though I met you once I think, on board a ship going to Africa), we can talk freely. The illusion is upon me that something adheres for a moment, has roundness, weight, depth, is completed. This, for the moment, seems to be my life. If it were possible, I would hand it you entire. I would break it off as one breaks off a bunch of grapes. I would say, "Take it. This is my life.
Virginia Woolf (The Waves)
So, a crash course for the amnesiac,” Leo said, in a helpful tone that made Jason think this was not going to be helpful. “We go to the ‘Wilderness School’”—Leo made air quotes with his fingers. “Which means we’re ‘bad kids.’ Your family, or the court, or whoever, decided you were too much trouble, so they shipped you off to this lovely prison—sorry, ‘boarding school’—in Armpit, Nevada, where you learn valuable nature skills like running ten miles a day through the cacti and weaving daisies into hats! And for a special treat we go on ‘educational’ field trips with Coach Hedge, who keeps order with a baseball bat.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
Buckley followed the three of them into the kitchen and asked, as he had at least once a day, “Where’s Susie?” They were silent. Samuel looked at Lindsey. “Buckley,” my father called from the adjoining room, “come play Monopoly with me.” My brother had never been invited to play Monopoly. Everyone said he was too young, but this was the magic of Christmas. He rushed into the family room, and my father picked him up and sat him on his lap. “See this shoe?” my father said. Buckley nodded his head. “I want you to listen to everything I say about it, okay?” “Susie?” my brother asked, somehow connecting the two. “Yes, I’m going to tell you where Susie is.” I began to cry up in heaven. What else was there for me to do? “This shoe was the piece Susie played Monopoly with,” he said. “I play with the car or sometimes the wheelbarrow. Lindsey plays with the iron, and when you mother plays, she likes the cannon.” “Is that a dog?” “Yes, that’s a Scottie.” “Mine!” “Okay,” my father said. He was patient. He had found a way to explain it. He held his son in his lap, and as he spoke, he felt Buckley’s small body on his knee-the very human, very warm, very alive weight of it. It comforted him. “The Scottie will be your piece from now on. Which piece is Susie’s again?” “The shoe?” Buckley asked. “Right, and I’m the car, your sister’s the iron, and your mother is the cannon.” My brother concentrated very hard. “Now let’s put all the pieces on the board, okay? You go ahead and do it for me.” Buckley grabbed a fist of pieces and then another, until all the pieces lay between the Chance and Community Chest cards. “Let’s say the other pieces are our friends?” “Like Nate?” “Right, we’ll make your friend Nate the hat. And the board is the world. Now if I were to tell you that when I rolled the dice, one of the pieces would be taken away, what would that mean?” “They can’t play anymore?” “Right.” “Why?” Buckley asked. He looked up at my father; my father flinched. “Why?” my brother asked again. My father did not want to say “because life is unfair” or “because that’s how it is”. He wanted something neat, something that could explain death to a four-year-old He placed his hand on the small of Buckley’s back. “Susie is dead,” he said now, unable to make it fit in the rules of any game. “Do you know what that means?” Buckley reached over with his hand and covered the shoe. He looked up to see if his answer was right. My father nodded. "You won’t see Susie anymore, honey. None of us will.” My father cried. Buckley looked up into the eyes of our father and did not really understand. Buckley kept the shoe on his dresser, until one day it wasn't there anymore and no amount of looking for it could turn up.
Alice Sebold (The Lovely Bones)
Like - that presentation board you'd made up? You definitely should have let me take care of that part." I frown. "What was wrong with my presentation board?" He gives me a look, like I shouldn't even have to ask. "For starters, you used the Papyrus font for the headers." "So? What's wrong with Papyrus?" He makes a gagging noise.
Marissa Meyer (Instant Karma (Fortuna Beach, #1))
In war," answered the weaver, "the strong make slaves of the weak, and in peace the rich make slaves of the poor. We must work to live, and they give us such mean wages that we die. We toil for them all day long, and they heap up gold in their coffers, and our children fade away before their time, and the faces of those we love become hard and evil. We tread out the grapes, another drinks the wine. We sow the corn, and our own board is empty. We have chains, though no eye beholds them; and are slaves, though men call us free.
Oscar Wilde (Fairy Tales of Oscar Wilde: The Young King/The Remarkable Rocket (Fairy Tales of Oscar Wilde, #2))
Have you ever played Maximum Happy Imagination?" "Sounds like a Japanese game show." Kat straightens her shoulders. "Okay, we're going to play. To start, imagine the future. The good future. No nuclear bombs. Pretend you're a science fiction writer." Okay: "World government... no cancer... hover-boards." "Go further. What's the good future after that?" "Spaceships. Party on Mars." "Further." "Star Trek. Transporters. You can go anywhere." "Further." "I pause a moment, then realize: "I can't." Kat shakes her head. "It's really hard. And that's, what, a thousand years? What comes after that? What could possibly come after that? Imagination runs out. But it makes sense, right? We probably just imagine things based on what we already know, and we run out of analogies in the thirty-first century.
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
44. [...] later that afternoon, a therapist will say to me, "If he hadn’t lied to you, he would have been a different person than he is." She is trying to get me to see that although I thought I loved this man very completely for exactly who he was, I was in fact blind to the man he actually was, or is. 45. This pains me enormously. She presses me to say why; I can’t answer. Instead I say something about how clinical psychology forces everything we call love into the pathological or the delusional or the biologically explicable, that if what I was feeling wasn’t love then I am forced to admit that I don’t know what love is, or, more simply, that I loved a bad man. How all of these formulations drain the blue right out of love and leave an ugly, pigmentless fish flapping on a cutting board on a kitchen counter.
Maggie Nelson (Bluets)
I saw a meme the other day with a picture of Marilyn Manson and Robin Williams. It said about the former, this isn’t the face of depression, and about the latter, this is. This really struck a chord and it’s been on my mind since then. As someone who has continuously dipped in and out of chronic depression and anxiety for close to three decades now, and I’ve never previously spoken about the subject, I finally thought it was time I did. These days it’s trendy for people to think they’re cool and understanding about mental illness, posting memes and such to indicate so. But the reality is far different to that. It seems most people think if they publicly display such understanding then perhaps a friend will come to them, open up, and calmly discuss their problems. This will not happen. For someone in that seemingly hopeless void of depression and anxiety the last thing they are likely to do is acknowledge it, let alone talk about it. Even if broached by a friend they will probably deny there is a problem and feel even more distanced from the rest of the world. So nobody can do anything to help, right? No. If right now you suspect one of your friends is suffering like this then you’re probably right. If right now you think that none of your friends are suffering like this then you’re probably wrong. By all means make your public affirmations of understanding, but at least take on board that an attempt to connect on this subject by someone you care about could well be cryptic and indirect. When we hear of celebrities who suffered and finally took their own lives the message tends to be that so many close friends had no idea. This is woeful, but it’s also great, right? Because by not knowing there was a problem there is no burden of responsibility on anyone else. This is another huge misconception, that by acknowledging an indirect attempt to connect on such a complex issue that somehow you are accepting responsibility to fix it. This is not the case. You don’t have to find a solution. Maybe just listen. Many times over the years I’ve seen people recoil when they suspect that perhaps that is the direct a conversation is about to turn, and they desperately scramble for anything that can immediately change the subject. By acknowledging you’ve heard and understood doesn’t mean you are picking up their burden and carrying it for them. Anyway, I’ve said my piece. And please don’t think this is me reaching out for help. If this was my current mindset the last thing I’d ever do is write something like this, let alone share it.
R.D. Ronald
It's after school, after my double detentions for gym and chemistry, and I'm at Knead, about to begin working on a new piece. I wedge the clay out against my board, enjoying the therapeutic quality of each smack, prod, and punch. As the clay oozes between my fingers and pastes against my skin, images of all sorts begin to pop into my head. I try my best to push them away,to focus instead on the cold and clammy sensation of the mound and the way it helps me relax. But after only a few short minutes of solitude, I hear someone storm their way up the back stairwell. At first I think it's Spencer, but then I hear the voice: "I'm coming up the stairs," Adam bellows. "I'm approaching the studio area, about to pass by the sink." I turn to look, noticing he's standing only a few feet behind me now. "I hope I didn't startle you this time," he says. "Ha-ha." I hold back my smile. "I would have called your cell to tell you I was coming up, but you never gave me your number." "I'm fine," I assure him, unable to stifle a giggle.
Laurie Faria Stolarz (Deadly Little Lies (Touch, #2))
Maybe I should let my faithful manservant answer the rest of your questions, since he seems to have all the answers." "I'm saving her time," Bodie replied. "She brings you a redhead, you'll give her grief. Look for women with class, Annabelle. That's most important. The sophisticated types who went to boarding schools and speak French. She has to be the real thing because he can spot a phony a mile away. And he likes them athletic." "Of course he does," she said dryly. "Athletic, domestic, gorgeous, brilliant, socially connected, and pathologically submissive. It'll be a snap." "You forgot hot." Heath smiled. "And defeatist thinking is for losers. If you want to be a success in this world, Annabelle, you need a positive attitude. Whatever the client wants, you get it for him. First rule of a successful business." "Uh-huh. What about career women?" "I don't see how that would work." "The kind of potential mate you're describing isn't going to be sitting around waiting for her prince to show up. She's heading a major corporation. In between those Victoria's Secret modeling gigs." He lifted an eyebrow. "Attitude, Annabelle. Attitude.
Susan Elizabeth Phillips (Match Me If You Can (Chicago Stars, #6))
Your friend is your needs answered. He is your field which you sow with love and reap with thanksgiving. And he is your board and your fireside. For you come to him with your hunger, and you seek him for peace. When your friend speaks his mind you fear not the "nay" in your own mind, nor do you withhold the "ay." And when he is silent your heart ceases not to listen to his heart; For without words, in friendship, all thoughts, all desires, all expectations are born and shared, with joy that is unacclaimed. When you part from your friend, you grieve not; For that which you love most in him may be clearer in his absence, as the mountain to the climber is clearer from the plain. And let there be no purpose in friendship save the deepening of the spirit. For love that seeks aught but the disclosure of its own mystery is not love but a net cast forth: and only the unprofitable is caught. And let your best be for your friend. If he must know the ebb of your tide, let him know its flood also. For what is your friend that you should seek him with hours to kill? Seek him always with hours to live. For it is his to fill your need, but not your emptiness. And in the sweetness of friendship let there be laughter, and sharing of pleasures. For in the dew of little things the heart finds its morning and is refreshed.
Kahlil Gibran (The Prophet)
What is that?" Something bobbed on the surface, a piece of driftwood. And then another. And another. The boards floated past in broken shards, the edges burned. An unpleasant chill went through Alucard. The Ghost was sailing through the remains of a ship. "That," said Alucard, "is the work of Sea Serpents." Lila's eyes widened. "Please tell me you're talking about mercenaries and not giant ship-eating snakes." Alucard raised a brow. "Giant ship-eating snakes? Really?" "What?" she challenged. "How am I supposed to know where to draw the line in this world?" "You can draw it well before giant ship-eating snakes...
V.E. Schwab (A Conjuring of Light (Shades of Magic, #3))
It's a very cheery thing to come into London by any of these lines which run high and allow you to look down upon the houses like this." I thought he was joking, for the view was sordid enough, but he soon explained himself. "Look at those big, isolated clumps of buildings rising up above the slates, like brick islands in a lead-coloured sea." "The board-schools." "Light-houses, my boy! Beacons of the future! Capsules with hundreds of bright little seeds in each, out of which will spring the wiser, better England of the future.
Arthur Conan Doyle (Sherlock Holmes: The Complete Novels and Stories, Volume I)
we, with our propensity for murder, torture, slavery, rape, cannibalism, pillage, advertising jingles, shag carpets, and golf, how could we be seriously considered as the perfection of a four-billion-year-old grandiose experiment? perhaps as a race, we have evolved as far as we are capable, yet that by no means suggests that evolution has called it quits. in all likelihood, it has something beyond human on the drawing board. we tend to refer to our most barbaric and crapulous behavior as "inhuman," whereas, in point of fact, it is exactly human, definitively and quintessentially human, since no other creature habitually indulges in comparable atrocities. this negates neither our occasional virtues nor our aesthetic triumphs, but if a being at least a little bit more than human is not waiting around the bend of time then evolution has suffered a premature ejaculation.
Tom Robbins (Half Asleep in Frog Pajamas)
Although the art world reveres the unconventional, it is rife with conformity. Artists make work that "looks like art" and behave in ways that enhance stereotypes. Curators pander to the expectations of their peers and their museum boards. Collectors run in herds to buy work by a handful of fashionable painters. Critics stick their finger in the air to see which way the wind is blowing so as to "get it right". Originality is not always rewarded, but some people take real risks and innovate, which gives a raison d'être to the rest.
Sarah Thornton (Seven Days in the Art World)
I went over to where Ted was leaning against the green cinderblock wall. He was sitting with his legs splayed out below the bulletin board, which was full of notices from the Mathematical Society of America, which nobody ever read, Peanuts comic strips (the acme of humor, in the late Mrs. Underwood’s estimation), and a poster showing Bertrand Russell and a quote: “Gravity alone proves the existence of God.” But any undergraduate in creation could have told Bertrand that it has been conclusively proved that there is no gravity; the earth just sucks.
Richard Bachman
The day, a compunctious Sunday after a week of blizzards, had been part jewel, part mud. In the midst of my usual afternoon stroll through the small hilly town attached to the girls' college where I taught French literature, I had stopped to watch a family of brilliant icicles drip-dripping from the eaves of a frame house. So clear-cut were their pointed shadows on the white boards behind them that I was sure the shadows of the falling drops should be visible too. But they were not. ("The Vane Sisters")
Vladimir Nabokov (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
Just because someone is the heir to a throne or company does not mean they are the best fit for the job. Entrusting someone who can lead, has the respect of the people and company, and a vision to where to take the company is more important than bloodline. That is why family companies establish a Board or hire someone outside to run the company. It is what is best for the company. Because as history shows with insane rulers like Nero and Caligula, bloodline may not always be best for the country, company, or civilization." - Kailin Gow, on Choosing a Successor, Leadership
Kailin Gow
I remember clearly the deaths of three men. One was the richest man of the century, who, having clawed his way to wealth through the souls and bodies of men, spent many years trying to buy back the love he had forfeited and by that process performed great service to the world and, perhaps, had much more than balanced the evils of his rise. I was on a ship when he died. The news was posted on the bulletin board, and nearly everyone recieved the news with pleasure. Several said, "Thank God that son of a bitch is dead." Then there was a man, smart as Satan, who, lacking some perception of human dignity and knowing all too well every aspect of human weakness and wickedness, used his special knowledge to warp men, to buy men, to bribe and threaten and seduce until he found himself in a position of great power. He clothed his motives in the names of virtue, and I have wondered whether he ever knew that no gift will ever buy back a man's love when you have removed his self-love. A bribed man can only hate his briber. When this man died the nation rang with praise... There was a third man, who perhaps made many errors in performance but whose effective life was devoted to making men brave and dignified and good in a time when they were poor and frightened and when ugly forces were loose in the world to utilize their fears. This man was hated by few. When he died the people burst into tears in the streets and their minds wailed, "What can we do now?" How can we go on without him?" In uncertainty I am certain that underneath their topmost layers of frailty men want to be good and want to be loved. Indeed, most of their vices are attempted short cuts to love. When a man comes to die, mo matter what his talents and influence and genius, if he dies unloved his life must be a failure to him and his dying a cold horror....we should remember our dying and try so to live that our death brings no pleasure to the world.
John Steinbeck (East of Eden)
The world is one unending chess match, my dear, and I am the one playing it how I please. I poke and prod to move my pieces to places I find desirable. And the defiant ones who resist me I simply remove from the board." He pulled up his right sleeve, showing Laura a sheathed dagger strapped to his arm. "But you, Laura, are not of this chess match at all. You walked unexpectedly onto my board, scattering my pieces out of the way, the ones that I had worked on so tirelessly to arrange to perfection.
J.S. Bailey (The Land Beyond the Portal)
The Game of Go was one of the 4 Arts of China. It spread to all over Asia and was even mentioned in the Japanese novel, Tales of Genji. More than an ancient board game, the Game of Go is an analogy of life and emphasize balance, challenge, and fun. Not only does my name Kailin Gow has the word "Go" in it, but my philosophy on life of balance, challenge, and fun is similar to the Game. Thus, Kailin Gow's Go Girl TV Series, books, and overall brand reflects this philosophy as well. - Kailin Gow in interview about Kailin Gow's Go Girl Books and TV Series.
Kailin Gow
[I] threw open the door to find Rob sit­ting on the low stool in front of my book­case, sur­round­ed by card­board box­es. He was seal­ing the last one up with tape and string. There were eight box­es - eight box­es of my books bound up and ready for the base­ment! "He looked up and said, 'Hel­lo, dar­ling. Don't mind the mess, the care­tak­er said he'd help me car­ry these down to the base­ment.' He nod­ded to­wards my book­shelves and said, 'Don't they look won­der­ful?' "Well, there were no words! I was too ap­palled to speak. Sid­ney, ev­ery sin­gle shelf - where my books had stood - was filled with ath­let­ic tro­phies: sil­ver cups, gold cups, blue rosettes, red rib­bons. There were awards for ev­ery game that could pos­si­bly be played with a wood­en ob­ject: crick­et bats, squash rac­quets, ten­nis rac­quets, oars, golf clubs, ping-​pong bats, bows and ar­rows, snook­er cues, lacrosse sticks, hock­ey sticks and po­lo mal­lets. There were stat­ues for ev­ery­thing a man could jump over, ei­ther by him­self or on a horse. Next came the framed cer­tificates - for shoot­ing the most birds on such and such a date, for First Place in run­ning races, for Last Man Stand­ing in some filthy tug of war against Scot­land. "All I could do was scream, 'How dare you! What have you DONE?! Put my books back!' "Well, that's how it start­ed. Even­tu­al­ly, I said some­thing to the ef­fect that I could nev­er mar­ry a man whose idea of bliss was to strike out at lit­tle balls and lit­tle birds. Rob coun­tered with re­marks about damned blue­stock­ings and shrews. And it all de­gen­er­at­ed from there - the on­ly thought we prob­ably had in com­mon was, What the hell have we talked about for the last four months? What, in­deed? He huffed and puffed and snort­ed and left. And I un­packed my books.
Annie Barrows (The Guernsey Literary and Potato Peel Pie Society)
How could it be wrong to wish to prove yourself?" she asked, a fierce light in her eyes. "You were not wrong to dare." "Jason -" "Jason cannot protect you forever. We cannot spend our lives in hiding, wondering what we might accomplish if given the chance. We have to take that chance ourselves. You were brave to board that boat." "I was stupid. Everything that happened just proved Jason right." "No. You survived the wreck. When the waves came, you held on. Maybe you were stronger than you think you are, than anyone thinks you are.
Leigh Bardugo (Wonder Woman: Warbringer)
... In a ROWE* people don't have schedules. They show up when they want. They don't have to be in the office at certain time, or anytime. They just have to get their work done. How they do it ? When they do it ? Where they do it ? It's totally up to them. Meetings & this kind of environments are Optional. What happens ... ? Almost across the board ! - Productivity goes up - Worker Engagement goes up - Worker Satisfaction goes up - Turnovers goes down - Autonomy .. Mastery .. Purpose - these are the building blocks of new way of doing things." ______________________________________________________________ *ROWE: results-only work environment
Daniel H. Pink
What makes this city different is that nobody expects to be in one place for ten minutes. Everybody moves all the time. Seven nameless men own everything and move us around on a board. People are swept out into the streets because the owners need the space. Then they are swept off the streets because someone owns the air they breathe. Men buy and sell air in the sky and there are bodies heaped together in boxes on the sidewalk. Then they sweep away the boxes." "You like to overstate." "I overstate things to stay alive. This is the point of New York. I completely love and trust this city but I know the moment I stop being angry I'm finished forever.
Don DeLillo (Mao II)
The figure stood in the flames, dark, hard to make out. "I've given you the blessing of pewter, Spook," the voice said. "Use it to escape this place. You can break through the boards on the far side of that hallway, escape out onto the roof of the building nearby. The soldiers won't be watching for you—they're too busy controlling the fire so it doesn't spread." Spook nodded. The heat didn't bother him anymore. "Thank you." The figure stepped forward, becoming more than just a silhouette. Flames played against the man's firm face, and Spook's suspicions were confirmed. There was a reason he'd trusted that voice, a reason why he'd done what it had said. He'd do whatever this man commanded. "I didn't give you pewter just so you could live, Spook," Kelsier said, pointing. "I gave it to you so you could get revenge. Now, go!
Brandon Sanderson (The Hero of Ages (Mistborn, #3))
You might not see it now, but you are stronger than you can ever imagine. You cannot become comfortable in your pain. You have to let the pain that you feel turn you into a rose without thorns. There are sixteen pieces on the chess board. The king is the most important piece, but the difference is that the queen is the most powerful piece! You are a queen, you can maneuver around your opponents; they do not have the power over your life, your mind or soul. You might think you’ve been a prisoner, but that is your past’ Look in the now and work your way to how you want your future to be. Exercise your thoughts into a pattern of letting go, and think positively about more of what you want than what you do not want. Queen! You are a queen! As a matter of fact, you are the queen! Act as if you know it! You are powerful, determined, strong, and you can make the biggest and most extravagant move and put it into action. Lights, camera, strike a pose and own it! It is yours to own!
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
That goes for old wounds, too, you know. I really wish we'd had the chance to talk before this," he says, cracking the window so the smoke can escape. "There's a Longfellow quote I have stuck on my bulletin board at the church office- 'There is no grief like the grief that does not speak'- and it's true. I've found that keeping pain inside doesn't give it a chance to heal, but bringing it out into the light, holding it right there in your hands and trusting that you're strong enough to make it through, not hating the pain, not loving it, just seeing it for what it really is can change how you go on from there. Time alone doesn't heal emotional wounds, Sayre, and you don't want to live the rest of your life bottled up with anger and guilt and bitterness. That's how people self-destruct.
Laura Wiess (Ordinary Beauty)
Welcome to Final Forum. Use this board to communicate with other who are completers. Please note: Participants may not attempt to dissuade or discourage self termination. Disregard for free will informed consent will result in immediate removal from the board. Future access to Through-The-Light will be denied. This board is monitored at all times." That's comforting. I've been to suicide boards before where people get on and say stuff like, "Don't do it. Suicide is not the answer." They don't know the question. Or, "Life's a bitch. Get used to it." Thanks. "Suicide is the easy way out." If it's so easy, why am I still here? And my favorite: "God loves you. Life is the most precious gift from God. You will break God's heart if you throw His gift away." God has a heart? That's news to me. People on boards are very, very shallow. The Final Forum has a long list of topic, including: Random Rants, Bullied, Divorce, Disease, So Tired, Hate This Life, Bleak, Bequests, Attempts. Already I like this board. I start with Random Rants.
Julie Anne Peters (By the Time You Read This, I'll Be Dead)
Privilege implies exclusion from privilege, just as advantage implies disadvantage," Celine went on. "In the same mathematically reciprocal way, profit implies loss. If you and I exchange equal goods, that is trade: neither of us profits and neither of us loses. But if we exchange unequal goods, one of us profits and the other loses. Mathematically. Certainly. Now, such mathematically unequal exchanges will always occur because some traders will be shrewder than others. But in total freedom—in anarchy—such unequal exchanges will be sporadic and irregular. A phenomenon of unpredictable periodicity, mathematically speaking. Now look about you, professor—raise your nose from your great books and survey the actual world as it is—and you will not observe such unpredictable functions. You will observe, instead, a mathematically smooth function, a steady profit accruing to one group and an equally steady loss accumulating for all others. Why is this, professor? Because the system is not free or random, any mathematician would tell you a priori. Well, then, where is the determining function, the factor that controls the other variables? You have named it yourself, or Mr. Adler has: the Great Tradition. Privilege, I prefer to call it. When A meets B in the marketplace, they do not bargain as equals. A bargains from a position of privilege; hence, he always profits and B always loses. There is no more Free Market here than there is on the other side of the Iron Curtain. The privileges, or Private Laws—the rules of the game, as promulgated by the Politburo and the General Congress of the Communist Party on that side and by the U.S. government and the Federal Reserve Board on this side—are slightly different; that's all. And it is this that is threatened by anarchists, and by the repressed anarchist in each of us," he concluded, strongly emphasizing the last clause, staring at Drake, not at the professor.
Robert Anton Wilson (The Golden Apple (Illuminatus, #2))
The well bottom is like the bottom of the sea. Things down here stay very still, keeping their original forms, as if under tremendous pressure, unchanged from day to day. A round slice of light floats high above me: the evening sky. Looking up at it, I think about the October evening world, where "people" must be going about their lives. Beneath that pale autumn light, they must be walking down streets, going to the store for things, preparing dinner, boarding trains for home. And they think - if they think at all - that these things are too obvious to think about, just as I used to do (or not do). They are the vaguely defined "people," and I used to be a nameless one among them. Accepting and accepted, they live with one another beneath that light, and whether it lasts forever or for a moment, there must be a kind of closeness while they are enveloped in the light. I am no longer one of them, however. They are up there, on the face of the earth; I am down here, in the bottom of a well. They possess the light, while I am in the process of losing it. Sometimes I feel that I may never find my way back to that world, that I may never again be able to feel the peace of being enveloped in the light, that I may never again be able to hold the cat's soft body in my arms. And then I feel a dull ache in the chest, as if something inside there is being squeezed to death.
Haruki Murakami (The Wind-Up Bird Chronicle)
The Everlasting Staircase" Jeffrey McDaniel When the call came, saying twenty-four hours to live, my first thought was: can't she postpone her exit from this planet for a week? I've got places to do, people to be. Then grief hit between the ribs, said disappear or reappear more fully. so I boarded a red eyeball and shot across America, hoping the nurses had enough quarters to keep the jukebox of Grandma's heart playing. She grew up poor in Appalachia. And while world war II functioned like Prozac for the Great Depression, she believed poverty was a double feature, that the comfort of her adult years was merely an intermission, that hunger would hobble back, hurl its prosthetic leg through her window, so she clipped, clipped, clipped -- became the Jacques Cousteau of the bargain bin, her wetsuit stuffed with coupons. And now --pupils fixed, chin dangling like the boots of a hanged man -- I press my ear to her lampshade-thin chest and listen to that little soldier march toward whatever plateau, or simply exhaust his arsenal of beats. I hate when people ask if she even knew I was there. The point is I knew, holding the one-sided conversation of her hand. Once I believed the heart was like a bar of soap -- the more you use it, the smaller it gets; care too much and it'll snap off in your grasp. But when Grandma's last breath waltzed from that room, my heart opened wide like a parachute, and I realized she didn't die. She simply found a silence she could call her own.
Jeffrey McDaniel
And just how did you arrive at that remarkable conclusion, Mr. Mayor?" "In a rather simple way. It merely required the use of that much-neglected commodity -- common sense. You see, there is a branch of human knowledge known as symbolic logic, which can be used to prune away all sorts of clogging deadwood that clutters up human language." "What about it?" said Fulham. "I applied it. Among other things, I applied it to this document here. I didn't really need to for myself because I knew what it was all about, but I think I can explain it more easily to five physical scientists by symbols rather than by words." Hardin removed a few sheets of paper from the pad under his arm and spread them out. "I didn't do this myself, by the way," he said. "Muller Holk of the Division of Logic has his name signed to the analyses, as you can see." Pirenne leaned over the table to get a better view and Hardin continued: "The message from Anacreon was a simple problem, naturally, for the men who wrote it were men of action rather than men of words. It boils down easily and straightforwardly to the unqualified statement, when in symbols is what you see, and which in words, roughly translated is, 'You give us what we want in a week, or we take it by force.'" There was silence as the five members of the Board ran down the line of symbols, and then Pirenne sat down and coughed uneasily. Hardin said, "No loophole, is there, Dr. Pirenne?" "Doesn't seem to be.
Isaac Asimov (Foundation (Foundation, #1))
They're trying to breed a nation of techno-peasants. Educated just enough to keep things going, but not enough to ask tough questions. They encourage any meme that downplays thoughtful analysis or encourages docility or self indulgence or uniformity. In what other society do people use "smart" and "wise" as insults? We tell people "don't get smart." Those who try, those who really like to learn, we call "nerds." Look at television or the press or the trivia that passes for political debate. When a candidate DOES try to talk about the issues, the newspapers talk about his sex life. Look at Saturday morning cartoon shows. Peasants, whether they're tilling fields or stuffing circuit boards, are easier to manipulate. Don't question; just believe. Turn off your computer and Trust the Force. Or turn your computer on and treat it like the Oracle of Delphi. That's right. They've made education superficial and specialized. Science classes for art majors? Forget it! And how many business or engineering students get a really good grounding in the humanities? When did universities become little more than white collar vocational schools?
Michael Flynn (In the Country of the Blind)
Most of us are pseudo-scholars...for we are a very large and quite a powerful class, eminent in Church and State, we control the education of the Empire, we lend to the Press such distinction as it consents to receive, and we are a welcome asset at dinner-parties. Pseudo-scholarship is, on its good side, the homage paid by ignorance to learning. It also has an economic side, on which we need not be hard. Most of us must get a job before thirty, or sponge on our relatives, and many jobs can only be got by passing an exam. The pseudo-scholar often does well in examination (real scholars are not much good), and even when he fails he appreciates their inner majesty. They are gateways to employment, they have power to ban and bless. A paper on King Lear may lead somewhere, unlike the rather far-fetched play of the same name. It may be a stepping-stone to the Local Government Board. He does not often put it to himself openly and say, "That's the use of knowing things, they help you to get on." The economic pressure he feels is more often subconscious, and he goes to his exam, merely feeling that a paper on King Lear is a very tempestuous and terrible experience but an intensely real one. ...As long as learning is connected with earning, as long as certain jobs can only be reached through exams, so long must we take the examination system seriously. If another ladder to employment were contrived, much so-called education would disappear, and no one be a penny the stupider.
E.M. Forster (جنبه‌های رمان)
Fame requires every kind of excess. I mean true fame, a devouring neon, not the somber renown of waning statesmen or chinless kings. I mean long journeys across gray space. I mean danger, the edge of every void, the circumstance of one man imparting an erotic terror to the dreams of the republic. Understand the man who must inhabit these extreme regions, monstrous and vulval, damp with memories of violation. Even if half-mad he is absorbed into the public's total madness; even if fully rational, a bureaucrat in hell, a secret genius of survival, he is sure to be destroyed by the public's contempt for survivors. Fame, this special kind, feeds itself on outrage, on what the counselors of lesser men would consider bad publicity-hysteria in limousines, knife fights in the audience, bizarre litigation, treachery, pandemonium and drugs. Perhaps the only natural law attaching to true fame is that the famous man is compelled, eventually, to commit suicide. (Is it clear I was a hero of rock'n'roll?) Toward the end of the final tour it became apparent that our audience wanted more than music, more even than its own reduplicated noise. It's possible the culture had reached its limit, a point of severe tension. There was less sense of simple visceral abandon at our concerts during these last weeks. Few cases of arson and vandalism. Fewer still of rape. No smoke bombs or threats of worse explosives. Our followers, in their isolation, were not concerned with precedent now. They were free of old saints and martyrs, but fearfully so, left with their own unlabeled flesh. Those without tickets didn't storm the barricades, and during a performance the boys and girls directly below us, scratching at the stage, were less murderous in their love of me, as if realizing finally that my death, to be authentic, must be self-willed- a succesful piece of instruction only if it occured by my own hand, preferrably ina foreign city. I began to think their education would not be complete until they outdid me as a teacher, until one day they merely pantomimed the kind of massive response the group was used to getting. As we performed they would dance, collapse, clutch each other, wave their arms, all the while making absolutely no sound. We would stand in the incandescent pit of a huge stadium filled with wildly rippling bodies, all totally silent. Our recent music, deprived of people's screams, was next to meaningless, and there would have been no choice but to stop playing. A profound joke it would have been. A lesson in something or other. In Houston I left the group, saying nothing, and boarded a plane for New York City, that contaminated shrine, place of my birth. I knew Azarian would assume leadership of the band, his body being prettiest. As to the rest, I left them to their respective uproars- news media, promotion people, agents, accountants, various members of the managerial peerage. The public would come closer to understanding my disappearance than anyone else. It was not quite as total as the act they needed and nobody could be sure whether I was gone for good. For my closest followers, it foreshadowed a period of waiting. Either I'd return with a new language for them to speak or they'd seek a divine silence attendant to my own. I took a taxi past the cemetaries toward Manhattan, tides of ash-light breaking across the spires. new York seemed older than the cities of Europe, a sadistic gift of the sixteenth century, ever on the verge of plague. The cab driver was young, however, a freckled kid with a moderate orange Afro. I told him to take the tunnel. Is there a tunnel?" he said.
Don DeLillo
He says, "It's just a hat." But it's not just a hat. It makes Jess think of racism and hatred and systemic inequality, and the Ku Klux Klan, and plantation-wedding Pinterest boards, and lynchings, and George Zimmerman, and the Central Park Five, and redlining, and gerrymandering and the Southern strategy, and decades of propaganda and Fox News and conservative radio, and rabid evangelicals, and rape and pillage and plunder and plutocracy and money in politics and the dumbing down of civil discourse and domestic terrorism and white nationalists and school shootings and the growing fear of a nonwhite, non-English-speaking majority and the slow death of the social safety net and conspiracy theory culture and the white working class and social atomism and reality television and fake news and the prison-industrial complex and celebrity culture and the girl in fourth grade who told Jess that since she--Jess--was "naturally unclean" she couldn't come over for birthday cake, and executive compensation, and mediocre white men, and the guy in college who sent around an article about how people who listen to Radiohead are smarter than people who listen to Missy Elliott and when Jess said "That's racist" he said "No,it's not," and of bigotry and small pox blankets and gross guys grabbing your butt on the subway, and slave auctions and Confederate monuments and Jim Crow and fire hoses and separate but equal and racist jokes that aren't funny and internet trolls and incels and golf courses that ban women and voter suppression and police brutality and crony capitalism and corporate corruption and innocent children, so many innocent children, and the Tea Party and Sarah Palin and birthers and flat-earthers and states' rights and disgusting porn and the prosperity gospel and the drunk football fans who made monkey sounds at Jess outside Memorial Stadium, even though it was her thirteenth birthday, and Josh--now it makes her think of Josh.
Cecilia Rabess (Everything's Fine)
Much of Chinese society still expected its women to hold themselves in a sedate manner, lower their eyelids in response to men's stares, and restrict their smile to a faint curve of the lips which did not expose their teeth. They were not meant to use hand gestures at all. If they contravened any of these canons of behavior they would be considered 'flirtatious." Under Mao, flirting with./bre/gners was an unspeakable crime. I was furious at the innuendo against me. It had been my Communist parents who had given me a liberal upbringing. They had regarded the restrictions on women as precisely the sort of thing a Communist revolution should put an end to. But now oppression of women joined hands with political repression, and served resentment and petty jealousy. One day, a Pakistani ship arrived. The Pakistani military attache came down from Peking. Long ordered us all to spring-clean the club from top to bottom, and laid on a banquet, for which he asked me to be his interpreter, which made some of the other students extremely envious. A few days later the Pakistanis gave a farewell dinner on their ship, and I was invited. The military attache had been to Sichuan, and they had prepared a special Sichuan dish for me. Long was delighted by the invitation, as was I. But despite a personal appeal from the captain and even a threat from Long to bar future students, my teachers said that no one was allowed on board a foreign ship. "Who would take the responsibility if someone sailed away on the ship?" they asked. I was told to say I was busy that evening. As far as I knew, I was turning down the only chance I would ever have of a trip out to sea, a foreign meal, a proper conversation in English, and an experience of the outside world. Even so, I could not silence the whispers. Ming asked pointedly, "Why do foreigners like her so much?" as though there was something suspicious in that. The report filed on me at the end of the trip said my behavior was 'politically dubious." In this lovely port, with its sunshine, sea breezes, and coconut trees, every occasion that should have been joyous was turned into misery. I had a good friend in the group who tried to cheer me up by putting my distress into perspective. Of course, what I encountered was no more than minor unpleasantness compared with what victims of jealousy suffered in the earlier years of the Cultural Revolution. But the thought that this was what my life at its best would be like depressed me even more. This friend was the son of a colleague of my father's. The other students from cities were also friendly to me. It was easy to distinguish them from the students of peasant backgrounds, who provided most of the student officials.
Jung Chang (Wild Swans: Three Daughters of China)
Dr. Chanter, in his brilliant History of Human Thought in the Twentieth Century, has made the suggestion that only a very small proportion of people are capable of acquiring new ideas of political or social behaviour after they are twenty-five years old. On the other hand, few people become directive in these matters until they are between forty and fifty. Then they prevail for twenty years or more. The conduct of public affairs therefore is necessarily twenty years or more behind the living thought of the times. This is what Dr. Chanter calls the "delayed realisation of ideas". In the less hurried past this had not been of any great importance, but in the violent crises of the Revolutionary Period it became a primary fact. It is evident now that whatever the emergency, however obvious the new problem before our species in the nineteen-twenties, it was necessary for the whole generation that had learned nothing and could learn nothing from the Great War and its sequelae, to die out before any rational handling of world affairs could even begin. The cream of the youth of the war years had been killed; a stratum of men already middle-aged remained in control, whose ideas had already set before the Great War. It was, says Chanter, an inescapable phase. The world of the Frightened Thirties and the Brigand Forties was under the dominion of a generation of unteachable, obstinately obstructive men, blinded men, miseducating, misleading the baffled younger people for completely superseded ends. If they could have had their way, they would have blinded the whole world for ever. But the blinding was inadequate, and by the Fifties all this generation and its teachings and traditions were passing away, like a smoke-screen blown aside. Before a few years had passed it was already incredible that in the twenties and thirties of the twentieth century the whole political life of the world was still running upon the idea of competitive sovereign empires and states. Men of quite outstanding intelligence were still planning and scheming for the "hegemony" of Britain or France or Germany or Japan; they were still moving their armies and navies and air forces and making their combinations and alliances upon the dissolving chess-board of terrestrial reality. Nothing happened as they had planned it; nothing worked out as they desired; but still with a stupefying inertia they persisted. They launched armies, they starved and massacred populations. They were like a veterinary surgeon who suddenly finds he is operating upon a human being, and with a sort of blind helplessness cuts and slashes more and more desperately, according to the best equestrian rules. The history of European diplomacy between 1914 and 1944 seems now so consistent a record of incredible insincerity that it stuns the modern mind. At the time it seemed rational behaviour. It did not seem insincere. The biographical material of the period -- and these governing-class people kept themselves in countenance very largely by writing and reading each other's biographies -- the collected letters, the collected speeches, the sapient observations of the leading figures make tedious reading, but they enable the intelligent student to realise the persistence of small-society values in that swiftly expanding scene. Those values had to die out. There was no other way of escaping from them, and so, slowly and horribly, that phase of the moribund sovereign states concluded.
H.G. Wells (The Holy Terror)
She locked herself in her room. She needed time to get used to her maimed consciousness, her poor lopped life, before she could walk steadily to the place allotted her. A new searching light had fallen on her husband's character, and she could not judge him leniently: the twenty years in which she had believed in him and venerated him by virtue of his concealments came back with particulars that made them seem an odious deceit. He had married her with that bad past life hidden behind him, and she had no faith left to protest his innocence of the worst that was imputed to him. Her honest ostentatious nature made the sharing of a merited dishonor as bitter as it could be to any mortal. But this imperfectly taught woman, whose phrases and habits were an odd patchwork, had a loyal spirit within her. The man whose prosperity she had shared through nearly half a life, and who had unvaryingly cherished her—now that punishment had befallen him it was not possible to her in any sense to forsake him. There is a forsaking which still sits at the same board and lies on the same couch with the forsaken soul, withering it the more by unloving proximity. She knew, when she locked her door, that she should unlock it ready to go down to her unhappy husband and espouse his sorrow, and say of his guilt, I will mourn and not reproach. But she needed time to gather up her strength; she needed to sob out her farewell to all the gladness and pride of her life. When she had resolved to go down, she prepared herself by some little acts which might seem mere folly to a hard onlooker; they were her way of expressing to all spectators visible or invisible that she had begun a new life in which she embraced humiliation. She took off all her ornaments and put on a plain black gown, and instead of wearing her much-adorned cap and large bows of hair, she brushed her hair down and put on a plain bonnet-cap, which made her look suddenly like an early Methodist. Bulstrode, who knew that his wife had been out and had come in saying that she was not well, had spent the time in an agitation equal to hers. He had looked forward to her learning the truth from others, and had acquiesced in that probability, as something easier to him than any confession. But now that he imagined the moment of her knowledge come, he awaited the result in anguish. His daughters had been obliged to consent to leave him, and though he had allowed some food to be brought to him, he had not touched it. He felt himself perishing slowly in unpitied misery. Perhaps he should never see his wife's face with affection in it again. And if he turned to God there seemed to be no answer but the pressure of retribution. It was eight o'clock in the evening before the door opened and his wife entered. He dared not look up at her. He sat with his eyes bent down, and as she went towards him she thought he looked smaller—he seemed so withered and shrunken. A movement of new compassion and old tenderness went through her like a great wave, and putting one hand on his which rested on the arm of the chair, and the other on his shoulder, she said, solemnly but kindly— "Look up, Nicholas." He raised his eyes with a little start and looked at her half amazed for a moment: her pale face, her changed, mourning dress, the trembling about her mouth, all said, "I know;" and her hands and eyes rested gently on him. He burst out crying and they cried together, she sitting at his side. They could not yet speak to each other of the shame which she was bearing with him, or of the acts which had brought it down on them. His confession was silent, and her promise of faithfulness was silent. Open-minded as she was, she nevertheless shrank from the words which would have expressed their mutual consciousness, as she would have shrunk from flakes of fire. She could not say, "How much is only slander and false suspicion?" and he did not say, "I am innocent.
George Eliot (Middlemarch)