Quotation Marks For Long Quotes

Not long ago, I advertised for perverse rules of grammar, along the lines of "Remember to never split an infinitive" and "The passive voice should never be used." The notion of making a mistake while laying down rules ("Thimk," "We Never Make Misteaks") is highly unoriginal, and it turns out that English teachers have been circulating lists of fumblerules for years. As owner of the world's largest collection, and with thanks to scores of readers, let me pass along a bunch of these never-say-neverisms: * Avoid run-on sentences they are hard to read. * Don't use no double negatives. * Use the semicolon properly, always use it where it is appropriate; and never where it isn't. * Reserve the apostrophe for it's proper use and omit it when its not needed. * Do not put statements in the negative form. * Verbs has to agree with their subjects. * No sentence fragments. * Proofread carefully to see if you any words out. * Avoid commas, that are not necessary. * If you reread your work, you will find on rereading that a great deal of repetition can be avoided by rereading and editing. * A writer must not shift your point of view. * Eschew dialect, irregardless. * And don't start a sentence with a conjunction. * Don't overuse exclamation marks!!! * Place pronouns as close as possible, especially in long sentences, as of 10 or more words, to their antecedents. * Writers should always hyphenate between syllables and avoid un-necessary hyph-ens. * Write all adverbial forms correct. * Don't use contractions in formal writing. * Writing carefully, dangling participles must be avoided. * It is incumbent on us to avoid archaisms. * If any word is improper at the end of a sentence, a linking verb is. * Steer clear of incorrect forms of verbs that have snuck in the language. * Take the bull by the hand and avoid mixed metaphors. * Avoid trendy locutions that sound flaky. * Never, ever use repetitive redundancies. * Everyone should be careful to use a singular pronoun with singular nouns in their writing. * If I've told you once, I've told you a thousand times, resist hyperbole. * Also, avoid awkward or affected alliteration. * Don't string too many prepositional phrases together unless you are walking through the valley of the shadow of death. * Always pick on the correct idiom. * "Avoid overuse of 'quotation "marks."'" * The adverb always follows the verb. * Last but not least, avoid cliches like the plague; seek viable alternatives." (New York Times, November 4, 1979; later also published in book form)

As long as you’re in your right mind don’t you ever pray for twins. Twins amount to a permanent riot. And there

...curl into each other like apostrophes within a quotation mark as they talk. I realize that two years is not a long time.

There’s a good spot tucked away somewhere in everybody. You’ll be a long time finding it sometimes.

helicopters? The gunships? Always beating that particular drum?” “Was?” I said. “He died the day before New Year’s Eve. Car versus pedestrian in Heidelberg, Germany. Hit-and-run.” I clicked the phone off. “Swan mentioned that,” I said. “In passing. Now that I think about it.” “The check mark,” Summer said. I nodded. “One down, seventeen to go.” “What does T.E.P. mean?” “It’s old CIA jargon,” I said. “It means terminate with extreme prejudice.” She said nothing. “In other words, assassinate,” I said. We sat quiet for a long, long time. I looked at the ridiculous quotations again. The enemy. When your back is to the wall. The

Alice was beginning to get very tired of all this sitting by herself with nothing to do: every so often she tried again to read the book in her lap, but it was made up almost exclusively of long paragraphs, and no quotation marks whatsoever, and what is the point of a book, thought Alice, that does not have any quotation marks?

You can't work in the library without going into the Old Levels," said Mirelle somberly. "At least some of the time. I wouldn't be keen on going to some parts of the Library, myself." Lirael listened, wondering what they were talking about. The Great Library of the Clayr was enormous, but she had never heard of the Old Levels. She knew the general layout well. The Library was shaped like a nautilus shell, a continuous tunnel that wound down into the mountain in an ever-tightening spiral. This main spiral was an enormously long, twisting ramp that took you from the high reaches of the mountain down past the level of the valley floor, several thousand feet below. Off the main spiral, there were countless other corridors, rooms, halls, and strange chambers. Many were full of the Clayr's written records, mainly documenting the prophesies and visions of many generations of seers. But they also contained books and papers from all over the Kingdom. Books of magic and mystery, knowledge both ancient and new. Scrolls, maps, spells, recipes, inventories, stories, true tales, and Charter knew what else. In addition to all these written works, the Great Library also housed other things. There were old armories within it, containing weapons and armor that had not been used for centuries but still stayed bright and new. There were rooms full of odd paraphernalia that no one now knew how to use. There were chambers where dressmakers' dummies stood fully clothed, displaying the fashions of bygone Clayr or the wildly different costumes of the barbaric North. There were greenhouses tended by sendings, with Charter marks for light as bright as the sun. There were rooms of total darkness, swallowing up the light and anyone foolish enough to enter unprepared. Lirael had seen some of the Library, on carefully escorted excursions with the rest of her year gathering. She had always hankered to enter the doors they passed, to step across the red rope barriers that marked corridors or tunnels where only authorized librarians might pass.

a pawn in a very complicated game, a little cog in a huge gear, so little that it should not even be seen: in fact, it was established that I would go through here without leaving any traces; and instead, every minute I spend here I am leaving more traces. I leave traces if I do not speak with anyone, since I stick out as a man who won't open his mouth; I leave traces if I speak with someone because every word spoken is a word that remains and can crop up again later, with quotation marks or without. Perhaps this is why the author piles supposition on supposition in long paragraphs without dialogue, a thick, opaque layer of lead where I may pass unnoticed, disappear. I am not at all the sort of person who attracts attention, I am an anonymous presence against an even more anonymous background.

During two long weeks Tom lay a prisoner, dead to the world and its happenings. He was very ill, he was interested in nothing. When he got upon his feet at last and moved feebly downtown, a melancholy change had come over everything and every creature. There had been a “revival,” and everybody had “got religion,” not only the adults, but even the boys and girls. Tom went about, hoping against hope for the sight of one blessed sinful face, but disappointment crossed him everywhere. He found Joe Harper studying a Testament, and turned sadly away from the depressing spectacle. He sought Ben Rogers, and found him visiting the poor with a basket of tracts. He hunted up Jim Hollis, who called his attention to the precious blessing of his late measles as a warning. Every boy he encountered added another ton to his depression; and when, in desperation, he flew for refuge at last to the bosom of Huckleberry Finn and was received with a Scriptural quotation, his heart broke and he crept home and to bed realizing that he alone of all the town was lost, forever and forever.

An idealist believes the short run doesn’t count. A cynic believes the long run doesn’t matter. A realist believes that what is done or left undone in the short run determines the long run. Syndey J. Harris

Right up to this very moment, white people as a group have not wanted to share or relinquish anything meaningful to Black people in terms of power, money, or social status.  The most we might say is that we “accept” or “like” them, as long as they “like” us and are nice to us.  I put those words in quotation marks because i wonder: how can you like someone if deep down you believe they should be stuck in a perpetually inferior political, economic and social position? How can whites truly accept people—that is, welcome them into our sphere of affairs—when we think they have had nothing to offer but their meagre existence?  This is like forcing someone to make a great big meal for our party, and after they’ve cooked in the kitchen for hours and hours, we start to think it might be nice if they would come to our party; but then we think their presence might make us feel uncomfortable because we know we wouldn’t have asked or forced one of our party guests to cook all those hours as we did with this person.  We might be looking at all that food and wondering how this tired person feels being invited to share a meal that they prepared in the first place.

Before the Internet, cooler heads might have prevailed. (Insiders knew this was hardly Turner and Sponsel’s first attempt to pick at the big dog Chagnon.) Instead Turner and Sponsel’s juicy “tell all” letter wound up circulated all over the world virtually overnight, and of course the press didn’t dare sit on such a hot story long enough to find out what was true, much less learn the backstory. Most reporters simply reiterated the charges. A headline in The Guardian screamed, SCIENTIST “KILLED AMAZON INDIANS TO TEST RACE THEORY.” The quotation marks likely would be lost on much of the public.

Francine’s face. “We don’t really use the word ‘teaching’,” she said, using her fingers to form quotation marks. “We train NGO leaders to better manage their organizations.” “Right,” I said, although still not certain how “teaching” was different from “training”. Maybe I wasn’t so smart, after all. “We facilitate staff to be better project managers, financial managers, better people managers.” Francine leaned into the desk to emphasize the word “facilitate”. “And we facilitate organizations to develop long-term strategies, to create sound work plans, and to evaluate their programs. Among other things, of course. So our role is that of a facilitator, not a teacher, as such.” I’d never heard the word “facilitate” used so many times in the same breath. Back then, I had no idea how many times I, myself, would breathlessly use that word during my work in Africa.

You would say, on the contrary, that I am doing a job, a pawn in a very complicated game, a little cog in a huge gear, so little that it should not even be seen: in fact it was established that I would go through here without leaving any traces; and instead every minute I spend here I am leaving more traces. I leave traces if I do not speak with anyone, since I stick out as a man who won’t open his mouth. I leave traces if I speak to someone because every word spoken is a word that remains and can crop up again later, with quotation marks or without. Perhaps this is why the author piles supposition on supposition in long paragraphs without dialogue, a thick opaque layer of lead where I may pass unnoticed, disappear. I am not at all the sort of person who attracts attention, I am an anonymous presence against an even more anonymous background.

I can't schedule you in. Thanks for coming to me for so long now, but I don't feel comfortable with it anymore." Her face paled. "Did I do something wrong?" "The 'skinhead'," —I used my fingers as quotation marks— "is my really good friend." I drepped my hands. "Actually, I think he's going to marry me one day." I said it. I owned it.

And then another book, never read, long forgotten, catches his eye. The jacket is missing, the title on the spine practically faded. It’s a thick clothbound volume topped with decades-old dust. The ivory pages are heavy, slightly sour, silken to the touch. The spine cracks faintly when he opens it to the title page. The Short Stories of Nikolai Gogol. “For Gogol Ganguli,” it says on the front endpaper in his father’s tranquil hand, in red ballpoint ink, the letters rising gradually, optimistically, on the diagonal toward the upper right-hand corner of the page. “The man who gave you his name, from the man who gave you your name” is written within quotation marks. Underneath the inscription, which he has never before seen, is his birthday, and the year, 1982. His father had stood in the doorway, just there, an arm’s reach from where he sits now. He had left him to discover the inscription on his own, never again asking Gogol what he’d thought of the book, never mentioning the book at all. The handwriting reminds him of the checks his father used to give him all through college, and for years afterward, to help him along, to put down a security deposit, to buy his first suit, sometimes for no reason at all. The name he had so detested, here hidden and preserved—that was the first thing his father had given him.

Once we'd balled up our burrito wrappers and tossed them into the trash, Jake and I walked several blocks from El Farolito to the home of Gus, a rescued shepherd mix that I walked a few afternoons each week. Jake sat on the stoop while I ran upstairs. As usual, Gus was waiting for me at the door of his apartment,; I could hear his tail pounding the floor as I turned the key in the lock. Once I got inside, he hopped around me, nipping delicately at my fingers, nails clackety-clacking at the floor, his tail an ecstatic black blur. I knelt down in front of him, pressed his floppy, expressive ears flat back against his head, and planted a kiss on the side of his long, black schnoz. He whined happily, his whole body shimmying. Gus was one of those dogs who had an entirely different personality at home, where his sense of security gave him the confidence to be joyous and goofy. Out on the street, the shelter pup in him came out and he turned skittish and sorrowful, his tan quotation mark eyebrows pressing together to turn his forehead into a series of of anxious wrinkles. Needless to say, I was gaga for Gus and his layered personality. Downstairs, I could see right away that Jake loved dogs as much as I did. I had to warn him not to try too hard with Gus; too much attention from a stranger would only make Gus more nervous out there in the big loud world. Jake managed to restrain himself for half a block, but soon was cooing down to Gus, running his hand down the length of his silky black-and-tan coat, and passing him a little piece of chorizo from a napkin that he'd somehow slipped into his pocket at El Farolito without me noticing. Gus pressed himself against Jack's leg and looked adoringly up at him as he gobbled the meat, his tail for a moment wagging as freely as it did at home.

Mark begins his Gospel with a quotation from Isaiah 40 in order to show that his focus will be on Jesus the divine warrior who will lead his people from their bondage and exile. It is commonly understood that in his prophecies of restoration from exile, Isaiah portrays the restoration as a new exodus. Rikki E. Watts has shown that “for Mark the long-awaited coming of Yahweh as King and Warrior has begun, and with it, the inauguration of Israel’s eschatological comfort” (1997, 90). The Gospel’s action begins in the wilderness, indicating that God’s people are still in exile, outside the land of promise and blessing (cf. Evans 1997, 317–18).