Quincy Williams Quotes

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Modern researchers have identified one or more major mood disorders in John Quincy Adams, Charles Darwin, Emily Dickinson, Benjamin Disraeli, William James, William Tecumseh Sherman, Robert Schumann, Leo Tolstoy, Queen Victoria, and many others. We may accurately call these luminaries “mentally ill,” a label that has some use—as did our early diagnosis of Lincoln—insofar as it indicates the depth, severity, and quality of their trouble. However, if we get stuck on the label, we may miss the core fascination, which is how illness can coexist with marvelous well-being. In
Joshua Wolf Shenk (Lincoln's Melancholy: How Depression Challenged a President and Fueled His Greatness)
NBC had cleaned out its last two liberal commentators, John Vandercook and Bob St. John, the year before. CBS recently had edged Quincy Howe out of his 6 P.M. daily spot as soon as a sponsor had bought it and had given it to Eric Sevareid, the new head of the Washington bureau. The era of McCarthy lay just ahead, but already there were signs foreshadowing it. I had not taken the change of climate as seriously perhaps as I should. I had been through it all before—in my years in Nazi Germany.
William L. Shirer (A Native's Return, 1945–1988 (Twentieth Century Journey Book 3))
1828, the Duke of Wellington, hero of Waterloo, became prime minister of the United Kingdom. In South America, Uruguay gained national independence. Japan suffered its second-worst natural disaster in 1828, when the Siebold Typhoon killed ten thousand people. On May 26, 1828, in Nuremburg, Germany, a mysterious child named Kaspar Hauser made headlines when he appeared out of nowhere, walking the streets in a daze. In the United States, Andrew Jackson defeated John Quincy Adams in one of the bitterest presidential elections in American history. Jackson's candidacy established a new political
Peter Kurtz (Bluejackets in the Blubber Room: A Biography of the William Badger, 1828-1865)
You must have slept through Mr. Quincy’s ninth-grade English class, Tom,” Kate said. “Orwell, Animal Farm, read it some time.
William R. Forstchen (One Second After (After #1))
and Bill Clinton broke with this archetype to devote their post-presidencies to humanitarian and other public causes. Previously, William Howard Taft, president
Joseph Wheelan (Mr. Adams's Last Crusade: John Quincy Adams's Extraordinary Post-Presidential Life in Congress)
In 1828, the Duke of Wellington, hero of Waterloo, became prime minister of the United Kingdom. In South America, Uruguay gained national independence. Japan suffered its second-worst natural disaster in 1828, when the Siebold Typhoon killed ten thousand people. On May 26, 1828, in Nuremburg, Germany, a mysterious child named Kaspar Hauser made headlines when he appeared out of nowhere, walking the streets in a daze. In the United States, Andrew Jackson defeated John Quincy Adams in one of the bitterest presidential elections in American history. Jackson's candidacy established a new political party: the Democratic Party.
Peter Kurtz (Bluejackets in the Blubber Room: A Biography of the William Badger, 1828-1865)
and Mrs. William Hayes Fogg. New gifts from Forbes and others were so numerous by 1912 that plans were made for a new museum adjacent to Harvard Yard on Quincy Street. As director, Forbes conceived of the new Fogg as a laboratory of learning, accommodating galleries, lecture halls, curatorial offices, conservation, and a research library all under the same roof. He closely oversaw the architectural plans by Charles Coolidge – from the outside, a simple brick neocolonial; inside, a spacious, skylit courtyard modeled, down to the last detail, on a High Renaissance facade in Montepulciano, in Tuscany, creating a sanctuary from the day-to-day bustle of Cambridge. Forbes insisted that this be finished, like the original, in travertine, at the then-extraordinary cost of $56,085. Harvard president Abbott Lawrence Lowell balked. A simple plaster finish would cost about $8,500. The travertine was not only expensive, Lowell asserted, it was ostentatious. But Forbes was
Belinda Rathbone (The Boston Raphael: A Mysterious Painting, an Embattled Museum in an Era of Change & A Daughter’s Search for the Truth)
supporters of John Quincy Adams in New York quickly exploited the situation by attempting to draw the Masonic issue along factional lines. This strategy proved especially potent in western New York, where William Morgan,
Dan Vogel (Charisma under Pressure: Joseph Smith, American Prophet, 1831–1839)
On one side was a picture of Sengbe Pieh—also known as Joseph Cinqué—the leader of the 1839 Amistad slave rebellion, whom at least one observer would invoke when describing William. Kidnapped from West Africa, where William’s grandparents had also been stolen, Cinqué and his companions overthrew their captors, but were intercepted near American shores. Demanding back their freedom, the Africans soon took their case all the way to the Supreme Court, where, represented by John Quincy Adams, they were victorious.
Ilyon Woo (Master Slave Husband Wife: An Epic Journey from Slavery to Freedom)
A statue of him on Central Park's "Literary Walk" is still today the only representation there of an American writer; it was unveiled in 1877 by President Hayes and a crowd of fifty thousand people. Halleck dined twice with President Jackson; Abraham Lincoln complimented him; and John Quincy Adams referred to his poetry in a speech to the House of Representatives in 1836. For sixteen years he was "a sort of secretary and companion" to John Jacob Astor, America's richest and best-connected man. Halleck was admired by Charles Dickens, William Thackeray, James Fenimore Cooper, Washington Irving, and especially Poe. But by 1930, he was largely forgotten.
Rick Whitaker (The First Time I Met Frank O'Hara: Reading Gay American Writers)
Absolutely crucial, however, for Adams from his perspective was that he had been called to each of these positions. He repeated time and time again that he had never angled or campaigned or had anyone else intervene on his behalf for any of them. He did not strive; he was chosen. For his own sense of himself, he had to believe that only his merit and virtue brought him office. He did acknowledge his ambition, but he could never consciously permit that aspiration to result in an overt effort to fulfill it.
William J. Cooper Jr. (The Lost Founding Father: John Quincy Adams and the Transformation of American Politics)
disaster in 1828, when the Siebold Typhoon killed ten thousand people. On May 26, 1828, in Nuremburg, Germany, a mysterious child named Kaspar Hauser made headlines when he appeared out of nowhere, walking the streets in a daze. In the United States, Andrew Jackson defeated John Quincy Adams in one of the bitterest presidential
Peter Kurtz (Bluejackets in the Blubber Room: A Biography of the William Badger, 1828-1865)
Paul McCartney’s solo career, Willie Mays’ last season with the New York Mets, Robert De Niro in Cape Fear, William Jennings Bryan at the Scopes Monkey Trial, John Ashbery’s Flowchart, Georgia O’Keeffe’s last 10 years of paintings, T.S. Eliot’s plays, & John Glenn’s last flight as an astronaut. The Beatles’ Long and Winding Road, Jim Brown’s last season, Keats’ Odes, Mozart’s concertos, Sylvia Plath’s Ariel, Jimi Hendrix at Woodstock, Wilfred Owen’s lyrics, & Marie Curie in her laboratory. The former set we recall- if at all- because all of the folk were past their prime- way past. Almost embarrassing were their quests &/or achievements. The latter we recall- & will most likely always do so with fondness & fervor- because they left their respective quests at the height of their powers. It’s how we all hope to be recalled. When we think of an afterlife we always envision ourselves at the prime of our life. Who would want to inhabit a realm filled with yipping old yentas & crusty altacockers? It’s one of the oldest stereotypes there is about the creationary impulse: The fires of youth. One of the great sources of woe for a lot of artists is that just as they get enough time & experience under their belts to gain technical skill in their field, the impulse to do so wanes. There seems to be a brief nexus where the 2- skill & desire- meet & are sustaining. Too young & a lot of crap- with potential- is produced. Too old & little work is made- & what is is skilled but dull, repetitive, & uninteresting. Thus most artists, &/or scientists, have similar careers which graphed would form a nice slowly rising & falling horizontal arc whose rounded apex is between the years 35 & 50. But is it necessarily so? There are examples of such who defy the conventional wisdom in poetry. The 2 best examples in the English language are Wallace Stevens & William Butler Yeats- in fact their poetry probably kept improving with age. But for every Stevens & Yeats there’s the last 20 years of Whitman’s bloated poetry & terrible prose, Hardy’s verse, Pound’s Cantos, Ginsberg’s last 30 years, Ashbery, James Merrill, W.S. Merwin, Muriel Rukeyser, Gwendolyn Brooks, Robert Bly, Quincy Troupe, & on & on.
Dan Schneider