“
Why are old lovers able to become friends? Two reasons. They never truly loved each other, or they love each other still.
”
”
Whitney Otto (How to Make an American Quilt)
“
The best men tell you the truth because they think you can take it; the worst men either try to preserve you in some innocent state with their false protection, or are ‘brutally honest.’ When someone tells, lets you think for yourself, experience your own emotions, he is treating you as a true equal, a friend…And the best men cook for you.
”
”
Whitney Otto (How to Make an American Quilt)
“
One can never had too many librarian friends.
”
”
Jennifer Chiaverini (The Wedding Quilt (Elm Creek Quilts #18))
“
So what?" I challenged, pulling the quilt tighter around myself. “All you're telling me is I won't betray my friends or family. If that's a weakness, it's one I want.
”
”
Julie Kagawa (The Iron King (The Iron Fey, #1))
“
Bashful? She and her friends made Girls Gone Wild look like a quilting circle.
”
”
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
“
Well, my friends give me purple flowers and orange tea
and goosedown spinning quilts and torquoise chairs
we greet one another in a wild profusion of words
and wave farewell amidst the wonderment of air
In the laughing times we know we are lucky
In the quiet times we know that we are blessed
And we will not be alone
”
”
Dar Williams
“
Anytime we worked a quilt, it was the thing to do to set out an empty chair. It was for the missing woman. The friend who might call, just as you'd sat to quilt, and who might bring a loaf of bread, lend a hand, do a square....
There are times I miss the things I haven't done in my life. The things that Savannah is so good at doing, like taking up the empty chair.
”
”
Nancy E. Turner
“
Can’t sleep?” Michael whispered. She shook her head. “Turn on your side.” When she did, he drew her back against him, tucking her into his body. The child shifted, snuggling deeper into the quilts and pressing into Angel’s stomach. “You’ve got a friend,” Michael murmured. Angel put her arm around Ruth and closed her eyes. Michael put his arm around both of them. “Maybe we’ll have one like her someday,” he said against her ear.
”
”
Francine Rivers (Redeeming Love)
“
It tugs at me, filling me with the kind of seasick nostalgia that can hit you in the gut when you find an old concert ticket in your purse or an old coin machine ring you got down at the boardwalk on a day when you went searching for mermaids in the surf with your best friend.
That punch of nostalgia hits me now and I start to sink down on the sky-coloured quilt, feeling the nubby fabric under my fingers, familiar as the topography of my hand.
”
”
Brenna Ehrlich (Placid Girl)
“
My mama always said piecing quilts is like making friends.' She kept her eyes on the scissors as she cut up a piece of blue ticking. 'Sometimes the more different fabrics - and people - are,' she said, 'the stronger the pattern.'
I looked up at her. She smiled a sad, sweet smile at me. I felt as if she'd looked right into my heart and seen all my warts and flaws, and held her own heart out to me anyway.
”
”
Kirby Larson (Hattie Big Sky (Hattie, #1))
“
How he was my teacher and my partner in so many key life areas. My best friend and my family and my pillow and my quilt. Each of them are like bricks laid in the house I built to love him, but the point is really that house I built isn’t a monument to a love I used to have. It’s a house I want to live inside of still.
”
”
Jessa Hastings (Magnolia Parks: The Long Way Home (The Magnolia Parks Universe, #3))
“
We are your shadow uncles, your angel godfathers, your mother’s or your grandmother’s best friend from college, the author of that book you found in the gay section of the library. We are characters in a Tony Kushner play, or names on a quilt that rarely gets taken out anymore. We are the ghosts of the remaining older generation. You know some of our songs. We do not want to haunt you too somberly. We don’t want our legacy to be gravitas. You wouldn’t want to live your life like that, and you won’t want to be remembered like that, either. Your mistake would be to find our commonality in our dying. The living part mattered more. We taught you how to dance.
”
”
David Levithan (Two Boys Kissing)
“
And what is this wild summons? What art is asked of us? The gift offered is different for each but all are equal in grandeur. To paint, draw, dance, compose. To write songs, poems, letters, diaries, prayers. To set a violet on the sill, stitch a quilt,; bake bread; plant marigolds, beans, apple trees. To follow the track of the forest elk, the neighborhood coyote, the cupboard mouse. To open the windows, air beds, sweep clean the corners. To hold the child’s hand, listen to the vagrant’s story, paint the elder friend's fingernails a delightful shade of pink while wrapped in a blanket she knit with deft young fingers of her past. To wander paths, nibble purslane, notice spiders. To be rained upon. To listen with changed ears and sing back what we hear.
”
”
Lyanda Lynn Haupt (Mozart's Starling)
“
A friend of mine once said that she didn't believe in coincidence, that it was God working in her life, not a coincidence every time something unexpected worked out.
”
”
Barbara Cameron (A Time to Heal (Quilts of Lancaster County, #2))
“
My friend who runs marathons, throws elaborate parties, sews quilts for everyone she knows, works full-time, and has three children does all of this not in spite of her useless husband but because of him.
”
”
Sarah Manguso (300 Arguments: Essays)
“
In the East, he then believed, a man went to college not for vocational training but in disciplined search for wisdom and beauty, and nobody over the age of twelve believed that those words were for sissies. In the East, wearing rumpled tweeds and flannels, he could have strolled for hours among ancient elms and clock towers, talking with his friends, and his friends would have been the cream of their generation. The girls of the East were marvelously slim and graceful; they moved with the authority of places like Bennington and Holyoke; they spoke intelligently in low, subtle voices, and they never giggled. On sharp winter evenings you could meet them for cocktails at the Biltmore and take them to the theater, and afterwards, warmed with brandy, they would come with you for a drive to a snowbound New England inn, where they’d slip happily into bed with you under an eiderdown quilt. In the East, when college was over, you could put off going seriously to work until you’d spent a few years in a book-lined bachelor flat, with intervals of European travel, and when you found your true vocation at last it was through a process of informed and unhurried selection; just as when you married at last it was to solemnize the last and best of your many long, sophisticated affairs.
”
”
Richard Yates (Revolutionary Road)
“
Mother had one quilt square made by a friend of hers framed, and hung it in her bathroom, where she saw it first thing in the morning. When I asked her why this mattered, she said, "It represents how women piece together their lives from the scraps left over for them.
”
”
Terry Tempest Williams (When Women Were Birds: Fifty-four Variations on Voice)
“
One day, soon after her disappearance, an attack of abominable nausea forced me to pull up on the ghost of an old mountain road that now accompanied, now traversed a brand new highway, with its population of asters bathing in the detached warmth of a pale-blue afternoon in late summer. After coughing myself inside out I rested a while on a boulder and then thinking the sweet air might do me good, walked a little way toward a low stone parapet on the precipice side of the highway. Small grasshoppers spurted out of the withered roadside weeds. A very light cloud was opening its arms and moving toward a slightly more substantial one belonging to another, more sluggish, heavenlogged system. As I approached the friendly abyss, I grew aware of a melodious unity of sounds rising like vapor from a small mining town that lay at my feet, in a fold of the valley. One could make out the geometry of the streets between blocks of red and gray roofs, and green puffs of trees, and a serpentine stream, and the rich, ore-like glitter of the city dump, and beyond the town, roads crisscrossing the crazy quilt of dark and pale fields, and behind it all, great timbered mountains. But even brighter than those quietly rejoicing colors - for there are colors and shades that seem to enjoy themselves in good company - both brighter and dreamier to the ear than they were to the eye, was that vapory vibration of accumulated sounds that never ceased for a moment, as it rose to the lip of granite where I stood wiping my foul mouth. And soon I realized that all these sounds were of one nature, that no other sounds but these came from the streets of the transparent town, with the women at home and the men away. Reader! What I heard was but the melody of children at play, nothing but that, and so limpid was the air that within this vapor of blended voices, majestic and minute, remote and magically near, frank and divinely enigmatic - one could hear now and then, as if released, an almost articulate spurt of vivid laughter, or the crack of a bat, or the clatter of a toy wagon, but it was all really too far for the eye to distinguish any movement in the lightly etched streets. I stood listening to that musical vibration from my lofty slope, to those flashes of separate cries with a kind of demure murmur for background, and then I knew that the hopelessly poignant thing was not Lolita's absence from my side, but the absence of her voice from that concord.
”
”
Vladimir Nabokov (Lolita)
“
With her back to him, she maneuvered the towel, endeavoring to dress without revealing anything.
“Though I could watch this all night, you should no’ bother with it. I’ve seen every inch of you by now.”
She glanced over her shoulder, not knowing if she was pleased or disappointed that he’d slung on his jeans. “How’s that?”
“I’m tall enough that when I was behind you, I could see straight over you. And my eyesight’s strong enough to easily see through the water.”
She wasn’t modest, and this hiding her body like a blushing virgin wasn’t her front anyway. “In that case . . .” she said, dropping the towel.
He hissed in a breath. As she set about dressing as usual, he grated, “Not a bashful one, then?”
Bashful? She and her friends made Girls Gone Wild look like a quilting circle. “Just being charitable to aging werewolves.
”
”
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
“
Community is a body of people crying for one another, working together for a common cause, enjoying and overlooking (or grimly, tolerating) each other’s foibles; it’s a rough and beautiful quilt sewn of patches that don’t seem to go together at all, and then do.
Community means we’re collaborating. It means that you help my children and my old people and I help yours. It means we are in this together. Most of us are perhaps a tiny bit self-absorbed, and good at keeping out people who don’t look, vote, or act like our friends, and that’s very nice. But a good community includes all those other people and those of us at the edges. Welcomes are offered: hey, come on into the circle — yeah, you. You with your nose in the air, or a neck tattoo, a walker or a Rolls.
”
”
Anne Lamott (Somehow: Thoughts on Love)
“
Well,” I harrumphed, “friendship is a two-way street.” “Sometimes. Not always. When a friend’s in trouble, sometimes friendship is a blind alley, a climb down a rope into a dark hole you’re trying to pull somebody out of, a rescue mission. Of course, it’s nice if the one you’re trying to save cooperates, but sometimes they don’t. Sometimes they don’t even know they’re in trouble. And you, of all people, know that.
”
”
Marie Bostwick (A Thread So Thin (Cobbled Court Quilts Book 3))
“
Torrens kicked at the door until it was finally opened. The farm couple and three youngsters had been eating breakfast in the common room. The yard dog would have bounded in had not Torrens kicked the door shut.
'I want a bed. Quilts. A hot drink. I am a doctor. This woman is my patient.'
The farm couple was terrified. The look on the face of Torrens cut short any questions. They did as he ordered. One of the children ran to fetch his medical kit from the cart. The woman motioned for Torrens to set Caroline on a straw pallet. The farmer kept his distance, but his wife, shyly, fearffully, ventured closer. She glanced at Torrens, as if requesting his permission to help. Between them, they made Caroline as comfortable as they could.
Torrens knelt by the pallet. Caroline reached for his hand. 'Leave while you can. Do not burden yourself with me.'
'A light burden.'
'I wish you to find Augusta.'
'You have my promise.'
'Take this.' Caroline had slipped off a gold ring set with diamonds. 'It was a wedding gift from the king. It has not left my finger since then. I give it to you now - ' Torrens protested, but Caroline went on - 'not as a keepsake. You and I have better keepsakes in our hearts. I wish you to sell it. You will need money, perhaps even more than this will bring. But you must stary alive and find my child. Help her as you have always helped me.'
'We shall talk of this later, when you are better. We shall find her together.'
'You have never lied to me.' Caroline's smile was suddenly flirtacious. 'Sir, if you begin now, I shall take you to task for it.'
Her face seemed to grow youthful and earnest for an instant. Torrens realized she held life only by strength of will.
'I am thinking of the Juliana gardens,' Caroline said. 'How lovely they were. The orangerie. And you, my loving friend. Tell me, could we have been happy?'
'Yes.' Torrens raised her hand to his lips. 'Yes. I am certain of it.'
Caroline did not speak again. Torrens stayed at her side. She died later that morning. Torrens buried her in the shelter of a hedgerow at the far edge of the field. The farmer offered to help, but Torrens refused and dug the grave himself. Later, in the farmhouse, he slept heavily for the first time since his escape. Mercifully, he did not dream.
Next day, he gave the farmer his clothing in trade for peasant garb. He hitched up the cart and drove back to the road. He could have pressed on, lost himself beyond search in the provinces. He was free. Except for his promise.
He turned the cart toward Marianstat.
”
”
Lloyd Alexander (The Beggar Queen (Westmark, #3))
“
Miss Rose sitting on a porch. Beside her, a bushel basket of ripe peaches or tomatoes. The drunkards buzzing, but easily smashed with a swat. Early mornings, she starts singing, "What a Friend We Have in Jesus," and that's your cue to rise. To eat the heavy breakfast that will keep you full all day. Once you've helped her with peeling those tomatoes or peaches, there are weeds to be plucked from the garden, from around the vegetables that will show up fresh on the supper table. Fish need cleaning if Uncle Norman comes through with a prize. After dinner, the piecing together of quilt tops from remnants until the light completely fades. The next morning, it starts again. A woman singing off-key praises to the Lord. The sweet fruit dripping with juice. The sound of bugs.
I thought of what Mama liked to say: to find this kind of love, you have to enter deep country.
”
”
Honorée Fanonne Jeffers (The Love Songs of W.E.B. Du Bois)
“
I've written about persistence
and perseverance
and yet
for those of us with patchwork lives
(projects, earnings, caretaking, home-tending,
playing, friending, loving, celebrating,
hurting, grieving, healing, assessing, re-grouping)
persistence and perseverance
has to be allowed
in patches,
not what from the outside might be viewed as
'normal'
(for whatever worth normal has,
the top of that overused bell curve).
So let me clarify.
When I talk about persistence,
it isn't about persistence of equal measure every day.
It's about not giving up on whatever is important to you,
and, especially, not giving up on yourself.
Some chapters of your life may allow many facets of your being,
others just cannot
and the feeling of failure that can arouse
is of no value.
Sometimes all you can do is ask yourself:
What must I do this week? today? next hour?
to continue the process as healthily as possible?
to accomplish the most?
It may be deep immersion in one,
or it may be an odd mix.
And tomorrow may be different.
And an unexpected gift may come and change everything.
And a Mack truck may hit and change everything.
Our answers to those questions may not look similar
but what I hope is similar
is the acceptance
of what must be.
Persist in your own patches.
Make your own quilt.
”
”
Shellen Lubin
“
With her back to him, she maneuvered the towel, endeavoring to dress without revealing anything. “Though I could watch this all night, you should no’ bother with it, witchling. I’ve seen every inch of you by now.” She glanced over her shoulder, not knowing if she was pleased or disappointed that he’d slung on his jeans. “How’s that?” “I’m tall enough that when I was behind you, I could see straight over you. And my eyesight’s strong enough to easily see through the water.” She wasn’t modest, and this hiding her body like a blushing virgin wasn’t her front anyway. “In that case . . .” she said, dropping the towel. He hissed in a breath. As she set about dressing as usual, he grated, “No’ a bashful one, then?” Bashful? She and her friends made Girls Gone Wild look like a quilting circle. “Just being charitable to aging werewolves.
”
”
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #4))
“
Grace rolled up her sleeves and joined the group in the kitchen, where Gladys, Pablo's wife, had worked all day directing many other women who kept food pouring out the front and side door, onto a long series of folding tables, all covered in checkered paper table cloths. While some of the women prepped and cooked, others did nothing but bring food out and set it on the table- Southern food with a Mexican twist, and rivers of it: fried chicken, chicken and dumplings, chicken mole, shrimp and grits, turnip greens, field peas, fried apples, fried calabaza, bread pudding, corn pudding, fried hush puppies, fried burritos, fried okra, buttermilk biscuits, black-eyed peas, butter bean succotash, pecan pie, corn bread, and, of course, apple pie, hot and fresh with sloppy big scoops of local hand-churned ice creams.
As the dinner hours approached, Carter grabbed Grace out of the kitchen, and they both joined Sarah, Carter's friend, helping Sarah's father throw up a half-steel-kettle barbecue drum on the side of the house. Mesquite and pecan hardwoods were quickly set ablaze, and Dolly and the quilting ladies descended on the barbecue with a hurricane of food that went right on to the grill, whole chickens and fresh catfish and still-kicking mountain trout alongside locally-style grass-fed burgers all slathered with homemade spicy barbecue sauce. And the Lindseys, the elderly couple who owned the fields adjoining the orchard, pulled up in their pickup and started unloading ears of corn that had been recently cut. The corn was thrown on the kettle drum, too, and in minutes massive plumes of roasting savory-sweet smoke filled the air around the house. It wafted into the orchards, toward the workers who soon began pouring out of the house.
”
”
Jeffrey Stepakoff (The Orchard)
“
WILLIE PURDY DIDN’T want to have anything to do with Caralee, who’d been recovered from Marlys’s quilting friend. Caralee and Jesse eventually moved up the highway to Des Moines, where Jesse got a good-paying job working for an old high-school buddy, selling Colorado marijuana to real estate agents, and started saving for a truck farm of his own. He stopped drinking.
”
”
John Sandford (Extreme Prey (Lucas Davenport, #26))
“
Dawn came in wisps of pink against a blue-gray sky. Through the trees, shafts of misty sunlight formed luminous motes of warmth along the river. Birds sang. Squirrels chattered. The low rush of the water was ceaseless. Loretta woke slowly, aware before she opened her eyes that something was horribly wrong. Amy wasn’t this big. The arm around her was hard and heavy, the warm hand that cupped her breast distinctly masculine. She frowned and wondered where the hairy blanket touching her cheek had come from. Where was the gray down quilt? Why did she hurt everywhere? Through the spikes of her eyelashes, she stared at a gnarled tree root. A breeze stirred the leaves overhead. The moldy floor of the forest blended its musty smell with the rich, tantalizing aroma of coffee. Then the sound of men’s voices drifted to her, the tones conversational, interspersed with an occasional chuckle. Friendly voices. Normal-sounding voices--except for one thing. She couldn’t understand the language.
With a start, she remembered. Her sudden gasp of alarm woke the Comanche who held her in his arms. She knew without looking that it was Hunter, the most horrible. His hand tightened reflexively on her naked breast, and his arm hardened to steel around her. He grunted something and nuzzled her neck.
Loretta’s first instinct was to grab his hand, but she no sooner tried than she realized that her own were bound behind her. He pressed his face against her hair and took a deep breath. She could tell he was only half-awake by the slow, lazy way he moved. His thumb grazed her nipple, teasing the sensitive tip into an unwilling response. Her body sprang taut as well, jerking with every flick of his fingers. He yawned and pressed closer.
Oh, God, help me.
Lowering his hand to her belly, he pressed his palm against her spasm-stricken muscles and kneaded away the tightness. She felt like a sensitive harp string, thrummed by expert fingers. Horrified by her body’s reaction, she tried to twist free, but he threw a damp, buckskin-clad leg over both of hers and pinned her to the fur. Her back stung each time she moved, the pain so sharp it made beads of sweat pop out on her brow. Her thighs felt as if they were on fire.
“M-mm-m, you are still hot,” he mumbled. His hand lingered on her belly. “Not too bad where the sun did not touch, though. The fever is better.”
No man had ever dared touch her like this. She tossed her head from side to side, strained to get her arms and legs free, then shuddered in defeat.
“Do not fight.” His voice was so close, it seemed to come from within her own mind. “You cannot win, eh? Rest.” His sleepy whispers invaded her whole being, slow, hypnotic, persuasive. He rubbed her in a circular motion, pausing in sleep, then coming awake to rub some more. “Lie still. Trust this Comanche. It is for the burn, no? To heal your skin.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Beatrice nodded slowly. She pressed her lips together to keep any heedless words from popping out. She’d found over the years that she had a tendency to try to fix everyone’s problems. It was tough for her to listen to a friend or family member’s problem without trying to leap into action to uncover a solution. Sometimes, she knew, people wanted her simply to listen to them.
”
”
Elizabeth Spann Craig (Patch of Trouble (A Southern Quilting Mystery, #6))
“
fellow students taught her about fighting for justice and making her voice heard, and more worldly friends invited her to expand her consciousness in ways that she never would have imagined back in Brown Deer,
”
”
Jennifer Chiaverini (The Christmas Boutique (Elm Creek Quilts #21))
“
Remember,” said Posy gently, “we’re not all there to judge you. We’re your friends and we want to celebrate your art and enjoy it, too. There are judges at quilt shows, but they’re not the only ones attending. Don’t worry about being perfect.
”
”
Elizabeth Spann Craig (Knot What It Seams (A Southern Quilting Mystery, #2))
“
For Sylvia’s greatest bequest was the reminder that true friends are the most precious gift, and that even in the darkest of times love illuminates the way home.
”
”
Jennifer Chiaverini (Round Robin: An Elm Creek Quilts Book (The Elm Creek Quilts 2))
“
The young men wore trapper’s caps and quilted cotton jackets that had originally been designed for the Red Army. They had hard faces and lean bodies and all their eyes seemed focused on Zina and Lyuda, as none of them had likely seen a woman for months. Lyuda found the attention intimidating—but also exhilarating. She knew she was not beautiful like Zina. In contrast to her friend’s exotic looks, Lyuda had straw-colored hair and plain features. She did not usually inspire lust in men. On this trip, for instance, Igor and Doroshenko and Georgy, and perhaps Zolotaryov, all had eyes for Zina, even if none of them would come out and say so, as all good Communists knew not to show special interest in one person only. Yet nobody ever looked twice at Lyuda. She was always just “one of the guys.” Except now. Except in the company of these woodcutters. They saw her as a woman, perhaps even an attractive one. She held back the slightest smile.
”
”
Jeremy Bates (Mountain of the Dead (World's Scariest Places #5))
“
Is everything all right, Leah?” At the sound of Miri’s voice, he glanced over at his sister. She’d dropped the quilt squares she’d been sewing and was looking at her friend expectantly. He turned his attention to Leah, who continued to stare out the window as if she hadn’t heard. His chest squeezed at the tension that radiated from her shoulders. Finally she sighed, a long mournful sound. When she spoke, her voice was almost swallowed by the glass pane in front of her and the sea of darkness beyond. “I was just thinking now that my leg is healed, it’s time for me to move on.” All of his muscles tensed, as if fending off an attack. Before he could stop himself, the words in his heart spilled out. “You can’t leave.
”
”
Misty M. Beller (The Lady and the Mountain Man (Mountain Dreams, #1))
“
When the first day of the festival had concluded, I retired early, my feet aching and my body exhausted. Narian had left us after our tour of the grounds, and I had not seen him since, although I hoped he would come to me now. He did, but even as he dropped through my window, he seemed distracted, far away inside his own head. I tried to engage him in conversation, but found it to be mostly one-sided, for I could not hold his interest. Though there was no smooth way to launch into the necessary topic, I did so anyway, doubtful that he was even listening.
“Are you upset that your family was with us today?” I asked.
“You invited them?” Judging by the tone of his voice, I had landed upon the correct issue.
“Yes. It made sense to do so.”
“I suppose,” he replied, but I knew the answer did not reflect his actual thoughts.
“They’re old friends of my family, Narian. And I thought perhaps you would…enjoy seeing them again.”
“Alera, they don’t want my company.”
“Your mother does.”
His eyes at last met mine.
“I spoke to her about you. She would give up her husband to regain her son.”
“I doubt that’s true,” he said with a short laugh.
“It is,” I insisted, reaching out to run a hand through his hair. I might have changed her words a little, but I understood her intent. “She told me so herself. Believe it.”
Narian stared at me, a flicker of hope on his face that quickly faded into his stoic façade.
“Even if what you say is true,” he said at last, “in order to have a relationship with her, with my siblings, I need to have one with Koranis.”
“You’re right,” I admitted, for my dinner at the Baron’s home had proven that to be the case.
He sat on the bed beside me and drew one knee close to his chest. “Koranis doesn’t want to be anywhere near me, and to be honest, I have no interest in a relationship with him. I have no respect for him.” Narian read the sympathy in my eyes. “It’s all right, Alera. I don’t need a family.”
“Maybe you don’t need one,” I said with a shrug, playing with the fabric of the quilt that lay between us. “But you deserve one.”
I thought for a moment I had hit a nerve, but instead he made a joke out of it.
“Just think--if I’d had Koranis as my father, I might have turned into him by now. I’d be brutish and pretentious, but at least my boastful garb would distract you from those flaws. Oh, and this hair you love? It would be gone.”
I laughed at the ounce of truth in his statement, then fell silent, for some reason feeling sadder about his situation than he was.
”
”
Cayla Kluver (Sacrifice (Legacy, #3))
“
Gemini took a step forward. “Aric, just ask her,” he said quietly. My sisters and friends gathered around us as Aric slowly fell to one knee. For a moment, he simply stared. But when he spoke, I could sense his devotion in every word. “Celia, you have been my princess since the first time I saw you. Now, I’d like you to be my queen for the rest of our lives. Will you marry me?” Big giant tears rolled down my long, fuzzy face. “Scratch once for yes, twice for no!” Bren yelled. I thought I’d always be ready to hear those words. And there I was, a damn horse. So instead of allowing this moment to be robbed from me, I closed my eyes and took in everything that was Aric—his scent, warmth, love, and all that had brought us together. Someone threw the quilt around me as I felt my body shrink and my bare feet slide along the sandy beach. For the first time, I’d managed to reclaim my human form following an accidental change, and I welcomed it for everything it allowed. Aric tucked the quilt around my naked skin and drew me to him, waiting patiently for me to answer. The lump in my throat tightened. After all the times I thought I’d lost him, was this really happening? It took the soft graze of his knuckles against my cheek to assure me this was more than a dream. My body trembled and so did my voice. “Yes,” I managed. Everyone assembled cheered when Aric kissed me, including Heidi, who changed from her white wolf form to stand beside her mate, Danny. Unlike me and being were, Heidi didn’t mind
”
”
Cecy Robson (A Cursed Bloodline (Weird Girls, #4))
“
Frankenswine:
Like an old crazy quilt, I'm pieces and parts from nine different bodies and five different hearts. My brain is a poet's, my snout's from a thief, my hooves all belonged to the old fire chief, I'm slogging thru swamps and mist covered bogs, hunted by farmers with torches and dogs. Thru mountains and towns, over oceans and snow, I've landed here on this arctic ice floe. So I sit here alone at the world frozen end, just looking for someone whom I can call friend.
”
”
Doug Cushman
“
Huh?” she said. “What’s this?” “I think you have a fever. Might be from damn near freezing to death, might be from something else. First we try aspirin.” “Yeah,” she said, taking them in her small hand. “Thanks.” While Marcie took the aspirin with water, he fixed up the tea. They traded, water cup for mug of tea. He stayed across the room at his table while she sipped the tea. When she was almost done, he said, “Okay, here’s the deal. I have to work this morning. I’ll be gone till noon or so—depends how long it takes. When I get back, you’re going to be here. After we’re sure you’re not sick, then you’ll go. But not till I tell you it’s time to go. I want you to sleep. Rest. Use the pot, don’t go outside. I don’t want to stretch this out. And I don’t want to have to go looking for you to make sure you’re all right. You understand?” She smiled, though weakly. “Aw, Ian, you care.” He snarled at her, baring his teeth like an animal. She laughed a little, which turned into a cough. “You get a lot of mileage out of that? The roars and growls, like you’re about to tear a person to pieces with your teeth?” He looked away. “Must keep people back pretty good. Your old neighbor said you were crazy. You howl at the moon and everything?” “How about you don’t press your luck,” he said as meanly as he could. “You need more tea?” “If it’s all the same to you, I think I’ll nap. I don’t want to be any trouble, but I’m awful tired.” He went to her and took the cup out of her hand. “If you didn’t want to be any trouble, why didn’t you just leave me the hell alone?” “Gee, I just had this wild urge to find an old friend…” She lay back on the couch, pulling that soft quilt around her. “What kind of work do you do?” “I sell firewood out of the back of my truck.” He went to his metal box, which was nailed to the floor from the inside so it couldn’t be stolen if someone happened by his cabin, which was unlikely. He unlocked it and took out a roll of bills he kept in there and put it in his pocket, then relocked it. “First snowfall of winter—should be a good day. Maybe I’ll get back early, but no matter what, I want you here until I say you go. You get that?” “Listen, if I’m here, it’s because it’s where I want to be, and you better get that. I’m the one who came looking for you, so don’t get the idea you’re going to bully me around and scare me. If I wasn’t so damn tired, I might leave—just to piss you off. But I get the idea you like being pissed off.” He stood and got into his jacket, pulled gloves out of the pockets. “I guess we understand each other as well as we can.” “Wait—it’s
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Robyn Carr (A Virgin River Christmas (Virgin River #4))
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One can never have too many librarian friends.
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Jennifer Chiaverini (The Wedding Quilt (Elm Creek Quilts #18))
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Wieland hosted a “quilt-in” at her New York City loft and invited friends, including Canadian expatriates, to help sew La raison avant la passion as a gift for Trudeau.58 The following year, she hosted a huge party attended by Canadian expatriates, various New York artists and writers, and Trudeau himself. Throughout the late 1960s, Wieland had both an artistic and personal relationship with Trudeau. This was unusual because very few artists, if any, had such a close relationship with the prime minister and because what appears to be Wieland’s fascination with Trudeau was, I would argue, far more complex than simple adoration. It seems clear that Wieland had initially been both fascinated by Trudeau-the-person and supportive of his campaign for Liberal leader. She formed a group in New York City, for example, called Canadians Abroad for Trudeau, and, in a 1986 interview, she told Barbara Stevenson that she had initially supported his leadership campaign.59 After Trudeau became prime minister in 1968, however, Wieland’s opinion shifted as she increasingly expressed skepticism towards him and his governing philosophy to the point that, by 1986, she referred to him as a “psychopath.”60 Wieland
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Lynda Jessup (Negotiations in a Vacant Lot: Studying the Visual in Canada (McGill-Queen's/Beaverbrook Canadian Foundation Studies in Art History Book 14))
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I have never returned to this lost paradise. Sometimes I am struck with the sudden desire to go to the Gare de l'Est, board the Orient Express, and retrace the route between Innsbruck and Plumeshof. As I so often saw other more or less close friends of the Welser family do, I fantasize about showing up without warning in the pretty meadow surrounded by fir trees and making the climb to the house while thinking only of Aunt Heidi, who has long since gone the to join her two older sons and their father in heaven. I would concentrate on her so strongly that I would eventually see her again on the doorstep, hastily drying her flour-covered hands in her apron; her opal eyes would brighten when she saw me. She would spread her arms while joyfully shouting: "Franziska!" and I would run to her calling back, "Aunt Heidi, Aunt Heidi!" Kurt's contagious laughter would echo in the distance. Lilo, smiling, would be hanging out the laundry. A lifetime of love would still be stretching out before them. A delicious aroma of pancakes would be drifting in the air ... The large earthenware oven, the eiderdown quilts, the painted wooden chairs with a little heart carved in them like the shutters ... nothing would have changed.
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Françoise Hardy (The Despair of Monkeys and Other Trifles: A Memoir by Françoise Hardy)
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I have never returned to this lost paradise. Sometimes I am struck with the sudden desire to go to the Gare de lest, board the Orient Express, and retrace the route between Innsbruck and Plumeshof. As I so often saw other more or less close friends of the Welser family do, I fantasize about showing up without warning in the pretty meadow surrounded by fir trees and making the climb to the house while thinking only of Aunt Heidi, who has long since gone the to join her two older sons and their father in heaven. I would concentrate on her so strongly that I would eventually see her again on the doorstep, hastily drying her flour-covered hands in her apron; her opal eyes would brighten when she saw me. She would spread her arms while joyfully shouting: "Franziska!" and I would run to her calling back, "Aunt Heidi, Aunt Heidi!" Kurt's Kurt's contagious laughter would echo in the distance. Lilo, smiling, would be hanging out the laundry. A lifetime of love would still be stretching out before them. A delicious aroma of pancakes would be drifting in the air ... The large earthenware oven, the eiderdown quilts, the painted wooden chairs with a little heart carved in them like the shutters ... nothing would have changed.
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Françoise Hardy (The Despair of Monkeys and Other Trifles: A Memoir by Françoise Hardy)
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WHAT TO DO WITH YOUR PAST
Serve it with lemons and curdled milk
with shortbread biscuits
make the day gray
spots of rain.
Make a quilt out of the villains
crochet the heroes together in a hat
Wear the hat. Use the quilt
as a picnic blanket.
Bring your friends.
Watch the squirrels be tiny monkeys
dare-deviling the trees.
Exclaim things!
Each lemon, sup of tea, cookie
is a bite into the future /
will digest, exit, and swim.
Digest. Exit. Swim.
Drink the curdled milk and get sick
watch your friends clean up
hold your hair back / hat on
hand you a tissue.
When you wash the vomit
out of the villainous quilt
each time it gets weaker
Picnic often.
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A.S. King (Switch)
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Sorting through your fabric is like visiting old friends.
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Mary Marks (Knot In My Backyard (A Quilting Mystery, #2))
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All year long I collect pretty plates from thrift shops and garage sales. I try to get ones that fit the personalities of my friends and neighbors and then I load them with goodies.
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Melody Carlson (A Quilt for Christmas: (A Feel-Good Christmas Contemporary Romance Filled with Hope and New Friendships))
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WHEN I IMAGINE where I want to live, the first thing that comes to mind is where I want to have that coffee in the morning. I picture the breakfast nook or the chair and the book and the coffee and the view. My second dream is where I will have a beer. I see afternoon light getting low and angled, sending yellow rays through the tree branches. Maybe on a back patio, or on a grassy bluff over the Pacific Ocean. The imagined locations of our happy places say something about us. About how we recharge or what we crave. I want a cottage on a boulder mountain. A bed and a quilt and an old stove with a teakettle on it. A telescope and a chart of constellations. Books everywhere. Removed from the world but also in it, caring about it and for it. Being old and thoughtful with a pipe to smoke on the porch and a few squirrels who trust me. A raven would be even better. And friends stopping in. Nieces and nephews making the trek to the mountain for a night of stories and some whiskey in their Dr Pepper. I’ll pour it and say, “This never happened.” Of course, I’m too social for that fantasy. I like being in the thick and churn of society. So I’d probably get up to that cabin on a mountain and leave after a month or two. But who knows what age will do to me. Who knows if I’ll slow down, less hungry and more content. Who knows if I’ll find a raven who’ll have me.
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Jedidiah Jenkins (Like Streams to the Ocean: Notes on Ego, Love, and the Things That Make Us Who We Are: Essaysc)
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Friends are the threads of gold in the quilt of life. —Anonymous
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Holly Chamberlin (The Beach Quilt (A Yorktide, Maine Novel Book 4))
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may surprise you,’ he urged. Lily’s eyes no longer smiled. Now their licorice darkness reflected only bitterness. ‘It’s not a matter of me finding the courage, Jack. I know my parents. They won’t surprise me. They’re very predictable. They’re also traditional and as far as they’re concerned, I’m as good as engaged … no, married! And they approve of Jimmy.’ Her expression turned glum. ‘All that’s missing are the rings and the party.’ ‘Lily, risk their anger or whatever it is you’re not prepared to provoke but don’t do this.’ He stroked her cheek. ‘Forget me. I’m not important. I’m talking about the rest of your life, here. From what I can see of my friends and colleagues, marriage is hard enough without the kiss of death of not loving your partner.’ ‘It’s not his fault, Jack. You don’t understand. It’s complicated. And in his way, Jimmy is very charismatic.’ Jack didn’t know Professor James Chan, eminent physician and cranio-facial surgeon based at Whitechapel’s Royal London Hospital, but he already knew he didn’t much like him. Jack might be sleeping with Lily and loving every moment he could share with her, but James Chan had a claim on her and that pissed Jack off. Privately, he wanted to confront the doctor. Instead, he propped himself on one elbow and tried once more to reason with Lily. ‘It’s not complicated, actually. This isn’t medieval China or even medieval Britain. This is London 2005. And the fact is you’re happily seeing me … and you’re nearly thirty, Lily.’ He kept his voice light even though he felt like shaking her and cursing. ‘Are you asking me to make a choice?’ He shook his head. ‘No. I’m far more subtle. I’ve had my guys rig up a camera here. I think I should show your parents exactly what you’re doing when they think you’re comforting poor Sally. I’m particularly interested in hearing their thoughts on that rather curious thing you did to me on Tuesday.’ She gave a squeal and punched him, looking up to the ceiling, suddenly unsure. Jack laughed but grew serious again almost immediately. ‘Would it help if I —?’ Lily placed her fingertips on his mouth to hush him. She kissed him long and passionately before replying. ‘I know I shouldn’t be so answerable at my age but Mum and Dad are so traditional. I don’t choose to rub it in their face that I’m not a virgin. Nothing will help, my beautiful Jack. I will marry Jimmy Chan but we have a couple more weeks before I must accept his proposal. Let’s not waste it arguing and let’s not waste it on talk of love or longing. I know you loved the woman you knew as Sophie, Jack. I know you’ve been hiding from her memory ever since and, as much as I could love you, I am not permitted to because I’m spoken for and you aren’t ready to be in love again. This is not a happy-ever-after situation for us. I know you enjoy me and perhaps could love me but this is not the right moment for us to speak of anything but enjoying the time we have, because neither of us is available for anything beyond that.’ ‘You’re wrong, Lily.’ She smiled sadly and shook her head. ‘I have to go.’ Jack sighed. ‘I’ll drop you back.’ ‘No need,’ Lily said, moving from beneath the quilt, shivering as the cool air hit her naked body. ‘I have to pick up Alys from school. She’s very sharp and I don’t need her spotting you – especially as she’s had a crush on you since you first came into the flower shop.’ Suddenly she grinned. ‘If you hurry up, at least we can shower together!’ Jack leaped from the bed and dashed to the bathroom to turn on the taps. He could hear her laughing behind him but he felt sad. Two more weeks. It wasn’t fair – and then, as if the gods had decided to punish him further, his mobile rang, the ominous theme of Darth Vader telling him this was not a call he could ignore. He gave a groan. ‘Carry on without me,’ he called to Lily, reaching for the phone. ‘Hello, sir,’ he said, waiting for the inevitable apology
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Fiona McIntosh (Beautiful Death (DCI Jack Hawksworth #2))
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It was summer, so the sun appeared in the bottom left-hand corner of the big window at quarter past six.
Ish.
It was hard to tell exactly until the sun rose just a little bit more, enough to send his beams through the holes carefully bored through a piece of wood, above which the hours were marked off in beautifully painted flourishes. This simple timepiece hung from the ceiling off a stick hammered sturdily in, because a string would have let it spin and therefore fail its task of tracking the sun.
The wind chimes, however, assembled from more bits of wood, and pieces of metal, and shaped and dried bits of pottery, were free to swing and tinkle as they pleased. These were surrounded by celestial bric-a-brac that also dangled from the ceiling and spun with abandon when the breeze found them: paper-mâché stars, comets of hoarded glass shards and mirror, a very carefully re-created (and golden) replica of the constellation Orion, a quilted and embroidered cloth model of the sun, and several paintings on rectangular panels hung such that they faced straight down. So that the viewer, in bed, might look up at them and pretend they were windows or friends, depending on whether the subject was landscapes or faces.
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Liz Braswell (What Once Was Mine)