“
I wonder if the snow loves the trees and fields, that it kisses them so gently? And then it covers them up snug, you know, with a white quilt; and perhaps it says, "Go to sleep, darlings, till the summer comes again.
”
”
Lewis Carroll (Alice’s Adventures in Wonderland / Through the Looking-Glass)
“
Why are old lovers able to become friends? Two reasons. They never truly loved each other, or they love each other still.
”
”
Whitney Otto (How to Make an American Quilt)
“
Worry about tomorrow steals the joy from today.
”
”
Barbara Cameron (A Time to Love (Quilts of Lancaster County, #1))
“
I can’t listen to you. I can’t listen to your voice. It’s as though I’d drunk a bottle of anise and fallen asleep wrapped in a quilt of roses. It pulls me along – and I know I’m drowning – but I go on down.
”
”
Federico García Lorca (Bodas de sangre)
“
Once you love, you cannot take it back, cannot undo it; what you felt may have changed, shifted slightly, yet still remains love. You still feel-though very small-the not-altogether unpleasant shock of soul recognition for that person.
”
”
Whitney Otto (How to Make an American Quilt)
“
Love should feel like a hand sewn quilt made by grandma, wrapping you up on a cold winter morning.
”
”
Carroll Bryant
“
Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort.
So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish.
”
”
Alice Sebold (The Lovely Bones)
“
The worst dream of the night, when you are parted from someone you love and you do not know exactly where he is, but you know that he is in the presence of danger. You are tormented by a desire to keep the one you love safe.
”
”
Whitney Otto (How to Make an American Quilt)
“
All was in God's plan, and he had to accept even as he didn't understand.
”
”
Barbara Cameron (A Time to Love (Quilts of Lancaster County, #1))
“
Think about what binds you to your husband and he to you. Marvel at the strength of that bond, which is both abstract and concrete, spiritual and legal.
”
”
Whitney Otto (How to Make an American Quilt)
“
Anna, falling in love with you was like coming home to a place I didn't realize I'd been missing all my life. You're the only person I've ever known who accepts me for who I am, right in this moment, faults and all, and isn't waiting for me to become someone else.
”
”
Jennifer Chiaverini (The Wedding Quilt (Elm Creek Quilts #18))
“
I grow old though pleased with my memories
The tasks I can no longer complete
Are balanced by the love of the tasks gone past
I offer no apology only
this plea:
When I am frayed and strained and drizzle at the end
Please someone cut a square and put me in a quilt
That I might keep some child warm
And some old person with no one else to talk to
Will hear my whispers
And cuddle
near
”
”
Nikki Giovanni
“
I had no systematic way of learning but proceeded like a quilt maker, a patch of knowledge here a patch there but lovingly knitted. I would hungrily devour the intellectual scraps and leftovers of the learned.
”
”
Ishmael Reed (Mumbo Jumbo)
“
Young lovers seek perfection. Old lovers learn the art of sewing shreds together. And of seeing beauty in a multiplicity of patches. - How to make an American Quilt
”
”
Anonymous
“
Silence with him is five fifteen in the morning before the sun’s up and it’s still dark but the birds are singing. He’s the heavy quilt you pull over your head when it’s too cold and too early to wake up. He’s the song no parent ever loved me enough to sing. He’s the way water runs and bubbles over stones in a stream. He’s a quiet mind.
”
”
Jessa Hastings (The Conditions of Will)
“
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room.
Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure.
If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it....
It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me.
I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun.
We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took.
And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things.
They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums.
Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me.
If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe.
Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort.
So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
”
”
Alice Sebold (The Lovely Bones)
“
At a time when I should have felt abandoned by God, I was not reduced to ashes. I felt like I was floating, floating on the love and prayers of all those who hummed around me like worker bees, bringing notes and flowers and warm socks and quilts embroidered with words of encouragement. They came in like priests and mirrored back to me the face of Jesus.
”
”
Kate Bowler (Everything Happens for a Reason: And Other Lies I've Loved)
“
So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything.
”
”
Alice Sebold (The Lovely Bones)
“
There were probably all kinds of broken people. People who had lost a love. A home. A dream. And then there were also the wrecks, those who had gone through a loss more than once, their soul patched and torn and repatched until it resembled a quilt: each square a distinct color, proof that the heart would stay warm, ready for the next breakage.
”
”
Krassi Zourkova (Wildalone (Wildalone Sagas, #1))
“
Live today. You never know when tomorrow will be a day too late.
”
”
Rochelle Carlton (The Quilt)
“
Now they got to look into me loving Tea Cake and see whether it was done right or not! They don't know if life is a mess of corn-meal dumplings, and if love is a bed-quilt!
”
”
Zora Neale Hurston (Their Eyes Were Watching God)
“
scraps of love
torn and tattered
faded, scattered
trashed
threads of hope
frayed and tangled
broken, mangled
dashed
backing, buttons
yarn and batting
quilted tenderly
wrapped up in
this warm repair
my patchwork family
”
”
Wendelin Van Draanen (Runaway)
“
She had dispersed. She was the garden at Prem Nivas (soon to be entered into the annual Flower Show), she was Veena's love of music, Pran's asthma, Maan's generosity, the survival of some refugees four years ago, the neem leaves that would preserve quilts stored in the great zinc trunks of Prem Nivas, the moulting feather of some pond-heron, a small unrung brass bell, the memory of decency in an indecent time, the temperament of Bhaskar's great-grandchildren. Indeed, for all the Minsisster of Revenue's impatience with her, she was his regret.
And it was right that she should continue to be so, for he should have treated her better while she lived, the poor, ignorant, grieving fool.
”
”
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
“
This book is for all the readers who love Liv and Dean West as much as I do. This is for those of you who know the courage it takes to trust your instincts and find your way. This is for the women who love being someone’s girl, and for the men who are your heroes. And this is for everyone who believes in the good things—books, a cup of tea, sexy professors, interesting travels that lead you back home, warm quilts, and perfectly imperfect love.
”
”
Nina Lane (Awaken (Spiral of Bliss, #3))
“
Love isn’t a quilt. Love isn’t patient, love isn’t kind. Love is a game, a chase, a thrill. Love is wild and war-like, and every man and woman must fight for themselves.
”
”
Lauren Blakely (The Thrill of It (No Regrets, #1))
“
It isn't the shape of the designs or the points or the batting, it's the love you sew into your quilt that is your true legacy.
”
”
Lisa Boyer (Stash Envy: And Other Quilting Confessions And Adventures)
“
How he was my teacher and my partner in so many key life areas. My best friend and my family and my pillow and my quilt. Each of them are like bricks laid in the house I built to love him, but the point is really that house I built isn’t a monument to a love I used to have. It’s a house I want to live inside of still.
”
”
Jessa Hastings (Magnolia Parks: The Long Way Home (The Magnolia Parks Universe, #3))
“
In her dreams the Hawk would be waiting for her by the sea's edge; her kilt-clad, magnificent Scottish laird. He would smile and his eyes would crinkle, then turn dark with
smoldering passion.
She would take his hand and lay it gently on her swelling abdomen, and his face would blaze with happiness and
pride. Then he would take her gently, there on the cliff's edge, in tempo with the pounding of the ocean. He would
make fierce and possessive love to her and she would hold on to him as tightly as she could. But before dawn, he would melt right through her fingers. And she would wake up, her cheeks wet with tears and her hands clutching nothing but a bit of quilt or pillow.
”
”
Karen Marie Moning (Beyond the Highland Mist (Highlander, #1))
“
Should I tell her of the moments of joy, the intense pleasure of holding the hand of the one you love and wishing that time would stand still?
”
”
Kelly Long (Lilly's Wedding Quilt (Patch of Heaven, #2))
“
Will had loved the snow, the cleanness of it, the quiet, the sense of peace it brought, had loved it even though winter meant hard chores.
”
”
Sandra Dallas (A Quilt for Christmas)
“
All of life is quilted from the scraps of what once was and is no more- the places we have been, the memories we have made, the people we have known, that which has been long loved but has grown threadbare over time and can be worn no longer. We keep only pieces. All colors, all shapes, all sizes.
"All waiting to be stitched into the pattern only you can see.
”
”
Lisa Wingate (The Prayer Box (Carolina Heirlooms #1))
“
Love is art, not truth. It's like painting a scenery.' These are the things one takes from mothers. Once they die, of course, you get the strand of pearls, the blue quilt, some of the original wedding gifts - a tray shellacked with the invitation, an old rusted toaster - but the touches and the words and the moaning the night she dies, these are what you seize, save, carry around in little invisible envelopes, opening them up quickly, like a carnival huckster, giving the world a peek. They will not stay quiet. No matter how you try.
”
”
Lorrie Moore (Self-Help)
“
And this is how life goes: there will be times where you feel like nothing more than a patchwork quilt of all the worst parts of yourself, and then there will be times when the call to be better is just so lovely and clear, like a bell ringing at a frequency all the voices that keep you up at night can’t hear.
”
”
Sam Lansky (Broken People)
“
She slept beneath a tree that night, sitting upright. She imagined she would have been scared for her life out in the open, for she was often terrified in her own room at home, even after double-locking the windows and covering the glass with quilts. Instead, she felt an odd calm spirit here in the wilderness. Was this the way people felt at the instant they leapt into rivers and streams? Was it like this when you fell in love, stood on the train tracks, went to a country where no one spoke your language? That was the country she was in most of the time, a place where people heard what she said but not what she meant. She wanted to be known, but no one knew her.
”
”
Alice Hoffman (The Red Garden)
“
He could not breathe, much less speak. She was too much. She was sweet and understanding, and she was going to kill him.
”
”
Virginia'dele Smith (Grocery Girl (Green Hills, #1))
“
The only thing relationships needed in common was love—of some kind—and true love was rarely the result of a shared fondness for quilting.
”
”
Stephen McCauley (My Ex-Life)
“
I stitched my love into this quilt, sewn it neatly, proud and true. Though you have gone, I must live on, and this will hold me close to you.
”
”
Liz Trenow (The Forgotten Seamstress)
“
Can’t sleep?” Michael whispered. She shook her head. “Turn on your side.” When she did, he drew her back against him, tucking her into his body. The child shifted, snuggling deeper into the quilts and pressing into Angel’s stomach. “You’ve got a friend,” Michael murmured. Angel put her arm around Ruth and closed her eyes. Michael put his arm around both of them. “Maybe we’ll have one like her someday,” he said against her ear.
”
”
Francine Rivers (Redeeming Love)
“
It tugs at me, filling me with the kind of seasick nostalgia that can hit you in the gut when you find an old concert ticket in your purse or an old coin machine ring you got down at the boardwalk on a day when you went searching for mermaids in the surf with your best friend.
That punch of nostalgia hits me now and I start to sink down on the sky-coloured quilt, feeling the nubby fabric under my fingers, familiar as the topography of my hand.
”
”
Brenna Ehrlich (Placid Girl)
“
I wrote home to say how lovely everything was, and I used flourishing words and phrases, as if I were living life in a greeting card - the kind that has a satin ribbon on it, and quilted hearts and roses, and is expected to be so precious to the person receiving it that the manufacturer has placed a leaf of plastic on the front to protect it.
”
”
Jamaica Kincaid (Lucy)
“
Trying to Enjoy It (Proceed as if You Look Awesome)...This requires a level of delusion/egomania usually reserved for popes and drag queens, but you can do it. It's like being a little kid again, parading around in a nightgown tucked into your underpants, believing it looks terrific. Your "right mind" knows that you look ridiculous in a half-open dress and giant shoes, but you must put yourself back in third grade, slipping on your mom's quilted caftan and drinking cream soda out of a champagne glass while watching The Love Boat. You have never been more glamorous.
”
”
Tina Fey (Bossypants)
“
What I see here, what I feel here is that people in your world believe spirituality isn't distant. It's close and real. Religion seems born in the home, stays in the home. I mean, the services are even held in the home. And there's not one person in charge, one speaker set above the others. It's farmers and carpenters, and well, just average folk speaking spontaneously about the message they find in the Bible. [...] A message from the heart to the heart.
”
”
Barbara Cameron (A Time to Love (Quilts of Lancaster County, #1))
“
Living a connected life leads one to take a different view. Life is less a quest than a quilt. We find meaning, love, and prosperity through the process of stitching together our bold attempts to help others find their own way in their lives. The relationships we weave become an exquisite and endless pattern.
”
”
Keith Ferrazzi (Never Eat Alone: And Other Secrets to Success, One Relationship at a Time)
“
All my girlhood I always planned to do something big…something constructive. It’s queer what ambitious dreams a girl has when she is young. I thought I would sing before big audiences or paint lovely pictures or write a splendid book. I always had that feeling in me of wanting to do something worth while. And just think, Laura…now I am eighty and I have not painted nor written nor sung.”
“But you’ve done lots of things, Grandma. You’ve baked bread…and pieced quilts…and taken care of your children.”
Old Abbie Deal patted the young girl’s hand. “Well…well…out of the mouths of babes. That’s just it, Laura, I’ve only baked bread and pieced quilts and taken care of children. But some women have to, don’t they?...But I’ve dreamed dreams, Laura. All the time I was cooking and patching and washing, I dreamed dreams. And I think I dreamed them into the children…and the children are carrying them out...doing all the things I wanted to and couldn’t.
”
”
Bess Streeter Aldrich (A Lantern in Her Hand)
“
The nice cutlery set, tea, wine, clothes, open, quilt that you have been saving for a special occasion— use them whenever you get the chance. Special moments are not separate from our everyday lives. When you make use of something special, it makes the moment special
”
”
Haemin Sunim (Love for Imperfect Things: How to Accept Yourself in a World Striving for Perfection)
“
The shape she loved was a triangle. Always black. Mauma put black triangles on about every quilt she sewed.
”
”
Sue Monk Kidd (The Invention of Wings)
“
That was the thing mauma and I loved, our time with the quilts.
”
”
Sue Monk Kidd (The Invention of Wings)
“
The twins used to love hiding behind the quilts and sheets before Desiree realized how humiliating it was, your home always filled with strangers’ dirty things.
”
”
Brit Bennett (The Vanishing Half)
“
One day we will sit in a nursing home, Dolly, bored out of our minds and staring at the quilt on our laps. And all we will have to make us smile are these memories,
”
”
Dolly Alderton (Everything I Know About Love)
“
Both of them loved the earth and the things that grew in it.
”
”
Sandra Dallas (A Quilt for Christmas)
“
I’m starting to feel a lot less like running from something and a lot more like…home.”
Finn pulls out his phone. “I need to write that down. See if Ma will stick it on a quilt for me.
”
”
Lauren Layne (Good Girl (Love Unexpectedly, #2))
“
People like to say they seek the truth. Sometimes they even mean it. The truth is they crave the soft, quilted comfort of a lie. Tell them they’re going to be rich or fall in love, and they walk away whistling. Give them the hard, unvarnished truth, and you’re looking at trouble.
”
”
Laura Shepherd-Robinson (The Square of Sevens)
“
That is a lovely quilt, recruit," he says.
"Thank you, sir."
"It's the envy of every little girl in Brisadulce. I saw them sitting on the wall today, staring at that blanket and asking their mothers if they could join the Guard so they could have one just like it. Is that what you want, recruit? You want a Guard full of girls?"
"If they can fight well enough to defend the King, sir.
”
”
Rae Carson (The King's Guard (Fire and Thorns, #0.7))
“
The biggest thing, the most important thing I learned about watching someone I loved being ill was to take each day and live it because you never knew how many days you had left with the person you loved.
”
”
Barbara Cameron (A Time for Peace (Quilts of Lancaster County, #3))
“
Mrs. Watanabe loved hand painting, quilting, and the discipline of woven textiles, but she worried these techniques were a dying art. “Computers make everything too easy,” she said with a sigh. “People design very quickly on a monitor, and they print on some enormous industrial printer in a warehouse in a distant country, and the designer hasn’t touched a piece of fabric at any point in the process or gotten her hands dirty with ink. Computers are great for experimentation, but they’re bad for deep thinking.
”
”
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
“
Because...” he used to cradle his daughter in his arms every morning and often they would exchange soft nuances “...if you can dream it, if you can see it in your visions at night, if you can feel it in your soul, it’s yours! And it never really belonged to anyone else, in the first place! It was always yours!” Viera returned her scroll to the drawer and closed it, she kissed the compass around her neck and climbed into her bed under the warm quilts, the candle flame crackled and the memories of her father’s arms around her embraced her there in bed and his deep, hoarse voice resounded in her ears; “... and if you chance upon a treasure that is yours and it happens to be in the possession of someone else, it’s not very wrong to take what is yours, to take what you dreamed, what you saw in your visions at night, what you felt visit you in your spirit! Sure, it’s not lawful, but aye aye my little one, listen to me when I tell you that the best things in life are not under the laws of any sort! For which law created love? Which law created courage? The best things, the real things, are the things that are not measured by any man’s laws! Fear is the only thing that any law has ever created! And what kind of pirates would we all be if we were afraid of any of our fears, even a little!
”
”
C. JoyBell C.
“
The union of their shared lives could be a masterpiece, even if the colors of one piece clashed with another, even if uneven stitches showed, even if, from time to time, they had to pick out seams, realign the pieces, and sew them back together again. It would not be perfect, but it could be beautiful, if they worked together and persevered.
”
”
Jennifer Chiaverini (The Wedding Quilt (Elm Creek Quilts #18))
“
Smiling victoriously, he crushed me against his chest and kissed me again. This time, the kiss was bolder and playful. I ran my hands from his powerful shoulders, up to his neck, and pressed him close to me.
When he pulled away, his face brightened with an enthusiastic smile. He scooped me up and spun me around the room, laughing. When I was thoroughly dizzy, he sobered and touched his forehead to mine. Shyly, I reached out to touch his face, exploring the angles of his cheeks and lips with my fingertips. He leaned into my touch like the tiger did. I laughed softly and ran my hands up into his hair, brushing it away from his forehead, loving the silky feel of it.
I felt overwhelmed. I didn’t expect a first kiss to be so…life altering. In a few brief moments, the rule book of my universe had been rewritten. Suddenly I was a brand new person. I was as fragile as a newborn, and I worried that the deeper I allowed the relationship to progress, the worse that the deeper I allowed the relationship to progress, the worse it would be if Ren left. What would become of us? There was no way to know, and I realized what a breakable and delicate thing a heart was. No wonder I’d kept mine locked away.
He was oblivious to my negative thoughts, and I tried to push them into the back of my mind and enjoy the moment with him. Setting me down, he briefly kissed me again and pressed soft kisses along my hairline and neck. Then, he gathered me into a warm embrace and just held me close. Stroking my hair while caressing my neck, he whispered soft words in his native language. After several moments, he sighed, kissed my cheek, and nudged me toward the bed.
“Get some sleep, Kelsey. We both need some.”
After one last caress on my cheek with the back of his fingers, he changed into his tiger form and lay down on the mat beside my bed. I climbed into bed, settled under my quilt, and leaned over to stroke his head.
Tucking my other arm under my cheek, I softly said, “Goodnight, Ren.”
He rubbed his head against my hand, leaned into it, and purred quietly. Then he put his head on his paws and closed his eyes.
Mae West, a famous vaudeville actress, once said, “A man’s kiss is his signature.” I grinned to myself. If that was true, then Ren’s signature was the John Hancock of kisses.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Do you hear the snow against the window-panes, Kitty? How nice and soft it sounds! Just as if some one was kissing the window all over outside. I wonder if the snow loves the trees and fields, that it kisses them so gently? And then it covers them up snug, you know, with a white quilt; and perhaps it says, “Go to sleep, darlings, till the summer comes again.” And when they wake up in the summer, Kitty, they dress themselves all in green, and dance about—whenever the wind blows—oh, that’s very pretty!’ cried Alice, dropping the ball of worsted to clap her hands. ‘And I do so wish it was true! I’m sure the woods look sleepy in the autumn, when the leaves are getting brown.
”
”
Lewis Carroll (Through the Looking Glass (And What Alice Found There) (3 Books) (Annotated Edition))
“
In the end, there wasn’t a right thing to say, only a right thing to do. So I sat further up on the bed and put my hand on Manuelle’s cheek and our mouths did the rest, finding each other even though our eyes were closed. I ceased to care about anything that wasn’t her body or mine as we wrapped ourselves around each other on the flower patterned quilt and I was closer to her than I’d ever been before. It wasn’t that we left the
rest of the world behind; it was the opposite. I could feel the world turning underneath us, I could hear birds outside and people laughing, and I felt that I was
part of it at last. With no part of my skin not touching Manuelle’s, I was part of the world at last. Or maybe I’m romanticizing, and we were just two kids doing everything two kids can do in a cramped room at the back of a caravan.
”
”
Chloe Rattray (Sacré Noir)
“
Dawn comes after the darkness, and with it the promise that what has been torn by the sea is not lost. All of life is breaking and mending, clipping and stitching, gathering tatters and sewing seams. All of life is quilted from the scraps of what once was and is no more- the places we have been, the memories we have made, the people we have known, that which has been long loved but has grown threadbare over time and can be worn no longer. We keep only pieces. All colors, all shapes, all sizes.
"All waiting to be stitched into the pattern only you can see.
"In the quiet after the storm, I hear you whisper, 'Daughter, do not linger where you are. Take up your needle and your thread, and go see to the mending...
”
”
Lisa Wingate (The Prayer Box (Carolina Heirlooms #1))
“
She let the relaxing song waft over and through her as she lost herself in everything around her: the millions of stars glittering above, the soft quilt beneath her, the man whose hand slipped warmly into hers. And she began to understand something she hadn't only a few short minutes before; she began to feel a certain, undeniable truth seeping into her skin, her muscles, her very bones.
And when the song came to its sweet, peaceful conclusion, she continued peering up at the sky even as she leaned her head over to rest it on Lucky's shoulder. And she whispered, "You love me."
He kept gazing upward, too, his answer coming softly. "Yeah, I do."
And it sounded ... like it wasn't a surprise to him at all.
The new knowledge made Tessa's skin tingle even as her body filled with warmth. And she pulled back just slightly to peer over at him, this man who loved her. He hadn't put it into words, but he hadn't needed to---because he'd shown her, in so many sweet ways.
”
”
Toni Blake (Whisper Falls (Destiny, #3))
“
That's the real distinction between people: not between those who have secrets and those who don't, but between those who want to know everything and those who don't. This search is a sign of love, I maintain.
It's similar with books. Not quite the same, of course (it never is); but similar. If you quite enjoy a writer's work, if you turn the page approvingly yet
don't mind being interrupted, then you tend to like that author unthinkingly. Good chap, you assume. Sound fellow. They say he strangled an entire pack of Wolf Cubs and fed their bodies to a school of carp? Oh no, I'm sure he didn't; sound fellow, good chap. But if you love a writer, if you depend upon the drip-feed of his intelligence, if you want to pursue him and find him -- despite edicts to the contrary -- then it's impossible to know too much. You seek the vice as well. A pack of Wolf Cubs, eh? Was that twenty-seven or twenty-eight? And did he have their little scarves sewn up into a patchwork quilt? And is it true that as he ascended the scaffold he quoted from the Book of Jonah? And that he bequeathed his carp pond to the local Boy Scouts?
But here's the difference. With a lover, a wife, when you find the worst -- be it infidelity or lack of love, madness or the suicidal spark -- you are almost relieved. Life is as I thought it was; shall we now celebrate this disappointment? With a writer you love, the instinct is to defend. This is what I meant earlier: perhaps love for a writer is the purest, the steadiest form of love. And so your defense comes the more easily. The fact of the matter is, carp are an endangered species, and everyone knows that the only diet they will accept if the winter has been especially harsh and the spring turns wet before St Oursin's Day is that of young minced Wolf Cub. Of course he knew he would hang for the offense, but he also knew that humanity is not an endangered species, and reckoned therefore that twenty-seven (did you say twenty-eight?) Wolf Cubs plus one middle-ranking author (he was always ridiculously modest about his talents) were a trivial price to pay for the survival of an entire breed of fish. Take the long view: did we need so many Wolf Cubs? They would only have grown up and become Boy Scouts. And if you're still so mired in sentimentality, look at it this way: the admission fees so far received from visitors to the carp pond have already enabled the Boy Scouts to build and maintain several church halls in the area.
”
”
Julian Barnes (Flaubert's Parrot)
“
So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go hold someone’s hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide heaven is about flat head nails and the soft down of new leaves, wild roller coaster rides and escaped marbles that fall, then hang, then take you somewhere you could never imagined in your small-heaven dreams.
”
”
Alice Sebold
“
The eldest ones said that the laughter and tears are sewn right into the quilt, part and parcel, stitch by stitch. Emotions, experiences, heartbreak, mourning, pain and regret, stitched into the cloth, along with happiness, satisfaction, cheer, comfort, and love. The finished quilts were a living thing, a reflection of the spirits of its creators.
”
”
Arlene Stafford-Wilson (Lanark County Connections - Memories Among the Maples)
“
Do you hear the snow against the window-panes, Kitty? How nice and soft it sounds! Just as if some one was kissing the window all over outside. I wonder if the snow LOVES the trees and fields, that it kisses them so gently? And then it covers them up snug, you know, with a white quilt; and perhaps it says, "Go to sleep, darlings, till the summer comes again.
”
”
Lewis Carroll (Through the Looking-Glass)
“
So let her love you. Love her back. And cherish every single moment you have together.
”
”
Virginia'dele Smith (Grocery Girl (Green Hills, #1))
“
Dear Lord...patch this work. Quilt us together, feather-stitching piece by piece our tag-ends of living, our individual scraps of love
”
”
Jane Wilson Joyce (Quilt Pieces: The Quilt Poems/Family Knots/)
“
Real love—it’s the best, most painful thing God ever did for us.
”
”
Cindy Woodsmall (Sisters of the Quilt: The Complete Trilogy)
“
ought to be capable of, Cait stepped through the doorway into the overly
”
”
Patience Griffin (To Scotland With Love (Kilts and Quilts, #1))
“
Live for your love, [...] love your life, and raise hell.
”
”
Penelope Douglas (Nightfall (Devil's Night, #4))
“
Would she have used that time differently had she known? Sewn more quilts, read more books, gone to Venice? Found love again, she thinks, in more honest moments.
”
”
Florence Knapp (The Names)
“
The problem is everyone, even Black people, believes that Black poverty is the worst poverty in the world, and Black urban poverty, forget it, and all urban Blackness always scans as poverty, which means people only love us as fetish. No one is sentimental about poor Black people unless they're wise and country and you could put a photograph of them on a porch with a quilt behind them in a museum.
”
”
Danielle Evans (The Office of Historical Corrections)
“
Finding a taxi, she felt like a child pressing her nose to the window of a candy store as she watched the changing vista pass by while the twilight descended and the capital became bathed in a translucent misty lavender glow. Entering the city from that airport was truly unique. Charles de Gaulle, built nineteen miles north of the bustling metropolis, ensured that the final point of destination was veiled from the eyes of the traveller as they descended. No doubt, the officials scrupulously planned the airport’s location to prevent the incessant air traffic and roaring engines from visibly or audibly polluting the ambience of their beloved capital, and apparently, they succeeded. If one flew over during the summer months, the visitor would be visibly presented with beautifully managed quilt-like fields of alternating gold and green appearing as though they were tilled and clipped with the mathematical precision of a slide rule. The countryside was dotted with quaint villages and towns that were obviously under meticulous planning control. When the aircraft began to descend, this prevailing sense of exactitude and order made the visitor long for an aerial view of the capital city and its famous wonders, hoping they could see as many landmarks as they could before they touched ground, as was the usual case with other major international airports, but from this point of entry, one was denied a glimpse of the city below. Green fields, villages, more fields, the ground grew closer and closer, a runway appeared, a slight bump or two was felt as the craft landed, and they were surrounded by the steel and glass buildings of the airport. Slightly disappointed with this mysterious game of hide-and-seek, the voyager must continue on and collect their baggage, consoled by the reflection that they will see the metropolis as they make their way into town. For those travelling by road, the concrete motorway with its blue road signs, the underpasses and the typical traffic-logged hubbub of industrial areas were the first landmarks to greet the eye, without a doubt, it was a disheartening first impression. Then, the real introduction began. Quietly, and almost imperceptibly, the modern confusion of steel and asphalt was effaced little by little as the exquisite timelessness of Parisian heritage architecture was gradually unveiled. Popping up like mushrooms were cream sandstone edifices filigreed with curled, swirling carvings, gently sloping mansard roofs, elegant ironwork lanterns and wood doors that charmed the eye, until finally, the traveller was completely submerged in the glory of the Second Empire ala Baron Haussmann’s master plan of city design, the iconic grand mansions, tree-lined boulevards and avenues, the quaint gardens, the majestic churches with their towers and spires, the shops and cafés with their colourful awnings, all crowded and nestled together like jewels encrusted on a gold setting.
”
”
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
“
continually amazed at just how many skills and crafts could go into making “a lovely home”—the patchwork quilts you could sew, the curtains you could ruffle, the cucumbers you could pickle, the rhubarb you could make into jam, the icing-sugar decorations you could create for your Christmas cake—which you were supposed to make in September at the latest (for heaven’s sake)—and at the same time remember to plant your indoor bulbs so they would also be ready for “the festive season,” and it just went on and on, every month a list of tasks that would have defeated Hercules and that was without the everyday preparation of meals,
”
”
Kate Atkinson (Case Histories (Jackson Brodie #1))
“
THE FORTRESS
Under the pink quilted covers
I hold the pulse that counts your blood.
I think the woods outdoors
are half asleep,
left over from summer
like a stack of books after a flood,
left over like those promises I never keep.
On the right, the scrub pine tree
waits like a fruit store
holding up bunches of tufted broccoli.
We watch the wind from our square bed.
I press down my index finger --
half in jest, half in dread --
on the brown mole
under your left eye, inherited
from my right cheek: a spot of danger
where a bewitched worm ate its way through our soul
in search of beauty. My child, since July
the leaves have been fed
secretly from a pool of beet-red dye.
And sometimes they are battle green
with trunks as wet as hunters' boots,
smacked hard by the wind, clean
as oilskins. No,
the wind's not off the ocean.
Yes, it cried in your room like a wolf
and your pony tail hurt you. That was a long time ago.
The wind rolled the tide like a dying
woman. She wouldn't sleep,
she rolled there all night, grunting and sighing.
Darling, life is not in my hands;
life with its terrible changes
will take you, bombs or glands,
your own child at
your breast, your own house on your own land.
Outside the bittersweet turns orange.
Before she died, my mother and I picked those fat
branches, finding orange nipples
on the gray wire strands.
We weeded the forest, curing trees like cripples.
Your feet thump-thump against my back
and you whisper to yourself. Child,
what are you wishing? What pact
are you making?
What mouse runs between your eyes? What ark
can I fill for you when the world goes wild?
The woods are underwater, their weeds are shaking
in the tide; birches like zebra fish
flash by in a pack.
Child, I cannot promise that you will get your wish.
I cannot promise very much.
I give you the images I know.
Lie still with me and watch.
A pheasant moves
by like a seal, pulled through the mulch
by his thick white collar. He's on show
like a clown. He drags a beige feather that he removed,
one time, from an old lady's hat.
We laugh and we touch.
I promise you love. Time will not take away that.
”
”
Anne Sexton (Selected Poems)
“
To my mother, the world was a vast quilt whose stitches were always coming undone. Her worrying somehow worked like a needle, tightening those dangerous seams. If she could imagine events through to their worst tragedy, then she seemed to have some kind of control over them. As I said, it was her way. My father could throw up a fistful of dice to make a decision, but my mother had an agony for every hour. I guess they balanced, as two people who love each other should.
”
”
Robert McCammon (Boy's Life)
“
I loved New York. I loved everything about it. Eclectic people—artists, suits and dreamers—all woven into the giant patchwork quilt of life. The busy streets, car horns and shouts the perfect symphonic soundtrack to the city that never sleeps.
”
”
Tillie Cole (A Thousand Boy Kisses)
“
I didn't mean to make you—wonder." She shook her head. "Worry. I didn't mean to make you worry." "I try not to worry about someone," Phoebe said, signaling the horse to proceed home. "After all, it's arrogant to do so when God knows what He's doing.
”
”
Barbara Cameron (A Time to Love (Quilts of Lancaster County #1))
“
All of us have a hundred faces, attitudes, and facets of personality. I don't think anyone is all of one piece. We're more like the patchwork quilts I love, little bits and pieces, bright or dark, sewed together with the sometimes uneven stitches of experience.
”
”
Faith Baldwin (Harvest of Hope)
“
I love you, Mikhail, all of you, even the beast in you. I don’t know why I became so confused. You aren’t evil. I can see so clearly inside of you.”
Sleep, little one, in my arms where you belong. Mikhail drew up the quilt, wrapped protective arms around her, and sent them both to sleep.
”
”
Christine Feehan (Dark Prince (Dark, #1))
“
But he had seen the eyes of love. He knew how it looked like, knew what it felt like. It wasn't about conquest or power or good memories pulled like golden threads scattered haphazardly in a quilt made mostly from pain. Love felt good all the time, not just in moments in between angst and fear and control.
”
”
Jacqueline Jones LaMon (In the Arms of One Who Loves Me)
“
He touched her chin. His eyes never left hers, and she almost felt as if he’d touched those as well. And then, with the softest, most tender caress imaginable, he kissed her. Sophie didn’t just feel loved; she felt revered.
“I should wait until Monday,” he said, “but I don’t want to.”
“I don’t want you to wait,” she whispered.
He kissed her again, this time with a bit more urgency. “You’re so beautiful,” he murmured. “Everything I ever dreamed of.”
His lips found her cheek, her chin, her neck, and every kiss, every nibble robbed her of balance and breath. She was sure her legs would give out, sure her strength would fail her under his tender onslaught, and just when she was convinced she’d crumple to the floor, he scooped her into his arms and carried her to the bed.
“In my heart,” he vowed, settling her against the quilts and pillows, “you are my wife.”
Sophie’s breath caught.
“After our wedding it will be legal,” he said, stretching out alongside her, “blessed by God and country, but right now—” His voice grew hoarse as he propped himself up on one elbow so that he could gaze into her eyes. “Right now it is true.”
Sophie reached up and touched his face. “I love you,” she whispered. “I have always loved you. I think I loved you before I even knew you.”
He leaned down to kiss her anew, but she stopped him with a breathy, “No, wait.”
He paused, mere inches from her lips.
“At the masquerade,” she said, her voice uncharacteristically shaky, “even before I saw you, I felt you. Anticipation. Magic. There was something in the air. And when I turned, and you were there, it was as if you’d been waiting for me, and I knew that you were the reason I’d stolen into the ball.”
Something wet hit her cheek. A single tear, fallen from his eye.
“You are the reason I exist,” she said softly, “the very reason I was born.”
He opened his mouth, and for a moment she was certain he would say something, but the only sound that emerged was a rough, halting noise, and she realized that he was overcome, that he could not speak.
She was undone.
”
”
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
“
A plain, brown paper-wrapped package came in the mail recently. Upon opening it, I saw that it was a patchwork quilt about four feet by five feet. Many little scraps of cloth, carefully joined by loving hands. Two squares have suggestions of a black cassock and Roman white collar. The maker of the quilt states, “In its variety, I feel it denotes confusion and the world “mixed” up. There are dark spots for the dark times and bright squares, so, hopefully, some good and brightness will come in the future. The other pieces of cloth were of happy times, mothers and children, peaceful settings, happy things.” A note inside stated that she felt we were “scraps,”—the “scraps” that the abusive priests treated us like. They would use us as a scrap is used and then simply toss us aside. I was moved to tears. Holding it in my hands, I could almost feel others' pain and suffering, as I touched each panel. It is a magnificent work, worthy of a prize. I was deeply humbled by the receipt of the quilt. This woman got it; she really got it. This woman got it; she really got it. She has a deeper understanding of what we have gone through. It is rare.
”
”
Charles L. Bailey Jr. (In the Shadow of the Cross: The True Account of My Childhood Sexual and Ritual Abuse at the Hands of a Roman Catholic Priest)
“
Community is a body of people crying for one another, working together for a common cause, enjoying and overlooking (or grimly, tolerating) each other’s foibles; it’s a rough and beautiful quilt sewn of patches that don’t seem to go together at all, and then do.
Community means we’re collaborating. It means that you help my children and my old people and I help yours. It means we are in this together. Most of us are perhaps a tiny bit self-absorbed, and good at keeping out people who don’t look, vote, or act like our friends, and that’s very nice. But a good community includes all those other people and those of us at the edges. Welcomes are offered: hey, come on into the circle — yeah, you. You with your nose in the air, or a neck tattoo, a walker or a Rolls.
”
”
Anne Lamott (Somehow: Thoughts on Love)
“
Things evolve into other things. Emotions do the same. Forever. Your best ally in all of these shifting seas is your faith in the fact that you are exactly where you are supposed to be. Stay put. Stay soft. Stay gentle and kind. Listen to your instincts. Meditate. Pray. Laugh as much as humanly possible. Pain is okay too. Say thank you for all of it. Feel proud that you have spent most of your life's energy on cultivating a strong connection to your own soul and the will of your heart. It is leading you somewhere deeply satisfying but never perfect. Observe what is painful right now and see if you can stay courageous enough to share it wholly and honestly. Invite it into your house and be a good student. You are a patchwork quilt of all these past selves, all these wounded little girls, and they are all here too, listening in some form or another. You have grown into someone I am very proud of, and though I wish I could give you the gift of knowing we won't ever need to have this conversation... that's not really the point, and probably not true.
The work is learning to love whatever it is, so for now let's do that, shall we?
I love you, my beautiful girl, and I hope that's enough.
”
”
Sara Bareilles (Sounds Like Me: My Life (So Far) in Song)
“
The stars grew smaller and smaller, and the black softened. She stood up, hugging the quilt around her, watching. At the back was darkness still, but before her was light: pale yellow growing brilliant, gold-streaked with red and orange. She had watched sunrises before within walls and behind glass, but never like this, with the cool breeze in her face and wilderness in every direction. She had never seen anything so beautiful.
”
”
Francine Rivers
“
Dawn comes after the darkness, and with it the promise that what has been torn by the sea is not lost. All of life is breaking and mending, clipping and stitching, gathering tatters and sewing seams. All of life is quilted from the scraps of what once was and is no more —the places we have been, the memories we have made, the people we have known, that which has been long loved but has grown threadbare over time and can be worn no longer. We
”
”
Lisa Wingate (The Prayer Box (A Carolina Chronicles #1))
“
The quilt was spread out, held by the women. They looked down at the cloth and then up at each other. The room grew quiet, breathlessly silent, so the boy could hear Kristina breathing as she slept upstairs, and he looked at the women's hands holding the edges of the quilt and none of them gripped hard but seemed instead to almost caress the cloth and he knew that he was seeing a sweet thing, a dear thing, like when his mother's face was there looking down on him as he awakened from a nap, or when his grandmother looked at him when she held him. Love. He did not know for sure exactly what love was but his mother had said she loved him, and loved his father. And his grandmother had said she loved him when she had that soft look, and he thought of it now. Love, they loved the cloth, no, loved the quilt, no, loved each other. They loved each other and the quilt and the cloth and it meant something he didn't understand.
”
”
Gary Paulsen (The Quilt (Alida, #3))
“
Put this on.” He pushed the coat into her hands. “I’ll go get the quilt because you’re going to need all the warmth you can get.” “What about you?” “So you’d like me to warm you up too?” Her face bloomed crimson. He grinned. “I’d love to warm you up, but your sisters are watching.” “Th-that’s not what I meant. I was worried about you being cold.” “It’s nice to know you care.” He pulled the coat from her hands and draped it around her shoulders. “I didn’t say that.
”
”
Lorna Seilstad (When Love Calls (The Gregory Sisters, #1))
“
Crouching over her, St. Vincent teased and fondled until he felt her hips rising tentatively against his hand. "I want to be inside you," he whispered, kissing the side of her neck. "I want to go deep into your body... I'll be so gentle, love... let me turn you over, and... God, you're so lovely..." He pressed her on her back, and settled between her widespread thighs, his whisper becoming frayed and unsteady. "Touch me, sweetheart... put your hand there..." He sucked in a quick breath as her fingers curved gently around the hard length of his sex. Evie stroked him hesitantly, understanding from the quickening of his breath that the caress gave him pleasure. His eyes closed, the thick lashes trembling slightly against his cheeks, his lips parting from the force of his sharp respirations.
Awkwardly, she gripped the heavy shaft and guided it between her thighs. The head of it slipped against the wetness of her sex, and St. Vincent groaned as if in pain. Trying again, Evie positioned him uncertainly. Once in place, he nudged strongly into the vulnerable cove. It burned far more than when he had put his fingers in her, and Evie tensed against the pain. Cradling her body in his arms, St. Vincent moved in a powerful thrust, and another, and then he was all the way inside. She writhed with the impulse to escape the hurtful invasion, but it seemed that each movement only drew him deeper.
Filled and stretched and opened, Evie forced herself to lie still in his arms. She held on to his shoulders, her fingertips digging into the hard quilting of muscle and sinew, and she let him soothe her with his mouth and hands. His brilliant eyes were heavy-lidded as he bent to kiss her. Welcoming the warm sleekness of his tongue, she drew it into her mouth with eager, awkward suction. He made a low sound of surprise, shuddering, and his shaft jerked violently inside her in a series of rhythmic spasms.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
Torrens kicked at the door until it was finally opened. The farm couple and three youngsters had been eating breakfast in the common room. The yard dog would have bounded in had not Torrens kicked the door shut.
'I want a bed. Quilts. A hot drink. I am a doctor. This woman is my patient.'
The farm couple was terrified. The look on the face of Torrens cut short any questions. They did as he ordered. One of the children ran to fetch his medical kit from the cart. The woman motioned for Torrens to set Caroline on a straw pallet. The farmer kept his distance, but his wife, shyly, fearffully, ventured closer. She glanced at Torrens, as if requesting his permission to help. Between them, they made Caroline as comfortable as they could.
Torrens knelt by the pallet. Caroline reached for his hand. 'Leave while you can. Do not burden yourself with me.'
'A light burden.'
'I wish you to find Augusta.'
'You have my promise.'
'Take this.' Caroline had slipped off a gold ring set with diamonds. 'It was a wedding gift from the king. It has not left my finger since then. I give it to you now - ' Torrens protested, but Caroline went on - 'not as a keepsake. You and I have better keepsakes in our hearts. I wish you to sell it. You will need money, perhaps even more than this will bring. But you must stary alive and find my child. Help her as you have always helped me.'
'We shall talk of this later, when you are better. We shall find her together.'
'You have never lied to me.' Caroline's smile was suddenly flirtacious. 'Sir, if you begin now, I shall take you to task for it.'
Her face seemed to grow youthful and earnest for an instant. Torrens realized she held life only by strength of will.
'I am thinking of the Juliana gardens,' Caroline said. 'How lovely they were. The orangerie. And you, my loving friend. Tell me, could we have been happy?'
'Yes.' Torrens raised her hand to his lips. 'Yes. I am certain of it.'
Caroline did not speak again. Torrens stayed at her side. She died later that morning. Torrens buried her in the shelter of a hedgerow at the far edge of the field. The farmer offered to help, but Torrens refused and dug the grave himself. Later, in the farmhouse, he slept heavily for the first time since his escape. Mercifully, he did not dream.
Next day, he gave the farmer his clothing in trade for peasant garb. He hitched up the cart and drove back to the road. He could have pressed on, lost himself beyond search in the provinces. He was free. Except for his promise.
He turned the cart toward Marianstat.
”
”
Lloyd Alexander (The Beggar Queen (Westmark, #3))
“
One day, you won’t miss her.
All right, but how are you so sure about it? Do sunsets have an expiration date? Does the ocean get rid of water over time? Do flowers eventually start hating the colour of their petals? Do birds grow to loathe their wings?
In love, your soul turn into a beautiful design on the quilt called life. Your heart becomes a studio that only has room for music. Love doesn’t come with an expiration date. Just because someone stopped loving you, it doesn’t mean you’ll stop loving them too
”
”
Rithvik Singh (Thank You for Leaving)
“
I understand, intellectually, that the death of a parent is a natural, acceptable part of life. Nobody would call the death of a very sick eighty-year-old woman a tragedy. There was soft weeping at her funeral and red watery eyes. No wrenching sobs. Now I think that I should have let myself sob. I should have wailed and beaten my chest and thrown myself over her coffin. I read a poem. A pretty, touching poem I thought she would have liked. I should have used my own words. I should have said: No one will ever love me as fiercely as my mother did. I should have said: You all think you’re at the funeral of a sweet little old lady, but you’re at the funeral of a girl called Clara, who had long blond hair in a heavy thick plait down to her waist, who fell in love with a shy man who worked on the railways, and they spent years and years trying to have a baby, and when Clara finally got pregnant, they danced around the living room but very slowly, so as not to hurt the baby, and the first two years of her little girl’s life were the happiest of Clara’s life, except then her husband died, and she had to bring up the little girl on her own, before there was a single mother’s pension, before the words “single mother” even existed. I should have told them about how when I was at school, if the day became unexpectedly cold, Mum would turn up in the school yard with a jacket for me. I should have told them that she hated broccoli with such a passion she couldn’t even look at it, and that she was in love with the main character on the English television series Judge John Deed. I should have told them that she loved to read and she was a terrible cook, because she’d try to cook and read her latest library book at the same time, and the dinner always got burned and the library book always got food spatters on it, and then she’d spend ages trying to dab them away with the wet corner of a tea towel. I should have told them that my mum thought of Jack as her own grandchild, and how she made him a special racing car quilt he adored. I should have talked and talked and grabbed both sides of the lectern and said: She was not just a little old lady. She was Clara. She was my mother. She was wonderful.
”
”
Liane Moriarty (The Hypnotist's Love Story)
“
I've written about persistence
and perseverance
and yet
for those of us with patchwork lives
(projects, earnings, caretaking, home-tending,
playing, friending, loving, celebrating,
hurting, grieving, healing, assessing, re-grouping)
persistence and perseverance
has to be allowed
in patches,
not what from the outside might be viewed as
'normal'
(for whatever worth normal has,
the top of that overused bell curve).
So let me clarify.
When I talk about persistence,
it isn't about persistence of equal measure every day.
It's about not giving up on whatever is important to you,
and, especially, not giving up on yourself.
Some chapters of your life may allow many facets of your being,
others just cannot
and the feeling of failure that can arouse
is of no value.
Sometimes all you can do is ask yourself:
What must I do this week? today? next hour?
to continue the process as healthily as possible?
to accomplish the most?
It may be deep immersion in one,
or it may be an odd mix.
And tomorrow may be different.
And an unexpected gift may come and change everything.
And a Mack truck may hit and change everything.
Our answers to those questions may not look similar
but what I hope is similar
is the acceptance
of what must be.
Persist in your own patches.
Make your own quilt.
”
”
Shellen Lubin
“
Papaw had kind eyes and a little scratchy stubble on his cheeks that ticked when I gave him a kiss. He also had hair in his ears, and it was my job to help him trim it. He chewed tobacco from a little white bag and always kept a gold spittoon nearby. Papaw loved to sit around in his blue coveralls (the only thing I ever saw him wear) and shoot the bull with the boys. On Mamaw’s deathbed, she made us promise to make sure he always had clean coveralls.
I’ll never forget my mamaw’s sewing room, filled with scraps and bolts of cloth, buttons, thread, and trimmings. In that room I felt like a little kid in the most beautiful toy store you could imagine, full of magic and possibilities. Mamaw kept busy making beautiful clothes and quilts, some of which I still have.
”
”
Jessica Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
“
She felt a numb chill creeping up the back of her head; the display windows downstairs and the glass door between them seemed to be broadening out, growing taller, as if behind her were an enormous, two-story-high expanse of brilliant, fragile glass, ready to disintegrate at any moment. But even as she felt almost dizzy with the precariousness of her situation, the shop seemed to be blanketing her in torpor. Inside she could hear only the muffled buzz of the city outside— because of the war, there were far fewer cars on the road than usual; the sounding of a horn was a rarity. The warm, sweet air inside the office pressed soporifically down on her like a quilt. Though she was vaguely aware that something was about to happen, her heavy head was telling her that it must all be a dream.
”
”
Eileen Chang (Love in a Fallen City)
“
It was the time of apprehensive mothers, of taciturn fathers, and of burly older brothers, but it was also the time of blankets, of quilts, and of ponchos, and so no one thought it strange that Carla and Gonzalo would spend two or three hours every evening curled up on the sofa beneath a magnificent red pancho made of Chiloe wool that, in the freezing winter of 1991, seemed like a basic necessity.
The world is falling to pieces and everything almost always goes to shit and we almost always hurt the people we love or they hurt us irreparably and there doesn’t seem to be a reason to harbor any kind of hope, but at least this story ends well, ends here, with the scene of these two Chilean poets who look each other in the eye and burst out laughing and don’t want to leave the bar for anything, so they order another round of beers.
”
”
Alejandro Zambra (Čilės poetas)
“
Miss Rose sitting on a porch. Beside her, a bushel basket of ripe peaches or tomatoes. The drunkards buzzing, but easily smashed with a swat. Early mornings, she starts singing, "What a Friend We Have in Jesus," and that's your cue to rise. To eat the heavy breakfast that will keep you full all day. Once you've helped her with peeling those tomatoes or peaches, there are weeds to be plucked from the garden, from around the vegetables that will show up fresh on the supper table. Fish need cleaning if Uncle Norman comes through with a prize. After dinner, the piecing together of quilt tops from remnants until the light completely fades. The next morning, it starts again. A woman singing off-key praises to the Lord. The sweet fruit dripping with juice. The sound of bugs.
I thought of what Mama liked to say: to find this kind of love, you have to enter deep country.
”
”
Honorée Fanonne Jeffers (The Love Songs of W.E.B. Du Bois)
“
our land: The Encyclopedia of Organic Gardening and Double Yoga. Northland Wildflowers and Quilts to Wear. Songs for the Dulcimer and Bread Baking Basics. Using Plants for Healing and I Always Look Up the Word Egregious. I took the books she’d read to me, chapter by chapter, before I could read to myself: the unabridged Bambi and Black Beauty and Little House in the Big Woods. I took the books that she’d acquired as a college student in the years right before she died: Paula Gunn Allen’s The Sacred Hoop and Maxine Hong Kingston’s The Woman Warrior and Cherríe Moraga and Gloria Anzaldúa’s This Bridge Called My Back. Herman Melville’s Moby-Dick and Mark Twain’s Huckleberry Finn and Walt Whitman’s Leaves of Grass. But I did not take the books by James Michener, the ones my mother loved the most. “Thank you,” I said now to Jeff, holding The Novel. “I’ll trade this for
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
Hating the Rain
She hates the ever-falling winter rain,
the gray and endless humidity
that bites to the bone and stings
even after the hot bath and stiff
struggle into bed and under the quilts,
but the winter ferns, and the way they
wave in a slight breeze as though happy
like grandmother’s lace curtains
can’t be abandoned or lived without.
She hates the endless dripping
like a clock ticking away life
and the heavy fog that swallows light
as though life itself were vanishing,
but the tree frogs with their songs
and their clinging to matching green
like family holding together
stitch her thoughts back to July picnics.
She hates her complaining voice
that discourages her children’s calls
and encourages their urgings that she
move, maybe to Florida citrus sun,
but gray day softness steeps her
patience and quiets her fear of loss
into something like gratitude
clinging like green to summer moss
and this she knows: she loves the rain.
”
”
Marian Blue (How Many Words for Rain)
“
The tornadic bundle of legs and arms and feet and hands push farther into the kitchen until only the occasional flailing limb is visible from the living room, where I can’t believe I’m still standing.
A spectator in my own life, I watch the supernova of my two worlds colliding: Mom and Galen. Human and Syrena. Poseidon and Triton. But what can I do? Who should I help? Mom, who lied to me for eighteen years, then tried to shank my boyfriend? Galen, who forgot this little thing called “tact” when he accused my mom of being a runaway fish-princess? Toraf, who…what the heck is Toraf doing, anyway? And did he really just sack my mom like an opposing quarterback?
The urgency level for a quick decision elevates to right-freaking-now. I decide that screaming is still best for everyone-it’s nonviolent, distracting, and one of the things I’m very, very good at.
I open my mouth, but Rayna beats me to it-only, her scream is much more valuable than mine would have been, because she includes words with it. “Stop it right now, or I’ll kill you all!” She pushed past me with a decrepit, rusty harpoon from God-knows-what century, probably pillaged from one of her shipwreck excursions. She waves it at the three of them like a crazed fisherman in a Jaws movie. I hope they don’t notice she’s got it pointed backward and that if she fires it, she’ll skewer our couch and Grandma’s first attempt at quilting.
It works. The bare feet and tennis shoes stop scuffling-out of fear or shock, I’m not sure-and Toraf’s head appears at the top of the counter. “Princess,” he says, breathless. “I told you to stay outside.”
“Emma, run!” Mom yells.
Toraf disappears again, followed by a symphony of scraping and knocking and thumping and cussing.
Rayna rolls her eyes at me, grumbling to herself as she stomps into the kitchen. She adjusts the harpoon to a more deadly position, scraping the popcorn ceiling and sending rust and Sheetrock and tetanus flaking onto the floor like dirty snow. Aiming it at the mound of struggling limbs, she says, “One of you is about to die, and right now I don’t really care who it is.”
Thank God for Rayna. People like Rayna get things done. People like me watch people like Rayna get things done. Then people like me round the corner of the counter as if they helped, as if they didn’t stand there and let everyone they love beat the shizzle out of one another.
I peer down at the three of them all tangled up. Crossing my arms, I try to mimic Rayna’s impressive rage, but I’m pretty sure my face is only capable of what-the-crap-was-that.
Mom looks up at me, nostrils flaring like moth wings. “Emma, I told you to run,” she grinds out before elbowing Toraf in the mouth so hard I think he might swallow a tooth. Then she kicks Galen in the ribs.
He groans, but catches her foot before she can re-up. Toraf spits blood on the linoleum beside him and grabs Mom’s arms. She writhes and wriggles, bristling like a trapped badger and cussing like sailor on crack.
Mom has never been girlie.
Finally she stops, her arms and legs slumping to the floor in defeat. Tears puddle in her eyes. “Let her go,” she sobs. “She’s got nothing to do with this. She doesn’t even know about us. Take me and leave her out of this. I’ll do anything.”
Which reinforces, right here and now, that my mom is Nalia. Nalia is my mom. Also, holy crap.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
The eastward spurs tip backward from the sun.
Nights runs an obscure tide round cape and bay
and beats with boats of cloud up from the sea
against this sheer and limelit granite head.
Swallow the spine of range; be dark. O lonely air.
Make a cold quilt across the bone and skull
that screamed falling in flesh from the lipped cliff
and then were silent, waiting for the flies.
Here is the symbol, and climbing dark
a time for synthesis. Night buoys no warning
over the rocks that wait our keels; no bells
sound for the mariners. Now must we measure
our days by nights, our tropics by their poles,
love by its end and all our speech by silence.
See in the gulfs, how small the light of home.
Did we not know their blood channelled our rivers,
and the black dust our crops ate was their dust?
O all men are one man at last. We should have known
the night that tidied up the cliffs and hid them
had the same question on its tongue for us.
And there they lie that were ourselves writ strange.
Never from earth again the coolamon
or thin black children dancing like the shadows
of saplings in the wind. Night lips the harsh
scarp of the tableland and cools its granite.
Night floods us suddenly as history
that has sunk many islands in its good time.
”
”
Judith A. Wright
“
Is she okay?”
“I think she’s in shock,” Kitty says.
“I’m not in shock,” I say. But maybe I am. Maybe this is shock. It’s a queer, surreal sort of feeling, like I’m numb, but also all my senses feel heightened.
Margot says to Chris, “Why can’t you come in through the front door like a normal person?”
“Nobody answered.” Chris yanks off her boots and sits down on the floor next to Kitty. Petting Jamie, she says, “Okay, first of all, you can barely tell it’s you. And second of all, it’s really hot, so there’s nothing to be ashamed of. I mean, you look great.”
Margot makes a disgusted sound. “That’s so beside the point I don’t even know where to begin.”
“I’m just being honest! Objectively, it sucks, but also objectively, Lara Jean looks awesome in it.”
Crawling under my quilt, I say, “I thought you could barely even tell it was me! I knew I shouldn’t have gone on that ski trip. I hate hot tubs. Why would I willingly get into a hot tub?”
“Hey, be glad you were in your pajamas,” Chris says. “You could have been nude!”
My head pops out from under the quilt and I glare at her. “I would never be nude!”
Chris snorts. “Never nude. Did you know that’s a real thing? Some people call themselves never-nudes and they wear clothes at all times, even in the shower. Like, jean shorts.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
There was also a package wrapped in pale blue paper and tied with a matching ribbon. Picking up a small folded note that had been tucked under the ribbon, Beatrix read:
A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this.
-Poppy
Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked...
After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let a slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk.
Tentatively she emerged from behind the screen.
Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. "My God," he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers.
"Do you like my nightgown?" Beatrix asked.
Christopher nodded, not taking his gaze from her. "Where's the rest of it?"
"This was all I could find." Unable to resist teasing him, Beatrix twisted and tried to see the back view. "I wonder if I put it on backward..."
"Let me see." As she turned to reveal the naked line of her back, Christopher drew in a harsh breath.
Although Beatrix heard him mumble a curse, she didn't take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin. She went to the bed and climbed onto the mattress, relishing the billowy softness of its quilts and linens. Reclining on her side, she made no attempt to cover her exposed leg as the gossamer fabric fell open to her hip.
Christopher came to her, stripping off his shirt along the way. The sight of him, all that flexing muscle and sun-glazed skin, was breathtaking. He was a beautiful man, a scarred Apollo, a dream lover. And he was hers.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
I cannot lose you, little one. You are my best half. I love you more than I can ever express. Mikhail rubbed his face over hers and kissed her damp hair.
She touched her tongue to a bead of sweat, smiling up at him tiredly. “I think I would always recognize you, Mikhail, no matter how damaged my mind.”
He rolled over, taking her with him so that his weight would not crush her smaller body. “That is how it should be, Raven. You suffered much these past days, and it will stay fresh in my mind for all eternity. Tomorrow night we must leave this region. The vampire is dead, but he has left behind a trail that could destroy our people. We must move to a more isolated area, where perhaps our people can survive the coming persecution.” He brought up her arm to examine the long, deep scratches left by Andre.
“You’re so certain it is coming?”
A faint, bitter smile touched his mouth as he waved to snuff out the candles. “I have too often in my lifetime seen the signs. They will come--the assassins. Humans and Carpathians alike will suffer. We will retreat for a quarter of a century, perhaps a half century, to give ourselves time to regroup.” His tongue found the angry marks on her arm and bathed them gently with his healing touch. It was comforting and felt right to her.
Her lashes drifted, down, their combined scents lingering in the bedchamber, a soothing fragrance. “I love you, Mikhail, all of you, even the beast in you. I don’t know why I became so confused. You aren’t evil. I can see so clearly inside of you.”
Sleep, little one, in my arms where you belong. Mikhail drew up the quilt, wrapped protective arms around her, and sent them both to sleep.
”
”
Christine Feehan (Dark Prince (Dark, #1))
“
Beware, and be on your guard against every form of greed; for not even when one has an abundance does his life consist of his possessions.
-LUKE 12:15
One of our universal problems is the overcrowding of our homes. Whether we have an apartment or a six bedroom home, every closet, cupboard, refrigerator, and garage are all crammed with abundance. Some of us have so much that we go out and rent additional storage spaces for our possessions.
Bob and I are no different than you. We buy new clothes and cram them into our wardrobes. A new antique goes in the corner, a new quilt hangs over the bed, a new potted plant gathers sunlight by the window. On and on it goes. Pretty soon we feel as though we are closed in with no room to breathe. We continually struggle to keep a balance in our attitudes regarding possessions.
It is simpler to manage if you are single and
live alone-it's just you. Life becomes more complicated with a spouse and children. You soon get that "bunched in" feeling. This creates more stress, and you can lose your cool and blow relationships when your calm is broken.
We have made a rule in our home about abundance. Simply stated, it says, "One comes in and one goes out." After every purchase we give away or sell a like item. (We have an annual garage sale.) With a new blouse, out goes an older blouse; with a new table, out goes a table; and so on. Naturally if you're a newlywed this rule is not for you because you probably don't have an abundance of possessions.
There's another strategy that's very effective. We have informed our loved ones that we don't want any more gifts that take up space or that have to be dusted; we prefer receiving consumable items. Remember-your life is not based on your possessions. Share with others what you aren't using.
”
”
Emilie Barnes
“
Nonna tucked each of her hands into the opposite sleeve, a wizened Confucius in a leopard bathrobe. "Michelangleo, he goes. For days and days he stays away from Elisabetta. The other girls, the prettier girls, have hope again. And then, there he goes once more, carrying only his nonno's ugly old glass-his telescope-and a bag of figs. These he lays at her feet.
"'I see you,' he tells her. 'Every day for months, I watch. I see you. Where you sit, the sea is calm and dolphins swim near you. I see your mended net looks like a lady's lace. I see you dance in the rain before you run home. I see the jewel mosaic you leave to be scattered and remade again and again, piu bella than gold and pearls. You are piu bella than any other, queen of the sea.
"'You do not need silk or pearls. I see that. But they are yours if you wish. I am yours if you wish.If you like what you see.' He gives her the glass. She takes it. Then she asks, 'What about the figs? My bisnonno, he laughs. 'It might take time, your looking to see if you like me. I bring lunch.'" Nonna slapped her knee again, clearly delighted with little Michelangelo's humor. "There is the love story. You like it?"
I swallowed another yawn. "Si, Nonna.It's a good story." I couldn't resist. "But...a talking seagull? A dolphin guide? That kinda stretches the truth, dontcha think?"
Nonna shrugged. "All truth, not all truth, does it matter? My nonno Guillermo came to Michelangelo and Elisabetta, then my papa Euplio to him, then me, your papa, you." She lowered her feet to the floor. Then pinched my cheek. Hard. Buona notte, bellissima."
"Okay,Nonna." I yawned and pulled the white eyelet quilt up.I'd inked abstract swirl-and-dot patterns all over it when I redecorated my room. They're a little optic when I'm that tired. "Buona notte."
As I was dozing off,I heard her rummaging in the linen cupboard next to my door. Reorganizing again, I though. She does that when Mom can't see her. They fold things completely different ways.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
What’s the meaning of this?” Papa strode toward us. “You’ve disturbed the entire household, Andrew.”
Mama gripped his arm. “For goodness sake, Henry, don’t frighten the child. Haven’t you done enough damage? I told you not to whip him!”
Papa made an effort to calm down. Taking a deep breath, he squatted in front of me. “What’s troubling you, son?” he asked. “Surely a spanking didn’t cause this.”
Aching with sadness, I put my arms around his neck. I’d won, I’d finally beaten Andrew. I’d thought I’d be happy, but I wasn’t. “I don’t want to leave you and Mama,” I sobbed.
Papa held me tight. “Now, now,” he said. “Where did you get such a silly notion? You aren’t going anywhere.”
While Papa comforted me, Andrew climbed onto his father’s shoulders, piggyback style. No one saw him but me. No one heard him say, “Hush Drew, you’re shaming me in front of everyone.”
Ignorant of Andrew’s presence, Papa shivered. “Fall’s coming. Feel the nip in the air?”
Hannah and Theo were waiting for us at the bottom of the steps. “Mama,” Theo whispered, “is Andrew sick again?”
Mama shook her head, but Theo looked unconvinced. Slipping his hand in Hannah’s, he watched Papa lay me on my bed.
On the other side of the room, Andrew took a seat in the rocking chair. It was obvious he didn’t enjoy being invisible. Staring at Hannah and Theo, he rocked the chair vigorously. When that didn’t get their attention, he sang “I’ve Been Working on the Railroad” at the top of his lungs. But no matter what he said or did, he couldn’t make his sister or his brother see or hear him.
I knew Andrew was sad, but I was even sadder. When Mama leaned over to kiss me, I hugged her so tight she could hardly breathe. “I’ll never forget you,” I whispered.
Mama drew back. “What did you say?”
“Nothing,” I mumbled. “I love you, Mama.”
She smiled. “Well, for goodness sake, you little jackanapes, I love you too.”
Smoothing the quilt over me, she turned to the others. “What Andrew needs is a good night’s sleep. In the morning, he’ll be himself again, just wait and see.”
“I hope so,” Andrew said.
”
”
Mary Downing Hahn (Time for Andrew: A Ghost Story)
“
When Mama leaned over to kiss me, I hugged her so tight she could hardly breathe. “I’ll never forget you,” I whispered.
Mama drew back. “What did you say?”
“Nothing,” I mumbled. “I love you, Mama.”
She smiled. “Well, for goodness sake, you little jackanapes, I love you too.”
Smoothing the quilt over me, she turned to the others. “What Andrew needs is a good night’s sleep. In the morning, he’ll be himself again, just wait and see.”
“I hope so,” Andrew said.
Papa frowned. “No one will get any sleep, good or bad, with Buster making such a racket. I don’t know what ails that animal.”
While we’d been talking, Andrew had gone to the window and whistled for the dog. Though the Tylers hadn’t heard the loud two-fingered blast, Buster definitely had. His howls made the hair on my neck prickle. Even Andrew looked frightened. He backed away from the window and sat quietly in the rocker.
“Edward told me a dog howls when somebody in the family is about to die,” Theo said uneasily.
Papa shook his head. “That’s superstitious nonsense, Theodore. Surely you know better than to believe someone as well known for mendacity as your cousin.”
Muttering to himself, Papa left the room. Taking Theo with her, Mama followed, but Hannah lingered by the bed.
I reached out and grabbed her hand. “Don’t leave yet,” I begged. “Stay a while.”
Hannah hesitated for a moment, her face solemn, her eyes worried. “Mama’s right, Andrew,” she said softly. “You need to rest, you’ve overexcited yourself again. We’ve got all day tomorrow to sit in the tree and talk.”
When Hannah reached up to turn off the gas jet, I glanced at Andrew. He was watching his sister from the rocker, his eyes fixed longingly on her face. A little wave of jealousy swept over me. He’d get to be with her for years, but all I had were a few more minutes.
In the darkness, Hannah smiled down at me. “Close your eyes,” she said. “Go to sleep.”
“But I’ll never see you again.”
Hannah’s smile vanished. “Don’t talk nonsense,” she whispered. “You’ll see me tomorrow and every day after that.”
In the corner, Andrew stared at his sister and rocked the chair harder. In the silent room I heard it creak, saw it move back and forth.
Startled by the sound, Hannah glanced at the rocker and drew in her breath. Turning to me, she said, “Lord, the moon’s making me as fanciful as you. I thought I saw--”
She shook her head. “I must need a good night’s sleep myself.” Kissing me lightly on the nose, Hannah left the room without looking at the rocking chair again.
”
”
Mary Downing Hahn (Time for Andrew: A Ghost Story)
“
Something diseased and furry had crawled into her mouth and expired while she slept. That was the only possible explanation as to why Neve had a rancid taste in her mouth and a heavy, viscous paste coating her teeth and tongue.
‘I think I’m dying,’ she groaned. The wretched state of her mouth was the least of it. There was a pounding in her head, echoed in the roiling of her gut, and her bones ached, her vital organs ached, her throat ached, even her hair follicles ached.
‘You’re not dying,’ said a voice in her ear, which sounded like nails scraping down a blackboard, even though Max’s voice had barely risen above a whisper. ‘You’ve got a hangover.’
Neve had had hangovers before and they just made her feel a tiny bit nauseous and grouchy. This felt like the bastard child of bubonic plague and the ebola virus.
‘Dying,’ she reiterated, and now she realised that she was in bed, which had been a very comfy bed the last time she’d slept in it, but now it felt as if she was lying on a pile of rocks, and even though she had the quilt and Max’s arm tucked around her, she was still cold and clammy. Neve tried to raise her head but her gaze collided with the stripy wallpaper and as well as searing her retinas, it was making her stomach heave. ‘Sick. Going to be sick.’
‘Sweetheart, I don’t think so,’ Max said, stroking the back of her neck with feather-soft fingers. ‘You’ve already thrown up just about everything you’ve eaten in the last week.’
‘Urgh …’ Had she? The night before was a big gaping hole in her memory. ‘What happened?’
‘I don’t know what happened but I got a phone call from the Head of Hotel Security at three in the morning asking me if I could identify a raving madwoman in a silver dress who couldn’t remember her room number but insisted that someone called Max Pancake was sleeping there. They thought you might be a hack from the Sunday Mirror pretending to be absolutely spannered as a way of getting into the hotel.’
‘Oh, no …’
‘Yeah, apparently Ronaldo’s staying in one of the penthouse suites and I saw Wayne and Coleen in the bar last night. Anyway, as you were staggering down the corridor, you told me very proudly that you’d lost your phone and you’d just eaten two pieces of KFC and a bag of chips.’
‘KFC? Oh, God …’
‘But I wouldn’t worry about that because after you’d tried to persuade me to have my wicked way with you, you started throwing up and you didn’t stop, not for hours. I thought you were going to sleep curled around the toilet at one point.’
‘Goodness …
”
”
Sarra Manning (You Don't Have to Say You Love Me)
“
Matthew knew it was wrong the instant their lips met. Because nothing would ever equal the perfection of Daisy in his arms. He was ruined for life. God help him, he didn’t care.
Her mouth was soft and hot, like sunshine, like the white blaze of a heartwood fire. She gasped as he touched her lower lip with the tip of his tongue. Slowly her hands came to his shoulders, and then he felt her fingers at the back of his head, sliding into his hair to keep him from pulling away. There wasn’t a chance in hell of that happening. Nothing could have made him stop.
A tremor shook his fingers as he bracketed the exquisite line of her jaw in the open framework of his hand, gently angling her face upward. The flavor of her mouth, sweet and elusive, fueled a hunger that threatened to rage out of control… he searched the damp silk beyond her lips, deeper, harder, until she began to breathe in long sighs, her body molding against his.
He let her feel how much stronger he was, how much heavier, one muscular arm clamped along her back, his feet spread to hold her between the powerful length of his thighs. Her upper half was bound in a laced and padded corset. He was almost overcome by a savage desire to tear away the stays and quilting and find the tender flesh beneath.
Instead he sank his fingers into her pinned-up hair and tugged it backward until the weight of her head was cradled in his hand, and her pale throat was exposed. He searched for the pulse he had seen earlier, his lips dragging softly along the secret pathway of nerves beneath her skin. When he reached a senstive spot, he felt the vibration of her suppressed moan against his mouth.
This was what it would be like to make love to her, he thought dazedly… the sweet shivering of her flesh as he entered her, the delicate chaos of her breath, the helpless sounds that rustled in her throat. Her skin, warm and female, scented like tea and talcum and a trace of salt. He found her mouth again, opened it, delving into wet silk, heat, and an intimate flavor that drove him mad.
She should have struggled, but there was only yielding and more softness, driving him past all limits. He began to ravish her mouth with deep, twisting kisses, bringing her body rhythmically against his. He felt her legs part beneath her gown, his thigh fitting neatly between them. She squirmed with innocent desire, her face blooming with the color of late summer poppies. Had she understood exactly what he wanted from her, she would have done more than blush. She would have fainted on the spot.
Lifting his mouth from hers, Matthew pressed his jaw against the side of her head. “I think,” he said raggedly, “this puts to rest any question of whether I find you desirable or not.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
She was also nestled amid the quilts like a contented cat, while Rex wasted precious moments deciding between lovemaking and proposing....
“I will plot your course, lest you catch your death. You climb into bed, we make passionate love, then we fall asleep on a cloud of contentment. You will not apply your cold feet to my person at any time, and you will discreetly take yourself off in the small hours, lest there be awkwardness in the morning for the chambermaid.”
He sauntered to the bed. “I like the part about passionate lovemaking and the clouds of contentment. I’m increasingly displeased with that nightgown.” Though if he was about to propose, she might rather be wearing at least one article of clothing when he did.
”
”
Grace Burrowes (Forever and a Duke (Rogues to Riches, #3))
“
I am The Black Book.
Between my top and my bottom, my right and my
left, I hold what I have seen, what I have done, and what I have thought.
I am everything I have hated: labor without harvest; death without honor;
life without land or law. I am a black woman holding a white child in her
arms singing to her own baby lying unattended in the grass.
I am all the ways I have failed:
I am the black slave owner, the buyer of
Golden Peacock Bleach Crème and Dr. Palmer’s Skin Whitener, the self-
hating player of the dozens; I am my own nigger joke.
I am all the ways I survived:
I am tun-mush, hoecake cooked on a hoe; I am
Fourteen black jockeys winning the Kentucky Derby. I am the creator of
hundreds of patented inventions; I am Lafitte the pirate and Marie Laveau.
I am Bessie Smith winning a roller-skating contest; I am quilts and ironwork,
fine carpentry and lace. I am the wars I fought, the gold I mined,
The horses I broke, the trails I blazed.
I am all the things I have seen:
The New York Caucasian newspaper, the
scarred back of Gordon the slave, the Draft Riots, darky tunes, and mer-
chants distorting my face to sell thread, soap, shoe polish coconut.
And I am all the things
I have ever loved: scuppernong wine, cool baptisms in
silent water, dream books and number playing. I am the sound of my own
voice singing “Sangaree.” I am ring-shouts, and blues, ragtime and gospels. I am
mojo, voodoo, and gold earrings.
I am not complete here; there is much more,
but there is no more time and no more space . . . and I have journeys to take,
ships to name, and crews.
”
”
Middleton A. Harris (The Black Book)
“
If love isn’t that easy feeling that fades into the background and stitches itself into your life, what else is it?” “You make it sound like a quilt your grandmother gave you. Love should be more like an electric blanket. If you mishandle it, you could get shocked. Or, if you’re lucky, it’s like being electrocuted.
”
”
Brooke Burroughs
“
I finally take a bite of the cookie, and sweet baby mouthgasm—it’s like French kissing a sexy chocolate snowman that bites your lip and sucks on your tongue and then says “I love you” while fingerbanging you under a quilt.
”
”
Kayley Loring (There Is Also a Dog)
“
Everyone in the city remembers the day the floodwater drained out, differently. Some were relieved, some were still in shock, some continued to look for loved ones, while others came home
to devastation. But for almost all of us it was heartbreak. The city wore its defeat for days and nights on end. For a week after the floods, on the footpaths outside most homes were stinking piles
of mattresses, pillows, quilts, cushions, straw mats, bedsheets and swollen rotting wood and food grains, and cars left open, even as the sun came down hard on us, making a mockery of it all.
”
”
Krupa Ge (Rivers Remember: The Shocking Truth of a Manmade Flood)
“
Sophie Germain had taught herself calculus at a young age. The daughter of a wealthy family, she had become entranced by mathematics after reading a book about Archimedes in her father’s library. When her parents found out that she loved mathematics and was staying up late at night to work on it, they took away her candles, left her fire unlit, and confiscated her nightgowns. Sophie persisted. She wrapped herself in quilts and worked by the light of stolen candles. Eventually her family relented and gave her their blessing. Germain, like all women of her era, was not permitted to attend university, so she continued to teach herself, in some cases by obtaining lecture notes from the courses at the nearby École Polytechnique using the name Monsieur Antoine-August Le Blanc, a student who had left the school. Unaware of his departure, academy administrators continued to print lecture notes and problem sets for him. She submitted work under his name until one of the school’s teachers, the great Lagrange, noticed the remarkable improvement in Monsieur Le Blanc’s previously abysmal performance. Lagrange requested a meeting with Le Blanc and was delighted and astonished to discover her true identity.
”
”
Steven H. Strogatz (Infinite Powers: The Story of Calculus - The Language of the Universe)
“
Daughter-in-love can be an honorary title or a hereditary one, but either way, come age and arguments, fights and forgiveness, it’s a lifetime appointment.
”
”
Marie Bostwick (A Thread So Thin (Cobbled Court Quilts, #3))
“
I can’t write about Christina’s funeral because I don’t think I have the words to explain how near God was to me on that day, in spite of my sorrow and bewilderment. It was as if He had wrapped me in His quilt and held me close to His heart, His strong, comforting presence a blessing to both Maarten and me. Afterward, God began lovingly wooing us back to His side through the countless small acts of kindness that His family showered on us. We weren’t able to understand why He had taken Christina, but slowly, step by step as our grief lifted, He reassured us that one day we would understand. Death wasn’t the end but only a new beginning, the way an infant must leave its mother’s womb to begin a new, light-filled life.
”
”
Lynn Austin (Waves of Mercy (Waves of Mercy, #1))
“
Sadie felt her cheeks heat. She hadn’t done it to be brave, but it meant a lot to her to hear them say so. She’d always felt like the little mouse of the McGuinesses—smaller and softer than their larger-than-life personalities. The rest of them had seemed driven from the get-go, but it had taken her a while to find her purpose. College hadn’t helped her, and for a time, she’d struggled to match her love of quilting with a job she loved.
”
”
Ava Miles (The Patchwork Quilt of Happiness (Dare River, #6))
“
Love shouldn’t be bound by a timetable.
”
”
Ava Miles (The Patchwork Quilt of Happiness (Dare River, #6))
“
Life exists as a contingency, and only retroactively is understood as a necessity, through the concept of love, love is the quilting point upon which, retroactively, the contingency must be understood to make sense.
”
”
Bradley Kaye
“
When I asked Grandma about it she told me in her own way . . .she wanted me to know that each time I looked at my quilt it would remind me to be compassionate with other and identify with their struggles. I remember her exact words, same ones she repeated so many times: "Chile, Grandma never wants you to look at the bad in folks and go backwards. I wants you to look at the good in them and go forward. If you jest look at the bad you gonna fine zactly what you lookin' for. Even the worse folks got a speck of good, you jest gotta fine it.
”
”
Phyllis Biffle Elmore (Quilt of Souls: A Memoir)
“
WHEN I IMAGINE where I want to live, the first thing that comes to mind is where I want to have that coffee in the morning. I picture the breakfast nook or the chair and the book and the coffee and the view. My second dream is where I will have a beer. I see afternoon light getting low and angled, sending yellow rays through the tree branches. Maybe on a back patio, or on a grassy bluff over the Pacific Ocean. The imagined locations of our happy places say something about us. About how we recharge or what we crave. I want a cottage on a boulder mountain. A bed and a quilt and an old stove with a teakettle on it. A telescope and a chart of constellations. Books everywhere. Removed from the world but also in it, caring about it and for it. Being old and thoughtful with a pipe to smoke on the porch and a few squirrels who trust me. A raven would be even better. And friends stopping in. Nieces and nephews making the trek to the mountain for a night of stories and some whiskey in their Dr Pepper. I’ll pour it and say, “This never happened.” Of course, I’m too social for that fantasy. I like being in the thick and churn of society. So I’d probably get up to that cabin on a mountain and leave after a month or two. But who knows what age will do to me. Who knows if I’ll slow down, less hungry and more content. Who knows if I’ll find a raven who’ll have me.
”
”
Jedidiah Jenkins (Like Streams to the Ocean: Notes on Ego, Love, and the Things That Make Us Who We Are: Essaysc)
“
People were doing that, making memory quilts from the clothing of departed loved ones. It was a beautiful idea, really, to wrap yourself up in memories and give old clothes a new life.
”
”
Ruth Ozeki (The Book of Form and Emptiness)
“
I've had a heap o' comfort all my life makin' quilts, and now in my old age I wouldn't take a fortune for 'em. Set down here, child, where you can see out o' the winder and smell the lilacs, and we'll look at 'em all. You see, some folks has albums to put folks' pic tures in to remember :em by, and some folks has a book and writes down the things that happen every day so they won't forgit 'em; but, honey, these quilts is my albums and my di'ries, and whenever the weather's bad and I can't git out to see folks, I jest spread out my quilts and look at 'em and study over 'em, and it's jest like goin' back fifty or sixty years and livin' my life over agin.
"There ain't nothin' like a piece o' caliker for bringin' back old times, child, unless it's a flower or a bunch o'thyme or a piece o' pennyroy'l — anything that smells sweet. Why, I can go out yonder in the yard and gether a bunch o' that purple lilac and jest shut my eyes and see faces I ain't seen for fifty years, and somethin' goes through me like a flash o' lightnin', and it seems like I'm young agin jest for that minute.
”
”
Eliza Calvert Hall
“
I looked again at the heap of quilts. An hour ago they had been patchwork, and nothing more. But now! The old woman's words had wrought a trans formation in the homely mass of calico and silk and worsted. Patchwork? Ah, no! It was memory, imagination, history, biography, joy, sorrow, philosophy, religion, romance, realism, life, love, and death; and over all, like a halo, the love of the artist for his work and the soul's longing for earthly immortality.
”
”
Eliza Calvert Hall (Aunt Jane of Kentucky)
“
I have never returned to this lost paradise. Sometimes I am struck with the sudden desire to go to the Gare de lest, board the Orient Express, and retrace the route between Innsbruck and Plumeshof. As I so often saw other more or less close friends of the Welser family do, I fantasize about showing up without warning in the pretty meadow surrounded by fir trees and making the climb to the house while thinking only of Aunt Heidi, who has long since gone the to join her two older sons and their father in heaven. I would concentrate on her so strongly that I would eventually see her again on the doorstep, hastily drying her flour-covered hands in her apron; her opal eyes would brighten when she saw me. She would spread her arms while joyfully shouting: "Franziska!" and I would run to her calling back, "Aunt Heidi, Aunt Heidi!" Kurt's Kurt's contagious laughter would echo in the distance. Lilo, smiling, would be hanging out the laundry. A lifetime of love would still be stretching out before them. A delicious aroma of pancakes would be drifting in the air ... The large earthenware oven, the eiderdown quilts, the painted wooden chairs with a little heart carved in them like the shutters ... nothing would have changed.
”
”
Françoise Hardy (The Despair of Monkeys and Other Trifles: A Memoir by Françoise Hardy)
“
We've walked these streets, we've seen the signs,
A nation of dreams, in trying times.
We've got the will, we've got the might,
To lift each other into the light.
Let's make this country a little bit better,
Hand in hand, we'll face the weather.
Brick by brick, we'll build our dream,
With hope as our foundation beam.
From the mountains high, to the valleys low,
There's a common thread that binds us so.
It's the love we share, for this land so grand,
Together we stand, hand in hand.
Let's make this country a little bit better,
Side by side, no one's a debtor.
Heart to heart, we'll mend the seams,
Of this patchwork quilt of American dreams.
*
We're different voices, in one choir,
With every note, we aim higher.
To heal, to grow, to lead the way,
For a brighter, kinder USA.
Let's make this country a little bit better,
Step by step, we'll write a new letter.
Of unity, of dignity, of esteem,
For the land of the free, and the home of the dream.
So here's to the brave, to the free,
To the builders of a legacy.
We'll make this country a little bit better,
For you, for me, forever together.
May this inspire unity and a collective effort to improve our nation.
”
”
James Hilton-Cowboy
“
I don’t know what to do about you,” he confessed, looking down at her as if she was the most inexplicable puzzle. “One moment I want to set you on a pedestal under a glass case to protect you forever, and the next second I want to absolutely, positively ravish you. All the while knowing I can’t have you.
”
”
Virginia'dele Smith (Grocery Girl (Green Hills, #1))
“
And when I am kissing you, I can’t think at all.
”
”
Virginia'dele Smith (Grocery Girl (Green Hills, #1))
“
Life is messy. It’s scary and it’s hard and it’s painful. And every bit of it is worth the risk because love is so much more than any one of those difficult emotions. It’s more than all of them put together. That kind of love makes every day a little brighter. It makes colors more brilliant and laughter more contagious. It’s wonderful. It’s all-encompassing. And it’s a gift.”
She stepped closer, placing her right hand over his heart.
“Rhys, that’s the kind of love I want. That’s the kind of love we can have. Together.
”
”
Virginia'dele Smith (Grocery Girl (Green Hills, #1))
“
One day we will sit in a nursing home, Dolly, bored out of our minds and staring at the quilt on our laps,” she said. “And all we will have to make us smile are these memories.
”
”
Dolly Alderton (Everything I Know About Love)
“
I have never returned to this lost paradise. Sometimes I am struck with the sudden desire to go to the Gare de l'Est, board the Orient Express, and retrace the route between Innsbruck and Plumeshof. As I so often saw other more or less close friends of the Welser family do, I fantasize about showing up without warning in the pretty meadow surrounded by fir trees and making the climb to the house while thinking only of Aunt Heidi, who has long since gone the to join her two older sons and their father in heaven. I would concentrate on her so strongly that I would eventually see her again on the doorstep, hastily drying her flour-covered hands in her apron; her opal eyes would brighten when she saw me. She would spread her arms while joyfully shouting: "Franziska!" and I would run to her calling back, "Aunt Heidi, Aunt Heidi!" Kurt's contagious laughter would echo in the distance. Lilo, smiling, would be hanging out the laundry. A lifetime of love would still be stretching out before them. A delicious aroma of pancakes would be drifting in the air ... The large earthenware oven, the eiderdown quilts, the painted wooden chairs with a little heart carved in them like the shutters ... nothing would have changed.
”
”
Françoise Hardy (The Despair of Monkeys and Other Trifles: A Memoir by Françoise Hardy)
“
But like a beautiful quilt in summertime, my mother’s love was the suffocating kind, the kind you chafe against and don’t miss until the seasons change and it’s gone.
”
”
Deesha Philyaw (The Secret Lives of Church Ladies)
“
Thus Sampath was gradually provided with all sorts of comforts and, the more elaborate his living arrangements, the happier he was. He made a lovely picture, seated there amidst the greenery, reclining upon his cot at a slight angle to the world; propped against numerous cushions; tucked up, during chilly evenings, in a glamorous satin quilt covered with leopard-skin spots, chosen by Ammaji in the bazaar. On his head, he sported a tea-cosy-like red woollen hat, also given to him by Ammaji, who had knitted it and raised it to him on a stick.
”
”
Kiran Desai (Hullabaloo in the Guava Orchard)
“
Why does George risk his life to save him?” I trace the stitching on his quilt with my thumb. When I look up, I hold on to his gaze like he held on to me under that ice. “Because he loves him.
”
”
Taylor Torres (The Two of Us)
“
Often, Kaya lay awake thinking about her life. From above, it seemed like a patchwork quilt. Love, loss, death, sorrow, exhilaration… discordant pieces that came together to complete it. The most luminous of all the pieces, as always, was the one whose name was made up of five letters – three consonants, two vowels. One that conjured up the image of a life-sustaining body of water. River.
”
”
Prachi Bhaumik
“
Five minutes in her presence was enough to compel Mary to require a nap from sheer social exhaustion.
”
”
Gina Welborn (Masterpiece Marriage (Quilts of Love, #24))
“
When life gives you scraps, make a quilt. —The gospel according to Elmer Stillman
”
”
Marie Force (All You Need is Love (Green Mountain #1))
“
How long has it been since you last slept with a woman, if you don’t mind my asking?” He didn’t appear to mind. He frowned a little and scratched his chest thoughtfully. “Oh … fifteen years? At least that.” He glanced at me, his expression altering to one of concern. “Oh. I do apologize.” “You do? For what?” I arched one brow. I could think of a number of things he might apologize for, but probably none of those was what he had in mind. “I am afraid I was perhaps not …” he hesitated. “Very gentlemanly.” “Oh, you weren’t,” I said, rather tartly. “But I assure you that I wasn’t being at all ladylike myself.” He looked at me, and his mouth worked a bit, as though trying to frame some response to that, but after a moment or two he shook his head and gave it up. “Besides, it wasn’t me you were making love to,” I said, “and both of us know it.” He looked up, startled, his eyes very blue. Then the shadow of a smile crossed his face, and he looked down at the quilted coverlet. “No,” he said softly. “Nor were you, I think, making love to me. Were you?
”
”
Diana Gabaldon (The Fiery Cross / A Breath of Snow and Ashes / An Echo in the Bone / Written in My Own Heart's Blood (Outlander #5-8))
“
Loretta snuggled deeply into silken furs, trying to escape the persistent hand that shook her shoulder and the voice that called to her. Not her name, anyway. Blue Eyes. What kind of name was that?
“Blue Eyes, you will be awake now. Home…you wish for home?”
Home. Amy and Aunt Rachel. The gray down quilt. Pork slab and eggs for breakfast. Coffee on the porch when the sun peeked over the horizon and streaked the sky with crimson. Home. To laughter and love and safety. Oh, yes, she wished for home.
“Be awake, little one. This Comanche will take you back. Loh-rhett-ah? Wake up, Hoos-cho Soh-nips, Bird Bones, you must eat and grow strong so you can go home. To your people and your wooden walls.”
Loretta opened her eyes. She rolled onto her back and blinked. A dark face swam above her. Funny, but blinking didn’t bring him into focus. She reached out, curious, then thought better of it.
“You will make the honey talk with me? We will make a treaty between us, one with no tiv-ope, writing. You will eat and grow strong, and I will take you to your people.”
Honey talk. All lies, according to Hunter. Loretta peered up. She ran her tongue across her lips and tried to swallow. “H-home?” she croaked.
“Huh, yes, Blue Eyes. Home. But you must eat so you can live to go back. And drink. For three days. Until you are strong again.” His fingertips grazed her cheek and trailed lightly into her hair. “Then this Comanche will take you.”
“You will?” she rasped.
“It is a promise I make. You will eat and drink?”
Loretta closed her eyes. She had to be dreaming. But oh, what a lovely dream it was. To go home. To have Hunter volunteer to take her there. No need to worry that his wrath would rain upon her family. “No tricks. You swear it?”
“No tricks.”
His voice echoed and reechoed inside her head, loud, then like a whisper. She fought to open her eyes. The darkness was surrounding her again. “Then I will eat.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Be sure not to minimize things that matter to you in light of things that seem to matter to others. If it brings you joy to make quilts, don’t let someone who makes designer clothes for a living make you feel crazy about the endeavor that brings you delight. If someone loves New York City but you can’t get enough of life on the ranch, no matter. Sit on the porch and watch your man wrangle cattle. The Pioneer Woman does just that. Lean into your life with your whole heart. Home is where the heart is anyway.
”
”
Chrystal Evans Hurst (She's Still There: Rescuing the Girl in You)
“
Colin’s eyes glittered in response. He moved to her, slipping his arms beneath the blanket to encircle her waist. “I’m glad you like it, love,” he murmured before his mouth descended on hers. “And I second your opinion concerning the rarity and value of Amethyst…” His large hands were warm on her bare back, and he kissed her long and deep, breaking off only when the quilt slid from her shoulders and she pulled away and stooped hurriedly to retrieve it. Colin wrapped it back around her. “Benchley has our dinner waiting. How quickly can you dress? Unless you’d rather have, uh, dessert first?” “Kendra is the one who has dessert first.” Colin chuckled deep in his throat. “That wasn’t what I meant.” He leaned down and kissed her again, sending a tremor through her body. When he pulled back, his eyes bore into hers suggestively. Two hot spots burned on Amy’s cheeks, but nonetheless she murmured, “Oh. Dessert would be nice.” This time, when the blanket fell, she didn’t reach for it. And as he carried her to the bed, she told herself it was impossible for something this perfect to be wrong. She wouldn’t let it be. SIXTY-FIVE Six weeks later
”
”
Lauren Royal (The Earl's London Bride (Sweet Chase Brides #1))
“
They projected an illusion of warmth with their home-cooking and hand-stitched quilts, yet underneath the facade was an institutional rigidity, as if they were running an orphanage where children would be fed and cared for but never loved. Love was such a key ingredient in molding humans, yet it was inaccessible to kids inside of the system.
”
”
Renee Carlino (Swear on This Life)
“
Perhaps love was the accumulation of small things, little acts of consideration, the persistence of a man in loving even when he receives nothing in return.
”
”
Clare Flynn (Letters From a Patchwork Quilt)
“
Listen to me. You can do all things through Christ who gives you strength. Not through you—through him—and this is something you repeat over and over, when your baby won’t stop crying, when you’re so tired you’re about to fall over, when you look at him and don’t feel the love you think you’re supposed to feel. You can do all things, through Christ, who gives you love, who gives you patience, who gives you rest.
”
”
Emily T. Wierenga (A Promise in Pieces (Quilts of Love, #17))
Loree Lough (For Love of Eli (Quilts of Love Series))
“
When he starts to fall asleep, he keeps his arms around me fiercely, a life-preserving prison. But I wait, kept awake by the thought of bodies hitting pavement, until his grip loosens and his breathing steadies.
I will not let Tobias go to Erudite when it happens again, when someone else dies. I will not.
I slip out of his arms. I shrug on one of his sweatshirts so I can carry the smell of him with me. I slip my feet into my shoes. I don’t take any weapons or keepsakes.
I pause by the doorway and look at him, half buried under the quilt, peaceful and strong.
“I love you,” I say quietly, trying out the words. I let the door close behind me.
It’s time to put everything in order.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
Gemini took a step forward. “Aric, just ask her,” he said quietly. My sisters and friends gathered around us as Aric slowly fell to one knee. For a moment, he simply stared. But when he spoke, I could sense his devotion in every word. “Celia, you have been my princess since the first time I saw you. Now, I’d like you to be my queen for the rest of our lives. Will you marry me?” Big giant tears rolled down my long, fuzzy face. “Scratch once for yes, twice for no!” Bren yelled. I thought I’d always be ready to hear those words. And there I was, a damn horse. So instead of allowing this moment to be robbed from me, I closed my eyes and took in everything that was Aric—his scent, warmth, love, and all that had brought us together. Someone threw the quilt around me as I felt my body shrink and my bare feet slide along the sandy beach. For the first time, I’d managed to reclaim my human form following an accidental change, and I welcomed it for everything it allowed. Aric tucked the quilt around my naked skin and drew me to him, waiting patiently for me to answer. The lump in my throat tightened. After all the times I thought I’d lost him, was this really happening? It took the soft graze of his knuckles against my cheek to assure me this was more than a dream. My body trembled and so did my voice. “Yes,” I managed. Everyone assembled cheered when Aric kissed me, including Heidi, who changed from her white wolf form to stand beside her mate, Danny. Unlike me and being were, Heidi didn’t mind
”
”
Cecy Robson (A Cursed Bloodline (Weird Girls, #4))
“
chuckled. “Oh, boy.
”
”
Carolyn Zane (Beyond the Storm (Quilts of Love, #1))
“
sat on a broken-down
”
”
Carolyn Zane (Beyond the Storm (Quilts of Love, #1))
“
Alexander said as soon as it got cold, they would leave. September came and it was still warm; he liked that. Better still, not only was Tatiana making them a little money, she was drinking some sparkling wine, some Bisol Brut, for which she developed a bit of a taste. After work, she would sit with Anthony, have bread and cheese, and a glass of sparkler. She closed the winery, counted the money, played with the boy, waited for Alexander to finish work, and sipped her drink. By the time they drove to the B&B, had dinner, chocolate cake, more wine, a bath, put Anthony to bed, and she fell down onto the goose down covers, arms flung above her head, Tatiana was so bubbled up, so pliant, so agreeable to all his relentless frenzies, and so ceaselessly and supernally orgasmic that Alexander would not have been a mortal man if he allowed anything to come between his wife and her Bisol Brut. Who would do a crazy thing like quit to go into dry country? This country was flowing with foaming wine, and that is just how they both liked it. He started whispering to her again, night by night, little by little. Tania . . . you want to know what drives me insane? Yes, darling, please tell me. Please whisper to me. When you sit up straight like this with your hands on your lap, and your breasts are pushed together, and your pink nipples are nice and soft. I lose my breath when your nipples are like that. The trouble is, as soon as I see you looking at me, the nipples stop being nice and soft. Yes, they are quite shameful, he whispers, his breath lost, his mouth on them. But your hard nipples also drive me completely insane, so it’s all good, Tatia. It’s all very very good. Anthony was segregated from them by an accordion room partition. A certain privacy was achieved, and after a few nights of the boy not being woken up, they got bolder; Alexander did unbelievable things to Tatiana that made her sparkler-fueled moaning so extravagant that he had to invent and devise whole new ways of sustaining his usually impeccable command over his own release. Tell me what you want. I’ll do anything you want, Tania. Tell me. What can I do—for you? Anything, darling . . . anything you want, you do . . . There was nothing Gulag about their consuming love in that enchanted bed by the window, the bed that was a quilted down island with four posters and a canopy, with pillows so big and covers so thick . . . and afterward he lay drenched and she lay breathless, and she murmured into his chest that she should like a soft big bed like this forever, so comforted was she and so very pleased with him. Once she asked in a breath, Isn’t this better than being on top of the hard stove in Lazarevo? Alexander knew she wanted him to say yes, and he did, but he didn’t mean it, and though she wanted him to say it, he knew she didn’t want him to mean it either. Could anything come close to crimson Lazarevo where, having been nearly dead, without champagne or wine or bread or a bed, without work or food or Anthony or any future other than the wall and the blindfold, they somehow managed for one brief moon to live in thrall sublime? They had been so isolated, and in their memories they still remained near the Ural Mountains, in frozen Leningrad, in the woods of Luga when they had been fused and fevered, utterly doomed, utterly alone. And yet!—look at her tremulous light— as if in a dream—in America—in fragrant wine country, flute full of champagne, in a white quilted bed, her breath, her breasts on him, her lips on his face, her arms in rhapsody around him are so comforting, so true—and so real.
”
”
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
“
I wish you were going home with me tomorrow.” “I know.” She nearly added Me too, then realized she didn’t. Where would that leave the children? Stephen turned her hand over and ran his thumb across the ring. The wind tugged her hair. A lone seagull cried overhead, floating on the wind, almost stationary. “There was a part of me that hoped you would,” he said. “You know I can’t.” Hadn’t they been through this before? “It won’t be much longer. School will be out in a little over a month. And if the Goldmans buy the property, that’ll expedite things.” “And then what?” “The property would close thirty days from the signing. Maybe you could come for another visit between now and then.” “That’s not what I mean, Meridith.” She knew he referred to the children coming home with her, to their being a family, and she wished so desperately the day had gone better. “Today was a bad day. They’re not normally so quarrelsome, and Ben’s vomiting . . .” The memory was such a horrific end to the day, it was almost funny. She felt a laugh bubbling up inside. “Well, you have to keep your sense of humor around here, that’s for sure.” “I don’t find it funny in the least.” The bubble of laughter burst, unfulfilled. “I appreciate that you want to give them a chance. I’m just trying to say it isn’t always like this.” He looked at her, his eyes intent with purpose. “I didn’t come to bond with the kids, Meridith. I came to remind you what we have together.” He pressed another kiss to her palm. “I love you. I want to spend the rest of my life with you.” Her breath caught, but not because he’d repeated the words he’d spoken when he’d proposed. The other words made a far stronger impression. I didn’t come to bond with the kids. She’d misread the reason for his visit. She’d taken her own wish and transferred it onto him. “We have plans, good ones,” he said. “Save for a home in Lindenwood Park while we focus on our careers for three to five years. By then we’ll have enough to buy that dream home and start a family.” Meridith knotted the quilt material in her fist with the daffodil, clutching the stem against her chest. “I already have a family, Stephen.” His face fell. “They’re not your kids, Meridith. And they’re not mine.” “They’re my siblings. And they have no one else.” “That wasn’t our plan when I asked you to marry me. When you said yes.” “Life doesn’t always go according to plan, Stephen. Things happen. Change happens. I didn’t ask for this.” “I didn’t either. And I’m asking you to put me first. To put us first.” His grip tightened on her hand. “I love you. The future I want for us doesn’t include someone else’s children.” Meridith eased away from him, pulled her hand from his, and stood, even as he tightened his grip. If Stephen’s future didn’t include her siblings, then it didn’t include her either. She
”
”
Denise Hunter (Driftwood Lane (Nantucket, #4))
“
I wish you were going home with me tomorrow.” “I know.” She nearly added Me too, then realized she didn’t. Where would that leave the children? Stephen turned her hand over and ran his thumb across the ring. The wind tugged her hair. A lone seagull cried overhead, floating on the wind, almost stationary. “There was a part of me that hoped you would,” he said. “You know I can’t.” Hadn’t they been through this before? “It won’t be much longer. School will be out in a little over a month. And if the Goldmans buy the property, that’ll expedite things.” “And then what?” “The property would close thirty days from the signing. Maybe you could come for another visit between now and then.” “That’s not what I mean, Meridith.” She knew he referred to the children coming home with her, to their being a family, and she wished so desperately the day had gone better. “Today was a bad day. They’re not normally so quarrelsome, and Ben’s vomiting . . .” The memory was such a horrific end to the day, it was almost funny. She felt a laugh bubbling up inside. “Well, you have to keep your sense of humor around here, that’s for sure.” “I don’t find it funny in the least.” The bubble of laughter burst, unfulfilled. “I appreciate that you want to give them a chance. I’m just trying to say it isn’t always like this.” He looked at her, his eyes intent with purpose. “I didn’t come to bond with the kids, Meridith. I came to remind you what we have together.” He pressed another kiss to her palm. “I love you. I want to spend the rest of my life with you.” Her breath caught, but not because he’d repeated the words he’d spoken when he’d proposed. The other words made a far stronger impression. I didn’t come to bond with the kids. She’d misread the reason for his visit. She’d taken her own wish and transferred it onto him. “We have plans, good ones,” he said. “Save for a home in Lindenwood Park while we focus on our careers for three to five years. By then we’ll have enough to buy that dream home and start a family.” Meridith knotted the quilt material in her fist with the daffodil, clutching the stem against her chest. “I already have a family, Stephen.” His face fell. “They’re not your kids, Meridith. And they’re not mine.” “They’re my siblings. And they have no one else.” “That wasn’t our plan when I asked you to marry me. When you said yes.” “Life doesn’t always go according to plan, Stephen. Things happen. Change happens. I didn’t ask for this.” “I didn’t either. And I’m asking you to put me first. To put us first.” His grip tightened on her hand. “I love you. The future I want for us doesn’t include someone else’s children.” Meridith
”
”
Denise Hunter (Driftwood Lane (Nantucket, #4))
“
I didn’t come to bond with the kids, Meridith. I came to remind you what we have together.” He pressed another kiss to her palm. “I love you. I want to spend the rest of my life with you.” Her breath caught, but not because he’d repeated the words he’d spoken when he’d proposed. The other words made a far stronger impression. I didn’t come to bond with the kids. She’d misread the reason for his visit. She’d taken her own wish and transferred it onto him. “We have plans, good ones,” he said. “Save for a home in Lindenwood Park while we focus on our careers for three to five years. By then we’ll have enough to buy that dream home and start a family.” Meridith knotted the quilt material in her fist with the daffodil, clutching the stem against her chest. “I already have a family, Stephen.” His face fell. “They’re not your kids, Meridith. And they’re not mine.” “They’re my siblings. And they have no one else.” “That wasn’t our plan when I asked you to marry me. When you said yes.” “Life doesn’t always go according to plan, Stephen. Things happen. Change happens. I didn’t ask for this.” “I didn’t either. And I’m asking you to put me first. To put us first.” His grip tightened on her hand. “I love you. The future I want for us doesn’t include someone else’s children.” Meridith eased away from him, pulled her hand from his, and stood, even as he tightened his grip. If Stephen’s future didn’t include her siblings, then it didn’t include her either. She
”
”
Denise Hunter (Driftwood Lane (Nantucket, #4))
“
I didn’t come to bond with the kids, Meridith. I came to remind you what we have together.” He pressed another kiss to her palm. “I love you. I want to spend the rest of my life with you.” Her breath caught, but not because he’d repeated the words he’d spoken when he’d proposed. The other words made a far stronger impression. I didn’t come to bond with the kids. She’d misread the reason for his visit. She’d taken her own wish and transferred it onto him. “We have plans, good ones,” he said. “Save for a home in Lindenwood Park while we focus on our careers for three to five years. By then we’ll have enough to buy that dream home and start a family.” Meridith knotted the quilt material in her fist with the daffodil, clutching the stem against her chest. “I already have a family, Stephen.” His face fell. “They’re not your kids, Meridith. And they’re not mine.” “They’re my siblings. And they have no one else.” “That wasn’t our plan when I asked you to marry me. When you said yes.” “Life doesn’t always go according to plan, Stephen. Things happen. Change happens. I didn’t ask for this.” “I didn’t either. And I’m asking you to put me first. To put us first.” His grip tightened on her hand. “I love you. The future I want for us doesn’t include someone else’s children.” Meridith
”
”
Denise Hunter (Driftwood Lane (Nantucket, #4))
“
As soon as my girls were old enough to hold scissors, I taught them how to cut fabric into blocks for us to piece together into family quilts for them to keep so I can pass along my love of quilting, and my grandmother’s love of quilting, to the next generation.
Jep’s granny was a quilter and a knitter. She kept her hands busy, and when I knew her, she was always sitting on the couch, knitting something. She knitted an afghan for every new grandchild, and Merritt got two afghans because she was named after her great-grandmother.
I want to pass on a legacy of creativity and of taking something that seems of little value and transforming it into something beautiful. Our quilts are like our lives, each with a different story, each a little tattered and torn, but each unique and beautiful in the way the patterns, colors, and designs come together. Quilting is becoming a lost art that I never want to lose. To me, quilts are the perfect combination of love and art.
”
”
Jessica Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
“
The show is a part of our lives, but it’s just a part. Our lives are more about our faith in God, our love for each other, and the family we are raising together. You know, if God wasn’t for us, we wouldn’t be where we are today. Because we love God more than we love each other, we’ve been able to overcome the hurts and the scars of our younger lives and build a new life, centered on Him, focused on faith and family rather than on ourselves.
And even though we sometimes fly here and there and do things famous people do--to do our part to support the show--in the end, I love being at home. Most of the time I wish I could just sit in my house all day, with a quilt on my lap, enjoying Jep’s cooking, catching a rerun of Golden Girls or Murder, She Wrote, playing cards with the kids, and enjoying my family. Fame is fleeting, but family is forever.
”
”
Jessica Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
“
The problem is everyone, even Black people, believes that Black poverty is the worst poverty in the world, and Black urban poverty, forget it, and all urban Blackness always scans as poverty, which means people only love us as a fetish. No one is sentimental about poor Black people unless they're wise and country and you could put a photograph of them on a porch with a quilt behind them in a museum.
”
”
Danielle Evans, The Office of Historical Corrections: A Novella and Stories
“
Red wine and Hennessy
She fell out of her bottle when she fell into love, cup running over, overflowing emotions in glass- red stained palet, on a pallet on the grass, to a quilt on the floor -affixed between lips and red lipstick on a shirt that he wore.
A familiar place, she know she's been here before
Reminiscent of the evening
On his shirt that she tore
............
Drop by drop, puddle in glass getting lower- impressions in her gut, rim of her glass, hour glass figure moves counter clockwise - while absorbing the contents of merlot.
Hard liquor and fine wine
.............
Red Wine and Hennessy
A wicked twist on some champagne tips
French nails, manicures over grapes
Whoever said wine and liquor don't mix?
Last night I had six
Bottle caps, corks, bedazzled juice
Merlot was her name - slim waist - good taste slinger neck, red lace. Long stem, pedestal - hands embraced her face
.............
room temperature, her body temperature ... personality of two, she's mellow and chill...
aged to perfection- pop the seal- watch the erection ... splatters on the floor- covers the rug,
Residue of red lipstick-
Merlot stained lips match the kiss on his neck
............
Chasing fantasy through the Red Sea
While chasing that with a white BC
How much will she pour- how much will she drink
How much more before her ship sinks
...........
A full body lush, blackberry crush
Medium sized Bordeaux
Intense velvety plum
I asked her where she's from
She said she's international
She's longer thinking rational
..........
Sips in sync with blinking eyes
She sips too much to realize
Every time you pour into me, my bottle gets more empty-
Glass falling to the floor
She staggers to the door
Glass shatters her feet
She stumbles to her seat
She's still asking for more
But she falls to the floor
Red lipstick in the mud
She covers up the blood
............
She lays in her wine
She forgot about the time
Clock on the wall
Footsteps in the hall
Pounding in her head
She rushes to the bed
.........
She lays motionless ... but her head is racing
Her heart is pacing
Her lungs are gasping - air, she needs air
Rolls to her side, brings her self to sit up
She gags and gags until She throws it all up-
...........
Wakes up the next morning
Dazed and confused
She's laying in a bed
That she's not used to
She moves slowly, where did everyone go?
She checks the time- it's a quarter pass 4
sounds on the other side of the door
Are Muffled by the sound of a knock at the door
...........
Looks around for her little red dress
Notices a blotch - a red stain on her breast
Lipstick smeared an accessory to her mess
She reached for her clothes and saw a note on the desk.
..........
Dearly beloved,
I want to see you again
I'd love to have to back
I think we make a great blend
I tried to wake you
Because I had to go
And
Oh by the way, my name is merlot
"Little Black Bird
”
”
Niedria Dionne Kenny (Love, Lust and Regrets: While the lights were off)
“
You might be able to put things to rights by ripping out a seam, but I say, sometimes it’s best to leave a block as it is. Part of a magnificent patchwork, and a way to look back on the messes we’ve made and think how in the end, it all turned out fine. Lovely, in fact.
”
”
Patience Griffin (The Trouble With Scotland (Kilts and Quilts, #5))
“
My gaze dropped to his mouth, almost hesitant, as if asking for permission. When I looked back up, his blue eyes were a definite yes. They were his sexy bedroom eyes, dark and hungry, but there was more behind them than just sex. There was more to his yes than just this moment.
My hand still on his chest, I slanted my mouth over his in a slow, deep kiss. The corners of my lips were damp from the tears, and Sam licked away the salt with his tongue, his hands sliding up under my shirt like we were two teenagers making out after school. Which was a little how it felt, being with him like this in my childhood bedroom, the same quilt still on my bed from when I was fifteen.
Maybe Sam felt that, too, because his hands under my shirt were working maddeningly slow for someone who'd already seen me naked multiple times before. They slid up my rib cage, brushed against the sensitive skin under my breasts, flicked once against my nipples, which were taut and aching under my bra. But then he skimmed back down my sides and gave my leggings-clad thighs a squeeze, leaving me hungry to feel his hands on my bare skin.
"What do you want to feel?" he murmured, his breath warm against my cheek.
Everything. But instead, what came out was, "Taken care of.
”
”
Alicia Thompson (Love in the Time of Serial Killers)
“
They don’t know if life is a mess of cornmeal dumplings, and if love is a bed-quilt!
”
”
Zora Neale Hurston (Their Eyes Were Watching God)
“
know, Will,” Edmund said. “You needn’t worry. I won’t muck anything up.” He peeled back the duvet, climbed into the bed, and curled himself into a ball. At this, Mrs. Müller appeared in the doorway bearing a load of crisp white linens, patchwork quilts, and hot-water bottles wrapped in knitted cases the same dove gray as the blanket. On top of the teetering pile was a book. As she set her load down on the dressing table, she looked at Edmund. “Lord love you, child.” She went to the bedside, lifted the duvet, and tucked a hot-water bottle at Edmund’s feet. She tested his forehead once again with the palm of her hand. “Perhaps we’ll forgo the clean linens, just for tonight,” she said. “I hate to extract you, Edmund.” “Yes. I mean—thank you,” he murmured. The librarian smiled and looked at William and Anna. “If I had someplace else to put you two, I’d keep you out of the sick room, but short of making up beds on the floor somewhere…” She trailed off. “We’ll be fine,” William said. “Honestly.” Anna nodded in agreement. None of them wanted to be separated, anyhow. “In bed, then,” Mrs. Müller said. “All three of you.” She pulled back the duvet on the other side of the bed and laid down another hot-water bottle. Anna climbed into the middle, and William took his place beside her. The librarian tucked the duvet around the three of them and brushed each one’s cheek with a tenderness that even Edmund found acceptable. She retrieved the book she’d carried in with the linens and handed it to William. “Perhaps you’re all too old for bedtime stories, but what sort of librarian would I be if I didn’t provide you with some reading material?” For a long moment, the children only looked at one another. Mrs. Müller drew the wrong conclusion from their silence. “Oh, dear. You are entirely too old for bedtime stories, aren’t you?” She took a step back. “Not having children of my own, I’m sure to make a mess of these things—” “No,” Anna whispered. “We’re not too old.” Mrs. Müller looked at the boys. “We’re not too old,” William agreed. “Definitely not,” Edmund said, his voice cracking. Perhaps it was his head cold. But probably not. “Well”—the librarian gestured toward the book in William’s hands—“I hope that one will suit you.” “It will,” Anna said. “Good night, then,” the librarian whispered. As she headed for the door, all three children had the same wish. All three children were surprised that it was William who voiced it. “Would you read it to us?
”
”
Kate Albus (A Place to Hang the Moon)
“
We can’t keep people from following their own paths, no matter how much we love them.
”
”
Marta Perry (The Wedding Quilt Bride (Brides of Lost Creek #2))
“
You know, success in anything you do is doing what you love. Going to a job that is different every day is better than going to a cookie cutter job like so many folks have.
”
”
Ann Hazelwood (For the Love of Quilts (Wine Country Quilt Series Book 1))
“
For Sylvia’s greatest bequest was the reminder that true friends are the most precious gift, and that even in the darkest of times love illuminates the way home.
”
”
Jennifer Chiaverini (Round Robin: An Elm Creek Quilts Book (The Elm Creek Quilts 2))
“
In the meadow, I had Kellen all to myself. He smelled good. Sweat and motorcycle and wintergreen. No stinking weed smoke. No perfume. No sadness. He smelled like love. Between the cottonwoods and the bluff, I spread out the quilt and offered him the cans of beer.
”
”
Bryn Greenwood (All the Ugly and Wonderful Things)
“
Over time, quilts need reinforcements . . . so does love!
”
”
Zaneta Johns
“
The tune of truth resounded in the hinterland of my mind, crooning to me that the tapestry of the past had long since been unraveled, that the threads of childhood bliss had been reassembled into quilts of angst and stress. Clinging to the past was like trying to hold on to water. But it was comforting to know that at one point in time, all of us had welcomed each day with cheers. All of us had loved life more than we craved death.
”
”
Phoenix Ning (Scarlet Butterfly)
“
Yet there was something noble in the way Gertie presided over her home town, surrounded by people to whom she’d made herself useful, like the now-grown children who once rode her school bus, or the neighbor woman she took to Walmart every other week for quilt fabric.
”
”
Melody Warnick (This Is Where You Belong: The Art and Science of Loving the Place You Live)
“
I was about six or seven, and I had this cat named Whitey. I loved that cat more’n anything. One day Mommy had just finished a new quilt and put it on her bed. She went in there and Whitey had messed all over her brand new quilt.
”
”
Mary Jane Salyers (Appalachian Daughter)
“
in a nursing home, Dolly, bored out of our minds and staring at the quilt on our laps,” she said. “And all we will have to make us smile are these memories.
”
”
Dolly Alderton (Everything I Know About Love)
“
I've always loved funky rustic quilts more than elegant and maybe lovelier ones. You see the beauty of homeliness and rough patches in how they defy expectations of order and comfort. They have at the same time enormous solemnity and exuberance. They may be made of rags, torn clothes that don't at all go together, but they somehow can be muscular and pretty. The colors are often strong, with a lot of rhythm and discipline and a crazy sense of order. They're improvised, like jazz, where one thing leads to another, without any idea of exactly where the route will lead, except that it will refer to something else maybe already established, or about to be. Embedded in quilts and jazz are clues to escape and strength, sanctuary and warmth. the world is always going to be dangerous, and people get badly banged up, but how can there be more meaning than helping one another stand up in a wind and stay warm?
”
”
Anne Lamott (Stitches: A Handbook on Meaning, Hope and Repair by Anne Lamott (2013-10-29))
“
I jolted out of my sleep or so I thought with tunneling sparking flashing light. For a second when I look around the room everything seems soft, unclear, and slightly distorted, I am in my bed naked like I am every day when I get up and hug my stuffed bunny for the last time, as I snap on the lamp on my nightstand. I have to hide my bunny when the girls come over. Ray used to just throw him off the bed onto the floor.
That was not cool! I don’t think Marcel would mind my cuddly stuffed bunny, with the cute floppy ears. My alarm has been blaring and Beep- Beeping for five minutes. It's from seven-o to six am. I smash and rub my face in my soft pillow for the last time. I look around the room I am sweating. I wipe my forehead, saying wow, I have had a dream that I’m falling- but never like this. ‘Damn that was a crazy dream!’ So- I start my morning retain- you know grabbing for what inside my Pringles can buy my bed before all hell comes busting through my door.
I sit up in bed slightly and I turn on my laptop, might as well live record what going to do on cam, why not. So, push the quilt away, I look down at my unclothed body with my toy in hand, and I see my toes wiggling with nail polish, and my almost smooth legs and everything in-between.
Thinking I just shaved and looked at all this stubble, growing here already… don’t you hate that, I sure do? It’s like all you can see and feel. Now I’m covered with sweat even though my room is frigid cold. My throat is dry, my heart is racing, and I’m desperate for a drink, yet I am almost there, my sighing is getting loud, I can feel it building up, I can stop it feeling so good and the tips are just rolling in for the boys that tune into my show.
The camera is right there, whoosh- and I feel on top of the world. Yet after I hit a low with having to start my day, running away from me away from who I am, I’ve just been running a long way. My floral sheets are stocked with everything rushing out, and so is my keyboard, yet the boys love it and love me for it, so that is good enough for me. Yet after I do that it’s like I get an embarrassing feeling, I pull it out, then close the lid of my lap, to cover up fast. It’s like I get a rush from it, and then the guilt comes after in my mind saying- ‘That was the wrong missy, yet I can’t stop. Jenny and my girls give me that same rush, always doing something that feels so good yet maybe wrong.
”
”
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
“
It was fucking awful,” I profess, the words spilling out of me like I’m an overfull levee. Rogan’s quiet as he runs a hand soothingly down my back while holding me tightly to him. “I tried so hard to keep her away from him, to focus on me, but…”
“I know,” Rogan comforts, placing light kisses on the back of my hands. “Elon told me what happened. How you…” Emotion bleeds out of his words, and he pauses to try and rein it in. The vehemence leaking to me through the tether has me cracking my fingers so I can look at his face through them. “I fucked up so bad, Lennox. I thought I had to choose, that after everything Elon had been through, he needed to come first no matter what. I didn’t want to admit how I was feeling about you. If I did, it felt like I was betraying Elon. I mean, what kind of person finds happiness and hope when his brother is suffering?” he asks, anguish etched in his features.
He shakes his head, ashamed, an indignant scoff sneaking out of his full lips. “I didn’t want to make room for you,” he admits, bringing his hand to his chest and placing it over his heart. “I didn’t want to see that you’d already sunk inside of me so deeply that there wasn’t a me without you anymore. It was the wrong time, too fast, too uncertain, but there you were all the same,” he tells me, gesturing to his heart.
His last words coax a small smile to one corner of his mouth, but it’s gone in a blink.
“That night when you were torn away from me. It was like I was back in that room with my uncle as he tortured Elon and tried to steal his birthright. I lost it completely. I probably would have taken out half the order if Marx hadn’t been there to stop me. They brought that Saxon fucker in to search your room for who could have planted the trap, and it hit me like a punch to the gut. You were gone. You were gone, and you didn’t know how I felt. I never let you see what you were starting to mean to me.
“I knew wherever that portal was leading, it was going to be bad, and I hated myself for not giving you something to fight for, for failing to show you that we were worth fighting for. I’m never going to do that again, Lennox. Never.”
Slowly, he pulls my hands from my face, lifting up a corner of the quilt to wipe the tears and snot away.
“I love you, Lennox,” he tells me evenly with absolutely no hesitation. “I love you in the way that grows as we grow together. The kind of love worth fighting for, that has me waking up every day grateful and willing to do whatever it takes. I know what you did for Elon, because it’s the same thing you did for me. You’re the light in the darkness. The stars that guide you home when you’re lost. You carry the broken from battle and lift the drowning from the clawing cold that’s trying to claim them. You slay the demons.
”
”
Ivy Asher
“
Is it possible faith in God over our future must outweigh our feelings in the things of today? And maybe there are lots of types of forgiveness just like there are lots of kinds of love.
”
”
Cindy Woodsmall (When the Soul Mends (Sisters of the Quilt, #3))
“
Agnes had fallen in love with appliqué, thanks to her wise, patient teacher, and she made more complex and intricate quilts in the years that had followed, but the Christmas Cactus quilt would always be precious to her, not only because she had discovered a new artistic path by mastering appliqué, but also because Edna’s generosity of spirit inspired her to live her own life free of judgment and bitterness.
”
”
Jennifer Chiaverini (The Christmas Boutique (Elm Creek Quilts #21))
“
All Hazel could remember, after he had removed her lace gown and laid her down on a quilt her mother had made for them, was that a man and a woman together, loving, reminded her of butter pecan ice cream.
”
”
Tara M. Stringfellow (Memphis)
“
One day, you won’t miss her.
All right, but how are you so sure about it? Do sunsets have an expiration date? Does the ocean get rid of water over time? Do flowers eventually start hating the colour of their petals? Do birds grow to loathe their wings?
In love, your soul turn into a beautiful design on the quilt called life. Your heart becomes a studio that only has room for music. Love doesn’t come with an expiration date. Just because someone stopped loving you, it doesn’t mean you’ll stop loving them too.
”
”
Rithvik Singh (Thank You for Leaving)
“
Silence with him is silence. Silence with him is five fifteen in the morning before the sun's up and it's still dark but the birds are singing. He's the heavy quilt you pull over your head when it's too cold and too early to wake up. He's the song no parent ever loved me enough to sing.
”
”
Jessa Hastings (The Conditions of Will)
“
The fortunate among us possess handmade quilts that grace our beds. Quilts are ideal blankets for the magical household, for the intricate patterns and loving attention devoted to their construction make them warm and safe things to wrap around us while we dream. Quilts can have magical designs, especially if an industrious sewer decides to create one. Knot and interlacing patterns are considered fortunate, as are floral or herbal designs. Some think that quilts with square blocks or bright colors hinder sleep, while the "Rising Sun" pattern is said to be one of the luckiest of all. There is magic in quilts. Tradition says they should be washed in melted snow to ensure that their deceased makers rest gently in the hereafter. And the first time you sleep under a new quilt or comforter, your dreams-good or bad-will come true.
”
”
Scott Cunningham (The Magical Household: Spells & Rituals for the Home)
“
But Sam is different. Silence with him is silence. Silence with him is five fifteen in the morning before the sun’s up and it’s still dark but the birds are singing. He’s the heavy quilt you pull over your head when it’s too cold and too early to wake up. He’s the song no parent ever loved me enough to sing. He’s the way water runs and bubbles over stones in a stream. He’s a quiet mind.
”
”
Jessa Hastings (The Conditions of Will)
“
You know, Kate, I’m here for you if you ever need me.”
The strange thing was, I knew he meant it. Sure, he was usually clueless, but he was my brother, and I knew he loved me—as much as I loved him.
“Thanks, Sam.”
He stood up and tucked the part of the quilt he’d borrowed around me.
“Don’t stay out here too long. Don’t want to find you here in the morning, a frozen statue. Who’d cook me breakfast?”
“I love you, Sam.”
“Course you do.” He gave me his usual arrogant grin. “What’s not to love?”
Before I could start listing all the things, he disappeared into the condo, leaving me alone with my thoughts. I realized there were times when Sam wasn’t half bad as a brother.
So maybe I could understand why Allie had hooked up with him. Of course, I’d never tell him that!
”
”
Rachel Hawthorne (Love on the Lifts)
“
When the first day of the festival had concluded, I retired early, my feet aching and my body exhausted. Narian had left us after our tour of the grounds, and I had not seen him since, although I hoped he would come to me now. He did, but even as he dropped through my window, he seemed distracted, far away inside his own head. I tried to engage him in conversation, but found it to be mostly one-sided, for I could not hold his interest. Though there was no smooth way to launch into the necessary topic, I did so anyway, doubtful that he was even listening.
“Are you upset that your family was with us today?” I asked.
“You invited them?” Judging by the tone of his voice, I had landed upon the correct issue.
“Yes. It made sense to do so.”
“I suppose,” he replied, but I knew the answer did not reflect his actual thoughts.
“They’re old friends of my family, Narian. And I thought perhaps you would…enjoy seeing them again.”
“Alera, they don’t want my company.”
“Your mother does.”
His eyes at last met mine.
“I spoke to her about you. She would give up her husband to regain her son.”
“I doubt that’s true,” he said with a short laugh.
“It is,” I insisted, reaching out to run a hand through his hair. I might have changed her words a little, but I understood her intent. “She told me so herself. Believe it.”
Narian stared at me, a flicker of hope on his face that quickly faded into his stoic façade.
“Even if what you say is true,” he said at last, “in order to have a relationship with her, with my siblings, I need to have one with Koranis.”
“You’re right,” I admitted, for my dinner at the Baron’s home had proven that to be the case.
He sat on the bed beside me and drew one knee close to his chest. “Koranis doesn’t want to be anywhere near me, and to be honest, I have no interest in a relationship with him. I have no respect for him.” Narian read the sympathy in my eyes. “It’s all right, Alera. I don’t need a family.”
“Maybe you don’t need one,” I said with a shrug, playing with the fabric of the quilt that lay between us. “But you deserve one.”
I thought for a moment I had hit a nerve, but instead he made a joke out of it.
“Just think--if I’d had Koranis as my father, I might have turned into him by now. I’d be brutish and pretentious, but at least my boastful garb would distract you from those flaws. Oh, and this hair you love? It would be gone.”
I laughed at the ounce of truth in his statement, then fell silent, for some reason feeling sadder about his situation than he was.
”
”
Cayla Kluver (Sacrifice (Legacy, #3))
“
It’s all right, Alera. I don’t need a family.”
“Maybe you don’t need one,” I said with a shrug, playing with the fabric of the quilt that lay between us. “But you deserve one.”
I thought for a moment I had hit a nerve, but instead he made a joke out of it.
“Just think--if I’d had Koranis as my father, I might have turned into him by now. I’d be brutish and pretentious, but at least my boastful garb would distract you from those flaws. Oh, and this hair you love? It would be gone.”
I laughed at the ounce of truth in his statement, then fell silent, for some reason feeling sadder about his situation than he was. He reclined upon the pillows, considering me.
“You know, in Cokyri, fathers don’t raise their children. I think maybe it’s better that way.”
“How can you think that?” I asked, troubled by the decided tenor of his voice, and he sat up again, not having expected this reaction from me.
“Your father controlled you and forced you to marry Steldor. How can you disagree with me after living through that?”
“Because…” I faltered. “Because I love my father for all the good things he’s done. Because he made me laugh when I was a child. That’s what I think about when I see him. Not his mistakes.”
“I couldn’t forgive him like you do.”
“Could you forgive me? I mean, if I did something awful.”
Narian did not immediately respond, unsettling me, but it was in his nature to weigh all things.
“I don’t know,” he slowly answered. “But I would still love you.”
He looked at me, an epiphany in his eyes, finally understanding my connection to my family. Then his expression changed, and I knew he was going to raise a difficult issue.
“Explain this then. If that is how families are supposed to function, and you would forgive your father anything, and clearly my mother would forgive me anything, then Koranis fails because he won’t accept me. The women, you and my mother, are loving, but the man fails.”
“Yes, but not all men fail.”
“Prove it. Your father sold you into marriage, and the only father figures I’ve known have respectively made my life hell and rejected me.”
He lay back once more, watching me, and though he had caught me off guard, I was determined to make my point.
“Cannan is a just and fair man.”
“Whose son is Steldor.”
“Who has faults, yes--”
“As all men do.”
Frustrated, I threw my hands in the air. “Are you going to keep interrupting me?”
“No, he said apologetically. “Go on.”
“What about you? Am I, the woman who is in love with you, supposed to believe you’re a terrible person when I know better?”
“I would be a terrible father,” he said, shifting onto his side.
“What?”
“Come, Alera, you have to admit it.”
“I don’t have to admit anything, especially when I think you’re wrong.”
“On what grounds?”
I was so exasperated I wanted to tear my hair out. And his bemused visage only made it worse.
“Because I saw you with that little girl this afternoon! You were perfect with her. And if you can be perfect with a stranger’s child, how could you be any different with our own?”
“It’s different raising a child than talking with one,” he contended. “I never had a father, Alera. No one taught me how to be one.”
“And did anyone teach you how to love me?”
This stopped him short. “No.”
“Well, you’re pretty good at it. So be quiet, and accept that our children are going to love you.”
Narian’s eyebrows rose, and I started laughing. Taking my hand, he pulled me toward him and I lay down beside him, mirroring his position.
“I’m sorry for yelling at you,” I murmured, giving him a light kiss.
“You never know where a conversation is going to take you,” he said, gazing into my dark eyes. “I’m rather glad you did.
”
”
Cayla Kluver (Sacrifice (Legacy, #3))
“
Luke lay on the floor of my apartment in a baby gym, a floor quilt with two crossed arches featuring rattling beads, spinning birds and butterflies, crinkly leaves, and cheerful electronic music. He loved it nearly as much as I loved watching him. At two months, he laughed, smiled, made noises, and was able to raise his head and chest.
Jack lay on the floor beside him, lazily reaching up to flick the toys or to push a button for new music.
“I wish I had one of these,” he said. “Strung with beer cans, Cohíbas, and those little black panties you wore Saturday night.”
I paused in the midst of putting away dishes in the kitchen. “I didn’t think you noticed them, you took them off me so fast.”
“I’d just spent a two-hour dinner looking at you in that low-cut dress. You’re lucky I didn’t jump you in the parking garage again.
”
”
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
“
Galaxy Love"
There’s too little time left to measure
the space between us for that was
long ago—that time—so just lie
under the dark blue quilt and put
the fat pillows with the blue slips
on the great windowsill so we can
look over them and down to the
small figures hurrying by
in total silence and think of the heat
up here and the cold down there
while I turn the light off with the right
hand and gather you in close with the wrong.
”
”
Gerald Stern
“
They remind me of the South and the tradition of people talking and making something together as a collective. They make me think about the women who came before me, who fought for my rights and fought for me to have a better life. I still have my grandmother’s old blue-and-white and red-and-white quilts,
”
”
Reese Witherspoon (Whiskey in a Teacup: What Growing Up in the South Taught Me About Life, Love, and Baking Biscuits)
“
Why do you fear me, Raven? You have seen me at my worst, as a killer, a dispenser of justice for our people.” His thumbs stroked her nipples, a slow, erotic brush that sent liquid heat curling through her. “Do you believe I am evil? Touch my mind, little one. It is impossible for me to hide anything from you. I never concealed my true nature from you. You looked upon me once with the eyes of compassion and love. Of acceptance. Has that all been forgotten?”
Raven closed her eyes, long lashes sweeping down on high cheekbones. “I don’t know what to believe anymore.”
“Kiss me, Raven. Merge your mind with mine. Share your body so that we are completely one being. You trusted me before. Do so now. Look at me with the eyes of love, in forgiveness for the things I have been forced to do, for the beast in my nature. Do not look at me through the eyes of one who would wish to destroy our people and us. Give yourself to me.”
His voice was seductive, a black magic spell, his hands caressing every beloved inch of her satin skin. He had committed every hollow, every curve, to memory. His body burned with need, and his hunger was rising. Her hunger, his. Very gently, so as not to alarm her, Mikhail pressed her slender body to the quilt, his muscular frame covering her smaller one like a blanket. She was so petite, so fragile, beneath his exploring hands.
“Why have you become my life, Mikhail? I’ve always been alone and strong and sure of myself. You seem to have taken over my life.”
His palms slid up the curve of her body to frame her face. “You are my only life, Raven. I will admit I took you from all you knew, but you were never meant to live in isolation. I know what that does, how desolate life can be. The people you worked for were using you up. Eventually they would have destroyed you. Can you not feel that you are my other half--that I am yours?” His mouth drifted over her eyes, her cheekbones, each corner of her mouth. “Kiss me, Raven. Remember me.”
She lifted long lashes and searched his black, hungry gaze with blue eyes that had darkened to deep purple. There was a burning intensity in the heat of his gaze, of his body. “If I kiss you, Mikhail, I won’t be able to stop.
”
”
Christine Feehan (Dark Prince (Dark, #1))
“
Tomorrow night we must leave this region. The vampire is dead, but he has left behind a trail that could destroy our people. We must move to a more isolated area, where perhaps our people can survive the coming persecution.” He brought up her arm to examine the long, deep scratches left by Andre.
“You’re so certain it is coming?”
A faint, bitter smile touched his mouth as he waved to snuff out the candles. “I have too often in my lifetime seen the signs. They will come--the assassins. Humans and Carpathians alike will suffer. We will retreat for a quarter of a century, perhaps a half century, to give ourselves time to regroup.” His tongue found the angry marks on her arm and bathed them gently with his healing touch. It was comforting and felt right to her.
Her lashes drifted, down, their combined scents lingering in the bedchamber, a soothing fragrance. “I love you, Mikhail, all of you, even the beast in you. I don’t know why I became so confused. You aren’t evil. I can see so clearly inside of you.”
Sleep, little one, in my arms where you belong. Mikhail drew up the quilt, wrapped protective arms around her, and sent them both to sleep.
”
”
Christine Feehan (Dark Prince (Dark, #1))
“
down … and a story you won’t want to end.” Stephanie Grace Whitson, author of The Quilt
”
”
Miralee Ferrell (Dreaming on Daisies (Love Blossoms in Oregon #3))
“
Crying in a lab didn’t feel right. If you broke something or made a mistake, you could get mad, but sad didn’t fit. So she talked. “She had one hundred forty-five hours in orbit and helped design Discovery’s arm. She was an electrical engineer.” It was like opening a closet door—everything fell out. “Judy Resnik played piano and had a picture of Tom Selleck in her locker.” Mr. Pete had a bank of lockers from NASA in his house and she could fit inside them. It was good to be small in an orbiter because there was no extra room in them. Mid-mission, Judy Resnik had held up a sign that said HI DAD. Nedda loved her dad too. She told him about Challenger’s insulation, the felt that made it lighter, about how much it could haul, about ceramic tiles. His hand stilled when she stopped talking, like he knew when she was empty. “That’s an awful lot. Do you feel better?” “I guess.” But she didn’t. She pulled away and climbed onto the lab table. She wished she’d brought a quilt.
”
”
Erika Swyler (Light from Other Stars)
“
Opening the lid, Beatrix found her neatly folded clothes and a drawstring muslin bag containing a brush and a rack of hairpins, and other small necessities. There was also a package wrapped in pale blue paper and tied with a matching ribbon. Picking up a small folded note that had been tucked under the ribbon, Beatrix read:
A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this.
-Poppy
Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked...
After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let a slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk.
Tentatively she emerged from behind the screen.
Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. "My God," he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers.
"Do you like my nightgown?" Beatrix asked.
Christopher nodded, not taking his gaze from her. "Where's the rest of it?"
"This was all I could find." Unable to resist teasing him, Beatrix twisted and tried to see the back view. "I wonder if I put it on backward..."
"Let me see." As she turned to reveal the naked line of her back, Christopher drew in a harsh breath.
Although Beatrix heard him mumble a curse, she didn't take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin. She went to the bed and climbed onto the mattress, relishing the billowy softness of its quilts and linens. Reclining on her side, she made no attempt to cover her exposed leg as the gossamer fabric fell open to her hip.
Christopher came to her, stripping off his shirt along the way. The sight of him, all that flexing muscle and sun-glazed skin, was breathtaking. He was a beautiful man, a scarred Apollo, a dream lover. And he was hers.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
may surprise you,’ he urged. Lily’s eyes no longer smiled. Now their licorice darkness reflected only bitterness. ‘It’s not a matter of me finding the courage, Jack. I know my parents. They won’t surprise me. They’re very predictable. They’re also traditional and as far as they’re concerned, I’m as good as engaged … no, married! And they approve of Jimmy.’ Her expression turned glum. ‘All that’s missing are the rings and the party.’ ‘Lily, risk their anger or whatever it is you’re not prepared to provoke but don’t do this.’ He stroked her cheek. ‘Forget me. I’m not important. I’m talking about the rest of your life, here. From what I can see of my friends and colleagues, marriage is hard enough without the kiss of death of not loving your partner.’ ‘It’s not his fault, Jack. You don’t understand. It’s complicated. And in his way, Jimmy is very charismatic.’ Jack didn’t know Professor James Chan, eminent physician and cranio-facial surgeon based at Whitechapel’s Royal London Hospital, but he already knew he didn’t much like him. Jack might be sleeping with Lily and loving every moment he could share with her, but James Chan had a claim on her and that pissed Jack off. Privately, he wanted to confront the doctor. Instead, he propped himself on one elbow and tried once more to reason with Lily. ‘It’s not complicated, actually. This isn’t medieval China or even medieval Britain. This is London 2005. And the fact is you’re happily seeing me … and you’re nearly thirty, Lily.’ He kept his voice light even though he felt like shaking her and cursing. ‘Are you asking me to make a choice?’ He shook his head. ‘No. I’m far more subtle. I’ve had my guys rig up a camera here. I think I should show your parents exactly what you’re doing when they think you’re comforting poor Sally. I’m particularly interested in hearing their thoughts on that rather curious thing you did to me on Tuesday.’ She gave a squeal and punched him, looking up to the ceiling, suddenly unsure. Jack laughed but grew serious again almost immediately. ‘Would it help if I —?’ Lily placed her fingertips on his mouth to hush him. She kissed him long and passionately before replying. ‘I know I shouldn’t be so answerable at my age but Mum and Dad are so traditional. I don’t choose to rub it in their face that I’m not a virgin. Nothing will help, my beautiful Jack. I will marry Jimmy Chan but we have a couple more weeks before I must accept his proposal. Let’s not waste it arguing and let’s not waste it on talk of love or longing. I know you loved the woman you knew as Sophie, Jack. I know you’ve been hiding from her memory ever since and, as much as I could love you, I am not permitted to because I’m spoken for and you aren’t ready to be in love again. This is not a happy-ever-after situation for us. I know you enjoy me and perhaps could love me but this is not the right moment for us to speak of anything but enjoying the time we have, because neither of us is available for anything beyond that.’ ‘You’re wrong, Lily.’ She smiled sadly and shook her head. ‘I have to go.’ Jack sighed. ‘I’ll drop you back.’ ‘No need,’ Lily said, moving from beneath the quilt, shivering as the cool air hit her naked body. ‘I have to pick up Alys from school. She’s very sharp and I don’t need her spotting you – especially as she’s had a crush on you since you first came into the flower shop.’ Suddenly she grinned. ‘If you hurry up, at least we can shower together!’ Jack leaped from the bed and dashed to the bathroom to turn on the taps. He could hear her laughing behind him but he felt sad. Two more weeks. It wasn’t fair – and then, as if the gods had decided to punish him further, his mobile rang, the ominous theme of Darth Vader telling him this was not a call he could ignore. He gave a groan. ‘Carry on without me,’ he called to Lily, reaching for the phone. ‘Hello, sir,’ he said, waiting for the inevitable apology
”
”
Fiona McIntosh (Beautiful Death (DCI Jack Hawksworth #2))
“
This wasn’t the house of her childhood dreams. The naïve young man with his curly-brimmed hat, his flowered waistcoat, and his pink-cheeked wife with her baby and her quilted petticoat, had no place here. This wasn’t a stylish project fit for a design magazine or a perfect retreat from a stressful world. Instead it was a place of compromises. The elegant kitchen that she loved was a secondhand windfall. The dresser by the hearth still belonged more to Maggie, or even to Fury, than to herself. In fact, none of the furniture or possessions that surrounded her were symbols of hard-won independence. They were the story of her reintegration into a community that, for years, she had failed to value and that now might be her salvation.
”
”
Felicity Hayes-McCoy (The Library at the Edge of the World (Finfarran Peninsula #1))
“
was upset would be putting it mildly, but eventually
”
”
Karen Musgrave (Quilts in the Attic: Uncovering the Hidden Stories of the Quilts We Love)
“
I wrote home to say how lovely everything was, and I used flourishing words and phrases, as if I were living life in a greeting card - the kind that has a satin ribbon on it, and quilted hearts and roses, and is expected to be so precious to the person receiving it that the manufacturer has placed a leaf of plastic on the front to protect it. Everyone I wrote to said how nice it was to hear from me, how nice it was to know I was doing well, that I was very much missed, and that they couldn't wait until the day came when I returned.
”
”
Jamaica Kincaid (Lucy)