Queue Up Quotes

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Do this. Don't do that. Stay back in line. Where's tax receipt? Fill out form. Let's see license. Submit six copies. Exit only. No left turn. No right turn. Queue up and pay fine. Take back and get stamped. Drop dead— but first get permit.
Robert A. Heinlein
The truth is that the heroism of your childhood entertainments was not true valor. It was theatre. The grand gesture, the moment of choice, the mortal danger, the external foe, the climactic battle whose outcome resolves all--all designed to appear heroic, to excite and gratify and audience. Gentlemen, welcome to the world of reality--there is no audience. No one to applaud, to admire. No one to see you. Do you understand? Here is the truth--actual heroism receives no ovation, entertains no one. No one queues up to see it. No one is interested.
David Foster Wallace (The Pale King)
Everyone queue up!' Malfoy roared to the crowd. 'Harry Potter's giving out signed photos!
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
Now Gansey grinned, the warmth of discovery starting to course through him. "So, pop quiz, Mr Parrish. Three things that appear in the vicinity of ley lines?" "Black dogs," Adam said indulgently. "Demonic presences." "Camaros," Ronan inserted. Gansey continued as if he hadn't spoken. "And ghosts. Ronan, queue up the evidence if you would.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Gentlemen, welcome to the world of reality—there is no audience. No one to applaud, to admire. No one to see you. Do you understand? Here is the truth—actual heroism receives no ovation, entertains no one. No one queues up to see it. No one is interested.
David Foster Wallace (The Pale King: An Unfinished Novel)
I envy the music lovers hear. I see them walking hand in hand, standing close to each other in a queue at a theater or subway station, heads touching while they sit on a park bench, and I ache to hear the song that plays between them: The stirring chords of romance's first bloom, the stately airs that whisper between a couple long in love. You can see it in the way they look at each other... you can almost hear it. Almost, but not quite, because the music belongs to them and all you can have of it is a vague echo that rises up from the bittersweet murmur and shuffle of your own memories.
Charles de Lint (Moonlight and Vines (Newford, #6))
Question: how can one manage not to lose time? Answer: experience it at its full length. Means: spend days in the dentist's waiting room on an uncomfortable chair; live on one's balcony on a Sunday afternoon; listen to lectures in a language that one does not understand, choose the most roundabout and least convenient routes on the railway (and, naturally, travel standing up); queue at the box-office for theatres and so on and not take one's seat; etc.
Albert Camus (The Plague)
The love of books was an instant connection, and a true boon for a girl who tended toward shyness, because it was a source of endless conversation. A hundred questions sprang up in her mind, jostling with each other to reach the front of the queue. Did he prefer essays, dramas, novels, poems? How many books had he read, and in which languages? Which ones had he read again and again?
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
I can see the war that’s coming and I can see the after-war, the food-queues and the secret police and the loudspeakers telling you what to think.
George Orwell (Coming Up for Air)
We all fashion ourselves to the false world in which we live and in so doing become false ourselves. I saw this all the time during the occupation. How people could convince themselves that locking up and deporting Jews, including children, was a rational consequence of events. How the same people who shrugged off news of executions and deportations were beside themselves with rage when someone tried to jump a queue.
Glenn Haybittle (The Tree House)
I couldn’t absorb the idea that death could actually walk by my side, with a human face and a heart that was poisoned with hatred, that death could be dressed in a uniform or a raincoat, queue up at a cinema, laugh in bars, or take his children out for a walk
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
Things will change more radically than you could ever imagine. Things will end up 300 miles north of your wildest predictions. Healthy people drop dead in supermarket queues. The future love of your life could be the man sitting next to you on the bus. Your secondary school math teacher and rugby coach might now go by the name of Susan. Everything will change. And it could happen any morning.
Dolly Alderton (Everything I Know About Love: A Memoir)
Problems do not queue up outside a statesman’s door, waiting to be solved in an orderly fashion, chapter by chapter, as the books would have us believe; instead they crowd in en masse, demanding attention.
Robert Harris (Conspirata (Cicero, #2))
If I don't keep this job, then my only future career-options are working in Argos, or being a prostitute,' I say, wildly. 'Maybe you could work in Argos as a prostitute,' my mother says, merrily. She appears to be enjoying this conversation. 'They could list you in the catalogue, and people could queue up, and wait for you to come down the conveyor belt.
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
Did you get me that movie about Genghis Khan? 'It's in the Netflix queue, but that's not the surprise. You don't need to worry, it'll be something good. I just don't want you to feel depressed about going home.' Oh, I won't. But it would be cool to have a stream like this in the backyard. Can you make one? 'Ummm... no.' I figured. Can't blame a hound for trying. Oberon was indeed surprised when we got back home to Tempe. Hal had made the arrangements for me and Oberon perked up as soon as we were dropped off by the shuttle from the car rental company. 'Hey, smells like someone's in my territory,' he said. 'Nobody could be here without my permission, you know that.' 'Flidais did it.' 'That isn't Flidais you smell, believe me.' I opened the front door, and Oberon immediately ran to the kitchen window that gazed upon the backyard. He barked joyously when he saw what was waiting for him there. 'French poodles! All black and curly with poofy little tails!' 'And every one of them in heat.' 'Oh, WOW! Thanks Atticus! I can't wait to sniff their asses!' He bounded over to the door and pawed at it because the doggie door was closed to prevent the poodles from entering. 'You earned it, buddy. Hold on, get down off the door so I can open it for you, and be careful, don't hurt any of them.' I opened the door, expecting him to bolt through it and dive into his own personal canine harem, but instead he took one step and stopped, looking up at me with a mournful expression, his ears drooping and a tiny whine escaping his snout. 'Only five?
Kevin Hearne (Hounded (The Iron Druid Chronicles, #1))
...I think one shouldn't pussyfoot, and just say that you write the stuff that you would like to read. So you write for yourself, no doubt about that. But I do have a sort of romantic idea of someone in their twenties, of a certain bent, and when they pick up a book by me, they think--as I have done on several occasions--'Ah, here is one for me. Here is a writer who I'll have to read all of, because they're speaking directly to me, and they're writing what I want to read.' And sometimes you're doing the signing queue and a reader comes past and you sign the book, and there's a little exchange of the eyes, where you think, 'Ah, that's one of them.' So there is that ideal reader. And it's someone who's discovering literature and homes in on you. I'm aware of such readers.
Martin Amis
In this, they echoed the views of a generation brought up to think of Britain as Great, but now doomed in peacetime to watch the American ascendancy, decolonisation, queues, bureaucracy, socialism and other perceived indignities as the Empire declined.
Ben Macintyre (For Your Eyes Only: Ian Fleming and James Bond)
I can see the scene down in Mission Control right now: a man in a white shirt and black tie checking my vitals on a readout, his chief inquiring if I’ve hit REM sleep yet. “Affirmative, sir. Sleeping like a baby.” “Excellent. Queue up the machine that goes bing!
Hugh Howey (Beacon 23)
Here is the truth - actual heroism receives no ovation, entertains no one. No one queues up to see it. No one is interested. - David Foster Wallace, from The Pale King
David Foster Wallace (The Pale King)
When I was six, I cried for almost an hour in the parking lot of the King of Prussia Mall because my mom wouldn’t buy me a Godzilla DVD.” She actually looks up at me. “What?” “To be fair, it was King Kong vs. Godzilla, the old one. I just thought the cover looked cool. It was only five bucks in the bargain bin. But yeah, almost an hour. And she sat there in silence the whole time until I finally started to calm down. Then you know what she did?” Cara shakes her head and reaches out for the water. I try not to look at her as she drinks. “She queues up a song on her phone and hits play. And it’s the Rolling Stones. ‘You Can’t Always Get What You Want.’ I cried for another seven minutes while she sang at the top of her lungs.
Erik J. Brown (All That's Left in the World (All That's Left in the World, #1))
think about how brave it is, to do this: to queue up, and meet your hero. There’s something incredibly intimate about reading, or listening, or looking at someone else’s art. When it truly moves you—when you whoop when Prince whoops in Purple Rain; or cry when Bastian cries in The NeverEnding Story, it is as if you have been them, for a while. You traveled inside them, in their shoes, breathing their breath. Moving with their pulse. A faint ghost of them imprinted, inside you, forever—it responds when you meet them, as if it recognizes its own reflection.
Caitlin Moran (How to Be Famous)
Signed photos? You’re giving out signed photos, Potter?’ Loud and scathing, Draco Malfoy’s voice echoed around the courtyard. He had stopped right behind Colin, flanked, as he always was at Hogwarts, by his large and thuggish cronies, Crabbe and Goyle. ‘Everyone queue up!’ Malfoy roared to the crowd. ‘Harry Potter’s giving out signed photos!
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
They had had half an hour. He walked with her to Whitehall, toward the bus stop. In the precious final minutes he wrote out his address for her, a bleak sequence of acronyms and numbers. “then, at last, he took her hand and squeezed. The gesture had to carry all that had not been said, and she answered it with pressure from her own hand. Her bus came, and she did not let go. They were standing face to face. He kissed her, lightly at first, but they drew closer, and when their tongues touched, a disembodied part of himself was abjectly grateful, for he knew he now had a memory in the bank and would be drawing on it for months to come. He was drawing on it now, in a French barn, They tightened their embrace and went on kissing while people edged past them in the queue. She was crying onto his cheek, and her sorrow stretched her lips against his. Another bus arrived. She pulled away, squeezed his wrist, and got on without a word and didn’t look back. He watched her find her seat, and as the bus began to move realized he should have gone with her, all the way to the hospital. He had thrown away minutes in her company. He must learn again how to think “and act for himself. He began to run along hoping to catch up with her at the next stop. But her bus was far ahead
Ian McEwan (Atonement)
I'm wondering whether I can explain," said Lee. "Where there is no likeness of experience it's very difficult. I understand you were not born in America." "No, in Ireland." "And in a few years you can almost disappear; while I, who was born in Grass Valley, went to school and several years to the University of California, have no chance of mixing." "If you cut your queue, dressed and talked like other people?" "No. I tried it. To the so-called whites I was still a Chinese, but an untrustworthy one; and at the same time my Chinese friends steered clear of me. I had to give it up.
John Steinbeck (East of Eden)
Streamline your products by choosing the bare minimum for your most necessary jobs. Don’t force yourself to choose among five different cleaners like you’re scrolling a Netflix queue of disinfectants. Pick up a bottle and go clean. You don’t need to waste time choosing
Kendra Adachi (The Lazy Genius Way: Embrace What Matters, Ditch What Doesn't, and Get Stuff Done)
This tub is for washing your courage...When you are born your courage is new and clean. You are brave enough for anything: crawling off of staircases, saying your first words without fearing that someone will think you are foolish, putting strange things in your mouth. But as you get older, your courage attracts gunk and crusty things and dirt and fear and knowing how bad things can get and what pain feels like. By the time you're half-grown, your courage barely moves at all, it's so grunged up with living. So every once in awhile, you have to scrub it up and get the works going or else you'll never be brave again. Unfortunately, there are not many facilities in your world that provide the kind of services we do. So most people go around with grimy machinery, when all it would take is a bit of a spit and polish to make them paladins once more, bold knights and true. ... This tub is for washing your wishes...For the wishes of one's old life wither and shrivel like old leaves if they are not replaced with new wishes when the world changes. And the world always changes. Wishes get slimy, and their colors fade, and soon they are just mud, like all the rest of the mud, and not wishes at all, but regrets. The trouble is, not everyone can tell when they ought to launder their wishes. Even when one finds oneself in Fairyland and not at home at all, it is not always so easy to catch the world in its changing and change with it. ... Lastly, we must wash your luck. When souls queue up to be born, they all leap up at just the last moment, touching the lintel of the world for luck. Some jump high and can seize a great measure of luck; some jump only a bit and snatch a few loose strands. Everyone manages to catch some. If one did not have at least a little luck, one would never survive childhood. But luck can be spent, like money, and lost, like a memory; and wasted, like a life. If you know how to look, you can examine the kneecaps of a human and tell how much luck they have left. No bath can replenish luck that has been spent on avoiding an early death by automobile accident or winning too many raffles in a row. No bath can restore luck lost through absentmindedness and overconfidence. But luck withered by conservative, tired, riskless living can be pumped up again--after all, it is only a bit thirsty for something to do.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
These pieces, he already realised, were merely stepping stones at the start of a journey towards something - some grand artefact, either musical, or literary, or filmic, or perhaps a combination of all three - towards which he knew he was advancing, slowly but with a steady, inexorable tread. Something which would enshrine his feelings for Cicely, and which she would perhaps hear, or read, or see in ten or twenty years' time, and suddenly realize, on her pulse, that it was created for her, intended for her, and that of all the boys who had swarmed around her like so many drones at school, Benjamin had been, without her having the wit to notice it, by far the purest in heart, by far the most gifted and giving. On that day the awareness of all she had missed, all she had lost, would finally break upon her in an instant, and she would weep; weep for her foolishness, and of the love that might have been between them. Of course, Benjamin could always just have spoken to her, gone up to her in the bus queue and asked her for a date. But this seemed to him, on the whole, the more satisfactory approach.
Jonathan Coe (The Rotters' Club)
The lines between body and womb have become blurred, a vessel inside a vessel. The physical body - the visible collection of bones and skin we present to the world - does not fully belong to its owner if the womb within it contains an unplanned or unwanted pregnancy. There are all kinds of people ready to queue up and remind a woman of that.
Sinéad Gleeson (Constellations: Reflections From Life)
Sometimes fiction was so powerful that it even had reverberations in the real world. When I went to London with Louise and Paul, we visited Sherlock Holmes' house. Tourists from all over the world were there to see this house. But Sherlock Holmes never existed. Yet people come to see his typewriter, his magnifying glass, his deerstalker, his furniture, his interior, in a reconstruction based on Conan Doyle's novels. People know this, yet they queue up and pay to visit a house that is just a meticulous recreation of a fiction.
Delphine de Vigan (D'après une histoire vraie)
I like pigs. Dogs look up to us. Cats look down on us. Pigs treat us as equals. Sir Winston Churchill (1874–1965), British politician
Sandi Toksvig (Peas & Queues: The Minefield of Modern Manners)
Lastly,” Lye said,”we must wash your luck. When souls queue up to be born, they all leap up at just the last moment, touching the lintel of the world for luck. Some jump high and can seize a great measure of luck; some jump only a bit and snatch a few loose strands. Everyone manages to catch some. If one did not have at least a little luck, one would never survive childhood. But luck can be spent, like money; and lost, like memory; and wasted, like life. If you know how to look, you can examine the kneecaps of a human and tell how much luck they have left. No bath can replenish luck that has been spent on avoiding an early death by automobile accident or winning too many raffles in a row. No bath can restore luck lost through absentmindedness and overconfidence. But luck withered by conservative, tired,riskless living can be plumped up again—after all, it was only a bit thirsty for something to do.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
The sun was up - stuck like half a tinned apricot on a sky awash with all the colours of a fading bruise. Down below the living dead were forming their complaining queues at bus stops.
Helen Hodgman (Blue Skies And Jack And Jill)
Claiming to be a victim gives people perverse authority. Subjective experience becomes key: 'I am a sexual abuse victim. I am allowed to speak on this. You are not because you have never experienced what it is like to be...'. Victim status can buy special privileges and gives the green light to brand opposing views or even mild criticisms as tantamount to hate speech. So councils, who have become chief cheerleaders for policing subjective complaints, define hate speech as including 'any behavior, verbal abuse or insults, offensive leaflets, posters, gestures as perceived by the victim or any other person as being motivated by hostility, prejudice or hatred'. This effectively incites 'victims' to shout offense and expect a clamp-down. Equally chilling, if a victim aggressively accuses you of offense, it is dangerous to argue back, or even to request that they should stop being so hostile, should you be accused of 'tone policing', a new rule that dictates: '[Y]ou can never question the efficacy of anger ... when voiced by a person from a marginalized background'. No wonder people are queueing up to self-identify into any number of victim camps: you can get your voice heard loudly, close down debate and threaten critics.
Claire Fox (‘I Find That Offensive!’)
I came of age in the Sixties, when there were chances, when it was all there waiting. Now they seep out of school – to what? To nothing, to fuck-all. The young (you can see it in their faces), the stegosaurus-rugged no-hopers, the parrot-crested blankies – they’ve come up with an appropriate response to this, which is: nothing. Which is nothing, which is fuck-all. The dole-queue starts at the exit to the playground.
Martin Amis (Money)
As for queueing-up, during the past five or ten years it has become what the psychologists call a conditioned reflex. If you put a dozen English people together, they form themselves into a queue almost instinctively.
George Orwell (Essays)
The drinking dens are spilling out There's staggering in the square There's lads and lasses falling about And a crackling in the air Down around the dungeon doors The shelters and the queues Everybody's looking for Somebody's arms to fall into And it's what it is It's what it is now There's frost on the graves and the monuments But the taverns are warm in town People curse the government And shovel hot food down The lights are out in the city hall The castle and the keep The moon shines down upon it all The legless and asleep And it's cold on the tollgate With the wagons creeping through Cold on the tollgate God knows what I could do with you And it's what it is It's what it is now The garrison sleeps in the citadel With the ghosts and the ancient stones High up on the parapet A Scottish piper stands alone And high on the wind The highland drums begin to roll And something from the past just comes And stares into my soul And it's cold on the tollgate With the Caledonian Blues Cold on the tollgate God knows what I could do with you And it's what it is It's what it is now What it is It's what it is now There's a chink of light, there's a burning wick There's a lantern in the tower Wee Willie Winkie with a candlestick Still writing songs in the wee wee hours On Charlotte Street I take A walking stick from my hotel The ghost of Dirty Dick Is still in search of Little Nell And it's what it is It's what it is now Oh what it is What it is now
Mark Knopfler (Sailing to Philadelphia)
I know that love happens under the splendor of moon and stars and fireworks and sunsets but it also happens when you're lying on blow-up air beds in a childhood bedroom, sitting in the emergency room or in the queue for a passport or in a traffic jam.
Dolly Alderton (Everything I Know About Love)
This is why the Liberian waiter laughed at me. He thought that I thought a toilet was my right, when he knew it was a privilege. "It must be, when 2.6 billion people don't have sanitation. I don't mean that they have no toilet in their house and must use a public one with queues and fees. Or that they have an outhouse, or a ricety shack that empties into a filthy drain or pigsty. All that counts as sanitation, though not a safe variety. The people who have those are the fortunate ones. Four in ten people have no access to any latrine, toilet, bucket, or box. Nothing. Instead, they defecate by train tracks and in forests. They do it in plastic bags and fling them through the air in narrow slum alleyways. If they are women, they get up at 4 A.M. to be able to do their business under cover of darkness for reasons of modesty, risking rape and snakebites. Four in ten people live in situations where they are surrounded by human excrement because it is in the bushes outside the village or in their city yards, left by children outside the backdoor. It is tramped back in on their feet, carried on fingers onto clothes, food and drinking water. "The disease toll of this is stunning. A gram of feces can contain 10 million viruses, 1 million bacteria, 1,000 parasite cysts, and 100 worm eggs...
Rose George (The Big Necessity: The Unmentionable World of Human Waste and Why It Matters)
Out here in the forests, in the mountains, in the villages, they are supposed to be pulling up disorder by the root. The total entropy of any system, said Dr. Hauptmann, will decrease only if the entropy of another system will increase. Nature demands symmetry. Ordnung muss sein. And yet what order are they making out here? The suitcases, the queues, the wailing babies, the soldiers pouring back into the cities with eternity in their eyes–in what system is order increasing? Surely not in Kiev, or Lvov, or Warsaw. It’s all Hades.
Anthony Doerr (All the Light We Cannot See)
Granted, back in your mother's day, the bank queues in Duncashel moved fierce slow, but every five or six steps you got to one of the pillars lining the route for a bit of a lean. Then there'd be a pile-up forming behind you, until you pushed yourself away again, freeing it up for the next man. Magnificent building, you wouldn't remember it. They had it knocked down and rebuilt by the time you toddled along. Thick doors that required your whole weight to open them. High ceilings and red-flecked marble counters. I'd have taken that over a church any day.
Anne Griffin (When All Is Said)
OF COURSE, SPACE travel isn’t only about being stuffed into a claustrophobia-inducing cell, scared witless, trussed up in a restraint harness, and raped through every orifice for years on end. Because, you know, if that was all there was to it, there’d be a queue outside every travel agent.
Charles Stross (Saturn's Children (A Freyaverse Novel))
Streamline your products by choosing the bare minimum for your most necessary jobs. Don’t force yourself to choose among five different cleaners like you’re scrolling a Netflix queue of disinfectants. Pick up a bottle and go clean. You don’t need to waste time choosing something when you can decide once.
Kendra Adachi (The Lazy Genius Way: Embrace What Matters, Ditch What Doesn't, and Get Stuff Done)
Harry sighed and turned to the queue crowding towards the counter. ‘The till is not free. I am from Oslo Police.’ He held up his ID. ‘And this person is arrested for being unable to pronounce th.’ Harry could be small-minded on certain matters. At this particular moment, though, he was extremely pleased with the response. He appreciated being smiled at.
Jo Nesbø (Nemesis (Harry Hole, #4))
There was no downtime between calls, because there were always several hundred morons in the call queue, all of them willing to wait on hold for hours to have a tech rep hold their hand and fix their problem. Why bother looking up the solution online? Why try to figure the problem out on your own when you could have someone else do your thinking for you?
Ernest Cline (Ready Player One (Ready Player One, #1))
I mean, take for instance all this civil liberties crap. You know what I’d do if I were in power again? I’d say, okay then, we’ll have two queues at the airports. On the left, we’ll have queues to flights on which we’ve done no background checks on the passengers, no profiling, no biometric data, nothing that infringed anyone’s precious civil liberties, used no intelligence obtained under torture—nothing. On the right, we’ll have queues to the flights where we’ve done everything possible to make them safe for passengers. Then people can make their own minds up which plane they want to catch. Wouldn’t that be great? To sit back and watch which queue the Rycarts of this world would really choose to put their kids on, if the chips were down?
Robert Harris (The Ghost)
They think giving people longer prison sentences is going to teach people a lesson. Well that is just fantasy, as we just take our drugs and violence in to the prison. Our brothers and sisters, pals or rivals outside plug the gap that has been left by the dealer that was selling the crack or smack in the first place. Just like kamikazes, when one is dead, fifty queue up to take their place.
Stephen Richards (Scottish Hard Bastards)
But I couldn't absorb the idea that death could actually walk by my side, with a human face and a heart that was poisoned with hatred, that death could be dressed in a uniform or a raincoat, queue up at a cinema, laugh in bars, or take his children out for a walk to Ciudadela Park in the morning, and then, in the afternoon, make someone disappear in the dungeons of Monjuïc Castle or in a common grave with no name or ceremony.
Carlos Ruiz Zafón
At the front door I pat my trouser pocket to check for the thin outline of my passport and realize it’s not there. Always the passport, always the “dokumenti!” You can get stopped and checked for papers at any moment. It might only actually happen once or maybe even twice a year, but you still have to stand in queues and knock on doors to obtain the whole library of little stamps, regulations, permits—the legal stipulations and requirements that are themselves always changing. A little trick to keep you always on tenterhooks, always patting your pockets for your papers, always waking up worried that you might have lost them in a bar. Over time you begin to pat for the passport instinctively, your hand going down unthinkingly to check your pocket so many times a day you don’t even notice any more. That’s true power—when it starts to influence the unconscious movements of your arms.
Peter Pomerantsev (Nothing Is True and Everything Is Possible: The Surreal Heart of the New Russia)
I know that love happens under the splendor of moon and stars and fireworks and sunsets, but it also happens when you're lying on blow-up air beds in a childhood bedroom, sitting in the emergency room or in the queue for a passport or in a traffic jam. Love is a quiet, reassuring, relaxing, pottering, pedantic, harmonious hum of a thing; something you can easily forget is there, even though its palms are outstretched beneath you in case you fall.
Dolly Alderton (Everything I Know About Love)
Again, take someone who’s crippled or deformed; they can’t be tied to the plank without a lot of sweat and heaving, and then the crowds (who can’t see much anyway) get bored and start hissing and catcalling. Meanwhile a queue builds up, and the people at the end of the queue get awkward and start screaming or passing out. If all the clients were young, male, stoical and fit, he’d have fewer problems, but it’s surprising how few of them fall into all those categories.
Hilary Mantel (A Place of Greater Safety)
In Ukraine’s cities—Kharkiv, Kiev, Stalino, Dnipropetrovsk—hundreds of thousands of people waited each day for a simple loaf of bread. In Kharkiv, the republic’s capital, Jones saw a new sort of misery. People appeared at two o’clock in the morning to queue in front of shops that did not open until seven. On an average day forty thousand people would wait for bread. Those in line were so desperate to keep their places that they would cling to the belts of those immediately in front of them. Some were so weak from hunger that they could not stand without the ballast of strangers. The waiting lasted all day, and sometimes for two. Pregnant women and maimed war veterans had lost their right to buy out of turn, and had to wait in line with the rest if they wanted to eat. Somewhere in line a woman would wail, and the moaning would echo up and down the line, so that the whole group of thousands sounded like a single animal with an elemental fear.
Timothy Snyder (Bloodlands: Europe Between Hitler and Stalin)
It smelled not unlike Great-aunt Violet; an aura of books, of reading, of curling up and being cosy, of deciding, in a queue or on a train or a bus, just to step out of your normal world for a little while, go visit Narnia, or medieval England, or Persia, or the cockpit of a fighter plane; a hot air balloon; crime-ridden streets of Victorian London. To sit and blow the dust off something, then be transported elsewhere. It was magical. She couldn’t think of another word for it.
Jenny Colgan (The Christmas Book Hunt)
Helpful Help-desk Incorporated took millions of calls a day, from all over the world, 24-7, 365. One angry, befuddled cretin after another. There was no down time between the calls because there were always several hundred morons in the call queue, all of them willing to wait on hold for hours to have a tech-rep hold their hand and fix their problems. Why bother looking up the solution online, why try to figure the problem out on your own when you could have someone else do your thinking for you.
Ernest Cline (Ready Player One (Ready Player One, #1))
ON THE A TRAIN There were no seats to be had on the A train last night, but I had a good grip on the pole at the end of one of the seats and I was reading the beauty column of the Journal-American, which the man next to me was holding up in front of him. All of a sudden I felt a tap on my arm, and I looked down and there was a man beginning to stand up from the seat where he was sitting. "Would you like to sit down?" he said. Well, I said the first thing that came into my head, I was so surprised and pleased to be offered a seat in the subway. "Oh, thank you very much," I said, "but I am getting out at the next station." He sat back and that was that, but I felt all set up and I thought what a nice man he must be and I wondered what his wife was like and I thought how lucky she was to have such a polite husband, and then all of a sudden I realized that I wasn't getting out at the next station at all but the one after that, and I felt perfectly terrible. I decided to get out at the next station anyway, but then I thought, If I get out at the next station and wait around for the next train I'll miss my bus and they only go every hour and that will be silly. So I decided to brazen it out as best I could, and when the train was slowing up at the next station I stared at the man until I caught his eye and then I said, "I just remembered this isn't my station after all." Then I thought he would think I was asking him to stand up and give me his seat, so I said, "But I still don't want to sit down, because I'm getting off at the next station." I showed him by my expression that I thought it was all rather funny, and he smiled, more or less, and nodded, and lifted his hat and put it back on his head again and looked away. He was one of those small, rather glum or sad men who always look off into the distance after they have finished what they are saying, when they speak. I felt quite proud of my strong-mindedness at not getting off the train and missing my bus simply because of the fear of a little embarrassment, but just as the train was shutting its doors I peered out and there it was, 168th Street. "Oh dear!" I said. "That was my station and now I have missed the bus!" I was fit to be fled, and I had spoken quite loudly, and I felt extremely foolish, and I looked down, and the man who had offered me his seat was partly looking at me, and I said, "Now, isn't that silly? That was my station. A Hundred and Sixty-eighth Street is where I'm supposed to get off." I couldn't help laughing, it was all so awful, and he looked away, and the train fidgeted along to the next station, and I got off as quickly as I possibly could and tore over to the downtown platform and got a local to 168th, but of course I had missed my bus by a minute, or maybe two minutes. I felt very much at a loose end wandering around 168th Street, and I finally went into a rudely appointed but friendly bar and had a martini, warm but very soothing, which cost me only fifty cents. While I was sipping it, trying to make it last to exactly the moment that would get me a good place in the bus queue without having to stand too long in the cold, I wondered what I should have done about that man in the subway. After all, if I had taken his seat I probably would have got out at 168th Street, which would have meant that I would hardly have been sitting down before I would have been getting up again, and that would have seemed odd. And rather grasping of me. And he wouldn't have got his seat back, because some other grasping person would have slipped into it ahead of him when I got up. He seemed a retiring sort of man, not pushy at all. I hesitate to think of how he must have regretted offering me his seat. Sometimes it is very hard to know the right thing to do.
Maeve Brennan
Here there is buried legend after legend of youth and melancholy, of savage nights and mysterious bosoms dancing on the wet mirror of the pavement, of women chuckling softly as they scratch themselves, of wild sailors’ shouts, of long queues standing in front of the lobby, of boats brushing each other in the fog and tugs snorting furiously against the rush of tide while up on the Brooklyn Bridge a man is standing in agony, waiting to jump, or waiting to write a poem, or waiting for the blood to leave his vessels because if he advances another foot the pain of his love will kill him.
Henry Miller (Black Spring)
In my world death was like a nameless and incomprehensible hand, a door-to-door salesman who took away mothers, beggars, or ninety-year-old neighbors, like a hellish lottery. But I couldn't absorb the idea that death could actually walk by my side, with a human face and a heart that was poisoned with hatred, that death could be dressed in a uniform or raincoat, queue up at the cinema, laugh in bars, or take his children out for a walk to Ciudadela Park in the morning, and then, in the afternoon, make someone disappear in the dungeons of Montjuïc Castle or in a common grave with no name or ceremony.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
(Almanack Jack talking to Michael Cullen) - The unemployed should be treated as great gifts to a nation, because if they didn’t in their largeness of spirit agree to be unemployed, all the other toffee-nosed bastards who’ve got jobs couldn’t hold them. The unemployed should be fed and pampered, given double pay to what they’d get if they were working. There should be special centres where they could queue up for a daily ration of cigars. One prominent motto of my Democratic Republic of Euphoria would be: Hail to the unemployable, because they should inherit the earth in payment for letting the guilt-ridden neurotics of the world work.
Alan Sillitoe (A Start in Life)
How specialized do restaurants get in Japan? Every weekday at lunchtime, people queue up on a side street just south of Ningyōchō Station, in an old Tokyo neighborhood. They're waiting to get into Tamahide, a restaurant that (at lunchtime) serves one dish, oyakodon. Written with the characters for "parent" and "child," oyakodon is a runny chicken omelet (get it?) served over rice. There are very few ingredients to this dish: chicken, egg, and rice, soy sauce, mirin, and sugar. There is no vegetarian version, no low-carb salad version, no side dishes other than a tiny dish of pickles perched atop the lid of your bowl. If you're not in the mood for diced chicken meat, however, you can order the dish with chicken liver or ground chicken.
Matthew Amster-Burton (Pretty Good Number One: An American Family Eats Tokyo)
The government desires to purchase; it desires to use the market, not to disorganize it. But the officially-fixed price does disorganize the market in which commodities and services are bought and sold for money. Commerce, so far as it is able, seeks relief in other ways. It re-develops a system of direct exchange, in which commodities and services are exchanged without the instrumentality of money. Those who are forced to dispose of commodities and services at the fixed prices do not dispose of them to everybody, but merely to those to whom they wish to do a favour. Would-be purchasers wait in long queues in order to snap up what they can get before it is too late; they race breathlessly from shop to shop, hoping to find one that is not yet sold out.
Ludwig von Mises (The Theory of Money and Credit (Liberty Fund Library of the Works of Ludwig von Mises))
He made a gesture I can't describe: 'Gentlemen, welcome to the world of reality--there is no audience. No one to applaud, to admire. No one to see you. Do you understand? Here is the truth --actual heroism receives no queues up to see it. No one is interested.' He paused again and smiled in a way that was not one bit self-mocking. True heroism is you, alone, in a designated work space. True heroism is minutes, hours, weeks, year upon year of the quiet, precise, judicious exercise of probity and care--with no one there to see or cheer. This is the world. Just you and the job, at your desk. You and the return, you and the cash-flow data, you and the inventory protocol, you and the depreciation schedules, you and the numbers.' His tone was wholly matter-of-fact.
David Foster Wallace (Something to Do with Paying Attention (McNally Editions))
A typical Virgin airline employee is the sort of person who will joke with passengers and smile, not just nod their head and say: ‘Yes sir, no sir, three bags full sir.’ I shared a story about one occasion when we had a short delay before a Virgin flight and people had to queue up at the gate. One of the passengers jumped the queue and marched up to the desk. Our team member very politely asked him to get back into the queue. He turned on her and said: ‘Don’t you know who I am?’ So she picked up the intercom and announced: ‘I have a young man at gate 23, who seems to be lost – he doesn’t know who he is.’ The other passengers roared with laughter. ‘Fuck you!’ shouted the self-important man. She kept a straight face and replied: ‘I’m afraid you’re going to have to get in line for that too, sir!
Richard Branson (Finding My Virginity: The New Autobiography)
Lastly,” Lye said, “we must wash your luck. When souls queue up to be born, they all leap up at just the last moment, touching the lintel of the world for luck. Some jump high and can seize a great measure of luck; some jump only a bit and snatch a few loose strands. Everyone manages to catch some. If one did not have at least a little luck, one would never survive childhood. But luck can be spent, like money; and lost, like a memory; and wasted, like a life. If you know how to look, you can examine the kneecaps of a human and tell how much luck they have left. No bath can replenish luck that has been spent on avoiding an early death by automobile accident or winning too many raffles in a row. No bath can restore luck lost through absentmindedness and overconfidence. But luck withered by conservative, tired, riskless living can be plumped up again—after all, it was only a bit thirsty for something to do.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
A turning point in Yeltsin's intellectual growth occurred during his first visit to the United States in September 1989; more specifically his first visit to a supermarket in Houston, Texas. Seeing aisles and aisles of shelves filled with all kinds of food and household items, each in dozens of varieties, was both dazzled and depressed. For Yeltsin, as well as many other Russians visiting the United States for the first time, a supermarket was far more impressive than tourist attractions like the Statue of Liberty or the Lincoln Memorial. It was impressive precisely because of its normality. A cornucopia of consumer goods beyond the imagination of most Soviets was available to ordinary citizens without the need to queue for hours. And everything was displayed very attractively. For someone who grew up in the frugal conditions of communism, even a member of the relatively privileged elite, visiting a supermarket in the West was a complete assault on the senses.
Thomas Sowell (Basic Economics: A Citizen's Guide to the Economy)
Yet 1933 was also a year of hunger in the Soviet cities, especially in Soviet Ukraine. In Ukraine’s cities—Kharkiv, Kiev, Stalino, Dnipropetrovsk—hundreds of thousands of people waited each day for a simple loaf of bread. In Kharkiv, the republic’s capital, Jones saw a new sort of misery. People appeared at two o’clock in the morning to queue in front of shops that did not open until seven. On an average day forty thousand people would wait for bread. Those in line were so desperate to keep their places that they would cling to the belts of those immediately in front of them. Some were so weak from hunger that they could not stand without the ballast of strangers. The waiting lasted all day, and sometimes for two. Pregnant women and maimed war veterans had lost their right to buy out of turn, and had to wait in line with the rest if they wanted to eat. Somewhere in line a woman would wail, and the moaning would echo up and down the line, so that the whole group of thousands
Timothy Snyder (Bloodlands: Europe Between Hitler and Stalin)
For the first time in decades … For the first time in decades, India is experiencing a Revolution. For the first time in decades, there is status quo disruption. For the first time in decades, our Soldiers are receiving the reverence they must get. For the first time in decades, national interest matters more than personal interest. For the first time in decades, the strength of WE is more than self proclaimed VIP Few. For the first time in decades, corrupt politicians are worried about people standing in queue For the first time in decades, let us try not to get brainwashed in inconvenience debate. For the first time in decades, let us not fall prey to tactics of bait. For the first time in decades, we are up in arms against dishonest coward. For the first time in decades, India is feeling empowered. For the first time in decades, we have an opportunity to rise above caste, creed and religion. For the first time in decades, we are hopeful for the bright future of next generation.
Ketan Waghmare
[In Montana at the fenced US-Canada Border] Not for the first time I am forced to contemplate the melancholy truth that, in one significant way at least, Al-Qaeda has won. Its victory in the interior of the United States may not be complete, but it is enough. Through one outrageous and atrocious act and the credible threat of more, they hage ensured that America's freedom and conveniences have been unprecendently curtailed. Queuing up for security checks in every international amd domestic airport, having one's sun-cream, nail scissors amd mineral water binned and one's patience worn down, these are minor but palpable victories. No one spdays say it in the queues as they build and build, it would be considered unpatriotic. That fact, that the truth itself is now unlatriotic, that too is a victory, Al Qaeda have cost the US and its citizens unbillilns in tkme and manpower, in incinvenience and stress. And along with the thousands and thousands of miles of international borders, they are costing American tax-payers billions more. New helicopters, thousands of new recruits. The bill is incaculable.
Stephen Fry (Stephen Fry in America)
Asheville Citizen-Times newspaper, which reported how a man – his name isn’t given – walked into a branch of Bank of America, picked up a deposit slip and wrote on it: This is a stickkup. Put all you muny in this bag. Then, like all polite robbers, he waited in a queue to hand the note to the teller. As he stood there, he started worrying that someone might have seen him write the note, and that the police could be called before he reached the window. Thinking quickly – or as quickly as he was able – he left the Bank of America and hurried across the street to a branch of the Wells Fargo Bank. There he again waited in a queue for a few minute, until it was his turn to see the teller. He handed her the note and she read it. Realising that he wasn’t the sharpest knife in the drawer, she told him that, unfortunately, she couldn’t accept the demand because it was written on rival bank’s stationary; he would either have to rewrite the note on a Wells Fargo slip, or go back to the Bank of America. ‘Looking somewhat defeated, the man left the Wells Fargo Bank,’ says the Citizen-Times. He was arrested a few minutes later – in the queue back over at the Bank of America.
Andrew Penman (Thick As Thieves : Hilarious Tales of Ridiculous Robbers, Bungling Burglars and Incompetent Conmen)
As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop. My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair. Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.
Frank H. Wu (Yellow)
Once a young man with a black beard asked if he could have Roger’s parking space in a car park, and Roger waited twenty minutes before he moved the car. Out of principle! ... He waited twenty minutes before he moved the car out of principle. Because on the news that morning there was a man, a politician, who said we ought to stop helping immigrants. That they just come here thinking they can get everything for free, and that a society can’t work like that. He swore a lot, and said they’re all the same, people like that. And Roger had voted for the party that man belonged to, you see. Roger has very firm ideas about the economy and fuel taxes and things like that, he doesn’t like it when Stockholmers turn up and decide how everyone outside Stockholm should live. And he can be very sensitive. Sometimes he expresses himself a bit harshly, I’ll admit that, but he has his principles. No one can say he hasn’t got principles. And that particular day, after he’d heard that politician say that, we were in a shopping mall, it was just before Christmas so the car park was completely full when we got back to the car. Long, long queues. And that young man with the black beard, he saw us walking back to our car and wound his window down and asked if we were leaving, and if he could have our space if we were.
Fredrik Backman (Anxious People)
But here they are, leaving the stress and shit food and endless misunderstandings. Leaving. The jobcentre, the classroom, the pub, the gym, the car park, the flat, the filth, the TV, the constant swiping of newsfeeds, the hoover, the toothbrush, the laptop bag, the expensive hair product that makes you feel better inside, the queue for the cash machine, the cinema, the bowling alley, the phone shop, the guilt, the absolute nothingness that never stops chasing, the pain of seeing a person grow into a shadow. The people’s faces twisting into grimaces again, losing all their insides in the gutters, clutching lovers till the breath is faint and love is dead, wet cement and spray paint, the kids are watching porn and drinking Monster. Watch the city fall and rise again through mist and bleeding hands. Keep holding on to power-ballad karaoke hits. Chase your talent. Corner it, lock it in a cage, give the key to someone rich and tell yourself you’re staying brave. Tip your chair back, stare into the eyes of someone hateful that you’ll take home anyway. Tell the world you’re staying faithful. Nothing’s for you but it’s all for sale, give until your strength is frail and when it’s at its weakest, burden it with hurt and secrets. It’s all around you screaming paradise until there’s nothing left to feel. Suck it up, gob it, double-drop it. Pin it deep into your vein and try for ever to get off it. Now close your eyes and stop it. But it never stops. They
Kae Tempest (The Bricks that Built the Houses)
Where to stash your organizational risk? Lately, I’m increasingly hearing folks reference the idea of organizational debt. This is the organizational sibling of technical debt, and it represents things like biased interview processes and inequitable compensation mechanisms. These are systemic problems that are preventing your organization from reaching its potential. Like technical debt, these risks linger because they are never the most pressing problem. Until that one fateful moment when they are. Within organizational debt, there is a volatile subset most likely to come abruptly due, and I call that subset organizational risk. Some good examples might be a toxic team culture, a toilsome fire drill, or a struggling leader. These problems bubble up from your peers, skip-level one-on-ones,16 and organizational health surveys. If you care and are listening, these are hard to miss. But they are slow to fix. And, oh, do they accumulate! The larger and older your organization is, the more you’ll find perched on your capable shoulders. How you respond to this is, in my opinion, the core challenge of leading a large organization. How do you continue to remain emotionally engaged with the challenges faced by individuals you’re responsible to help, when their problem is low in your problems queue? In that moment, do you shrug off the responsibility, either by changing roles or picking powerlessness? Hide in indifference? Become so hard on yourself that you collapse inward? I’ve tried all of these! They weren’t very satisfying. What I’ve found most successful is to identify a few areas to improve, ensure you’re making progress on those, and give yourself permission to do the rest poorly. Work with your manager to write this up as an explicit plan and agree on what reasonable progress looks like. These issues are still stored with your other bags of risk and responsibility, but you’ve agreed on expectations. Now you have a set of organizational risks that you’re pretty confident will get fixed, and then you have all the others: known problems, likely to go sideways, that you don’t believe you’re able to address quickly. What do you do about those? I like to keep them close. Typically, my organizational philosophy is to stabilize team-by-team and organization-by-organization. Ensuring any given area is well on the path to health before moving my focus. I try not to push risks onto teams that are functioning well. You do need to delegate some risks, but generally I think it’s best to only delegate solvable risk. If something simply isn’t likely to go well, I think it’s best to hold the bag yourself. You may be the best suited to manage the risk, but you’re almost certainly the best positioned to take responsibility. As an organizational leader, you’ll always have a portfolio of risk, and you’ll always be doing very badly at some things that are important to you. That’s not only okay, it’s unavoidable.
Will Larson (An Elegant Puzzle: Systems of Engineering Management)
Once a young man with a black beard asked if he could have Roger’s parking space in a car park, and Roger waited twenty minutes before he moved the car. Out of principle! ... He waited twenty minutes before he moved the car out of principle. Because on the news that morning there was a man, a politician, who said we ought to stop helping immigrants. That they just come here thinking they can get everything for free, and that a society can’t work like that. He swore a lot, and said they’re all the same, people like that. And Roger had voted for the party that man belonged to, you see. Roger has very firm ideas about the economy and fuel taxes and things like that, he doesn’t like it when Stockholmers turn up and decide how everyone outside Stockholm should live. And he can be very sensitive. Sometimes he expresses himself a bit harshly, I’ll admit that, but he has his principles. No one can say he hasn’t got principles. And that particular day, after he’d heard that politician say that, we were in a shopping mall, it was just before Christmas so the car park was completely full when we got back to the car. Long, long queues. And that young man with the black beard, he saw us walking back to our car and wound his window down and asked if we were leaving, and if he could have our space if we were. ... There were so many cars there that it took the young man twenty minutes to get to the part of the garage where we were parked. Roger refused to move the car until he got there. He had two little children in the back of the car, I hadn’t noticed, but Roger had. When we drove away I told Roger I was proud of him, and he replied that it didn’t mean he’d changed his mind about the economy or fuel taxes or Stockholmers. But then he said that he realized that in that young man’s eyes, Roger must look just like that politician on television, they were the same age, had the same color hair, the same dialect, and everything. And Roger didn’t want the man with the beard to think that meant they were all exactly the same.
Fredrik Backman (Anxious People)
I’m having my lunch when I hear a familiar hoarse shout, ‘Oy Tony!’ I whip round, damaging my neck further, to see Michael Gambon in the lunch queue. … Gambon tells me the story of Olivier auditioning him at the Old Vic in 1962. His audition speech was from Richard III. ‘See, Tone, I was thick as two short planks then and I didn’t know he’d had a rather notable success in the part. I was just shitting myself about meeting the Great Man. He sussed how green I was and started farting around.’ As reported by Gambon, their conversation went like this: Olivier: ‘What are you going to do for me?’ Gambon: ‘Richard the Third.’ Olivier: ‘Is that so. Which part?’ Gambon: ‘Richard the Third.’ Olivier: ‘Yes, but which part?’ Gambon: ‘Richard the Third.’ Olivier: ‘Yes, I understand that, but which part?’ Gambon: ‘Richard the Third.’ Olivier: ‘But which character? Catesby? Ratcliffe? Buckingham’s a good part …’ Gambon: ‘Oh I see, beg your pardon, no, Richard the Third.’ Olivier: ‘What, the King? Richard?’ Gambon: ‘ — the Third, yeah.’ Olivier: “You’ve got a fucking cheek, haven’t you?’ Gambon: ‘Beg your pardon?’ Olivier: ‘Never mind, which part are you going to do?’ Gambon: ‘Richard the Third.’ Olivier: ‘Don’t start that again. Which speech?’ Gambon: ‘Oh I see, beg your pardon, “Was every woman in this humour woo’d.”‘ Olivier: ‘Right. Whenever you’re ready.’ Gambon: ‘ “Was ever woman in this humour woo’d –” ‘ Olivier: ‘Wait. Stop. You’re too close. Go further away. I need to see the whole shape, get the full perspective.’ Gambon: ‘Oh I see, beg your pardon …’ Gambon continues, ‘So I go over to the far end of the room, Tone, thinking that I’ve already made an almighty tit of myself, so how do I save the day? Well I see this pillar and I decide to swing round it and start the speech with a sort of dramatic punch. But as I do this my ring catches on a screw and half my sodding hand gets left behind. I think to myself, “Now I mustn’t let this throw me since he’s already got me down as a bit of an arsehole”, so I plough on … “Was ever woman in this humour woo’d –”‘ Olivier: ‘Wait. Stop. What’s the blood?’ Gambon: ‘Nothing, nothing, just a little gash, I do beg your pardon …’ A nurse had to be called and he suffered the indignity of being given first aid with the greatest actor in the world passing the bandages. At last it was done. Gambon: ‘Shall I start again?’ Olivier: ‘No. I think I’ve got a fair idea how you’re going to do it. You’d better get along now. We’ll let you know.’ Gambon went back to the engineering factory in Islington where he was working. At four that afternoon he was bent over his lathe, working as best as he could with a heavily bandaged hand, when he was called to the phone. It was the Old Vic. ‘It’s not easy talking on the phone, Tone. One, there’s the noise of the machinery. Two, I have to keep my voice down ’cause I’m cockney at work and posh with theatre people. But they offer me a job, spear-carrying, starting immediately. I go back to my work-bench, heart beating in my chest, pack my tool-case, start to go. The foreman comes up, says, “Oy, where you off to?” “I’ve got bad news,” I say, “I’ve got to go.” He says, “Why are you taking your tool box?” I say, “I can’t tell you, it’s very bad news, might need it.” And I never went back there, Tone. Home on the bus, heart still thumping away. A whole new world ahead. We tend to forget what it felt like in the beginning.
Antony Sher (Year of the King: An Actor's Diary and Sketchbook)
I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one eye on the black-and-white television in the distance; of the old booksellers who lurch from one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of the barbers who complain that men don’t shave as much after an economic crisis; of the children who play ball between the cars on cobblestoned streets; of the covered women who stand at remote bus stops clutching plastic shopping bags and speak to no one as they wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of the teahouses packed to the rafters with unemployed men; of the patient pimps striding up and down the city’s greatest square on summer evenings in search of one last drunken tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of the wooden buildings whose every board creaked even when they were pashas’ mansions, all the more now that they have become municipal headquarters; of the women peeking through their curtains as they wait for husbands who never manage to come home in the evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in the courtyards of mosques; of the tens of thousands of identical apartment house entrances, their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled; of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings, now porn cinemas frequented by shamefaced men; of the avenues where you never see a woman alone after sunset; of the crowds gathering around the doors of the state-controlled brothels on one of those hot blustery days when the wind is coming from the south; of the young girls who queue at the doors of establishments selling cut-rate meat; of the holy messages spelled out in lights between the minarets of mosques on holidays that are missing letters where the bulbs have burned out; of the walls covered with frayed and blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like gateways to a second world, and of their cypress trees; of the dim lights that you see of an evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets who try to sell the same packet of tissues to every passerby; of the clock towers no one ever notices; of the history books in which children read about the victories of the Ottoman Empire and of the beatings these same children receive at home; of the days when everyone has to stay home so the electoral roll can be compiled or the census can be taken; of the days when a sudden curfew is announced to facilitate the search for terrorists and everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE
Orhan Pamuk (Istanbul: Memories and the City)
[I had a very surreal experience with a coach ‘justifying’ his methods. He set up a shooting practice for under-12s that contained a long queue of players, something in itself that is thoroughly frowned upon. When challenged, the coach insisted that his aim was to “identify technique in each individual player and work to rectify it”. The first shot taken went high and wide and the coach told him to “go fetch his own s**t”. That was not the technical detail I was expecting!]
Ray Power (Making The Ball Roll: A Complete Guide to Youth Football for the Aspiring Soccer Coach)
You mean I should kill the leaders of the opposition?’ ‘I will happily do so, Excellency, if you command it. But that’s not the idea. You need to pick on slights and humiliations that are so small they seem not to be humiliations at all, and punish them with unreasonable ferocity. Random violence creates the necessary conditions for order. A leader of the opposition expects us to arrest him from time to time, but a writer making a veiled criticism of your rule, or a man who grumbles about you in a shop queue, does not. By randomly attacking a few people who speak sedition, we tell many people that the only safe option is to avoid all talk about politics. The aim is to create a state where everyone knows it is best to say nothing, and the bastards shut up.
Nick Cohen (You Can't Read This Book: Censorship in an Age of Freedom)
It may seem to stretch the reader’s credulity to suggest that sports clothing and streetwear could sell for thousands of pounds. However, in fact, brands like Supreme attract dedicated fans who will queue overnight and some of the items do end up selling for very high prices. And for our American readers,
Joy Ellis (The Stolen Boys (Jackman & Evans #5))
You,” said Henrietta, regarding the Gardener with the sort of venom usually reserved for people who ignore the queue at lending libraries. “What are you doing here?” The Gardener doffed his hat. “Lady Henrietta. How lovely to see you again.” Jane couldn’t echo the sentiment. It wasn’t that she didn’t love Henrietta; Henrietta was like a sister to her, or at least the closer kind of cousin. But she wasn’t exactly the person Jane would have chosen for a sensitive mission to a French-occupied country. And where Henrietta was . . . “Hullo! Did I hear voices?” Miles careened into his wife’s back. Catching sight of the Gardener and his wife’s Medusa stare, Miles prudently backed up a step. “Does anyone have any port on hand?” Miles inquired of no one in particular. “And perhaps a biscuit.” Lady Henrietta plunked her hands on her hips. “You’re going to feed him?” “No,” said Miles, hiding behind his floppy hair. “For me. I feel in need of fortification.
Lauren Willig (The Lure of the Moonflower (Pink Carnation, #12))
Nathaniel rubbed his jaw and peered down at her from the corner of his eye. “You haven’t forgiven me yet. For what I said to you that night.”  Startled by the sudden change in subject, Kitty almost stuttered her reply but answered openly. “In truth I have not.” He shook his head with a frown. “’Tis a shame, considering I am such a loving and forgivable sort of person.” The way the lines lengthened around his bright eyes and the slight tilt to his mouth nearly pulled a rich laugh from Kitty’s throat, but she kept still. He bit the inside of his cheek then flung her a sideways look. “I must make amends.” Peeking at him from the corner of her eye, she allowed a wisp of a smile to raise one side of her mouth. “I fear you cannot.” “Hmmm.” He shook his head and frowned. “That will not do. I shall find a way. Believe me.”  A gentle breeze danced around them and Kitty glanced up at him as they walked side by side. Bits of afternoon stubble dusted his jaw. Strands of rich brown hair strayed from his queue and brushed his cheek. Quickly she stared back at the street. Staying angry with Nathaniel was as difficult as keeping ice from melting in August. Not only had he a handsome face and fine physique, he had an alluring charm and a gentle strength that added depth to his character and a pull to his magnetism that Kitty was helpless to resist.
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))
Mickey and Minnie, Disney’s King and Queen, were there to greet us on the fifth floor of the Grand Floridian Beach Resort when we arrived on that afternoon. Harry’s face lit up. Not that he was interested in being cuddled by people dressed as two giant cartoon characters – he wanted to get to the rides. Diana was thrilled too, but for different reasons. Her sons, instead of being at Balmoral with their father, as they usually were in August, were free, free to do what other children did on holiday. My reconnaissance some weeks earlier had proved invaluable. I advised Diana in my briefing memo that the fact that Disney is spread over 43 square miles was to our advantage in our habitual battle to outwit the media because Disney, unlike any other theme park, has a VIP package which uses reserved routes to rides and attractions, along a predetermined course. A network of restricted paths and tunnels, not accessible to the public, enabled special guests literally to pop up at the front of queues and go straight on the ride without anyone elsewhere in the park knowing which attraction they were on. Moreover, conscious of Diana’s fear of being criticised for using her royal status to secure star treatment, my memo, dated 2 August 1993, reassured her because I had recommended the VIP package for security reasons: ‘At this time of the year up to 1 million people could be using the complex. Many rides and attractions will have queues of 2 to 3 hours’ waiting. The VIP method is not queue jumping, and will not be seen by others so to be.’ The note was returned with a huge tick from her pen through that section.
Ken Wharfe (Diana - A Closely Guarded Secret)
I am not sure who lied to my people that the only time you will get your chance or turn to eat Is only through corruption. The way we support, vote, believe, and cheer for corruption, and corrupt leaders, not only that but we also queue up for our turn to eat. Yet we know that corruption has bad and negative effects on our community, lives, and country. To stop corruption starts with you by stopping believing that you will only benefit and live a good life through corruption, and stopping supporting leaders who are corrupt because you want to benefit.
D.J. Kyos
​Thoughts and words piled up like a queue outside my mind and rushed in at moments of weakness like the bottom half of an Icee sticking to the cup, waiting for the chance to come smashing into my face.
Jack Townsend (Tales from the Gas Station: Volume Three (Tales from the Gas Station, #3))
War is coming. 1941, they say. And there'll be plenty of broken crockery, and little houses ripped open like packing-cases, and the guts of the chartered accountant's clerk plastered over the piano that he's buying on the never-never. But what does that kind of thing matter, anyway? I'll tell you what my stay in Lower Binfield had taught me, and it was this. IT'S ALL GOING TO HAPPEN. All the things you've got at the back of your mind, the things you're terrified of, the things that you tell yourself are just a nightmare or only happen in foreign countries. The bombs, the food-queues, the rubber truncheons, the barbed wire, the coloured shirts, the slogans, the enormous faces, the machine-guns squirting out of bedroom windows. It's all going to happen. I know it - at any rate, I knew it then. There's no escape. Fight against it if you like, or look the other way and pretend not to notice, or grab your spanner and rush out to do a bit of face-smashing along with the others. But there's no way out. It's just something that's got to happen.
George Orwell (Coming Up For Air)
Trees in Afghanistan are so rare dogs queue up to take a piss...
Debra Quincy
But I couldn't absorb the idea that death could actually walk by my side, with a human face and a heart that was poisoned with hatred, that death could be dressed in a uniform or a raincoat, queue up at a cinema, laugh in bars, or take his children out for a walk to Ciudadela Park in the morning...
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
It's Musk's view that if you've built something that customers simply have to have, they will queue up to get it and pay deposits in advance to secure their place in the queue. That cash, paid well in advance at multiple points in Tesla's journey, was used to hire automotive engineers, to build new factories, and to do what was necessary to keep Tesla on the road to survival and more.
John Mullins (Break the Rules!: The Six Counter-Conventional Mindsets of Entrepreneurs That Can Help Anyone Change the World)
I haven’t been drained that low in a long time. I shouldn’t have tried to take so much all at once,” I muttered, wanting to apologise but not quite finding the right words beyond that statement. “Well feel free to just steal all of mine then,” Darcy spat icily, clutching her neck tighter. I had the urge to heal her, but knew if I tried to touch her again, she’d only recoil. The ambulance pulled away and I glanced around, double checking Darius wasn’t here and I was glad to find he’d listened to me for once. That was something anyway. “Come on, I can drive you girls back in my car,” I offered. I’d left my Faerrari parked at the Acrux Hotel when I’d last visited Tucana, opting to stardust home because I’d been too drunk to drive. But I hadn’t had any magical drinks tonight, so I’d healed myself of the effects of the whiskey I’d consumed before coming to get Darius from the nightclub. Tory’s lip curled back as she glared at me with poison in her gaze. “We’re not going anywhere alone with you,” Darcy said bitterly, distrust in her eyes. “Don’t be ridiculous,” I snapped, stepping forward to get hold of her. I’d protect her tonight whether she liked it or not. Tory moved to intercept me and Caleb joined her too like a prime asshole. “You don’t fucking touch her again,” Tory growled. I narrowed my eyes at her, about to object, but as my gaze slid to Darcy over her shoulder and I saw the wall in her eyes that told me to get fucked, I knew I wasn’t going to win this fight. “Bastard,” Darcy hissed at me, looking woozy. Shit, I needed to heal her. And I could get her a blood replenishing potion back at the academy. “Come on, girls. The bus is gonna leave soon,” Caleb said, tugging Tory after him but she dug her heels in, waiting for Darcy. I opened my mouth to try and find the words that would convince Blue to stay with me, but she walked straight past me with her cheek turned and Tory threw me one more filthy look before they all headed down the street to the bus stop where mountains of students were gathering. Professors were among them and I knew they were safe enough in numbers, but my feet were still rooted to the pavement as I watched Darcy leave. You drank way too much. You have to get a grip. How are you going to keep feeding from her if you act like a monster every time your teeth are in her? I’d never had this problem before. The only thing I could compare it to was when my magic had been Awakened and my Order had Emerged. That first feed had made me feel like a ravenous beast with a bottomless stomach, and yet it still didn’t have a pinch on what it was like to feed from Blue. Caleb led Tory and Darcy past the queue straight onto the bus and my hackles rose as they joined Max and Seth on the back seats. And as Seth pulled Darcy close to him and nuzzled against her cheek, that feral animal in me awoke once more. I took out my Atlas and shot an update to Francesca, anxiously scoring my fingers through my hair. Just as the bus pulled away and rounded a corner, the FIB appeared on the street and I was immediately surrounded by three agents with dark frowns on their faces. “Lance Orion, you need to come down to the station and make a statement,” Captain Hoskins said and I sighed, knowing it was going to be a long ass night. I agreed and as I was stardusted away to the precinct, my heart was tugged in another direction, nearly forcing the stars to guide me elsewhere. But the captain ensured I made it to where he wanted to take me and I made a silent prayer to the stars that Darcy wouldn’t end up in Seth Capella’s bed tonight. Because I wasn’t sure I could control the demon in me who’d want his head for that. (ORION POV)
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
Question: how can one manage not to lose time? Answer: experience it at its full length. Means: spend days in the dentist's waiting-room on an uncomfortable chair; live on one's balcony on a Sunday afternoon; listen to lectures in a language that one does not understand; choose the most roundabout and least convenient routes on the railway (and, naturally, travel standing up); queue at the box-office for theatres and so on and not take one's seat; etc.
Albert Camus (The Plague)
A friend of mine brought up under socialism would automatically join any queue, noting that if there was a queue, there must be something good at the end of it.
Tony Saich (From Rebel to Ruler: One Hundred Years of the Chinese Communist Party)
Over four hundred thousand people from every corner of the country and overseas lined up for five days for an opportunity to venerate Her Majesty and her legacy or to just be present for this historical moment. #TheQueue trended on social media, and lines—which could even be seen from planes flying to Heathrow—became an important final scene of the Queen’s life: a national moment of shared experience.
Omid Scobie (Endgame: Inside the Royal Family and the Monarchy's Fight for Survival: A Gripping Investigative Report with a Personal Touch, Witness the Turmoil of the British Monarchy)
Don Reinertsen has written extensively on the need for people in a system to have “slack time” in software development. The wait time for a service (such as a functional expert working on a job) increases exponentially as their utilization goes up. For instance, the wait time is nine times longer when that resource is 90% utilized versus 50% utilized. (For the curious reader, this is a property of queues such as those at supermarket checkouts and customer service calls, known formally as M/M/∞ queues.)
Gene Kim (Wiring the Winning Organization: Liberating Our Collective Greatness through Slowification, Simplification, and Amplification)
I know that love happens under the splendor of moon and stars and fireworks and sunsets but it also happens when you’re lying on blow-up air beds in a childhood bedroom, sitting in the emergency room or in the queue for a passport or in a traffic jam. Love is a quiet, reassuring, relaxing, pottering, pedantic, harmonious hum of a thing; something you can easily
Dolly Alderton (Everything I Know About Love: A Memoir)
While we have a necessary innocence in each season of life, in our 60s, five events happen to make this decade uniquely positioned to queue up awareness, find the discipline, and start heading into the last third of life. First, the 70s Sneak Up on You
Barbara L. Pagano (The 60-Something Crisis: How to Live an Extraordinary Life in Retirement)
As it turns out, skiing trips are pretty bloody annoying anyway. It’s mostly about queuing, skiing. You queue to get your breakfast in the stupid wooden hotel, you queue to get on the minibus or find a taxi to take you to the stupid skiing place at the bottom of the stupid hill. You queue to buy a pass, which you lose later in the day and then you get down to the serious queuing, at the point where you get on the lift at the bottom of the mountain to take you to the top. This, technically, isn’t queuing, it’s something more akin to fighting, so I preferred this bit. You hang around in a big crowd on a sort of train platform. Except there are no tracks, just a big wire overhead. Eventually, the cable car device lumbers into view and disgorges a load of really annoying people with stupid smiles under their stupid hats on to the other side of the platform. The car never stops; it just swings around the bottom of the platform on a huge, horizontal wheel until it comes up the side on which you and several million Germans are loitering, ready to get on board. Then there is a really massive fight, lots of shouting, some vicious pushing and, the next thing you know, you’re on the cable car, face pressed to the frosted glass, staring through it at crying kids back on the platform, disappointed mothers and bereft lovers waving mournfully as the other half of their life is transported away on the carriage that someone, usually you, prevented them from getting on by elbowing them in the face and jabbing a ski pole into their groin. It’s really rather good fun. But only that part is fun; the rest of it is terrible.
Richard Hammond (As You Do: Adventures With Evel, Oliver, and The Vice-President Of Botswana)
I have to say I’m truly shocked at what men deem appropriate behavior in the modern dating world.” “You,” she said, pointing a finger at him. “YOU are shocked.” “I am. I’m not sure how you women put up with it.” “The struggle is real. Go on.” “Your emails all include emoticons, usually hearts and smiley faces, and your Netflix queue consists mostly of romantic comedies. Oh, and you’re a 34C. That’s just the stuff I can remember off hang. I’m sure there’s more.” She was horrified. “How do you know my bra size?” “I scrolled through your order history at Victoria’s Secret.” “Well, that’s not at all creepy,” she deadpanned. “Did you know there are items in your shopping cart? Sweaters. Lots of thick, long, skin-covering sweaters. Frankly, it confused me.” “”Maybe I already own plenty of lingerie. Considering I walk to work, sweaters are more practical. Plus, they’re awfully cute.” “I added a few things to your cart and checked out for you. I paid for it with my credit card. Expedited the shipping too, so you should have it by Monday.” “You ADDED a few thing?” “One hint: not sweaters.” “How wildly inappropriate.” “Kid in a candy store. Couldn’t help myself.” “How?” “Excuse me?” “You obviously hacked into my computer. How did you do it?” “I came in your backdoor.” “I’m certain you did not.” “I assure you that I did.” “Without even discussing it with me first? No preparation? No warning? Don’t you think that’s incredibly bad form?” He grinned. “Are we still talking about your computer? Because I find you utterly delightful right now?” ….. “Get out of my computer immediately, I’m willing to move past the fact that you hacked me, but it ends now.” “No more backdoor?” “No more backdoor.” He appeared crestfallen. “Ever?” “Never,” she said firmly. “Not even on my birthday or like a special occasion?” “Are we still talking about my computer?” she asked. “You probably are." ~ Heart-Shaped Hack: Kate and Ian #1
Tracey Garvis Graves
You’re a pirate?” Obviously. Still, hard to believe. He pressed forward, forcing on her a series of blows meant to test her strength and will. She parried and blocked his every move with an aptitude that amazed. “Aye. A pirate, and captain of the Sea Sprite,” she boasted, a wry smile upon her full lips. Indeed, she appeared very much a pirate in her men’s garb—a threadbare, brown suit with overly long sleeves she’d had to roll up. Her ebony hair had been pulled back in a queue and was half hidden beneath a rumpled tricorn. Also, like her men, was her look of desperation and the grim cast to her countenance that bespoke of a hard existence. “We offered you quarter,” she said as she evaded his thrust with ease. “Why didn’t you surrender? You had to know we outnumbered you.” He didn’t answer. In all honesty, he’d thought they could defeat the pirates, if not with cannon fire, then with skill. After hearing of all the pirate attacks of late, they’d hired on additional hands, men who could fight. If it hadn’t been for the damn illness… “It’s not too late. You can save what’s left of your crew. Surrender now, Captain Glanville, and we’ll see that your men are ransomed back.” A wicked gleam brightened her eyes as if victory would soon be hers. He should do as she asked. It would be the sensible thing, but pride kept him from saying the words. Not yet. He still had another opponent to defeat, and so far she hadn’t been an easy one to overcome. Despite his steady attack, she kept her muscles relaxed, her balance sure. Her attention followed his movements no matter how small, adjusting her stance, looking for weaknesses. “How do you know I’m Captain Glanville?” When work was at hand, he didn’t dress any differently than his men. “I know much about you.” Stepping clear of two men battling to their left, she blocked his sword with her own and lunged with her dagger. He jumped from the blade, avoiding injury by the barest inch. This one relied on speed and accuracy rather than power. Smart woman. “What do you want from us?” he asked, launching an attack of his own, this time with so much force and speed, she had no choice but to retreat until her back came up against the railing. “We only just left London four days ago. Our cargo is mainly iron and ale.” Her gaze sharpened even as her expression became strained. His assault was wearing her down. “I want the Ruby Cross.” How the hell did she know he had the cross? And did she believe he’d simply hand it over? Hand over a priceless antiquity of the Knights Templar? Absurd. He swung his sword all the harder. The clang of steel rang through the air. Her reactions slowed, and her arms trembled. He made a final cut, putting all his strength behind the blow, and knocked her sword from her hand. Triumph surged through his veins. She attempted to slash out with her dagger. He grabbed her arm before her blade could reach him and hauled her close, their faces nose to nose. “You’ll never take the cross from me,” he vowed as he towered over her, his grip strong. The point of a sword touched his back. Thomas tensed, he swore beneath his breath, self-disgust heavy in his chest. The distraction of this one woman had sealed his fate. Bloody hell.
Tamara Hughes (His Pirate Seductress (Love on the High Seas, #3))
I snatched up Ben’s universal remote, pointed it at the TV, and commenced fucking with all of his settings so it would take him at least an hour to sort that shit out. Done with that, I filled his Netflix favorites queue with programs that would make Homeland Security put him on a watch list.
Kristen Ashley (The Promise (The 'Burg, #5))
Business was booming for Tiffany & Co. in the late 1990s, thanks to the introduction of a new affordable silver jewellery line. The $110 silver charm bracelet inscribed with the Tiffany name was coveted by teenage girls, causing sales of the new silver product line to skyrocket 67% between 1997 and 2002. By 2003, company earnings had doubled and the silver jewellery line accounted for a third of Tiffany’s U.S. sales. And yet the queues of excited girls didn’t fill the store managers with joy. Sure, sales were up and stores were busy, but the people close to the brand, who understood its heritage, began to worry that this lower price point would forever change how the brand was perceived by its high-end customers. “We didn’t want the brand to be defined by any single product.” —Michael Kowalski, CEO, Tiffany & Co. Despite some unease from investors, Tiffany raised prices on their most popular silver products by 30% over the next three years and managed to halt the growth of their highly profitable silver line. And so the company sacrificed short-term gain and profits for the long-term good of the brand by telling the story they wanted customers to believe—that Tiffany’s represents something special. A client recently told me about her friend’s excited engagement announcement on Facebook. All she did was post a photo of the Tiffany blue box—not a picture of the ring in sight. The box alone was enough to say everything she wanted to say. QUESTIONS FOR YOU How are you least like the competition?
Bernadette Jiwa (The Fortune Cookie Principle: The 20 Keys to a Great Brand Story and Why Your Business Needs One)
You can get stopped and checked for papers at any moment. It might only actually happen once or maybe twice a year, but you still have to stand in queues and knock on doors to obtain the whole library of little stamps, regulations, permits - the legal stipulations and requirements that are themselves always changing. A little trick to keep you always on tenterhooks, always patting your pockets for your papers, always waking up worried that you might have lost them in a bar. Over time you begin to pat for passport instinctively, your hand going down unthinkingly to check your pocket so many times a day you don't even notice anymore. That's true power - when it starts to influence the unconscious movements of your arms.
Peter Pomerantsev
Myron kept his eye on Patrick, but he also couldn’t help but watch Big Cyndi work the crowd. Thirty seconds after she got back into action, the queue to have a photo taken with her was so long the Naked Cowboy looked at her askance. She glanced at Myron. Myron gave her a big thumbs-up. Here
Harlan Coben (Home (Myron Bolitar, #11))