Queen Of Tears Quotes

We've searched our database for all the quotes and captions related to Queen Of Tears. Here they are! All 100 of them:

She was a free bird one minute: queen of the world and laughing. The next minute she would be in tears like a porcelain angel, about to teeter, fall and break. She never cried because she was afraid that something 'would' happen; she would cry because she feared something that could render the world more beautiful, 'would not' happen.
Roman Payne (The Wanderess)
He hesitated, but then stepped beneath the tree and knelt, depositing me gently on the ground between two giant roots. And he stayed there, kneeling beside me, holding my hand in his. Something splashed the back of my hand, cold as spring water, crystalling to my skin. A faery's tears.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
From tears to sass in a few minutes. I'm glad the month apart hasn't dimmed your usual good spirits.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Ouch. You really know how to tear a guy's heart out, don't you, princess?
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
When the war has lasted twenty years... the dragonets will come. When the land is soaked in blood and tears... the dragonets will come. Find the SeaWing egg of deepest blue. Wings of night shall come to you. The largest egg in mountain high will give to you the wings of sky. For wings of earth, search through the mud for an egg the color of dragon blood. And hidden alone from the rival queens, the SandWing egg awaits unseen. Of three queens who blister and blaze and burn, two shall die and one shall learn if she bows to a fate that is stronger and higher, she'll have the power of wings of fire. Five eggs to hatch on brightest night, five dragons born to end the fight. Darkness will rise to bring the light. The dragonets are coming....
Tui T. Sutherland (The Dragonet Prophecy (Wings of Fire, #1))
The sparks are gone, replaced by fierce, ugly tears that track down my face. Thunder rumbles somewhere far off and the air is warm. But the humid temperature is gone. The heat has broken and summer will soon be over. Time is passing. My life is moving on, no matter how much I want it to stay the same.
Victoria Aveyard (Red Queen (Red Queen, #1))
I was head over heels in love with her. No, that didn’t describe it. I was tear my fucking heart out and throw it at her, beg her to take it into hers. I was falling from the greatest heights with no safety net below. I was giving everything of my own life for hers, giving up every inch of my soul so she could wear it proudly. I was a former king on my knees in front of the queen. A jester begging for a chance. I was powerless, helpless and at her mercy.
Karina Halle (The Dex-Files (Experiment in Terror, #5.6))
I denied death for you. And I'd die for you again. Kill for you. I'd tear the stars down from the heavens to fashion you a crown. You are my heart. My Queen. I'd do anything and everything you ask me, Mia.
Jay Kristoff (Darkdawn (The Nevernight Chronicle, #3))
The queen smiled as she lay her head upon the pillow. When I kissed her cheek, I could taste the salt of her tears.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
This time, there are no tears. This time, there is only emptiness and I feel it set in the straight line of my mouth. I am not strong enough for this. I want an earthquake, a hurricane, anything - even a devil, the one with the cloven hoof - Mrs. Leed's unfortunate 13th child - to rush out and stomp on me, break me into little pieces and hurl me to the stars, let me go back with those people I love. Please.
Kathleen DeMarco (Cranberry Queen)
The little poets sing of little things: Hope, cheer, and faith, small queens and puppet kings; Lovers who kissed and then were made as one, And modest flowers waving in the sun. The mighty poets write in blood and tears And agony that, flame-like, bites and sears. They reach their mad blind hands into the night, To plumb abysses dead to human sight; To drag from gulfs where lunacy lies curled, Mad, monstrous nightmare shapes to blast the world. MUSINGS [click on the thumbnail by Jack "King" Kirby]
Robert E. Howard
Touch my tears with your lips. Touch my world with your fingertips. And we can have forever. And we can love forever. - "Who Wants to Live Forever" by Queen
Queen
I'm not leaving you. Not again." Dorian's mouth tightened. "You never left me, Chaol." He shook his head once, sending tears slipping down his face. "You never left me.
Sarah J. Maas
In real life during the last decade of the twentieth century, Rumpelstiltskin would probably get the queen's daughter. He would no doubt addict her to heroin, turn her out as a prostitute, confiscate her earnings, beat her for pleasure, hack her to pieces, and escape justice by claiming that society's intolerance for bad-tempered, evil-minded trolls had driven him temporarily insane.
Dean Koontz (Dragon Tears)
There's no other life for me. Anyway, clemency wouldn't begin to repay your debt. I've given you a greater gift than you know." "What gift?" "You'll find out. In return, I expect you to keep it safe." Kelsea turned back to the mirror. "Great God, tell me you didn't impregnate me while I slept." The fetch threw back his head and roared with laughter. He placed a friendly hand on Kelsea's back, making her skin prickle. "Tear Queen, you'll either be dead within a week or you'll be the most fearsome ruler this kingdom has ever known. I see no middle ground.
Erika Johansen (The Queen of the Tearling (The Queen of the Tearling, #1))
One picture puzzle piece Lyin' on the sidewalk, One picture puzzle piece Soakin' in the rain. It might be a button of blue On the coat of the woman Who lived in a shoe. It might be a magical bean, Or a fold in the red Velvet robe of a queen. It might be the one little bite Of the apple her stepmother Gave to Snow White. It might be the veil of a bride Or a bottle with some evil genie inside. It might be a small tuft of hair On the big bouncy belly Of Bobo the Bear. It might be a bit of the cloak Of the Witch of the West As she melted to smoke. It might be a shadowy trace Of a tear that runs down an angel's face. Nothing has more possibilities Than one old wet picture puzzle piece.
Shel Silverstein
The hardest part of letting go is the "uncertainty"--when you are afraid that the moment you let go of someone you will hate yourself when you find out how close you were to winning their affection. Every time you give yourself hope you steal away a part of your time, happiness and future. However, once in a while you wake up to this realization and you have to hold on tightly to this truth because your heart will tear away the foundation of your logic, by making excuses for why this person doesn't try as much as you. The truth is this: Real love is simple. We are the ones that make it complicated. A part of disconnecting is recognizing the difference between being desired and being valued. When someone loves you they will never keep you waiting, give their attention and affection away to others, allow you to continue hurting, or ignore what you have gone through for them. On the other hand, a person that desires you can't see your pain, only what they can get from you with minimal effort in return. They let you risk everything, while they guard their heart and reap the benefits of your feelings. We make so many excuses for the people we fall in love with and they make up even more to remain one foot in the door. However, the truth is God didn't create you to be treated as an option or to be disrespected repeatedly. He wants you to close the door. If someone loves you and wants to be in your life no obstacle will keep them from you. Remember, you are royalty, not a beggar.
Shannon L. Alder
We get to come back,” Aelin said, pushing her hand harder and harder into her wound until the blood stopped, until it was only her tears that flowed. “Dorian, we get to come back from this loss—from this darkness. We get to come back, and I came back for you.” She was weeping now, weeping as that wind faded away and her wound knitted closed. The prince's daggers had gone slack in his hands. And on his finger, Athril's golden ring glowed. “Fight it,” she panted. The sun angled closer. “Fight it. We get to come back.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Your Royal Bloody Pain in My Back, We're bloody waiting here to talk to you, and we're getting angry perturbed. (That means angry.) Thom says that you're a queen now, but I figure that changes nothing, sense you acted like a queen all the time anyway. Don't forget that I carried halled your pretty little backside out of a hole in Tear, but you acted like a queen then, so I guess I don't know why I'm surprised now that you act like one when you really are a queen. So I'm thinking I should treat you like a bloody Queen and send you a bloody letter and all, speaking with high talk and getting your attention. I even used my ring as a signet, like it was paper proper. So here my formal salutation. So BLOODY STOP TURNING ME AWAY so we can talk. I need your bellfounders. It's bloody important. --Mat p.s. Salutation means greeting. p.p.s. Don't mind the scratched out words and bad spellings. I was going to rewrite this letter, but Thom is laffing so hard at me that I want to be done. p.p.s. Don't mind me calling your backside pretty. I hardly ever spent any time looking at it, as I've an awareness that you'd pull my eyes out if you saw me. Besides, I'm married now, so that all doesn't matter.
Robert Jordan
The Warrior Woman Code: A confident woman doesn't beg a man to stay, cry if they don't or need to tear down other women to be loved. She knows her value. When the person she is meant to be with finds her, that person will know it also. He won't be confused by it. He will fight for her because without her he feels incomplete. She will always be foremost in his mind above anyone else. She doesn't have to scheme to keep or entice him. She is okay walking away from him because she doesn't want to be seen as a choice or a woman that has some potential. She demands to be seen as "the one." To settle for anything less than that is an admission of insecurity and lack of self love.
Shannon L. Alder
I suppose it’s okay to shed tears over jewelry. That doesn’t make me more of an ice queen or a materialistic snob, right? Oh, who the fuck cares?
Krista Ritchie (Kiss the Sky (Calloway Sisters, #1))
She was a free bird one minute: queen of the world and laughing. The next minute she would be in tears like a porcelain angel, about to teeter, fall and break. She was brave, and I never once saw her cry out of fear. She never cried because she was afraid that something would happen; she would cry because she feared something that could render the world more beautiful, would not happen… She believed if I gave in to make her fortune become realized, the world would be ultimately profound and beautiful. I guess I held out because I feared the realization of her fortune would mean the destruction of us together. And each time she cried, I fell a little more deeply in love with her.
Roman Payne (The Wanderess)
Froi saw the rage in Arjuro’s eyes, his clenched fists. ‘If I could find the men who did those things to you as a child I would tear them limb from limb.’ Froi embraced him. ‘One day,’ Froi said, clearing his voice of emotion, ‘I’ll introduce you to my queen and my king and my captain; and Lord August and Lady Abian, who have given me a home; and the Priestking and Perri and Tesadora and my friend Lucian; and then you’ll understand that I would never have met them if you hadn’t journeyed to Sarnak all those years ago, Arjuro. And if the gods were to give me a choice between living a better life, having not met them, or a wretched life with the slightest chance of crossing their path, then I'd pick the wretched life over and over again.’ He kissed Arjuro’s brow. Finnikin called it a blessing between two male blood kin. It always had made Froi ache seeing it between Finnikin and Trevanion. ‘I'd live it again just to have crossed all of your paths. Keep safe, Arjuro. Keep safe so I can bring your brother home to you.
Melina Marchetta (Quintana of Charyn (Lumatere Chronicles, #3))
Your dreams are what will tear you apart. Every man is the victim of his own imagination: we all carry the seeds of our own destruction.” He tapped a long finger to his forehead. “It feeds on your fears.
Mark Lawrence (The Wheel of Osheim (The Red Queen's War, #3))
Another blond boy came tearing from the opposite direction. “Can’t find Smith. But I see you found my cupcake.” “Mine,” Cole snapped. Uh, was the cupcake supposed to be me? Because it was a weird nickname for a supposed enemy.
Gena Showalter (The Queen of Zombie Hearts (White Rabbit Chronicles, #3))
Yeah,” Chaz says. “You know, when you packed up all your stuff and left his ass high and dry, I thought finally. A woman with some moral fiber. Little did I know that all he’d need to win you back was a big diamond ring and few crocodile tears. I really expected bigger things from you, Lizzie. Tell me something. Are you going to wait until the invitations have actually gone out before you admit to yourself that Luke is that last guy you ought to be spending the rest of your life with? Or are you going to do the right thing and call if off now?
Meg Cabot (Queen of Babble Gets Hitched (Queen of Babble, #3))
The king died last. They made him watch and what he did to those princesses and his queen I will never repeat as long as I live. But Isaboe knows, for she walked the sleep of a monster who was witness to it, and if I could have one wish in my life," he said through gritted teeth, "it would be that I could tear from her mind the memory such depravity. Sweet Goddess, that I would have such a gift. I would give my life for it." And then he was sobbing, despairing at his uselessness.
Melina Marchetta (Finnikin of the Rock (Lumatere Chronicles, #1))
Oh, don't go on like that!" cried the poor Queen, wringing her hands in despair. "Consider what a great girl you are. Consider what a long way you've come today. Consider what o'clock it is. Consider anything, only don't cry!" Alice could not help laughing at this, even in the midst of her tears. "Can you keep from crying by considering things?" she asked. "That's that way it's done," the Queen said with great decision: "nobody can do two things at once, you know.
Lewis Carroll (Alice’s Adventures in Wonderland / Through the Looking-Glass)
Ashryver eyes met her own, and she touched the face that was the other side of her fair coin. "For Terrasen," she said to him "For our family." "For Marion." "For us." Slowly Aedion drew his blade and knelt, his head bowed as he lifted the Sword of Orynth. "Ten years of shadows, but no longer. Light up the darkness, Majesty." She did not have room in her heart for tears, would not allow or yield to them. Aelin took her father's sword from him, its weight a steady, solid reassurance. Aedion rose, returning to his place beside Rowan. She looked at them, at the three males who meant everything—more than everything. Then she smiled with every last shred of courage, of desperation, of hope for the glimmer of that glorious future. "Let's go rattle the stars.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
When tears spring to his eyes, I know the king's heart, no matter how small or cold, has been broken. He loves Maven, in his own way. But it's too late for that.
Victoria Aveyard (Red Queen (Red Queen, #1))
Grief could be like a wolf tearing your insides, and you would do anything to make it stop.
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
At the word sacrifice, something sparked in the Fate's cold eyes. He held the girl tighter, carrying her in his bloodstained arms as he stood and started down the ancient hall. 'What are you doing?' A crack of alarm showed in the queen's implacable face. 'I'm going to fix this.' He continued marching forward, holding the girl close as he carried her back through the arch. The angels who'd been guarding it now wept. They cried tears of stone as the Fate set the girl at their feet and began wrenching stone after stone from the arch. 'Jacks of the Hollow,' warned the queen. 'Those arch stones can only be used one time to go back. They were not created for infinite trips to the past.' 'I know,' Jacks growled. 'I'm going to go back and stop your son from killing her.' The queen's face fell. For a moment, she looked as old as the years she'd spent lying in suspended state. 'This is not a small mistake to fix. If you do this, Time will take something equally valuable from you.' The Fate gave the queen a look more vicious than any curse. 'There is nothing of equal value to me.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
And in the stillness before dawn, on the brink of a war that could tear us apart, our auras danced and twined in the darkness, coiling around each other until they finally merged, becoming one.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
My bottom lip starts to quiver, but I keep going. “I fight every day, and too many times it’s just not enough and the fear wins. I’m so fucking weak and everything is so fucking intense and sometimes I really hate it.” I gasp, covering my mouth with my hands as the tears pour out of me. I didn’t mean to say all that. I feel exposed. Tears fill her eyes, too. “Can I hug you?” I nod, unable to speak. She walks around the table and hugs me.
Jen Wilde (Queens of Geek)
You save all your tears for the things that set you on fire inside.
Kennedy Ryan (Queen Move (All the King's Men, #3))
Everything changes, today's tears are tomorrow's absurdities, after all.
Joan D. Vinge (The Summer Queen (The Snow Queen Cycle, #3))
The moon is queen of everything. She rules the oceans, rivers, rain. When I am asked whose tears these are; I always blame the moon.
Lucille Clifton
He needed the release of the tears, she thought but he'd forgotten the mechanisms of weeping after so many years of holding back.
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
He's hunting newbloods not to protect his throne but to hurt you. To find you. To make you come back to him." His fist clenches on his thigh. "Maven wants you more than anything else on this earth." Would that Maven were here now, so I could rip out his horrible, haunting eyes. "Well, he can't have me." I realize the consequences of this, and so does Cal. "Not even if it stops the killing? Not for the newbloods?" Tears bite my eyes. "I won't go back. For anyone." I expect his judgment, but instead he smiles and ducks his head. Ashamed of his own reaction, as I am of mine.
Victoria Aveyard (Glass Sword (Red Queen, #2))
A strange, ever-changing female scent hit him, and Aedion found Lysandra leaning against the hallway door. Tears gleamed in her eyes even as she smiled. She gazed at the closed bedroom door, as if she could still see the prince and queen inside. "That," she said, more to herself than to him. "That is what I am going to find one day." "A gorgeous Fae warrior?" Aedion said, shifting a bit. Lysandra chuckled, wiping away her tears, and gave him a knowing look before walking away.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Birthdays were wretched, delicious things when you lived in Beau Rivage. The clock stuck midnight, and presents gave way to magic. Curses bloomed. Girls bit into sharp apples instead of birthday cake, chocked on the ruby-and-white slivers, and collapsed into enchanted sleep. Unconscious beneath cobweb canopies, frozen in coffins of glass, they waited for their princes to come. Or they tricked ogres, traded their voices for love, danced until their glass slippers cracked. A prince would awaken, roused by the promise of true love, and find he had a witch to destroy. A heart to steal. To tear from the rib cage, where it was cushioned by bloody velvet, and deliver it to the queen who demanded the princess's death. Girls became victims and heroines. Boys became lovers and murderers. And sometimes... they became both.
Sarah Cross (Kill Me Softly (Beau Rivage, #1))
I belong to queen and country first," he said after a while, "but I am his father, Isaboe. You will have to pardon me on this occasion for speaking bluntly, but I will always want to tear out the heart of anyone who causes him pain, and whether you're the queen or Evanjalin, you have that power. You always have. For feeling that way, I apologize." "And you think I'd use such power?" He didn't answer, and she continued to walk. "When the time comes to tear out the heart of anyone who causes him pain, Captain Trevanion, know this," she said fiercely. "I will fight you to be first in line.
Melina Marchetta (Finnikin of the Rock (Lumatere Chronicles, #1))
I will tear this world apart for you, I will fight until I have nothing left to give and destroy anyone who hurts you, and I will guard your heart most of all.
J.M. Kearl (Bow Before the Elf Queen (The Elf Queen, #1))
Wow,” he muttered, his voice choked with tears. “Here we are, the last night and all, and I can't think of anything to say.” I pressed my palm to his cheek, feeling the moisture beneath my fingers, and smiled at him. “How about 'goodbye'?” “Nah.” Puck shook his head. “I make a point of never saying goodbye, princess. Makes it sound like you're never coming back.” “Puck—” He bent down and kissed me softly on the lips. Ash stiffened, arms tightening around me, but Puck slid out of reach before either of us could react. “Take care of her, ice-boy,” he said, smiling as he backed up several paces. “I guess I won't be seeing you, either, will I? It was...fun, while it lasted.” “I'm sorry we didn't get to kill each other,” Ash said quietly. Puck chuckled and bent to retrieve his fallen dagger. “My one and only regret. Too bad, that would have been an epic fight.” Straightening, he gave us that old, stupid grin, raising a hand in farewell. “See you around, lovebirds.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
You died here," I said quietly. "October -" "I wasn't here, and the girl I'm supposed to be finding was, and you died ." I looked up at him, glaring through the tears in my eyes. I left my fingers balanced on the floor, letting his blood sing its song of pain and longing. Longing to live; refusal to let go of the world. Maybe that's what differentiates the Kings and Queens of Cats from the rest of Faerie. They have a cat's stubbornness and the power to back it up. So when death says, "Go," they just refuse. My heart hurt. My heart hurt so badly, and I was still trying to recover from Connor, and oh, Titania, I couldn't do this again. The thought startled me. I froze where I was, still glaring. Tybalt sighed. "I know." he hesitated before adding, "This is not the time, and this is not the place, and my nephew needs us. But I ask you to consider this. I got better. I will always get better." He hesitated again - possibly the first time I'd ever seen him pause more than once after he'd decided he was going to say something. Finally, he said, "Some of us, October, will not leave you.
Seanan McGuire (Ashes of Honor (October Daye, #6))
She was still a wild thing, a woman with the heart of a she-wolf and a face that could tear down cities. Now, everyone knew that as well.
Emma Hamm (The Faceless Woman (The Otherworld, #4))
The Tearling... I told them not to name things after me. - William Tear
Erika Johansen (The Fate of the Tearling (The Queen of the Tearling, #3))
You mean we won't get to run through burning buildings?" I could see he wanted to laugh, but instead he watched me intently. "What? Why are you staring at me?" "I'm not staring. I'm observing." I smiled through my tears. "And what do you observe?" He brushed his lips against my ear. "A brave young woman who has always fought for what was right, even when it was unpopular. A woman who can't return to the land of her birth, but is wlcome to cross the seas and rebuild Alexandria in mine. And a woman who has suffered enough in Rome and deserves happiness for a change. Will you come to Mauretania and be my queen?" He drew back to look at me, but I held him closer. "Yes." "Just yes?" I nodded and pressed my lips against his.
Michelle Moran (Cleopatra's Daughter)
Mother, before God," I say, my voice shaking with tears, "I swear that I have to believe that there is more for me in life than being wife to one man after another, and hoping not to die in childbirth!
Philippa Gregory (The Red Queen (The Plantagenet and Tudor Novels, #3))
The King and Queen did the best they could. They hired the most superior tutors and governesses to teach Cimorene all the things a princess ought to know— dancing, embroidery, drawing, and etiquette. There was a great deal of etiquette, from the proper way to curtsy before a visiting prince to how loudly it was permissible to scream when being carried off by a giant. (...) Cimorene found it all very dull, but she pressed her lips together and learned it anyway. When she couldn’t stand it any longer, she would go down to the castle armory and bully the armsmaster into giving her a fencing lesson. As she got older, she found her regular lessons more and more boring. Consequently, the fencing lessons became more and more frequent. When she was twelve, her father found out. “Fencing is not proper behavior for a princess,” he told her in the gentle-but-firm tone recommended by the court philosopher. Cimorene tilted her head to one side. “Why not?” “It’s ... well, it’s simply not done.” Cimorene considered. “Aren’t I a princess?” “Yes, of course you are, my dear,” said her father with relief. He had been bracing himself for a storm of tears, which was the way his other daughters reacted to reprimands. “Well, I fence,” Cimorene said with the air of one delivering an unshakable argument. “So it is too done by a princess.
Patricia C. Wrede (Dealing with Dragons (Enchanted Forest Chronicles, #1))
He reached for a tabletop and ran his hands over it, clutching the edge until his knuckles turned white. He wanted to know that it was solid. Eddis knew that all the world would seem to him insubstantial, as if it might tear away and reveal something else infinitely larger and more terrifying.
Megan Whalen Turner (A Conspiracy of Kings (The Queen's Thief, #4))
Don't trust the fire, for it will burn you. Don't trust the ice, for it will freeze you. Don't trust the water, for it will drown you. Don't trust the air, for it will choke you. Don't trust the earth, for it will bury you. Don't trust the trees, for they will rip you, rend you, tear you, kill you dead.
Sarah Beth Durst (The Queen of Blood (The Queens of Renthia, #1))
Some truths you can’t speak. Some truths come barbed; each word would tear you inside out if you forced them from your lips. “She—
Mark Lawrence (Prince of Fools (The Red Queen's War, #1))
What is a princess, and what is a queen? Why is the princess often a pejorative description of a certain type of woman, and the word queen hardly ever applied to women at all? A princess is a girl who knows that she will get there, who is on her way perhaps but is not yet there. She has power but she does not yet wield it responsibly. She is indulgent and frivolous. She cries but not yet noble tears. She stomps her feet and does not know how to contain her pain or use it creatively. A queen is wise. She has earned her serenity, not having had it bestowed on her but having passed her tests. She has suffered and grown more beautiful because of it. She has proved she can hold her kingdom together. She has become its vision. She cares deeply about something bigger than herself. She rules with authentic power.
Marianne Williamson (A Woman's Worth)
This country is diseased. The fortunate celebrate on the backs of the starving, the ill, the terrorised. The law affords no recourse to the disadvantaged. That's a historical sickness, and there's only one cure.
Erika Johansen (The Invasion of the Tearling (The Queen of the Tearling, #2))
I can do this,” [Daemon] crooned, slowly circling around her. “I can keep Dorothea and Hekatah off-balance enough to keep the others safe and also prevent those Ladies from giving the orders to send the Terreillean armies into Kaeleer. I can buy you seventy-two hours, Jaenelle. But it’s going to cost me because I’m going to do things I may never be forgiven for, so I want something in return.” He could taste her slight bafflement before she said, “All right.” “I don’t want to wear the Consort’s ring anymore.” A slash of pain, quickly stifled. “All right.” “I want a wedding ring in its place.” A flash of joy, immediately followed by sorrow. She smiled at him at the same time her eyes filled with tears. “It would be wonderful.” She meant that.
Anne Bishop (Queen of the Darkness (The Black Jewels, #3))
Idols You put her on a pedestal. Love her, adore her, crown her as your queen. Then you watch and wait, for a slip, a split second when her guard is down. You would tear her into pieces just to claim a fragment of her story. No one can be perfect all the time. Why do you expect her to be any different? Why is she held to an impossible standard? Why do you take it so personally when she contradicts the version of herself that exists only in your head? You think you know her, that she owes you somehow. That her existence is only relative to yours. But she is her own person. She lives and breathes, she hopes and dreams. She has a life, a love, a family, a purpose. And she doesn’t owe anyone a damn thing.
Lang Leav (Love Looks Pretty on You)
Manon looked to the Thirteen, standing around Asterin in a half circle. One by one, they lifted two fingers to their brows. A murmur went through the crowd. The gesture not to honor a High Witch. But a Witch-Queen. There had not been a Queen of Witches in five hundred years, either among the Crochans or the Ironteeth. Not one. Forgiveness shone in the faces of her Thirteen. Forgiveness and understanding and loyalty that was not blind obedience, but forged in pain and battle, in shared victory and defeat. Forged in hope for a better life—a better world. At last, Manon found Asterin’s gaze, tears now rolling down her Second’s face. Not from fear or pain, but in farewell. A hundred years—and yet Manon wished she’d had more time.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
I love the heart that is within you," Cartier said, smiling as his tears fell. "I love the spirit you are forged from Brienna MacQuinn. If you were a storm, I would lie down and rest in your rain. If you were a river, I would drink from your currents. If you were a poem, I would never cease to read you. I adore the girl you were, and I love the woman you have become. Marry me. Lead my lands and my people, and take me as yours.
Rebecca Ross (The Queen's Resistance (The Queen’s Rising, #2))
In the mirror, he saw himself, a knight with bowed head, offering his service, a sword in his hand, a sword in his back. He felt no pain, only the ache in his heart. Choose me. There were tears on his cheeks, even as he felt the shame of it. She was no one, a girl who had lucked into a gift, who had done nothing to earn it. She was his queen. "Darlington," she said. But that was not his true name any more than Alex was hers. If only she would choose him. If only she would let him... She touched her fingers to his face, lifted his chin. Her lips brushed his ear. He didn't understand it. He only wanted her to do it again. Stars poured through him, a cold and billowing wave of night. He saw everything. He saw their bodies entwined. She was above him and beneath him all at once, her body splayed and white as a lotus flower.
Leigh Bardugo (Ninth House (Alex Stern, #1))
Sylvia Plath" A miniature mad talent? Sylvia Plath, who'll wipe off the spit of your integrity, rising in the saddle to slash at Auschwitz, life tearing this or that, I am a woman? Who'll lay the graduate girl in marriage, queen bee, naked, unqueenly, shaming her shame? Each English major saying, "I am Sylvia, I hate marriage, I must hate babies." Even men have a horror of giving birth, mother-sized babies splitting us in half, sixty thousand American infants a year, U.I.D., Unexplained Infant Deaths, born physically whole and hearty, refuse to live, Sylvia...the expanding torrent of your attack.
Robert Lowell
The blood ran in tiny rivulets down his white face, as if from Christ’s Crown of Thorns, his long blond hair flying out as he turned full circle, his hand ripping at his shirt, tearing it open down his chest, the black tie loose and falling. His pale crystalline blue eyes were glazed and shot with blood as he screamed the unimportant lyrics.
Anne Rice (The Queen of the Damned (The Vampire Chronicles, #3))
On top of the Tree of Life - in the Hall of the Palace - someone had found somebody for whom he had been searching for a long, long time. And the tears of joy which were shed became the fruit of the Tree of Life, the grapes whose juice if distilled by the flute of the blue god.
Miguel Serrano (The Visits of the Queen of Sheba)
The world has held great Heroes, As history-books have showed; But never a name to go down to fame Compared with that of Toad! The clever men at Oxford Know all that there is to be knowed. But they none of them know one half as much As intelligent Mr. Toad! The animals sat in the Ark and cried, Their tears in torrents flowed. Who was it said, 'There's land ahead?' Encouraging Mr. Toad! The army all saluted As they marched along the road. Was it the King? Or Kitchener? No. It was Mr. Toad. The Queen and her Ladies-in-waiting Sat at the window and sewed. She cried, 'Look! who's that handsome man?' They answered, 'Mr. Toad.' There was a great deal more of the same sort, but too dreadfully conceited to be written down. These are some of the milder verses.
Kenneth Grahame (The Wind in the Willows)
One of them has to break,” the queen said to the princess. “Only then can it begin.” “I know,” the princess said softly. ”But the prince isn't ready. It has to be her.” “Then you understand what I am asking of you?” The princess looked up, toward the shaft of moonlight spilling into the tomb. When she looked back at the ancient queen, her eyes were bright. “Yes.” “Then do what needs to be done.” The princess nodded and walked out of the tomb. She paused on the threshold, the darkness beyond beckoning to her, and turned back to the queen. “She won't understand. And when she goes over the edge, there will be nothing to pull her back.” “She will find her way back. She always does.” Tears formed, but the princess blinked them away. “For all our sakes, I hope you're right.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
He looked up as Tristan reached him. No doubt he had tears mixed with the rain sliding down his face. “It’s my birthday,” he whispered. “That’s when he gave me the queen. He said it’s because I was the strongest person he knew.
Riley Hart (Broken Pieces (Broken Pieces, #1))
The Queen dried her tears and looked at him, smiling like a spring shower. In a minute they were kissing, feeling like the green earth refreshed by rain. They thought that they understood each other once more – but their doubt had been planted. Now, in their love, which was stronger, there were the seeds of hatred and fear and confusion growing at the same time: for love can exist with hatred, each preying on the other, and this is what gives it its greatest fury.
T.H. White (The Once and Future King)
A Match If love were what the rose is, And I were like the leaf, Our lives would grow together In sad or singing weather, Blown fields or flowerful closes, Green pasture or gray grief; If love were what the rose is, And I were like the leaf. If I were what the words are, And love were like the tune, With double sound and single Delight our lips would mingle, With kisses glad as birds are That get sweet rain at noon; If I were what the words are, And love were like the tune. If you were life, my darling, And I your love were death, We'd shine and snow together Ere March made sweet the weather With daffodil and starling And hours of fruitful breath; If you were life, my darling, And I your love were death. If you were thrall to sorrow, And I were page to joy, We'd play for lives and seasons With loving looks and treasons And tears of night and morrow And laughs of maid and boy; If you were thrall to sorrow, And I were page to joy. If you were April's lady, And I were lord in May, We'd throw with leaves for hours And draw for days with flowers, Till day like night were shady And night were bright like day; If you were April's lady, And I were lord in May. If you were queen of pleasure, And I were king of pain, We'd hunt down love together, Pluck out his flying-feather, And teach his feet a measure, And find his mouth a rein; If you were queen of pleasure, And I were king of pain.
Algernon Charles Swinburne
We are all dual natured, Queen Mirabella. Every gift is light and dark. We naturalists can make things grow, but we also coax lobsters into pots, and our familiars tear rabits to shreds. Elementals burn down forests as easily as they water them with rain. The war gift is for protection as well as slaughter. Even those with the sight are often cursed with madness and paranoia. Even the poisoners are also healers.
Kendare Blake (Three Dark Crowns (Three Dark Crowns, #1))
The prince inside her did not notice when she began to nibble at him Bit by bit, she stole morsels of the otherworldly creature that had taken her body for its skin, who did such despicable things with it. The creature noticed the day she took a bigger bite—big enough that it screamed in agony. Before it could tell anyone, she leaped upon it, tearing and ripping with her shadowfire until only ashes of malice remained, until it was no more than a whisper of thought. Fire—it did not like fire of any kind.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
#TeamLightSkin vs. #TeamDarkSkin… REALLY, are you serious? To the black females that participate in this garbage, shame on you! Yes, I said it and I won’t take it back. After all that we’ve been through as a race regarding the light-skinned niggers versus the dark-skinned niggers, you’re actually keeping this garbage up? It’s time to wake up my Beautiful Black Queens! Educate yourself and know your history. This shouldn’t be something that we’re entertaining. WE are #TeamMelanin! Period. Enough of the foolishness! Respect yourself. Respect our race. We should be building one another up, not tearing each other down. Melanin is Exquisite Beauty in EVERY shade. Together, WE are strong, unstoppable, and powerful. Enough is enough! I encourage you to stop participating in things that keep us divided. Real Talk!
Stephanie Lahart
He reached out for her hand and she grabbed onto his. “Eena, when you’re ready to talk about it, I’ll be here. That’s what best friends are for.” She let the tears fall. He’d never know they were for him. He’d think they were because of Derian. They held hands silently throughout the night, Ian unaware that this was by far her most tortured nightmare ever. Paradise so close, and yet completely unattainable.
Richelle E. Goodrich (Eena, The Return of a Queen (The Harrowbethian Saga #2))
They had fought and starved and even died in pursuit of mankind's oldest dream, but they hadn't known that Tear's vision was flawed. Too easy. Utopia was not the clean slate Tear had imagined, but an evolution. Humanity would have to work for that society, and work hard, dedicating themselves to an unending vigilance against the mistakes of the past. It would take generations, countless generations perhaps, but--
Erika Johansen (The Fate of the Tearling (The Queen of the Tearling, #3))
Why are you telling me all this, Vivienne?” Tears were threatening to spill down my cheeks. “Remember the night when you arrived? When you were in the dungeon? I told you that you were nothing but a pawn.” I could still remember her exact words and how frightened she made me feel: "Understand, girl, that you are nothing here. You’re nothing but a pawn, a piece used to make the board move. Your best chance at survival and proving your significance is to win Derek’s affections. Considering everything I know about my brother, I’m not sure that’s even possible." I smiled bitterly. “How could I forget?” “I was wrong.” Vivienne, in all her grace and beauty, looked me in the eye and said, “You’re not a pawn, Sofia. You’re the queen.
Bella Forrest (A Shade of Blood (A Shade of Vampire, #2))
¨Hear my judgment,¨ Cardan says, authority ringing in his voice. ¨I exile Jude Duarte to the mortal world. Until and unless she is pardoned by the crown, let her not step one foot in Faerie or forfeit her life.¨ I gasp. ¨But you cant do that!¨ He looks at me for a long moment, but his gaze is mild, as though hes expecting me to be fine with exile. As though I am nothing more than one of his petitioners. As though i am nothing at all. ¨Of course I can,¨ he replies. ¨But im the Queen of Faerie,¨ I shout, and for a moment, there is silence. Then everyone around me begins to laugh. I can feel my cheeks heat. Tears of frustration and fury prick my eyes as, a beat too late, Cardan laughs with them. At that moment, knights clap their hands on my wrists, Sir Rannoch pulls me down from the horse. For a mad moment i consider fighting him as though two dozen knights arent around us. ¨Deny it, then,¨ I yell. ¨Deny me!¨ He cannot, of course, so he does not. Page 316-317
Holly Black (The Wicked King (The Folk of the Air, #2))
But again that sense of peace descended, that spell of perfect happiness, and I was traveling back through the years to the little French church of my childhood as the hymns began. Through my tears I saw the shining altar. I saw the icon of the Virgin, a gleaming square of gold above the flowers; I heard the Aves whispered as if they were a charm. Under the arches of Notre Dame de Paris I heard the priests singing “Salve Regina.
Anne Rice (The Queen of the Damned (The Vampire Chronicles, #3))
Little Mr. Bowley, who had rooms in the Albany and was sealed with wax over the deeper sources of life but could be unsealed suddenly, inappropriately, sentimentally, by this sort of thing––poor women waiting to see the Queen go past––poor women, nice little children, orphans, widows, the War––tut tut––actually had tears in his eyes.
Virginia Woolf (Mrs. Dalloway)
If a queen comes to America, crowds fill the station squares, and attendant British journalists rejoice, 'You see: the American Cousins are as respectful to Royalty as we are.' But the Americans have read of queens since babyhood. they want to see one queen, once, and if another came to town next week, with twice as handsome a crown, she would not draw more than two small boys and an Anglophile. Americans want to see one movie star, one giraffe, one jet plance, one murder, but only one. They run up a skyscraper or the fame of generals and evangelists and playwrights in one week and tear them all down in an hour, and the mark of excellence everywhere is 'under new management'.
Sinclair Lewis (World So Wide)
the hinder portion scalding-house good eating Curve B in addition to the usual baths and ablutions military police sumptuousness of the washhouse risking misstatements kept distances iris to iris queen of holes damp, hairy legs note of anger chanting and shouting konk sense of "mold" on the "muff" sense of "talk" on the "surface" konk2 all sorts of chemical girl who delivered the letter give it a bone plummy bare legs saturated in every belief and ignorance rational living private client bad bosom uncertain workmen mutton-tugger obedience to the rules of the logical system Lord Muck hot tears harmonica rascal that's chaos can you produce chaos? Alice asked certainly I can produce chaos I said I produced chaos she regarded the chaos chaos is handsome and attractive she said and more durable than regret I said and more nourishing than regret she said
Donald Barthelme (Sixty Stories)
But you won’t abdicate." Of course not. It’s my duty to go on, to maintain the line. I can’t possibly fail in that. It’s as if you and I were throwing a ball back and forth to establish a record, and had been doing so for a millennium. You cannot drop a ball that has remained airborne through good effort for most of a thousand years. You cannot stop an unlikely heart that has been beating for so long. I would rather die than betray continuity, for its own sake if for nothing else. And Britain needs a king, just as it needs motormen and cooks and a prime minister. Just as it needs soldiers who will die for it if they must. It’s my job, or it will be, but you should know that I’ve never wanted it. I was only born to it, as if with a deformity, to which I hope I can respond with grace." Fredericka had been running her finger over the carpet, tracing a pattern in the way children do when they have learnt something overwhelming and are moved, but cannot say so. Freddy expected her to look up, with tears, and that in this moment she might have begun the long and arduous process of becoming a queen. She was so beautiful. To embrace her now, with high emotion flowing from her physical majesty, was all he wanted in the world. Her finger stopped moving, and she turned her eyes to him. Freddy?" Yes?" he answered. What’s raw egg? I read a recipe in She that called for a cup of raw egg. What is that?" After a long silence, Freddy asked, "Which part of the formulation escapes you? Egg? Raw? The link between the two?" The two what?" Fredericka?" Yes, Freddy?" Would you like to go dancing?" Oh, yes Freddy!" Come then. We will.
Mark Helprin (Freddy and Fredericka)
Her tears fell abundantly--but her grief was so truly artless, that no dignity could have made it more respectable in Emma's eyes--and she listened to her and tried to console her with all her heart and understanding--really for the time convinced that Harriet was the superior creature of the two--and that to resemble her would be more for her own welfare and happiness than all that genius or intelligence could do. It was rather too late in the day to set about being simple-minded and ignorant; but she left her with every previous resolution confirmed of being humble and discreet, and repressing imagination all the rest of her life.
Jane Austen
To My Wife You are like a young white hen. Her feathers ruffle in the wind, her neck curves down to drink, and she rummages in the earth: but, in walking, she has your slow, queenly step, haughty and proud. She is better than the male. She is like the females of all the serene animals who draw near to God. Here, if my eye, if my judgment doesn’t deceive me, among these, you find your equals, and in no other woman. When evening lulls the little hens to sleep, they make sounds that call to mind those mild, sweet voices with which you argue with your pains, and don’t know that your voice has the soft, sad music of the henyard. You are like a pregnant heifer, still free, and without heaviness, merry, in fact; who, if someone strokes her, turns her neck, where a tender pink tinges her flesh. If you meet up with her, and hear her bellow, so mournful is this sound that you tear at the earth to give her a present. In the same way, I offer my gift to you when you are sad. You are like a tall, thin female dog, that always has so much sweetness in her eyes and ferociousness in her heart. At your feet, she seems a saint who burns with an indomitable fervor and in this way looks at you as her God and Lord. When you are at home, or going down the street, to anyone who tries, uninvited, to approach you, she uncovers her shining white teeth. And her love suffers from jealousy. You are like the fearful rabbit. Within her narrow cage, she stands upright to look at you, and extends her long, still ear; she deprives herself of the husks and roots that you bring her, and cowers, seeking the darkest corners. Who might take away this food? Who might take away the fur which she tears from her back to add to the nest where she will give birth? Who would ever make you suffer? You are like the swallow which returns in the spring. But each autumn will depart— you don’t have this art. You have this of the swallow: the light movements; that which, to me, seemed and was old, you proclaim another spring. You are like the provident ant. She whom the grandmother speaks of to the child as they go out in the countryside. And thus I find you in the bumble bee and in all the females of all the serene animals who draw near to God. And in no other woman.
Umberto Saba
He kisses me again, folding me in his arms--the place I want to stay for a thousand years. When I first discovered Dream Town, I wasn't sure where I belonged, where my true home was. But now I know. Sometimes home is a town, a house with four walls. Other times, it's two hollow eyes in a skull, a skeleton without a heartbeat. It's here---not in Dream Town or Halloween Town---but in Jack's arms. Folded against this hollow, skeleton chest is where I belong. I let the tears stream down my face, I let them bind us together, salt and water and fabric and bone. Woven parts of ourselves that become one.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
My final word is for the readers. The Tearling is not an easy world, I know. Contrarian that I am, I am determined to make thins kingdom echo life, where answers to our questions are not delivered neatly in a beautiful expositional package, but must be earned, through experience and frustration, sometimes even tears (and believe me, not all of those tears are Kelsea's). Sometimes answers never come at all. To all of the readers who stuck with this story, understanding and sometimes even enjoying the fact that the Tearling is a gradually unfolding world, full of lost and often confounding history, thank you for your faith in the concept. I hope that your patience was rewarded in the end. Now let's all go and make a better world." (Afterwords of the author)
Erika Johansen (The Fate of the Tearling (The Queen of the Tearling, #3))
Maybe I would wake tomorrow and find that it had all been a dream, that Alexei was still alive and Mal was unhurt, that no one had tried to kill me, that I’d never met the King and Queen or seen the Apparat, or felt the Darkling’s hand on the nape of my neck. Maybe I would wake to smell the campfires burning, safe in my own clothes, on my little cot, and I could tell Mal all about this strange and terrifying, but very beautiful, dream. I rubbed my thumb over the scar in my palm and heard Mal’s voice saying, “We’ll be okay, Alina. We always are.” “I hope so, Mal,” I whispered into my pillow and let my tears carry me to sleep.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
What do you think?” Harding says. McMurphy starts. “She’s got one hell of a set of chabobs,” is all he can think of. “Big as Old Lady Ratched’s.” “I didn’t mean physically, my friend, I mean what do you—” “Hell’s bells, Harding!” McMurphy yells suddenly. “I don’t know what to think! What do you want out of me? A marriage counsellor? All I know is this: nobody’s very big in the first place, and it looks to me like everybody spends their whole life tearing everybody else down. I know what you want me to think; you want me to feel sorry for you, to think she’s a real bitch. Well, you didn’t make her feel like any queen either. Well, screw you and ‘what do you think?’ I’ve got worries of my own without getting hooked with yours. So just quit!” He glares around the library at the other patients. “Alla you! Quit bugging me, goddammit!” And
Ken Kesey (One Flew Over the Cuckoo's Nest)
Why do you do that? Do what? Push the sceptic thing so hard!? I mean, it made sense at first, but now? After everything we’ve seen, after everything you’ve read! I hear you recording statements and y-you just dismiss them. You tear them to pieces like they’re wasting your time, but half of the “rational” explanations you give are actually more far-fetched than just accepting it was a, a ghost or something. I mean for god’s sake John, we’re literally hiding from some kind of worm… queen… thing, how, how could you possibly still not believe!? Of course, I believe. Of course I do. Have you ever taken a look at the stuff we have in Artefact Storage? That’s enough to convince anyone. But, but even before that… Why do you think I started working here? It’s not exactly glamorous. I have… I’ve always believed in the supernatural. Within reason. I mean. I still think most of the statements down here aren’t real. Of the hundreds I’ve recorded, we’ve had maybe… thirty, forty that are… that go on tape. Now, those, I believe, at least for the most part. Then why do you – Because I’m scared, Martin!. Because when I record these statements it feels… it feels like I’m being watched. I… I lose myself a bit. And then when I come back, it’s like… like if I admit there may be any truth to it, whatever’s watching will… know somehow. The skepticism, feigning ignorance. It just felt safer.
Jonathan Sims (The Magnus Archives: Season 1 (Magnus Archives, #1))
Closer and closer, they hauled her like a bucking horse toward the open cell door. The two waiting guards sniggered, eyes on the flap of the robe that fell open as she kicked, revealing her thighs, her stomach, everything to them. Elide sobbed, even as she knew the tears would do her no good. They just laughed, devouring her with their eyes— Until a hand with glittering iron nails shoved through the throat of one of them, puncturing it wholly. The guards froze, the one at the door whirling at the spray of blood— He screamed as his eyes were slashed into ribbons by one hand, his throat shredded by another. Both guards collapsed to the ground, revealing Manon Blackbeak standing behind them. Blood ran down her hands, her forearms. And Manon’s golden eyes glowed as if they were living embers as she looked at the two guards gripping Elide. As she beheld the disheveled robe. They released Elide to grab their weapons, and she sagged to the floor. Manon just said, “You’re already dead men.” And then she moved.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
You look like a pagan. A pagan warrior queen.” He scraped his teeth along her throat. “Naked, glowing, wearing nothing but ropes of diamonds.” “I want you inside me.” Breath tearing, she bit at his ear. “Hot, hard inside me.” “My hands are busy at the moment.” He filled them with her breasts. “I’ll need help getting out of this shirt.” She reached up, tore it open, sending buttons flying. “Well, that’s one way.” “It’s how it works when you’re a pagan warrior queen. Take me.” She gripped his hair, yanked his mouth to hers. “I want you to take me like there’s nothing you need more.” “There isn’t. It’s you. It’s always you.
J.D. Robb (Celebrity in Death (In Death, #34))
YORK. She-wolf of France, but worse than wolves of France, Whose tongue more poisons than the adder's tooth, How ill-beseeming is it in thy sex To triumph, like an Amazonian trull, Upon their woes whom fortune captivates! But that thy face is, vizard-like, unchanging, Made impudent with use of evil deeds, I would assay, proud queen, to make thee blush. To tell thee whence thou cam'st, of whom deriv'd, Were shame enough to shame thee, wert thou not shameless. Thy father bears the type of King of Naples, Of both the Sicils and Jerusalem, Yet not so wealthy as an English yeoman. Hath that poor monarch taught thee to insult? It needs not, nor it boots thee not, proud queen; Unless the adage must be verified, That beggars mounted run their horse to death. 'T is beauty that doth oft make women proud; But, God he knows, thy share thereof is small. 'T is virtue that doth make them most admir'd; The contrary doth make thee wond'red at. 'T is government that makes them seem divine; The want thereof makes thee abominable. Thou art as opposite to every good As the Antipodes are unto us, Or as the south to the Septentrion. O tiger's heart wrapp'd in a woman's hide! How couldst thou drain the life-blood of the child, To bid the father wipe his eyes withal, And yet be seen to bear a woman's face? Women are soft, mild, pitiful, and flexible; Thou stern, obdurate, flinty, rough, remorseless. Bid'st thou me rage? why, now thou hast thy wish: Wouldst have me weep? why, now thou hast thy will; For raging wind blows up incessant showers, And when the rage allays the rain begins. These tears are my sweet Rutland's obsequies, And every drop cries vengeance for his death, 'Gainst thee, fell Clifford, and thee, false Frenchwoman.
William Shakespeare
Tears shone in Lucien’s remaining eye as he raised his hands and removed the fox mask. The brutally scarred face beneath was still handsome—his features sharp and elegant. But my host was looking at Tamlin now, who slowly faced my dead body. Tamlin’s still-masked face twisted into something truly lupine as he raised his eyes to the queen and snarled. Fangs lengthened. Amarantha backed away—away from my corpse. She only whispered “Please” before golden light exploded. The queen was blasted back, thrown against the far wall, and Tamlin let out a roar that shook the mountain as he launched himself at her. He shifted into his beast form faster than I could see—fur and claws and pound upon pound of lethal muscle. She had no sooner hit the wall than he gripped her by the neck, and the stones cracked as he shoved her against it with a clawed paw. She thrashed but could do nothing against the brutal onslaught of Tamlin’s beast. Blood ran down his furred arm from where she scratched. The Attor and the guards rushed for the queen, but several faeries and High Fae, their masks clattering to the ground, jumped into their path, tackling them. Amarantha screeched, kicking at Tamlin, lashing at him with her dark magic, but a wall of gold encompassed his fur like a second skin. She couldn’t touch him. “Tam!” Lucien cried over the chaos. A sword hurtled through the air, a shooting star of steel. Tamlin caught it in a massive paw. Amarantha’s scream was cut short as he drove the sword through her head and into the stone beneath. And then closed his powerful jaws around her throat—and ripped it out.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
The outsider may indeed wonder at this seeming much ado about nothing. What a tempest in a tea-cup! he will say. But when we consider how small after all the cup of human enjoyment is, how soon overflowed with tears, how easily drained to the dregs in our quenchless thirst for infinity, we shall not blame ourselves for making so much of the tea-cup. Mankind has done worse. In the worship of Bacchus, we have sacrificed too freely; and we have even transfigured the gory image of Mars. Why not consecrate ourselves to the queen of the Camelias, and revel in the warm stream of sympathy that flows from her altar? In the liquid amber within the ivory-porcelain, the initiated may touch the sweet reticence of Confucius, the piquancy of Laotse, and the ethereal aroma of Sakyamuni himself.
Kakuzō Okakura (The Book of Tea)
Oak puts a hand on my arm. I startle. 'You all right?' he asks. 'When they first took me from the mortal world to the Court of Teeth, Lord Jarel and Lady Nore tried to be nice to me. They gave me good things to eat and dressed me in fancy dresses and told me that I was their princess and would be a beautiful and beloved queen,' I tell him, the words slipping from my lips before I can call them back. I occupy myself with searching deeper in the closet so I don't have to see his face as I speak. 'I cried constantly, ceaselessly. For a week, I wept and wept until they could bear it no more.' Oak is silent. Though he knew me as a child, he never knew me as that child, the one who still believed the world could be kind. But then, he had sisters who were stolen. Perhaps they had cried, too. 'Lord Jarel and Lady Nore told their servants to enchant me to sleep, and the servants did. But it never lasted. I kept weeping.' He nods, just a little, as though more movement might break the spell of my speaking. 'Lord Jarel came to me with a beautiful glass dish in which there was flavoured ice,' I tell him. 'When I took a bite, the flavour was indescribably delicious. It was as though I were eating dreams.' 'You will have this every day if you cease you're crying,' he said. 'But I couldn't stop. 'Then he came to me with a necklace of diamonds, as cold and beautiful as ice. When I put it on, my eyes shone, my hair sparkled, and my skin shimmered as though glitter had been poured over it. I looked wondrously beautiful. But when he told me to stop crying, I couldn't. 'Then he became angry, and he told me that if I didn't stop, he would turn my tears to glass that would cut my cheeks. And that's what he did. 'But I cried until it was hard to tell the difference between tears and blood. And after that, I began to teach myself how to break their curses. They didn't like that. 'And so they told me I would be able to see the humans again- that's what they called them, the humans- in a year, for a visit, but only if I was good. 'I tried. I choked back tears. And on the wall beside my bed, I scratched the number of days in the ice. 'One night I returned to my room to find the scratches weren't the way I remembered. I was sure it had been five months, but the scratches made it seem as though it had been only a little more than three. 'And that was when I realised I was never going home, but by then the tears wouldn't come, no matter how much I willed them. And I never cried again.' His eyes shone with horror.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
To fill the days up of his dateless year Flame from Queen Helen to Queen Guenevere? For first of all the sphery signs whereby Love severs light from darkness, and most high, In the white front of January there glows The rose-red sign of Helen like a rose: And gold-eyed as the shore-flower shelterless Whereon the sharp-breathed sea blows bitterness, A storm-star that the seafarers of love Strain their wind-wearied eyes for glimpses of, Shoots keen through February's grey frost and damp The lamplike star of Hero for a lamp; The star that Marlowe sang into our skies With mouth of gold, and morning in his eyes; And in clear March across the rough blue sea The signal sapphire of Alcyone Makes bright the blown bross of the wind-foot year; And shining like a sunbeam-smitten tear Full ere it fall, the fair next sign in sight Burns opal-wise with April-coloured light When air is quick with song and rain and flame, My birth-month star that in love's heaven hath name Iseult, a light of blossom and beam and shower, My singing sign that makes the song-tree flower; Next like a pale and burning pearl beyond The rose-white sphere of flower-named Rosamond Signs the sweet head of Maytime; and for June Flares like an angered and storm-reddening moon Her signal sphere, whose Carthaginian pyre Shadowed her traitor's flying sail with fire; Next, glittering as the wine-bright jacinth-stone, A star south-risen that first to music shone, The keen girl-star of golden Juliet bears Light northward to the month whose forehead wears Her name for flower upon it, and his trees Mix their deep English song with Veronese; And like an awful sovereign chrysolite Burning, the supreme fire that blinds the night, The hot gold head of Venus kissed by Mars, A sun-flower among small sphered flowers of stars, The light of Cleopatra fills and burns The hollow of heaven whence ardent August yearns; And fixed and shining as the sister-shed Sweet tears for Phaethon disorbed and dead, The pale bright autumn's amber-coloured sphere, That through September sees the saddening year As love sees change through sorrow, hath to name Francesca's; and the star that watches flame The embers of the harvest overgone Is Thisbe's, slain of love in Babylon, Set in the golden girdle of sweet signs A blood-bright ruby; last save one light shines An eastern wonder of sphery chrysopras, The star that made men mad, Angelica's; And latest named and lordliest, with a sound Of swords and harps in heaven that ring it round, Last love-light and last love-song of the year's, Gleams like a glorious emerald Guenevere's.
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
She shut her eyes against the realisation rising within her like a tidal wave. It would sweep away everything in its path once she admitted it. Consume her entirely. The thought was enough for her to straighten and wipe away her tears. 'I can't accept this.' 'It was made for you,' he smiled softly. She couldn't bear that smile, his kindness and joy, as she corrected. 'I will not accept it.' She placed the orb back in its box and handed it to him. 'Return it.' His eyes shuttered. 'It's a gift, not a fucking wedding ring.' She stiffened. 'No, I'll look to Eris for that.' He went still. 'Say that again.' She made her face cold, the only shield she had against him. 'Rhys says Eris wants me for his bride. He'll do anything we want in exchange for my hand.' The Siphons atop Cassian's hands flickered. 'You aren't considering saying yes.' She said nothing. Let him believe the worst. He snarled. 'I see. I get a little too close and you shove me away again. Back to where it's safe. Better to marry a viper like Eris than be with me.' 'I am not with you,' she snapped. 'I am fucking you.' 'The only thing fit for a bastard-born brute, right?' 'I didn't say that.' 'You don't need to. You've said it a thousand times before.' 'Then why did you bother to cut in at the ball?' 'Because I was fucking jealous!' he roared, wings splaying. 'You looked like a queen, and it was painfully obvious that you should be with a princeling like Eris and not a low-born nothing like me! Because I couldn't stand the sight of it, right down to my gods-damned bones! But go ahead, Nesta. Go ahead and fucking marry him and good fucking luck to you!' 'Eris is the brute,' she shot back. 'He is a brute and a piece of shit. And I would marry him because I am just like him!' The words echoed through the room. His pained face gutted her. 'I deserve Eris.' Her voice cracked. Cassian panted, his eyes still lit with fury- and now with shock. Nesta said hoarsely. 'You are good, Cassian. And you are brave, and brilliant, and kind. I could kill anyone who has ever made you feel less than that- less than what you are. And I know I'm a part of that group, and I hate it.' Her eyes burned, but she fought past it. 'You are everything I have never been, and will never be good enough for. Your friends know it, and I have carried it around with me all this time- that I do not deserve you. The fury slid from his face. Nesta didn't stop the tears that flowed, or the words that tumbled out. 'I didn't deserve you before the war, or afterward, and I certainly don't now.' She let out a low, broken laugh. 'Why do you think I shoved you away? Why do you think I wouldn't speak to you?' She put a hand on her aching chest. 'After my father died, after I failed in so many ways- denying myself of you...' She sobbed. 'It was my punishment. Don't you understand that?' She could barely see him through her tears. 'From the moment I met you, I wanted you more than reason From the moment I saw you in my house, you were all I could think about. And it terrified me. No one had ever held such power over me. And I am still terrified that if I let myself have you... it will be taken away. Someone will take it away, and if you're dead...' She buried her face in her hands. 'It doesn't matter,' she whispered. 'I do not deserve you, and I never, ever will.' Utter silence filled the room. Such silence that she wondered if he'd left, and lowered her hands to see if he was there. Cassian stood before her. Tears streaming down his beautiful, perfect face. She didn't balk from it, letting him see her like this: her most raw, most base self. He'd always seen all of her, anyway. He opened his mouth and tried to speak. Had to swallow and try again. Nesta saw all the words in his eyes, though. The same ones she knew lay in her own.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
And thither, ere sweet night had slain sweet day, Iseult and Tristram took their wandering way, And rested, and refreshed their hearts with cheer In hunters' fashion of the woods; and here More sweet it seemed, while this might be, to dwell And take of all world's weariness farewell Than reign of all world's lordship queen and king. Nor here would time for three moon's changes bring Sorrow nor thought of sorrow; but sweet earth Fostered them like her babes of eldest birth, Reared warm in pathless woods and cherished well. And the sun sprang above the sea and fell, And the stars rose and sank upon the sea; And outlaw-like, in forest wise and free, The rising and the setting of their lights Found those twain dwelling all those days and nights. And under change of sun and star and moon Flourished and fell the chaplets woven of June, And fair through fervours of the deepening sky Panted and passed the hours that lit July, And each day blessed them out of heaven above, And each night crowned them with the crown of love. Nor till the might of August overhead Weighed on the world was yet one roseleaf shed Of all their joy's warm coronal, nor aught Touched them in passing ever with a thought That ever this might end on any day Or any night not love them where they lay; But like a babbling tale of barren breath Seemed all report and rumour held of death, And a false bruit the legend tear impearled That such a thing as change was in the world.
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
My heart aches, and a drowsy numbness pains My sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drains One minute past, and Lethe-wards had sunk: 'Tis not through envy of thy happy lot, But being too happy in thine happiness,— That thou, light-winged Dryad of the trees In some melodious plot Of beechen green, and shadows numberless, Singest of summer in full-throated ease. O for a beaker full of the warm South, Full of the true, the blushful Hippocrene, With beaded bubbles winking at the brim, And purple-stained mouth; That I might drink, and leave the world unseen, And with thee fade away into the forest dim: Fade far away, dissolve, and quite forget What thou among the leaves hast never known, The weariness, the fever, and the fret Here, where men sit and hear each other groan; Where palsy shakes a few, sad, last gray hairs, Where youth grows pale, and spectre-thin, and dies; Where but to think is to be full of sorrow And leaden-eyed despairs, Where Beauty cannot keep her lustrous eyes, Or new Love pine at them beyond to-morrow. Away! away! for I will fly to thee, Not charioted by Bacchus and his pards, But on the viewless wings of Poesy, Though the dull brain perplexes and retards: Already with thee! tender is the night, And haply the Queen-Moon is on her throne, Cluster'd around by all her starry Fays; But here there is no light, Save what from heaven is with the breezes blown Through verdurous glooms and winding mossy ways. I cannot see what flowers are at my feet, Nor what soft incense hangs upon the boughs, But, in embalmed darkness, guess each sweet Wherewith the seasonable month endows The grass, the thicket, and the fruit-tree wild; White hawthorn, and the pastoral eglantine; Fast fading violets cover'd up in leaves; And mid-May's eldest child, The coming musk-rose, full of dewy wine, The murmurous haunt of flies on summer eves. Darkling I listen; and, for many a time I have been half in love with easeful Death, Call'd him soft names in many a mused rhyme, To take into the air my quiet breath; Now more than ever seems it rich to die, To cease upon the midnight with no pain, While thou art pouring forth thy soul abroad Thou wast not born for death, immortal Bird! No hungry generations tread thee down; The voice I hear this passing night was heard In ancient days by emperor and clown: Perhaps the self-same song that found a path Through the sad heart of Ruth, when, sick for home, She stood in tears amid the alien corn; The same that oft-times hath Charm'd magic casements, opening on the foam Of perilous seas, in faery lands forlorn. Forlorn! the very word is like a bell To toll me back from thee to my sole self! Adieu! the fancy cannot cheat so well As she is fam'd to do, deceiving elf. Adieu! adieu! thy plaintive anthem fades Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream? Fled is that music:—Do I wake or sleep? - Ode to a Nightingale
John Keats (The Complete Poems)
Go get her,' Amren hissed. 'Right now.' 'No,' I said, and hated the word. They gaped at me, and I wanted to roar at the sight of the blood coating them, at my unconscious and suffering brothers on the carpet before them. But I managed to say to my cousin, 'Weren't you listening to what Feyre said to him? She promised to destroy him- from within.' Mor's face paled, her magic flaring on Azriel's chest. 'She's going into that house to take him down. To take them all down.' I nodded. 'She is now a spy- with a direct line t me. What the King of Hybern does, where he goes, what his plans are, she will know. And report back.' Far between us, faint and soft, hidden so none might find it... between us lay a whisper of colour, and joy, of light and shadow- a whisper of her. Our bond. 'She's your mate,' Amren bit at me. 'Not your spy. Go get her.' 'She is my mate. And my spy,' I said too quietly. 'And she is the High Lady of the Night Court.' 'What?' Mor whispered. I caressed a mental finger down that bond now hidden deep, deep within us, and said, 'If they had removed her other glove, they would have seen a second tattoo on her right arm. The twin to the other. Inked last night, when we crept out, found a priestess, and I swore her in as my High Lady.' 'Not- not consort,' Amren blurted, blinking. I hadn't seen her surprised in... centuries. 'Not consort, not wife. Feyre is High Lady of the Night Court.' My equal in every way; she would wear my crown, sit on a throne beside mine. Never sidelined, never deigned to breeding and parties and child-rearing. My queen. As if in answer, a glimmer of love shuddered down the bond. I clamped down on the relief that threatened to shatter any calm I feigned having. 'You mean to tell me,' Mor breathed, 'that my High Lady is now surrounded by enemies?' A lethal sort of calm crept over her tear-stained face. 'I mean to tell you,' I said, watching the blood clot on Cassian's wings with Amren's tending. Beneath Mor's own hands. Azriel's bleeding at least eased. Enough to keep them alive until the healer got here. 'I mean to tell you,' I said again, my power building and rubbing itself against my skin, my bones, desperate to be unleashed upon the world, 'that your High Lady made a sacrifice for her court- and we will move when the time is right.' Perhaps Lucien being Elain's mate would help- somehow, I'd find a way. And then I'd assist my mate in ripping the Spring Court, Ianthe, those mortal queens, and the King of Hybern to shreds. Slowly. 'Until then?' Amren demanded. 'What of the Cauldron- of the book?' 'Until then,' I said, staring toward the door as if I might see her walk through it, laughing and vibrant and beautiful, 'we got to war.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Please,' she says, her head bent. 'Please. You must try to break the curse. I know that you are the queen by right and that you may not want him back, but-' If anything could have increased my astonishment, it was that. 'You think that I'd-' 'I didn't know you, before,' she says, the anguish clear in her voice. There is a hitch in her breath that comes with weeping. 'I thought you were just some mortal.' I have to bite my tongue at that, but I don't interrupt her. 'When you became his seneschal, I told myself that he wanted you for your lying tongue. Or because you'd become biddable, although you never were before. I should have believed you when you told him he didn't know the least of what you could do. 'While you were in exile, I got more of the story out of him. I know you don't believe this, but Cardan and I were friends before we were lovers, before Locke. He was my first friend when I came here from the Undersea. And we were friends, even after everything. I hate that he loves you.' 'He hated it, too,' I say with a laugh that sounds more brittle than I'd like. Nicasia fixes me with a long look. 'No, he didn't.' To that, I can only be silent. 'He frightens the Folk, but he's not what you think he is,' Nicasia says. 'Do you remember the servants that Balekin had? The human servants?' I nod mutely. Of course I remember. I will never forget Sophie and her pockets full of stones. 'They'd go missing sometimes, and there were rumours that Cardan hurt them, but it wasn't true. He'd return them to the mortal world.' I admit, I'm surprised. 'Why?' She throws up a hand. 'I don't know! Perhaps to annoy his brother. But you're human, so I thought you'd like that he did it. And he sent you a gown. For the coronation.' I remember it- the ball gown in the colours of the night, with the stark outlines of trees stitched on it and the crystals for stars. A thousand times more beautiful than the dress I commissioned. I had thought perhaps it came from Prince Dain, since it was his coronation and I'd sworn to be his creature when I'd joined the Court of Shadows. 'He never told you, did he?' Nicasia says. 'So see? Those are two nice things about him you didn't know. And I saw the way you used to look at him when you didn't think anyone was watching you.' I bite the inside of my cheek, embarrassed despite the fact that we were lovers, and wed, and it should hardly be a secret that we like each other. 'So promise me,' she says. 'Promise me you'll help him.' I think of the golden bridle, about the future the stars predicted. 'I don't know how to break the curse,' I say, all the tears I haven't shed welling up in my eyes. 'If I could, do you think i would be at this stupid banquet? Tell me what I must slay, what I must steal, tell me the riddle I must solve or the hag I must trick. Only tell me the way, and I will do it, no matter the danger, no matter the hardship, no matter the cost.' My voice breaks. She gives me a steady look. Whatever else I might think of her, she really does care for Cardan. And as tears roll down my cheeks, to her astonishment, I think she realises I do, too. Much good it does him.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Your Eve was wise, John. She knew that Paradise would make her mad, if she were to live forever with Adam and know no other thing but strawberries and tigers and rivers of milk. She knew they would tire of these things, and each other. They would grow to hate every fruit, every stone, every creature they touched. Yet where could they go to find any new thing? It takes strength to live in Paradise and not collapse under the weight of it. It is every day a trial. And so Eve gave her lover the gift of time, time to the timeless, so that they could grasp at happiness. ... And this is what Queen Abir gave to us, her apple in the garden, her wisdom--without which we might all have leapt into the Rimal in a century. The rite bears her name still. For she knew the alchemy of demarcation far better than any clock, and decreed that every third century husbands and wives should separate, customs should shift and parchmenters become architects, architects farmers of geese and monkeys, Kings should become fishermen, and fishermen become players of scenes. Mothers and fathers should leave their children and go forth to get other sons and daughters, or to get none if that was their wish. On the roads of Pentexore folk might meet who were once famous lovers, or a mother and child of uncommon devotion--and they would laugh, and remember, but call each other by new names, and begin again as friends, or sisters, or lovers, or enemies. And some time hence all things would be tossed up into the air once more and land in some other pattern. If not for this, how fastened, how frozen we would be, bound to one self, forever a mother, forever a child. We anticipate this refurbishing of the world like children at a holiday. We never know what we will be, who we will love in our new, brave life, how deeply we will wish and yearn and hope for who knows what impossible thing! Well, we anticipate it. There is fear too, and grief. There is shaking, and a worry deep in the bone. Only the Oinokha remains herself for all time--that is her sacrifice for us. There is sadness in all this, of course--and poets with long elegant noses have sung ballads full of tears that break at one blow the hearts of a flock of passing crows! But even the most ardent lover or doting father has only two hundred years to wait until he may try again at the wheel of the world, and perhaps the wheel will return his wife or his son to him. Perhaps not. Wheels, and worlds, are cruel. Time to the timeless, apples to those who live without hunger. There is nothing so sweet and so bitter, nothing so fine and so sharp.
Catherynne M. Valente (The Habitation of the Blessed (A Dirge for Prester John, #1))