Queen Of Nothing Quotes

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Come home and shout at me. Come home and fight with me. Come home and break my heart, if you must.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
By you, I am forever undone.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
She was fire, and light, and ash, and embers. She was Aelin Fireheart, and she bowed for no one and nothing, save the crown that was hers by blood and survival and triumph.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
For there is nothing lost, that may be found, if sought.
Edmund Spenser (The Faerie Queene)
Mock me all you like. Whatever I imagined then, now it is I who would beg and grovel for a kind word from your lips." His eyes are black with desire. "By you, I am forever undone.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
It’s you I love,” he says. “I spent much of my life guarding my heart. I guarded it so well that I could behave as though I didn’t have one at all. Even now, it is a shabby, worm-eaten, and scabrous thing. But it is yours.” He walks to the door to the royal chambers, as though to end the conversation. “You probably guessed as much,” he says. “But just in case you didn’t.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Jude, you can't really think I don't know it's you. I knew you from the moment you walked into the brugh.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
There's nothing wrong with being different.
Victoria Aveyard (Red Queen (Red Queen, #1))
I missed you," I whisper against his skin and feel dizzy with the intimacy of the admission, feel more naked than when he could see every inch of me. "In the mortal world, when I thought you were my enemy, I still missed you." "My sweet nemesis, how glad I am that you returned.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I feel like a constellation of wounds, held together with string and stubbornness.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
And yet my heart is buried with you in the strange soil of the mortal world, as it was drowned with you in the cold waters of the undersea. It was yours before I could ever admit it, and yours it shall ever remain.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
This is my room,” he points out, affronted. “And that’s my wife.” “So you keep telling everyone,” the Bomb says. “But I am going to take out her stitches, and I don’t think you want to watch that.” “Oh, I don’t know,” I say. “Maybe he’d like to hear me scream.” “I would,” Cardan says, standing. “And perhaps one day I will.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
No, I won’t help you. No, I won’t hear you explain why I should. It really is a magical word: no. You say whatever bullshit you want and I just say no.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I've noticed the Fair Folk often say 'perhaps' when there is a truth they want to hide," Clary said. "It keeps you from having to give a straight answer." "Perhaps so," said the Queen with an amused smile. "'Mayhap' is a good word too," Alec suggested. "Also 'perchance,'" Izzy said. "I see nothing wrong with 'maybe'," said Simon. "A little modern, but the gist of the idea comes across.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
I think of his riddle. How do people like us take off our armor? One piece at a time.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
You and I are nothing but wild beasts wearing human skins.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
But unlike you," said Jace, "there is nothing of hell in us." "You are mortal; you age; you die," the Queen said dismissively. "If that is not hell, pray tell me, what is?
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Perhaps you could just allow yourself to be rescued," Cardan says. "For once.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Come be angry at a nearer distance
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Tell me what I must slay, what I must steal, tell me the riddle I must solve or the hag I must trick. Only tell me the way, and I will do it, no matter the danger, no matter the hardship, no matter the cost.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
My sweet nemesis , how glad I am that you returned
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
You don't know how long I've waited to hear those words," he says. "You don't want me dead.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I start to speak, but he stops me with a gesture. “And you.” He looks at me, his lips curving in something that’s not quite a smile; it’s more and less than that. “I knew little else, but I always knew you.” And when he kisses me, I feel as though I can finally breathe again.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
There is no banquet too abundant for a starving man.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
That's what mortal means," I say with a sigh that I don't have to fake. "We die. Think of us like shooting stars, brief but bright.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Mortals are fragile,' I say. 'Not you,' he says in a way that sounds a little like a lament. 'You never break.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I suppose that's why I love you." His eyes flew open and his face lit in an extraordinary grin. "All Saints, say it again." "I will not." "You must." "I'm the queen. I must do nothing but please myself." "Would it please you to kiss me?
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
I'll make the other scream for you, Mare, every last one. Not just your parents. Not just your siblings. But every single one like you. I'm going to find them, and they will die with you in their thoughts, knowing this is the fate you have brought them. I am the king and you could've been my Red Queen. Now you are nothing.
Victoria Aveyard (Red Queen (Red Queen, #1))
I’m going to go back and stop your son from killing her.” The queen’s face fell. For a moment, she looked as old as the years she’d spent lying in a suspended state. “That is not a small mistake to fix. If you do this, Time will take something equally valuable from you.” The Fate gave the queen a look more vicious than any curse. “There is nothing of equal value to me.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
That boy is your weakness.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I learned long ago that you don't get in the middle of a lover's spat. Nothing EVER goes as planned - People fall in love with the wrong person, someone ends up with a donkey head and then its a whole big mess. - Puck
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
I am the Queen of Elfhame. Even though I am the queen in exile, I am still the queen. And that means Madoc isn’t just trying to take Cardan’s throne. He’s trying to take mine.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Mare?" "Are you afraid, Maven?" "I am. I'm afraid of failing. I'm afraid of letting this opportunity pass us by. And I'm afraid of what happens if nothing in this world ever changes. That scares me more than dying.
Victoria Aveyard (Red Queen (Red Queen, #1))
Seelie and Unseelie, Wild Folk and Shy Folk, I am glad to have you march under my banner, glad of your loyalty, grateful for your honor.” His gaze goes to me. “To you, I offer honey wine and the hospitality of my table. But to traitors and oath breakers, I offer my queen’s hospitality instead. The hospitality of knives.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Maybe it isn't the worst thing to want to be loved, even if you're not. Even if it hurts. Maybe being human isn't always being weak. Maybe it was the shame that was the problem.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Well, even if the serpent bites off your head,” says Tatterfell, “the rest of you will still look good.” “That’s the spirit,” I tell her.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I raise a plastic glass. “To family.” “And Faerieland,” says Taryn, raising hers. “And pizza,” says Oak. “And stories,” says Heather. “And new beginnings,” says Vivi. Cardan smiles, his gaze on me. “And scheming great schemes.” To family and Faerieland and pizza and stories and new beginnings and scheming great schemes. I can toast to that.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
She was the heir of fire. She was fire, and light, and ash, and embers. She was Aelin Fireheart, and she bowed for no one and nothing, save the crown that was hers by blood and survival and triumph.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
It isn't an easy thing to give your loyalty to someone you don't know, especially when that person chooses to reveal nothing of himself.
Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
She's my wife," Cardan says, his voice carrying over the crowd. "The rightful High Queen of Elfhame. And most definitely not in exile.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
For whatsoever from one place doth fall, Is with the tide unto an other brought: For there is nothing lost, that may be found, if sought.
Edmund Spenser (The Faerie Queene)
It’s ridiculous the way everyone acts like killing a king is going to make someone better at being one,” Vivi says. “Imagine if, in the mortal world, a lawyer passed the bar by killing another lawyer.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
If you are gone then I will welcome nonexistence. There will be nothing left for me to live for.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
When you are on the dancefloor, there is nothing to do but dance.
Umberto Eco (The Mysterious Flame Of Queen Loana)
I recall that your hands were on her, but her eyes were on me,' Cardan returns.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Oh, that," said the king with a shrug. "That isn't your honor, Costis. That's the public perception of your honor. It has nothing to do with anything important, except perhaps for manipulating fools who mistake honor for its bright, shiny trappings. You can always change the perceptions of fools.
Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
The Fate gave the queen a look more vicious than any curse. 'There is nothing of equal value to me.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
Clap her in chains," says Randalin. Never have I so wished there was a way for me to show I was telling the truth. But there isn't. No oath of mine carries any weight. I feel a guard's hand close on my arm. Then Cardan's voice comes. "Do not touch her." A terrible silence follows. I wait for him to pronounce judgement on me. Whatever he commands will be done. His power is absolute. I don't even have the strength to fight back. "Whatever can you mean?" Randalin says. "She's-" "She is my wife," Cardan says, his voice carrying over the crowd. "The rightful High Queen of Elfhame. And most definitely not in exile.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I was a princess made of ashes; there is nothing left of me to burn. Now it's time for a queen to rise.
Laura Sebastian (Ash Princess (Ash Princess Trilogy, #1))
I would settle for even his worst self, his cruelest trickster self, if only he could be here." -Jude Duarte
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
All power is cursed,” I say. “The most terrible among us will do anything to get it, and those who’d wield power best don’t want it thrust upon them. But that doesn’t mean they can avoid their responsibilities forever.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I'm red, I'm nothing, and I can still make you fall.
Victoria Aveyard (Red Queen (Red Queen, #1))
You love him, too, I think. You’ve loved him since before you were a prisoner of the Undersea. You loved him when you agreed to marry him. Once this is over, I will find the bravery to tell him.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
There is nothing more terrible than a spurned faery queen, particularly if you defy her a second time. I escaped the Winter Court with my life intact, but just barely, and I won't be returning anytime soon. My loyalty - and my heart - belongs to another queen now.
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
He looks every inch a spy from the Court of Shadows, down to the sneaky smile pulling at the corner of his beautiful mouth.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
There is nothing so terrible as a story untold.
Victoria Aveyard (Queen Song (Red Queen, #0.1))
Vivi blows a noisemaker. “Here,” she says, passing out paper crowns for us to wear. “This is ridiculous,” I complain, but put mine on. Cardan looks at his reflection in the door of the microwave and adjusts his crown so it’s at an angle. I roll my eyes, and he gives me a quick grin.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Most people write me off when they see me. They do not know my story. They say I am just an African. They judge me before they get to know me. What they do not know is The pride I have in the blood that runs through my veins; The pride I have in my rich culture and the history of my people; The pride I have in my strong family ties and the deep connection to my community; The pride I have in the African music, African art, and African dance; The pride I have in my name and the meaning behind it. Just as my name has meaning, I too will live my life with meaning. So you think I am nothing? Don’t worry about what I am now, For what I will be, I am gradually becoming. I will raise my head high wherever I go Because of my African pride, And nobody will take that away from me.
Idowu Koyenikan (Wealth for all Africans: How Every African Can Live the Life of Their Dreams)
Some night soon, I'll sneak back in here and we can eat chocolates until we vomit." "We're such refined, genteel ladies." "Please," Lysandra said, waving a manicured hand, "you and I are nothing but wild beasts wearing human skins. Don't even try to deny it.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
It’s you I love,” he says. ”I spent much of my life guarding my heart. I guarded it so well that I could behave as though I didn’t have one at all. Even now, it is a shabby, worm-eaten, and scabrous thing. But it is yours.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
The two princes stared at each other, one gold and one silver, one her twin and one her soul-bonded. There was nothing friendly in the stares, nothing human - two Fae males locked in some unspoken dominance battle.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Maybe I even miss being afraid. I feel as though I am dreaming away my days, restless, never fully awake.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I am the Queen of Elfhame. Even though I am the queen in exile, I am still the queen. And that means Madoc isn't just trying to take Cardon's throne. He's trying to take mine.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I can give her no greater power than she has already, said the woman; don't you see how strong that is? How men and animals are obliged to serve her, and how well she has got through the world, barefooted as she is. She cannot receive any power from me greater than she now has, which consists in her own purity and innocence of heart. If she cannot herself obtain access to the Snow Queen, and remove the glass fragments from little Kay, we can do nothing to help her.
Hans Christian Andersen (The Snow Queen (Everyman's Library Children's Classics Series))
We have lived in our armor for so long, you and I. And now I am not sure if either of us knows how to removes it.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Aelin hissed, "Need I remind you Captain, that you went to Endovier and did not blink at the slaves and the mass graves? Need I remind you that I was starved and chained and you let Duke Perrington force me to the ground at Dorian's feet while you did nothing? And now you have the nerve to accuse me of not caring, when many of the people in this city have profited off the blood and misery of the very people you ignored?
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Mortals are fragile," I say. "Not you," he says in a way that sounds a little like a lament. "You never break." Which is ridiculous, as hurt as I am. I feel like a constellation of wounds, held together with string and stubbornness. Still, I like hearing it. I like everything he's saying all too well. That boy is your weakness.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Everything- everything was for Dorian, for his friend. For himself, he had nothing left to lose. He was nothing more than a nameless oath-breaker, a liar, a traitor.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
In the mortal world, when I thought you were my enemy, I still missed you.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Your Majesty, you just-" Costis stopped. "Just what?" the king prompted wickedly. Nothing would induce Costis to say out loud that the king had almost fallen from the palace wall and that Costis had seen him manifestly saved by the God of Thieves. The king smiled. "Cat got your tongue?" "Your Majesty, you are drunk," Costis pleaded. "I am. What's your excuse?
Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
Above me is the same silvery moon that shines down on you. Looking at it makes me recall the glint of your blade pressed against my throat and other romantic moments.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
And if the serpent grows in monstrousness and corruption, if it poisons the land of Elfhame itself, then let me be the queen of monsters. Let me rule over that blackened land with my redcap father as a puppet by my side. Let me be feared and never again afraid.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
This is the Manifesto of Little Monster There is something heroic about the way my fans operate their cameras. So precisely, so intricately and so proudly. Like Kings writing the history of their people, is their prolific nature that both creates and procures what will later be percieved as the kingdom. So the real truth about Lady Gaga fans, my little monsters, lies in this sentiment: They are the Kings. They are the Queens. They write the hisory of the kingdom and I am something of a devoted Jester. It is in the theory of perception that we have established our bond, or the lie I should say, for which we kill. We are nothing without our image. Without our projection. Without the spiritual hologram of who we percieve ourselves to be or rather to become, in the future. When you are lonely, I will be lonely too. And this is the fame.
Lady Gaga
I haul around and slap him. It’s a stinging blow, smearing the gold on his cheekbone and causing his skin to redden. We stare at each other for long moments, breathing hard. His eyes are bright with something entirely different from anger. I am in over my head. I am drowning.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
He presses his mouth to the pulse point of my wrist, racing in time with my heart. “Mock me all you like. Whatever I imagined then, now it is I who would beg and grovel for a kind word from your lips.” His eyes are black with desire. “By you, I am forever undone.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
...He kissed me again, farther up my neck, and I pushed him back against the wall. My mind searched for the logical thought, a rational life raft before I drowned in wanting to hiss him. I managed, "We've only met a few days ago. We don't know each other." Luke released me. "How long does it take to know someone?" I didn't know. "A month? A few months?" It sounded stupid to quantify it, especially when I didn't want to believe my own reasoning. But I couldn't just go kissing someone I knew nothing about-- it went against everything I'd ever been told. So why was it so hard to say no? He took my fingers, playing with them in between his own. "I'll wait." He looked so good in the half-light under the trees, his light eyes nearly glowing against his shadowed skin. It was useless. "I don't want you to." I whispered the words, and before I'd even finished saying them, his mouth was on mine and I was melting under his lips.
Maggie Stiefvater (Lament: The Faerie Queen's Deception (Books of Faerie, #1))
In the palace, during my imprisonment, I learned that Maven had been made by his mother, formed into the monster he became. There is nothing on earth that can change him or what she did. But Cal was made too. All of us were made by someone else, and all of us have some thread of steel that nothing and no one can cut.
Victoria Aveyard (King's Cage (Red Queen, #3))
Jude. You are in no mood for games, very well. I am in no mood for them, either. Let me write it outright; You are pardoned. I revoke your banishment. I rescind my words. Come home. Come home and shout at me. Come home and fight with me. Come home and break my heart, if you must. Just come home.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I’d suggest we go get milk shakes or something to celebrate, but this is kind of a scary neighborhood.” “Shadowhunters don’t worry about scary neighborhoods,” said Dru. “Have you learned nothing from the way Batman’s parents died?” said Kit, feigning shock. Ty smiled. And for the first time since Livvy had died, Dru laughed.
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
Cardan gazes at a rosebush with petals so black and glossy they look like patent leather. ¨It was terrifying,¨ he says, ¨watching you fall. I mean, you´re generally terrifying, but I am unused to fearing for you. And then I was furious. I am not sure I have ever been that angry before.¨ ¨Mortals are fragile,¨ I say. ¨Not you,¨ he says in a way that sounds a little like a lament. ¨You never break.¨ Page 159
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
He looked gravely at the king. "It isn't an easy thing to give your loyalty to someone you don't know, especially when that person chooses to reveal nothing of himself. But no matter, Your Majesty. You are revealed at last." The king looked down at his nakedness and back at the captain. "Was that a joke?" he asked.
Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
Mare,” he whispers. “Choose me.” Choose a crown. Choose another king’s cage. Choose a betrayal to everything you’ve bled for. I find my thread of steel too. Thin but unbreakable. “I am in love with you, and I want you more than anything else in the world.” His words sound hollow coming from me. “Anything else in this world.” Slowly, my eyelids flutter open. He finds the spine to match my gaze. “Think what we could do together,” he murmurs, trying to pull me closer. My feet hold firm. “You know what you are to me. Without you, I have no one. I am alone. I have nothing left. Don’t leave me alone.” My breathing turns ragged. I kiss him for what could be, what might be, what will be—the last time. His lips feel strangely cold as we both turn to ice. “You aren’t alone.” The hope in his eyes cuts deeply. “You have your crown.
Victoria Aveyard (King's Cage (Red Queen, #3))
We do not look back, Chaol. It helps no one and nothing to look back. We can only go on.” There she was, that queen looking out at him, a hint of the ruler she was becoming. And it knocked the breath out of him, because it made him feel so strangely young—when she now seemed so old. “What if we go on,” he said, “only to more pain and despair? What if we go on, only to find a horrible end waiting for us?” Aelin looked northward, as if she could see all the way to Terrasen. “Then it is not the end.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.” Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?” … “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.” “You don’t have to do this, Clary, it’s a trick—” (Simon) ...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.” “That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too. Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count. He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said. Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough. His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud... His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up. ...If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?” The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
When you shatter the chains of this world and forge the next, remember that art is as vital as food to a kingdom. Without it, a kingdom is nothing, and will be forgotten by time. I have amassed enough money in my miserable life to not need any more—so you will understand me clearly when I say that wherever you set your throne, no matter how long it takes, I will come to you, and I will bring music and dancing.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
My son the general!" King Tiberias booms, his proud voice cutting through the din of the party. For a second, when he pulls Cal close, putting an arm around his son, I forget he's a king. I almost understand Cal's need to please him. What would I give to see my mother look at me like that, back when I was nothing but a thief? What would I give now? This world is Silver, but it is also gray. There is no black-and-white.
Victoria Aveyard (Red Queen (Red Queen, #1))
It's my motto," said Isabelle, with a sultry smile. 'Nothing less than seven inches.' Meliorn gazed at her stonily. 'I'm talking about my heels,' she said. " It's a pun. You know? A play on-" "Come," the faerie knight said. "The Queen will be growing impatient." He headed down the corridor without giving Isabelle a second glance. "I forgot," Isabelle muttered as the rest of them caught up to her. " Faeries have no sense of humor." "Oh, I wouldn't say that," said Jace. "There's a pixie night club called Hot Wings. Not," he added," that I have ever been there.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Nothing is so easy as to deceive one’s self when one does not lack wit and is familiar with all the niceties of language. Language is a prostitute queen who descends and rises to all roles. Disguises herself, arrays herself in fine apparel, hides her head and effaces herself; an advocate who has an answer for everything, who has always foreseen everything, and who assumes a thousand forms in order to be right. The most honorable of men is he who thinks best and acts best, but the most powerful is he who is best able to talk and write
George Sand (Indiana)
For the special thrilling quality of their friendship was in their complete surrender. Like two open cities in the midst of some vast plain their two minds lay open to each other. And it wasn't as if he rode into hers like a conqueror, armed to the eyebrows and seeing nothing but a gay silken flutter--nor did she enter his like a queen walking on soft petals. No, they were eager, serious travellers, absorbed in understanding what was to be seen and discovering what was hidden--making the most of this extraordinary absolute chance which made it possible for him to be utterly truthful to her and for her to be utterly sincere with him.
Katherine Mansfield (The Collected Stories)
While this is all very amusing," said the Queen coolly, leaning forward, "the kiss that will free the girl is the kiss that she most desires." The cruel delight in her face and voice had sharpened, and her words seemed to stab into Clary's ears like needles. "Only that and nothing more." Simon looked as if she had hit him. Clary wanted to reach out to him, but she stood frozen to the spot, too horrified to move. "Why are you doing this?" Jace demanded. "I rather thought I was offering you a boon." Jace flushed, but said nothing. He avoided looking at Clary. Simon said, "That's ridiculous. They're brother and sister." The Queen shrugged, a delicate twitch of her shoulders. "Desire is not always lessened by disgust. Nor can it be bestowed, like a favor, to those most deserving of it.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
When you're washing up, pray. Be thankful that there are plates to be washed; that means there was food, that you fed someone, that you're lavished care on one or more people, that you cooked and laid the table. ... There are women who say: "I'm not going to do the washing up let the men do it." Fine, let the men do it if they want to, but that has nothing to do with equality ... I'd be accused of working against the feminist cause. Nonsense! As if washing up or wearing a bra or having someone open or close a door could be humiliating to me as a woman. The fact is, I love it when a man opens the door for me. ... in my soul is written: "I'm being treated like a goddess. I'm a queen.
Paulo Coelho
I can't bury another friend." "You won't." "If anything ever happened to you, Rowan-" "Don't" he breathed. "Don't even say it. We dealt with that enough the other night." He lifted a hand - hesitated, and then brushed back a strand of hair that had fallen across her face. His callused fingers scrapped against her cheekbone, then caressed the shell of her ear. It was foolish to even start down that road, when every other man she'd let in had left some wound, in one way or another, accidentally or not. There was nothing tender in his face. Only a predator's glittering gaze. "When we get back," he said, "remind me to prove you wrong about every thought that just went through your head." She lifted an eyebrow. "Oh?" He gave her a sly smile that made thinking impossible. Exactly what he wanted - to distract her from the horrors of tomorrow. "I'll even let you decide how I tell you: with words"- his eyes flickered once to her mouth- "or with my teeth and tongue.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time. The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is. There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside. Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
Bob Dylan (Chronicles, Volume One)
The most important thing we've learned, So far as children are concerned, Is never, NEVER, NEVER let Them near your television set -- Or better still, just don't install The idiotic thing at all. In almost every house we've been, We've watched them gaping at the screen. They loll and slop and lounge about, And stare until their eyes pop out. (Last week in someone's place we saw A dozen eyeballs on the floor.) They sit and stare and stare and sit Until they're hypnotised by it, Until they're absolutely drunk With all that shocking ghastly junk. Oh yes, we know it keeps them still, They don't climb out the window sill, They never fight or kick or punch, They leave you free to cook the lunch And wash the dishes in the sink -- But did you ever stop to think, To wonder just exactly what This does to your beloved tot? IT ROTS THE SENSE IN THE HEAD! IT KILLS IMAGINATION DEAD! IT CLOGS AND CLUTTERS UP THE MIND! IT MAKES A CHILD SO DULL AND BLIND HE CAN NO LONGER UNDERSTAND A FANTASY, A FAIRYLAND! HIS BRAIN BECOMES AS SOFT AS CHEESE! HIS POWERS OF THINKING RUST AND FREEZE! HE CANNOT THINK -- HE ONLY SEES! 'All right!' you'll cry. 'All right!' you'll say, 'But if we take the set away, What shall we do to entertain Our darling children? Please explain!' We'll answer this by asking you, 'What used the darling ones to do? 'How used they keep themselves contented Before this monster was invented?' Have you forgotten? Don't you know? We'll say it very loud and slow: THEY ... USED ... TO ... READ! They'd READ and READ, AND READ and READ, and then proceed To READ some more. Great Scott! Gadzooks! One half their lives was reading books! The nursery shelves held books galore! Books cluttered up the nursery floor! And in the bedroom, by the bed, More books were waiting to be read! Such wondrous, fine, fantastic tales Of dragons, gypsies, queens, and whales And treasure isles, and distant shores Where smugglers rowed with muffled oars, And pirates wearing purple pants, And sailing ships and elephants, And cannibals crouching 'round the pot, Stirring away at something hot. (It smells so good, what can it be? Good gracious, it's Penelope.) The younger ones had Beatrix Potter With Mr. Tod, the dirty rotter, And Squirrel Nutkin, Pigling Bland, And Mrs. Tiggy-Winkle and- Just How The Camel Got His Hump, And How the Monkey Lost His Rump, And Mr. Toad, and bless my soul, There's Mr. Rat and Mr. Mole- Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books, Ignoring all the dirty looks, The screams and yells, the bites and kicks, And children hitting you with sticks- Fear not, because we promise you That, in about a week or two Of having nothing else to do, They'll now begin to feel the need Of having something to read. And once they start -- oh boy, oh boy! You watch the slowly growing joy That fills their hearts. They'll grow so keen They'll wonder what they'd ever seen In that ridiculous machine, That nauseating, foul, unclean, Repulsive television screen! And later, each and every kid Will love you more for what you did.
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
December 27, 11:00 p.m. My Dear America, I’ve never written a love letter, so forgive me if I fail now. . . . The simple thing would be to say that I love you. But, in truth, it’s so much more than that. I want you, America. I need you. I’ve held back so much from you out of fear. I’m afraid that if I show you everything at once, it will overwhelm you, and you’ll run away. I’m afraid that somewhere in the back of your heart is a love for someone else that will never die. I’m afraid that I will make a mistake again, something so huge that you retreat into that silent world of yours. No scolding from a tutor, no lashing from my father, no isolation in my youth has ever hurt me so much as you separating yourself from me. I keep thinking that it’s there, waiting to come back and strike me. So I’ve held on to all my options, fearing that the moment I wipe them away, you will be standing there with your arms closed, happy to be my friend but unable to be my equal, my queen, my wife. And for you to be my wife is all I want in the world. I love you. I was afraid to admit it for a long time, but I know it now. I would never rejoice in the loss of your father, the sadness you’ve felt since he passed, or the emptiness I’ve experienced since you left. But I’m so grateful that you had to go. I’m not sure how long it would have taken for me to figure this out if I hadn’t had to start trying to imagine a life without you. I know now, with absolute certainty, that is nothing I want. I wish I was as true an artist as you so that I could find a way to tell you what you’ve become to me. America, my love, you are sunlight falling through trees. You are laughter that breaks through sadness. You are the breeze on a too-warm day. You are clarity in the midst of confusion. You are not the world, but you are everything that makes the world good. Without you, my life would still exist, but that’s all it would manage to do. You said that to get things right one of us would have to take a leap of faith. I think I’ve discovered the canyon that must be leaped, and I hope to find you waiting for me on the other side. I love you, America. Yours forever, Maxon
Kiera Cass (The One (The Selection, #3))
Hey". Meghan's fingers on my arm nearly made me jump out of my skin. She smiled up at me, though her eyes were puzzled. "You seem awfully nervous this morning. Is something wrong?" Now or never, Ash. I took a deep breath. "No", I replied, turning to her, "Nothing's wrong, but I did want to ask you something. Come here a moment." Taking both her hands, I backed away to the middle of the floor, to an open space in front of the curtains. She followed, still wearing a bemused expression, and I paused a moment to gather my thoughts. "I don't...know how it's done in your world", I began, as she tilted her head at me. "I've seen it before...but, I'm not sure how to ask. It never really comes up in the Winter Court." Meghan blinked, frowning slightly. "What do you mean?" "I know my role here," I continued. "Whatever happens, I'm still your knight, and nothing will change that. You are queen of this realm, and I have no desire to rule. That said, fighting your enemies, standing with you no matter what comes at us. But I'm no longer satisfied with just being your knight and protector. I want something more". I stopped and took a deep breath, then slowly released her hands, stepped back and sank to one knee. "What I'm trying to ask is...Meghan Chase, will you do me the honor of marrying me?
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
There were nights when I got nothing, [but] I still played. With no one to hear me and no one to pay me, and it did not matter. On those nights, the words were for me alone. They came up unbidden from my heart. They slipped over my tongue and spilled from my mouth. And because of them I, who was nothing and nobody, was a prince of Denmark, a maid of Verona, a queen of Egypt. I was a sour misanthrope, a beetling hypocrite, a conjurer's daughter, a mad and murderous king. It was dark and it was cold on those nights. The world was harsh and I was hungry. Yet I had such joy from the words. Such joy. There were times when I lifted my face to the sky, stretched my arms wide to the winter night, and laughed out loud, so happy was I. The memory of it makes me laugh now, but not from happiness. Be careful what you show the world. You never know when the wolf is watching.
Jennifer Donnelly (Revolution)
Your Royal Bloody Pain in My Back, We're bloody waiting here to talk to you, and we're getting angry perturbed. (That means angry.) Thom says that you're a queen now, but I figure that changes nothing, sense you acted like a queen all the time anyway. Don't forget that I carried halled your pretty little backside out of a hole in Tear, but you acted like a queen then, so I guess I don't know why I'm surprised now that you act like one when you really are a queen. So I'm thinking I should treat you like a bloody Queen and send you a bloody letter and all, speaking with high talk and getting your attention. I even used my ring as a signet, like it was paper proper. So here my formal salutation. So BLOODY STOP TURNING ME AWAY so we can talk. I need your bellfounders. It's bloody important. --Mat p.s. Salutation means greeting. p.p.s. Don't mind the scratched out words and bad spellings. I was going to rewrite this letter, but Thom is laffing so hard at me that I want to be done. p.p.s. Don't mind me calling your backside pretty. I hardly ever spent any time looking at it, as I've an awareness that you'd pull my eyes out if you saw me. Besides, I'm married now, so that all doesn't matter.
Robert Jordan
I first started liking you when we went to talk to the rulers of the low Courts,” I say. “You were funny, which was weird. And when we went to Hollow Hall, you were clever. I kept remembering how you’d been the one to get us out of the brugh after Dain’s coronation, right before I put that knife to your throat.” He doesn’t try to interrupt, so I have no choice but to barrel on. “After I tricked you into being the High King,” I say. “I thought once you hated me, I could go back to hating you. But I didn’t. And I felt so stupid. I thought I would get my heart broken. I thought it was a weakness that you would use against me. But then you saved me from the Undersea when it would have been much more convenient to just leave me to rot. After that, I started to hope my feelings were returned. But then there was the exile—” I take a ragged breath. “I hid a lot, I guess. I thought if I didn’t, if I let myself love you, I would burn up like a match. Like the whole matchbook.” “But now you’ve explained it,” he says. “And you do love me.” “I love you,” I confirm. “Because I am clever and funny,” he says, smiling. “You didn’t mention my handsomeness.” “Or your deliciousness,” I say. “Although those are both good qualities.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Arobynn continued to pin her with that lover’s gaze. “Nothing is without a price.” He brushed a kiss against her cheekbone, his lips soft and warm. She fought the shudder that trembled through her, and made herself lean into him as he brought his mouth against her ear and whispered, “Tell me what I must do to atone; tell me to crawl over hot coals, to sleep on a bed of nails, to carve up my flesh. Say the word, and it is done. But let me care for you as I once did, before … before that madness poisoned my heart. Punish me, torture me, wreck me, but let me help you. Do this small thing for me—and let me lay the world at your feet.” Her throat went dry, and she pulled back far enough to look into that handsome, aristocratic face, the eyes shining with a grief and a predatory intent she could almost taste. If Arobynn knew about her history with Chaol, and had summoned the captain here … Had it been for information, to test her, or some grotesque way to assure himself of his dominance? “There is nothing—” “No—not yet,” he said, stepping away. “Don’t say it yet. Sleep on it. Though, before you do—perhaps pay a visit to the southeastern section of the tunnels tonight. You might find the person you’re looking for.” She kept her face still—bored even—as she tucked away the information. Arobynn moved toward the crowded room, where his three assassins were alert and ready, and then looked back at her. “If you are allowed to change so greatly in two years, may I not be permitted to have changed as well?
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))