Queen Of England Quotes

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The way I figure it, everyone gets a miracle. Like, I will probably never be struck by lightening, or win a Nobel Prize, or become the dictator of a small nation in the Pacific Islands, or contract terminal ear cancer, or spontaneously combust. But if you consider all the unlikely things together, at least one of them will probably happen to each of us. I could have seen it rain frogs. I could have stepped foot on Mars. I could have been eaten by a whale. I could have married the Queen of England or survived months at sea. But my miracle was different. My miracle was this: out of all the houses in all the subdivisions in all of Florida, I ended up living next door to Margo Roth Spiegelman.
John Green (Paper Towns)
I know I have but the body of a weak and feeble woman, but I have the heart and stomach of a king, and of a king of England too.
Elizabeth I
How stupid lovers can be! But if they were not, there would be no story.
Jean Plaidy (The Courts of Love (Queens of England, #5))
Men fight wars. Women win them.
Elizabeth I
Life is for living and working at. If you find anything or anybody a bore, the fault is in yourself.
Elizabeth I
We might, either of us, be Queen of England and yet we'll always be nothing to our family.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
Yes, but either way, shamed or not, I shall be Queen of England, and this is the last time you will sit in my presence.
Philippa Gregory (The Red Queen (The Plantagenet and Tudor Novels, #3))
All the things I've read in my school books about England and the Queen were okay, but my eyes are the greatest book in the world.
Michael Jackson
The Earl of Lancaster loudly spoke, “Piers Gaveston, this court finds you guilty of treason, of sodomy and sedition as well as many other crimes against God! You shall be taken to Blacklow Hill, which shall by your place of execution, and you shall be put to death by two of my Welsh soldiers! May God have mercy upon your soul!
Michael G. Kramer (Isabella Warrior Queen)
And therefore I am come amongst you at this time, not as for my recreation or sport, but being resolved, in the midst and heat of the battle, to live or die amongst you all; to lay down, for my God, and for my kingdom, and for my people, my honour and my blood, even the dust. I know I have but the body of a weak and feeble woman; but I have the heart of a king, and of a king of England, too.
Elizabeth I
I really believe there are some people who hate to contemplate the happiness of others.
Jean Plaidy (Victoria Victorious: The Story of Queen Victoria (Queens of England, #3))
I had a severe case of resting bitch face. If I had a dollar for every time some random person told me to smile, I would have more money than the Queen of England.
Jennifer L. Armentrout (Forever with You (Wait for You, #5))
There sitting in the middle of the bed with her pinky sticking out as she drank her tea like the damn queen of England, was my wife.
J.J. McAvoy (The Untouchables (Ruthless People, #2))
While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.” Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?” … “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.” “You don’t have to do this, Clary, it’s a trick—” (Simon) ...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.” “That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too. Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count. He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said. Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough. His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud... His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up. ...If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?” The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
When you shit, as you first sit down, you’re not fully in the experience yet. You are not yet a shitting person. You’re transitioning from a person about to shit to a person who is shitting. You don’t whip out your smartphone or a newspaper right away. It takes a minute to get the first shit out of the way and get in the zone and get comfortable. Once you reach that moment, that’s when it gets really nice. It’s a powerful experience, shitting. There’s something magical about it, profound even. I think God made humans shit in the way we do because it brings us back down to earth and gives us humility. I don’t care who you are, we all shit the same. Beyoncé shits. The pope shits. The Queen of England shits. When we shit we forget our airs and our graces, we forget how famous or how rich we are. All of that goes away. You
Trevor Noah (Born a Crime: Stories from a South African Childhood)
I can’t chitchat and make breakfast at the same time. You could help, you know, instead of standing there like the Queen of England. Although you’re a lot better-looking.
Susan Elizabeth Phillips
i confess i cannot help myself. i am imaginig my self as his wife. i suppose while im at it , i might as well imagine myself as queen of england,too.
Julianne MacLean
She steeled her spine. “Like Boleyn to the chopping block.” Anna smirked. “Queen of England, are we?” Mara shrugged. “Something to aspire to.
Sarah MacLean (No Good Duke Goes Unpunished (The Rules of Scoundrels, #3))
And once upon a time I wondered: Is writing epic fantasy not somehow a betrayal? Did I not somehow do a disservice to my own reality by paying so much attention to the power fantasies of disenchanted white men? But. Epic fantasy is not merely what Tolkien made it. This genre is rooted in the epic — and the truth is that there are plenty of epics out there which feature people like me. Sundiata’s badass mother. Dihya, warrior queen of the Amazighs. The Rain Queens. The Mino Warriors. Hatshepsut’s reign. Everything Harriet Tubman ever did. And more, so much more, just within the African components of my heritage. I haven’t even begun to explore the non-African stuff. So given all these myths, all these examinations of the possible… how can I not imagine more? How can I not envision an epic set somewhere other than medieval England, about someone other than an awkward white boy? How can I not use every building-block of my history and heritage and imagination when I make shit up? And how dare I disrespect that history, profane all my ancestors’ suffering and struggles, by giving up the freedom to imagine that they’ve won for me.
N.K. Jemisin
Everybody has choices, Mother. The poorest girl alive may not be able to choose between being Queen of England or Principal of Newnham; but she can choose between rag-picking and flower-selling, according to her taste. People are always blaming their circumstances for what they are. I don't believe in circumstances. The people who get on in this world are the people who get up and look for the circumstances they want, and, if they can't find them, make them.
George Bernard Shaw (Mrs. Warren's Profession)
(During his trial he claimed that his pet cat had become possessed by the devil and incited him to his crimes. The cat was also hanged.)
Dan Jones (The Plantagenets: The Warrior Kings and Queens Who Made England)
Nobody gets to be Queen of England by being loveable. You will have to play your cards right.
Philippa Gregory
Unless you are as smart as Johann Karl Friedrich Gauss, savvy as a half-blind Calcutta bootblack, tough as General William Tecumseh Sherman, rich as the Queen of England, emotionally resilient as a Red Sox fan, and as generally able to take care of yourself as the average nuclear missile submarine commander, you should never have been allowed near this document.
Neal Stephenson (Cryptonomicon)
God save the Queen and a fascist regime … a flabby toothless fascism, to be sure. Never go too far in any direction, is the basic law on which Limey-Land is built. The Queen stabilizes the whole sinking shithouse and keeps a small elite of wealth and privilege on top. The English have gone soft in the outhouse. England is like some stricken beast too stupid to know it is dead. Ingloriously foundering in its own waste products, the backlash and bad karma of empire
William S. Burroughs (The Place of Dead Roads (The Red Night Trilogy, #2))
So gorgeous was the spectacle on the May morning of 1910 when nine kings rode in the funeral of Edward VII of England that the crowd, waiting in hushed and black-clad awe, could not keep back gasps of admiration. In scarlet and blue and green and purple, three by three the sovereigns rode through the palace gates, with plumed helmets, gold braid, crimson sashes, and jeweled orders flashing in the sun. After them came five heirs apparent, forty more imperial or royal highnesses, seven queens - four dowager and three regnant - and a scattering of special ambassadors from uncrowned countries. Together they represented seventy nations in the greatest assemblage of royalty and rank ever gathered in one place and, of its kind, the last. The muffled tongue of Big Ben tolled nine by the clock as the cortege left the palace, but on history's clock it was sunset, and the sun of the old world was setting in a dying blaze of splendor never to be seen again.
Barbara W. Tuchman (The Guns of August)
They wouldn’t know mad when they saw it in any case, because a good portion of the women in the Asylum were no madder than the Queen of England. Many were sane enough when sober, as their madness came out of a bottle, which is a kind I knew very well. One of them was in there to get away from her husband, who beat her black and blue, he was the mad one but nobody would lock him up;
Margaret Atwood (Alias Grace)
I was always amused by the prayers of the saintly. “God do this, God don’t do that.” I thought God probably laughed at them too, unless He was a little annoyed by their temerity.
Jean Plaidy (The Courts of Love (Queens of England, #5))
As Dr. Leonard Orr has noted, the human mind behaves as if it were divided into two parts, the Thinker and the Prover. The Thinker can think about virtually anything. (...) The Prover is a much simpler mechanism. It operates on one law only: Whatever the Thinker thinks, the Prover proves. To cite a notorious example which unleashed incredible horrors earlier in this century, if the Thinker thinks that all Jews are rich, the Prover will prove it. It will find evidence that the poorest Jew in the most run-down ghetto has hidden money somewhere. Similarly, Feminists are able to believe that all men, including the starving wretches who live and sleep on the streets, are exploiting all women, including the Queen of England.
Robert Anton Wilson (Prometheus Rising)
Caleb and Kyle couldn’t keep their eyes off me, like I was the queen of frigging England sitting at their table or something.
Shelly Crane (Accordance (Significance, #2))
Almost anyone can lie on their back, close their eyes and think of France.” “It’s England.” “Why would anyone think of England during sex?
Tiffany Reisz (The Queen (The Original Sinners, #8))
Her unusual dark hair and sultry eyes made her stand out--- Anne Boleyn was Tudor England's Angelina Jolie amid a sea of Reese Witherspoons.
Kris Waldherr (Doomed Queens: Royal Women Who Met Bad Ends, From Cleopatra to Princess Di by Kris Waldherr (2008-10-28))
It's a powerful experience, shitting. There's something magical about it, profound even. I think God made humans shit in the way we do because it brings us back down to earth and gives us humility. I don't care who you are, we all shit the same. Beyonce shits. The pope shits. The Queen of England shits. When we shit we forget our airs and our graces, we forget how famous or how rich we are. All of that goes away. You are never more yourself than when you're taking a shit. You have that moment where you realize, 'This is me. This is who I am.
Trevor Noah (Born a Crime: Stories From a South African Childhood)
The world has never been fair, and cannot be made fair, and claims that it can are foolish or dishonest. It can be made fairer and attempts to make it less fair can be resisted. Optimistic realists seek improvement, not perfection.
David Mitchell (Unruly: A History of England’s Kings and Queens)
Yes, Your Grace," I correct her. "I am My Lady, the King's Mother, now, and you shall curtsey to me, as low as to a queen of royal blood. This was my destiny: to put my son on the throne of England, and those who laughed at my visions and doubted my vocation will call me My Lady, the King's Mother, and I shall sign myself Margaret Regina: Margaret R.
Philippa Gregory (The Red Queen (The Plantagenet and Tudor Novels, #3))
Oh, the shame that I suffer now . . . the shame of a vanquished King.” And those were the last words of Henry Plantagenet.
Jean Plaidy (The Courts of Love (Queens of England, #5))
A clear and innocent conscience fears nothing
Elizabeth I
My guitar's name was Liz. As in, short for Elizabeth, Queen of England. She was a lady. Don't judge.
Rachael Wade (Declaration (Preservation, #3))
In the summer of that year two women were stripped and beaten with rods, their ears nailed to a wooden post, for having said that ‘queen Katherine is the true queen of England
Peter Ackroyd (Tudors: The History of England from Henry VIII to Elizabeth I (History of England #2))
This is what you get when you found a political system on the family values of Henry VIII. At a point in the not-too-remote future, the stout heart of Queen Elizabeth II will cease to beat. At that precise moment, her firstborn son will become head of state, head of the armed forces, and head of the Church of England. In strict constitutional terms, this ought not to matter much. The English monarchy, as has been said, reigns but does not rule. From the aesthetic point of view it will matter a bit, because the prospect of a morose bat-eared and chinless man, prematurely aged, and with the most abysmal taste in royal consorts, is a distinctly lowering one.
Christopher Hitchens
When you shit, as you first sit down, you’re not fully in the experience yet. You are not yet a shitting person. You’re transitioning from a person about to shit to a person who is shitting. You don’t whip out your smartphone or a newspaper right away. It takes a minute to get the first shit out of the way and get in the zone and get comfortable. Once you reach that moment, that’s when it gets really nice. It’s a powerful experience, shitting. There’s something magical about it, profound even. I think God made humans shit in the way we do because it brings us back down to earth and gives us humility. I don’t care who you are, we all shit the same. Beyoncé shits. The pope shits. The Queen of England shits. When we shit we forget our airs and our graces, we forget how famous or how rich we are. All of that goes away. You are never more yourself than when you’re taking a shit. You have that moment where you realize, This is me. This is who I am.
Trevor Noah (Born a Crime: Stories from a South African Childhood)
the haughty princess of Austria, who became, as queen of England, the head of fashion, looked with harsh eyes on his defects, and with contempt on the affection her royal husband entertained for him.
Mary Wollstonecraft Shelley (The Last Man)
...he was the last person I expected to find on the Rushes' front porch. Well, okay. Maybe no the last. That title most likely belonged to the Queen of England or the reanimated corpse of Edgar Allan Poe.
Kody Keplinger (Lying Out Loud (Hamilton High, #4))
He was predictable. That’s the key. It’s disappointing in a lover but, in a feudal overlord, it hits the spot.
David Mitchell (Unruly: A History of England’s Kings and Queens)
I'm not afraid of you. I'm not afraid of anything." "Yes, you are, on both counts. You're afraid of everything. In England there are castles with stone walls that go up over a hundred feet, built during a time when it was the strength of your fortress that won battles. Each time I look at you, I marvel at the feat of organic engineering that's allowed you to create such a fortification within a perfect composition of female flesh.
Joey W. Hill (Ice Queen (Nature of Desire, #3))
There was a king with a large jaw and a queen with a plain face, on the throne of England; there were a king with a large jaw and a queen with a fair face, on the throne of France. In both countries it was clearer than crystal to the lords of the State preserves of loaves and fishes, that things in general were settled for ever.
Charles Dickens (A Tale of Two Cities)
Thatcher once said that if she were a visitor from Mars required to create a constitutional system, "I would set up ... a hereditary monarchy, wonderfully trained, in duty and in leadership which understands example, which is always there, which is above politics, for which the whole nation has an affection and which is a symbol of patriotism.
Sally Bedell Smith (Elizabeth the Queen: The Life of a Modern Monarch)
And there he lay in his bed, a broken man, worn out by a way of life which had been thrust upon him because of the antics of a wayward pig.
Jean Plaidy (The Courts of Love (Queens of England, #5))
good or for evil, in the superlative degree of comparison only. There were a king with a large jaw and a queen with a plain face, on the throne of England; there were a
Charles Dickens (A Tale of Two Cities)
Obviously she didn’t marry him when she was eight. That would have been barbaric. They waited until she was twelve.
David Mitchell (Unruly: The Ridiculous History of England's Kings and Queens)
To the New England Patriots. Last year I thanked you and you won the Super Bowl. Let’s keep that tradition going. Free Brady.
Victoria Aveyard (Glass Sword (Red Queen, #2))
Huzza for the Queen! Huzza for Old England!
Jules Verne (Five Weeks in a Balloon)
There were a king with a large jaw and a queen with a plain face, on the throne of England; there were a king with a large jaw and a queen with
Charles Dickens (A Tale of Two Cities)
If thy heart fails thee, climb not at all
Elizabeth I
There were a king with a large jaw and a queen with a plain face, on the throne of England; there were a king with a large jaw and a queen with a fair face, on the throne of France.
Charles Dickens (A Tale of Two Cities)
I have the Sight, I should have seen it all, but some things are too dark to forsee. These are hard times, and England is a country of sorrows. No mother can be sure that she will not bury her sons. When a country is at war, cousin against cousin, brother against brother, no boy is safe.
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
What is deemed as “his-story” is often determined by those who survived to write it. In other words, history is written by the victors...Now, with the help of the Roman historian Tacitus, I shall tell you Queen Boudicca’s story, her-story……
Thomas Jerome Baker (Boudicca: Her Story)
Daniel, I did not knowwhat I wanted when I was agirl. And then I was a fool in every sense of the word. And now that I am a woman grown, I know that I love you and I want this son of yours, and our children who will come. I have seen a woman break her heart for love: my Queen Mary. I have seen another break her soul to avoid it: my Princess Elizabeth. I don't want to be Mary or Elizabeth, I want to be me: Hannah Verde Carpenter." "And we shall live somewhere that we can follow our belifs without danger," he insisted. "Yes," I said, "in the England that Elizabeth will make.
Philippa Gregory (The Queen's Fool (The Plantagenet and Tudor Novels, #12))
Lady Jane Gray, who tho' inferior to her lovely Cousin the Queen of Scots, was yet an amiable young woman & famous for reading Greek while other people were hunting....Whether she really understood that language or whether such a study proceeded only from an excess of vanity for which I beleive she was always rather remarkable, is uncertain.
Jane Austen (The History of England)
Some say that all that is necessary for evil to triumph is for good men to do nothing. I find that an awkward principle because, in my view, allowing good men to do nothing is the purpose of civilization.
David Mitchell (Unruly: A History of England’s Kings and Queens)
What I want, is for you to be safe. There are bad people in this world, Butterfly, and some of them are in the room right outside. So next time, I don’t care if I’m in the middle of a conversation with the Queen of fucking England. Interrupt me. Understand?
Ana Huang (Twisted Lies (Twisted, #4))
First, let’s pretend for a minute. Let’s say that, as the imposter complex voice tells you, you really do have no idea what you’re doing, you actually are fooling everyone, and it’s true you are in fact a big, giant fraud. Okay, seriously think about what I just said. That would take an immense amount of work. That’s pulling off a major heist, like stealing the Queen of England’s entire hat collection or something.
Andrea Owen (How to Stop Feeling Like Sh*t)
In Washington, D. C., there was Loudermilk's, in Philadelphia Leary's, in Seattle Shorey's, in Portland Powell's, in Boston Goodspeed's Milk Street, In Cleveland Kay's, in Cincinnati and Long Beach Old Mr. Smith's two acres of books, and so on. In that time many large book barns in New England were stuffed with books. All the citites around the Great Lakes had large bookshops. Some of these old behmoths contained a million books or more.
Larry McMurtry (Walter Benjamin at the Dairy Queen: Reflections at Sixty and Beyond)
Memorable among the Saxon warriors were Hengist and his wife (? or horse), Horsa. Hengist made himself King in the South. Thus Hengist was the first English King and his wife (or horse), Horsa, the first English Queen (or horse).
W.C. Sellar (1066 and All That: A Memorable History of England)
Just as Anne had hoped, this child would one day bring England to such glory and power that its name would echo down the centuries as one of the greatest monarchs who ever lived.
Tracy Borman (Elizabeth's Women: Friends, Rivals, and Foes Who Shaped the Virgin Queen)
I remember Queen Victoria's advice to her daughter. Close your eyes and think of England.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
People often vented their rage on those who were the victims of their neglect because they were in truth blaming themselves.
Jean Plaidy (The Rose Without a Thorn (Queens of England, #11))
[T]hose who are afraid can stay at home.
Dan Jones (The Plantagenets: The Warrior Kings and Queens Who Made England)
And when I'm feeling glum, because Gregory's away of because my daughter's just hurled her full glass of milk at my head, or just because time is passing, I like to scroll through the annual East Trawley High School online newsletter, which gets mass-emailed by Shanice Morain, who's on her second marriage and who cohosts her own Christian Soul-Support and Teen Prayer Variety Hour on local TV and who's just been appointed our class secretary. In the current Alumni Notes section I read that Katelynn Streedmore has just been named the head dietitian at the Jamesburg Assisted Care Facility, that Cal Malstrup and his wife Chelsea Marie have just welcomed their fifth bundle of joy, whom they've christened Blake-Jorlinda Malstrup, and that Becky Randle is still the Queen of England.
Paul Rudnick (Gorgeous)
There were a king with a large jaw and a queen with a plain face, on the throne of England; there were a king with a large jaw and a queen with a fair face, on the throne of France. In both countries it was clearer than crystal to the lords of the State preserves of loaves and fishes, that things in general were settled for ever.
Charles Dickens (A Tale of Two Cities)
It is a bad year for kings,” said Gondy, shaking his head; “look at England, madame.” “Yes; but fortunately we have no Oliver Cromwell in France,” replied the Queen. “Who knows?” said Gondy; “such men are like thunderbolts—one recognized them only when they have struck.
Alexandre Dumas (Twenty Years After (The d'Artagnan Romances, #2))
Nothing would be the same for any woman in this country again. From this time onward no wife, however obedient, however loving, would be safe. For everyone would know that if a wife such as Queen Katherine of England could be put aside for no reason, then any wife could be put aside.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels #9))
Believing that Edward’s men were at a safe distance in Worcester, Simon’s men were unprepared for attack. They did not realize that Edward and Gloucester had spies among them, including a female transvestite called Margoth
Dan Jones (The Plantagenets: The Warrior Kings and Queens Who Made England)
Yet, with all that, no one dared to interfere. Burke had exhausted all his eloquence in trying to induce the British Government to fight the revolutionary government of France, but Mr. Pitt, with characteristic prudence, did not feel that this country was fit yet to embark on another arduous and costly war. It was for Austria to take the initiative; Austria, whose fairest daughter was even now a dethroned queen, imprisoned and insulted by a howling mob; surely 'twas not—so argued Mr. Fox—for the whole of England to take up arms, because one set of Frenchmen chose to murder another.
Emmuska Orczy (The Scarlet Pimpernel)
News of the death of James V on 14 December gave even further cause for rejoicing, because his heir was a week-old girl, the infant Mary, Queen of Scots. Scotland would be subject to yet another weakening regency—it had endured six during the past 150 years—and should give no further trouble.
Alison Weir (Henry VIII: The King and His Court)
a good portion of the women in the Asylum were no madder than the Queen of England. Many were sane enough when sober, as their madness came out of a bottle, which is a kind I knew very well. One of them was in there to get away from her husband, who beat her black and blue, he was the mad one but nobody would lock him up; and another said she went mad in the autumns, as she had no house and it was warm in the Asylum, and if she didn’t do a fair job of running mad she would freeze to death; but then in the spring she would become sane again because it was good weather and she could go off and tramp in the woods and fish,
Margaret Atwood (Alias Grace)
In old England the greatest lords think it great glory to be slapped by a queen, and made garter-knights of; but, be your boast, Stubb, that ye were kicked by old Ahab, and made a wise man of. Remember what I say; be kicked by him; account his kicks honors; and on no account kick back; for you can't help yourself, wise Stubb.
Herman Melville (Moby-Dick or, The Whale)
Because obviously she was the most qualified for the position. At long last Edward had arrived at the enlightened state of knowing that a woman could do a job just as well as a man. Yep. That's how it happened. Edward abdicated his throne. Elizabeth would be crowned queen at Westminster Abbey that same week, and we all know she'd be the best ruler of England ever. And now history can more or less pick up along the same path where we left it.
Cynthia Hand (My Lady Jane (The Lady Janies, #1))
The way I figure it, everyone gets a miracle. Like, I will probably never be struck by lightning, or win a Nobel Prize, or become the dictator of a small nation in the Pacific Islands, or contract terminal ear cancer, or spontaneously combust. But if you consider all likely things together, at least one of them will probably happen to each of us. I could have seen it rain frogs. I could have stopped foot on Mars. I could have been eaten by a whale. I could have married the queen of England or survived months at sea. But my miracle was different. My miracle was this: out of all the houses in all the subdivisions in all of Florida, I ended up living next door to Margo Roth Spiegelman
John Green (Paper Towns)
Fuck off, Philip, I love him,” Henry says. “Oh, you love him, do you?” It’s so patronizing that Alex’s hand twitches into a fist under the table. “What exactly do you intend to do, then, Henry? Hmm? Marry him? Make him the Duchess of Cambridge? The First Son of the United bloody States, fourth in line to be Queen of England?” “I’ll fucking abdicate!” Henry says, voice rising. “I don’t care!” “You wouldn’t dare,” Philip spits back. “We have a great uncle who abdicated because he was a fucking Nazi, so it’d hardly be the worst reason anyone’s done it, would it?” Henry’s yelling now, and he’s out of his chair, hands shaking, towering over Philip, and Alex notices that he’s actually taller. “What are we even defending here, Philip? What kind of legacy? What kind of family, that says, we’ll take the murder, we’ll take the raping and pillaging and the colonizing, we’ll scrub it up nice and neat in a museum, but oh no, you’re a bloody poof? That’s beyond our sense of decorum! I’ve bloody well had it. I’ve sat about long enough letting you and Gran and the weight of the damned world keep me pinned, and I’m finished. I don’t care. You can take your legacy and your decorum and you can shove it up your fucking arse, Philip. I’m done.” He huffs out an almighty breath, turns on his heel, and stalks out of the kitchen. Alex, mouth hanging open, remains frozen in his seat for a few seconds. Across from him, Philip is looking red-faced and queasy. Alex clears his throat, stands, and buttons his jacket. “For what it’s worth,” he says to Philip, “that is the bravest son of a bitch I’ve ever met.” And he leaves too.
Casey McQuiston (Red, White & Royal Blue)
From the day he first made me his, to the last day I made him mine, yes, let me set it down in numbers. I who can count and reckon, and have the time. Of all the days I was his and did not love him—this; and this; and this many. Of all the days I was his—and he had ceased to love me—this many; and this. In days—it comes to a thousand days—out of the years. Strangely, just a thousand. And of that thousand—one—when we were both in love. Only one, when our loves met and overlapped and were both mine and his. When I no longer hated him, he began to hate me. Except for that one day. One day, out of all the years.30
Susan Bordo (The Creation of Anne Boleyn: A New Look at England's Most Notorious Queen)
And I got an idea. I took Celia’s hand and turned us around. “Wave to the crowd,” I said, smiling. “Like we’re the goddamn queens of England.” Celia smiled brightly and did exactly as I did. We stood there, in black and green, redhead and blonde, one of us all ass and the other all tits, waving to the crowd as if we ruled them. Ruby and Joy were nowhere to be seen. And the crowd roared for us.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Twenty-five years from now all religion will be fundamentalist religion, even the Church of England. Wild-eyed “Tutuist” Anglicans will riot in Anzania (formerly the Union of South Africa). They’ll force people to play contract bridge at gunpoint and make unbelievers eat little sandwiches with the crusts cut off. No woman will dare appear in the street without a small, stupid hat like Queen Di’s.
P.J. O'Rourke (Holidays in Hell: In Which Our Intrepid Reporter Travels to the World's Worst Places and Asks, "What's Funny About This?" (O'Rourke, P. J.))
You behold in me, Stephen said with grim displeasure, a horrible example of free thought. He walked on, waiting to be spoken to, trailing his ashplant by his side. Its ferrule followed lightly on the path, squealing at his heels. My familiar, after me, calling, Steeeeeeeeeeeephen! A wavering line along the path. They will walk on it tonight, coming here in the dark. He wants that key. It is mine. I paid the rent. Now I eat his salt bread. Give him the key too. All. He will ask for it. That was in his eyes. --After all, Haines began ... Stephen turned and saw that the cold gaze which had measured him was not all unkind. --After all, I should think you are able to free yourself. You are your own master, it seems to me. --I am a servant of two masters, Stephen said, an English and an Italian. --Italian? Haines said. A crazy queen, old and jealous. Kneel down before me. --And a third, Stephen said, there is who wants me for odd jobs. --Italian? Haines said again. What do you mean? --The imperial British state, Stephen answered, his colour rising, and the holy Roman catholic and apostolic church. --I can quite understand that, he said calmly. An Irishman must think like that, I daresay. We feel in England that we have treated you rather unfairly. It seems history is to blame. The proud potent titles clanged over Stephen's memory the triumph of their brazen bells: ET UNAM SANCTAM CATHOLICAM ET APOSTOLICAM ECCLESIAM: the slow growth and change of rite and dogma like his own rare thoughts, a chemistry of stars.
James Joyce
And cried for mamma, at every turn'-I added, 'and trembled if a country lad heaved his fist against you, and sat at home all day for a shower of rain.-Oh, Heathcliff, you are showing a poor spirit! Come to the glass, and I'll let you see what you should wish. Do you mark those two lines between your eyes, and those thick brows, that instead of rising arched, sink in the middle, and that couple of black fiends, so deeply buried, who never open their windows boldly, but lurk glinting under them, like devil's spies? Wish and learn to smooth away the surly wrinkles, to raise your lids frankly, and change the fiends to confident, innocent angels, suspecting and doubting nothing, and always seeing friends where they are not sure of foes-Don't get the expression of a vicious cur that appears to know the kicks it gets are its desert, and yet, hates all the world, as well as the kicker, for what it suffers.' 'In other words, I must wish for Edgar Linton's great blue eyes, and even forehead,' he replied. 'I do - and that won't help me to them.' 'A good heart will help you to a bonny face, my lad,' I continued, 'if you were a regular black; and a bad one will turn the bonniest into something worse than ugly. And now that we've done washing, and combing, and sulking - tell me whether you don't think yourself rather handsome? I'll tell you, I do. You're fit for a prince in disguise. Who knows, but your father was Emperor of China, and your mother an Indian queen, each of them able to buy up, with one week's income, Wuthering Heights and Thrushcross Grange together? And you were kidnapped by wicked sailors, and brought to England. Were I in your place, I would frame high notions of my birth; and the thoughts of what I was should give me courage and dignity to support the oppressions of a little farmer!
Emily Brontë (Wuthering Heights)
All Renaissance drama, especially the works of Marlowe and Shakespeare, is profoundly concerned with shifting power relations within society. The individual was a new force in relation to the state. The threat of rebellion, of the overturning of established order, was forcefully brought home to the Elizabethan public by the revolt of the Earl of Essex, once the Queen's favourite. The contemporary debate questioned the relationship between individual life, the power and authority of the state, and the establishing of moral absolutes. Where mediaeval drama was largely used as a means of showing God's designs, drama in Renaissance England focuses on man, and becomes a way of exploring his weaknesses, depravities, flaws - and qualities.
Ronald Carter (The Routledge History of Literature in English: Britain and Ireland)
Religion, with its metaphysical error of absolute guilt, dominated the broadest, the cosmic realm. From there, it infiltrated the subordinate realms of biological, social and moral existence with its errors of the absolute and inherited guilt. Humanity, split up into millions of factions, groups, nations and states, lacerated itself with mutual accusations. "The Greeks are to blame," the Romans said, and "The Romans are to blame," the Greeks said. So they warred against one another. "The ancient Jewish priests are to blame," the early Christians shouted. "The Christians have preached the wrong Messiah," the Jews shouted and crucified the harmless Jesus. "The Muslims and Turks and Huns are guilty," the crusaders screamed. "The witches and heretics are to blame," the later Christians howled for centuries, murdering, hanging, torturing and burning heretics. It remains to investigate the sources from which the Jesus legend derives its grandeur, emotional power and perseverance. Let us continue to stay outside this St. Vitus dance. The longer we look around, the crazier it seems. Hundreds of minor patriarchs, self-proclaimed kings and princes, accused one another of this or that sin and made war, scorched the land, brought famine and epidemics to the populations. Later, this became known as "history." And the historians did not doubt the rationality of this history. Gradually the common people appeared on the scene. "The Queen is to blame," the people's representatives shouted, and beheaded the Queen. Howling, the populace danced around the guillotine. From the ranks of the people arose Napoleon. "The Austrians, the Prussians, the Russians are to blame," it was now said. "Napoleon is to blame," came the reply. "The machines are to blame!" the weavers screamed, and "The lumpenproletariat is to blame," sounded back. "The Monarchy is to blame, long live the Constitution!" the burgers shouted. "The middle classes and the Constitution are to blame; wipe them out; long live the Dictatorship of the Proletariat," the proletarian dictators shout, and "The Russians are to blame," is hurled back. "Germany is to blame," the Japanese and the Italians shouted in 1915. "England is to blame," the fathers of the proletarians shouted in 1939. And "Germany is to blame," the self-same fathers shouted in 1942. "Italy, Germany and Japan are to blame," it was said in 1940. It is only by keeping strictly outside this inferno that one can be amazed that the human animal continues to shriek "Guilty!" without doubting its own sanity, without even once asking about the origin of this guilt. Such mass psychoses have an origin and a function. Only human beings who are forced to hide something catastrophic are capable of erring so consistently and punishing so relentlessly any attempt at clarifying such errors.
Wilhelm Reich (Ether, God and Devil: Cosmic Superimposition)
Now, when you shit, as you first sit down, you’re not fully in the experience yet. You are not yet a shitting person. You’re transitioning from a person about to shit to a person who is shitting. You don’t whip out your smartphone or a newspaper right away. It takes a minute to get the first shit out of the way and get in the zone and get comfortable. Once you reach that moment, that’s when it gets really nice. It’s a powerful experience, shitting. There’s something magical about it, profound even. I think God made humans shit in the way we do because it brings us back down to earth and gives us humility. I don’t care who you are, we all shit the same. Beyoncé shits. The pope shits. The Queen of England shits. When we shit we forget our airs and our graces, we forget how famous or how rich we are. All of that goes away. You are never more yourself than when you are taking a shit. You have a moment where you realize "This is me, this is who I am". You can pee without giving it a second thought, but not so with shitting. Have you ever looked in a baby's eyes when it's shitting? It's having a moment of pure self-awareness.
Trevor Noah (Born a Crime: Stories From a South African Childhood)
I don't know where the idea of Vikings having horns on their helmets came from, but it's a brilliant one. In every possible way, other than the literal truth, they totally had horns on their helmets. Horned helmets was absolutely their vibe and I feel we all have a right to that deeper artistic truth. They had limited technology and manufacturing helmets was pretty tricky for them, I imagine, so putting horns on them wouldn't have been workable, and wouldn't ave increased the functionality of the helmets, but I swear they'd have given it a go if they'd thought of it.
David Mitchell (Unruly: The Ridiculous History of England's Kings and Queens)
. . . she at once put on an extremely arrogant demeanour instead of the modest gait and bearing proper to the gentle sex,” the Gesta’s author complained, “began to walk and speak and do all things more stiffly and more haughtily than she had been wont, to such a point that soon, in the capital of the land subject to her, she actually made herself queen of all England and gloried in being so called.
Helen Castor (She-Wolves: The Women Who Ruled England Before Elizabeth)
John Knox prayed, and the results caused Queen Mary to say that she feared the prayers of John Knox more than she feared all the armies of Scotland. John Wesley prayed, and revival came to England, sparing that nation the horrors of the French Revolution. Jonathan Edwards prayed, and revival spread throughout the American colonies. History has been changed time after time because of prayer. I tell you, history could be changed again if people went to their knees in believing prayer. Even when times are bleak and the world scorns God, He still works through the prayers of His people. Pray today for revival in your nation, and around the world.
Billy Graham (Hope for Each Day: Words of Wisdom and Faith)
Why did she want to stay in England? Because the history she was interested in had happened here, and buried deep beneath her analytical mind was a tumbled heap of Englishness in all its glory, or kings and queens, of Runnymede and Shakespeare's London, of hansom cabs and Sherlock Holmes and Watson rattling off into the fog with cries of 'The game's afoot,' of civil wars bestrewing the green land with blood, of spinning jennies and spotted pigs and Churchill and his country standing small and alone against the might of Nazi Germany. It was a mystery to her how this benighted land had produced so many great men and women, and ruled a quarter of the world and spread its language and law and democracy across the planet.
Elizabeth Aston (Writing Jane Austen)
The human species is an animal species without very much variation within it, and it is idle and futile to imagine that a voyage to Tibet, say, will discover an entirely different harmony with nature or eternity. The Dalai Lama, for example, is entirely and easily recognizable to a secularist. In exactly the same way as a medieval princeling, he makes the claim not just that Tibet should be independent of Chinese hegemony—a “perfectly good” demand, if I may render it into everyday English—but that he himself is a hereditary king appointed by heaven itself. How convenient! Dissenting sects within his faith are persecuted; his one-man rule in an Indian enclave is absolute; he makes absurd pronouncements about sex and diet and, when on his trips to Hollywood fund-raisers, anoints major donors like Steven Segal and Richard Gere as holy. (Indeed, even Mr. Gere was moved to whine a bit when Mr. Segal was invested as a tulku, or person of high enlightenment. It must be annoying to be outbid at such a spiritual auction.) I will admit that the current “Dalai” or supreme lama is a man of some charm and presence, as I will admit that the present queen of England is a person of more integrity than most of her predecessors, but this does not invalidate the critique of hereditary monarchy, and the first foreign visitors to Tibet were downright appalled at the feudal domination, and hideous punishments, that kept the population in permanent serfdom to a parasitic monastic elite.
Christopher Hitchens (God Is Not Great: How Religion Poisons Everything)
Well, take e-mail for example. People don’t write to each other anymore, do they? Once my generation’s gone, the written letter will be consigned to social history. Tell me, Jefferson. When did you last write a letter?’ Tayte had to think about it. When the occasion came to him, he smiled, wide and cheesy. ‘It was to you,’ he said. ‘I wrote you on your sixtieth birthday.’ ‘That was five years ago.’ ‘I still wrote you.’ Marcus looked sympathetic. ‘It was an e-mail.’ ‘Was it?’ Marcus nodded. ‘You see my point? Letters are key to genealogical research, and they’re becoming obsolete. Photographs are going the same way.’ He looked genuinely saddened by the thought. ‘How many connections have you made going through boxes of old letters and faded sepia photographs? How many assignments would have fallen flat without them?’ ‘Too many,’ Tayte agreed. ‘I can’t see genealogists of the future fervently poring over their clients’ old e-mails, can you? Where’s the fun in that? Where’s the excitement and the scent of time that so often accompanies the discovery?’ He had Tayte there, too. Tayte’s methods were straight out of the ‘Marcus Brown School of Family History.’ Tripping back into the past through an old letter and a few photographs represented everything he loved about his work. It wouldn’t be the same without the sensory triggers he currently took for granted.
Steve Robinson (The Last Queen of England (Jefferson Tayte Genealogical Mystery, #3))
Dear New Orleans, What a big, beautiful mess you are. A giant flashing yellow light—proceed with caution, but proceed. Not overly ambitious, you have a strong identity, and don’t look outside yourself for intrigue, evolution, or monikers of progress. Proud of who you are, you know your flavor, it’s your very own, and if people want to come taste it, you welcome them without solicitation. Your hours trickle by, Tuesdays and Saturdays more similar than anywhere else. Your seasons slide into one another. You’re the Big Easy…home of the shortest hangover on the planet, where a libation greets you on a Monday morning with the same smile as it did on Saturday night. Home of the front porch, not the back. This engineering feat provides so much of your sense of community and fellowship as you relax facing the street and your neighbors across it. Rather than retreating into the seclusion of the backyard, you engage with the goings-on of the world around you, on your front porch. Private properties hospitably trespass on each other and lend across borders where a 9:00 A.M. alarm clock is church bells, sirens, and a slow-moving eight-buck-an-hour carpenter nailing a windowpane two doors down. You don’t sweat details or misdemeanors, and since everybody’s getting away with something anyway, the rest just wanna be on the winning side. And if you can swing the swindle, good for you, because you love to gamble and rules are made to be broken, so don’t preach about them, abide. Peddlin worship and litigation, where else do the dead rest eye to eye with the livin? You’re a right-brain city. Don’t show up wearing your morals on your sleeve ’less you wanna get your arm burned. The humidity suppresses most reason so if you’re crossing a one-way street, it’s best to look both ways. Mother Nature rules, the natural law capital “Q” Queen reigns supreme, a science to the animals, an overbearing and inconsiderate bitch to us bipeds. But you forgive her, and quickly, cus you know any disdain with her wrath will reap more: bad luck, voodoo, karma. So you roll with it, meander rather, slowly forward, takin it all in stride, never sweating the details. Your art is in your overgrowth. Mother Nature wears the crown around here, her royalty rules, and unlike in England, she has both influence and power. You don’t use vacuum cleaners, no, you use brooms and rakes to manicure. Where it falls is where it lays, the swerve around the pothole, the duck beneath the branch, the poverty and the murder rate, all of it, just how it is and how it turned out. Like a gumbo, your medley’s in the mix. —June 7, 2013, New Orleans, La.
Matthew McConaughey (Greenlights)
But Beatrice Blaine! There was a woman! Early pictures taken on her father's estate at Lake Geneva, Wisconsin, or in Rome at the Sacred Heart Convent—an educational extravagance that in her youth was only for the daughters of the exceptionally wealthy—showed the exquisite delicacy of her features, the consummate art and simplicity of her clothes. A brilliant education she had—her youth passed in renaissance glory, she was versed in the latest gossip of the Older Roman Families; known by name as a fabulously wealthy American girl to Cardinal Vitori and Queen Margherita and more subtle celebrities that one must have had some culture even to have heard of. She learned in England to prefer whiskey and soda to wine, and her small talk was broadened in two senses during a winter in Vienna. All in all Beatrice O'Hara absorbed the sort of education that will be quite impossible ever again; a tutelage measured by the number of things and people one could be contemptuous of and charming about; a culture rich in all arts and traditions, barren of all ideas, in the last of those days when the great gardener clipped the inferior roses to produce one perfect bud.
F. Scott Fitzgerald (This Side of Paradise)
From Venice to Rome, Paris to Brussels, London to Edinburgh, the Ambassadors watched, long-eared and bright-eyed. Charles of Spain, Holy Roman Emperor, fending off Islam at Prague and Lutherism in Germany and forcing recoil from the long, sticky fingers at the Vatican, cast a considering glance at heretic England. Henry, new King of France, tenderly conscious of the Emperor's power and hostility, felt his way thoughtfully toward a small cabal between himself, the Venetians and the Pope, and wondered how to induce Charles to give up Savoy, how to evict England from Boulogne, and how best to serve his close friend and dear relative Scotland without throwing England into the arms or the lap of the Empire. He observed Scotland, her baby Queen, her French and widowed Queen Mother, and her Governor Arran. He observed England, ruled by the royal uncle Somerset for the boy King Edward, aged nine. He watched with interest as the English dotingly pursued their most cherished policy: the marriage which should painlessly annex Scotland to England and end forever the long, dangerous romance between Scotland and England. Pensively, France marshalled its fleet and set about cultivating the Netherlands, whose harbours might be kind to storm-driven galleys. The Emperor, fretted by Scottish piracy and less busy than he had been, watched the northern skies narrowly. Europe, poised delicately over a brand-new board, waiting for the opening gambit.
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
If a fountain could jet bouquets of chrome yellow in dazzling arches of chrysanthemum fireworks, that would be Canada Goldenrod. Each three-foot stem is a geyser of tiny gold daisies, ladylike in miniature, exuberant en masse. Where the soil is damp enough, they stand side by side with their perfect counterpart, New England Asters. Not the pale domesticates of the perennial border, the weak sauce of lavender or sky blue, but full-on royal purple that would make a violet shrink. The daisylike fringe of purple petals surrounds a disc as bright as the sun at high noon, a golden-orange pool, just a tantalizing shade darker than the surrounding goldenrod. Alone, each is a botanical superlative. Together, the visual effect is stunning. Purple and gold, the heraldic colors of the king and queen of the meadow, a regal procession in complementary colors. I just wanted to know why. In composing a palette, putting them together makes each more vivid; just a touch of one will bring out the other. In an 1890 treatise on color perception, Goethe, who was both a scientist and a poet, wrote that “the colors diametrically opposed to each other . . . are those which reciprocally evoke each other in the eye.” Purple and yellow are a reciprocal pair. Growing together, both receive more pollinator visits than they would if they were growing alone. It’s a testable hypothesis; it’s a question of science, a question of art, and a question of beauty. Why are they beautiful together? It is a phenomenon simultaneously material and spiritual, for which we need all wavelengths, for which we need depth perception. When I stare too long at the world with science eyes, I see an afterimage of traditional knowledge. Might science and traditional knowledge be purple and yellow to one another, might they be goldenrod and asters? We see the world more fully when we use both. The question of goldenrod and asters was of course just emblematic of what I really wanted to know. It was an architecture of relationships, of connections that I yearned to understand. I wanted to see the shimmering threads that hold it all together. And I wanted to know why we love the world, why the most ordinary scrap of meadow can rock us back on our heels in awe.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
We are under a deception similar to that which misleads the traveler in the Arabian desert. Beneath the caravan all is dry and bare; but far in advance, and far in the rear, is the semblance of refreshing waters... A similar illusion seems to haunt nations through every stage of the long progress from poverty and barbarism to the highest degrees of opulence and civilization. But if we resolutely chase the mirage backward, we shall find it recede before us into the regions of fabulous antiquity. It is now the fashion to place the golden age of England in times when noblemen were destitute of comforts the want of which would be intolerable to a modern footman, when farmers and shopkeepers breakfasted on loaves the very sight of which would raise a riot in a modern workhouse, when to have a clean shirt once a week was a privilege reserved for the higher class of gentry, when men died faster in the purest country air than they now die in the most pestilential lanes of our towns, and when men died faster in the lanes of our towns than they now die on the coast of Guiana. ... We too shall in our turn be outstripped, and in our turn be envied. It may well be, in the twentieth century, that the peasant of Dorsetshire may think himself miserably paid with twenty shillings a week; that the carpenter at Greenwich may receive ten shillings a day; that laboring men may be as little used to dine without meat as they are now to eat rye bread; that sanitary police and medical discoveries may have added several more years to the average length of human life; that numerous comforts and luxuries which are now unknown, or confined to a few, may be within the reach of every diligent and thrifty workingman. And yet it may then be the mode to assert that the increase of wealth and the progress of science have benefited the few at the expense of the many, and to talk of the reign of Queen Victoria as the time when England was truly merry England, when all classes were bound together by brotherly sympathy, when the rich did not grind the faces of the poor, and when the poor did not envy the splendor of the rich.
Thomas Babington Macaulay (The History of England)
On the bus, I pull out my book. It's the best book I've ever read, even if I'm only halfway through. It's called Jane Eyre by Charlotte Brontë, with two dots over the e. Jane Eyre lives in England in Queen Victoria's time. She's an orphan who's taken in by a horrid rich aunt who locks her in a haunted room to punish her for lying, even though she didn't lie. Then Jane is sent to a charity school, where all she gets to eat is burnt porridge and brown stew for many years. But she grows up to be clever, slender, and wise anyway. Then she finds work as a governess in a huge manor called Thornfield, because in England houses have names. At Thornfield, the stew is less brown and the people less simple. That's as far as I've gotten... Diving back into Jane Eyre... Because she grew up to be clever, slender and wise, no one calls Jane Eyre a liar, a thief or an ugly duckling again. She tutors a young girl, Adèle, who loves her, even though all she has to her name are three plain dresses. Adèle thinks Jane Eyre's smart and always tells her so. Even Mr. Rochester agrees. He's the master of the house, slightly older and mysterious with his feverish eyebrows. He's always asking Jane to come and talk to him in the evenings, by the fire. Because she grew up to be clever, slender, and wise, Jane Eyre isn't even all that taken aback to find out she isn't a monster after all... Jane Eyre soon realizes that she's in love with Mr. Rochester, the master of Thornfield. To stop loving him so much, she first forces herself to draw a self-portrait, then a portrait of Miss Ingram, a haughty young woman with loads of money who has set her sights on marrying Mr. Rochester. Miss Ingram's portrait is soft and pink and silky. Jane draws herself: no beauty, no money, no relatives, no future. She show no mercy. All in brown. Then, on purpose, she spends all night studying both portraits to burn the images into her brain for all time. Everyone needs a strategy, even Jane Eyre... Mr. Rochester loves Jane Eyre and asks her to marry him. Strange and serious, brown dress and all, he loves her. How wonderful, how impossible. Any boy who'd love a sailboat-patterned, swimsuited sausage who tames rabid foxes would be wonderful. And impossible. Just like in Jane Eyre, the story would end badly. Just like in Jane Eyre, she'd learn the boy already has a wife as crazy as a kite, shut up in the manor tower, and that even if he loves the swimsuited sausage, he can't marry her. Then the sausage would have to leave the manor in shame and travel to the ends of the earth, her heart in a thousand pieces... Oh right, I forgot. Jane Eyre returns to Thornfield one day and discovers the crazy-as-a-kite wife set the manor on fire and did Mr. Rochester some serious harm before dying herself. When Jane shows up at the manor, she discovers Mr. Rochester in the dark, surrounded by the ruins of his castle. He is maimed, blind, unkempt. And she still loves him. He can't believe it. Neither can I. Something like that would never happen in real life. Would it? ... You'll see, the story ends well.
Fanny Britt (Jane, the Fox & Me)
I still have no choice but to bring out Minerva instead.” “But Minerva doesn’t care about men,” young Charlotte said helpfully. “She prefers dirt and rocks.” “It’s called geology,” Minerva said. “It’s a science.” “It’s certain spinsterhood, is what it is! Unnatural girl. Do sit straight in your chair, at least.” Mrs. Highwood sighed and fanned harder. To Susanna, she said, “I despair of her, truly. This is why Diana must get well, you see. Can you imagine Minerva in Society?” Susanna bit back a smile, all too easily imagining the scene. It would probably resemble her own debut. Like Minerva, she had been absorbed in unladylike pursuits, and the object of her female relations’ oft-voiced despair. At balls, she’d been that freckled Amazon in the corner, who would have been all too happy to blend into the wallpaper, if only her hair color would have allowed it. As for the gentlemen she’d met…not a one of them had managed to sweep her off her feet. To be fair, none of them had tried very hard. She shrugged off the awkward memories. That time was behind her now. Mrs. Highwood’s gaze fell on a book at the corner of the table. “I am gratified to see you keep Mrs. Worthington close at hand.” “Oh yes,” Susanna replied, reaching for the blue, leatherbound tome. “You’ll find copies of Mrs. Worthington’s Wisdom scattered everywhere throughout the village. We find it a very useful book.” “Hear that, Minerva? You would do well to learn it by heart.” When Minerva rolled her eyes, Mrs. Highwood said, “Charlotte, open it now. Read aloud the beginning of Chapter Twelve.” Charlotte reached for the book and opened it, then cleared her throat and read aloud in a dramatic voice. “’Chapter Twelve. The perils of excessive education. A young lady’s intellect should be in all ways like her undergarments. Present, pristine, and imperceptible to the casual observer.’” Mrs. Highwood harrumphed. “Yes. Just so. Hear and believe it, Minerva. Hear and believe every word. As Miss Finch says, you will find that book very useful.” Susanna took a leisurely sip of tea, swallowing with it a bitter lump of indignation. She wasn’t an angry or resentful person, as a matter of course. But once provoked, her passions required formidable effort to conceal. That book provoked her, no end. Mrs. Worthington’s Wisdom for Young Ladies was the bane of sensible girls the world over, crammed with insipid, damaging advice on every page. Susanna could have gleefully crushed its pages to powder with a mortar and pestle, labeled the vial with a skull and crossbones, and placed it on the highest shelf in her stillroom, right beside the dried foxglove leaves and deadly nightshade berries. Instead, she’d made it her mission to remove as many copies as possible from circulation. A sort of quarantine. Former residents of the Queen’s Ruby sent the books from all corners of England. One couldn’t enter a room in Spindle Cove without finding a copy or three of Mrs. Worthington’s Wisdom. And just as Susanna had told Mrs. Highwood, they found the book very useful indeed. It was the perfect size for propping a window open. It also made an excellent doorstop or paperweight. Susanna used her personal copies for pressing herbs. Or occasionally, for target practice. She motioned to Charlotte. “May I?” Taking the volume from the girl’s grip, she raised the book high. Then, with a brisk thwack, she used it to crush a bothersome gnat. With a calm smile, she placed the book on a side table. “Very useful indeed.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))