Queen Key Quotes

We've searched our database for all the quotes and captions related to Queen Key. Here they are! All 100 of them:

I missed you,” he said quietly, his gaze darting between her mouth and eyes. “When I was in Wendlyn. I lied when I said I didn’t. From the moment you left, I missed you so much I went out of my mind. I was glad for the excuse to track Lorcan here, just to see you again. And tonight, when he had that knife at your throat …” The warmth of his callused finger bloomed through her as he traced a path over the cut on her neck. “I kept thinking about how you might never know that I missed you with only an ocean between us. But if it was death separating us … I would find you. I don’t care how many rules it would break. Even if I had to get all three keys myself and open a gate, I would find you again. Always.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
I kept thinking about how you might never know that I missed you with only an ocean between us. But if it was death separating us … I would find you. I don’t care how many rules it would break. Even if I had to get all three keys myself and open a gate, I would find you again. Always.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Still, children hope in ways adults find hard to imagine. They carry their dreams before them, fragile, in both arms, waiting for the world to trip them.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
Every fortune-teller I ever met was a faker. First thing you should do to a soothsayer is poke them in the eye and say, ‘Didn’t see that coming, did you?
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
Sometimes my lies impressed the hell out of me.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
A story. This was the key to immortality. The things that made kings quiver and deities distrustful: Nothing but a tale.
Roshani Chokshi (A Crown of Wishes (The Star-Touched Queen, #2))
A consequence of boredom is that a man is forced to look either to the future or the past, or sideways into his imagination.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
Fear is a valuable commodity, it’s common sense compressed into its purest form.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
Authenticity was the key to any deception. Sometimes authenticity was disgusting.
Jodi Meadows (The Orphan Queen (The Orphan Queen, #1))
Throw away too much of your past and you abandon the person who walked those days. When you pare away at yourself you can reinvent, that’s true enough, but such whittling always seems to reveal a lesser man, and promises to leave you with nothing at the end.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
A lie can run deeper than strength or wisdom.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
If there’s one thing I can’t stand about licentious behaviour, it’s when I’m not involved.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
Sixty beats of a heart would be enough. If I could hold them. Let them know I came for them no matter what stood in my way. It would be enough. Sixty beats of a heart past that door would outweigh sixty years in this world without them.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
Give us everything we ask for and suddenly it's too much.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
Agad bowed to the Fairy Queen. 'You are most wise, your majesty. Some imagine the difference between heaven and hell to be a matter of geography. Not so. The difference is much more evident in the individuals who dwell there.
Brandon Mull (Keys to the Demon Prison (Fablehaven, #5))
I hit her. I’m not one for hitting women . . . or anyone else for that matter. In fact I’m not one for hitting anything liable to hit back, but given the choice between a hefty man and a slightly built woman I’ll punch out the woman every time.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
A great comfort, Tuttugu. I always like to do my drowning within sight of land.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
The night can last twenty hours and even when the day finally breaks it never gets above a level of cold I call “fuck that”—as in you open the door, your face freezes instantly to the point where it hurts to speak, but manfully you manage to say “fuck that,” before turning round, and going back to bed.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
The breaking of day changes all things, Snorri. Nothing endures beyond the count of the sun. Pile a sufficient weight of mornings upon a thing and it will change. Even the rocks themselves will not outlast the morning.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
I have not stepped into another jail, not yet, but I can feel the key in the lock, threatening to turn.
Victoria Aveyard (Glass Sword (Red Queen, #2))
The best liars always tell the truth—they just choose which parts.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
If you want to miss your crown, follow the crowd. If you want to wear the crown, go alone and be yourself.
Israelmore Ayivor (101 Keys To Everyday Passion)
Kaltain just squeezed Elide’s fingers. “You find Celaena Sardothien. Give her this. No one else. No one else. Tell her that you can open any door, if you have the key. And tell her to remember her promise to me—to punish them all. When she asks why, tell her I said that they would not let me bring the cloak she gave me, but I kept a piece of it. To remember that promise she made. To remember to repay her for a warm cloak in a cold dungeon.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Anything I had to say seemed shallow beside the depth of his grief. Words are awkward tools at best, too blunt for delicate tasks.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
it’s hard to play the enigmatic prince of romance when the object of your affections gets to watch you shit into the sea twice a day.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
You look different,” Snorri said. “I think ‘even more handsome’ was the phrase you were looking for.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
she decided no human man would ever touch her again. the doors to her body and heart were already locked, and she would give the key to only one man, perhaps someday...perhaps never...but all the same she didnt care about falling in love, or getting married, or any of that, anymore. it was too late for mortal men to stake any sort of claim to her affections. if she grews old and died alone, it would be in full posession of her heart. and if she ever gave it, she would give it eternally, and without regret.
Dianne Sylvan (Queen of Shadows (Shadow World, #1))
What saves us all are the deeds of fools as often as the acts of the wise.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
Great emotion, it turns out, is a fire, and like a fire it needs fuel. Unfed it dies down to a hot and banked glow, ready to ignite again but leaving space for other matters.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
She was the key to his health. She fed his happiness. She would be the making of him.
Julia Quinn (Queen Charlotte)
All this time, he thought magic had chosen him. Maybe magic never chose. Maybe it had always been about the fit. A key latching into a hole. Maybe there had been just enough holes in him for magic to slip through and hook him like spurs into cloth.
Roshani Chokshi (A Crown of Wishes (The Star-Touched Queen, #2))
I’m only a little ashamed to say I outsprinted the boy. Old habits die hard. It’s good to be faster than what’s chasing you, but really the important thing in running away is to be faster than the slowest of those being pursued. Rule number one: be ahead of the next man. Or child.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
Thor might be god of strength and war, Odin of wisdom, but he sometimes wondered if it wasn’t Loki, the trickster god, who stood behind what unfolded. A lie can run deeper than strength or wisdom. And hadn’t the world proved to be a bitter joke?
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
Snolli!
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
He was predictable. That’s the key. It’s disappointing in a lover but, in a feudal overlord, it hits the spot.
David Mitchell (Unruly: A History of England’s Kings and Queens)
The stars are pretty but the space between them is infinite and black with promise.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
The road forgets. Make your life a journey, keep moving toward what you want, leave behind anything that’s too heavy to carry. •
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
Being able to let go of a righteous position is a key to creating partnership.
Alison A. Armstrong (The Queen's Code)
i'm not asking you fight. all i need is a ride. then you can crawl back under your rock and pretend the rest of the world doesn't exist all you like, but first, get your keys, little girl, we're leaving.
Dianne Sylvan (Queen of Shadows (Shadow World, #1))
These were bankers we were talking about, and I owed taxes. They’d hunt me to the ends of the earth!
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
Father once said the real language of diplomacy was in the space between words. He said silence was key to politics. Silence, I had learned, was also key to spying.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
The Queen of the Bees has been waiting for you Tales hidden within to be told Bring her a key that has never been forged And another made only of gold
Erin Morgenstern (The Starless Sea)
If someone loses a key and then finds it again, which key does one keep, the old or the new? The queen replied; 'Certainly the old one.
Jack D. Zipes (The Original Folk and Fairy Tales of the Brothers Grimm)
I realized he had my car keys.“Hey, where did you get those?”“We found your purse at the Dairy Queen.”“How did you know it was there?”“The GPS.” He smirked, seeming more like the Jared I knew.“You have a GPS tracker on my car?
Alyssa Rose Ivy (Flight (The Crescent Chronicles, #1))
I used to think fear either numbed or nudged. Now I knew fear did neither. Fear was a key that fit every person's hollow spaces---those things that kept us cold at night and that place where we retreated when no one was looking---and all it could do was unlock what was already there.
Roshani Chokshi (A Crown of Wishes (The Star-Touched Queen, #2))
Mary was like a caged tiger in the first days of her captivity. Keen, alert, and watchful, she listened tensely each dawn for the key that unlocked her door. After breakfast she watched the road for messengers, pacing back and forth like a confined feline. But no messengers ever came. Elizabeth had abandoned her. Or forgotten her. And the days passed. Little by little, the Queen of Scots grew accustomed to her captivity. She no longer heard the key in the lock, or the footsteps outside her door. More often than not it was the maid's cheerful voice that woke her, along with the hand on Mary's shoulder and the delicious smells wafting from the breakfast tray.
Margaret George (Mary Queen of Scotland and The Isles)
Whatever it is that you're feeling, whatever it is you have a question about, whatever it is that you long to know, there is some book, somewhere, with the key. You just have to search for it.
Adriana Trigiani (The Queen of the Big Time)
Your future contains dry bones. Your slow demise begins right when you hold the queen in the palm of one hand. Beware the bird, for it will betray you. And from that, there’s no coming back. But daughters are the key to justice, find the right one and keep her close. All signs point toward your murder.
Kristen Perrin (How to Solve Your Own Murder (Castle Knoll Files, #1))
What is that?” Manon asked, sniffing subtly. Kaltain just squeezed Elide’s fingers. “You find Celaena Sardothien. Give her this. No one else. No one else. Tell her that you can open any door, if you have the key. And tell her to remember her promise to me—to punish them all. When she asks why, tell her I said that they would not let me bring the cloak she gave me, but I kept a piece of it. To remember that promise she made. To remember to repay her for a warm cloak in a cold dungeon.” Kaltain
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
There’s a simple joy in casting a rock into still waters and watching the ripples spread. It’s the thrill of destruction combined with the surety that all will be well again—everything as it was. A stone had fallen into my comfortable existence at court, so large that the waves washed me to the ends of the earth, but perhaps on my return I would find it as before, unchanged and waiting to receive me. Much of what men do in later life is just throwing stones, albeit bigger stones into different ponds.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
And GUESS WHO ordered your guards to chain up Clay?” Tsunami demanded. She flung an accusing talon toward Shark. “COMMANDER SHARK! Of all the dragons who should obey you in everything! Is that not UTTERLY SHOCKING?” “It is,” Coral said. Tsunami thought she might be grinding her teeth, but she hid it well. “I find it quite hard to believe.” “Imagine the distress the poor guards felt,” Tsunami said, “when I explained to them that you would never have ordered those chains on Clay. To have to choose between their commander and their queen! Naturally they chose you, of course. That’s why they gave me the key to Clay’s chains. Because they understood that’s what you would have wanted them to do. Right?” Queen Coral gave Tsunami an appraising glance. Beside her, Blister was eating her soup with an amused expression. “Very good,” Coral said slowly. “It sounds like those guards are practically heroes.” “And Shark —” Tsunami prodded her. “To the dungeon with him as well,” the queen said with a wave. Shark didn’t protest like Lagoon had. He snarled at the guards who approached him, shot Tsunami a look full of hatred, and headed off to the dungeon without another word. Splendid,
Tui T. Sutherland (The Lost Heir (Wings of Fire, #2))
I didn’t know what I would do except that Edris Dean would be dead at the end of it.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
Education is important! That piece of paper is your key to success
Queen Brown (Adia (love, lies and murder))
Mám rychlé nohy, ale náskok jsem získal hlavně díky svému naprostému nezájmu o bezpečnost druhých.
Mark Lawrence (Prince of Fools / The Liar's Key / The Wheel of Osheim (The Red Queen's War #1-3))
Who would you have become without me? Some pampered, quaking princess. Your beloved cousin would have locked you up in a tower and thrown away the key. I gave you your freedom—I gave you the ability to bring down men like Aedion Ashryver with a few blows. And all I get for it is contempt.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
In antiquity, Hekate was loved and revered as the goddess of the dark moon. People looked to her as a guardian against unseen dangers and spiritual foes. All was well until Persephone, the goddess of spring, was kidnapped by Hades and ordered to live in the underworld for three months each year. Persephone was afraid to make the journey down to the land of the dead alone, so year after year Hekate lovingly guided her through the dark passageway and back. Over time Hekate became known as Persephone's attendant. But because Persephone was also the queen of the lower world, who ruled over the dead with her husband, Hades, Hekate's role as a guardian goddess soon became twisted and distorted until she was known as the evil witch goddess who stalked the night, looking for innocent people to bewitch and carry off to the underworld. Today few know the great goddess Hekate. Those who do are blessed with her compassion for a soul lost in the realm of evil. Some are given a key.
Lynne Ewing (Into the Cold Fire (Daughters of the Moon, #2))
Superstition though does tend to have a sharp end, and I didn’t want to find myself impaled on it.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
Men are many and take strength as a challenge, difference as a crime.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
Always take the money,” Hennan offered with a small grin.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
It’s not like me to brood on the past. I’m not comfortable with uncomfortable truths. I prefer to round off the edges and corners until I have something worth keeping.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
I have not stepped into another jail, not yet, but I can feel the key in the lock, threatening to turn. Luckily, I have experience in this kind of thin
Victoria Aveyard (Glass Sword (Red Queen, #2))
Magic always struck me as hard and dangerous work...not that there are any words you can put before "work" that makes it sound attractive. Certainly not "dangerous" or "hard.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
Always kick a man when he’s down, I say. It’s the best chance you’ll get.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
There’s a simple joy in casting a rock into still waters and watching the ripples spread. It’s the thrill of destruction combined with the surety that all will be well again—everything as it was.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
A great lady(Queen Elizabeth )of England , on her dying bed cried out ,"call time again , call time again; a world of wealth for an inch of time !"but time past was never nor could never be recalled.
Thomas Brooks (The Privy Key of Heaven)
Dig deep enough into anyone and you’ll find a scared little boy or scared little girl trying to get out. It’s just a question of how deep you have to scratch to find them—that and the question of what it really is that scares the child. “Shit.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
A change in direction was required. The story you finished was perhaps never the one you began. Yes! He would take charge of his life anew, binding his breaking selves together. Those changes in himself that he sought, he himself would initiate and make them. No more of this miasmic, absent drift. How had he ever persuaded himself that his money-mad burg would rescue him all by itself, this Gotham in which Jokers and Penguins were running riot with no Batman (or even Robin) to frustrate their schemes, this Metropolis built of Kryptonite in which no Superman dared set foot, where wealth was mistaken for riches and the joy of possession for happiness, where people lived such polished lives that the great rough truths of raw existence had been rubbed and buffed away, and in which human souls had wandered so separately for so long that they barely remembered how to touch; this city whose fabled electricity powered the electric fences that were being erected between men and men, and men and women, too? Rome did not fall because her armies weakened but because Romans forgot what being Roman meant. Might this new Rome actually be more provincial than its provinces; might these new Romans have forgotten what and how to value, or had they never known? Were all empires so undeserving, or was this one particularly crass? Was nobody in all this bustling endeavor and material plenitude engaged, any longer, on the deep quarry-work of the mind and heart? O Dream-America, was civilization's quest to end in obesity and trivia, at Roy Rogers and Planet Hollywood, in USA Today and on E!; or in million-dollar-game-show greed or fly-on-the-wall voyeurism; or in the eternal confessional booth of Ricki and Oprah and Jerry, whose guests murdered each other after the show; or in a spurt of gross-out dumb-and-dumber comedies designed for young people who sat in darkness howling their ignorance at the silver screen; or even at the unattainable tables of Jean-Georges Vongerichten and Alain Ducasse? What of the search for the hidden keys that unlock the doors of exaltation? Who demolished the City on the Hill and put in its place a row of electric chairs, those dealers in death's democracy, where everyone, the innocent, the mentally deficient, the guilty, could come to die side by side? Who paved Paradise and put up a parking lot? Who settled for George W. Gush's boredom and Al Bore's gush? Who let Charlton Heston out of his cage and then asked why children were getting shot? What, America, of the Grail? O ye Yankee Galahads, ye Hoosier Lancelots, O Parsifals of the stockyards, what of the Table Round? He felt a flood bursting in him and did not hold back. Yes, it had seduced him, America; yes, its brilliance aroused him, and its vast potency too, and he was compromised by this seduction. What he opposed in it he must also attack in himself. It made him want what it promised and eternally withheld. Everyone was an American now, or at least Americanized: Indians, Uzbeks, Japanese, Lilliputians, all. America was the world's playing field, its rule book, umpire, and ball. Even anti-Americanism was Americanism in disguise, conceding, as it did, that America was the only game in town and the matter of America the only business at hand; and so, like everyone, Malik Solanka now walked its high corridors cap in hand, a supplicant at its feast; but that did not mean he could not look it in the eye. Arthur had fallen, Excalibur was lost and dark Mordred was king. Beside him on the throne of Camelot sat the queen, his sister, the witch Morgan le Fay.
Salman Rushdie (Fury)
I am..." Who was I? Daughter, sister, wife, queen, composer,; these were the titles I had been given and claimed, but they were not the whole of me. They were not me, entire. I closed my eyes. "I am," I said slowly, "a girl with music in her soul. I am a sister, daughter, a friend, who fiercely protects those dear to her. I am a girl who loves strawberries, chocolate torte, songs in a minor key, moments stolen from chores, and childish games. I am short-tempered yet disciplined. I am self-indulgent, selfish, yet selfless. I am compassion and hatred and contradiction. I am... me.
S. Jae-Jones (Wintersong (Wintersong, #1))
You behold in me, Stephen said with grim displeasure, a horrible example of free thought. He walked on, waiting to be spoken to, trailing his ashplant by his side. Its ferrule followed lightly on the path, squealing at his heels. My familiar, after me, calling, Steeeeeeeeeeeephen! A wavering line along the path. They will walk on it tonight, coming here in the dark. He wants that key. It is mine. I paid the rent. Now I eat his salt bread. Give him the key too. All. He will ask for it. That was in his eyes. --After all, Haines began ... Stephen turned and saw that the cold gaze which had measured him was not all unkind. --After all, I should think you are able to free yourself. You are your own master, it seems to me. --I am a servant of two masters, Stephen said, an English and an Italian. --Italian? Haines said. A crazy queen, old and jealous. Kneel down before me. --And a third, Stephen said, there is who wants me for odd jobs. --Italian? Haines said again. What do you mean? --The imperial British state, Stephen answered, his colour rising, and the holy Roman catholic and apostolic church. --I can quite understand that, he said calmly. An Irishman must think like that, I daresay. We feel in England that we have treated you rather unfairly. It seems history is to blame. The proud potent titles clanged over Stephen's memory the triumph of their brazen bells: ET UNAM SANCTAM CATHOLICAM ET APOSTOLICAM ECCLESIAM: the slow growth and change of rite and dogma like his own rare thoughts, a chemistry of stars.
James Joyce
What if at the core, if you dug deep enough, uncovered every truth...what if at the heart of it all. .. there was a lie, like a worm at the centre of the apple, coiled like Oroborus, just as the secret of men hides coiled at the centre of each piece of you, no matter how fine you slice? Wouldn't that be a fine joke now?
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
Of course the entire cast of characters in this fairytale are simply metaphors for levels of consciousness and the mechanics of our evolving identity with those levels of consciousness. But sleeping princesses and hunky princes and kings and queens and awaking kisses and weddings and babies are pretty damned good metaphors for this process; because the key that holds it all together… indeed, the key to the nature of consciousness itself, from iron and rocks to light and energy and godhead itself, is Love.
Lon Milo DuQuette (After the Angel)
There's a problem with continually stamping down on the least sensible instincts that drive men to recklessly endanger themselves. Even the most reasonable and level-headed of us have only limited space to store such unwanted emotion. You keep putting the stuff away, shoving it to the back of your mind but like an over-full cupboard there comes a point where you try to cram one more thing into it and all of a sudden something snaps, the catch gives, the door bursts open and everything inside spills out on top of you.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
At the end of the 1400s, the world changed. Two key dates can mark the beginning of modern times. In 1485, the Wars of the Roses came to an end, and, following the invention of printing, William Caxton issued the first imaginative book to be published in England - Sir Thomas Malory's retelling of the Arthurian legends as Le Morte D'Arthur. In 1492, Christopher Columbus's voyage to the Americas opened European eyes to the existence of the New World. New worlds, both geographical and spiritual, are the key to the Renaissance, the 'rebirth' of learning and culture, which reached its peak in Italy in the early sixteenth century and in Britain during the reign of Queen Elizabeth I, from 1558 to 1603.
Ronald Carter (The Routledge History of Literature in English: Britain and Ireland)
Aspects of Witchcraft rituals may sometimes seem silly to very serious-minded people, who fail to realize that ritual is aimed at Younger Self. The sense of humor, of play, is often the key to opening the deepest states of consciousness. Part of the “price of freedom,” then, is the willingness to play, to let go of our adult dignity, to look foolish, to laugh at nothing. A child makes believe that she is a queen; her chair becomes a throne. A Witch makes believe that her wand has magic power, and it becomes a channel for energy.
Starhawk (The Spiral Dance: A Rebirth of the Ancient Religions of the Great Goddess)
I used to know a carnival man turned preacher who said the key to his success was understanding the people of what he called Snake's Navel, Arkansas. He said in Snake's Navel, the biggest thing going on Saturday night was the Dairy Queen. He said you could get the people there to do damn near anything --pollute their own water, work at five-dollar-an-hour jobs, drive fifty miles to a health clinic-- as long as you packaged it right. That meant you gave them a light show and faith healings and blow-down-the-walls gospel music with a whole row of American flags across the stage. He said what they liked best, though --what really got them to pissing all over themselves-- was to be told it was other people going to hell and not them. He said people in Snake's Navel wasn't real fond of homosexuals and Arabs and Hollywood Jews, although he didn't use them kinds of terms in his sermons.
James Lee Burke (Swan Peak (Dave Robicheaux, #17))
Well, games of chance and I are no strangers. This trading in papers . . . is it a bit like gambling?” “It’s exactly like gambling, Prince Jalan.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
After the dream-witch’s visit I resolved never to sleep again.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
importance of constant learning as the key to being a successful ruler.
Jack Weatherford (The Secret History of the Mongol Queens: How the Daughters of Genghis Khan Rescued His Empire)
Dear Daughter, You need to be on your knees, to access the keys to doors that remain unseen.
Gift Gugu Mona (Dear Daughter: Short and Sweet Messages for a Queen)
A man casts a million shadows, and yet you trap him within such a singular opinion. You
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
Here.’ I held out a silver crown between two fingers to take his mind off it. ‘You can have this coin, or, you can have the most valuable piece of advice I own, something a wise man once told me and I’ve never shared.’ Snorri looked around at that, taking in the two of us with a raised eyebrow. ‘Well?’ I asked. Hennan furrowed his brow, staring at the coin, then at me, then at the coin. ‘I’ll…’ He reached out, then pulled his hand back. ‘I’ll … the advice.’ He blurted it out as if the words pained him. I nodded sagely. ‘Always take the money.’ Hennan
Mark Lawrence (The Liar’s Key (The Red Queen's War, #2))
This household happiness did not come all at once, but John and Meg had found the key to it, and each year of married life taught them how to use it, unlocking the treasuries of real home love and mutual helpfulness, which the poorest may possess, and the richest cannot buy. This is the sort of shelf on which young wives and mothers may consent to be laid, safe from the restless fret and fever of the world, finding loyal lovers in the little sons and daughters who cling to them, undaunted by sorrow, poverty, or age, walking side by side, through fair and stormy weather, with a faithful friend, who is, in the true sense of the good old Saxon word, the ‘house-band’, and learning, as Meg learned, that a woman’s happiest kingdom is home, her highest honor the art of ruling it not as a queen, but as a wise wife and mother.
Louisa May Alcott (Little Women)
If cooperation is the key, how come the ants and bees did not beat us to the nuclear bomb even though they learned to cooperate en masse millions of years before us? Because their cooperation lacks flexibility. Bees cooperate in very sophisticated ways, but they cannot reinvent their social system overnight. If a hive faces a new threat or a new opportunity, the bees cannot, for example, guillotine the queen and establish a republic.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
Key Rabbit, allow me to bore you with a comparison of your wife and a beautiful woman," I said. "In the morning a beauty must lie in bed for three or four hours gathering strength for another mighty battle with Nature. Then, after being bathed and toweled by her maids, she loosens her hair in the Cascade of Teasing Willows Style, paints her eyebrows in the Distant Mountain Range Style, anoints herself with the Nine Bends of the River Diving-water Perfume, applies rouge, mascara, and eye shadow, and covers the whole works with a good two inches of the Powder of the Nonchalant Approach. Then she dresses in a plum-blossom patterned tunic with matching skirt and stockings, adds four or five pounds of jewelry, looks in the mirror for any visible sign of humanity and is relieved to find none, checks her makeup to be sure that it has hardened into an immovable mask, sprinkles herself with the Hundred Ingredients Perfume of the Heavenly Spirits who Descended in the Rain Shower, and minces with tiny steps toward the new day. Which, like any other day, will consist of gossip and giggles.
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
Well, take e-mail for example. People don’t write to each other anymore, do they? Once my generation’s gone, the written letter will be consigned to social history. Tell me, Jefferson. When did you last write a letter?’ Tayte had to think about it. When the occasion came to him, he smiled, wide and cheesy. ‘It was to you,’ he said. ‘I wrote you on your sixtieth birthday.’ ‘That was five years ago.’ ‘I still wrote you.’ Marcus looked sympathetic. ‘It was an e-mail.’ ‘Was it?’ Marcus nodded. ‘You see my point? Letters are key to genealogical research, and they’re becoming obsolete. Photographs are going the same way.’ He looked genuinely saddened by the thought. ‘How many connections have you made going through boxes of old letters and faded sepia photographs? How many assignments would have fallen flat without them?’ ‘Too many,’ Tayte agreed. ‘I can’t see genealogists of the future fervently poring over their clients’ old e-mails, can you? Where’s the fun in that? Where’s the excitement and the scent of time that so often accompanies the discovery?’ He had Tayte there, too. Tayte’s methods were straight out of the ‘Marcus Brown School of Family History.’ Tripping back into the past through an old letter and a few photographs represented everything he loved about his work. It wouldn’t be the same without the sensory triggers he currently took for granted.
Steve Robinson (The Last Queen of England (Jefferson Tayte Genealogical Mystery, #3))
The Danes had a great love of sea stories and the old sagas. Snorri provided the former from personal experience and Kara the latter from her vast store of such trivia. I half-thought some of the duke’s men would volunteer to join the Undoreth and travel with the Vikings such was the level of worship on display...
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
Even today, every night of the year, the Queen’s Keys are carried in great ceremony to lock up the gates of the Tower. The Chief Yeoman Warder at 9:53 meets his escort warders and they walk to the gates. They arrive at 10:00 p.m. exactly and are challenged by a sentry with a bayonet who cries loudly, “Who comes here?” The reply by the Chief is, “The Keys.” “Whose keys?” “Queen Elizabeth’s keys.” “Pass, Queen Elizabeth’s keys, and all is well.” The party passes through the Bloody Tower Archway into the fortress and halts at the Broadway Steps. At the top of the stairs, the Tower Guard presents arms and the Chief Warder raises his hat and proclaims, “God preserve Queen Elizabeth.” The sentry replies, “Amen!” Afterward, the keys are taken to the Queen’s House for safekeeping and the Last Post is sounded. This ancient ceremony was interrupted only once since the 14th century. During World War II there was an air raid on London. Bombs fell on the Victorian guardroom just as the party was coming through the Bloody Tower Archway. The noise knocked down the Chief Yeoman and one of the Warder escorts. In the Tower is a letter from the Officer of the Guard in which he apologizes to King George VI for the ceremony finishing late, as well as a reply from the King which states that the officer is not to be punished since the delay was due to enemy action.
Debra Brown (Castles, Customs, and Kings: True Tales by English Historical Fiction Authors)
. . . from her earliest days at Versailles, Marie Antoinette staged a revolt against entrenched court etiquette by turning her clothes and other accoutrements into defiant expressions of autonomy and prestige . . . it is my belief that she identified fashion as a key weapon in her struggle for personal prestige, authority, and sometimes mere survival.
Caroline Weber (Queen of Fashion: What Marie Antoinette Wore to the Revolution)
I pound my fist into my palm, furrowing my brow.My dad chokes on his dessert. I am emboldened. "I want to wear the maroon and gold-the same maroon and gold you two wore when you fell in love all those years ago. Without that maroon and gold, you never would have fallen in love at prom, and I never would have been born. I am maroon and gold." The drama builds. "I have spirit! Yes I do! I've got spirit, how 'bout you?" At this, I wildly wave fierce spirit fingers and heartily attempt the splits. Key word: attempt. "Ow!" I cry, my crotch a foot from the floor, pain burning my groin. At this, neither of my parents can hold it anymore and, along with their eye rolling and head shaking, there is gut-wrenching laughter. I fall over to one side-sweet relief.
Alecia Whitaker (The Queen of Kentucky)
She’s not a mere duplicate of the male version, as many female heroes tend to be characterized, simply adopting the masculine narrative, nor is she a hyper-sexualized object using seduction as the source of her strength. Olivia is not overly emotional, but she’s sensitive when the occasion arises. Because she plays such an even-keeled, reasonable character (one long-criticized for being “wooden”), her moments of vulnerability, anger, or lust are that much more compelling. Though she is “haunted” as Peter says (“Over There, Part 2”), she is not vengeful or hateful. In fact this may be a key reason why fans were so completely underwhelmed by her character in season 1: Olivia’s no drama queen. She tries her best to be impartial, honest, and painstakingly reasonable.
Sarah Clarke Stuart (Into the Looking Glass: Exploring the Worlds of Fringe)
Cole turned and went down the stairs to wait for the inevitable. Soon Blake would descend the stairs and into madness. But Blake had only taken his favorite parts from Cole’s little speech. Livia had tried to find him. Livia needed him to keep her safe. Blake turned to face the organ. The keys had danced mockingly like disjointed puzzle pieces before, but now…Now they waited obediently. His hands knew them. His hands could sweep them together and create. So he did. He leapt right over the Ave Maria as if Livia held his hand to help him jump. No more Ave Maria. His hands flew over the organ, composing, painting, revealing all that was within him. Blake would show Livia all he had inside for her. If she was looking for him, she didn’t hate him. If she was looking for him, he was allowed to love her. Even if Cole was right and Blake didn’t have the common sense to be with her, he could watch her, like a knight and his queen. He could protect her so she never faced anyone like Dentist again. Blake was allowed to love Livia. And he did. Blake loves Livia.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
The deafening crowd echoed through the pale stone corridors of the royal castle of Orynth. They were chanting her name, almost wailing it. Aelin. A two-beat pulse that sounded through each step she made up the darkened stairwell. Goldryn was heavy at her back, its ruby smoldering in the light of the sun trickling from the landing above. Her tunic was beautiful yet simple, though her steel gauntlets—armed with hidden blades—were as ornate as they were deadly. She reached the landing and stalked down it, past the towering, muscled warriors who lurked in the shadows just beyond the open archway. Not just warriors—her warriors. Her court. Aedion was there, and a few others whose faces were obscured by shadow, but their teeth gleamed faintly as they gave her feral grins. A court to change the world. The chanting increased, and the amulet bounced between her breasts with each step. She kept her eyes ahead, a half smile on her face as she emerged at last onto the balcony and the cries grew frantic, as overpowering as the frenzied crowd outside the palace, in the streets, thousands gathered and chanting her name. In the courtyard, young priestesses of Mala danced to each pulse of her name, worshipping, fanatic. With this power—with the keys she’d attained—what she had created for them, the armies she had made to drive out their enemies, the crops she had grown, the shadows she had chased away … these things were nothing short of a miracle. She was more than human, more than queen. Aelin. Beloved. Immortal. Blessed. Aelin. Aelin of the Wildfire. Aelin Fireheart. Aelin Light-Bringer. Aelin. She raised her arms, tipping back her head to the sunlight, and their cries made the entirety of the White Palace tremble. On her brow, a mark—the sacred mark of Brannon’s line—glowed blue. She smiled at the crowd, at her people, at her world, so ripe for the taking.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
So I was hard on the Beast, win or lose, When I got upstairs, those tragic girls in my head, Turfing him out of bed; standing alone On the balcony, the night so cold I could taste the stars On the tip of my tongue. And I made a prayer – Thumbing my pearls, the tears of Mary, one by one, Like a rosary – words for the lost, the captive beautiful, The wives, those less fortunate than we. The moon was a hand-mirror breathed on by a Queen. My breath was a chiffon scarf for an elegant ghost. I turned to go back inside. Bring me the Beast for the night. Bring me the wine-cellar key. Let the less-loving one be me. - an excerpt from Mrs. Beast -
Carol Ann Duffy (The World's Wife)
white people might find that when we decenter our apparent interests, and center Black interests, that all along we were not really centering ourselves but only “whiteness” as a symbol or key to power, wealth, and prestige—mostly for a few white people who despise us only a little less than they do Black people. They are laughing at us. We blame Black “welfare queens” and Mexican “illegal aliens” while the whites who run this country grow richer and richer at our expense. Let’s stick up for the most exploited, the most terrorized, and this might wake us up to the terror and exploitation which we also have been experiencing to a lesser degree.
Samantha Foster (an experiment in revolutionary expression: by samantha j foster)
The holy stone looked for all the world like a small iron pineapple, its surface divided into squares by deep grooves, a tarnished silver-steel handle or lever held tight to the side. In ancient times the pineapple was ever the symbol of welcome, though the church used the objects in a different way. Apparently, each theological student of good family and destined for high office was given one on beginning their training and forbidden from pulling the lever on pain of excommunication. A test of obedience they called it. A test of curiosity I called it. Clearly the church wanted bishops who lacked the imagination for exploration and questioning.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
This household happiness did not come all at once, but John and Meg had found the key to it, and each year of married life taught them how to use it, unlocking the treasuries of real home love and mutual helpfulness, which the poorest may possess, and the richest cannot buy. This is the sort of shelf on which young wives and mothers may consent to be laid, safe from the restless fret and fever of the world, finding loyal lovers in the little sons and daughters who cling to them, undaunted by sorrow, poverty, or age, walking side by side, through fair and stormy weather, with a faithful friend, who is, in the true sense of the good old Saxon word, the 'house-band,' and learning, as Meg learned, that a woman's happiest kingdom is home, her highest honor the art of ruling it not as a queen, but as a wise wife and mother.
Louisa May Alcott (Little Women)
Over those 20,000 years humankind moved from hunting mammoth with stone-tipped spears to exploring the solar system with spaceships not thanks to the evolution of more dexterous hands or bigger brains (our brains today seem actually to be smaller).17 Instead, the crucial factor in our conquest of the world was our ability to connect many humans to one another.18 Humans nowadays completely dominate the planet not because the individual human is far smarter and more nimble-fingered than the individual chimp or wolf, but because Homo sapiens is the only species on earth capable of co-operating flexibly in large numbers. Intelligence and toolmaking were obviously very important as well. But if humans had not learned to cooperate flexibly in large numbers, our crafty brains and deft hands would still be splitting flint stones rather than uranium atoms. If cooperation is the key, how come the ants and bees did not beat us to the nuclear bomb even though they learned to cooperate en masse millions of years before us? Because their cooperation lacks flexibility. Bees cooperate in very sophisticated ways, but they cannot reinvent their social system overnight. If a hive faces a new threat or a new opportunity, the bees cannot, for example, guillotine the queen and establish a republic. Social mammals such as elephants and chimpanzees cooperate far more flexibly than bees, but they do so only with small numbers of friends and family members. Their cooperation is based on personal acquaintance. If I am a chimpanzee and you are a chimpanzee and I want to cooperate with you, I must know you personally: what kind of chimp are you? Are you a nice chimp? Are you an evil chimp? How can I cooperate with you if I don’t know you? To the best of our knowledge, only Sapiens can cooperate in very flexible ways with countless numbers of strangers. This concrete capability – rather than an eternal soul or some unique kind of consciousness – explains our mastery of planet Earth. Long
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
POEM – MY AMAZING TRAVELS [My composition in my book Travel Memoirs with Pictures] My very first trip I still cannot believe Was planned and executed with such great ease. My father, an Inspector of Schools, was such a strict man, He gave in to my wishes when I told him of the plan. I got my first long vacation while working as a banker One of my co-workers wanted a travelling partner. She visited my father and discussed the matter Arrangements were made without any flutter. We travelled to New York, Toronto, London, and Germany, In each of those places, there was somebody, To guide and protect us and to take us wonderful places, It was a dream come true at our young ages. We even visited Holland, which was across the Border. To drive across from Germany was quite in order. Memories of great times continue to linger, I thank God for an understanding father. That trip in 1968 was the beginning of much more, I visited many countries afterward I am still in awe. Barbados, Tobago, St. Maarten, and Buffalo, Cirencester in the United Kingdom, Miami, and Orlando. I was accompanied by my husband on many trips. Sisters, nieces, children, grandchildren, and friends, travelled with me a bit. Puerto Rico, Los Angeles, New York, and Hialeah, Curacao, Caracas, Margarita, Virginia, and Anguilla. We sailed aboard the Creole Queen On the Mississippi in New Orleans We traversed the Rockies in Colorado And walked the streets in Cozumel, Mexico. We were thrilled to visit the Vatican in Rome, The Trevi Fountain and the Colosseum. To explore the countryside in Florence, And to sail on a Gondola in Venice. My fridge is decorated with magnets Souvenirs of all my visits London, Madrid, Bahamas, Coco Cay, Barcelona. And the Leaning Tower of Pisa How can I forget the Spanish Steps in Rome? Stratford upon Avon, where Shakespeare was born. CN Tower in Toronto so very high I thought the elevator would take me to the sky. Then there was El Poble and Toledo Noted for Spanish Gold We travelled on the Euro star. The scenery was beautiful to behold! I must not omit Cartagena in Columbia, Anaheim, Las Vegas, and Catalina, Key West, Tampa, Fort Lauderdale, and Pembroke Pines, Places I love to lime. Of course, I would like to make special mention, Of two exciting cruises with Royal Caribbean. Majesty of the Seas and Liberty of the Seas Two ships which grace the Seas. Last but not least and best of all We visited Paris in the fall. Cologne, Dusseldorf, and Berlin Amazing places, which made my head, spin. Copyright@BrendaMohammed
Brenda C. Mohammed (Travel Memoirs with Pictures)
Don’t shut me out,” she breathed. “Never,” he murmured. “That’s not—” He rubbed his eyes with his thumb and forefinger. “I failed you tonight.” His words were a whisper in the darkness. “Rowan—” “He got close enough to kill you. If it had been another enemy, they might have.” The bed rumbled as he took a shuddering sigh and lowered his hand from his eyes. The raw emotion there made her bite her lip. Never—never did he let her see those things. “I failed you. I swore to protect you, and I failed tonight.” “Rowan, it’s fine—” “It’s not fine.” His hand was warm as it clamped on her shoulder. She let him turn her onto her back, and found him half on top of her as he peered into her face. His body was a massive, solid force of nature above hers, but his eyes—the panic lingered. “I broke your trust.” “You did no such thing. Rowan, you told him you wouldn’t hand over the key.” He sucked in a breath, his broad chest expanding. “I would have. Gods, Aelin—he had me, and he didn’t even know it. He could have waited another minute and I would have told him, ring or no ring. Erawan, witches, the king, Maeve … I would face all of them. But losing you …” He bowed his head, his breath warming her mouth as he closed his eyes. “I failed you tonight,” he murmured, his voice hoarse. “I’m sorry.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
We are each of us the result of billions of years of the universe evolving toward its own splendor. And evolution builds: the very mitochondria that power our cells and give us life once existed as separate organisms that first infected our pre–pre–human ancestors and then became one with them. We each contain not only the slime mold and the worm, the fish and amphibian and reptile, but the pig and the ape and the barely human. If we look hard enough, we can discern hundreds of parts: kings and queens, warriors and troubadours, mages, bullies, and saints. And hustlers, adventurers, survivors, rebels, reactionaries, and rogues. And the part of us that wants to be more than human, or rather more fully human. I believe that we need to enlist all these separate selves into a single army of free companions who respect each other and love each other to the death. And who are willing to devote their lives to fight together in order to win a shared splendor. I will return to this theme of integration again and again, for it is key to everything. All of my characters struggle with themselves, and face as well external obstacles such as exploding stars or dragons or icy wastelands cold enough to freeze the breath. Maram, who writes poems glorifying his second chakra (the body’s sexual center), pants like a dog after every enticing woman he sees. Even as he resists his essential nobility and destiny as a hero, he insists that every man deserves at least one vice. When it is pointed out to him that he also drinks, gambles, gluttonizes, and whores, he declares that he is still trying to decide which vice will be his.
David Zindell (Splendor)