Quartet Quotes

We've searched our database for all the quotes and captions related to Quartet. Here they are! All 100 of them:

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For last year's words belong to last year's language And next year's words await another voice.
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T.S. Eliot (Four Quartets)
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Some things in life are out of your control. You can make it a party or a tragedy.
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Nora Roberts (Vision in White (Bride Quartet, #1))
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We shall not cease from exploration And the end of all our exploring Will be to arrive where we started And know the place for the first time.
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T.S. Eliot (Four Quartets)
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Does not everything depend on our interpretation of the silence around us?
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Lawrence Durrell (Justine (The Alexandria Quartet, #1))
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Humankind cannot bear very much reality.
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T.S. Eliot (Four Quartets)
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Footfalls echo in the memory, down the passage we did not take, towards the door we never opened, into the rose garden.
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T.S. Eliot (Four Quartets)
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We shall not cease from exploration And the end of all our exploring Will be to arrive where we started And know the place for the first time. Through the unknown, remembered gate When the last of earth left to discover Is that which was the beginning; At the source of the longest river The voice of the hidden waterfall And the children in the apple-tree Not known, because not looked for But heard, half-heard, in the stillness Between two waves of the sea. β€”T.S. Eliot, from β€œLittle Gidding,” Four Quartets (Gardners Books; Main edition, April 30, 2001) Originally published 1943.
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T.S. Eliot (Four Quartets)
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seorang terpelajar harus sudah berbuat adil sejak dalam pikiran apalagi dalam perbuatan
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Pramoedya Ananta Toer (This Earth of Mankind (Buru Quartet, #1))
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There are only three things to be done with a woman. You can love her, suffer for her, or turn her into literature.
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Lawrence Durrell (Justine (The Alexandria Quartet, #1))
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Tahu kau mengapa aku sayangi kau lebih dari siapa pun? Karena kau menulis. Suaramu takkan padam ditelan angin, akan abadi, sampai jauh, jauh di kemudian hari. (Mama, 84)
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Pramoedya Ananta Toer (Child of All Nations (Buru Quartet, #2))
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It's hard to resist a bad boy who's a good man.
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Nora Roberts (Happy Ever After (Bride Quartet, #4))
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Time present and time past Are both perhaps present in time future And time future contained in time past.
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T.S. Eliot (Four Quartets)
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To leave, after all, was not the same as being left.
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Anita Shreve (The Pilot's Wife (Fortune's Rocks Quartet, #3))
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Kehidupan ini seimbang, Tuan. Barangsiapa hanya memandang pada keceriaannya saja, dia orang gila. Barangsiapa memandang pada penderitaannya saja, dia sakit.
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Pramoedya Ananta Toer (Child of All Nations (Buru Quartet, #2))
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Love is most nearly itself When here and now cease to matter.
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T.S. Eliot (Four Quartets)
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Hidup sungguh sangat sederhana. Yang hebat-hebat hanya tafsirannya.
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Pramoedya Ananta Toer (House of Glass (Buru Quartet, #4))
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When you find somebody you love, all the way through, and she loves youβ€”even with your weaknesses, your flaws, everything starts to click into place. And if you can talk to her, and she listens, if she makes you laugh, and makes you think, makes you want, makes you see who you really are, and who you are is better, just better with her, you’d be crazy not to want to spend the rest of your life with her. (Carter Maguire)
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Nora Roberts (Happy Ever After (Bride Quartet, #4))
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Broken hearts healed. Maybe the cracks were always there, like thin scars, but they healed. People lived and worked, laughed and ate, walked and talked with those cracks For many, even the scars healed and they loved again.
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Nora Roberts (Bed of Roses (Bride Quartet, #2))
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She likes to read, she reads all the time, and she prefers to be reading several things at once, she says it gives endless perspective and dimension.
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Ali Smith (Autumn (Seasonal Quartet, #1))
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I’ve never been the one. Not for anybody.” He closed the distance between them. β€œYou’ll get used to it.” He tipped her face up to his, kissed her. β€œWhy? Why am I the one?” β€œBecause my life opened up, and it flooded with color when you walked back into it.
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Nora Roberts (Vision in White (Bride Quartet, #1))
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Orang boleh pandai setinggi langit, tapi selama ia tak menulis, ia akan hilang di dalam masyarakat dan dari sejarah.
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Pramoedya Ananta Toer (House of Glass (Buru Quartet, #4))
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In my end is my beginning.
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T.S. Eliot (Four Quartets)
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Orang bilang ada kekuatan-kekuatan dahsyat yang tak terduga yang bisa timbul pada samudera, pada gunung berapi dan pada pribadi yang tahu benar akan tujuan hidupnya .
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Pramoedya Ananta Toer (House of Glass (Buru Quartet, #4))
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A woman with romance in her life lived as grandly as a queen, because her heart was treasured.
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Nora Roberts (Bed of Roses (Bride Quartet, #2))
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Always be reading something, he said. Even when we're not physically reading. How else will we read the world? Think of it as a constant.
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Ali Smith (Autumn (Seasonal Quartet, #1))
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A city becomes a world when one loves one of its inhabitants.
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Lawrence Durrell (Justine (The Alexandria Quartet, #1))
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If you’re looking for the full deal, the till-death deal, then look at me. No one’s ever going to love you, stick by you, understand how you work the way I do. (Malcolm Kavanaugh)
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Nora Roberts (Happy Ever After (Bride Quartet, #4))
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People and relationships never stop being a work in progress
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Nora Roberts (Vision in White (Bride Quartet, #1))
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I'd rather waltz than just walk through the forest The trees keep the tempo and they sway in time Quartet of crickets chime in for the chorus If I were to pluck on your heartstrings, would you strum on mine?
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Owl City
β€œ
We are all hunting for rational reasons for believing in the absurd.
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Lawrence Durrell (Justine (The Alexandria Quartet, #1))
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The lifelong friends, he said. We sometimes wait a lifetime for them.
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Ali Smith (Autumn (Seasonal Quartet, #1))
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Nothing is permanently perfect. But there are perfect moments and the will to choose what will bring about more perfect moments.
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Mary Balogh (Simply Perfect (Simply Quartet, #4))
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Love is not simply the sum of sweet greetings and wrenching partings and kisses and embraces, but is made up more of the memory of what has happened and the imagining of what is to come.
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Anita Shreve (Fortune's Rocks (Fortune's Rocks Quartet, #1))
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Who invented the human heart, I wonder? Tell me, and then show me the place where he was hanged.
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Lawrence Durrell (Justine (The Alexandria Quartet, #1))
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In spite of all the refinements of civilization that conspired to make art--the dizzying perfection of the string quartet or the sprawling grandeur of Fragonard's canvases--beauty was savage. It was as dangerous and lawless as the earth had been eons before man had one single coherent thought in his head or wrote codes of conduct on tablets of clay. Beauty was a Savage Garden.
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Anne Rice (The Vampire Lestat (The Vampire Chronicles, #2))
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Kehidupan lebih nyata daripada pendapat siapa pun tentang kenyataan.
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Pramoedya Ananta Toer (Child of All Nations (Buru Quartet, #2))
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Not that she objected to solitude. Quite the contrary. She had books, thank Heaven, quantities of books. All sorts of books.
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Jean Rhys (Quartet)
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A book is a wonderful present. Though it may grow worn, it will never grow old.
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Jane Yolen (Girl in a Cage (Stuart Quartet, #2))
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Setiap tulisan merupakan dunia tersendiri, yang terapung-apung antara dunia kenyataan dan dunia impian.
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Pramoedya Ananta Toer (House of Glass (Buru Quartet, #4))
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Love can really screw you up before you learn to live with it.
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Nora Roberts (Bride Quartet Boxed Set (Bride Quartet, #1-4))
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I am quite alone. I am neither happy nor unhappy; I lie suspended like a hair or a feather in the cloudy mixtures of memory.
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Lawrence Durrell (Justine (The Alexandria Quartet, #1))
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Pernah kudengar orang kampung bilang : sebesar-besar ampun adalah yang diminta seorang anak dari ibunya, sebesar-besar dosa adalah dosa anak kepada ibunya.
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Pramoedya Ananta Toer (Child of All Nations (Buru Quartet, #2))
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Love is blind,” Harriet quipped. β€œBut not illiterate,” Elizabeth retorted.
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Julia Quinn (A Night Like This (Smythe-Smith Quartet, #2))
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Footfalls echo in the memory down the passage we did not take towards the door we never opened into the rose garden. My words echo thus, in your mind
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T.S. Eliot (Four Quartets)
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Perhaps this is the strongest pleasure known to me. It is the rapture I get when in writing I seem to be discovering what belongs to what; making a scene come right; making a character come together. From this I reach what I might call a philosophy; at any rate it is a constant idea of mine; that behind the cotton wool is hidden a pattern; that weβ€”I mean all human beingsβ€”are connected with this; that the whole world is a work of art; that we are parts of the work of art. Hamlet or a Beethoven quartet is the truth about this vast mass that we call the world. But there is no Shakespeare, there is no Beethoven; certainly and emphatically there is no God; we are the words; we are the music; we are the thing itself.
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Virginia Woolf (Moments of Being: A Collection of Autobiographical Writing)
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Pada akhirnya persoalan hidup adalah persoalan menunda mati, biarpun orang-orang yang bijaksana lebih suka mati sekali daripada berkali-kali.
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Pramoedya Ananta Toer (House of Glass (Buru Quartet, #4))
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The dove descending breaks the air With flame of incandescent terror Of which the tongues declare The one discharge from sin and error. The only hope, or else despair Lies in the choice of pyre or pyre- To be redeemed from fire by fire. Who then devised the torment? Love. Love is the unfamiliar Name Behind the hands that wove The intolerable shirt of flame Which human power cannot remove. We only live, only suspire Consumed by either fire or fire.
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T.S. Eliot (Four Quartets)
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The only wisdom we can hope to acquire Is the wisdom of humility: humility is endless. The houses are all gone under the sea. The dancers are all gone under the hill.
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T.S. Eliot (Four Quartets)
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We have to hope, Daniel was saying, that the people who love us and who know us a little bit will in the end have seen us truly. In the end, not much else matters.
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Ali Smith (Autumn (Seasonal Quartet, #1))
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Kita semua harus menerima kenyataan, tapi menerima kenyataan saja adalah pekerjaan manusia yang tak mampu lagi berkembang. Karena manusia juga bisa membikin kenyataan-kenyataan baru. Kalau tak ada orang mau membikin kenyataan-kenyataan baru, maka β€œkemajuan” sebagai kata dan makna sepatutnya dihapuskan dari kamus umat manusia.
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Pramoedya Ananta Toer (House of Glass (Buru Quartet, #4))
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Tak ada satu hal pun tanpa bayang-bayang, kecuali terang itu sendiri.
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Pramoedya Ananta Toer (Child of All Nations (Buru Quartet, #2))
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And since I’m marrying into the Quartet, I have certain privileges and duties. If you’re sleeping with Laurel—” β€œI’m not sleeping with Laurel. We’re dating.” β€œRight, and the two of you are just going to hold hands, admire the moon, and sing camp songs.” β€œFor a while. Minus the singing.
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Nora Roberts (Savor the Moment (Bride Quartet, #3))
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Selama penderitaan datang dari manusia, dia bukan bencana alam, dia pun pasti bisa dilawan oleh manusia.
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Pramoedya Ananta Toer (Child of All Nations (Buru Quartet, #2))
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Do not let me hear Of the wisdom of old men, but rather of their folly, Their fear of fear and frenzy, their fear of possession, Of belonging to another, or to others, or to God. The only wisdom we can hope to acquire Is the wisdom of humility: humility is endless.
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T.S. Eliot (Four Quartets)
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You can only chase a butterfly for so long.
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Jane Yolen (Prince Across the Water (Stuart Quartet, #3))
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Only through time time is conquered
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T.S. Eliot (Four Quartets)
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squats are a form of torture designed by people who don’t need to do squats in the first place
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Nora Roberts (Bed of Roses (Bride Quartet, #2))
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Kau Pribumi terpelajar! Kalau mereka itu, Pribumi itu, tidak terpelajar, kau harus bikin mereka jadi terpelajar. Kau harus, harus, harus, harus bicara pada mereka , dengan bahasa yang mereka tahu
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Pramoedya Ananta Toer (Child of All Nations (Buru Quartet, #2))
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time past and time future what might have been and what has been point to one end, which is always present.
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T.S. Eliot (Four Quartets)
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Odd, isn't it? He really was the right man for her in a sort of way; but then as you know, it is a law of love that the so-called 'right' person always comes to soon or too late.
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Lawrence Durrell (Balthazar (The Alexandria Quartet, #2))
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I am glad you have a Cat, but I do not believe it is So remarkable a cat as My Cat.
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T.S. Eliot (Four Quartets)
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He gave her a quick, casual kiss on the cheek first. Then came the hug, and it was the hug that always made Laurel’s heart mush. Serious grip, cheek to the hair, eyes closed, just a little sway. Del’s hugs mattered, she thought, and made him impossible to resist.
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Nora Roberts (Savor the Moment (Bride Quartet, #3))
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...She'd gone past interest, swung into attraction, burst through lust, tripped over affection, and was now skidding out of control into love.
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Nora Roberts (Happy Ever After (Bride Quartet, #4))
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She had always been an unashamed reader of novels.
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Barbara Pym (Quartet in Autumn)
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The historical sense involves a perception, not only of the pastness of the past, but of its presence
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T.S. Eliot (Four Quartets)
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Sometimes, she thought, courage was simply a matter of putting one foot in front of another and not stopping.
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Anita Shreve (The Pilot's Wife (Fortune's Rocks Quartet, #3))
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Love does not last forever, then?" "He asked me the same thing this morning," she said. "No, it does not - not love that has been betrayed. One realizes that one has loved a mirage, someone who never really existed. Not that love dies immediately or soon, even then. But it does die and cannot be revived.
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Mary Balogh (Simply Perfect (Simply Quartet, #4))
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-If you were a girl,Jack said to Dell, I'd marry you. -No. You'd just have sex with me then never call me.
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Nora Roberts (Bed of Roses (Bride Quartet, #2))
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Gamblers and lovers really play to lose.
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Lawrence Durrell (The Alexandria Quartet (The Alexandria Quartet, #1-4))
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Or music heard so deeply That it is not heard at all, but you are the music While the music lasts.
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T.S. Eliot (Four Quartets)
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These are the moments which are not calculable, and cannot be assessed in words; they live on in the solution of memory, like wonderful creatures, unique of their own kind, dredged up from the floors of some unexplored ocean.
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Lawrence Durrell (Justine (The Alexandria Quartet, #1))
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Semua yang terjadi d bawah kolong langit adalah urusan setiap orang yang berpikir
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Pramoedya Ananta Toer (Child of All Nations (Buru Quartet, #2))
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Love's scary, and sometimes it's transient. But it's worth the risks and the nerves. It's even worth the pain.
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Nora Roberts (Vision in White (Bride Quartet, #1))
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Is it possible, he said, to be in love not with someone but with their eyes. I mean, with how eyes that aren't yours let you see where you are, who you are.
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Ali Smith (Autumn (Seasonal Quartet, #1))
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Barangsiapa muncul di atas masyarakatnya, dia akan selalu menerima tuntutan dari masyarakatnya-masyarakat yang menaikkannya, atau yang membiarkannya naik.... Pohon tinggi dapat banyak angin? Kalau Tuan segan menerima banyak angin, jangan jadi pohon tinggi
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Pramoedya Ananta Toer (Child of All Nations (Buru Quartet, #2))
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No. Haven’t you been listening?” Marcus would always remember that moment. It was to be the first time he would ever be faced with that most vexing of female quirks: the question that had nothing but wrong answers.
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Julia Quinn (Just Like Heaven (Smythe-Smith Quartet, #1))
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The polite thing would be to go back inside, give you privacy when you read it. But, I’m just not that mature.' 'It’s nothing. Fine.' Feeling foolish, Laurel opened the envelope. You might think this is over, but you’d be wrong. I’ve taken your shoes hostage. Contact me within forty-eight hours, or the Pradas get it.
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Nora Roberts (Savor the Moment (Bride Quartet, #3))
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Language is like poppies. It just takes something to churn the earth round them up, and when it does up come the sleeping words, bright red, fresh, blowing about.
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Ali Smith (Autumn (Seasonal Quartet, #1))
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Is there never any escaping the junkshop of the self?
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Ali Smith (Autumn (Seasonal Quartet, #1))
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Kami memang orang miskin. Di mata orang kota kemiskinan itu kesalahan. Lupa mereka lauk yg dimakannya itu kerja kami.
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Pramoedya Ananta Toer (House of Glass (Buru Quartet, #4))
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Every moment is a moment of decision, and every moment turns us inexorably in the direction of the rest of our lives.
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Mary Balogh (Simply Perfect (Simply Quartet, #4))
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Laurel: I don't need a ring or a license, or a spetacular white dress. It's not marriage so much, or at all really, that matters. It's the promise. It's the knowing someone wants me to be part of his life. Someone loves me, that I'm the one for him. That's not just enough, it's everything.
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Nora Roberts (Savor the Moment (Bride Quartet, #3))
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Science is the poetry of the intellect and poetry the science of the heart's affections.
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Lawrence Durrell (The Alexandria Quartet (The Alexandria Quartet, #1-4))
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There are three conditions which often look alike Yet differ completely, flourish in the same hedgerow: Attachment to self and to things and to persons, detachment From self and from things and from persons; and, growing between them, indifference, ... .
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T.S. Eliot (Four Quartets)
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-The little things,Emma. The gestures,the moments. And the big. I let him see my heart. I gave it to him,even when I believed he couldn't or wouldn't take it. I gave it anyway-a gift. Even if he broke it. I was very brave. Love is very brave.
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Nora Roberts (Bed of Roses (Bride Quartet, #2))
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Quick now, here, now, always- A condition of complete simplicity (Costing not less than everything) And all shall be well and All manner of thing shall be well When the tongues of flame are in-folded Into the crowned knot of fire And the fire and the rose are one.
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T.S. Eliot (Four Quartets)
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Yet often the mountain gives itself most completely when I have no destination, when I reach nowhere in particular, but have gone out merely to be with the mountain as one visits a friend with no intention but to be with him.
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Nan Shepherd (The Living Mountain: A Celebration of the Cairngorm Mountains of Scotland (The Grampian Quartet Book 4))
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I'm tired of the news. I'm tired of the way it makes things spectacular that aren't, and deals so simplistically with what's truly appalling. I'm tired of the vitriol. I'm tired of anger. I'm tired of the meanness. I'm tired of selfishness. I'm tired of how we're doing nothing to stop it. I'm tired of how we're encourageing it. I'm tired of the violence that's on it's way, that's coming, that hasn't happened yet. I'm tired of liars. I'm tired of sanctified liars. I'm tired of how those liars have let this happen. I'm tired of having to wonder whether they did it out of stupidity or did it on purpose. I'm tired of lying governments. I'm tired of people not caring whether they're being lied to anymore. I'm tired of being made to feel this fearful.
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Ali Smith (Autumn (Seasonal Quartet, #1))
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We say that flowers return every spring, but that is a lie. It is true that the world is renewed. It is also true that that renewal comes at a price, for even if the flower grows from an ancient vine, the flowers of spring are themselves new to the world, untried and untested. The flower that wilted last year is gone. Petals once fallen are fallen forever. Flowers do not return in the spring, rather they are replaced. It is in this difference between returned and replaced that the price of renewal is paid. And as it is for spring flowers, so it is for us.
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Daniel Abraham (The Price of Spring (Long Price Quartet, #4))
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So here I am, in the middle way, having had twenty years- Twenty years largely wasted, the years of l'entre deux guerres- Trying to use words, and every attempt Is a wholy new start, and a different kind of failure Because one has only learnt to get the better of words For the thing one no longer has to say, or the way in which One is no longer disposed to say it. And so each venture Is a new beginning, a raid on the inarticulate, With shabby equipment always deteriorating In the general mess of imprecision of feeling, Undisciplined squads of emotion. And what there is to conquer By strength and submission, has already been discovered Once or twice, or several times, by men whom one cannot hope To emulate - but there is no competition - There is only the fight to recover what has been lost And found and lost again and again: and now, under conditions That seem unpropitious. But perhaps neither gain nor loss. For us, there is only the trying. The rest is not our business.
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T.S. Eliot (Four Quartets)
β€œ
He’d spent his life being a perfect gentleman. He’d never been a flirt. He’d never been a rogue. He hated being the center of attention, but by God, he wanted to be the center of her attention. He wanted to do the wrong thing, the bad thing. He wanted to pull her into his arms and carry her to her bed. He wanted to peel every last inch of her clothing from her body, and then he wanted to worship her. He wanted to show her all the things he wasn’t sure he knew how to say.
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Julia Quinn (Just Like Heaven (Smythe-Smith Quartet, #1))
β€œ
Jangan kau mudah terpesona oleh nama-nama. Kan kau sendiri pernah bercerita padaku: nenek moyang kita menggunakan nama yang hebat-hebat, dan dengannya ingin mengesani dunia dengan kehebatannyaβ€”kehebatan dalam kekosongan. Eropa tidak berhebat-hebat dengan nama, dia berhebat-hebat dengan ilmu pengetahuannya. Tapi si penipu tetap penipu, si pembohong tetap pembohong dengan ilmu dan pengetahuannya.
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Pramoedya Ananta Toer (Child of All Nations (Buru Quartet, #2))
β€œ
To be a jazz freedom fighter is to attempt to galvanize and energize world-weary people into forms of organization with accountable leadership that promote critical exchange and broad reflection. The interplay of individuality and unity is not one of uniformity and unanimity imposed from above but rather of conflict among diverse groupings that reach a dynamic consensus subject to questioning and criticism. As with a soloist in a jazz quartet, quintet or band, individuality is promoted in order to sustain and increase the creative tension with the group--a tension that yields higher levels of performance to achieve the aim of the collective project. This kind of critical and democratic sensibility flies in the face of any policing of borders and boundaries of "blackness", "maleness", "femaleness", or "whiteness".
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Cornel West (Race Matters)
β€œ
Time present and time past Are both perhaps present in time future, And time future contained in time past. If all time is eternally present All time is unredeemable. What might have been is an abstraction Remaining a perpetual possibility Only in a world of speculation. What might have been and what has been Point to one end, which is always present. Footfalls echo in the memory Down the passage which we did not take Towards the door we never opened Into the rose-garden. My words echo Thus, in your mind. But to what purpose Disturbing the dust on a bowl of rose-leaves I do not know. Other echoes Inhabit the garden. Shall we follow?” <...> Go, said the bird, for the leaves were full of children, Hidden excitedly, containing laughter. Go, go, go, said the bird: human kind Cannot bear very much reality. Time past and time future What might have been and what has been Point to one end, which is always present.
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T.S. Eliot
β€œ
He said he loved me,” she whispered. Daniel swallowed, and he had the strangest sensation, almost a premonition of what it must like to be a parent. Someday, God willing, he’d have a daughter, and that daughter would look like the woman standing in front of him, and if ever she looked at him with that bewildered expression, whispering, β€œHe said he loved me . . .” Nothing short of murder would be an acceptable response.
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Julia Quinn (A Night Like This (Smythe-Smith Quartet, #2))
β€œ
Ah, hi. It’s Carter. I wonder if you might want to go out to dinner, or maybe the movies. Maybe you like plays better than movies. I should’ve looked up what might be available before I called. I didn’t think of it. Or we could just have coffee again if you want to do that. Or… I’m not articulate on these things. I can’t use a tape recorder either. And why would you care? If you’re at all interested in any of the above, please feel free to call me. Thanks. Um. Good-bye.” β€œDamn you, Carter Maguire, for your insanely cute quotient. You should be annoying. Why aren’t I annoyed? Oh God, I’m going to call you back. I know I’m going to call you back. I’m in such trouble.
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Nora Roberts (Vision in White (Bride Quartet, #1))
β€œ
Are you always so forthright over coffee dates?” β€œI don’t know. You’re the only one I ever had a crush on.” Oh, boy. β€œAnd that was stupid.” Flustered again, he raked his fingers through his hair. β€œNow I’ve scared you. That sounds scary and obsessive. Like I have an alter somewhere with your pictures over it, where I light candles and chant your name. Jesus! That’s even scarier. Run now. I won’t hold it against you.” She burst out laughing. Had to set her coffee back down before she slouched it over the rim. β€œI’ll stay if you swear you don’t have the alter.” β€œI don’t.” He swiped his finger in an X over his heart.
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Nora Roberts (Vision in White (Bride Quartet, #1))
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All across the country, people felt it was the wrong thing. All across the country, people felt it was the right thing. All across the country, people felt they'd really lost. All across the country, people felt they'd really won. All across the country, people felt they'd done the right thing and other people had done the wrong thing. All across the country, people looked up Google: what is EU? All across the country, people looked up Google: move to Scotland. All across the country, people looked up Google: Irish Passport Applications. All across the country, people called each other cunts. All across the country, people felt unsafe. All across the country, people were laughing their heads off. All across the country, people felt legitimised. All across the country, people felt bereaved and shocked. All across the country, people felt righteous. All across the country, people felt sick. All across the country, people felt history at their shoulder. All across the country, people felt history meant nothing. All across the country, people felt like they counted for nothing. All across the country, people had pinned their hopes on it. All across the country, people waved flags in the rain. All across the country, people drew swastika graffiti. All across the country, people threatened other people. All across the country, people told people to leave. All across the country, the media was insane. All across the country, politicians lied. All across the country, politicians fell apart. All across the country, politicians vanished...
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Ali Smith (Autumn (Seasonal Quartet, #1))
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Well,” she finally said, β€œhe’s coming back shortly, so you are absolved of your responsibilities.” β€œNo.” The word came from him like an oath, emerging from the very core of his being. She looked at him in impatient confusion. β€œWhat do you mean?” He stepped forward. He wasn’t sure what he was doing. He knew only that he couldn’t stop. β€œI mean no. I don’t want to be absolved.” Her lips parted. He took another step. His heart was pounding, and something within him had gone hot, and greedy, and if there was anything in the world besides her, besides himβ€”he did not know it. β€œI want you,” he said, the words blunt, and almost harsh, but absolutely, indelibly true. β€œI want you,” he said again, and he reached out and took her hand. β€œI want you.” β€œMarcus, I—” β€œI want to kiss you,” he said, and he touched one finger to her lips. β€œI want to hold you.” And then, because he couldn’t have kept it inside for one second longer, he said, β€œI burn for you.” He took her face in his hands and he kissed her. He kissed her with everything that had been building within him, every last aching, hungry burst of desire. Since the moment he had realized he loved her, this passion had been growing within him. It had probably been there all along, just waiting for him to realize it. He loved her.
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Julia Quinn (Just Like Heaven (Smythe-Smith Quartet, #1))
β€œ
Footfalls echo in the memory Down the passage which we did not take Towards the door we never opened Into the rose-garden. Time present and time past Are both perhaps present in time future And time future contained in time past. (I) What might have been and what has been Point to one end, which is always present. Footfalls echo in the memory Down the passage which we did not take Towards the door we never opened Into the rose-garden. My words echo Thus, in your mind. But to what purpose Disturbing the dust on a bowl of rose-leaves I do not know. (I) Go, go, go, said the bird: human kind Cannot bear very much reality. What might have been and what has been Point to one end, which is always present. Go, said the bird, for the leaves were full of children, Hidden excitedly, containing laughter. Go, go, go, said the bird: human kind Cannot bear very much reality. Time past and time future What might have been and what has been Point to one end, which is always present. (I) At the still point of the turning world. Neither flesh nor fleshless; Neither from nor towards; at the still point, there the dance is... At the still point of the turning world. Neither flesh nor fleshless; Neither from nor towards; at the still point, there the dance is, But neither arrest nor movement. And do not call it fixity, Where past and future are gathered. Neither movement from nor towards, Neither ascent nor decline. Except for the point, the still point, There would be no dance, and there is only the dance. I can only say, there we have been: but I cannot say where And I cannot say, how long, for that is to place it in time. (II) All is always now. Time past and time future Allow but a little consciousness. To be conscious is not to be in time But only in time can the moment in the rose-garden, The moment in the arbour where the rain beat, The moment in the draughty church at smokefall Be remembered; involved with past and future. Only through time time is conquered. (II) Words move, music moves Only in time; but that which is only living Can only die. Words, after speech, reach Into the silence. (V) Or say that the end precedes the beginning, And the end and the beginning were always there Before the beginning and after the end. And all is always now. Words strain, Crack and sometimes break, under the burden, Under the tension, slip, slide, perish, Will not stay still. (V) Desire itself is movement Not in itself desirable; Love is itself unmoving, Only the cause and end of movement, Timeless, and undesiring Except in the aspect of time Caught in the form of limitation Between un-being and being. (V)
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T.S. Eliot (Four Quartets)