“
No matter how far you travel, you can never get away from yourself.
”
”
Haruki Murakami (After the Quake)
“
You really are a scary man,no really! If I had boots I would be quaking in them.
”
”
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
“
Vulnerability is the only authentic state. Being vulnerable means being open, for wounding, but also for pleasure. Being open to the wounds of life means also being open to the bounty and beauty. Don’t mask or deny your vulnerability: it is your greatest asset. Be vulnerable: quake and shake in your boots with it. the new goodness that is coming to you, in the form of people, situations, and things can only come to you when you are vulnerable, i.e. open.
”
”
Stephen Russell (Barefoot Doctor's Guide to the Tao: A Spiritual Handbook for the Urban Warrior)
“
Everyone thought I was bold and fearless and even arrogant, but inside I was always quaking.
”
”
Katharine Hepburn
“
When the fire goes out, you'll start feeling the cold. You'll wake up whether you want to or not.
”
”
Haruki Murakami (After the Quake)
“
This sword is not just an angel sword. She’s an archangel sword. Better than an angel sword, in case that’s not clear. She intimidates the other angel swords.”
“What, the other swords quake in their scabbards when they see her?
”
”
Susan Ee (World After (Penryn & the End of Days, #2))
“
My life was going to flash before my eyes, but it decided to hide behind my eyes and quake with terror instead.
”
”
Sarah Rees Brennan (The Demon's Lexicon)
“
Because…”
I knew, oh goddess, I knew. Still, I needed him to say the words.
“You are not his intended, Emilia.” The world beneath me tilted. Wrath’s gaze was steady enough to keep both my knees and the realm from quaking. “You are mine.
”
”
Kerri Maniscalco (Kingdom of the Cursed (Kingdom of the Wicked, #2))
“
I want to write about people who dream and wait for the night to end, who long for the light so they can hold the ones they love.
”
”
Haruki Murakami (After the Quake)
“
What I was chasing in circles must have been the tail of the darkness inside me.
”
”
Haruki Murakami (After the Quake)
“
Endless moons, an opaque universe, thunder, tornadoes, the quaking earth. Rare moments of peace; forehead up against my knees, arms around my head, I thought, I listened, I longed not to exist. But life was there, a transparent pearl, a star revolving slowly on its own axis.
”
”
Shan Sa (Empress)
“
The light in his eyes was like the sun rising. My knees trembled and my heart quaked. It was powerful and beautiful and perfect.
”
”
Kylie Scott (Lick (Stage Dive, #1))
“
No matter how far you travel, you can never get away from yourself. It’s like your shadow. It follows you everywhere. -Komura
”
”
Haruki Murakami (After the Quake)
“
It's just a feeling I have. What you see with your eyes is not necessarily real. My enemy is, among other things, the me inside me.
”
”
Haruki Murakami (After the Quake)
“
The whole terrible fight occured in the area of imagination. That is the precise location of our battlefield. It is there, that we experience our victories and defeats.
”
”
Haruki Murakami (After the Quake)
“
In the vaults of our hearts and brains, danger waits. All the chambers are not lovely, light and high. There are holes in the floor of the mind, like those in a medieval dungeon floor - the stinking oubliettes, named for forgetting, bottle-shaped cells in solid rock with the trapdoor in the top. Nothing escapes from them quietly to ease us. A quake, some betrayal by our safeguards, and sparks of memory fire the noxious gases - things trapped for years fly free, ready to explode in pain and drive us to dangerous behavior...
”
”
Thomas Harris (Hannibal (Hannibal Lecter, #3))
“
I think that you are the liar!" I say, my voice quaking. "You tell me you love me, you trust me, you think I'm more perceptive than the avarge person. And the first second that belief in my perceptiveness, that trust, that love is put to the test, it all falls apart." I am crying now, nut I am not ashamed of the tears shining on my cheeks or the thickness of my voice. "So you must have lied when you told me all those things... you must have, because I can't believe your love really is that feeble."
I step closer to him, so that there are only inches between us, and none of the others can hear me.
"I am still the person who would have died rather than kill you," I say, remembering the attack simulation and the feel of his heartbeat under my hand. "I am exactly who you think I am.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
Faith is not believing in my own unshakable belief. Faith is believing an unshakable God when everything in me trembles and quakes.
”
”
Beth Moore (Praying God's Word: Breaking Free From Spiritual Strongholds)
“
Tis now the very witching time of night,
When churchyards yawn and hell itself breathes out
Contagion to this world; now could I drink hot blood,
And do such bitter business as the day
Would quake to look on.
”
”
William Shakespeare (Hamlet)
“
Never, ever quake in the face of hate, Zayneb.
”
”
S.K. Ali (Love from A to Z)
“
He is a part of me, always will be, and I am a part of him, too. I don't belong to Abnegation, or Dauntless, or even the Divergent. I don't belong to the Bureau or the experiment or the firnge. I belong to the people I love, and they belong to me- they, and the love and loyalty I give them, form my identity far more than any word or group ever could. I love my brother. I love him, and he is quaking with terror at the though of death. I love him and all I can think, all I can hear in my mind, are the words I said to him a few days ago : I would never deliver you to your own execution
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
Everything between us is sick... twisted. And it doesn’t have to be.”
“Shh, shh.” He rocked her in his arms. Never had he comforted another in such a manner. He was awkward with this as well.
“I h-hate you s-so much.” She sobbed so hard her body quaked against him, her tears wetting his chest.
“I know.
”
”
Kresley Cole (Lothaire (Immortals After Dark, #11))
“
one year as his wife, and id have become one of those abject, quaking women who look at their husbands when someone asks them a question. I've always despised that type, but I see how it happens now
”
”
Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
“
I think that you are the liar!" I say, my voice quaking.
"You tell me you love me, you trust me, you think I'm more perceptive than the average person. And the first second that belief in my perceptiveness, that trust, that love is put to the test, it falls apart." I am crying now, but I am not ashamed of the tears shining on my cheeks or the thickness of my voice. "So you must have lied when you told me all those things... you must have, because I can't believe your love is really that feeble.
”
”
Veronica Roth
“
It's not right for one friend to do all the giving and the other to do all the taking: that's not read friendship.
”
”
Haruki Murakami (After the Quake)
“
All night sheetlightning quaked sourceless to the west beyond the midnight thunderheads, making a bluish day of the distant desert, the mountains on the sudden skyline stark and black and livid like a land of some other order out there whose true geology was not stone but fear.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
I'm the fucking Horde King, I don't woo."
"Woo her," Ristan continues.
"I don't woo."
"Woo," he repeats.
"I'm not the kind of man to woo anyone. I can make her scream my name to the rafters, isn't that enough wooing?"
"Woo," Ristan smirks, which only served to irritate me more.
"Woo," I grind out on an exhale.
"Yes, woo," he says, already turning to walk away. I watch his shoulders quake with laughter.
"Woo," I growl.
"Woo!" He says over his shaking shoulders.
"Fuck me," I shake my head.
"No thanks, not my type...
”
”
Amelia Hutchins (Escaping Destiny (The Fae Chronicles, #3))
“
A fire can be any shape it wants to be. It's free. So it can look like anything at all, depending on what's inside the person looking at it. If you get this deep, quiet kind of feeling when you look at a fire, that's because it's showing you the deep, quiet kind of feeling you have inside yourself...
”
”
Haruki Murakami (After the Quake)
“
At first we raced through space, like shadows and light; her rants, my raves; her dark hair, my blonde; black dresses, white. She's a purple-black African-violet-dark butterfly and I a white moth. We were two wild ponies, Dawn and Midnight, the wind electrifying our manes and our hooves quaking the city; we were photo negatives of each other, together making the perfect image of a girl.
”
”
Francesca Lia Block (Violet & Claire)
“
Our hearts are not stones. A stone may disintegrate in time and lose its outward form. But hearts never disintegrate. They have no outward form, and whether good or evil, we can always communicate them to one another.
”
”
Haruki Murakami (After the Quake)
“
Strange and mysterious things, though, aren't they - earthquakes? We take it for granted that the earth beneath our feet is solid and stationary. We even talk about people being 'down to earth' or having their feet firmly planted on the ground. But suddenly one day we see that it isn't true. The earth, the boulders, that are supposed to be solid, all of a sudden turn as mushy as liquid - From the short story "Thailand
”
”
Haruki Murakami (After the Quake)
“
Whenever the sky quaked, women uttered a blessing: Lord preserve me from the wrath of Lilith. But I could never bring myself to say it. I would whisper instead, Lord, bless the roaring
”
”
Sue Monk Kidd (The Book of Longings)
“
The Los Angeles earthquake of October 1,1987 measured 5.9 on the Richter scale. It killed eight people, injured scores more, and left 2,200 people homeless and more than 10,000 buildings badly damaged.
However, Nikki Sixx was by far the most infamous Los Angeleno to react to the quake by running out of his house butt-naked and waving a crack pipe.
”
”
Ian Gittins
“
The way you move is incredible.” Ren drew me back to press against him. His fingers slid down to the curve of my hips, rocking our bodies in rhythm with the heavy bass. The sensation of being molded against the hard narrow line of his hips threatened to overwhelm me. We were hidden in the mass of people, right? The Keepers couldn’t see?
I tried to steady my breath as Ren kept us locked together in the excruciatingly slow pulse of the music. I closed my eyes and leaned back into his body; his fingers kneaded my hips, caressed my stomach. God, it felt good.
My lips parted and the misty veil slipped between them, playing along my tongue. The taste of flower buds about to burst into bloom filled my mouth. Suddenly I wanted nothing more than to melt into Ren. The surge of desire terrified me. I had no idea if the compulsion to draw him more tightly around my body emerged from my own heart or from the succubi’s spellcraft. This couldn’t happen!
I started to panic when he bent his head, pressing his lips against my neck. My eyes fluttered and I struggled to focus despite the suffocating heat that pressed down all around me. His sharpened canines traced my skin, scratching but not breaking the surface. My body quaked and I pivoted in his arms, pushing against his chest, making space between us.
“I’m a fighter, not a lover,” I gasped.
“You can’t be both?” His smile made my knees buckle.
”
”
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
“
No one sees how her hands shake as she closes the magazine, lays it down gingerly as though afraid that her trembling will start an earth quake, and make the entire world crumble.
”
”
Amy Zhang (Falling into Place)
“
If nothing else in this long and short life, let me be true to my conscience, to the dignity of my own heart. Let me act in a way that says, I have honored my spirit as truly as I have honored others'. Let me stand tall and rooted as a mountain in the face of a quaking world.
”
”
Jennifer DeLucy
“
From now on, little by little, you must prepare yourself to face death. If you devote all of your future energy to living, you will not be able to die well. You must begin to shift gears, a little at a time. Living and dying are, in a sense, of equal value.
”
”
Haruki Murakami (After the Quake)
“
Don't tell me anymore. You should have your dream, as the old woman told you to. I understand how you feel, but if you put those feelings into words they will turn into lies. (from Thailand)
”
”
Haruki Murakami (After the Quake)
“
Every night in my dreams, a man appeared from the darkest recesses of my mind, as if he'd been waiting for me to fall asleep. His mouth, full, masculine, would sear my flesh. His tongue, like flames across my skin, would send tiny sparks quaking through my body. Then he would dip south, and the heavens would open and a chorus singing hallelujah would ring out in perfect harmony.
”
”
Darynda Jones (First Grave on the Right (Charley Davidson, #1))
“
Boo," I said. He reacted as all mutts react when I confront them. He leapt from his chair and dove for the nearest exit, shaking in terror. In my dreams. He glanced at me and started looking for Clay. It never failed. Mutts only quaked when I appeared because it usually meant Clayton wasn't far behind. I was nothing but a harbinger of doom.
”
”
Kelley Armstrong
“
Faithless is he that says farewell when the road darkens,’ said Gimli. ‘Maybe,’ said Elrond, ‘but let him not vow to walk in the dark, who has not seen the nightfall.’ ‘Yet sworn word may strengthen quaking heart,’ said Gimli. ‘Or break it,’ said Elrond.
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
Obstinate are the trammels, but my heart aches when I try to break them. Freedom is all I want, but to hope for it I feel ashamed. I am certain that priceless wealth is in thee, and that thou art my best friend, but I have not the heart to sweep away the tinsel that fills my room.
The shroud that covers me is a shroud of dust and death; I hate it, yet hug it in love. My debts are large, my failures great, my shame secret and heavy; yet when I come to ask for my good, I quake in fear lest my prayer be granted.
”
”
Rabindranath Tagore
“
Have your dream...What you need now more than anything is discipline. Cast off mere words. Words turn into stone. (from Thailand)
”
”
Haruki Murakami (After the Quake)
“
You ask yourself: where are your dreams now? And you shake your head and say how swiftly the years fly by! And you ask yourself again: what have you done with your best years, then? Where have you buried the best days of your life? Have you lived or not? Look, you tell yourself, look how cold the world is becoming. The years will pass and after them will come grim loneliness, and old age, quaking on its stick, and after them misery and despair. Your fantasy world will grow pale, your dreams will fade and die, falling away like the yellow leaves from the trees… Ah, Nastenka! Will it not be miserable to be left alone, utterly alone, and have nothing even to regret — nothing, not a single thing… because everything I have lost was nothing, stupid, a round zero, all dreaming and no more!
”
”
Fyodor Dostoevsky
“
He heard the quake that lived at my center, and he didn't seek to silence it.
”
”
Sue Monk Kidd (The Book of Longings)
“
You are a beautiful person, Doctor. Clearheaded. Strong. But you seem always to be dragging your heart along the ground. From now on, little by little, you must prepare yourself to face death. If you devote all of your future energy to living, you will not be able to die well. You must begin to shift gears, a little at a time. Living and dying are, in a sense, of equal value."--Nimit in "Thailand
”
”
Haruki Murakami (After the Quake)
“
There are cities that get by on their good looks, offer climate and scenery, views of mountains or oceans, rockbound or with palm trees; and there are cities like Detroit that have to work for a living, whose reason for being might be geographical but whose growth is based on industry, jobs. Detroit has its natural attractions: lakes all over the place, an abundance of trees and four distinct seasons for those who like variety in their weather, everything but hurricanes and earth-quakes. But it’s never been the kind of city people visit and fall in love with because of its charm or think, gee, wouldn’t this be a nice place to live.
”
”
Elmore Leonard
“
Every minute of your lives you were loved", he said as his chin started to quake. He put his hands together in a prayer motion and put them to his chest and said, "If I exist on this earth, someone loves you".
”
”
Taylor Jenkins Reid (Malibu Rising)
“
I have always felt that fear possesses such great power, enough to paralyze and quake an individual. Pondering this, I realized that the source of fear's power comes from within me. So, I ask myself, does that not make me the powerful one?
”
”
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, & Grumblings for Every Day of the Year)
“
What you see with your eyes is not necessarily real.
”
”
Haruki Murakami (After the Quake)
“
When the mountain quaked
Like an elbow's nudge
Like a shout that something is wrong
The people awoke and
Knew, yes, knew, that bandits had come
”
”
Shannon Hale (Palace of Stone (Princess Academy, #2))
“
The brave man, the real hero, quakes with terror, sweats, feels his very bowels betray him, and in spite of this moves forward to do the act he dreads.
”
”
Geraldine Brooks (March)
“
Hope and the future for me are not in lawns and cultivated fields, not in towns and cities, but in the impervious and quaking swamps.
”
”
Henry David Thoreau (Walking)
“
A reckoning awoke in me. The more I gave, the more he returned. We traded kisses like blows. And if this were a fight, I wouldn't know who was winning. I understood why some thought kissing one of the Wicked was addictive. Each time his tongue touched mine, it felt as if the ground beneath me quaked. Like we were a cataclysmic event that shouldn't be.
”
”
Kerri Maniscalco (Kingdom of the Wicked (Kingdom of the Wicked, #1))
“
To understand something and to put that something into a form that you can see with your own eyes are two completely different things. If you could manage to do both equally well, living would be a lot simpler (from Honey Pie)
”
”
Haruki Murakami (After the Quake)
“
What matters is the face you show the world, not the quaking mess behind it.
”
”
Rachel Vincent (Shadow Bound (Unbound, #2))
“
So what’s the use of repentance, and what do you care for goodness, and what if you should die in a quake, so who the hell cares? So I walked downtown, so these were the high buildings, so let the earthquake come, let it bury me and my sins, so who the hell cares? No good to God or man, die one way or another, a quake or a hanging, it didn’t matter why or when or how.
”
”
John Fante (Ask the Dust (The Saga of Arturo Bandini, #3))
“
Beware the build-up of an inward wound,
For it will at last burst forth;
Avoid, while you can, distress to one heart,
For a single moan can quake the Earth.
”
”
Saadi (The Gulistan: or Rose-Garden or Shekh Muslihu'd-din Sadi of Shiraz)
“
The Earth is God's pinball machine and each quake, tidal wave, flash flood and volcanic eruption is the result of a TILT that occurs when God, cheating, tries to win free games.
”
”
Tom Robbins (Even Cowgirls Get the Blues)
“
Losing a chunk of your memory is a tricky thing, a deep-sea quake triggering shifts and upheavals too far distant from the epicenter to be easily predictable.
”
”
Tana French (In the Woods)
“
I spent thirty-three years in another man's shadow. I went everywhere he went, I helped him with everything he did. I was in a sense a part of him. When you live like that for a long time, you gradually lose track of what it is you yourself really want out of life
”
”
Haruki Murakami (After the Quake)
“
He would eventually have to pass through the forest, but he felt no fear. Of course - the forest was inside him, he knew, and it made him who he was.
”
”
Haruki Murakami (After the Quake)
“
Ooooh!” said Chris mockingly. “She uses my whole first name. I’m so very scared. I’m quaking in my little boots.”
-Christian Lyke
”
”
Micalea Smeltzer (Outsider (Outsider, #1))
“
Even over the rumble of the quakes, I thought I heard Jack rasp, "Bebe?" Then louder: "Doan you do this!"
I gasped out, "T-take care of him, Jack-" Death yanked me to him, sweeping me up in his arms. I fought him with any strength I had left, hyperventilating, dulling my claws on his armor, not even scratching it. Death just laughed.
"Evie! EVIE!" Jack's bellows grew fainter as the light brightened. "I'm comin' for you! You know I will!
”
”
Kresley Cole (Endless Knight (The Arcana Chronicles, #2))
“
A self-destructive man feels completely alienated, utterly alone. He's an outsider to the human community. He thinks to himself, "I must be insane." What he fails to realize is that society has, just as he does, a vested interest in considerable losses and catastrophes. These wars, famines, floods and quakes meet well-defined needs. Man wants chaos. In fact, he has to have it. Depression, strife, riots, murder - all this dread. We're irresistibly drawn to that almost orgiastic state created out of death and destruction. It's in all of us. We revel in it. Sure, the media tries to put a sad face on these things and paints them up as great human tragedies. But we all know the function of the media has never been to eliminate the evils of the world - no! Their job is to persuade us to accept those evils and get used to living with them. The powers that be want us to be passive observers, and they haven't given us any other options outside the occasional, purely symbolic, participatory act of voting. "You want the puppet on the right or the puppet on the left?"
I feel that the time has come to project my own inadequacies and dissatisfactions into the sociopolitical and scientific schemes, let my own lack of a voice be heard.
”
”
Richard Linklater
“
I look down past the stars to a terrifying darkness. I seem to recognize the place, but it's impossible. "Accident," I whisper. I will fall. I seem to desire the fall, and though I fight it with all my will I know in advance I can't win. Standing baffled, quaking with fear, three feet from the edge of a nightmare cliff, I find myself, incredibly, moving towards it. I look down, down, into bottomless blackness, feeling the dark power moving in me like an ocean current, some monster inside me, deep sea wonder, dread night monarch astir in his cave, moving me slowly to my voluntary tumble into death.
”
”
John Gardner (Grendel)
“
How could I ever have considered marrying him? One year as his wife, and I'd have become one of those abject, quaking women who look at their husbands when someone asks them a question. I've always despised that type, but I see how it happens now.
”
”
Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
“
The world is full of incomprehensible words
”
”
Haruki Murakami (After the Quake)
“
A deity does not quake simply because the crowd yells. An empress stands fixed, immutable: the calm that continues on, even as the world rages.
”
”
Allison Pataki (The Accidental Empress (Sisi, #1))
“
This is the Noble Lie. Every frayed nerve, every quaking cell, screams in horror, urging me to crawl out of the tube, to escape this insanity. Is a man a coward if he realizes that bravery is just a myth the old tell the young so they line up for the meatgrinder? My first toy was a wooden sword. Adults think it adorable.
”
”
Pierce Brown (Dark Age (Red Rising Saga #5))
“
Oh, there are plenty of people," the Duc used to observe, "who never misbehave save when passion spurs them to ill; later, the fire gone out of them, their now calm spirit peacefully returns to the path of virtue and, thus passing their life going from strife to error and from error to remorse, they end their days in such a way there is no telling just what roles they have enacted on earth. Such persons," he would continue, "must surely be miserable: forever drifting, continually undecided, their entire life is spent detesting in the morning what they did the evening before. Certain to repent of the pleasures they taste, they take their delight in quaking, in such sort they become at once virtuous in crime and criminal in virtue.
”
”
Marquis de Sade (The 120 Days of Sodom)
“
I saw you,” she whispered, her body quaking and her fingers caressing his face. Kjell leaned in, filling his hands with her hair and his mouth with her kiss. “I saw you,” he said against her lips. “And I never looked away.
”
”
Amy Harmon (The Queen and the Cure (The Bird and the Sword Chronicles, #2))
“
I just gave them a little scare. A touch of psychological terror. As Joseph Conrad once wrote, true terror is the kind that men feel towards their imagination. (from Super-frog Saves Tokyo)
”
”
Haruki Murakami (After the Quake)
“
Her chest began to quake softly. "Why?"
"Why what, sweetheart?" I said gently.
"Why do you want me?"
I didn't even have to think. "Because anyone who's been through what you have and can still come out in one piece on the other side is a beautiful creature that I want to know.
”
”
Shelly Crane (Wide Open (Wide Awake, #2))
“
Here he lies like something melting away. His mother’s blood comes quaking howling brassing bawling blacking down his mad little veins.
”
”
Aeschylus (An Oresteia: Agamemnon by Aiskhylos; Elektra by Sophokles; Orestes by Euripides)
“
Every nuance of my body is alive, quaking with a predatorial need deep in my gut.
”
”
V. Theia (Manhattan Secret (From Manhattan #4))
“
He once told me about polar bears - what solitary animals they are. They mate just once a year. One time in a whole year. There is no such thing as a lasting male-female bond in their world. One male polar bear and one female polar bear meet by sheer chance somewhere in the frozen vastness, and they mate. It doesn't take long. And once they are finished, the male runs away from the female as if he is frightened to death: he runs from the place where they have mated. He never looks back - literally. The rest of the year he lives in deep solitude. Mutual communications - the touching of two hearts - do not exist for them. So, that is the story of polar bears - or at least it is what my employer told me about them.'
How very strange.'
Yes, it is strange. I remember asking my employer, ' Then what do polar bears exist for?' ' Yes, exactly,' he said with a big smile. 'Then what do we exist for?
”
”
Haruki Murakami (After the Quake)
“
He thought it was funny that she could hack a bloodthirsty demon to death, but something as natural as having a baby made her quake. Not that Kynan blamed her. He’d happily choose taking a bullet to the gut over squeezing a bowling ball out of his ass. Women were amazing.
”
”
Larissa Ione (Eternal Rider (Lords of Deliverance, #1; Demonica, #6))
“
Usually I spare myself from the news, because if it’s not propaganda, then it’s one threat or another exaggerated to the point of absurdity, or it’s the tragedy of storm-quake-tsunami, of bigotry and oppression misnamed justice, of hatred passed off as righteousness and honor called dishonorable, all jammed in around advertisements in which a gecko sells insurance, a bear sells toilet tissue, a dog sells cars, a gorilla sells investment advisers, a tiger sells cereal, and an elephant sells a drug that will improve your lung capacity, as if no human being in America any longer believes any other human being, but trusts only the recommendations of animals.
”
”
Dean Koontz (Deeply Odd (Odd Thomas, #6))
“
You know something?" she said.
"What?"
"I'm completely empty."
"Yeah?"
"Yeah.
”
”
Haruki Murakami (After the Quake)
“
Autumn in the Highlands would be brief—a glorious riot of color blazing red across the moors and gleaming every shade of gold in the forests of sheltered glens. Those achingly beautiful images would be painted again and again across the hills and in the shivering waters of the mountain tarns until the harsh winds of winter sent the last quaking leaf to its death on the frozen ground.
”
”
Elizabeth Stuart (Heartstorm)
“
You are not his intended, Emilia.” The world beneath me tilted. Wrath’s gaze was steady enough to keep both my knees and the realm from quaking. “You are mine.
”
”
Kerri Maniscalco (Kingdom of the Cursed (Kingdom of the Wicked, #2))
“
Trustin’ a woman is like walkin’ in California,” Coydog would say. “You know there’s bound to be a quake sometimes but you just keep on walkin’ anyways. What else could you do?
”
”
Walter Mosley (The Last Days of Ptolemy Grey)
“
The great systems that inform the world about the truth and life invariably claim to be absolutely truthful and well-balanced. In reality they are quaking bridges built out of yearning.
”
”
Peter Høeg (Tales of the Night)
“
But as I get older I think – can it really be love if we don’t talk that much, don’t see each other? Isn’t love something that happens between people who spend time together and know each other’s faults and take care of each other? In the end I decide that the mark we’ve left on each other is the color and shape of love. That’s the unfinished business between us. Because love is never finished. It circles and circles the memories always out of order and not always complete. There’s one I always come back to: me and Cameron Quick, laying on the ground in an aspen grove on a golden fall day, the aspen leaves clattering and quaking the way they do. Cameron turning to me, reaching out a small and dirty hand, which I take and do not let go.
”
”
Sara Zarr (Sweethearts)
“
For those who think religious people live in a constant state of fear and quaking, compare Ps 111:10 to Ps 112:7. There, you will find that the person who fears God will not fear anyone, or anything else. This is not living in fear. By choosing one fear, they are liberated from the many fears.
”
”
Michael Ben Zehabe (A Commentary on Jonah)
“
Shura,” she whispered. “I’m going to have a baby.”
At first she didn’t think Alexander heard her, he was mute so long. “You what?” he said in horror.
“I’m going to have a baby,” she mouthed, her shoulders quaking, her swollen lips quivering.
”
”
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
“
The dominos had been set centuries ago. One quake, and they all fell.
”
”
Joan He (The Ones We're Meant to Find)
“
...gripping the
rim of the sink
you claw your
way to stand
and cling there,
quaking with
will, on
heron legs,
and still the hot
muck pours
out of you. (p. 27)
”
”
Barbara Blatner (The Still Position: A Verse Memoir of My Mother's Death)
“
Something evil dwells in this castle, something wicked enough to make the stars quake.
”
”
Sarah J. Maas
“
Don't be a moronic lump of blubbering, quaking, pathetic lard.
”
”
Neil Gaiman (The Sandman #2: Imperfect Hosts)
“
While horror may make us squirm or quake, it will not make us cry at the pity of things. The vampire may symbolize our horror of both life and death, but none of us has ever been uprooted by a symbol. The zombie may conceptualize our sickness of the flesh and its appetites, but no one has ever been sickened to death by a concept.
”
”
Thomas Ligotti (Songs of a Dead Dreamer and Grimscribe)
“
Life is an island in an ocean of solitude and seclusion.
Life is an island, rocks are its desires, trees its dreams, and flowers its loneliness, and it is in the middle of an ocean of solitude and seclusion.
Your life, my friend, is an island separated from all other islands and continents. Regardless of how many boats you send to other shores, you yourself are an island separated by its own pains,secluded its happiness and far away in its compassion and hidden in its secrets and mysteries.
I saw you, my friend, sitting upon a mound of gold, happy in your wealth and great in your riches and believing that a handful of gold is the secret chain that links the thoughts of the people with your own thoughts and links their feeling with your own.
I saw you as a great conqueror leading a conquering army toward the fortress, then destroying and capturing it.
On second glance I found beyond the wall of your treasures a heart trembling in its solitude and seclusion like the trembling of a thirsty man within a cage of gold and jewels, but without water.
I saw you, my friend, sitting on a throne of glory surrounded by people extolling your charity, enumerating your gifts, gazing upon you as if they were in the presence of a prophet lifting their souls up into the planets and stars. I saw you looking at them, contentment and strength upon your face, as if you were to them as the soul is to the body.
On the second look I saw your secluded self standing beside your throne, suffering in its seclusion and quaking in its loneliness. I saw that self stretching its hands as if begging from unseen ghosts. I saw it looking above the shoulders of the people to a far horizon, empty of everything except its solitude and seclusion.
I saw you, my friend, passionately in love with a beautiful woman, filling her palms with your kisses as she looked at you with sympathy and affection in her eyes and sweetness of motherhood on her lips; I said, secretly, that love has erased his solitude and removed his seclusion and he is now within the eternal soul which draws toward itself, with love, those who were separated by solitude and seclusion.
On the second look I saw behind your soul another lonely soul, like a fog, trying in vain to become a drop of tears in the palm of that woman.
Your life, my friend, is a residence far away from any other residence and neighbors.
Your inner soul is a home far away from other homes named after you. If this residence is dark, you cannot light it with your neighbor's lamp; if it is empty you cannot fill it with the riches of your neighbor; were it in the middle of a desert, you could not move it to a garden planted by someone else.
Your inner soul, my friend, is surrounded with solitude and seclusion. Were it not for this solitude and this seclusion you would not be you and I would not be I. If it were not for that solitude and seclusion, I would, if I heard your voice, think myself to be speaking; yet, if I saw your face, i would imagine that I were looking into a mirror.
”
”
Kahlil Gibran (Mirrors of the Soul)
“
It's been said that parents should give their children roots and wings. That was a perfect description of my parents. Even in a wheelchair, my father was a dreamer with his head in the clouds and my mother was the roots with both feet planted firmly on terra quaking firma.
”
”
Richard Paul Evans (Grace)
“
There's nothing at all in here," she said much later, her voice hoarse. "I'm cleaned out. Empty.
”
”
Haruki Murakami (After the Quake)
“
This life is nothing but a short, painful dream.
”
”
Haruki Murakami (After the Quake)
“
I feel a bit like a BOT18 sometimes. Old and rusty, aching and sleepy. Wandering through the city, lost, circling, alone. No gears left in my heart, no code whirring in my brain. Just kinetic energy, being pushed gently onward by other forces—sound, light, dust waves, the quakes. I'm as lost as ever, friends. Can you tell?
I'd like it if someone were to rescue me soon. Oh, I'd like that very much. I’d like that. I'd like that very much indeed.
”
”
Alice Oseman (Radio Silence)
“
Already up to his waist in the quaking bog, Pendergast stopped struggling and stared up at his assassin. The icy glitter in the pale gray eyes spoke more eloquently of his hatred and despair than any words he might have spoken, and it shook Esterhazy to the core.
”
”
Douglas Preston (Cold Vengeance (Pendergast, #11))
“
I want to write stories that are different from the ones I've written so far, Junpei thought: I want to write about people who dream and wait for the night to end, who long for the light so they can hold the ones they love. But right now I have to stay here and keep watch over this woman and this girl. I will never let anyone-not anyone-try to put them into that crazy box- not even if the sky should fall or the earth crack open with a roar.
”
”
Haruki Murakami (After the Quake)
“
Words left their mouths to hang frozen in midair.
”
”
Haruki Murakami (After the Quake)
“
Opera lovers may be the narrowest people in the world.
”
”
Haruki Murakami (After the Quake)
“
And besides, thought Yoshida, If it was all right for God to test man, why was it wrong for man to test God?
”
”
Haruki Murakami (After the Quake)
“
Some might call him soulless.
This wasn’t true.
If he had no soul, the world would quake with fear for what he could do.
”
”
V. Theia (Darling Psycho (Renegade Souls MC #12))
“
I want to inject the essence of you into my veins and get lost in the quakes of your past High
”
”
Samantha King (Born to Love, Cursed to Feel)
“
In vain you beg, in vain you ache,
in vain you've opened your wrecked heart wide.
Perhaps in heaven the rainclouds quake
because we both have cried?
”
”
Gabriele d'Annunzio
“
That’s not a quake. That’s my sister.
”
”
Amber V. Nicole (The Book of Azrael (Gods & Monsters, #1))
“
We are the puzzle pieces who seldom fit with other puzzle pieces. We inhabit singledom as our natural resting state...Secretly, we are romantics, romantics of the highest order. We want a miracle. Out of millions we have to find the one who will understand. For the quirkyalone, there is no patience for dating just for the sake of not being alone. On a fine but by no means transcendent date, we dream of going home to watch television. We would prfer to be alone with our own thoughts than with a less than perfect fit...but when the quirkyalone collides with another, ooh la la. The earth quakes.
”
”
Sasha Cagen
“
They will know a vengeance that their grandchildren will understand and knowing it through the ages to come they will still quake in their beds!” Okay, he wasn’t calming down, like…at all.
”
”
Kristen Ashley (The Golden Dynasty (Fantasyland, #2))
“
Old and rusty, aching and sleepy. Wandering through the city, lost, circling, alone. No gears left in my heart, no code whirring in my brain. Just kinetic energy, being pushed gently onward by other forces—sound, light, dust waves, the quakes. I'm as lost as ever, friends. Can you tell?
”
”
Alice Oseman (Radio Silence)
“
I think people who don't know the woods very well sometimes imagine it as a kind of undifferentiated mass of greenery, an endless continuation of the wall of trees they see lining the road. And I think they wonder how it could hold anyone's interest for very long, being all so much the same. But in truth I have a list of a hundred places in my own town I haven't been yet. Quaking bogs to walk on; ponds I've never seen in the fall (I've seen them in the summer - but that's a different pond). That list gets longer every year, the more I learn, and doubtless it will grow until the day I die. So many glades; so little time.
”
”
Bill McKibben (Wandering Home: A Long Walk Across America's Most Hopeful Landscape: Vermont's Champlain Valley and New York's Adirondacks (Crown Journeys))
“
A writer must stand on the rock of her self and her judgment or be swept away by the tide or sink in the quaking earth: there must be an inviolate place where the choices and decisions, however imperfect, are the writer’s own, where the decision must be as individual and solitary as birth or death.
”
”
Janet Frame (The Envoy from Mirror City (Autobiography, #3))
“
Are you prepared to die?”
“I am half dead already,” Nimit said as if stating the obvious.
”
”
Haruki Murakami (After the Quake)
“
Colonel Fedmahn Kassad knew only that all the great passions of a passionate life had led him to this place and to this moment, and if death awaited him here, then so be it. And if love and glory and a victory that would make Valhalla quake awaited, then so be it.
”
”
Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
“
To understand something and to put that something into a form you can see with your own eyes are two completely different things. If you could manage to do both equally well, though, living would be a lot simpler.
”
”
Haruki Murakami (After the Quake)
“
By the time the last of these relationships ended I was such a quaking mass of colliding, exploding neurotransmitter malfunctions that the only coherent sentence I could form in my native tongue went: "Never again.
”
”
Merrill Markoe (Cool, Calm & Contentious)
“
Once, there were no predators, no prey. Only harmony. There were no quakes, no storms, everything in balance. In the beginning, time was all at once and forever — no past, present, and future, no death. We broke it all.
”
”
Dean Koontz (Forever Odd (Odd Thomas, #2))
“
And when hope returns to us, it will be with a passion and power to match every ounce of this crushing despair and pain, every fiery shred of determination that carried us when hope failed. It will claim us with a courage that will make the goddess herself quake and doubt herself.
”
”
Rachel L. Schade (Forsaken Kingdom (Silent Kingdom, #2))
“
Most people have no reason to know how memory can turn rogue and feral, becoming a force of its own and one to be reckoned with. Losing a chunk of your memory is a tricky thing, a deep-sea quake triggering shifts and upheavals too far distant from the epicenter to be easily predictable.
”
”
Tana French (In the Woods)
“
When I look down into this fucked-out cunt of a whore I feel the whole world beneath me, a world tottering and crumbling, a world used up and polished like a leper's skull. If there were a man who dared to say all that he thought of this world there would not be left him a square foot of ground to stand on. When a man appears the world bears down on him and breaks his back. There are always too many rotten pillars left standing, too much festering humanity for man to bloom. The superstructure is a lie and the foundation is a huge quaking fear. If at intervals of centuries there does appear a man with a desperate, hungry look in his eye, a man that would turn the world upside down in order to create a new race, the love that he brings to the world is turned to bile and he becomes a scourge. If now and then we encounter pages that explode, pages that wound and sear, that wring groans and tears and curses, know that they come from a man with his back up, a man whose only defenses left are his words and his words are always stronger than the lying, crushing weight of the world, stronger than all the racks and wheels which the cowardly invent to crush out the miracle of personality. If any man ever dared to translate all that is in his heart, to put down what is really his experience, what is truly his truth, I think then the world would go to smash, that it would be blown to smithereens and no god, no accident, no will could ever again assemble the pieces, the atoms, the indestructible elements that have gone to make up the world.
”
”
Henry Miller (Tropic of Cancer (Tropic, #1))
“
Christ to the thief: Come with me. We die together, a thief and the Maker of the world. Walk with the Infinite made flesh into the belly of the whale. Stand close while reality quakes. Watch while Death is taken by the throat. Today you will be with me in Paradise.
Stories don't end at death.
”
”
N.D. Wilson (Notes From The Tilt-A-Whirl: Wide-Eyed Wonder in God's Spoken World)
“
You are not disposable. I know you feel that way when people choose to walk out of your life, but their emptiness causes space. And that vacant area of your life is desperately crying out for the one meant to take up residence. Let the angry tenant go. You don't want someone staying because you've begged and pleaded for their occupancy. You want the one who sees your quaking heart and says: "Honey I'm home".
”
”
Alfa Holden (Abandoned Breaths)
“
There was a time when my soul was wandering through the deepest darkness…
”
”
Haruki Murakami (After the Quake)
“
That box contains the 'something' that was inside you. You didn't know that when you carried it here and gave it to Keiko with your own hands. Now you'll never get it back.
”
”
Haruki Murakami (After the Quake)
“
Her fingers crawled upwards and touched the outer curve of her breast, and the fingers paused, quaking in fear; but after the moment, despite the panic trying to break out of its shadows and seize her mind, she told her fingers, go on. This is my body. I reclaim my body for myself: for my use, for my understanding, for my kindness and care. Go on. And the fingers walked cautiously on, over the curiously muscleless, faintly ridged flesh, cooler than the rest of the body, across the tender nipple, into the deep cleft between, and out onto the breast that lay limp and helpless and hardly recognizable as round, lying like a hunting trophy over her other arm. Mine, she thought. My body. It lives on the breaths I breathe and the food I eat; the blood my heart pumps reaches all of me, into all my hidden crevices, from my scalp to my heels.
”
”
Robin McKinley (Deerskin)
“
If first you rid yourself of hope and fear you have disarmed the tyrant's wrath: but whosoever quakes in fear or hope, drifting and losing master, has cast away his shield, has left his place, and binds the chains with which he will be bound.
”
”
Boethius (Boethius' Consolation of Philosophy;)
“
His life was cheap to him. Perhaps that's why he rode faster than any other, perhaps that was why he had walked into the house of Aquila without the quickening of a heartbeat: because at the heart of his courage was the fact that he really did not care if he died. Such courage is not true courage. True courage is when a man quakes with fear in the face of death, yet still risks his life for something he cares about. Ricardo Bruni did not know this yet, but he was to learn it soon.
”
”
Marina Fiorato (The Daughter of Siena)
“
This feminine billboard of Middle-Eastern fashion stopped me on the street last month. She ran her hand over the seam of my jilbab, admiring the color and fabric. She only said a few words. 'We are living in a gender-quake, a modern sexodus. We have a duty to project dis female revolution in da way we dress. Come visit me at the Monkey Bar and tell me who tailors your outfits.' She's been my fashion role model ever since.
”
”
Michael Ben Zehabe (Persianality)
“
God is our refuge and strength, and ever-prethent help in trouble. Therefore we will not fear, though the earth give way and the mountainth fall into the heart of the sea, though its waterth roar and foam and the mountains quake with their thurging.
”
”
Dan Simmons (The Terror)
“
It's kind of embarrassing to put this into words," she said, "but I want to stay friends with you, Junpei. Not just for now, but even after we get older. A lot older. I love Takatsuki, but I need you, too, in a different way. Does that make me selfish?
”
”
Haruki Murakami (After the Quake)
“
I think of you when upon the sea the sun flings her beams.
I think of you when the moonlight shines in silvery streams.
I see you when upon the distant hills the dust awakes;
At night when on a fragile bridge the traveler quakes.
I hear you when the billows rise on high,
With murmur deep.
To tread the silent grove where wander I,
When all's asleep.
”
”
Johann Wolfgang von Goethe
“
Surely, cousin, you cannot mean to jilt her?' said Anthea, in accents of reprobation.
'Nay, it wouldn't be seemly,' he agreed. 'I'll just have to dispose of her, as you might say.'
'Good God! Murder her?'
'There's no need to be in a quake,' he said reassuringly. 'No one will ever know!'
'If only - oh, if only I could do to you what I *long* to do!' exclaimed Anthea. 'If you were but a few inches shorter -- !'
He said hopefully: 'Nay, don't let that fatch you, love! It'll be no trouble at all to lift you up: in fact, there's nothing I'd like better!'
Furiously blushing, she retorted: 'I didn't mean that I wished to *kiss* you!
”
”
Georgette Heyer (The Unknown Ajax)
“
Fuck," he gasped.
Alex blinked. "I think that's the first time I've heard you
swear."
Chills shook him and he tried to control the tremors that quaked through his body. "I c-c-class p-p-profanity with declarations of love. Best used sparingly and only when wholeheartedly m-m-meant.
”
”
Leigh Bardugo (Ninth House (Alex Stern, #1))
“
There's this phenomenon that you'll get sometimes - but not too often, if you're lucky - where someone you think you know says something about your gayness that you weren't expecting at all. Ben called it a tiny earthquake. I don't think he was wrong. You're destabilized, is the point. How much just depends on where the quake originated, the fault lines.
”
”
Bryan Washington (Memorial)
“
The gears of life had moved ahead a notch with a loud ker-chunk, and Junpei knew that they would never turn back again.
”
”
Haruki Murakami (After the Quake)
“
But there's such a thing as a way of living that's guided by the way a person's going to die.
”
”
Haruki Murakami (After the Quake)
Rudolph Wurlitzer (Flats & Quake)
“
He found it increasingly difficult to accept the strict codes of the sect that clashed with ordinary values.
”
”
Haruki Murakami (After the Quake)
“
He can kick as hard as he wants but he cannot destroy what is inside. I have a strong spirit and the Rat will never take that away from me, no matter what he does.
-Matt
”
”
Kathryn Erskine
“
I may have nothing inside me, but what would something be?
”
”
Haruki Murakami (After the Quake)
“
Who would you have become without me? Some pampered, quaking princess. Your beloved cousin would have locked you up in a tower and thrown away the key. I gave you your freedom—I gave you the ability to bring down men like Aedion Ashryver with a few blows. And all I get for it is contempt.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
but just know
you contain waves,
you are an ocean,
your heart is as large as lakes
and when it quakes
you have to rise,
and rise,
and let the tide inside you
shake every single ship
that would attempt to sweep
someone beneath:
Rock the boat, rock the boat,
with love and hope, rock the boat.
”
”
Elizabeth Acevedo (Woke: A Young Poet's Call to Justice)
“
Then she got up, went to Monty's mirror, and began combing her hair, while little cadenzas absentmindedly cascaded out of her throat, and cold drops cascaded over Mildred's heart. For Veda was stark naked. From the massive, singer's torso, with the Dairy quaking in front, to the slim hips, to the lovely legs, there wasn't so much as a garter to hide a path of skin.
”
”
James M. Cain (Mildred Pierce)
“
I had great plans to surgically excise the quaking, complaining teenager within someday. If I could just get rid of her and her thousands upon thousands of issues - Do I look fat? Am I ugly? Will anyone ever love me? Will I always be alone? Is she fatter than me? How ugly am I? Are they making fun of me? - I was convinced I would immediately become the sort of casual and laid back adult person who was forever smiling and was genuinely unconcerned with the size and/or shape of her body.
I wasn't holding my breath.
”
”
Megan Crane (Frenemies)
“
Sounding hoarse, Dare whispered, "Tell me what you want."
The feel of his broad, strong hand against her left her quaking inside - in a good way. The tremble sounded in her tone as she tried to explain. "I want to be whole again. I want to be me, the person I was before I was taken to Tijuana."
Dare said nothing. Molly felt his hesitation, his indecision. God love the man, he didn't want to take advantage of her.
"I know what I want, Dare." She covered his hand with her own, pressed him closer. "I want to replace the bad memories with new ones. Better ones."
His hand curved around her, but he said nothing.
Watching his face, Molly whispered, "I want to do that now, with you.
”
”
Lori Foster (When You Dare (Men Who Walk the Edge of Honor, #1))
“
Asher,” she said, eyes closed, nuzzling his neck lovingly. “Yeah,” he finally managed, clearing his throat and taking a deep breath. “You stayed alive, Asher. I think maybe you stayed alive for me.” The impact of her words made him quake in her arms, and he exhaled like the wind had been knocked out of him.
”
”
Katy Regnery (The Vixen and the Vet (A Modern Fairytale, #1))
“
“Jebediah has given up on you, but I never will. I can offer you the security you desire. If you’ll but be mine, your heart will forever be sheltered in my care. Yes, we will quarrel incessantly and fight for dominance. And yes, there will be ravishes of passion, but there will also be gentle lulls. That is who we are together. You’ll never need fear that your love is not reciprocated. For although you’ve made me feel things I am not equipped for . . . I cannot stop feeling them.” His chin quavers. “You opened Pandora’s box within me. Set loose the imaginings and emotions of a mortal man. And there is no closing it ever again.” The jewels under his eyes twitch between dark purple and blue. “As much as I abhor being anything akin to human, Alyssa, I wouldn’t dare try to close it. Because that would mean losing you.”
The confession is lovely and brutal—laced with honesty that I not only hear in the rasp of his voice, but feel in the quaking of his muscles as he holds my hands over my head.
”
”
A.G. Howard (Ensnared (Splintered, #3))
“
I'm more dangerous than you think,' I flat-out bluster.
'So I see. I'm quaking in my boots.' The corner of his mouth rises in a mocking smile.
Fucking. Asshole.
I flip the daggers in my hand, pinching them at the tips, then flick my wrists and fire them past his head, one on each side. They land solidly in the trunk of the tree behind him.
'You missed.' He doesn't even flinch.
'Did I?' I reach for my last two blades. 'Why don't you back up a couple of steps and test that theory?'
Curiosity flares in his eyes, but it's gone in the next second, masked by cold, mocking indifference.
Every one of my senses is on high alert, but the shadows around me don't slide in as he moves backward, his eyes locked with mine. His back hits the tree, and the hilts of my daggers brush his ears.
'Tell me again that I missed,' I threaten, taking the dagger in my right hand by the tip.
'Fascinating. You look all frail and breakable, but you're really a violent little thing, aren't you?' An appreciative smile curves his perfect lips as shadows dance up the trunk of the oak, taking the form of fingers. They pluck the daggers from the tree and bring them to Xaden's waiting hands.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
His forehead almost touches mine, our lips nearly skimming as he whispers, “You’re holding me.” His husky voice quakes, his hand clutching my jaw. “And my arms are tight around you, and your chest is against my chest.”
Tears scald our eyes, and we breathe and breathe, and I whisper, “You know, my heart is in your hands.
”
”
Krista Ritchie (Alphas Like Us (Like Us, #3))
“
What was I hoping to gain from this?...Was I trying to confirm the ties that make it possible for me to exist here and now. Was I hoping to be woven into some new plot, to be given some new and better defined role to play? No, he thought, that's not it. What I was chasing in circles must have been the tail of darkness inside me. I just happened to catch sight of it, and followed it, and clung to it, and in the end let it fly into still deeper darkness. I'm sure I'll never see it again.
”
”
Haruki Murakami (After the Quake)
“
-Es algo muy extraño. Me refiero a los terremotos. Nosotros estamos firmemente convencidos de que, bajo nuestros piel, la tierra es algo consistenre, sólido, inamovible. Existe incluso la expresión . Sin embargo, un día, de repente nos damos cuenta de que no es así. La tierra y las rocas, que se suponían sólidas, se reblandecen.
”
”
Haruki Murakami (After the Quake)
“
CG: ATTENTION WORTHLESS HUMAN.
CG: THIS IS YOUR GOD SPEAKING.
CG: IT IS A WRATHFUL GOD WHO DESPISES YOU MORE THAN YOU COULD HAVE POSSIBLY DARED TO FEAR.
CG: I HAVE WATCHED YOUR ENTIRE PATHETIC LIFE UNFOLD.
CG: I HAVE OBSERVED YOU WHILE YOU WOULD QUAKE AND TREMBLE IN PERSONAL PRAYERS OF SHAME.
CG: WHILE YOU PLEADED FORGIVENESS FOR BEING SUCH A WRETCHED DISGUSTING FAILURE ON EVERY CONCEIVABLE LEVEL.
CG: PROSTRATE BEFORE THE STUPID AND FALSE CLOWN GODS YOU HAVE SCRIBBLED ON THE WALLS OF YOUR BLOCK.
CG: BOGUS DEITIES WORSHIPED BY A PRIMITIVE "PARADISE" PLANET.
CG: BUT YOUR PRAYERS WILL NOT BE ANSWERED.
CG: THERE ARE NO MIRACLES IN STORE FOR YOU, HUMAN.
CG: ONLY MY HATE.
CG: IT IS A HATE SO PURE AND HOT IT WOULD CONSUME YOUR SAD UNDERDEVELOPED HUMAN THINK PAN TO EVEN CONTEMPLATE.
CG: IT IS A HATE THAT TO FATHOM MUST BE PUT INTO SONG.
CG: SHRIEKED BY THE TEN THOUSAND ROWDY SHOUT SPHINCTERS PEPPERING THE GRUESOME UNDERBELLY OF THE MOST TRUCULENT GOD THE FURTHEST RING CAN MUSTER.
CG: IT IS A HATE THAT MADE YOU AND WILL SURELY DESTROY YOU.
CG: MY HATE IS THE LIFEBLOOD THAT PULSES THROUGH THE VEINS OF YOUR UNIVERSE.
CG: IT IS MY GIFT TO YOU.
CG: YOU'RE WELCOME FOR THAT.
CG: YOU UNGRATEFUL PIECE OF SHIT.
EB: hi karkat!
”
”
Andrew Hussie (Homestuck)
“
All he had ever prayed for was the ability to catch outfield flies, in answer to which God had bestowed upon him a penis that was bigger than anybody else's. What kind of world came up with such idiotic bargains?
”
”
Haruki Murakami (After the Quake)
“
As usual, Junko thought about Jack London's 'To Build a Fire.' It was the story of a man traveling alone through the snowy Alaskan interior and his attempts to light a fire. He would freeze to death unless he could make it catch. The sun was going down. Junko hadn't read much fiction, but that one short story she had read again and again, ever since her teacher had assigned it as an essay topic during summer vacation of her first year in high school. The scene of the story would always come vividly to mind as she read. She could feel the man's fear and hope and despair as if they were her own; she could sense the very pounding of his heart as he hovered on the brink of death. Most important of all, though, was the fact that the man was fundamentally longing for death. She knew that for sure. She couldn't explain how she knew, but she knew it from the start. Death was really what he wanted. He knew that it was the right ending for him. And yet he had to go on fighting with all his might. He had to fight against an overwhelming adversary in order to survive. What most shook Junko was this deep-rooted contradiction.
The teacher ridiculed her view. 'Death is really what he wanted? That's a new one for me! And strange! Quite 'original,' I'd have to say.' He read her conclusion aloud before the class, and everybody laughed.
But Junko knew. All of them were wrong. Otherwise how could the ending of the story be so quiet and beautiful?
”
”
Haruki Murakami (After the Quake)
“
But I do know a kind of madness that lies low in the mind, half-buried in consciousness, which lives in parallel to sanity, and given the right circumstances or even just half a chance, creeps like a lick of flame or a growing tumour up and around ordinary perception, consuming it for a while, and causing one, even when not at the movies, to quake in fear of the world and people and what they--I mean, of, we--are capable of.
”
”
Jenny Diski (Stranger on a Train)
“
In an era of fake news, and the filter bubble, [Gen Z is] also more likely to be able to push through the noise. . . Not only are they able to consume more information than any group before, they have also become accustomed to cutting through it. They are perhaps the most brand-critical, bullshit-repellent, questioning group around and will call out any behavior they dislike on social media. (Little wonder brands are quaking in their boots.)
”
”
Lucie Greene
“
The world is like a great big overcoat, and it needs pockets of various shapes and sizes.
”
”
Haruki Murakami (After the Quake)
“
I am, indeed, pure Frog, but at the same time I am a thing that stands for a world of un-Frog.
”
”
Haruki Murakami (After the Quake)
“
Listen to this, Nimit. Follow Coleman Hawkins' improvised lines very carefully. He is using them to tell us something. Pay very close attention. He is telling us the story of the free spirit that is doing everything it can to escape from within him. That same kind of spirit is inside me, inside you. There--you can hear it, I'm sure: the hot breath, the shivering heart. (Thailand)
”
”
Haruki Murakami (After the Quake)
“
And then it struck him what lay buried far down under the earth on which his feet were so firmly planted: the ominous rumbling of the deepest darkness, secret rivers that transported desire, slimy creatures writhing, the lair of earthquakes ready to transform whole cities into mounds of rubble. These, too, were helping to create the rhythm of the earth. He stopped dancing and, catching his breath, stared at the ground beneath his feet as though peering into a bottomless hole.
”
”
Haruki Murakami (After the Quake)
“
Nos cœurs ne sont pas de pierre. Les pierres peuvent s’effondrer et se briser, perdre leur forme. Mais le cœur ne peut pas s’effondrer. Le cœur n’a pas de forme mais il peut se propager à l’infini.
”
”
Haruki Murakami (After the Quake)
“
I kissed the living shit out of her as I came harder than I ever had in my life. I kissed her until neither of us could breathe. Kissed her until she was pulling at my ears to get me to let her go. Kissed her until I felt her start to shimmy and quake around my dick. Kissed her until I sent her back over the edge while I tried to get my wits and rationality back. I kissed her like I knew there were only a limited number of times she was going to let me do it, and I was going to make each one a memory.
”
”
Jay Crownover (Better When He's Bad (Welcome to the Point, #1))
“
Exactly. When is comes to anything halfway important, you just don't get it. It's amazing to me that you can put a piece of fiction together'
'Yeah, well, that's a whole different thing.'
(from Honey Pie)
”
”
Haruki Murakami (After the Quake)
“
Wonder acts upon a man like a shock, he is "moved" and "shaken", and in the dislocation that succeeds all that he had taken for granted as being natural or self-evident loses its compact solidity and obviousness; he is literally dislocated and no longer knows where he is. If this were only to involve the man of action in all of us, so that a man only lost his sense of certainty of everyday life, it would be relatively harmless; but the ground quakes beneath his feet in a far more dangerous sense, and it is his whole spiritual nature, his capacity to know, that is threatened. It is an extremely curious fact that this is the only aspect of wonder, or almost the only aspect, that comes to evidence in modern philosohpy, and the old view that wonder was the beginning of philosophy takes on a new meaning: doubt is the beginning of philosophy. . . . The innermost meaning of wonder is fulfilled in a deepened sense of mystery. It does not end in doubt, but is the awakening of the knowledge that being, qua being, is mysterious and inconceivable, and that it is a mystery in the full sense of the word: neither a dead end, nor a contradiction, nor even something impenetrable and dark. Rather, mystery means that a reality cannot be comprehended because its light is ever-flowing, unfathomable, and inexhaustible. And that is what the wonderer really experiences. . . . Since the very beginning philosophy has always been characterized by hope. Philosophy never claimed to be a superior form of knowledge but, on the contrary, a form of humility, and restrained, and conscious of this restraint and humility in relation to knowledge. The words philosopher and philosophy were coined, according to legend--and the legend is of great antiquity--by Pythagoras in explicit contrast to the words sophia and sophos: no man is wise, and no man "knows"; God alone is wise and all-knowing. At the very most a man might call himself a lover of wisdom and a seeker after knowledge--a philosopher. --from The Philosophical Act, Chapter III
”
”
Josef Pieper (Leisure, the basis of culture, and, The philosophical act!)
“
She has seen dieback across the West. Aspens are withering. Grazed on by everything with hooves, cut off from rejuvenating fire, whole groves are vanishing. Now she sees a forest, spreading across these mountains since before humans left Africa, giving way to second homes. She sees it in one great glimpse of flashing gold: trees and humans, at war over the land and water and atmosphere. And she can hear, louder than the quaking leaves, which side will lose by winning.
”
”
Richard Powers (The Overstory)
“
In front of the group was a legless man on a small wheeled trolley, who was singing at the top of his voice and banging two saucepans together. His name was Arnold Sideways. Pushing him along was Coffin Henry, whose croaking progress through an entirely different song was punctuated by bouts of off-the-beat coughing. He was accompanied by a perfectly ordinary-looking manin torn, dirty and yet expensive looking clothing, whose pleasant tenor voice was drowned out by the quaking of a duck on his head. He answered to the name of Duck Man, although he never seemed to understand why, or why he was always surrounded by people who seemed to see ducks where no ducks could be. And finally, being towed along by a small grey dog on a string, was Foul Ole Ron, generally regarded in Ankh-Morpork as the deranged beggars' deranged beggar.
He was probably incapable of singing, but at least he was attempting to swear in time to the beat, or beats.
The wassailers stopped and watched them in horror.
People have always had the urge to sing and clang things at the dark stub of the year, when all sorts of psychic nastiness has taken advantage of the long grey days and the deep shadows to lurk and breed. Lately people had taken to singing harmoniously, which rather lost the affect. Those who really understood just clanged something and shouted.
The beggars were not in fact this well versed in folkloric practice. They were just making a din in the well-founded hope that people would give them money to stop.
It was just possible to make out consensus song in there somewhere.
"Hogswatch is coming,
The pig is getting fat,
Please put a dollar in the old man's hat
If you ain't got a dollar a penny will do-"
"And if you ain't got a penny," Foul Ole Ron yodeled, solo, 'Then- fghfgh yffg mfmfmf..." The Duck man had, with great Presence of mind, clamped a hand over Ron's mouth.
”
”
Terry Pratchett (Hogfather)
“
The whole terrible fight occurred in the area of imagination. That is the precise location of our battlefield. It is there that we experience our victories and our defeats. Each and every one of us is a being of limited duration: all of us eventually go down to defeat. But as Ernest Hemingway saw so clearly, the ultimate value of our lives is decided not by how we win but by how we lose.
”
”
Haruki Murakami (After the Quake)
“
I spent the summer cloaked in shame, seething with jealousy. I envied other women's bodies. i envied fat women who draped their luscious curves without any embarrassment, thighs quaking as they walked. I envied thin women lounging effortlessly in T-shirts and shorts, nothing pinching or pudging, just smooth skin over smooth muscle over delicate bones. I envied anyone who didn't hate their body. People who ate without hesitation or pre-emptive shame at how all those calories would stretch over their flesh. It was about beauty, yes, but it was also just about belonging. People treat you with kindness and an invitation to belong if they like the way you look.
”
”
Francesca Ekwuyasi (Butter Honey Pig Bread)
“
It was the first time Junko felt a certain "something" as she watched the flames of a bonfire: "something" deep down, a "wad" of feeling, she might have called it, because it was too raw, too heavy, to real to be called an idea. It coursed through her body and vanished, leaving behind a sweet-sad, chest-gripping, strange sort of feeling.
”
”
Haruki Murakami (After the Quake)
“
Every challenge we take on has the power to knock us to our knees. But what’s even more disconcerting than the jolt itself is our fear that we won’t withstand it. When we feel the ground beneath us shifting, we panic. We forget everything we know and allow fear to freeze us. Just the thought of what could happen is enough to throw us off balance. What I know for sure is that the only way to endure the quake is to adjust your stance. You can’t avoid the daily tremors. They come with being alive. But I believe these experiences are gifts that force us to step to the right or left in search of a new center of gravity. Don’t fight them. Let them help you adjust your footing.
”
”
Oprah Winfrey (What I Know For Sure)
“
Ay, every inch a king:
When I do stare, see how the subject quakes.
I pardon that man's life. What was thy cause? Adultery?
Thou shalt not die: die for adultery! No:
The wren goes to 't, and the small gilded fly
Does lecher in my sight.
Let copulation thrive; for Gloucester's bastard son
Was kinder to his father than my daughters
Got 'tween the lawful sheets.
To 't, luxury, pell-mell! for I lack soldiers.
Behold yond simpering dame,
Whose face between her forks presages snow;
That minces virtue, and does shake the head
To hear of pleasure's name;
The fitchew, nor the soiled horse, goes to 't
With a more riotous appetite.
Down from the waist they are Centaurs,
Though women all above:
But to the girdle do the gods inherit,
Beneath is all the fiends';
There's hell, there's darkness, there's the
sulphurous pit,
Burning, scalding, stench, consumption; fie,
fie, fie! pah, pah! Give me an ounce of civet,
good apothecary, to sweeten my imagination:
there's money for thee.
”
”
William Shakespeare (King Lear)
“
I'm dashed if I can see why you should be in such a quake!'
'It ain't that,' growled Endymion. 'I mean, I'm not afraid of Cousin Vernon! It's - it's his sisters, and my mother, and Frederica! I daresay you don't know.'
This inarticulate appeal for understanding touched chord of sympathy. Harry had had no personal experience of the trials which Endymion so obviously feared, but he had the instinctive male dread of feminine storms. He said, in an awed voice: 'Jupiter! I hadn't thought of that! Lord, what a dust they would kick up!'
Endymion cast him a look of gratitude. 'Ay, that's it. Not my mother,' he added scrupulously. 'Never kicks up a dust, precisely.'
Well, it *that's* so -'
'Takes to her bed,' said Endymion simply. 'Spasms!
”
”
Georgette Heyer (Frederica)
“
Tilting back in his chair he framed questions for the quaking ovoid of lamplight on the ceiling to pose to him: Supposing there be any soul to listen and you died tonight? They’d listen to my death. No final word? Last words are only words. You can tell me, paradigm of your own sinister genesis construed by a flame in a glass bell. I’d say I was not unhappy. You have nothing. It may be the last shall be first. Do you believe that? No. What do you believe? I believe that the last and the first suffer equally. Pari passu. Equally? It is not alone in the dark of death that all souls are one soul. Of what would you repent? Nothing. Nothing? One thing. I spoke with bitterness about my life and I said that I would take my own part against the slander of oblivion and against the monstrous facelessness of it and that I would stand a stone in the very void where all would read my name. Of that vanity I recant all.
”
”
Cormac McCarthy (Suttree)
“
Pretend, for example, that you were born in Chicago and have never had the remotest desire to visit Hong Kong, which is only a name on a map for you; pretend that some convulsion, sometimes called accident, throws you into connection with a man or a woman who lives in Hong Kong; and that you fall in love. Hong Kong will immediately cease to be a name and become the center of your life. And you may never know how many people live in Hong Kong. But you will know that one man or one woman lives there without whom you cannot live. And this is how our lives are changed, and this is how we are redeemed.
What a journey this life is! Dependent, entirely, on things unseen. If your lover lives in Hong Kong and cannot get to Chicago, it will be necessary for you to go to Hong Kong. Perhaps you will spend your life there, and never see Chicago again. And you will, I assure you, as long as space and time divide you from anyone you love, discover a great deal about shipping routes, airlines, earth quake, famine, disease, and war. And you will always know what time it is in Hong Kong, for you love someone who lives there. And love will simply have no choice but to go into battle with space and time and, furthermore, to win.
”
”
James Baldwin (Nothing Personal)
“
Sonnet of the Garland of Roses"
A garland, quick, a wreath: I come and die.
Braid flowers as they fade. Sing, cry, and sing!
Heart in my throat, a storm swelling a gorge
shadowed and silvered by a thousand falls.
Between your own desire and my desire
the space is starry, each step quakes the ground,
and forests of anemones will spring
to round the year, making their secret sound.
Lovers in my wound's landscape, overjoyed,
can watch the reeds bend in the crossing currents,
can drink from red pools in the honeyed thigh.
But hurry, let's entwine ourselves as one,
our mouth broken, our soul bitten by love,
so time discovers us safely destroyed.
”
”
Federico García Lorca (Sonetos del amor oscuro: Recopilación y reflexiones (Spanish Edition))
“
The world might be sunny-side up today.
The big ball of yellow might be spilling into the clouds, runny and yolky and blurring into the bluest sky, bright with cold hope and false promises about fond memories, real families, hearty breakfasts, stacks of pancakes drizzled in maple syrup sitting on a plate in a world that doesn’t exist anymore.
Or maybe not.
Maybe it’s dark and wet today, whistling wind so sharp it stings the skin off the knuckles of grown men. Maybe it’s snowing, maybe it’s raining, I don’t know maybe it’s freezing it’s hailing it’s a hurricane slip slipping into a tornado and the earth is quaking apart to make room for our mistakes.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
Among us English-speaking peoples especially do the praises of poverty need once more to be boldly sung. We have grown literally afraid to be poor. We despise any one who elects to be poor in order to simplify and save his inner life. If he does not join the general scramble and pant with the money-making street, we deem him spiritless and lacking in ambition. We have lost the power even of imagining what the ancient idealization of poverty could have meant: the liberation from material attachments, the unbribed soul, the manlier indifference, the paying our way by what we are or do and not by what we have, the right to fling away our life at any moment irresponsibly—the more athletic trim, in short, the moral fighting shape. When we of the so-called better classes are scared as men were never scared in history at material ugliness and hardship; when we put off marriage until our house can be artistic, and quake at the thought of having a child without a bank-account and doomed to manual labor, it is time for thinking men to protest against so unmanly and irreligious a state of opinion. It is true that so far as wealth gives time for ideal ends and exercise to ideal energies, wealth is better than poverty and ought to be chosen. But wealth does this in only a portion of the actual cases. Elsewhere the desire to gain wealth and the fear to lose it are our chief breeders of cowardice and propagators of corruption. There are thousands of conjunctures in which a wealth-bound man must be a slave, whilst a man for whom poverty has no terrors becomes a freeman. Think of the strength which personal indifference to poverty would give us if we were devoted to unpopular causes. We need no longer hold our tongues or fear to vote the revolutionary or reformatory ticket. Our stocks might fall, our hopes of promotion vanish, our salaries stop, our club doors close in our faces; yet, while we lived, we would imperturbably bear witness to the spirit, and our example would help to set free our generation. The cause would need its funds, but we its servants would be potent in proportion as we personally were contented with our poverty. I recommend this matter to your serious pondering, for it is certain that the prevalent fear of poverty among the educated classes is the worst moral disease from which our civilization suffers.
”
”
William James (Varieties of Religious Experience, a Study in Human Nature)
“
I recalled that inward sensation I had experienced: for I could recall it, with all its unspeakable strangeness. I recalled the voice I had heard; again I questioned whence it came, as vainly as before: it seemed in ME--not in the external world. I asked was it a mere nervous impression--a delusion? I could not conceive or believe: it was more like an inspiration. The wondrous shock of feeling had come like the earthquake which shook the foundations of Paul and Silas's prison; it had opened the doors of the soul's cell and loosed its bands--it had wakened it out of its sleep, whence it sprang trembling, listening, aghast; then vibrated thrice a cry on my startled ear, and in my quaking heart and through my spirit, which neither feared nor shook, but exulted as if in joy over the success of one effort it had been privileged to make, independent of the cumbrous body.
”
”
Charlotte Brontë (Jane Eyre)
“
Many lose their paths, blinded by evolution. Addiction to power is like any other addiction; you’ll just want it more. That earthquake, ninety years ago, spared few to record it for the next generation. Humans sinned. Persistently existing in clogged colonies was their sin. The series of quakes lasted a week; each shake came in between long intervals. Oh! Those intervals! A week of despair and questions. Why did I survive? Why did fate save me and not them? Will fate save me the next time? Uncertainty—not for food or shelter, but for life. Fear of death. Fear of living alone.
He was a child back then. Him and Ruem.
“Win your fear, and you’ll evolve.” Their Master’s voice lulls the Monk in his mind.
”
”
Misba (The High Auction (Wisdom Revolution, #1))
“
O where are you going with your love-locks flowing
On the west wind bellowing along this valley track?”
“The downhill path is easy, come with me an it please ye,
We shall escape the uphill by never turning back.”
So they two went together in glowing August weather,
The honey-breathing heather lay to their left and right;
And dear she was to doat on, her swift feet seemed to float on
The air like soft twin pigeons too sportive to alight.
“Oh, what is that in heaven where grey cloud-flakes are seven,
Where blackest clouds hang riven just at the rainy skirt?”
“Oh, that’s a meteor sent us, a message dumb, portentous,
An undeciphered solemn signal of help or hurt>”
“Oh, what is that glides quickly where velvet flowers grow thickly,
Their scent comes rich and sickly?” “A scaled and hooded worm.”
”Oh, what’s that in the hollow, so pale I quake to follow?”
“Oh, that’s a thin dead body which waits the eternal term.”
“Turn again, O my sweetest,--turn again, false and fleetest:
This beaten way thou beatest, I fear is hell’s own track.”
“Nay, too steep for hill mounting; nay, too late for cost counting:
This downhill path is easy, but there’s no turning back.
”
”
Christina Rossetti (Goblin Market, The Prince's Progress, and Other Poems)
“
She left our Gdańsk-Morena apartment with same haste as Tata, gone in a mad dash. She must have prepared for it , trained hard and practised. Everything that fast is slow in planning. An earthquake that takes seconds to wreck everything is a result of billions of years of slipping and shoving of tectonic plates. Those plates have no choice but to live side by side, often on top of one another. They hate this setup. They push each other around, siblings vying for the top bunk, to the point of eruption, ruin and exhaustion. After the quake: calm. A sad empty calm, with too much time to think...
”
”
Aga Maksimowska
“
The teacher claimed it was so plain, I only had to use my brain. She said the past of throw was threw, The past of grow – of course – was grew, So flew must be the past of fly, And now, my boy, your turn to try. But when I trew, I had no clue, If mow was mew Like know and knew (Or is it knowed Like snow and snowed?) The teacher frowned at me and said The past of feed was – plainly – fed. Fed up, I knew then what I ned: I took a break, and out I snoke, She shook and quook (or quaked? or quoke?) With raging anger out she broke: Your ignorance you want to hide? Tell me the past form of collide! But how on earth should I decide If it’s collid (Like hide and hid), Or else – from all that I surmose, The past of rise was simply rose, And that of ride was surely rode, So of collide must be collode? Oh damn these English verbs, I thought The whole thing absolutely stought! Of English I have had enough, These verbs of yours are far too tough. Bolt upright in my chair I sat, And said to her ‘that’s that’ – I quat.
”
”
Guy Deutscher (The Unfolding Of Language: The Evolution of Mankind`s greatest Invention)
“
So before and during the war, the Bush administration had to build up an image in people's minds of Iraq as a monstrous military superpower, in order to mobilize enough popular hysteria so that people here would go along with their policies. And again, the media did their job 100 percent. So I don't know how well you remember what was going on around the country back then, but people were literally quaking in their boots about the extraordinary might of Iraq―it was a superpower with artillery we'd never dreamt of, all this kind of stuff.93 I mean, this was a defenseless Third World country that was so weak it had been unable to defeat post-revolutionary Iran in eight years of warfare [from 1980 to '88]―and that was with the support of the United States, the Soviet Union, all of Europe, the Arab oil countries: not an inconsiderable segment of world power. Yet with all those allies, Iraq had been unable to defeat post-revolutionary Iran, which had killed off its own officers' corps and barely had an army left: all of a sudden this was the superpower that was going to conquer the world? You really had to be a deeply brainwashed Western intellectual even to look at this image―a defenseless Third World country threatening the two most advanced military forces in the world, the United States and Britain―and not completely collapse in ridicule. But as you recall, that's what all of them were saying―and people here really believed it.
”
”
Noam Chomsky (Understanding Power: The Indispensable Chomsky)
“
I shove the wooden debris out of the way until I see the smudged face of the teddy bear.
“There she is.” I carefully pull out the bear and sword. I proudly flip the bridal veil skirt to show him the scabbard.
Raffe stares at the disguised sword for a second before commenting. “Do you know how many kills this sword has?”
“It’s a perfect disguise, Raffe.”
“This sword is not just an angel sword. She’s an archangel sword. Better than an angel sword, in case that’s not clear. She intimidates the other angel swords.”
“What, the other swords quake in their scabbards when they see her?” I walk over to the pile of scattered junk by Captain Jake’s boat.
“Yes, if you must know,” he says following me. “She was made for ultimate respect. How is she supposed to get that disguised as a teddy bear in a bridal gown?”
“It’s not a bridal gown, it’s a skirt for her scabbard. And it’s cute.”
[...]
“Have you named her yet?” he asks. “She likes powerful names so maybe you could appease her by giving her a good one.”
I bite my lip as I remember telling Dee-Dum what I named my sword. “Um, I could rename her anything she likes.” I give him a cheesy smile.
He looks like he’s bracing himself for the worst. “She gets named once by each carrier. If you’ve named her, she’s stuck with it for as long as she’s with you.”
Damn.
He glares at me as if he already hates it. “What is it?”
I consider lying but what’s the point? I clear my throat. “Pooky Bear.
”
”
Susan Ee (World After (Penryn & the End of Days, #2))
“
What was I hoping to gain from this? he asked himself as he strode ahead. Was I trying to confirm the ties that make it possible for me to exist here and now? Was I hoping to be woven into some new plot, to be given some new and better-defined role to play? No, he thought, that's not it. What I was chasing in circles must have been the tail of the darkness inside me. I just happened to catch sight of it, and followed it, and clung to it, and in the end let it fly into still deeper darkness. I'm sure I'll never see it again.
”
”
Haruki Murakami (After the Quake)
“
When your body is clear there is control. When your body is clear you can choose whom to let in. There is love everywhere.
Please cradle my rabbit heart. Please navigate yourself around me well. I know too much. I can recognize darkness because he is my brother, my maker. I can drink lightness because it is the only way to survive. I can shut off my heart but that leads to evil, so I express her and revel in the nuance of blood currents, and the sacred demons. I fear and quake with my eyes darting fight or flight love or die. The lightning comes from below this time and rips out of my throat for the world to see. They all see my rabbit and I have trained her to hunt. In her perfect glory she is shy and extroverted, chaste and perverted, my sweet near-death more alive than ever. Take her. Take me while I am ripe and open, rub berries on my lips and bear fat in my hair. Tattoo me with a needle and impale me with your warmth. Heal me, fuck me, and work my heart till she beats strong and unafraid. Haunches bared, teeth sharpened, wide-eyed and aware. Hurry. I want to feel safe.
”
”
Tanya Tagaq (Split Tooth)
“
I shove the wooden debris out of the way until I see the smudged face of the teddy bear. “There she is.” I carefully pull out the bear and sword. I proudly flip the bridal veil skirt to show him the scabbard.
Raffe stares at the disguised sword for a second before commenting. “Do you know how many kills this sword has?”
“It’s a perfect disguise, Raffe.”
“This sword is not just an angel sword. She’s an archangel sword. Better than an angel sword, in case that’s not clear. She intimidates the other angel swords.”
“What, the other swords quake in their scabbards when they see her?” I walk over to the pile of scattered junk by Captain Jake’s boat.
“Yes, if you must know,” he says following me. “She was made for ultimate respect. How is she supposed to get that disguised as a teddy bear in a bridal gown?”
“It’s not a bridal gown, it’s a skirt for her scabbard. And it’s cute.”
“She hates cute. She wants to maim and scar cute.”
“Nobody hates cute.”
“Angel swords do.” He arches his brow and stares down at me.
I guess I won’t tell him how many cutesy angel figurines and pictures we used to have in the World Before.
”
”
Susan Ee (World After (Penryn & the End of Days, #2))
“
A choking dry-ice smog of disappointment, pooling in the drops and troughs of suddenly uncertain ground. Mudyards, wit here and there the smoking wrecks of ideologies, their wheels and radios gone. River of litter rustling in a swollen course below the sky's black drag and in the ditches mustard gas, a mulch of sodden colouring books, imploded television sets.
These are the fretful margins of twentieth century, the boomtowns ragged edge, out past the sink estates, the human landfill, where the wheelchair access paving quakes, gives way like sphagnum moss beneath our feet. It’s 1999, less like date than like a number we restore to in emergencies. pre-packaged in its national front hunting. It’s millennial mummy-wraps. The zeitgeist yawns, as echoing and hollow as the Greenwich dome.
It’s April 10th; we find ourselves in red lion square....caught in the crosshairs of geography and time like sitting ducks, held always by surface tension of the instant, by the sensory dazzle. Constant play of light on neural ripples. Fluttering attention pinned to where and when and who we are. The honey-trap of our personal circumstance, of our familiar bodies restless in these chairs.
”
”
Alan Moore (Snakes and Ladders)
“
Farewell daughter. May the Saint, in his kindness, keep you safe.”
Glorian tried to find the words she wanted to express. I will make you proud. I am afraid. I love you, even if I do not think you love me half as much. I will never treat my daughter the way you have treated me.
“Goodbye, Mother,” was all she did say. “I bid you a safe voyage. Please send my good wishes to Lord Magnaust and Princess Idrega.”
“I will.”
Queen Sabran turned away. Glorian found a deep well of courage and said, “I will be a good queen.”
Her mother stopped.
“You think me weak,” Glorian said, willing her voice not to quake. “You always have— but I know whose bone and blood I am. I am the chosen of the Saint, the fruit of his unending vine, the iron of the ever-snow. I am the daughter of Sabran the Ambitious and the Hammer of the North, and I will rule this realm without fear. My reign will be remembered for centuries to come.” She let the words soak through the silence, then said, “I am enough.”
For a very long time, Queen Sabran said nothing. Her experience was impossible to read.
“Belief is only the first step,” she said, very softly. “Start forging your armour, Glorian. You will need it.
”
”
Samantha Shannon (A Day of Fallen Night (The Roots of Chaos, #0.1))
“
Lost in the stormy kiss, Elizabeth felt her legs gliding down his as he gently lowered her against him until her feet touched the floor. But when his fingers pulled at the ribbon that held her gown in place at her shoulder, she jerked free of his kiss, automatically clamping her hand over his. “What are you doing?” she asked in a quaking whisper. His fingers stilled, and Ian lifted his heavy-lidded gaze to hers.
The question took him by surprise, but as he stared into her green eyes Ian saw her apprehension, and he had a good idea what was causing it. “What do you think I’m doing?” he countered cautiously.
She hesitated, as if unwilling even to accuse him of such an unspeakable act, and then she admitted in a small, reluctant voice, “Disrobing me.”
“And that surprises you?”
“Surprises me? Of course it does. Why wouldn’t it?” Elizabeth asked, more suspicious than ever of what Lucinda had told her.
Quietly he said, “What exactly do you know about what takes place between a husband and wife in bed?”
“You-you mean ‘as it pertains to the creation of children’?” she said, quoting his words to her the day she agreed to become betrothed to him.
He smiled with tender amusement at her phrasing. “I suppose you can call it that-for now.”
“Only what Lucinda told me.” He waited to hear an explanation, and Elizabeth reluctantly added, “She said a husband kisses his wife in bed and that it hurts the first time, and that is how it is done.”
Ian hesitated, angry with himself for not having followed his own instincts and questioned her further when she seemed fully informed and without maidenly qualms about lovemaking. As gently as he could, he said, “You’re a very intelligent young woman, love, not an overly fastidious spinster like your former duenna. Now, do you honestly believe the rules of nature would be completely set aside for people?
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
When the ship cracks in the typhoon, we cover our heads and tell ourselves that all will resolve back to normal. But we are unbelieving. This time may not be like the other times that with time grew into cheerful anecdotes. The stories we heard, about the ten thousand buried in the quake, were, after all, true.
And more irredeemable than any human catastrophe, the dinosaurs trailed across the desert to their end. They left no descendents to embellish their saga, but only the white bones and the marks in the clay for archeologists to make into footnotes. Our hour may be this hour, and our end the dinosaurs’.
So perhaps there will be no revolving back at all, and only archives, full of archetypes, like the composite photographs of movie heroines.
But with or without us, the Day itself must return, we insist, when the Joke at least sits basking in the sun, decorating her idle body with nameless red, once blood.
Philosophy, like lichens, takes centuries to grow and is always ignored in the Book of Instructions. If you can’t Take It, Get Out.
I can’t take it, so I lie on the hotel bed dissolving into chemicals whose adventure will pursue time to her extinguishment, without the slightest influence from these few years when I held them together in human passion.
”
”
Elizabeth Smart (By Grand Central Station I Sat Down and Wept)
“
The truth is,” she said shakily, “that I am scared to death of being here.”
“I know you are,” he said, sobering, “but I am the last person in the world you’ll ever have to fear.”
His words and his tone made the quaking in her limbs, the hammering of her heart, begin again, and Elizabeth hastily drank a liberal amount of her wine, praying it would calm her rioting nerves. As if he saw her distress, he smoothly changed the topic. “Have you given any more thought to the injustice done Galileo?”
She shook her head. “I must have sounded very silly last night, going on about how wrong it was to bring him up before the Inquisition. It was an absurd thing to discuss with anyone, especially a gentleman.”
“I thought it was a refreshing alternative to the usual insipid trivialities.”
“Did you really?” Elizabeth asked, her eyes searching his with a mixture of disbelief and hope, unaware that she was being neatly distracted from her woes and drawn into a discussion she’d find easier.
“I did.”
“I wish society felt that way.”
He grinned sympathetically. “How long have you been required to hide the fact that you have a mind?”
“Four weeks,” she admitted, chuckling at his phrasing. “You cannot imagine how awful it is to mouth platitudes to people when you’re longing to ask them about things they’ve seen and things they know. If they’re male, they wouldn’t tell you, of course, even if you did ask.”
“What would they say?” he teased.
“They would say,” she said wryly, “that the answer would be beyond a female’s comprehension-or that they fear offending my tender sensibilities.”
“What sorts of questions have you been asking?”
Her eyes lit up with a mixture of laughter and frustration. “I asked Sir Elston Greeley, who had just returned from extensive travels, if he had happened to journey to the colonies, and he said that he had. But when I asked him to describe to me how the natives looked and how they lived, he coughed and sputtered and told me it wasn’t at all ‘the thing’ to discuss ‘savages’ with a female, and that I’d swoon if he did.”
“Their appearance and living habits depend upon their tribe,” Ian told her, beginning to answer her questions. “Some of the tribes are ‘savage’ by our standards, not theirs, and some of the tribes are peaceful by any standards…”
Two hours flew by as Elizabeth asked him questions and listened in fascination to stories of places he had seen, and not once in all that time did he refuse to answer or treat her comments lightly. He spoke to her like an equal and seemed to enjoy it whenever she debated an opinion with him. They’d eaten lunch and returned to the sofa; she knew it was past time for her to leave, and yet she was loath to end their stolen afternoon.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
What? Am I to be a listener only all my days? Am I never to get my word in—I that have been so often bored by the Theseid of the ranting Cordus? Shall this one have spouted to me his comedies, and that one his love ditties, and I be unavenged? Shall I have no revenge on one who has taken up the whole day with an interminable Telephus or with an Orestes which, after filling the margin at the top of the roll and the back as well, hasn't even yet come to an end? No one knows his own house so well as I know the groves of Mars, and the cave of Vulcan near the cliffs of Aeolus. What the winds are brewing; whose souls Aeacus has on the rack; from what country another worthy is carrying off that stolen golden fleece; how big are the ash trees which Monychus hurls as missiles: these are the themes with which Fronto's plane trees and marble halls are for ever ringing until the pillars quiver and quake under the continual recitations; such is the kind of stuff you may look for from every poet, greatest or least. Well, I too have slipped my hand from under the cane; I too have counselled Sulla to retire from public life and take a deep sleep; it is a foolish clemency when you jostle against poets at every corner, to spare paper that will be wasted anyhow. But if you can give me time, and will listen quietly to reason, I will tell you why I prefer to run in the same course over which Lucilius, the great nursling of Aurunca drove his horses.
”
”
Juvenal
“
Arrive before your Husband. Not that I can
See quite what good arriving first will do;
But still arrive before him. When he's taken
His place upon the couch and you go too
To sit beside him, on your best behavior
Stealthily touch my foot, and look at me,
Watching my nods, my eyes, my face's language;
Catch and return my signals secretly.
I'll send a wordless message with my eyebrows;
You'll read my fingers' words, words traced in wine.
When you recall our games of love together,
Your finger on rosy cheeks must trace a line.
If in your silent thoughts you wish to chide me,
Let your hand hold the lobe of your soft ear;
When, darling, what I do or say gives pleasure,
Keep turning to an fro the ring you wear.
When you wish well-earned curses on your husband,
Lay your hand on the table, as in prayer.
If he pours you wine, watch out, tell him to drink it;
Ask for what you want from the waiter there.
I shall take next the glass you hand the waiter
And I'll drink from the place you took your sips;
If he should offer anything he's tasted,
Refuse whatever food has touch his lips.
Don't let him plant his arms upon your shoulders,
Don't let him rest your gentle head on his hard chest,
Don't let your dress, your breasts, admit his fingers,
And--most of all--no kisses to be pressed!
You kiss--and I'll reveal myself your lover;
I'll say 'they're mine'; my legal claim I'll stake.
All this, of course I'll see, But what's well hidden
under your dress--blind terror makes me quake.
”
”
Ovid (The Love Poems)
“
When I look at him, I don’t see the cowardly young man who sold me out to Jeanine Matthews, and I don’t hear the excuses he gave afterward.
When I look at him, I see the boy who held my hand in the hospital when our mother broke her wrist and told me it would be all right. I see the brother who told me to make my own choices, the night before the Choosing Ceremony. I think of all the remarkable things he is--smart and enthusiastic and observant, quiet and earnest and kind.
He is a part of me, always will be, and I am a part of him, too. I don’t belong to Abnegation, or Dauntless, or even the Divergent. I don’t belong to the Bureau or the experiment or the fringe. I belong to the people I love, and they belong to me--they, and the love and loyalty I give them, form my identity far more than any word or group ever could.
I love my brother. I love him, and he is quaking with terror at the thought of death. I love him and all I can think, all I can hear in my mind, are the words I said to him a few days ago: I would never deliver you to your own execution.
“Caleb,” I say. “Give me the backpack.”
“What?” he says.
I slip my hand under the back of my shirt and grab my gun. I point it at him. “Give me the backpack.”
“Tris, no.” He shakes his head. “No, I won’t let you do that.”
“Put down your weapon!” the guard screams at the end of the hallway. “Put down your weapon or we will fire!”
“I might survive the death serum,” I say. “I’m good at fighting off serums. There’s a chance I’ll survive. There’s no chance you would survive. Give me the backpack or I’ll shoot you in the leg and take it from you.”
Then I raise my voice so the guards can hear me. “He’s my hostage! Come any closer and I’ll kill him!”
In that moment he reminds me of our father. His eyes are tired and sad. There’s a shadow of a beard on his chin. His hands shake as he pulls the backpack to the front of his body and offers it to me.
I take it and swing it over my shoulder. I keep my gun pointed at him and shift so he’s blocking my view of the soldiers at the end of the hallway.
“Caleb,” I say, “I love you.”
His eyes gleam with tears as he says, “I love you, too, Beatrice.”
“Get down on the floor!” I yell, for the benefit of the guards.
Caleb sinks to his knees.
“If I don’t survive,” I say, “tell Tobias I didn’t want to leave him.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
But if you could just pay her some small attention-or better yet, escort her yourself-it would be ever so helpful, and I would be grateful forever.”
“Alex, if you were married to anyone but Jordan Townsende, I might consider asking you how you’d be willing to express your gratitude. However, since I haven’t any real wish to see my life brought to a premature end, I shall refrain from doing so and say instead that your smile is gratitude enough.”
“Don’t joke, Roddy, I’m quite desperately in need of your help, and I would be eternally grateful for it.”
“You are making me quake with trepidation, my sweet. Whoever she is, she must be in a deal of trouble if you need me.”
“She’s lovely and spirited, and you will admire her tremendously.”
“In that case, I shall deem it an embarrassing honor to lend my support to her. Who-“ His gaze flicked to a sudden movement in the doorway and riveted there, his eternally bland expression giving way to reverent admiration. “My God,” he whispered.
Standing in the doorway like a vision from heaven was an unknown young woman clad in a shimmering silver-blue gown with a low, square neckline that offered a tantalizing view of smooth, voluptuous flesh, and a diagonally wrapped bodice that emphasized a tiny waist. Her glossy golden hair was swept back off her forehead and held in place with a sapphire clip, then left to fall artlessly about her shoulders and midway down her back, where it ended in luxurious waves and curls that gleamed brightly in the dancing candlelight. Beneath gracefully winged brows and long, curly lashes her glowing green eyes were neither jade nor emerald, but a startling color somewhere in between.
In that moment of stunned silence Roddy observed her with the impartiality of a true connoisseur, looking for flaws that others would miss and finding only perfection in the delicately sculpted cheekbones, slender white throat, and soft mouth.
The vision in the doorway moved imperceptibly. “Excuse me,” she said to Alexandra with a melting smile, her voice like wind chimes, “I didn’t realize you weren’t alone.”
In a graceful swirl of silvery blue skirts she turned and vanished, and still Roddy stared at the empty doorway while Alexandra’s hopes soared. Never had she seen Roddy display the slightest genuine fascination for a feminine face and figure. His words sent her spirits even higher: “My God,” he said again in a reverent whisper. “Was she real?”
“Very real,” Alex eagerly assured him, “and very desperately in need of your help, though she mustn’t know what I’ve asked of you. You will help, won’t you?”
Dragging his gaze from the doorway, he shook his head as if to clear it. “Help?” he uttered dryly. “I’m tempted to offer her my very desirable hand in marriage!
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
My vocation in life is to wonder about at the nature of the universe. This leads me into philosophy, psychology, religion, and mysticism, not only as subjects to be discussed but also as things to be experienced, and thus I make an at least tacit claim to be a philosopher and a mystic. Some people, therefore, expect me to be their guru or messiah or exemplar, and are extremely disconcerted when they discover my “wayward spirit” or element of irreducible rascality, and say to their friends, “How could he possibly be a genuine mystic and be so addicted to nicotine and alcohol?” Or have occasional shudders of anxiety? Or be sexually interested in women? Or lack enthusiasm for physical exercise? Or have any need for money? Such people have in mind an idealized vision of the mystic as a person wholly free from fear and attachment, who sees within and without, and on all sides, only the translucent forms of a single divine energy which is everlasting love and delight, as which and from which he effortlessly radiates peace, charity, and joy. What an enviable situation! We, too, would like to be one of those, but as we start to meditate and look into ourselves we find mostly a quaking and palpitating mess of anxiety which lusts and loathes, needs love and attention, and lives in terror of death putting an end to its misery. So we despise that mess, and look for ways of controlling it and putting “how the true mystic feels” in its place, not realizing that this ambition is simply one of the lusts of the quaking mess, and that this, in turn, is a natural form of the universe like rain and frost, slugs and snails, flies and disease. When the “true mystic” sees flies and disease as translucent forms of the divine, that does not abolish them. I—making no hard-and-fast distinction between inner and outer experience—see my quaking mess as a form of the divine, and that doesn’t abolish it either. But at least I can live with it.
”
”
Alan W. Watts (In My Own Way: An Autobiography)
“
Before He called me forth from the grave, Jesus wept. His was not the loud, frantic keening of the women who mourned outside my tomb. His was a sigh and a groan and a single salty tear. It was, at first, almost imperceptible, even to those standing closest to Him.
But His sigh shook the universe, and the place where I was quaked. I stood in the midst of those who watched and waited for all things to be set right.
Jesus groaned, and the heads of angels and saints turned to look down upon the earth in wonder.
His tear trickled down his cheek, and a spring burst forth at my feet. Pure, clear water spilled from its banks and flowed down a mountainside, leaving a myriad of new stars, like flowers, blooming and rising in its wake.
I remember thinking, On a clear night, constellations above the earth reflect on the still surface of the sea. But here? Only one of Jesus’ tears contains a galaxy.
My eternal companions and I listened. We heard His voice echo from Bethany across the universe! He commanded, “Roll away the stone!”
We all waited in anticipation for the next word from His lips.
Then Jesus spoke my name: “Lazarus!”
Surely He could not mean me, I thought. But all the same, I whispered, “Here I am, Lord.”
Centuries have come and gone since His holy sob ripped me loose from timeless conversation with the ageless ones. Ten thousand, thousand scholars and saints have asked, “Why? What made the King of Heaven bow His head and cover His eyes and spill holy tears onto the earth? Why? Why did Jesus weep?
”
”
Bodie Thoene (When Jesus Wept (The Jerusalem Chronicles #1))
“
All about the hills the hosts of Mordor raged. The Captains of the West were foundering in a gathering sea. The sun gleamed red, and under the wings of the Nazgul the shadows of death fell dark upon the earth. Aragorn stood beneath his banner, silent and stern, as one lost in thought of things long past or far away; but his eyes gleamed like stars that shine the brighter as the night deepens. Upon the hill-top stood Gandalf, and he was white and cold and no shadow fell on him. The onslaught of Mordor broke like a wave on the beleaguered hills, voices roaring like a tide amid the wreck and crash of arms.
As if to his eyes some sudden vision had been given, Gandalf stirred; and he turned, looking back north where the skies were pale and clear. Then he lifted up his hands and cried in a loud voice ringing above the din: The Eagles are coming! And many voices answered crying: The Eagles are coming! The Eagles are coming! The hosts of Mordor looked up and wondered what this sign might mean.
There came Gwaihir the Windlord, and Landroval his brother, greatest of all the Eagles of the North, mightiest of the descendants of old Thorondor, who built his eyries in the inaccessible peaks of the Encircling Mountains when Middle-earth was young. Behind them in long swift lines came all their vassals from the northern mountains, speeding on a gathering wind. Straight down upon the Nazgul they bore, stooping suddenly out of the high airs, and the rush of their wide wings as they passed over was like a gale.
But the Nazgul turned and fled, and vanished into Mordor's shadows, hearing a sudden terrible call out of the Dark Tower; and even at that moment all the hosts of Mordor trembled, doubt clutched their hearts, their laughter failed, their hands shook and their limbs were loosed. The Power that drove them on and filled them with hate and fury was wavering, its will was removed from them; and now looking in the eyes of their enemies they saw a deadly light and were afraid.
Then all the Captains of the West cried aloud, for their hearts were filled with a new hope in the midst of darkness. Out from the beleaguered hills knights of Gondor, Riders of Rohan, Dunedain of the North, close-serried companies, drove against their wavering foes, piercing the press with the thrust of bitter spears. But Gandalf lifted up his arms and called once more in a clear voice:
'Stand, Men of the West! Stand and wait! This is the hour of doom.'
And even as he spoke the earth rocked beneath their feet. Then rising swiftly up, far above the Towers of the Black Gate, high above the mountains, a vast soaring darkness sprang into the sky, flickering with fire. The earth groaned and quaked. The Towers of the Teeth swayed, tottered, and fell down; the mighty rampart crumbled; the Black Gate was hurled in ruin; and from far away, now dim, now growing, now mounting to the clouds, there came a drumming rumble, a roar, a long echoing roll of ruinous noise.
'The realm of Sauron is ended!' said Gandalf. 'The Ring-bearer has fulfilled his Quest.' And as the Captains gazed south to the Land of Mordor, it seemed to them that, black against the pall of cloud, there rose a huge shape of shadow, impenetrable, lightning-crowned, filling all the sky. Enormous it reared above the world, and stretched out towards them a vast threatening hand, terrible but impotent: for even as it leaned over them, a great wind took it, and it was all blown away, and passed; and then a hush fell.
The Captains bowed their heads...
”
”
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
“
What franticke fit (quoth he) hath thus distraught
Thee, foolish man, so rash a doome to give?
What justice ever other judgement taught,
But he should die, who merites not to live?
None else to death this man despayring drive,
But his owne guiltie mind deserving death.
Is then unjust to each his due to give?
Or let him die, that loatheth living breath?
Or let him die at ease, that liveth here uneath?
Who travels by the wearie wandring way,
To come unto his wished home in haste,
And meetes a flood, that doth his passage stay,
Is not great grace to helpe him over past,
Or free his feet, that in the myre sticke fast?
Most envious man, that grieves at neighbours good,
And fond, that joyest in the woe thou hast,
Why wilt not let him passe, that long hath stood
Upon the banke, yet wilt thy selfe not passe the flood?
He there does now enjoy eternall rest
And happie ease, which thou doest want and crave,
And further from it daily wanderest:
What if some litle paine the passage have,
That makes fraile flesh to feare the bitter wave?
Is not short paine well borne, that brings long ease,
And layes the soule to sleepe in quiet grave?
Sleepe after toyle, port after stormie seas,
Ease after warre, death after life does greatly please.
[...]
Is not his deed, what ever thing is donne,
In heaven and earth? did not he all create
To die againe? all ends that was begonne.
Their times in his eternall booke of fate
Are written sure, and have their certaine date.
Who then can strive with strong necessitie,
That holds the world in his still chaunging state,
Or shunne the death ordaynd by destinie?
When houre of death is come, let none aske whence, nor why.
The lenger life, I wote the greater sin,
The greater sin, the greater punishment:
All those great battels, which thou boasts to win,
Through strife, and bloud-shed, and avengement,
Now praysd, hereafter deare thou shalt repent:
For life must life, and bloud must bloud repay.
Is not enough thy evill life forespent?
For he, that once hath missed the right way,
The further he doth goe, the further he doth stray.
Then do no further goe, no further stray,
But here lie downe, and to thy rest betake,
Th'ill to prevent, that life ensewen may.
For what hath life, that may it loved make,
And gives not rather cause it to forsake?
Feare, sicknesse, age, losse, labour, sorrow, strife,
Paine, hunger, cold, that makes the hart to quake;
And ever fickle fortune rageth rife,
All which, and thousands mo do make a loathsome life.
Thou wretched man, of death hast greatest need,
If in true ballance thou wilt weigh thy state:
For never knight, that dared warlike deede,
More lucklesse disaventures did amate:
Witnesse the dongeon deepe, wherein of late
Thy life shut up, for death so oft did call;
And though good lucke prolonged hath thy date,
Yet death then, would the like mishaps forestall,
Into the which hereafter thou maiest happen fall.
Why then doest thou, O man of sin, desire
To draw thy dayes forth to their last degree?
Is not the measure of thy sinfull hire
High heaped up with huge iniquitie,
Against the day of wrath, to burden thee?
Is not enough, that to this Ladie milde
Thou falsed hast thy faith with perjurie,
And sold thy selfe to serve Duessa vilde,
With whom in all abuse thou hast thy selfe defilde?
Is not he just, that all this doth behold
From highest heaven, and beares an equall eye?
Shall he thy sins up in his knowledge fold,
And guiltie be of thine impietie?
Is not his law, Let every sinner die:
Die shall all flesh? what then must needs be donne,
Is it not better to doe willinglie,
Then linger, till the glasse be all out ronne?
Death is the end of woes: die soone, O faeries sonne.
”
”
Edmund Spenser (The Faerie Queene)
“
I would like to see you cheat,” Elizabeth said impulsively, smiling at him.
His hands stilled, his eyes intent on her face. “I beg your pardon?”
“What I meant,” she hastily explained as he continued to idly shuffle the cards, watching her, “is that night in the card room at Charise’s there was mention of someone being able to deal a card from the bottom of the deck, and I’ve always wondered if you could, if it could…” She trailed off, belatedly realizing she was insulting him and that his narrowed, speculative gaze proved that she’d made it sound as if she believed him to be dishonest at cards. “I beg your pardon,” she said quietly. “That was truly awful of me.”
Ian accepted her apology with a curt nod, and when Alex hastily interjected, “Why don’t we use the chips for a shilling each,” he wordlessly and immediately dealt the cards.
Too embarrassed even to look at him, Elizabeth bit her lip and picked up her hand.
In it there were four kings.
Her gaze flew to Ian, but he was lounging back in his chair, studying his own cards.
She won three shillings and was pleased as could be.
He passed the deck to her, but Elizabeth shook her head. “I don’t like to deal. I always drop the cards, which Celton says is very irritating. Would you mind dealing for me?”
“Not at all,” Ian said dispassionately, and Elizabeth realized with a sinking heart that he was still annoyed with her.
“Who is Celton?” Jordan inquired.
“Celton is a groom with whom I play cards,” Elizabeth explained unhappily, picking up her hand.
In it there were four aces.
She knew it then, and laughter and relief trembled on her lips as she lifted her face and stared at her betrothed. There was not a sign, not so much as a hint anywhere on his perfectly composed features that anything unusual had been happening.
Lounging indolently in his chair, he quirked an indifferent brow and said, “Do you want to discard and draw more cards, Elizabeth?”
“Yes,” she replied, swallowing her mirth, “I would like one more ace to go with the ones I have.”
“There are only four,” he explained mildly, and with such convincing blandness that Elizabeth whooped with laughter and dropped her cards. “You are a complete charlatan!” she gasped when she could finally speak, but her face was aglow with admiration.
“Thank you, darling,” he replied tenderly. “I’m happy to know your opinion of me is already improving.”
The laughter froze in Elizabeth’s chest, replaced by warmth that quaked through her from head to foot. Gentlemen did not speak such tender endearments in front of other people, if at all. “I’m a Scot,” he’d whispered huskily to her long ago. “We do.” The Townsendes had launched into swift, laughing conversation after a moment of stunned silence following his words, and it was just as well, because Elizabeth could not tear her gaze from Ian, could not seem to move. And in that endless moment when their gazes held, Elizabeth had an almost overwhelming desire to fling herself into his arms. He saw it, too, and the answering expression in his eyes made her feel she was melting.
“It occurs to me, Ian,” Jordan joked a moment later, gently breaking their spell, “that we are wasting our time with honest pursuits.”
Ian’s gaze shifted reluctantly from Elizabeth’s face, and then he smiled inquisitively at Jordan. “What did you have in mind?” he asked, shoving the deck toward Jordan while Elizabeth put back her unjustly won chips.
“With your skill at dealing whatever hand you want, we could gull half of London. If any of our victims had the temerity to object, Alex could run them through with her rapier, and Elizabeth could shoot him before he hit the ground.”
Ian chuckled. “Not a bad idea. What would your role be?”
“Breaking us out of Newgate!” Elizabeth laughed.
“Exactly.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))