β
No matter how far you travel, you can never get away from yourself.
β
β
Haruki Murakami (After the Quake)
β
You really are a scary man,no really! If I had boots I would be quaking in them.
β
β
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
β
Vulnerability is the only authentic state. Being vulnerable means being open, for wounding, but also for pleasure. Being open to the wounds of life means also being open to the bounty and beauty. Donβt mask or deny your vulnerability: it is your greatest asset. Be vulnerable: quake and shake in your boots with it. the new goodness that is coming to you, in the form of people, situations, and things can only come to you when you are vulnerable, i.e. open.
β
β
Stephen Russell (Barefoot Doctor's Guide to the Tao: A Spiritual Handbook for the Urban Warrior)
β
Everyone thought I was bold and fearless and even arrogant, but inside I was always quaking.
β
β
Katharine Hepburn
β
When the fire goes out, you'll start feeling the cold. You'll wake up whether you want to or not.
β
β
Haruki Murakami (After the Quake)
β
My life was going to flash before my eyes, but it decided to hide behind my eyes and quake with terror instead.
β
β
Sarah Rees Brennan (The Demon's Lexicon)
β
This sword is not just an angel sword. Sheβs an archangel sword. Better than an angel sword, in case thatβs not clear. She intimidates the other angel swords.β
βWhat, the other swords quake in their scabbards when they see her?
β
β
Susan Ee (World After (Penryn & the End of Days, #2))
β
I want to write about people who dream and wait for the night to end, who long for the light so they can hold the ones they love.
β
β
Haruki Murakami (After the Quake)
β
Endless moons, an opaque universe, thunder, tornadoes, the quaking earth. Rare moments of peace; forehead up against my knees, arms around my head, I thought, I listened, I longed not to exist. But life was there, a transparent pearl, a star revolving slowly on its own axis.
β
β
Shan Sa (Empress)
β
What I was chasing in circles must have been the tail of the darkness inside me.
β
β
Haruki Murakami (After the Quake)
β
The light in his eyes was like the sun rising. My knees trembled and my heart quaked. It was powerful and beautiful and perfect.
β
β
Kylie Scott (Lick (Stage Dive, #1))
β
Becauseβ¦β
I knew, oh goddess, I knew. Still, I needed him to say the words.
βYou are not his intended, Emilia.β The world beneath me tilted. Wrathβs gaze was steady enough to keep both my knees and the realm from quaking. βYou are mine.
β
β
Kerri Maniscalco (Kingdom of the Cursed (Kingdom of the Wicked, #2))
β
No matter how far you travel, you can never get away from yourself. Itβs like your shadow. It follows you everywhere. -Komura
β
β
Haruki Murakami (After the Quake)
β
It's just a feeling I have. What you see with your eyes is not necessarily real. My enemy is, among other things, the me inside me.
β
β
Haruki Murakami (After the Quake)
β
The whole terrible fight occured in the area of imagination. That is the precise location of our battlefield. It is there, that we experience our victories and defeats.
β
β
Haruki Murakami (After the Quake)
β
I think that you are the liar!" I say, my voice quaking. "You tell me you love me, you trust me, you think I'm more perceptive than the avarge person. And the first second that belief in my perceptiveness, that trust, that love is put to the test, it all falls apart." I am crying now, nut I am not ashamed of the tears shining on my cheeks or the thickness of my voice. "So you must have lied when you told me all those things... you must have, because I can't believe your love really is that feeble."
I step closer to him, so that there are only inches between us, and none of the others can hear me.
"I am still the person who would have died rather than kill you," I say, remembering the attack simulation and the feel of his heartbeat under my hand. "I am exactly who you think I am.
β
β
Veronica Roth (Insurgent (Divergent, #2))
β
In the vaults of our hearts and brains, danger waits. All the chambers are not lovely, light and high. There are holes in the floor of the mind, like those in a medieval dungeon floor - the stinking oubliettes, named for forgetting, bottle-shaped cells in solid rock with the trapdoor in the top. Nothing escapes from them quietly to ease us. A quake, some betrayal by our safeguards, and sparks of memory fire the noxious gases - things trapped for years fly free, ready to explode in pain and drive us to dangerous behavior...
β
β
Thomas Harris (Hannibal (Hannibal Lecter, #3))
β
Faith is not believing in my own unshakable belief. Faith is believing an unshakable God when everything in me trembles and quakes.
β
β
Beth Moore (Praying God's Word: Breaking Free From Spiritual Strongholds)
β
Never, ever quake in the face of hate, Zayneb.
β
β
S.K. Ali (Love from A to Z (A Coming-of-Age Romance))
β
Tis now the very witching time of night,
When churchyards yawn and hell itself breathes out
Contagion to this world; now could I drink hot blood,
And do such bitter business as the day
Would quake to look on.
β
β
William Shakespeare (Hamlet)
β
He is a part of me, always will be, and I am a part of him, too. I don't belong to Abnegation, or Dauntless, or even the Divergent. I don't belong to the Bureau or the experiment or the firnge. I belong to the people I love, and they belong to me- they, and the love and loyalty I give them, form my identity far more than any word or group ever could. I love my brother. I love him, and he is quaking with terror at the though of death. I love him and all I can think, all I can hear in my mind, are the words I said to him a few days ago : I would never deliver you to your own execution
β
β
Veronica Roth (Allegiant (Divergent, #3))
β
Everything between us is sick... twisted. And it doesnβt have to be.β
βShh, shh.β He rocked her in his arms. Never had he comforted another in such a manner. He was awkward with this as well.
βI h-hate you s-so much.β She sobbed so hard her body quaked against him, her tears wetting his chest.
βI know.
β
β
Kresley Cole (Lothaire (Immortals After Dark, #11))
β
I think that you are the liar!" I say, my voice quaking.
"You tell me you love me, you trust me, you think I'm more perceptive than the average person. And the first second that belief in my perceptiveness, that trust, that love is put to the test, it falls apart." I am crying now, but I am not ashamed of the tears shining on my cheeks or the thickness of my voice. "So you must have lied when you told me all those things... you must have, because I can't believe your love is really that feeble.
β
β
Veronica Roth
β
It's not right for one friend to do all the giving and the other to do all the taking: that's not read friendship.
β
β
Haruki Murakami (After the Quake)
β
A fire can be any shape it wants to be. It's free. So it can look like anything at all, depending on what's inside the person looking at it. If you get this deep, quiet kind of feeling when you look at a fire, that's because it's showing you the deep, quiet kind of feeling you have inside yourself...
β
β
Haruki Murakami (After the Quake)
β
All night sheetlightning quaked sourceless to the west beyond the midnight thunderheads, making a bluish day of the distant desert, the mountains on the sudden skyline stark and black and livid like a land of some other order out there whose true geology was not stone but fear.
β
β
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
β
I'm the fucking Horde King, I don't woo."
"Woo her," Ristan continues.
"I don't woo."
"Woo," he repeats.
"I'm not the kind of man to woo anyone. I can make her scream my name to the rafters, isn't that enough wooing?"
"Woo," Ristan smirks, which only served to irritate me more.
"Woo," I grind out on an exhale.
"Yes, woo," he says, already turning to walk away. I watch his shoulders quake with laughter.
"Woo," I growl.
"Woo!" He says over his shaking shoulders.
"Fuck me," I shake my head.
"No thanks, not my type...
β
β
Amelia Hutchins (Escaping Destiny (The Fae Chronicles, #3))
β
At first we raced through space, like shadows and light; her rants, my raves; her dark hair, my blonde; black dresses, white. She's a purple-black African-violet-dark butterfly and I a white moth. We were two wild ponies, Dawn and Midnight, the wind electrifying our manes and our hooves quaking the city; we were photo negatives of each other, together making the perfect image of a girl.
β
β
Francesca Lia Block (Violet & Claire)
β
Our hearts are not stones. A stone may disintegrate in time and lose its outward form. But hearts never disintegrate. They have no outward form, and whether good or evil, we can always communicate them to one another.
β
β
Haruki Murakami (After the Quake)
β
Strange and mysterious things, though, aren't they - earthquakes? We take it for granted that the earth beneath our feet is solid and stationary. We even talk about people being 'down to earth' or having their feet firmly planted on the ground. But suddenly one day we see that it isn't true. The earth, the boulders, that are supposed to be solid, all of a sudden turn as mushy as liquid - From the short story "Thailand
β
β
Haruki Murakami (After the Quake)
β
one year as his wife, and id have become one of those abject, quaking women who look at their husbands when someone asks them a question. I've always despised that type, but I see how it happens now
β
β
Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
β
The way you move is incredible.β Ren drew me back to press against him. His fingers slid down to the curve of my hips, rocking our bodies in rhythm with the heavy bass. The sensation of being molded against the hard narrow line of his hips threatened to overwhelm me. We were hidden in the mass of people, right? The Keepers couldnβt see?
I tried to steady my breath as Ren kept us locked together in the excruciatingly slow pulse of the music. I closed my eyes and leaned back into his body; his fingers kneaded my hips, caressed my stomach. God, it felt good.
My lips parted and the misty veil slipped between them, playing along my tongue. The taste of flower buds about to burst into bloom filled my mouth. Suddenly I wanted nothing more than to melt into Ren. The surge of desire terrified me. I had no idea if the compulsion to draw him more tightly around my body emerged from my own heart or from the succubiβs spellcraft. This couldnβt happen!
I started to panic when he bent his head, pressing his lips against my neck. My eyes fluttered and I struggled to focus despite the suffocating heat that pressed down all around me. His sharpened canines traced my skin, scratching but not breaking the surface. My body quaked and I pivoted in his arms, pushing against his chest, making space between us.
βIβm a fighter, not a lover,β I gasped.
βYou canβt be both?β His smile made my knees buckle.
β
β
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
β
Ian Gittings: The Los Angeles earthquake of October 1,1987 measured 5.9 on the Richter scale. It killed eight people, injured scores more, and left 2,200 people homeless and more than 10,000 buildings badly damaged.
However, Nikki Sixx was by far the most infamous Los Angeleno to react to the quake by running out of his house butt-naked and waving a crack pipe.
β
β
Nikki Sixx (The Heroin Diaries: A Year in the Life of a Shattered Rock Star)
β
No one sees how her hands shake as she closes the magazine, lays it down gingerly as though afraid that her trembling will start an earth quake, and make the entire world crumble.
β
β
Amy Zhang (Falling into Place)
β
If nothing else in this long and short life, let me be true to my conscience, to the dignity of my own heart. Let me act in a way that says, I have honored my spirit as truly as I have honored others'. Let me stand tall and rooted as a mountain in the face of a quaking world.
β
β
Jennifer DeLucy
β
From now on, little by little, you must prepare yourself to face death. If you devote all of your future energy to living, you will not be able to die well. You must begin to shift gears, a little at a time. Living and dying are, in a sense, of equal value.
β
β
Haruki Murakami (After the Quake)
β
Every night in my dreams, a man appeared from the darkest recesses of my mind, as if he'd been waiting for me to fall asleep. His mouth, full, masculine, would sear my flesh. His tongue, like flames across my skin, would send tiny sparks quaking through my body. Then he would dip south, and the heavens would open and a chorus singing hallelujah would ring out in perfect harmony.
β
β
Darynda Jones (First Grave on the Right (Charley Davidson, #1))
β
Don't tell me anymore. You should have your dream, as the old woman told you to. I understand how you feel, but if you put those feelings into words they will turn into lies. (from Thailand)
β
β
Haruki Murakami (After the Quake)
β
Boo," I said. He reacted as all mutts react when I confront them. He leapt from his chair and dove for the nearest exit, shaking in terror. In my dreams. He glanced at me and started looking for Clay. It never failed. Mutts only quaked when I appeared because it usually meant Clayton wasn't far behind. I was nothing but a harbinger of doom.
β
β
Kelley Armstrong
β
Have your dream...What you need now more than anything is discipline. Cast off mere words. Words turn into stone. (from Thailand)
β
β
Haruki Murakami (After the Quake)
β
Whenever the sky quaked, women uttered a blessing: Lord preserve me from the wrath of Lilith. But I could never bring myself to say it. I would whisper instead, Lord, bless the roaring
β
β
Sue Monk Kidd (The Book of Longings)
β
Obstinate are the trammels, but my heart aches when I try to break them. Freedom is all I want, but to hope for it I feel ashamed. I am certain that priceless wealth is in thee, and that thou art my best friend, but I have not the heart to sweep away the tinsel that fills my room.
The shroud that covers me is a shroud of dust and death; I hate it, yet hug it in love. My debts are large, my failures great, my shame secret and heavy; yet when I come to ask for my good, I quake in fear lest my prayer be granted.
β
β
Rabindranath Tagore
β
You ask yourself: where are your dreams now? And you shake your head and say how swiftly the years fly by! And you ask yourself again: what have you done with your best years, then? Where have you buried the best days of your life? Have you lived or not? Look, you tell yourself, look how cold the world is becoming. The years will pass and after them will come grim loneliness, and old age, quaking on its stick, and after them misery and despair. Your fantasy world will grow pale, your dreams will fade and die, falling away like the yellow leaves from the treesβ¦ Ah, Nastenka! Will it not be miserable to be left alone, utterly alone, and have nothing even to regret β nothing, not a single thingβ¦ because everything I have lost was nothing, stupid, a round zero, all dreaming and no more!
β
β
Fyodor Dostoevsky
β
Faithless is he that says farewell when the road darkens,β said Gimli. βMaybe,β said Elrond, βbut let him not vow to walk in the dark, who has not seen the nightfall.β βYet sworn word may strengthen quaking heart,β said Gimli. βOr break it,β said Elrond.
β
β
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
β
There are cities that get by on their good looks, offer climate and scenery, views of mountains or oceans, rockbound or with palm trees; and there are cities like Detroit that have to work for a living, whose reason for being might be geographical but whose growth is based on industry, jobs. Detroit has its natural attractions: lakes all over the place, an abundance of trees and four distinct seasons for those who like variety in their weather, everything but hurricanes and earth-quakes. But itβs never been the kind of city people visit and fall in love with because of its charm or think, gee, wouldnβt this be a nice place to live.
β
β
Elmore Leonard
β
You are a beautiful person, Doctor. Clearheaded. Strong. But you seem always to be dragging your heart along the ground. From now on, little by little, you must prepare yourself to face death. If you devote all of your future energy to living, you will not be able to die well. You must begin to shift gears, a little at a time. Living and dying are, in a sense, of equal value."--Nimit in "Thailand
β
β
Haruki Murakami (After the Quake)
β
A reckoning awoke in me. The more I gave, the more he returned. We traded kisses like blows. And if this were a fight, I wouldn't know who was winning. I understood why some thought kissing one of the Wicked was addictive. Each time his tongue touched mine, it felt as if the ground beneath me quaked. Like we were a cataclysmic event that shouldn't be.
β
β
Kerri Maniscalco (Kingdom of the Wicked (Kingdom of the Wicked, #1))
β
I have always felt that fear possesses such great power, enough to paralyze and quake an individual. Pondering this, I realized that the source of fear's power comes from within me. So, I ask myself, does that not make me the powerful one?
β
β
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
β
When the mountain quaked
Like an elbow's nudge
Like a shout that something is wrong
The people awoke and
Knew, yes, knew, that bandits had come
β
β
Shannon Hale (Palace of Stone (Princess Academy, #2))
β
Hope and the future for me are not in lawns and cultivated fields, not in towns and cities, but in the impervious and quaking swamps.
β
β
Henry David Thoreau (Walking)
β
He heard the quake that lived at my center, and he didn't seek to silence it.
β
β
Sue Monk Kidd (The Book of Longings)
β
What you see with your eyes is not necessarily real.
β
β
Haruki Murakami (After the Quake)
β
To understand something and to put that something into a form that you can see with your own eyes are two completely different things. If you could manage to do both equally well, living would be a lot simpler (from Honey Pie)
β
β
Haruki Murakami (After the Quake)
β
What matters is the face you show the world, not the quaking mess behind it.
β
β
Rachel Vincent (Shadow Bound (Unbound, #2))
β
The brave man, the real hero, quakes with terror, sweats, feels his very bowels betray him, and in spite of this moves forward to do the act he dreads.
β
β
Geraldine Brooks (March)
β
Every minute of your lives you were loved", he said as his chin started to quake. He put his hands together in a prayer motion and put them to his chest and said, "If I exist on this earth, someone loves you".
β
β
Taylor Jenkins Reid (Malibu Rising)
β
So whatβs the use of repentance, and what do you care for goodness, and what if you should die in a quake, so who the hell cares? So I walked downtown, so these were the high buildings, so let the earthquake come, let it bury me and my sins, so who the hell cares? No good to God or man, die one way or another, a quake or a hanging, it didnβt matter why or when or how.
β
β
John Fante (Ask the Dust (The Saga of Arturo Bandini, #3))
β
Losing a chunk of your memory is a tricky thing, a deep-sea quake triggering shifts and upheavals too far distant from the epicenter to be easily predictable.
β
β
Tana French (In the Woods (Dublin Murder Squad, #1))
β
The Earth is God's pinball machine and each quake, tidal wave, flash flood and volcanic eruption is the result of a TILT that occurs when God, cheating, tries to win free games.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Beware the build-up of an inward wound,
For it will at last burst forth;
Avoid, while you can, distress to one heart,
For a single moan can quake the Earth.
β
β
Saadi (The Gulistan: or Rose-Garden or Shekh Muslihu'd-din Sadi of Shiraz)
β
He would eventually have to pass through the forest, but he felt no fear. Of course - the forest was inside him, he knew, and it made him who he was.
β
β
Haruki Murakami (After the Quake)
β
Ooooh!β said Chris mockingly. βShe uses my whole first name. Iβm so very scared. Iβm quaking in my little boots.β
-Christian Lyke
β
β
Micalea Smeltzer (Outsider (Outsider, #1))
β
A deity does not quake simply because the crowd yells. An empress stands fixed, immutable: the calm that continues on, even as the world rages.
β
β
Allison Pataki (The Accidental Empress (Sisi, #1))
β
Even over the rumble of the quakes, I thought I heard Jack rasp, "Bebe?" Then louder: "Doan you do this!"
I gasped out, "T-take care of him, Jack-" Death yanked me to him, sweeping me up in his arms. I fought him with any strength I had left, hyperventilating, dulling my claws on his armor, not even scratching it. Death just laughed.
"Evie! EVIE!" Jack's bellows grew fainter as the light brightened. "I'm comin' for you! You know I will!
β
β
Kresley Cole (Endless Knight (The Arcana Chronicles, #2))
β
A self-destructive man feels completely alienated, utterly alone. He's an outsider to the human community. He thinks to himself, "I must be insane." What he fails to realize is that society has, just as he does, a vested interest in considerable losses and catastrophes. These wars, famines, floods and quakes meet well-defined needs. Man wants chaos. In fact, he has to have it. Depression, strife, riots, murder - all this dread. We're irresistibly drawn to that almost orgiastic state created out of death and destruction. It's in all of us. We revel in it. Sure, the media tries to put a sad face on these things and paints them up as great human tragedies. But we all know the function of the media has never been to eliminate the evils of the world - no! Their job is to persuade us to accept those evils and get used to living with them. The powers that be want us to be passive observers, and they haven't given us any other options outside the occasional, purely symbolic, participatory act of voting. "You want the puppet on the right or the puppet on the left?"
I feel that the time has come to project my own inadequacies and dissatisfactions into the sociopolitical and scientific schemes, let my own lack of a voice be heard.
β
β
Richard Linklater
β
I spent thirty-three years in another man's shadow. I went everywhere he went, I helped him with everything he did. I was in a sense a part of him. When you live like that for a long time, you gradually lose track of what it is you yourself really want out of life
β
β
Haruki Murakami (After the Quake)
β
I look down past the stars to a terrifying darkness. I seem to recognize the place, but it's impossible. "Accident," I whisper. I will fall. I seem to desire the fall, and though I fight it with all my will I know in advance I can't win. Standing baffled, quaking with fear, three feet from the edge of a nightmare cliff, I find myself, incredibly, moving towards it. I look down, down, into bottomless blackness, feeling the dark power moving in me like an ocean current, some monster inside me, deep sea wonder, dread night monarch astir in his cave, moving me slowly to my voluntary tumble into death.
β
β
John Gardner (Grendel)
β
How could I ever have considered marrying him? One year as his wife, and I'd have become one of those abject, quaking women who look at their husbands when someone asks them a question. I've always despised that type, but I see how it happens now.
β
β
Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
β
The world is full of incomprehensible words
β
β
Haruki Murakami (After the Quake)
β
Oh, there are plenty of people," the Duc used to observe, "who never misbehave save when passion spurs them to ill; later, the fire gone out of them, their now calm spirit peacefully returns to the path of virtue and, thus passing their life going from strife to error and from error to remorse, they end their days in such a way there is no telling just what roles they have enacted on earth. Such persons," he would continue, "must surely be miserable: forever drifting, continually undecided, their entire life is spent detesting in the morning what they did the evening before. Certain to repent of the pleasures they taste, they take their delight in quaking, in such sort they become at once virtuous in crime and criminal in virtue.
β
β
Marquis de Sade (The 120 Days of Sodom)
β
This is the Noble Lie. Every frayed nerve, every quaking cell, screams in horror, urging me to crawl out of the tube, to escape this insanity. Is a man a coward if he realizes that bravery is just a myth the old tell the young so they line up for the meatgrinder? My first toy was a wooden sword. Adults think it adorable.
β
β
Pierce Brown (Dark Age (Red Rising Saga #5))
β
I just gave them a little scare. A touch of psychological terror. As Joseph Conrad once wrote, true terror is the kind that men feel towards their imagination. (from Super-frog Saves Tokyo)
β
β
Haruki Murakami (After the Quake)
β
Her chest began to quake softly. "Why?"
"Why what, sweetheart?" I said gently.
"Why do you want me?"
I didn't even have to think. "Because anyone who's been through what you have and can still come out in one piece on the other side is a beautiful creature that I want to know.
β
β
Shelly Crane (Wide Open (Wide Awake, #2))
β
He thought it was funny that she could hack a bloodthirsty demon to death, but something as natural as having a baby made her quake. Not that Kynan blamed her. Heβd happily choose taking a bullet to the gut over squeezing a bowling ball out of his ass. Women were amazing.
β
β
Larissa Ione (Eternal Rider (Lords of Deliverance, #1; Demonica, #6))
β
He once told me about polar bears - what solitary animals they are. They mate just once a year. One time in a whole year. There is no such thing as a lasting male-female bond in their world. One male polar bear and one female polar bear meet by sheer chance somewhere in the frozen vastness, and they mate. It doesn't take long. And once they are finished, the male runs away from the female as if he is frightened to death: he runs from the place where they have mated. He never looks back - literally. The rest of the year he lives in deep solitude. Mutual communications - the touching of two hearts - do not exist for them. So, that is the story of polar bears - or at least it is what my employer told me about them.'
How very strange.'
Yes, it is strange. I remember asking my employer, ' Then what do polar bears exist for?' ' Yes, exactly,' he said with a big smile. 'Then what do we exist for?
β
β
Haruki Murakami (After the Quake)
β
You know something?" she said.
"What?"
"I'm completely empty."
"Yeah?"
"Yeah.
β
β
Haruki Murakami (After the Quake)
β
Usually I spare myself from the news, because if itβs not propaganda, then itβs one threat or another exaggerated to the point of absurdity, or itβs the tragedy of storm-quake-tsunami, of bigotry and oppression misnamed justice, of hatred passed off as righteousness and honor called dishonorable, all jammed in around advertisements in which a gecko sells insurance, a bear sells toilet tissue, a dog sells cars, a gorilla sells investment advisers, a tiger sells cereal, and an elephant sells a drug that will improve your lung capacity, as if no human being in America any longer believes any other human being, but trusts only the recommendations of animals.
β
β
Dean Koontz (Deeply Odd (Odd Thomas, #6))
β
Autumn in the Highlands would be briefβa glorious riot of color blazing red across the moors and gleaming every shade of gold in the forests of sheltered glens. Those achingly beautiful images would be painted again and again across the hills and in the shivering waters of the mountain tarns until the harsh winds of winter sent the last quaking leaf to its death on the frozen ground.
β
β
Elizabeth Stuart (Heartstorm)
β
But as I get older I think β can it really be love if we donβt talk that much, donβt see each other? Isnβt love something that happens between people who spend time together and know each otherβs faults and take care of each other? In the end I decide that the mark weβve left on each other is the color and shape of love. Thatβs the unfinished business between us. Because love is never finished. It circles and circles the memories always out of order and not always complete. Thereβs one I always come back to: me and Cameron Quick, laying on the ground in an aspen grove on a golden fall day, the aspen leaves clattering and quaking the way they do. Cameron turning to me, reaching out a small and dirty hand, which I take and do not let go.
β
β
Sara Zarr (Sweethearts)
β
For those who think religious people live in a constant state of fear and quaking, compare Ps 111:10 to Ps 112:7. There, you will find that the person who fears God will not fear anyone, or anything else. This is not living in fear. By choosing one fear, they are liberated from the many fears.
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Michael Ben Zehabe (A Commentary on Jonah)
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While horror may make us squirm or quake, it will not make us cry at the pity of things. The vampire may symbolize our horror of both life and death, but none of us has ever been uprooted by a symbol. The zombie may conceptualize our sickness of the flesh and its appetites, but no one has ever been sickened to death by a concept.
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Thomas Ligotti (Songs of a Dead Dreamer and Grimscribe)
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I feel a bit like a BOT18 sometimes. Old and rusty, aching and sleepy. Wandering through the city, lost, circling, alone. No gears left in my heart, no code whirring in my brain. Just kinetic energy, being pushed gently onward by other forcesβsound, light, dust waves, the quakes. I'm as lost as ever, friends. Can you tell?
I'd like it if someone were to rescue me soon. Oh, I'd like that very much. Iβd like that. I'd like that very much indeed.
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Alice Oseman (Radio Silence)
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Life is an island in an ocean of solitude and seclusion.
Life is an island, rocks are its desires, trees its dreams, and flowers its loneliness, and it is in the middle of an ocean of solitude and seclusion.
Your life, my friend, is an island separated from all other islands and continents. Regardless of how many boats you send to other shores, you yourself are an island separated by its own pains,secluded its happiness and far away in its compassion and hidden in its secrets and mysteries.
I saw you, my friend, sitting upon a mound of gold, happy in your wealth and great in your riches and believing that a handful of gold is the secret chain that links the thoughts of the people with your own thoughts and links their feeling with your own.
I saw you as a great conqueror leading a conquering army toward the fortress, then destroying and capturing it.
On second glance I found beyond the wall of your treasures a heart trembling in its solitude and seclusion like the trembling of a thirsty man within a cage of gold and jewels, but without water.
I saw you, my friend, sitting on a throne of glory surrounded by people extolling your charity, enumerating your gifts, gazing upon you as if they were in the presence of a prophet lifting their souls up into the planets and stars. I saw you looking at them, contentment and strength upon your face, as if you were to them as the soul is to the body.
On the second look I saw your secluded self standing beside your throne, suffering in its seclusion and quaking in its loneliness. I saw that self stretching its hands as if begging from unseen ghosts. I saw it looking above the shoulders of the people to a far horizon, empty of everything except its solitude and seclusion.
I saw you, my friend, passionately in love with a beautiful woman, filling her palms with your kisses as she looked at you with sympathy and affection in her eyes and sweetness of motherhood on her lips; I said, secretly, that love has erased his solitude and removed his seclusion and he is now within the eternal soul which draws toward itself, with love, those who were separated by solitude and seclusion.
On the second look I saw behind your soul another lonely soul, like a fog, trying in vain to become a drop of tears in the palm of that woman.
Your life, my friend, is a residence far away from any other residence and neighbors.
Your inner soul is a home far away from other homes named after you. If this residence is dark, you cannot light it with your neighbor's lamp; if it is empty you cannot fill it with the riches of your neighbor; were it in the middle of a desert, you could not move it to a garden planted by someone else.
Your inner soul, my friend, is surrounded with solitude and seclusion. Were it not for this solitude and this seclusion you would not be you and I would not be I. If it were not for that solitude and seclusion, I would, if I heard your voice, think myself to be speaking; yet, if I saw your face, i would imagine that I were looking into a mirror.
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Kahlil Gibran (Mirrors of the Soul)
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And besides, thought Yoshida, If it was all right for God to test man, why was it wrong for man to test God?
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Haruki Murakami (After the Quake)
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There's nothing at all in here," she said much later, her voice hoarse. "I'm cleaned out. Empty.
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Haruki Murakami (After the Quake)
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This life is nothing but a short, painful dream.
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Haruki Murakami (After the Quake)
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I want to write stories that are different from the ones I've written so far, Junpei thought: I want to write about people who dream and wait for the night to end, who long for the light so they can hold the ones they love. But right now I have to stay here and keep watch over this woman and this girl. I will never let anyone-not anyone-try to put them into that crazy box- not even if the sky should fall or the earth crack open with a roar.
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Haruki Murakami (After the Quake)
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I think people who don't know the woods very well sometimes imagine it as a kind of undifferentiated mass of greenery, an endless continuation of the wall of trees they see lining the road. And I think they wonder how it could hold anyone's interest for very long, being all so much the same. But in truth I have a list of a hundred places in my own town I haven't been yet. Quaking bogs to walk on; ponds I've never seen in the fall (I've seen them in the summer - but that's a different pond). That list gets longer every year, the more I learn, and doubtless it will grow until the day I die. So many glades; so little time.
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Bill McKibben (Wandering Home: A Long Walk Across America's Most Hopeful Landscape: Vermont's Champlain Valley and New York's Adirondacks (Crown Journeys))
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We are the puzzle pieces who seldom fit with other puzzle pieces. We inhabit singledom as our natural resting state...Secretly, we are romantics, romantics of the highest order. We want a miracle. Out of millions we have to find the one who will understand. For the quirkyalone, there is no patience for dating just for the sake of not being alone. On a fine but by no means transcendent date, we dream of going home to watch television. We would prfer to be alone with our own thoughts than with a less than perfect fit...but when the quirkyalone collides with another, ooh la la. The earth quakes.
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Sasha Cagen
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When I look down into this fucked-out cunt of a whore I feel the whole world beneath me, a world tottering and crumbling, a world used up and polished like a leper's skull. If there were a man who dared to say all that he thought of this world there would not be left him a square foot of ground to stand on. When a man appears the world bears down on him and breaks his back. There are always too many rotten pillars left standing, too much festering humanity for man to bloom. The superstructure is a lie and the foundation is a huge quaking fear. If at intervals of centuries there does appear a man with a desperate, hungry look in his eye, a man that would turn the world upside down in order to create a new race, the love that he brings to the world is turned to bile and he becomes a scourge. If now and then we encounter pages that explode, pages that wound and sear, that wring groans and tears and curses, know that they come from a man with his back up, a man whose only defenses left are his words and his words are always stronger than the lying, crushing weight of the world, stronger than all the racks and wheels which the cowardly invent to crush out the miracle of personality. If any man ever dared to translate all that is in his heart, to put down what is really his experience, what is truly his truth, I think then the world would go to smash, that it would be blown to smithereens and no god, no accident, no will could ever again assemble the pieces, the atoms, the indestructible elements that have gone to make up the world.
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Henry Miller (Tropic of Cancer (Tropic, #1))
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Her fingers crawled upwards and touched the outer curve of her breast, and the fingers paused, quaking in fear; but after the moment, despite the panic trying to break out of its shadows and seize her mind, she told her fingers, go on. This is my body. I reclaim my body for myself: for my use, for my understanding, for my kindness and care. Go on. And the fingers walked cautiously on, over the curiously muscleless, faintly ridged flesh, cooler than the rest of the body, across the tender nipple, into the deep cleft between, and out onto the breast that lay limp and helpless and hardly recognizable as round, lying like a hunting trophy over her other arm. Mine, she thought. My body. It lives on the breaths I breathe and the food I eat; the blood my heart pumps reaches all of me, into all my hidden crevices, from my scalp to my heels.
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Robin McKinley (Deerskin)
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Surely, cousin, you cannot mean to jilt her?' said Anthea, in accents of reprobation.
'Nay, it wouldn't be seemly,' he agreed. 'I'll just have to dispose of her, as you might say.'
'Good God! Murder her?'
'There's no need to be in a quake,' he said reassuringly. 'No one will ever know!'
'If only - oh, if only I could do to you what I *long* to do!' exclaimed Anthea. 'If you were but a few inches shorter -- !'
He said hopefully: 'Nay, don't let that fatch you, love! It'll be no trouble at all to lift you up: in fact, there's nothing I'd like better!'
Furiously blushing, she retorted: 'I didn't mean that I wished to *kiss* you!
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Georgette Heyer (The Unknown Ajax)
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Sounding hoarse, Dare whispered, "Tell me what you want."
The feel of his broad, strong hand against her left her quaking inside - in a good way. The tremble sounded in her tone as she tried to explain. "I want to be whole again. I want to be me, the person I was before I was taken to Tijuana."
Dare said nothing. Molly felt his hesitation, his indecision. God love the man, he didn't want to take advantage of her.
"I know what I want, Dare." She covered his hand with her own, pressed him closer. "I want to replace the bad memories with new ones. Better ones."
His hand curved around her, but he said nothing.
Watching his face, Molly whispered, "I want to do that now, with you.
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Lori Foster (When You Dare (Men Who Walk the Edge of Honor, #1))
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βJebediah has given up on you, but I never will. I can offer you the security you desire. If youβll but be mine, your heart will forever be sheltered in my care. Yes, we will quarrel incessantly and fight for dominance. And yes, there will be ravishes of passion, but there will also be gentle lulls. That is who we are together. Youβll never need fear that your love is not reciprocated. For although youβve made me feel things I am not equipped for . . . I cannot stop feeling them.β His chin quavers. βYou opened Pandoraβs box within me. Set loose the imaginings and emotions of a mortal man. And there is no closing it ever again.β The jewels under his eyes twitch between dark purple and blue. βAs much as I abhor being anything akin to human, Alyssa, I wouldnβt dare try to close it. Because that would mean losing you.β
The confession is lovely and brutalβlaced with honesty that I not only hear in the rasp of his voice, but feel in the quaking of his muscles as he holds my hands over my head.
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A.G. Howard (Ensnared (Splintered, #3))
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What was I hoping to gain from this?...Was I trying to confirm the ties that make it possible for me to exist here and now. Was I hoping to be woven into some new plot, to be given some new and better defined role to play? No, he thought, that's not it. What I was chasing in circles must have been the tail of darkness inside me. I just happened to catch sight of it, and followed it, and clung to it, and in the end let it fly into still deeper darkness. I'm sure I'll never see it again.
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Haruki Murakami (After the Quake)
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CG: ATTENTION WORTHLESS HUMAN.
CG: THIS IS YOUR GOD SPEAKING.
CG: IT IS A WRATHFUL GOD WHO DESPISES YOU MORE THAN YOU COULD HAVE POSSIBLY DARED TO FEAR.
CG: I HAVE WATCHED YOUR ENTIRE PATHETIC LIFE UNFOLD.
CG: I HAVE OBSERVED YOU WHILE YOU WOULD QUAKE AND TREMBLE IN PERSONAL PRAYERS OF SHAME.
CG: WHILE YOU PLEADED FORGIVENESS FOR BEING SUCH A WRETCHED DISGUSTING FAILURE ON EVERY CONCEIVABLE LEVEL.
CG: PROSTRATE BEFORE THE STUPID AND FALSE CLOWN GODS YOU HAVE SCRIBBLED ON THE WALLS OF YOUR BLOCK.
CG: BOGUS DEITIES WORSHIPED BY A PRIMITIVE "PARADISE" PLANET.
CG: BUT YOUR PRAYERS WILL NOT BE ANSWERED.
CG: THERE ARE NO MIRACLES IN STORE FOR YOU, HUMAN.
CG: ONLY MY HATE.
CG: IT IS A HATE SO PURE AND HOT IT WOULD CONSUME YOUR SAD UNDERDEVELOPED HUMAN THINK PAN TO EVEN CONTEMPLATE.
CG: IT IS A HATE THAT TO FATHOM MUST BE PUT INTO SONG.
CG: SHRIEKED BY THE TEN THOUSAND ROWDY SHOUT SPHINCTERS PEPPERING THE GRUESOME UNDERBELLY OF THE MOST TRUCULENT GOD THE FURTHEST RING CAN MUSTER.
CG: IT IS A HATE THAT MADE YOU AND WILL SURELY DESTROY YOU.
CG: MY HATE IS THE LIFEBLOOD THAT PULSES THROUGH THE VEINS OF YOUR UNIVERSE.
CG: IT IS MY GIFT TO YOU.
CG: YOU'RE WELCOME FOR THAT.
CG: YOU UNGRATEFUL PIECE OF SHIT.
EB: hi karkat!
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Andrew Hussie (Homestuck)
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As usual, Junko thought about Jack London's 'To Build a Fire.' It was the story of a man traveling alone through the snowy Alaskan interior and his attempts to light a fire. He would freeze to death unless he could make it catch. The sun was going down. Junko hadn't read much fiction, but that one short story she had read again and again, ever since her teacher had assigned it as an essay topic during summer vacation of her first year in high school. The scene of the story would always come vividly to mind as she read. She could feel the man's fear and hope and despair as if they were her own; she could sense the very pounding of his heart as he hovered on the brink of death. Most important of all, though, was the fact that the man was fundamentally longing for death. She knew that for sure. She couldn't explain how she knew, but she knew it from the start. Death was really what he wanted. He knew that it was the right ending for him. And yet he had to go on fighting with all his might. He had to fight against an overwhelming adversary in order to survive. What most shook Junko was this deep-rooted contradiction.
The teacher ridiculed her view. 'Death is really what he wanted? That's a new one for me! And strange! Quite 'original,' I'd have to say.' He read her conclusion aloud before the class, and everybody laughed.
But Junko knew. All of them were wrong. Otherwise how could the ending of the story be so quiet and beautiful?
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Haruki Murakami (After the Quake)
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Wonder acts upon a man like a shock, he is "moved" and "shaken", and in the dislocation that succeeds all that he had taken for granted as being natural or self-evident loses its compact solidity and obviousness; he is literally dislocated and no longer knows where he is. If this were only to involve the man of action in all of us, so that a man only lost his sense of certainty of everyday life, it would be relatively harmless; but the ground quakes beneath his feet in a far more dangerous sense, and it is his whole spiritual nature, his capacity to know, that is threatened. It is an extremely curious fact that this is the only aspect of wonder, or almost the only aspect, that comes to evidence in modern philosohpy, and the old view that wonder was the beginning of philosophy takes on a new meaning: doubt is the beginning of philosophy. . . . The innermost meaning of wonder is fulfilled in a deepened sense of mystery. It does not end in doubt, but is the awakening of the knowledge that being, qua being, is mysterious and inconceivable, and that it is a mystery in the full sense of the word: neither a dead end, nor a contradiction, nor even something impenetrable and dark. Rather, mystery means that a reality cannot be comprehended because its light is ever-flowing, unfathomable, and inexhaustible. And that is what the wonderer really experiences. . . . Since the very beginning philosophy has always been characterized by hope. Philosophy never claimed to be a superior form of knowledge but, on the contrary, a form of humility, and restrained, and conscious of this restraint and humility in relation to knowledge. The words philosopher and philosophy were coined, according to legend--and the legend is of great antiquity--by Pythagoras in explicit contrast to the words sophia and sophos: no man is wise, and no man "knows"; God alone is wise and all-knowing. At the very most a man might call himself a lover of wisdom and a seeker after knowledge--a philosopher. --from The Philosophical Act, Chapter III
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Josef Pieper (Leisure, the basis of culture, and, The philosophical act!)
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In front of the group was a legless man on a small wheeled trolley, who was singing at the top of his voice and banging two saucepans together. His name was Arnold Sideways. Pushing him along was Coffin Henry, whose croaking progress through an entirely different song was punctuated by bouts of off-the-beat coughing. He was accompanied by a perfectly ordinary-looking manin torn, dirty and yet expensive looking clothing, whose pleasant tenor voice was drowned out by the quaking of a duck on his head. He answered to the name of Duck Man, although he never seemed to understand why, or why he was always surrounded by people who seemed to see ducks where no ducks could be. And finally, being towed along by a small grey dog on a string, was Foul Ole Ron, generally regarded in Ankh-Morpork as the deranged beggars' deranged beggar.
He was probably incapable of singing, but at least he was attempting to swear in time to the beat, or beats.
The wassailers stopped and watched them in horror.
People have always had the urge to sing and clang things at the dark stub of the year, when all sorts of psychic nastiness has taken advantage of the long grey days and the deep shadows to lurk and breed. Lately people had taken to singing harmoniously, which rather lost the affect. Those who really understood just clanged something and shouted.
The beggars were not in fact this well versed in folkloric practice. They were just making a din in the well-founded hope that people would give them money to stop.
It was just possible to make out consensus song in there somewhere.
"Hogswatch is coming,
The pig is getting fat,
Please put a dollar in the old man's hat
If you ain't got a dollar a penny will do-"
"And if you ain't got a penny," Foul Ole Ron yodeled, solo, 'Then- fghfgh yffg mfmfmf..." The Duck man had, with great Presence of mind, clamped a hand over Ron's mouth.
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Terry Pratchett (Hogfather (Discworld, #20; Death, #4))
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Among us English-speaking peoples especially do the praises of poverty need once more to be boldly sung. We have grown literally afraid to be poor. We despise any one who elects to be poor in order to simplify and save his inner life. If he does not join the general scramble and pant with the money-making street, we deem him spiritless and lacking in ambition. We have lost the power even of imagining what the ancient idealization of poverty could have meant: the liberation from material attachments, the unbribed soul, the manlier indifference, the paying our way by what we are or do and not by what we have, the right to fling away our life at any moment irresponsiblyβthe more athletic trim, in short, the moral fighting shape. When we of the so-called better classes are scared as men were never scared in history at material ugliness and hardship; when we put off marriage until our house can be artistic, and quake at the thought of having a child without a bank-account and doomed to manual labor, it is time for thinking men to protest against so unmanly and irreligious a state of opinion. It is true that so far as wealth gives time for ideal ends and exercise to ideal energies, wealth is better than poverty and ought to be chosen. But wealth does this in only a portion of the actual cases. Elsewhere the desire to gain wealth and the fear to lose it are our chief breeders of cowardice and propagators of corruption. There are thousands of conjunctures in which a wealth-bound man must be a slave, whilst a man for whom poverty has no terrors becomes a freeman. Think of the strength which personal indifference to poverty would give us if we were devoted to unpopular causes. We need no longer hold our tongues or fear to vote the revolutionary or reformatory ticket. Our stocks might fall, our hopes of promotion vanish, our salaries stop, our club doors close in our faces; yet, while we lived, we would imperturbably bear witness to the spirit, and our example would help to set free our generation. The cause would need its funds, but we its servants would be potent in proportion as we personally were contented with our poverty. I recommend this matter to your serious pondering, for it is certain that the prevalent fear of poverty among the educated classes is the worst moral disease from which our civilization suffers.
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William James (Varieties of Religious Experience, a Study in Human Nature)