Quaint Town Quotes

And now here you are, at peace in your Garden of Eden with your brother and your acreage and your students and your Inklings and you friends and your quaint town. All these things both inspire you and protect you. But a change might be in order. Not a change that disrupts, but one that expands." I paused. "Let new things touch your soul.

A precious mouldering pleasure 't is To meet an antique book, In just the dress his century wore; A privilege, I think, His venerable hand to take, And warming in our own, A passage back, or two, to make To times when he was young. His quaint opinions to inspect, His knowledge to unfold On what concerns our mutual mind. The literature of old; What interested scholars most, What competitions ran When Plato was a certainty, And Sophocles a man; When Sappho was a living girl, And Beatrice wore The gown that Dante deified. Facts, centuries before, He traverses familiar, As one should come to town And tell you all your dreams were true: He lived where dreams were born. His presence is enchantment, You beg him not to go; Old volumes shake their vellum heads And tantalize just so.

To think of the Midwest as a whole as anything other than beautiful is to ignore the extraordinary power of the land. The lushness of the grass and trees in August, the roll of the hills (far less of the Midwest is flat than outsiders seem to imagine), the rich smell of soil, the evening sunlight over a field of wheat, or the crickets chirping at dusk on a residential street: All of it, it has always made me feel at peace. There is room to breathe, there is a realness of place. The seasons are extreme, but they pass and return, pass and return, and the world seems far steadier than it does from the vantage point of a coastal city. Certainly picturesque towns can be found in New England or California or the Pacific Northwest, but I can't shake the sense that they're too picturesque. On the East Coast, especially, these places seem to me aggressively quaint, unbecomingly smug, and even xenophobic, downright paranoid in their wariness of those who might somehow infringe upon the local charm. I suspect this wariness is tied to the high cost of real estate, the fear that there might not be enough space or money and what there is of both must be clung to and defended. The West Coast, I think, has a similar self-regard...and a beauty that I can't help seeing as show-offy. But the Midwest: It is quietly lovely, not preening with the need to have its attributes remarked on. It is the place I am calmest and most myself.

Reader, do you remember that ridiculous movie Volcano, the one with Tommy Lee Jones? Do you remember how they stopped eruption in the middle of downtown Los Angeles? They diverted it with cement roadblocks and pointed fire hoses at it, and rerouted the lava to the ocean, and everything was fine? Sweet reader, that is not how lava works. Anyone can tell you that. Here is the truth: I keep waiting for my anger to go dormant, but it won’t. I keep waiting for someone to reroute my anger into the ocean, but no one can. My heart is closer to Dante’s Peak of Dante’s Peak. My anger dissolves grandmas in acid lakes and razes quaint Pacific Northwest towns with ash and asphyxiates jet engines with its grit. Lava keeps leaking down my slopes. You should have listened to the scientist. You should have evacuated earlier.

My anger dissolves grandmas in acid lakes and razes quaint Pacific Northwest towns with ash and asphyxiates jet engines with its grit. Lava keeps leaking down my slopes. You should have listened to the scientist. You should have evacuated earlier.

If I were you, Mr. Lascelles," said Childermass, softly, "I would speak more guardedly. You are in the north now. In John Uskglass's own country. Our towns and cities and abbeys were built by him. Our laws were made by him. He is our minds and hearts and speech. Were it summer you would see a carpet of tiny flowers beneath every hedgerow, of a bluish-white colour. We call them John’s Farthings. When the weather is contrary and we have warm weather in winter or it rains in summer the country people say that John Uskglass is in love again and neglects his business. And when we are sure of something we say it is as safe as a pebble in John Uskglass’s pocket.” Lascelles laughed. “Far be it from me, Mr. Childermass, to disparage your quaint country sayings. But surely it is one thing to pay lip-service to one’s history and quite another to talk of bringing back a King who numbered Lucifer himself among his allies and overlords? No one wants that, do they? I mean apart from a few Jihannites and madmen?” “I am a North Englishman, Mr. Lascelles,” said Childermass. “Nothing would please me better than that my King should come home. It is what I have wished for all my life.

Small towns in remote corners of the world are really quaint, unless you don't fit into them. Then they're just small.

After all, many people came here for vaguely therapeutic reasons, believing there were medicines dispensed by the very mood of the town’s quaint streets and its sea-licked shores.

quaint little town with small,

Finding a taxi, she felt like a child pressing her nose to the window of a candy store as she watched the changing vista pass by while the twilight descended and the capital became bathed in a translucent misty lavender glow. Entering the city from that airport was truly unique. Charles de Gaulle, built nineteen miles north of the bustling metropolis, ensured that the final point of destination was veiled from the eyes of the traveller as they descended. No doubt, the officials scrupulously planned the airport’s location to prevent the incessant air traffic and roaring engines from visibly or audibly polluting the ambience of their beloved capital, and apparently, they succeeded. If one flew over during the summer months, the visitor would be visibly presented with beautifully managed quilt-like fields of alternating gold and green appearing as though they were tilled and clipped with the mathematical precision of a slide rule. The countryside was dotted with quaint villages and towns that were obviously under meticulous planning control. When the aircraft began to descend, this prevailing sense of exactitude and order made the visitor long for an aerial view of the capital city and its famous wonders, hoping they could see as many landmarks as they could before they touched ground, as was the usual case with other major international airports, but from this point of entry, one was denied a glimpse of the city below. Green fields, villages, more fields, the ground grew closer and closer, a runway appeared, a slight bump or two was felt as the craft landed, and they were surrounded by the steel and glass buildings of the airport. Slightly disappointed with this mysterious game of hide-and-seek, the voyager must continue on and collect their baggage, consoled by the reflection that they will see the metropolis as they make their way into town. For those travelling by road, the concrete motorway with its blue road signs, the underpasses and the typical traffic-logged hubbub of industrial areas were the first landmarks to greet the eye, without a doubt, it was a disheartening first impression. Then, the real introduction began. Quietly, and almost imperceptibly, the modern confusion of steel and asphalt was effaced little by little as the exquisite timelessness of Parisian heritage architecture was gradually unveiled. Popping up like mushrooms were cream sandstone edifices filigreed with curled, swirling carvings, gently sloping mansard roofs, elegant ironwork lanterns and wood doors that charmed the eye, until finally, the traveller was completely submerged in the glory of the Second Empire ala Baron Haussmann’s master plan of city design, the iconic grand mansions, tree-lined boulevards and avenues, the quaint gardens, the majestic churches with their towers and spires, the shops and cafés with their colourful awnings, all crowded and nestled together like jewels encrusted on a gold setting.

People always describe small towns as quaint or cozy or familiar. “You know who your neighbors are,” they always seemed to say. But what you won’t find depicted in a Norman Rockwell painting is how cruel those same neighbors can be.

IT HAD ONLY BEEN TWO days, but Janine Blitstein was already tired of Bleak Creek. Things that had seemed charming and quaint during her childhood summertime visits now seemed, at best, out of touch and, at worst, annoyingly backward. It completely boggled her mind that her mother had grown up here. Then again, her mom had left town as soon as she could, so in that way it made perfect sense.

We sat within the farm-house old, Whose windows, looking o'er the bay, Gave to the sea-breeze damp and cold, An easy entrance, night and day. Not far away we saw the port, The strange, old-fashioned, silent town, The lighthouse, the dismantled fort, The wooden houses, quaint and brown. We sat and talked until the night, Descending, filled the little room; Our faces faded from the sight, Our voices only broke the gloom. We spake of many a vanished scene, Of what we once had thought and said, And who was changed, and who was dead; And all that fills the hearts of friends, When first they feel, with secret pain, Their lives thenceforth have separate ends, And never can be one again; The first slight swerving of the heart, That words are powerless to express, And leave it still unsaid in part, Or say it in too great excess. The very tones in why we spake, Had something strange, I could but mark; The leaves of memory seemed to make A mournful rattling in the dark. Oft died the words upon our lips, As suddenly, from out the fire Built of the wreck of stranded ships, The flames would leap and then expire. And, as their splendor flashed and failed, We thought of wrecks upon the main, Of ships dismasted, that were hailed And sent no answer back again. The windows, rattling in their frames, The ocean, roaring up the beach, The gusty blast, the bickering flames, All mingled vaguely in our speech; Until they made themselves a part Of fancies floating through the brain, The long-lost ventures of the heart, That send no answers back again. O flames that glowed! O hearts that yearned! They were indeed too much akin, The drift-wood fire without that burned, The thoughts that burned and glowed within.

PLAINVILLE WAS A QUAINT picturesque town. Northern California’s version of Andy Griffith’s Mayberry. Bucolic enough to provide cinematic contrast for any low-budget stalk-and-slash film. Juxtaposition played just as important a role in still photography as it did in cinematography. Maybe that’s why Natalie Jones had picked Plainville for her final descent into darkness. The climactic scene in a comedic tragedy. Cast of one. Audience of one. Curtain closed.

One Autumn night, in Sudbury town, Across the meadows bare and brown, The windows of the wayside inn Gleamed red with fire-light through the leaves Of woodbine, hanging from the eaves Their crimson curtains rent and thin.” “As ancient is this hostelry As any in the land may be, Built in the old Colonial day, When men lived in a grander way, With ampler hospitality; A kind of old Hobgoblin Hall, Now somewhat fallen to decay, With weather-stains upon the wall, And stairways worn, and crazy doors, And creaking and uneven floors, And chimneys huge, and tiled and tall. A region of repose it seems, A place of slumber and of dreams, Remote among the wooded hills! For there no noisy railway speeds, Its torch-race scattering smoke and gleeds; But noon and night, the panting teams Stop under the great oaks, that throw Tangles of light and shade below, On roofs and doors and window-sills. Across the road the barns display Their lines of stalls, their mows of hay, Through the wide doors the breezes blow, The wattled cocks strut to and fro, And, half effaced by rain and shine, The Red Horse prances on the sign. Round this old-fashioned, quaint abode Deep silence reigned, save when a gust Went rushing down the county road, And skeletons of leaves, and dust, A moment quickened by its breath, Shuddered and danced their dance of death, And through the ancient oaks o'erhead Mysterious voices moaned and fled. These are the tales those merry guests Told to each other, well or ill; Like summer birds that lift their crests Above the borders of their nests And twitter, and again are still. These are the tales, or new or old, In idle moments idly told; Flowers of the field with petals thin, Lilies that neither toil nor spin, And tufts of wayside weeds and gorse Hung in the parlor of the inn Beneath the sign of the Red Horse. Uprose the sun; and every guest, Uprisen, was soon equipped and dressed For journeying home and city-ward; The old stage-coach was at the door, With horses harnessed, long before The sunshine reached the withered sward Beneath the oaks, whose branches hoar Murmured: "Farewell forevermore. Where are they now? What lands and skies Paint pictures in their friendly eyes? What hope deludes, what promise cheers, What pleasant voices fill their ears? Two are beyond the salt sea waves, And three already in their graves. Perchance the living still may look Into the pages of this book, And see the days of long ago Floating and fleeting to and fro, As in the well-remembered brook They saw the inverted landscape gleam, And their own faces like a dream Look up upon them from below.

Stellar Plains, New Jersey, was a town that got mentioned whenever there was an article called “The Fifty Most Livable Suburbs in America.” Unlike most suburbs, this one was considered progressive. Though the turnpike that ran through it was punctuated by carpet-remnant outlets and tire wholesalers, and even an unsettling, windowless store no one had ever been to, advertising DVDS AND CHINESE SPECIALTY ITEMS, Main Street was quaint and New Englandy, with a cosmopolitan slant. There was an excellent bookstore, Chapter and Verse, at a moment when bookstores around the country were making way for cell-phone stores.

The real reason for Father Braganza's laughter was the history of Amrapur. It was a quaint town, nestled amidst barren mountains. The Hindus and Muslims living there were perpetually warring with each other, reacting violently at the slightest provocation. It had started a long time ago, this squabble, and had escalated into a terrible war. Some people say it started centuries ago, but many believe it started when the country gave one final, fierce shrug to rid itself of British rule. The shrug quickly became a relentless shuddering, and countless people were uprooted and flung into the air. Many didn't survive. Perhaps the mountains of Amrapur absorbed the deracinating wave. People weren't cruelly plucked from the town. They remained there, festering, becoming irate and harbouring murderous desires. And while the country was desperately trying to heal its near-mortal wounds and move on, Amrapur's dormant volcano erupted. Momentary and overlooked, but devastating. Leaders emerged on both sides and, driven by greed, they fed off the town's ignored bloodshed. They created ravines out of cracks, fostered hatred and grew richer. The Bhoite family, the erstwhile rulers of the ancient town, adopted the legacy of their British rulers---divide and conquer.

One Autumn night, in Sudbury town, Across the meadows bare and brown, The windows of the wayside inn Gleamed red with fire-light through the leaves Of woodbine, hanging from the eaves Their crimson curtains rent and thin. As ancient is this hostelry As any in the land may be, Built in the old Colonial day, When men lived in a grander way, With ampler hospitality; A kind of old Hobgoblin Hall, Now somewhat fallen to decay, With weather-stains upon the wall, And stairways worn, and crazy doors, And creaking and uneven floors, And chimneys huge, and tiled and tall. A region of repose it seems, A place of slumber and of dreams, Remote among the wooded hills! For there no noisy railway speeds, Its torch-race scattering smoke and gleeds; But noon and night, the panting teams Stop under the great oaks, that throw Tangles of light and shade below, On roofs and doors and window-sills. Across the road the barns display Their lines of stalls, their mows of hay, Through the wide doors the breezes blow, The wattled cocks strut to and fro, And, half effaced by rain and shine, The Red Horse prances on the sign. Round this old-fashioned, quaint abode Deep silence reigned, save when a gust Went rushing down the county road, And skeletons of leaves, and dust, A moment quickened by its breath, Shuddered and danced their dance of death, And through the ancient oaks o'erhead Mysterious voices moaned and fled. These are the tales those merry guests Told to each other, well or ill; Like summer birds that lift their crests Above the borders of their nests And twitter, and again are still. These are the tales, or new or old, In idle moments idly told; Flowers of the field with petals thin, Lilies that neither toil nor spin, And tufts of wayside weeds and gorse Hung in the parlor of the inn Beneath the sign of the Red Horse. Uprose the sun; and every guest, Uprisen, was soon equipped and dressed For journeying home and city-ward; The old stage-coach was at the door, With horses harnessed,long before The sunshine reached the withered sward Beneath the oaks, whose branches hoar Murmured: "Farewell forevermore. Where are they now? What lands and skies Paint pictures in their friendly eyes? What hope deludes, what promise cheers, What pleasant voices fill their ears? Two are beyond the salt sea waves, And three already in their graves. Perchance the living still may look Into the pages of this book, And see the days of long ago Floating and fleeting to and fro, As in the well-remembered brook They saw the inverted landscape gleam, And their own faces like a dream Look up upon them from below.

Noisy shuddering little commuter trains, debatable links: Shaw spent half a day joining one cross-country service to another; hard enough work just to arrive mid-afternoon on the brown edge of Wales. The town, with its undecodable medieval topography and commanding position above the River Severn, had done well out of sheep; then out of brewing; and finally out of coal. Now, like most of those old places, post-colonial, post-industrial and – in the sense that its past had now become its present – fully post-historical, it was curating a collection of original burgage plots, timber-framed heritage structures and quaintly squalid street names. It had been pleased with itself for 700 years.

There was a short railway official travelling up to the terminus, three fairly short market-gardeners picked up two stations afterwards, one very short widow lady going up from a small Essex town, and a very short Roman Catholic priest going up from a small Essex village. When it came to the last case, Valentin gave it up and almost laughed. The little priest was so much the essence of those Eastern flats; he had a face as round and dull as a Norfolk dumpling; he had eyes as empty as the North Sea; he had several brown-paper parcels, which he was quite incapable of collecting. The Eucharistic Congress had doubtless sucked out of their local stagnation many such creatures, blind and helpless, like moles disinterred. Valentin was a skeptic in the severe style of France, and could have no love for priests. But he could have pity for them, and this one might have provoked pity in anybody. He had a large, shabby umbrella, which constantly fell on the floor. He did not seem to know which was the right end of his return ticket. He explained with a moon-calf simplicity to everybody in the carriage that he had to be careful, because he had something made of real silver "with blue stones" in one of his brown-paper parcels. His quaint blending of Essex flatness with saintly simplicity continuously amused the Frenchman till the priest arrived (somehow) at Tottenham with all his parcels, and came back for his umbrella.

IN A LIBRARY. A precious, mouldering pleasure 't is To meet an antique book, In just the dress his century wore; A privilege, I think, His venerable hand to take, And warming in our own, A passage back, or two, to make To times when he was young. His quaint opinions to inspect, His knowledge to unfold On what concerns our mutual mind, The literature of old; What interested scholars most, What competitions ran When Plato was a certainty. And Sophocles a man; When Sappho was a living girl, And Beatrice wore The gown that Dante deified. Facts, centuries before, He traverses familiar, As one should come to town And tell you all your dreams were true; He lived where dreams were sown. His presence is enchantment, You beg him not to go; Old volumes shake their vellum heads And tantalize, just so.

By now, certain alternate theories are beginning to circulate online. It's the government, they say. Or it's Big Pharma. Some kind of germ must have gotten loose from a lab at the college. Think about it, they say: Do you really believe that a completely new virus could show up in the most powerful country on earth without scientists knowing exactly what it is? They probably engineered it themselves. They might be spreading this thing on purpose, testing out a biological weapon. They might be withholding the cure. Or maybe there's no sickness at all—that's what some have begun posting online. Isn't Santa Lora the perfect location for a hoax? An isolated town, surrounded by forest, only one road in and one road out. And those people you see on TV? Those could be hired victims. Those could be crisis actors paid to play their parts. And the supposedly sick? Come on, how hard is it to pretend you're asleep? Maybe, a few begin to say, Santa Lora is not even a real town. Has anyone ever heard of this place? And look it up: there's no such saint as Santa Lora. It's made-up. The whole damn place is probably just a set on some back lot in Culver City. Don't those houses look a little too quaint? Don't be naïve, say others—they don't need a set. All that footage is probably just streaming out of some editing room in the valley. If you look closely, you can tell that some of those houses repeat. Now just ask yourself, they say, who stands to benefit from all this. It always comes back to money, right? The medical-industrial complex. And who do you think pays the salaries of these so-called journalists reporting all this fake news? Just watch: in a few months, Big Pharma will be selling the vaccine.

There once was a town. It was a quaint little town, in a quiet valley, where life moved at the pace of snails and the only road in was the only way out, too. There was a candy store that sold the sweetest honey taffy you ever tasted, and a garden store that grew exotic, beautiful blooms year-round. The local café was named after a possum that tormented its owner for years, and the chef there made the best honey French toast in the Northeast. There was a bar where the bartender always knew your name, and always served your burgers slightly burnt, though the local hot sauce always disguised the taste. If you wanted to stay the weekend, you could check-in at the new bed-and-breakfast in town--- just as soon as its renovations were finished, and just a pleasant hike up Honeybee Trail was a waterfall there, rumor had it, if you made a wish underneath it, the wish would come true. There was a drugstore, a grocer, a jewelry store that was open only when Mercury was in of retrograde--- And, oh, there was a bookstore. It was tucked into an unassuming corner of an old brick building fitted with a labyrinthine maze of shelves stocked with hundreds of books. In the back corner was a reading space with a fireplace, and chairs so cozy you could sink into them for hours while you read. The rafters were filled with glass chimes that, when the sunlight came in through the top windows, would send dapples of colors flooding across the stacks of books, painting them in rainbows. A family of starlings roosted in the eaves, and sang different songs every morning, in time with the tolls of the clock tower. The town was quiet in that cozy, sleepy way that if you closed your eyes, you could almost hear the valley breathe as wind crept through it, between the buildings, and was sighed out again.

Because I don’t care what anyone says or how often or winningly they say it: no one will ever, ever be able to persuade me that life is some awesome, rewarding treat. Because, here’s the truth: life is catastrophe. The basic fact of existence—of walking around trying to feed ourselves and find friends and whatever else we do—is catastrophe. Forget all this ridiculous ‘Our Town’ nonsense everyone talks: the miracle of a newborn babe, the joy of one simple blossom, Life You Are Too Wonderful To Grasp, &c. For me—and I’ll keep repeating it doggedly till I die, till I fall over on my ungrateful nihilistic face and am too weak to say it: better never born, than born into this cesspool. Sinkhole of hospital beds, coffins, and broken hearts. No release, no appeal, no “do-overs” to employ a favored phrase of Xandra’s, no way forward but age and loss, and no way out but death. [“Complaints bureau!” I remember Boris grousing as a child, one afternoon at his house when we had got off on the vaguely metaphysical subject of our mothers: why they—angels, goddesses—had to die? while our awful fathers thrived, and boozed, and sprawled, and muddled on, and continued to stumble about and wreak havoc, in seemingly indefatigable health? “They took the wrong ones! Mistake was made! Everything is unfair! Who do we complain to, in this shitty place? Who is in charge here?”] And—maybe it’s ridiculous to go on in this vein, although it doesn’t matter since no one’s ever going to see this—but does it make any sense at all to know that it ends badly for all of us, even the happiest of us, and that we all lose everything that matters in the end—and yet to know as well, despite all this, as cruelly as the game is stacked, that it’s possible to play it with a kind of joy? To try to make some meaning out of all this seems unbelievably quaint. Maybe I only see a pattern because I’ve been staring too long. But then again, to paraphrase Boris, maybe I see a pattern because it’s there.

It was a gorgeous evening, with a breeze shimmering through the trees, people strolling hand in hand through the quaint streets and the plaza. The shops, bistros and restaurants were abuzz with patrons. She showed him where the farmer's market took place every Saturday, and pointed out her favorite spots- the town library, a tasting room co-op run by the area vintners, the Brew Ha-Ha and the Rose, a vintage community theater. On a night like this, she took a special pride in Archangel, with its cheerful spirit and colorful sights. She refused to let the Calvin sighting drag her down. He had ruined many things for her, but he was not going to ruin the way she felt about her hometown. After some deliberation, she chose Andaluz, her favorite spot for Spanish-style wines and tapas. The bar spilled out onto the sidewalk, brightened by twinkling lights strung under the big canvas umbrellas. The tables were small, encouraging quiet intimacy and insuring that their knees would bump as they scooted their chairs close. She ordered a carafe of local Mataro, a deep, strong red from some of the oldest vines in the county, and a plancha of tapas- deviled dates, warm, marinated olives, a spicy seared tuna with smoked paprika. Across the way in the plaza garden, the musician strummed a few chords on his guitar. The food was delicious, the wine even better, as elemental and earthy as the wild hills where the grapes grew. They finished with sips of chocolate-infused port and cinnamon churros. The guitar player was singing "The Keeper," his gentle voice seeming to float with the breeze.

…A very entertaining read, with a cast of characters that feel like you’ve met before... But these are not the images from a quaint postcard. The Liquor Vicar is full of the troubled and broken hearted, but Ditrich finds depth and honesty, and most centrally the humour in these intersecting lives. A great debut.” Aaron Chapman, Vancouver-based historian, and author of ‘Liquor, Lust and the Law’, and ‘The Last Gang in Town

The company even drew unlikely customers. From rural Arkansas, operating just five comically cheap-looking stores—a rounding error compared with the largest retailers—Sam Walton made his way to an IBM conference for retailers. While he shied away from investing anything in any emotional aspect of retailing, delivering the lowest prices meant mastering logistics and information. To one speaker at the conference, Abe Marks, modern retailing meant knowing exactly “how much merchandise is in the store? What’s selling and what’s not? What is to be ordered, marked down or replaced? . . . The more you turn your inventory, the less capital is required.” Altering his first impression, Marks found that Walton’s simpleton comportment masked his genius as a retailer, eventually calling him the “best utilizer of information that there’s ever been.” A little over two decades later, Sam Walton would become the richest man in America; he would attribute his competitive advantage to his investment in computing systems in his early days. The small-town merchant who expected that knowing his customers’ names or sponsoring the local Little League team would give him some enduring advantage simply didn’t understand the sport. American consumers, technocrats at heart, rewarded efficiency as reflected by the prices on the shelves, not the quaint sentiments of a friendly proprietor. To gain this efficiency, information systems were seen as vital.

wandered through Stratford, waiting to hear back. The main downtown area was small and pedestrian, centered on the local tourist industry. Most of the buildings were in the half-timbered Tudor style, lending an air of Renaissance authenticity to the town. Quaint street signs helpfully funneled bumbling tourists toward the attractions: “Shakespeare’s Birthplace” or “Holy Trinity Church and Shakespeare’s Grave.” On High Street, I passed the Hathaway Tea Rooms and a pub called the Garrick Inn. Farther along, a greasy-looking cafe called the Food of Love, a cutesy name taken from Twelfth Night (“ If music be the food of love, play on”). The town was Elizabethan kitsch—plus souvenir shops, a Subway, a Starbucks, a cluster of high-end boutiques catering to moneyed out-of-towners, more souvenir shops. Shakespeare’s face was everywhere, staring down from signs and storefronts like a benevolent big brother. The entrance to the “Old Bank estab. 1810” was gilded ornately with an image of Shakespeare holding a quill, as though he functioned as a guarantee of the bank’s credibility. Confusingly, there were several Harry Potter–themed shops (House of Spells, the Creaky Cauldron, Magic Alley). You could almost feel the poor locals scheming how best to squeeze a few more dollars out of the tourists. Stratford and Hogwarts, quills and wands, poems and spells. Then again, maybe the confusion was apt: Wasn’t Shakespeare the quintessential boy wizard, magically endowed with inexplicable powers?

No one could live a laid-back, quaint, small-town life with a murderer outside their back door. That was just logical.

We were extremely lucky to get this house. We lost half a dozen bidding wars in neighborhoods that weren’t even as nice as this one. I didn’t think we had a snowball’s chance in hell of landing this quaint former farmhouse in a town with such highly rated public schools. I almost cried with joy when our real estate agent called me to let me know that the house was ours. At ten percent less than asking! The universe must have decided we deserved some good luck.

...grand oaks, maples, and chestnuts muscle in on one another, flared in their autumn robes; a motley conflagration under the dazzling mid-October sun. We are in the middle of a beautiful nowhere, digging into sprawling hinterlands, into territories of wild earth. The rolling, winding roads away from Bangor took us through towns with names like Charleston, Dover-Foxcroft, Monson, and Shirley, all with their own quaint, beautifully cinematic set dressing. It was like each was curated from grange hall flea markets and movie sets rife with small-town Americana. Stoic stone war memorials. American flags. Whitewashed, chipping town hall buildings from other centuries. Church bell towers in the actual process of tolling, gonging, calling. To me, the sound was ominous in a remote sort of way, unnamable.

UNCONVENTIONAL DESTINATION WEDDING LOCALES Destination Wedding Jan 6 This wedding season, fall in love with endearing unconventional destination wedding locales Theme Weavers Designs Since all the travel restrictions have been lifted, destination weddings are back in vogue. However, the pandemic has led to a major paradigm shift. In this case, Indian couples are looking into hidden gems to take on as their wedding destination, instead of opting for an international location. With the rich cultural heritage and a myriad of local traditions, it has been observed by industry insiders that couples feel closer to their past and history after getting married in a regional wedding destination. At the same time, it is a very cumbersome task to find the perfect wedding destination - it has to be perfectly balanced in terms of the services it offers as well as having breathtaking views. This wedding season, choose something offbeat, by opting for an unexplored destination, that is both visually appealing and has a romantic vibe to them. Start off your wedding journey with an auspicious location. Rishikesh, on the banks of the holy river Ganges is one of the most sacred places a couple can tie the knot. This tiny town’s interesting traditions, picturesque locales, and ancient customs make this one of the most underrated places to get married in india. Perfect for a riverside wedding in extravagant outdoor tents, this wedding season, it is high time Rishikesh gets the hype it deserves. “The Glasshouse on the Ganges,” is one of the most stunning places to get married. While becoming informed travellers, this place is interred with a vast and vibrant cultural history. It offers an extremely unique experience as it revitalises ruined architectural wonders for the couple to tour or get married in, making it a heartwarming and wonderful experience for all those who are involved. Steep your wedding party in the lap of nature, in Naukuchiatal, Nainital, Uttarakhand. This place is commonly referred to as “treasure of natural beauty,” where it offers mesmerising natural spectacles for a couple to get married in a gorgeous outdoor ceremony. Away from the hustle and bustle of the urban jungles that have slowly been taking over the Indian subcontinent, this location provides a much needed breath of fresh air. This location also provides much needed reprieve from the fast paced lifestyle that we live, making a wedding a truly relaxing affair. As this is a quaint hill station, surrounded with lush greens, there are numerous ideas to create a natural and sustainable wedding. The most distinguishing feature of this location is the nine-cornered lake, situated 1,220 m above sea level. There is something classic and timeless about the Kerala backwaters. This location is enriching and chock full of unique cultural traditions. With spectacular and awe-inspiring views of the backwaters, Kumarakom in Kerala easily qualifies as one of the top wedding destinations in india. Just like Naukuchiatal, this space is a study in serenity, where it is far away from the noisy streets and bazaars. Perfect for a cozy and intimate wedding, the Kerala backwaters are a gorgeous choice for couples who are opting for a socially distant wedding, along with having a lot of indigenous flora and fauna. Punctuated with the salty sea and the sultry air, the backwaters in Kerala are an underrated gem that presents couples with a unique wedding location that is perfect for a historical and regal wedding. The beaches of Goa and the forts of Rajasthan are a classic for a reason, but at the same time, they can get boring. Couples have been exploring more underrated wedding locations in order to experience the diverse local cultures of India that can also host their weddings

Certainly picturesque towns can be found in New England or California or the Pacific Northwest, but I can’t shake the sense that they’re too picturesque. On the East Coast, especially, these places—Princeton, New Jersey, say, or Farmington, Connecticut—seem to me aggressively quaint, unbecomingly smug, and even xenophobic, downright paranoid in their wariness of those who might somehow infringe upon the local charm.

Deep blue water and emerald green islands capped by evergreen forests. Rocky bays and serene white ferries chugging past pods of orcas. A tiny town of quaint clapboard buildings painted in a rainbow of hues. A harbor clogged with bobbing sailboats. It looked idyllic, soaked in natural beauty. Serene. It was a world away from Paris, or Texas, for that matter. Georgia took the phone and studied the photos, mesmerized. She'd never seen anything like it. She felt a longing tug in her chest, something she couldn't quite articulate. Something was calling to her there. She had to go. Phoebe took her phone back and read avidly for a few minutes. "It says here that San Juan Island is known for pods of orcas, kayaking, a lavender farm, cidery, vineyard, shellfish farm, restaurants with Pacific Northwest cuisine, and farmers markets.

I packed our bags and headed to the Hudson Valley to escape the tourists and browse all of the delightful little bookstores nestled in quaint towns, and we returned just as the city emptied again, and life spun on.

RIVER QUAY In Kansas City, if one were to bring up the topic of River Quay (pronounced “River Key”), that conversation would no doubt evolve into a conversation about River Market. Today, River Market is a hip-and-trendy neighborhood in Kansas City, Missouri. Located just south of the Missouri River. Adorning River Market’s quaint neighborhood feel, you’ll find chic eateries. Coupled to an urban lifestyle. Complete with a streetcar. A stone’s throw to the west of Christopher S. Bond Bridge. That’s today. Today’s River Market. Yesterday’s River Quay. In 1971, Marion Trozzolo - then, a Rockhurst University professor - began renovating historic buildings alongside the “Big Muddy” in a section of Kansas City that we now know to be River Market. It was Professor Trozzolo who came up with the River Quay nickname. Trozzolo’s idea for River Quay? For River Quay to undergo a thorough, artsy-remake. Into a Kansas City-styled French Quarter. A neighborhood comparable to Chicago’s Old Town. To San Francisco’s Ghirardelli Square. Trozzolo envisioned a family-friendly environ for River Quay. Unfortunately, the latter half of the ‘70’s was a rough time for this neighborhood next to the muddy Missouri. The word Quay? It's a word of French origin. The translation for Quay? Loading platform. Or wharf. Did River Quay ever become a Kansas City French Quarter? Did River Quay ever become a Kansas City Old Town? Did River Quay ever become a Kansas City Ghirardelli Square? Hardly. By the late ‘70’s, revitalization efforts in River Quay had stalled. Leaving River Quay saddled with boarded up buildings. Deserted through-streets. A neighborhood, with no vibrancy. Streets, with no traffic. Sidewalks, with no passers-by. By the late ‘70’s, developers were walking away from unfinished River Quay projects. Whereas River Quay had once - not long before - been primed for a grandiose new identity. One which bespoke of a rebirth for this neighborhood. A transition. From blight. To that of an entertainment district. Yet by the late ‘70’s, River Quay was not on its way to becoming Kansas City’s French Quarter. By the late ‘70’s, you’d still find an X-rated theatre in River Quay. With mob ties. Homeless, sleeping next to decrepit River Quay buildings. Empty River Quay buildings which had once been fancied as prime renovation opportunities. Projects, sadly cast aside and forgotten. In River Quay.  In the late 1970’s? Well, at that time, River Quay was as an unfinished idea. Full of unrealized potential. Full of unrealized promise. Disappointing, no doubt. Yet today, on those same grounds, alongside the Missouri River, we have Kansas City’s stunning River Market. A great idea. Then a detour. Yet, a happy ending - and a nice story, with a unique history- in Kansas City.

Gulmarg in December is a winter wonderland nestled in the heart of the Indian Himalayas. As the first snowflakes blanket the landscape, the entire region transforms into a picturesque paradise. The quaint town of Gulmarg becomes a hub for snow enthusiasts, offering a myriad of activities such as skiing, snowboarding, and snowshoeing. The Gulmarg Gondola, one of the highest cable cars in the world, provides breathtaking views of the snow-capped peaks. Adventure-seekers can also explore the pristine forests on snowmobiles or enjoy a serene horse-drawn sledge ride. The cozy hotels and cottages offer warm hospitality and delicious Kashmiri cuisine, making Gulmarg in December an idyllic destination for a winter getaway amidst nature's splendor. click here to book now-

river rippling behind the tree line, and the rich purples and deep oranges of the random wildflowers that had sprouted up all around, were absolutely stunning. To her, being in Hope Falls felt like she had been transported into a Thomas Kincaid painting. The entire town was postcard perfect. She didn’t miss the fact that she was one lucky girl getting to spend a significant amount of time here. That luck, however, was not translating to her house-hunting efforts. In fact, the apartment above Sue Ann’s Café was looking more and more appealing. After seeing six properties, Lily had come to the conclusion that settling was most likely her only option. Four out of the six properties Lauren had shown her had had everything that Lily needed. Space, hardwood floors, updated appliances. But they also all had one thing in common—they were totally secluded. She had been nervous just being at the properties and she’d been with Lauren the entire time. She couldn’t imagine what she would have felt like being out there alone. Which, logically, Lily knew was a completely ridiculous reaction. Whether or not there is a neighbor for a mile should have no relevance in Lily’s house hunt. But…it did. Maybe next year it wouldn’t, Lily thought to herself, trying to put a positive spin on her neurosis. “Okay, I think this one might be the one,” Lauren said confidently. Lily felt the car coming to a stop, and she looked up, squinting in the sun, to see a quaint cottage-style house.

Lex struggled to take it all in. She had never seen a bank that looked as though it could double as a summer home. Nor could she conceive of a place that didn’t seem to have a single traffic light. And the quaint, nostalgic street sign labeled Dead End rather than Main Street only confirmed her suspicions that the town had surely lost its quaint, nostalgic marbles.

SEASIDE WAS A small community of one-, two-, and three-bedroom cottages, most of which had been owned by the same families for decades. Leanna’s grandfather had purchased their cottage before she was born. Her family had spent a few weeks each summer at the cottage, and during their visits, her parents kept them on the go. Between afternoons at the beach, walking through quaint nearby towns, and evening family-oriented concerts, it left little downtime, and the downtime they’d enjoyed had been spent at Seaside. She was glad for the friendships she’d fostered in the community and even more pleased that they’d lasted this long. She couldn’t imagine her summers without her Seaside friends.

We pass under a sign that declares WELCOME TO PIXLEY’S HIDDEN MAGICAL VILLAGE, ESTABLISHED IN 1875. I roll down the window, staring at this new world. At this hour, only a few people are strolling on the sidewalks. It’s a typical small town, with one main road that runs through, with shops and quaint restaurants. But it’s magical. Each shop looks like a world of its own, with stately brick fronts or sleek glass minimalistic buildings or quirky cottages in a rainbow of colors. And the signs take my breath away: ELIXIRS OF EUPHORIA MYSTIC HAHN’S HAVEN FOR THE OCCULT SARAH AND SUE-O’S SCONES AND SWEETS QUILL TREE FOX ART GALLERY LEON THE LION’S TOY EMPORIUM

Shit Cafés I started avoiding beautiful places as they attracted people. Too many people: The seaside Botanic gardens Quaint country towns... So, I started going to shit cafes, sat in back alleyways. Until the shit cafés closed down because no one was going

These things happen to poor people who live in exposed areas. Society is set up in such a way that it’s the poor and the uneducated who suffer the main impact of natural and man-made disasters. People in low-lying areas get the floods, people in shanties get the hurricanes and tornados. I’m a college professor. Did you ever see a college professor rowing a boat down his own street in one of those TV floods? We live in a neat and pleasant town near a college with a quaint name. These things don’t happen in places like Blacksmith.

Small towns in remote corners of the world are really quaint, unless you don’t fit into them. Then they’re just small.

Whenever you see a commercial for Mexico, they never show this part,” Mike groused. “They always show these beautiful white-sand beaches, and quaint little towns, and fiestas full of happy people. They never show jungles and crocodiles and”—he paused to smack an insect on his arm—“clouds of mosquitoes. I want to be in the Mexico in the commercials. Not this one.” “There are much worse parts of Mexico than this,” Erica pointed out. “If we’d gone down in one of the southern deserts, we probably would have fried to death by now. At least here, there’s shade and water.” “I suppose,” Mike said, then added under his breath, “though this still stinks.” I didn’t argue with him, as I was in complete agreement.

The motors of the Flying Express diminished to a low purr and the hull sank gradually until it hit the water, moving forward in the manner of an ordinary boat. Through the loudspeaker boomed the voice of the pilot: “Ladies and gentlemen, we are about to dock at Providence! Watch your step going ashore.” The Hardys and their friends filed onto the dock, and walked up into the quaint town with its gray-shingled houses. Souvenir shops and seafood restaurants lined the main street. Tourists milled around and mingled with the denizens of the Cape Cutlass artists’ colony—good-looking girls in slacks with wind-blown hair and suntanned men wearing beards and sandals.

Growing up in Orangeville, Ontario, a quaint, historic town about an hour outside of Toronto, we might have seemed like the picture of normalcy. If two out of the three of us were autistic, well, that was just part of our normal, too. Frankly, I’m not surprised that my little brother and I ended up on the spectrum. Our folks are both neurotypical, but if you smooshed their quirks together, you could see how they would produce an autistic child.

Different regions evoke different images in the minds of high school students, often depending on where they grew up. In the age of cyberspace, college is still synonymous with a quaint New England town featuring the traditional red brick, white columns, and ivy all around. That enduring mental picture combines with the seemingly inborn cultural snobbery of the East Coast to produce millions of students who think that civilization ends at the western edge of Pennsylvania—if not the Hudson River. For Midwesterners, the situation is just the opposite: a century-old cultural inferiority complex. Many applicants from those states will do anything to get the heck out, even though there are more good colleges per capita in states like Iowa, Minnesota, and Ohio than anywhere else in the nation. The West Coast fades in and out as a trendy place for college, depending on earthquakes, the regional economy, and the overcrowding and tuition increases that plague the University of California system. Among those seeking warmer weather, the South has become a popular place, especially since Southerners themselves are more likely to stay close to home. Collective perceptions of the various regions have some practical consequences. First, most of the elite schools in the Northeast are more selective than ever. In addition, a lot of mediocre schools in the Northeast, notably Boston, are being deluged with applicants simply because they are lucky enough to be in a hot location. In the Midwest, many equally good or superior schools are much less difficult to get into, especially the fine liberal arts colleges in Ohio. In the South, the booming popularity of some schools is out of proportion to their quality. The weather may be nice and the football top-notch, but students who come from far away should be prepared for culture shock.

Mile after mile raced beneath the wheels of the convertible as it steadily neared the old battlefield named for the stream Rocky Run. Late in the afternoon they drove through the little town of Centerville. The main street, paved with red brick, was flanked by two rows of huge live oak trees. Behind them, quaint old houses stood in the shade of spreading magnolias. Farther on, the street led to a square, along which sprawled a handful of stores, a small stately courthouse, and a tall-pillared hotel. A solitary, bewhiskered man sat on the porch of the hostelry, smoking a pipe and rocking. “Looks mighty sleepy around here,” Chet remarked. “I think I’m going to fit right in with this life!” “A peaceful old town,” the general replied, smiling. “My place is a quarter mile down the road.

Your fear of change is palpable. You hide all the turmoil and pain of your past life inside of you: the loss of your mother; whatever happened in the war; the boarding schools. And Paddy and Mrs. Moore. And now here you are, at peace in your Garden of Eden with your brother and your acreage and your students and your Inklings and your friends and your quaint town. All these things both inspire and protect you. But a change might be in order. Not a change that disrupts, but one that expands.” I paused. “Let new things touch your soul.

David knew of a wonderful bicycle ride that he said we must take. We would follow Route 28, pass through La Union, Chamberino, La Mesa, and eventually reach La Mesilla in New Mexico, a quaint but touristy town, a miniature Santa Fe, a stop on the Camino Real.

Although Davos has a reputation as an exclusive resort, I was surprised to discover that it wasn’t fancy at all. The town has an almost industrial and utilitarian feel. It’s one of the most populated towns in the Swiss Alps and is lined with large, functional apartment blocks that look more like public housing than something you’d expect in a quaint Swiss ski resort.

And of course walking through the quaint, sun-drenched town, the historic buildings—by law none were allowed to be more than two stories tall, because anything higher might impede a neighbor’s view of the sunset—each painted a different shade of pink or blue or yellow, stopping for ice cream or groceries at the locally owned shops.

The 68-page first issue of Calling All Girls contained four comic stories—an 8-pager on Queen Elizabeth (the mother of the current queen); a 9-pager on famed author Osa Johnson, “the famed jungle adventuress,” as the story so quaintly dubbed her; a fictional 7-pager on Judy Wing, Air Hostess No. 1 (aviation themes were huge in the early years of comics, just as they were in all of popular culture); and a fictional 8-pager on the teenage adventures of the Yorktown Younger Set, which “lives in a town like yours. The other half of the first issue contained text stories of a wide variety, with an astonishing amount of reading material for the teen girl’s dime. There was a 4-page story devoted to Connie Martin, a Nancy Drew knockoff; a 4-pager devoted to circus girls; a 3-pager on Gloria Jean herself; a 3-pager by publisher George Hecht on “13 ways girls can help in the national defense”; a 2-pager on manners; a 3-pager by best-selling sports novelist John R. Tunis on women in sports; a 2-pager on grooming; a 4-pager on a fictional female boater; a 2-pager on films; a 2-pager on fashion, with delightful drawings; a page on fashion accessories; and a 2-pager on cooking, by the famed food writer Cecily Brownstone. This issue gave girls an awful lot of reading, some of it inspirational and showing they could be more than “just a girl,” as the boys in Tubby’s clubhouse used to call Little Lulu and her friends a decade later in their Dell Comics adventures. The most intriguing aspect of Calling All Girls is that it approached schoolgirls not as boy-crazy or male-dependent, but as interesting individuals in their own right. The ensuing issues of Calling All Girls expanded on this theme. This was definitely a mini “feminist manifesto” for teens!

A peeling sign appeared from behind an untrimmed hedge. Bertha Mountain Bed and Breakfast. The cross-timbered cabin had a quaint, storybook quality, with overhanging eaves and deeply recessed windows. Like the rest of the town, it was a place out of time, a half-step behind the busy pace of the world.

Discharging cargo in the ports along the coast of South Africa went faster than loading it, but from Durban up to Dar es Salaam, hoping to save a little time not to mention port costs, we frequently did both at the same time, in these quaint little harbors along the coast, By now some of these ports had become old hat to me and so I volunteered to stay aboard. This way I could make some overtime pay by covering for some of the other mates, who wanted to go ashore. When we finally got to Dar es Salaam and I was informed that we would be there for a few days, I took advantage of the situation and finally went ashore. One of my favorite places in this British owned, colonial town was the “New Africa Hotel.“ It had an open air courtyard in the middle of the building, with wild monkeys swinging through the trees making loud blood curdling noises. Although the rooms were not air-conditioned, they were open to a constant breeze coming in off the Indian Ocean. In the 1950’s, all of the beds had mosquito netting to keep the pesky winged vampires out and to prevent getting malaria; which most of us got anyway.

It’s quaint in a strange kind of way, like a post-apocalyptic frontier town.

Rows of brick buildings line either side of the street. I can't make out the signs in their windows, but it looks exactly like the dozens of small towns I visited with my father. Quaint and charming, with maybe a hint of murder.

There was a quaintness to the town, as if it had been stopped in time around the turn of the century. It was the sort of place about which politicians liked to wax nostalgic and hold up as a symbol of all that was American, everything the country was in danger of losing.

The quaint seaside town of Dream Harbor and its inhabitants knew nothing about her, and she planned to take full advantage of that.

Read whatever you like, books about railroads or by Real Housewives, romances set in quaint New England towns in the fall, mysteries in which Queen Elizabeth II somehow stops a murder in between the whole being-queen thing. Tom Clancy. Danielle Steele. Whatever. Just keep reading.

Clarksville is the county seat of Red River County, located about fifteen minutes from Bogata. Tourist blogs and websites describe it as a quaint town with an authentic Old South feel, and that’s about right. Of course, for Black people, the Old South is nowhere you want to visit. A statue of a lone Confederate general towers over the Clarksville town center. To hear my grandpa tell it, the general was built looking sternly over at the Black side of town as a warning regarding where the town’s heart lies. As if there were any question.

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