Q Single Quotes

I'm tired of living unable to love anyone. I don't have a single friend - not one. And, worst of all, I can't even love myself. Why is that? Why can't I love myself? It's because I can't love anyone else. A person learns how to love himself through the simple acts of loving and being loved by someone else. Do you understand what I am saying? A person who is incapable of loving another cannot properly love himself.

You like to write. It's the single most important quality for someone who wants to be a writer. But not in itself enough.

How many times have you said, 'This is it. I've finally found my one true love'? And how many times has the reality turned out differently? Paperback romances and fairy tales promote an ideal of a first and only love, but few of us can claim to have had such uncomplicated good fortune. For most people, the process of finding the perfect partner is one trial and error: breakups, makeups, missed opportunities and misunderstandings. Human love is a fragile creation, and sometimes the smallest thing - the wrong choice of words or a single clumsy gesture - can make love shatter, stall or fade away.

Q: What were you thinking when your colleagues were out there making cosmic history? A: I just kept reminding myself that every single component in this spacecraft was provided by the guy who submitted the cheapest tender.

The world is getting weirder. Darker every single day. Things are spinning around faster and faster, and threatening to go completely awry. Falcons and falconers. The center cannot hold. But in my corner of the country, I'm trying to nail things down. I don't want to live in Victor's jungle, even if it did eventually devour him. I don't want to live in a world where the strong rule and the weak cower. I'd rather make a place where things are a little quieter. Where trolls stay the hell under their bridges and where elves don't come swooping out to snatch children from their cradles. Where vampires respect the limits, and where the faeries mind their p's and q's. My name is Harry Blackstone Copperfield Dresden. Conjure by it at your own risk. When things get strange, when what goes bump in the night flicks on the lights, when no one else can help you, give me a call. I'm in the book.

Q. But it seems to me there are circumstances that simply induce one to have negative emotions! A. This is one of the worst illusions we have. We think that negative emotions are produced by circumstances, whereas all negative emotions are in us, inside us. This is a very important point. We always think our negative emotions are produced by the fault of other people or by the fault of circumstances. We always think that. Our negative emotions are in ourselves and are produced by ourselves. There is absolutely not a single unavoidable reason why somebody else's action or some circumstance should produce a negative emotion in me. It is only my weakness. No negative emotion can be produced by external causes if we do not want it. We have negative emotions because we permit them, justify them, explain them by external causes, and in this way we do not struggle with them.

The role of a story was, in the broadest terms, to transpose a single problem into another form. ... It was like a piece of paper bearing the indecipherable text of a magic spell.

Of course, reading novels was just another form of escape. As soon as he closed their pages he had to come back to the real world. But at some point Tengo noticed that returning to reality from the world of a novel was not as devastating a blow as returning from the world of mathematics. Why should that have been? After much deep thought, he reached a conclusion. No matter how clear the relationships of things might become in the forest of story, there was never a clear-cut solution. That was how it differed from math. The role of a story was, in the broadest terms, to transpose a single problem into another form. Depending on the nature and direction of the problem, a solution could be suggested in the narrative. Tengo would return to the real world with that suggestion in hand. It was like a piece of paper bearing the indecipherable text of a magic spell. At times it lacked coherence and served no immediate practical purpose. But it would contain a possibility. Someday he might be able to decipher the spell. That possibility would gently warm his heart from within.

Don't give in to a single temptation. For every time you do, you strengthen the chain of bad habits. Every time you keep a resolution, you break the chain that enslaves you.

Grasping the doorknob, Tengo turned around one last time and was shocked to see a single tear running down from his father's eye. It shone a dull silver color under the ceiling's fluorescent light. To release that tear, his father must have squeezed every bit of strength from what little emotion he still had left.

He didn't seem to have suffered. His face looked very peaceful. It was like - a windless day at the end of autumn, when a single leaf falls from a tree. But maybe that's not a good way to put it.

Q: No purposeful action is then possible? M: All I say is that consciousness contains all. In consciousness all is possible. You can have causes if you want them, in your world. Another may be content with a single cause — God’s will. The root cause is one: the sense ‘I am’.

Rosen explains as follows: “Hearing a succession of mediocre singers does not add up to a single outstanding performance.” In other words, talent is not a commodity you can buy in bulk and combine to reach the needed levels: There’s a premium to being the best. Therefore, if you’re in a marketplace where the consumer has access to all performers, and everyone’s q value is clear, the consumer will choose the very best.

I’m tired of living in hatred and resentment. I’m tired of living unable to love anyone. I don’t have a single friend—not one. And, worst of all, I can’t even love myself. Why is that? Why can’t I love myself? It’s because I can’t love anyone else. A person learns how to love himself through the simple acts of loving and being loved by someone else. Do you understand what I am saying? A person who is incapable of loving another cannot properly love himself. No, I’m not blaming you for this. Come to think of it, you may be such a victim. You probably don’t know how to love yourself. Am I wrong about that?

The last time I was this scared I had to sleep in Mommy’s room.” Ben chuckles. “Q, if I were you, I would get that scared Every. Single. Night.

perhaps most vital article of clothing—a visor so enormous that there is no way that a single ray of freckle-causing, wrinkle-making sunlight could snake its way onto her face.

You like to write. I value that in you. It's the single most important quality for somebody who wants to be a writer.

was like—a windless day at the end of autumn, when a single leaf falls from a tree.

She liked the fact that he had not chosen Chivas Regal or some sophisticated single malt. It was her personal view that people who are overly choosy about the drinks they order in a bar tend to be sexually bland.

I really can’t say, though he didn’t seem to have suffered. His face looked very peaceful. It was like—a windless day at the end of autumn, when a single leaf falls from a tree. But maybe that’s not a good way to put it.

It’s a loud, low, throaty groan that makes every single one of my hairs stand on end. The goosebumps are almost painful as they appear all over my arms and legs and I can’t escape the tingle between my legs that feels like someone has set a fire.

Advice? Fail constantly. Because the word doesn't mean what you think it means, especially when you're an artist. I use the word artist to mean everything from songwriting to writing a novel to even writing video games. Anything that tells a story, which is almost any medium. Gotta take risks, you gotta go through multiple drafts which means you have to FAIL, a lot. So you won't always get the reaction you always want from every single person, so when you lose that fear of failure, when you stop even thinking of it as failure, and you push yourself farther, you'll take bigger risks, and eventually, after about six or seven hundred rejections, you'll find success. And you'll find a way of conveying what you really want to say, in the best manner.

Say my name with hints of longing and hunger. I'd like to hear the desire in your voice scraping against the walls, messing up the sheets of my bed, scratching on my skin. Caress every single letter of me like you‘re making love to me. I want to be owned by you.

The role of a story was, in the broadest terms, to transpose a single problem into another form. Depending on the nature and direction of the problem, a solution could be suggested in the narrative. Tengo would return to the real world with that suggestion in hand. It was like a piece of paper bearing the indecipherable text of a magic spell.

I’ve been operating according to the idea that it is almost impossible to let go of mental patterns that operate unconsciously and that I have to know such a pattern of thinking first in order to let go of it and abide in my true nature. Leave all those mental habits and patterns alone. The self that is apparently operating, that seems to know these patterns and that would ‘let go of them’ is itself simply one such pattern. These patterns of thinking and feeling have taken their shape, over the years, from the belief that we are a separate self, without our making any particular effort. In just the same way, as our experiential conviction that we are not a limited, located self deepens, so our thoughts, feelings and subsequent behaviour will slowly, effortlessly and naturally realign themselves with this new understanding. In order to know our self we do not need to know the mind. No other knowledge than the knowledge that is present right now in this very moment is required to know our self. What does it mean to know our self? We are our self, so we are too close to our self to be able to know our self as an object. Our simply being our self is as close to knowing our self as we will ever come. We cannot get closer than that. In fact, being our self is the knowing of our self, but it is not the knowing of our self as an object. To say ‘I am’, (in other words to assert that we are present), we must know that ‘I am’. Being and knowing are, in fact, one single non-objective experience. But we do not step outside of our self in order to know our own being. We simply are our self. That being of our self is the knowing of our self. This being/knowing is shining in all experience. This experiential understanding dissolves the idea that our self is not present here and now and that it is not known here and now. And when our desire to know or find ourselves as an object is withdrawn, we discover that our own self was and is present all along, shining quietly in the background, as it were, of all experience. As this becomes obvious we discover that it is not just the background but also the foreground. In other words, it is not just the witness but simultaneously the substance of all experience. Completely relax the desire to find yourself as an object or to change your experience in any way. Relax into this present knowing of your own being. See that it is intimate, familiar and loving. See clearly that it is never not with you. It is shining here in this experience, knowing and loving its own being. It runs throughout all experience, closer than close, intimately one with all experience but untouched by it. As this intimate oneness, it is known as love. In its untouchable-ness it is known as peace and in its fullness it is known as happiness. In its openness and willingness to give itself to any possible shape (including the apparent veiling of its own being), it is known as freedom and, as the substance of all things, it is known as beauty. However, more simply it is known just as ‘I’ or ‘this’. Who Is? Q: All these questions about consciousness

Cronkite would flip-flop on the question over whether he was in any way responsible for LBJ’s surprise March announcement. His most succinct answer occurred in a Q&A with Richard Snow of American Heritage. “I don’t feel that a journalist’s influence is so great that you can change the course of human events by a single broadcast,” he said. “Whether it’s a president’s decision to act or not act, it doesn’t work that way. It’s just one more straw.

Blurring the line between possible and impossible, linear and non-linear time, fiction and reality, fate and free will, 1Q84 is both a metaphysical mind-teaser and a fast-paced thriller where the stakes for Tengo and Aomame couldn’t be any higher. Murakami’s most ambitious novel to date, 1Q84 is also an extraordinary love story, a story about the power of a single moment of deep connection to transcend time and space—and justify even the greatest of risks.

Q: What is nirvana and do many people attain it? Lama: When you develop your powers of concentration such that you can integrate your mind into single-pointed concentration, you will gradually diminish your ego’s emotional reactions until they disappear altogether. At that point, you transcend your ego and discover an everlasting, blissful, peaceful state of mind. That is what we call nirvana. Many people have attained this state and many more are well on their way to it.

The role of a story was, in the broadest terms, to transpose a single problem into another form. Depending on the nature and direction of the problem, a solution could be suggested in the narrative. Tengo would return to the real world with that suggestion in hand. It was like a piece of paper bearing the indecipherable text of a magic spell. At times it lacked coherence and served no immediate practical purpose. But it would contain a possibility. Someday he might be able to decipher the spell. That possibility would gently warm his heart from within.

This is how it differed from math. The role of a story was, in the broadest terms, to transpose a single problem into another form. Depending on the nature and direction of the problem, a solution could be suggested in the narrative. Tengo would return to the real world with that suggestion in hand. It was like a piece of paper bearing the indecipherable text of a magic spell. At times it lacked coherence and served no immediate practical purpose. But it would contain a possibility. Someday he might be able to decipher the spell. That possibility would gently warm his heart from within.

I'm tired of living in hatred and resentment. I'm tired of living unable to love anyone. I don't have a single friend - not one. And, worst of all, I can't even love myself. Why is that? Why can't I love myself? It's because I can't love anyone else. A person learns how to love himself through the simple acts of loving and being loved by someone else. Do you understand what I am saying? A person who is incapable of loving another cannot properly love himself. No, I'm not blaming you for this. Come to think of it, you may be such a victim. You probably don't know how to love yourself. Am I wrong about that?

Assume that P is a second-species infinite point-set. Cantor shows that P's first derived set, P', can be "decomposed" or broken down into the union of two different subsets, Q and R, where Q is the set of all points belonging to first-species derived sets of P', and R is the set of all points that are contained in every single derived set of P', meaning R is the set of just those points that all the derived sets of P' have in common. Why not take a second and read that last sentence over again. R is the important part, and it's actually how Cantor first defines 'intersection' for sets, here via the infinite sequence of derived sets P', P'', P''',...(the sequence being infinite because P is a second-species-set).

In a seminal 1981 paper, the economist Sherwin Rosen worked out the mathematics behind these “winner-take-all” markets. One of his key insights was to explicitly model talent—labeled, innocuously, with the variable q in his formulas—as a factor with “imperfect substitution,” which Rosen explains as follows: “Hearing a succession of mediocre singers does not add up to a single outstanding performance.” In other words, talent is not a commodity you can buy in bulk and combine to reach the needed levels: There’s a premium to being the best. Therefore, if you’re in a marketplace where the consumer has access to all performers, and everyone’s q value is clear, the consumer will choose the very best. Even if the talent advantage of the best is small compared to the next rung down on the skill ladder, the superstars still win the bulk of the market.

We tried a number of single-threaded efforts to meet the challenge. We rolled out features one after another, such as a recommendation engine for people that our users should meet and a professional Q&A service. None of them worked well enough to solve the problem. We concluded that the problem might require a Swiss Army knife approach with multiple use cases for multiple groups of users. After all, some people might want a news feed, some might want to track their career progress, and some might be keen on continuing education. Fortunately, LinkedIn had grown to the point where the organization could support multiple threads. We reorganized the product team so that each director of product could focus on a different approach to address engagement. Even though none of those efforts alone proved a silver bullet, the overall combination of them significantly improved user engagement.

(BDO) October 22: The Dollar Squeeze A debt is a short cash position—i.e., a commitment to deliver cash that one doesn’t have. Because the dollar is the world’s reserve currency, and because of the dollar surplus recycling that has taken place over the past few years…lots of dollar denominated debt has been built up around the world. So, as dollar liquidity has become tight, there has been a dollar squeeze. This squeeze…is hitting dollar-indebted emerging markets (particularly those of commodity exporters) and is supporting the dollar. When this short squeeze ends, which will happen when either the debtors default or get the liquidity to prevent their default, the US dollar will decline. Until then, we expect to remain long the USD against the euro and emerging market currencies. The actual price of anything is always equal to the amount of spending on the item being exchanged divided by the quantity of the item being sold (i.e., P = $/Q), so a) knowing who is spending and who is selling what quantity (and ideally why) is the ideal way to get at the price at any time, and b) prices don’t always react to changes in fundamentals as they happen in the ways characterized by those who seek to explain price movements in connection with unfolding news. During this period, volatility remained extremely high for reasons that had nothing to do with fundamentals and everything to do with who was getting in and out of positions for various reasons—like being squeezed, no longer being squeezed, rebalancing portfolios, etc. For example, on Tuesday, October 28, the S&P gained more than 10 percent and the next day it fell by 1.1 percent when the Fed cut interest rates by another 50 basis points. Closing the month, the S&P was down 17 percent—the largest single-month drop since October 1987.

Do Not Be Anxious 25 e “Therefore I tell you,  f do not be anxious about your life, what you will eat or what you will drink, nor about your body, what you will put on. Is not life more than food, and the body more than clothing? 26 g Look at the birds of the air: they neither sow nor reap nor gather into barns, and yet your heavenly Father feeds them.  h Are you not of more value than they? 27And which of you by being anxious can add a single hour to his  i span of life? [7] 28And why are you anxious about clothing? Consider the lilies of the field, how they grow: they neither toil nor spin, 29yet I tell you,  j even Solomon in all his glory was not arrayed like one of these. 30But if God so clothes the grass of the field, which today is alive and tomorrow is thrown into the oven, will he not much more clothe you,  k O you of little faith? 31Therefore do not be anxious, saying, ‘What shall we eat?’ or ‘What shall we drink?’ or ‘What shall we wear?’ 32For  l the Gentiles seek after all these things, and  m your heavenly Father knows that you need them all. 33But  n seek first  o the kingdom of God and his righteousness,  p and all these things will be added to you. 34 q “Therefore do not be anxious about tomorrow, for tomorrow will be anxious for itself. Sufficient for the day is its own trouble.

They taught him how to milk cows and now they expected him to tame lions. Perhaps they expected him to behave like all good lion tamers. Use a whip and a chair. But what happens to the best lion tamer when he puts down his whip and his chair. Goddamnit! It was wrong. He felt cheated, he felt almost violated. He felt cheated for himself, and he felt cheated for guys like Joshua Edwards who wanted to teach and who didn’t know how to teach because he’d been pumped full of manure and theoretical hogwash. Why hadn’t anyone told them, in plain, frank English, just what to do? Couldn’t someone, somewhere along the line, have told them? Not one single college instructor? Not someone from the board of Ed, someone to orientate them after they’d passed the emergency exam? Not anyone? Now one sonofabitch somewhere who gave a good goddamn? Not even Stanley? Not even Small? Did they have to figure it out for themselves, sink and swim, kill or be killed? Rick had never been told how to stop in his class. He’d never been told what to do with a second term student who doesn’t even know how to write down his own goddamn name on a sheet of paper. He didn’t know, he’d never been advised on the proper tactics for dealing with a boy whose I.Q. was 66, a big, fat, round, moronic 66. He hadn’t been taught about kids’ yelling out in class, not one kid, not the occasional “difficult child” the ed courses had loftily philosophized about, not him. But a whole goddamn, shouting, screaming class load of them all yelling their sonofbitching heads off. What do you do with a kid who can’t read even though he’s fifteen years old? Recommend him for special reading classes, sure. And what do you do when those special reading classes are loaded to the asshole, packed because there are kids who can’t read in abundance, and you have to take only those who can’t read the worst, dumping them onto a teacher who’s already overloaded and those who doesn’t want to teach a remedial class to begin with? And what do you with that poor ignorant jerk? Do you call him on class, knowing damn well he hasn’t read the assignment because he doesn’t know how to read? Or do you ignore him? Or do you ask him to stop by after school, knowing he would prefer playing stickball to learning how to read. And knowing he considers himself liberated the moment the bell sounds at the end of the eighth period. What do you do when you’ve explained something patiently and fully, explained it just the way you were taught to explain in your education courses, explained in minute detail, and you look out at your class and see that stretching, vacant wall of blank, blank faces and you know nothing has penetrated, not a goddamn thing has sunk in? What do you do then? Give them all board erasers to clean. What do you do when you call on a kid and ask “What did that last passage mean?”and the kid stands there without any idea of what the passage meant , and you know that he’s not alone, you know every other kid in the class hasn’t the faintest idea either? What the hell do you do then? Do you go home and browse through the philosophy of education books the G.I bill generously provided. Do you scratch your ugly head and seek enlightenment from the educational psychology texts? Do you consult Dewey? And who the hell do you condemn, just who? Do you condemn elementary schools for sending a kid on to high school without knowing how to read, without knowing how to write his own name on a piece of paper? Do you condemn the masterminds who plot the education systems of a nation, or a state or a city?

In order for A to apply to computations generally, we shall need a way of coding all the different computations C(n) so that A can use this coding for its action. All the possible different computations C can in fact be listed, say as C0, C1, C2, C3, C4, C5,..., and we can refer to Cq as the qth computation. When such a computation is applied to a particular number n, we shall write C0(n), C1(n), C2(n), C3(n), C4(n), C5(n),.... We can take this ordering as being given, say, as some kind of numerical ordering of computer programs. (To be explicit, we could, if desired, take this ordering as being provided by the Turing-machine numbering given in ENM, so that then the computation Cq(n) is the action of the qth Turing machine Tq acting on n.) One technical thing that is important here is that this listing is computable, i.e. there is a single computation Cx that gives us Cq when it is presented with q, or, more precisely, the computation Cx acts on the pair of numbers q, n (i.e. q followed by n) to give Cq(n). The procedure A can now be thought of as a particular computation that, when presented with the pair of numbers q,n, tries to ascertain that the computation Cq(n) will never ultimately halt. Thus, when the computation A terminates, we shall have a demonstration that Cq(n) does not halt. Although, as stated earlier, we are shortly going to try to imagine that A might be a formalization of all the procedures that are available to human mathematicians for validly deciding that computations never will halt, it is not at all necessary for us to think of A in this way just now. A is just any sound set of computational rules for ascertaining that some computations Cq(n) do not ever halt. Being dependent upon the two numbers q and n, the computation that A performs can be written A(q,n), and we have: (H) If A(q,n) stops, then Cq(n) does not stop. Now let us consider the particular statements (H) for which q is put equal to n. This may seem an odd thing to do, but it is perfectly legitimate. (This is the first step in the powerful 'diagonal slash', a procedure discovered by the highly original and influential nineteenth-century Danish/Russian/German mathematician Georg Cantor, central to the arguments of both Godel and Turing.) With q equal to n, we now have: (I) If A(n,n) stops, then Cn(n) does not stop. We now notice that A(n,n) depends upon just one number n, not two, so it must be one of the computations C0,C1,C2,C3,...(as applied to n), since this was supposed to be a listing of all the computations that can be performed on a single natural number n. Let us suppose that it is in fact Ck, so we have: (J) A(n,n) = Ck(n) Now examine the particular value n=k. (This is the second part of Cantor's diagonal slash!) We have, from (J), (K) A(k,k) = Ck(k) and, from (I), with n=k: (L) If A(k,k) stops, then Ck(k) does not stop. Substituting (K) in (L), we find: (M) If Ck(k) stops, then Ck(k) does not stop. From this, we must deduce that the computation Ck(k) does not in fact stop. (For if it did then it does not, according to (M)! But A(k,k) cannot stop either, since by (K), it is the same as Ck(k). Thus, our procedure A is incapable of ascertaining that this particular computation Ck(k) does not stop even though it does not. Moreover, if we know that A is sound, then we know that Ck(k) does not stop. Thus, we know something that A is unable to ascertain. It follows that A cannot encapsulate our understanding.

So, what did you want to watch?’ ‘Thought we might play a game instead,’ he said, holding up a familiar dark green box. ‘Found this on the bottom shelf of your DVD cupboard … if you tilt the glass, the champagne won’t froth like that.’ Neve finished pouring champagne into the 50p champagne flutes she’d got from the discount store and waited until Max had drunk a good half of his in two swift swallows. ‘The thing is, you might find it hard to believe but I can be very competitive and I have an astonishing vocabulary from years spent having no life and reading a lot – and well, if you play Scrabble with me, I’ll totally kick your arse.’ Max was about to eat his first bite of molten mug cake but he paused with the spoon halfway to his mouth. ‘You’re gonna kick my arse?’ ‘Until it’s black and blue and you won’t be able to sit down for a week.’ That sounded very arrogant. ‘Really, Max, Mum stopped me from playing when I was thirteen after I got a score of four hundred and twenty-seven, and when I was at Oxford, I used to play with two Linguistics post-grads and an English don.’ ‘Well, my little pancake girlfriend, I played Scrabble against Carol Vorderman for a Guardian feature and I kicked her arse because Scrabble has got nothing to do with vocabulary; it’s logic and tactics,’ Max informed her loftily, taking a huge bite of the cake. For a second, Neve hoped that it was as foul-tasting as she suspected just to get Max back for that snide little speech, but he just licked the back of the spoon thoughtfully. ‘This is surprisingly more-ish, do you want some?’ ‘I think I’ll pass.’ ‘Well, you’re not getting out of Scrabble that easily.’ Max leaned back against the cushions, the mug cradled to his chest, and propped his feet up on the table so he could poke the Scrabble box nearer to Neve. ‘Come on, set ’em up. Unless you’re too scared.’ ‘Max, I have all the two-letter words memorised, and as for Carol Vorderman – well, she might be good at maths but there was a reason why she wasn’t in Dictionary Corner on Countdown so I’m not surprised you beat her at Scrabble.’ ‘Fighting talk.’ Max rapped his knuckles gently against Neve’s head, which made her furious. ‘I’ll remind you of that little speech once I’m done making you eat every single one of those high-scoring words you seem to think you’re so good at.’ ‘Right, that does it.’ Neve snatched up the box and practically tore off the lid, so she could bang the board down on the coffee table. ‘You can’t be that good at Scrabble if you keep your letters in a crumpled paper bag,’ Max noted, actually daring to nudge her arm with his foot. Neve knew he was only doing it to get a rise out of her, but God, it was working. ‘Game on, Pancake Boy,’ she snarled, throwing a letter rack at Max, which just made him laugh. ‘And don’t think I’m going to let you win just because it’s your birthday.’ It was the most fun Neve had ever had playing Scrabble. It might even have been the most fun she had ever had. For every obscure word she tried to play in the highest scoring place, Max would put down three tiles to make three different words and block off huge sections of the board. Every time she tried to flounce or throw a strop because ‘you’re going against the whole spirit of the game’, Max would pop another Quality Street into her mouth because, as he said, ‘It is Treat Sunday and you only had one roast potato.’ When there were no more Quality Street left and they’d drunk all the champagne, he stopped each one of her snits with a slow, devastating kiss so there were long pauses between each round. It was a point of honour to Neve that she won in the most satisfying way possible; finally getting to use her ‘q’ on a triple word score by turning Max’s ‘hogs’ into ‘quahogs’ and waving the Oxford English Dictionary in his face when he dared to challenge her.

At first, Mahalo garnered significant attention and traffic. At its high point, 14.1 million users worldwide visited the site monthly.[lxxxix] But over time, users began to lose interest. Although the payout of the bounties were variable, somehow users did not find the monetary rewards enticing enough. But as Mahalo struggled to retain users, another Q&A site began to boom. Quora, launched in 2010 by two former Facebook employees, quickly grew in popularity. Unlike Mahalo, Quora did not offer a single cent to anyone answering user questions. Why, then, have users stayed highly engaged with Quora, but not with Mahalo, despite its variable monetary rewards? In Mahalo’s case, executives assumed that paying users would drive repeat engagement with the site. After all, people like money, right? Unfortunately, Mahalo had an incomplete understanding of its users’ drivers. Ultimately, the company found that people did not want to use a Q&A site to make money. If the trigger was a desire for monetary rewards, the user was better off spending their time earning an hourly wage. And if the payouts were meant to take the form of a game, like a slot machine, then the rewards came far too infrequently and were too small to matter. However, Quora demonstrated that social rewards and the variable reinforcement of recognition from peers proved to be much more frequent and salient motivators. Quora instituted an upvoting system that reports user satisfaction with answers and provides a steady stream of social feedback. Quora’s social rewards have proven more attractive than Mahalo’s monetary rewards. Only by understanding what truly matters to users can a company correctly match the right variable reward to their intended behavior.

Top Reasons to Go to Vietnam There's just no dearth of things to do in Vietnam and you can be rest assured that your Vietnam getaways will not have a single dull moment. Vietnam tours are another name of enjoyable and excitement. There are lots of tour operators that conduct interesting Vietnam tours and journeys through a number of Vietnam bundle trip. Holidaying in Vietnam is fantastic undoubtedly for sightseeing in Vietnam. The country is dotted with numerous well-known tourist websites in Vietnam. Amongst many places of interest in Vietnam astounding natural charm, tranquil villages, serene lakes, old pagodas, gorgeous lakes especially allure the travel freaks. Even the history fans like to discover the popular traveler destinations. Hanoi, Ho Chi Minh City, Hue, Hoi An are significant cities of Vietnam that are frequented by visitors. Sightseeing tours in Vietnam take the travelers to various places of historic, spiritual significance and Vietnam Culture Trip. Fantastic architecture of the citadels, royal tombs, temples and palaces is marvelous site. Dien Bien Phu, C? Loa citadel, Hoa Lo prison, Ho Chi Minh mausoleum and Ba Dinh square and Quang Tri are not to be missed out on while exploring in Vietnam. Things to do in Vietnam give a broad variety of options. Some locations like Hoi Chin Minh City and Hanoi are finest locations to have trendy clothes and actual antique pieces. People also like to have Vietnam War- Army watches and military clothes as momentums of the nation. Entertainment in Vietnam has numerous alternatives. Night life of Vietnam is pulsating and the celebration enthusiasts are thrilled by the revitalizing nightlife here. Vietnam tourist guide will assist you know more about nightlife in Vietnam. Pool, Nightclubs, bars, clubs are an usual website below. Even in the far-flung and remote mountainous areas like Sapa, Karaoke bars are popular amongst the different nightspots of Vietnam. There are numerous bars and clubs in Ho Chin Minh City, vietnam tours, the most popular ones among them being Apocalypse Now, Q Bar, Underground Bar and Grill and Carmen Bar. Nha Trang too offers a selection of choices with regards to bars and bars. With these options, you certainly wouldn't need to stress over things to do in Vietnam after dusk sets in. There's just no dearth of things to do in Vietnam and you can be rest assured that your Vietnam trips will not have a single dull moment. There are many trip operators that conduct remarkable Vietnam tours and moves through a number of vietnam holiday packages. Holidaying in Vietnam is terrific certainly for sightseeing in Vietnam. Touring tours in Vietnam take the travelers to various places of historical, spiritual significance and Vietnam Culture Trip. Vietnam traveler guide will help you know more about night life in Vietnam.

Q: How is being at a singles bar different from going to the circus? A: At the circus the clowns don't talk. ***

g But you are not to be called rabbi, for you have one teacher, and you are  h all brothers. [3] 9 i And call no man your father on earth, for  j you have one Father, who is in heaven. 10Neither be called instructors, for you have one instructor,  k the Christ. 11 l The greatest among you shall be your servant. 12 m Whoever exalts himself will be humbled, and whoever humbles himself will be exalted. 13“But woe  n to you, scribes and Pharisees, hypocrites! For you  o shut the kingdom of heaven in people’s faces. For you  p neither enter yourselves nor allow those who would enter to go in. [4] 15Woe to you, scribes and Pharisees, hypocrites! For you travel across sea and land to make a single  q proselyte, and when he becomes a proselyte, you make him twice as much a  r child of  s hell [5] as yourselves.

Q: Could you please explain the relationship between meditation, enlightenment and supernormal mental powers, such as seeing the future, reading other people’s minds and seeing what’s happening in a place that’s far away? Lama: While it’s definitely possible to achieve clairvoyance through developing single-pointed concentration, we have a long way to go. As you slowly, slowly gain a better understanding of your own mind, you will gradually develop the ability to see such things. But it’s not that easy, where you meditate just once and all of a sudden you can see the future or become enlightened. It takes time.

Rosen explains as follows: “Hearing a succession of mediocre singers does not add up to a single outstanding performance.” In other words, talent is not a commodity you can buy in bulk and combine to reach the needed levels: There’s a premium to being the best. Therefore, if you’re in a marketplace where the consumer has access to all performers, and everyone’s q value is clear, the consumer will choose the very best. Even if the talent advantage of the best is small compared to the next rung down on the skill ladder, the superstars still win the bulk of the market.

One of his key insights was to explicitly model talent—labeled, innocuously, with the variable q in his formulas—as a factor with “imperfect substitution,” which Rosen explains as follows: “Hearing a succession of mediocre singers does not add up to a single outstanding performance.” In other words, talent is not a commodity you can buy in bulk and combine to reach the needed levels: There’s a premium to being the best.

Rent creates new possibilities for characters’ sexualities in musicals by representing multiple gay and lesbian characters with frank and casual openness. Rent is peopled with a gay male couple (Angel and Collins) and a lesbian couple (Maureen and Joanne) and it takes those sexualities for granted in the musical’s world of NYC’s East Village circa 1990. Rent’s structure—a single protagonist, Mark, surrounded by a close-knit community—borrows formal conventions of ensemble musicals of the late 1960s and 1970s, including Hair, Company, Godspell, and A Chorus Line. This structure enables the musical to nod to nonheterosexual identities and relationships, an ideological gesture that speaks to its (successful) intention to address musical theater’s wide range of spectators and even make them feel politically progressive. This device of including a few gay characters in a community-based story is repeated with the gay male couples in Avenue Q and Spring Awakening, and perhaps foretells a musical theater future with a more consistent nod to gay people (or gay men, at least).

Rent creates new possibilities for characters’ sexualities in musicals by representing multiple gay and lesbian characters with frank and casual openness. Rent is peopled with a gay male couple (Angel and Collins) and a lesbian couple (Maureen and Joanne) and it takes those sexualities for granted in the musical’s world of NYC’s East Village circa 1990. Rent’s structure—a single protagonist, Mark, surrounded by a close-knit community—borrows formal conventions of ensemble musicals of the late 1960s and 1970s, including Hair, Company, Godspell, and A Chorus Line. This structure enables the musical to nod to nonheterosexual identities and relationships, an ideological gesture that speaks to its (successful) intention to address musical theater’s wide range of spectators and even make them feel politically progressive. This device of including a few gay characters in a community-based story is repeated with the gay male couples in Avenue Q and Spring Awakening, and perhaps foretells a musical theater future with a more consistent nod to gay people (or gay men, at least).14 Still, both Rent and Spring Awakening ultimately use gay characters to bolster heteronormativity. Angel serves as the emotional touchstone of Rent, endlessly generous and hopeful, caring and sensitive. All mourn his death, which compels the other characters to look at their lives and choices. That Angel’s death enables the other characters to learn about themselves replicates a typical (tired) trope in which an Other (usually a person of color or a person with a disability) aids in the self-actualization of the principal character. Also, Collins and Angel have the most loving and healthy relationship, which the musical needs to eliminate so as not to valorize the gay male couple above all else. In addition, Joanne and Maureen sing a lively number, “Take Me or Leave Me,” but the musical doesn’t take their relationship seriously. Maureen is presented as a fickle, emotionally abusive, yet irresistible lover (Joanne and Mark’s duet, “The Tango Maureen”) and a less-than-accomplished artist (her “The Cow Jumped over the Moon” is a parody of performance art).15 In contrast, Mimi

Am I really sitting here comforting him while lying to him? What kind of monster am I? And the worst part of it is that my mind keeps skittering to a single thought: Does the police suspect anything?

I’m aware while writing this that I’m straddling a very fine line between authenticity and stereotype, and it’s my hope that this book defies the latter. It is by no means representative of the Asian community as a whole; no single book can possibly represent such a large community of individuals.

In a seminal 1981 paper, the economist Sherwin Rosen worked out the mathematics behind these “winner-take-all” markets. One of his key insights was to explicitly model talent—labeled, innocuously, with the variable q in his formulas—as a factor with “imperfect substitution,” which Rosen explains as follows: “Hearing a succession of mediocre singers does not add up to a single outstanding performance.” In other words, talent is not a commodity you can buy in bulk and combine to reach the needed levels: There’s a premium to being the best. Therefore, if you’re in a marketplace where the consumer has access to all performers, and everyone’s q value is clear, the consumer will choose the very best.

Hearing a succession of mediocre singers does not add up to a single outstanding performance.” In other words, talent is not a commodity you can buy in bulk and combine to reach the needed levels: There’s a premium to being the best. Therefore, if you’re in a marketplace where the consumer has access to all performers, and everyone’s q value is clear, the consumer will choose the very best. Even if the talent advantage of the best is small compared to the next rung down on the skill ladder, the

Well, Madam, we poor can also ask questions and demand answers. And I bet you, if the poor conducted a quiz, the rich wouldn’t be able to answer a single question.

The whole time I was waiting at the bar, I wracked my brains for the right thing to say. I had two degrees, spent at least two hours a day absorbing all the wisdom Instagram had to offer and as everyone who had ever met me already knew, once, at a Q&A about Hamilton, I asked a question and Lin Manuel Miranda said I raised a good point. But right now when I was most needed, I couldn’t come up with a single helpful thing.

...he saw Quotinir floating in front of him. Deep in the darkest parts of the ocean, he was lit only by a single, yellow light that swung from a fin atop his head. His grey skin sickly under the swinging bulb, he looked as much like a man as he did a monster, scarred and chipped around the edges, with strands of white hair like seaweed flowing around his narrow face. His human waist merged with the rubbery flesh of a shark, the tail larger than any fish or man Elf had ever seen. Though, Quotinir himself was four times larger than any man - the last true giant - trapped under the pressure of the ocean with only his light for company. Slitted, white eyes locked onto Elf as they both floated, suspended in the darkness. ‘Hey, ugly,’ Elf said.

1.1M    ./scripts 58M     ./cloud9 74M     . You can also use tee to write the output to several files at the same time, as shown in this example: root@beaglebone:/opt# du ‐d1 ‐h | tee /tmp/1.txt /tmp/2.txt /tmp/3.txt Filter Commands (from sort to xargs) There are filtering commands, each of which provides a useful function: sort: This command has several options, including (‐r) sorts in reverse; (‐f) ignores case; (‐d) uses dictionary sorting, ignoring punctuation; (‐n) numeric sort; (‐b) ignores blank space; (‐i) ignores control characters; (‐u) displays duplicate lines only once; and (‐m) merges multiple inputs into a single output. wc (word count): This can be used to calculate the number of words, lines, or characters in a stream. For example: root@beaglebone:/tmp# wc < animals.txt  4  4 18 This has returned that there are 4 lines, 4 words, and 18 characters. You can select the values independently by using (‐l) for line count; (‐w) for word count; (‐m) for character count; and (‐c) for the byte count (which would also be 18 in this case). head: Displays the first lines of the input. This is useful if you have a very long file or stream of information and you want to examine only the first few lines. By default it will display the first 10 lines. You can specify the number of lines using the ‐n option. For example, to get the first five lines of output of the dmesg command (display message or driver message), which displays the message buffer of the kernel, you can use the following: root@beaglebone:/tmp# dmesg | head ‐n5   [    0.000000] Booting Linux on physical CPU 0x0   [    0.000000] Initializing cgroup subsys cpuset   [    0.000000] Initializing cgroup subsys cpu   [    0.000000] Initializing cgroup subsys cpuacct   [    0.000000] Linux version 3.13.4-bone5(root@imx6q-sabrelite-1gb-0) tail: This is just like head except that it displays the last lines of a file or stream. Using it in combination with dmesg provides useful output, as shown here: root@beaglebone:/tmp# dmesg | tail ‐n2   [   36.123251] libphy: 4a101000.mdio:00 - Link is Up - 100/Full   [   36.123421] IPv6:ADDRCONF(NETDEV_CHANGE): eth0:link becomes ready grep: A very powerful filter command that can parse lines using text and regular expressions. You can use this command to filter output with options, including (‐i) ignore case; (‐m 5) stop after five matches; (‐q) silent, will exit with return status 0 if any matches are found; (‐e) specify a pattern; (‐c) print a count of matches; (‐o) print only the matching text; and (‐l) list the filename of the file containing the match. For example, the following examines the dmesg output for the first three occurrences of the string “usb,” using ‐i to ignore case: root@beaglebone:/tmp# dmesg |grep ‐i ‐m3 usb   [    1.948582] usbcore: registered new interface driver usbfs   [    1.948637] usbcore: registered new interface driver hub   [    1.948795] usbcore: registered new device driver usb You can combine pipes together. For example, you get the exact same output by using head and displaying only the first three lines of the grep output: root@beaglebone:/tmp# dmesg |grep ‐i usb |head ‐n3   [    1.948582] usbcore: registered new interface driver usbfs   [    1.948637] usbcore: registered new interface driver hub   [    1.948795] usbcore: registered new device driver usb xargs: This is a very powerful filter command that enables you to construct an argument list that you use to call another command or tool. In the following example, a text file args.txt that contains three strings is used to create three new files. The output of cat is piped to xargs, where it passes the three strings as arguments to the touch command, creating three new files a.txt, b.txt,

Q: How is being at a singles bar different from going to the circus? A: At the circus the clowns don't talk.

Q. A. There were four or five of them, all men, in orange suits. They were wearing handcuffs and each one was carrying a manila folder, holding it in front of him. They weren’t talking, and they looked pretty subdued. They were walking in a line, single file. They all had to keep their arms and hands, and those manila folders, in the same position because of the handcuffs. So they were a little like a show on stage, coordinated. Q. A. Yes, it made me feel even more that I was good, or that I was not bad. That it was all very simple, some people were good and some people were not so good. There were people who were proceeding correctly with their lives, and this could be proved by asking them a few questions. And there were people who were not proceeding correctly with their lives.

There is no such thing as a natural monopoly, any more than there is a natural crime. There isn't a single profession or service of a productive nature that should be a monopoly , enforced by law. If any one businessman in a given field can successfully provide all the services and best products at the best price, you could loosely call that a "natural monopoly", but it's not a monopoly in the usual sense—that is, it isn't coercive.

In a seminal 1981 paper, the economist Sherwin Rosen worked out the mathematics behind these “winner-take-all” markets. One of his key insights was to explicitly model talent—labeled, innocuously, with the variable q in his formulas—as a factor with “imperfect substitution,” which Rosen explains as follows: “Hearing a succession of mediocre singers does not add up to a single outstanding performance.” In other words, talent is not a commodity you can buy in bulk and combine to reach the needed levels: There’s a premium to being the best.

When would someone feel the need to strengthen the argument with the emphatic phrase “by definition”? (E.g. “Humans are vulnerable to hemlock by definition!”) Why, when the inferred characteristic has been called into doubt—Socrates has been seen consulting herbologists—and so the speaker feels the need to tighten the vise of logic. So when you see “by definition” used like this, it usually means: “Forget what you’ve heard about Socrates consulting herbologists—humans, by definition, are mortal!” People feel the need to squeeze the argument onto a single course by saying “Any P, by definition, has property Q!,” on exactly those occasions when they see, and prefer to dismiss out of hand, additional arguments that call into doubt the default inference based on clustering. So too with the argument “X, by definition, is a Y!” E.g., “Atheists believe that God doesn’t exist; therefore atheists have beliefs about God, because a negative belief is still a belief; therefore atheism asserts answers to theological questions; therefore atheism is, by definition, a religion.” You wouldn’t feel the need to say, “Hinduism, by definition, is a religion!” because, well, of course Hinduism is a religion. It’s not just a religion “by definition,” it’s, like, an actual religion.

While men lust after the soft, bulging parts of the female anatomy—the breasts, the ass—we women notice the hardness. The places that signify control. Discipline. The clavicle, the shoulder blades, the cheekbones. Thalia’s collarbone is defined in a way that makes me swallow. I imagine myself running a finger along its hard length, from the bottom of her neck all the way to her shoulder, where it juts out into a single knifepoint. I want to press on it with my index finger and feel the solidity of it pushing up against me. I want her lovely bones to cut into my skin.