Q Element Quotes

A board-established and led vision is a critical element of effective corporate governance. It provides direction, inspires stakeholders, and guides the company towards a successful future.

In essence, a blitz play in football is a microcosm of corporate governance principles. It showcases the importance of coordination in mind body and spirit, clear roles, strategic planning, risk management, and performance evaluation – all critical elements in ensuring a company's success and sustainability.

His biases played a large role here, but for Komatsu bias was an important element of truth.

The music gave her an odd, wrenching kind of feeling. There was no pain or unpleasantness involved, just a sensation that all the elements of her body were being physically wrung out. Aomame had no idea what was going on. Could Sinfonietta actually be giving me this weird feeling?

Ecthelion must be similarly from Aegthelion. Latter element is a derivative of √stel 'remain firm'. The form with prefix 'sundóma', estel, was used in Q{uenya} and S{indarin} for 'hope' – sc. a temper of mind, steady, fixed in purpose, and difficult to dissuade and unlikely to fall into despair or abandon its purpose. The unprefixed stel- gave [? S verb] thel 'intend, mean, purpose, resolve, will'. So Q ? þelma 'a fixed idea,..., will.

Periodic Wall of the Elements Q. What would happen if you made a periodic table out of cube-shaped bricks, where each brick was made of the corresponding element?

Q: Why are the clinical elements of Curium, Helium, and Barium? A: So, if you cannot cure-ium or heal-ium, you are going to bury-um.

He was no Hitchcockian protagonist, embroiled in a conspiracy before he knew what was happening. He had embroiled himself, knowing full well that it contained an element of risk. The machine was already in motion, gaining too much forward momentum for him to stop it. Tengo himself was one of its gears—and an important one at that. He could hear the machine’s low groaning, and feel its implacable motion.

Bobby said he went up to Gary again. Took the knife and stuck him with it. He said he had to do it three or four times...[Hinman] was really bleeding, and he was gasping for air, and Bobby said he knelt down next to him and said, 'Gary, you know what? You got no reason to be on earth any more. You're a pig and society don't need you, so this is the best way for you to go, and you should thank me for putting you out of your misery.' Then [Hinman] made noises in his throat, his last gasping breath, and wow, away he went." Q. "So Bobby told him he was a 'pig'?" A. "Right. You see, the fight against society was the number one element in this-" Q. (skeptically) "Yeah. We'll get into his philosophy and all that bullshit later..." They never did.

The most compelling new idea that Bratton brought to life stemmed from the broken window theory, which was conceived by the criminologists James Q. Wilson and George Kelling. The broken window theory argues that minor nuisances, if left unchecked, turn into major nuisances: that is, if someone breaks a window and sees it isn’t fixed immediately, he gets the signal that it’s all right to break the rest of the windows and maybe set the building afire too. So with murder raging all around, Bill Bratton’s cops began to police the sort of deeds that used to go unpoliced: jumping a subway turnstile, panhandling too aggressively, urinating in the streets, swabbing a filthy squeegee across a car’s windshield unless the driver made an appropriate “donation.” Most New Yorkers loved this crackdown on its own merit. But they particularly loved the idea, as stoutly preached by Bratton and Giuliani, that choking off these small crimes was like choking off the criminal element’s oxygen supply. Today’s turnstile jumper might easily be wanted for yesterday’s murder. That junkie peeing in an alley might have been on his way to a robbery.

I'm discussing how thought would properly work—and does in fact work in many areas—first, to show that thought is not all bad; and second, because to understand what has gone wrong we should have some understanding of how it would work when it is right. Q: Is this the difference between thinking and thought as you described earlier? Bohm: Thought just works automatically. But when you're thinking, you are ready to see when it doesn't work and you're ready to start changing it. 'Thinking' means that when the thing isn't working, something more is coming in—which is ready to look at the situation and change the thought if necessary. Q: Is thinking an element that's outside of thought? Bohm: It's a bit beyond thought. Let's put it that thinking is not purely the past; it's not purely a set of reflexes in the past. Q: Would thinking be more 'of the moment', more energized, and thought more passive in the past? Bohm: The past is active. That's the trouble. The past is not really the past—it's the effect of the past in the present. The past has left a trace in the present. Q: Then the thinking would be even more energized? Bohm: Yes. The thinking will be more energized because thinking is more directly in the present, because it includes the incoherence that thought is actually making. It may also include allowing new reflexes to form, new arrangements, new ideas. If the reflexes are all somewhat open and flexible and changeable, then it will work nicely.

I lived in New York City back in the 1980s, which is when the Bordertown series was created. New York was a different place then -- dirtier, edgier, more dangerous, but also in some ways more exciting. The downtown music scene was exploding -- punk and folk music were everywhere -- and it wasn't as expensive to live there then, so a lot of young artists, musicians, writers, etc. etc. were all living and doing crazy things in scruffy neighborhoods like the East Village. I was a Fantasy Editor for a publishing company back then -- but in those days, "fantasy" to most people meant "imaginary world" books, like Tolkien's Lord of the Rings. A number of the younger writers in the field, however, wanted to create a branch of fantasy that was rooted in contemporary, urban North America, rather than medieval or pastoral Europe. I'd already been working with some of these folks (Charles de Lint, Emma Bull, etc.), who were writing novels that would become the foundations for the current Urban Fantasy field. At the time, these kinds of stories were considered so strange and different, it was actually hard to get them into print. When I was asked by a publishing company to create a shared-world anthology for Young Adult readers, I wanted to create an Urban Fantasy setting that was something like a magical version of New York...but I didn't want it to actually be New York. I want it to be any city and every city -- a place that anyone from anywhere could go to or relate to. The idea of placing it on the border of Elfland came from the fact that I'd just re-read a fantasy classic called The King of Elfland's Daughter by the Irish writer Lord Dunsany. I love stories that take place on the borderlands between two different worlds...and so I borrowed this concept, but adapted it to a modern, punky, urban setting. I drew upon elements of the various cities I knew best -- New York, Boston, London, Dublin, maybe even a little of Mexico City, where I'd been for a little while as a teen -- and scrambled them up and turned them into Bordertown. There actually IS a Mad River in southern Ohio (where I went to college) and I always thought that was a great name, so I imported it to Bordertown. As for the water being red, that came from the river of blood in the Scottish folk ballad "Thomas the Rhymer," which Thomas must cross to get into Elfland. [speaking about the Borderland series she "founded" and how she came up with the setting. Link to source; Q&A with Holly, Ellen & Terri!]

Many of the really great, famous proofs in the history of math have been reduction proofs. Here's an example. It is Euclid's proof of Proposition 20 in Book IX of the Elements. Prop. 20 concerns the primes, which-as you probably remember from school-are those integers that can't be divided into smaller integers w/o remainder. Prop. 20 basically states that there is no largest prime number. (What this means of course is that the number of prime numbers is really infinite, but Euclid dances all around this; he sure never says 'infinite'.) Here is the proof. Assume that there is in fact a largest prime number. Call this number Pn. This means that the sequence of primes (2,3,5,7,11,...,Pn) is exhaustive and finite: (2,3,5,7,11,...,Pn) is all the primes there are. Now think of the number R, which we're defining as the number you get when you multiply all the primes up to Pn together and then add 1. R is obviously bigger than Pn. But is R prime? If it is, we have an immediate contradiction, because we already assumed that Pn was the largest possible prime. But if R isn't prime, what can it be divided by? It obviously can't be divided by any of the primes in the sequence (2,3,5,...,Pn), because dividing R by any of these will leave the remainder 1. But this sequence is all the primes there are, and the primes are ultimately the only numbers that a non-prime can be divided by. So if R isn't prime, and if none of the primes (2,3,5,...,Pn) can divide it, there must be some other prime that divides R. But this contradicts the assumption that (2,3,5,...,Pn) is exhaustive of all the prime numbers. Either way, we have a clear contradiction. And since the assumption that there's a largest prime entails a contradiction, modus tollens dictates that the assumption is necessarily false, which by LEM means that the denial of the assumption is necessarily true, meaning there is no largest prime. Q.E.D.

Q: Q: You said getElementsByTagName returns a list. Do you mean an array? A: A: It returns an object that you can treat like an array, but it’s actually an object called a NodeList. A NodeList is a collection of Nodes, which is just a technical name for the element objects that you see in the DOM tree. You

IT can weave all crucial business elements such as people, process, and technology into organizational competencies for running a living and fluid digital organization.

for Komatsu bias was an important element of truth.

In fact, the Q&A session should be used for the first encounter only and then replaced by a requirements elicitation format that combines elements of problem solving, negotiation, and specification. An approach of this type is presented in Section 7.3.

sensible phenomenon that had previously called forth the spoken utterance, to the shape of the utterance itself, now invoked directly by the written character. A direct association is established between the pictorial sign and the vocal gesture, for the first time completely bypassing the thing pictured. The evocative phenomena—the entities imaged—are no longer a necessary part of the equation. Human utterances are now elicited, directly, by human-made signs; the larger, more-than-human life-world is no longer a part of the semiotic, no longer a necessary part of the system. Or is it? When we ponder the early Semitic aleph-beth, we readily recognize its pictographic inheritance. Aleph, the first letter, is written thus: ​  Aleph is also the ancient Hebrew word for “ox.” The shape of the letter, we can see, was that of an ox’s head with horns; turned over, it became our own letter A.13 The name of the Semitic letter mem is also the Hebrew word for “water”; the letter, which later became our own letter M, was drawn as a series of waves: . The letter ayin, which also means “eye” in Hebrew, was drawn as a simple circle, the picture of an eye; it is this letter, made over into a vowel by the Greek scribes, that eventually became our letter O. The Hebrew letter qoph, which is also the Hebrew term for “monkey,” was drawn as a circle intersected by a long, dangling, tail ​ . Our letter Q retains a sense of this simple picture.14 These are a few examples. By thus comparing the names of the letters with their various shapes, we discern that the letters of the early aleph-beth are still implicitly tied to the more-than-human field of phenomena. But these ties to other animals, to natural elements like water and waves, and even to the body itself, are far more tenuous than in the earlier, predominantly nonphonetic scripts. These traces of sensible nature linger in the new script only as vestigial holdovers from the old—they are no longer necessary participants in the transfer of linguistic knowledge. The other animals, the plants, and the natural elements—sun, moon, stars, waves—are beginning to lose their own voices. In the Hebrew

Q: What did Ferdinand receive from the all-element blessing at the end of Part 2 Volume 4? It wasn’t explained in the text like it was with Damuel, so I was curious. A: Ferdinand wasn’t seeking any divine favor in particular, so he didn’t receive a visible one. He will surely be blessed when the day comes that he prays to the gods.

Maintain Your Culture Q: Can you articulate what your company culture is? Q: If you asked the same question of your employees, would their answer be the same as yours? Q: What can you do to reinforce the key (positive) elements of your company culture?

The term “real” is a misnomer. You could say that the life forms that occupy earth are real. They appear as physical structures and they are based on mathematical formula and geometry. We are, in a sense, code. This code interacts with the physical senses, which decodes the formula and we are transformed to flesh and blood “life forms.” But at a quantum level we are, as I said, code. Underneath or beyond the quantum level—call it the pre-quantum level—we are infinite beings. We are Sovereign Integrals. What I am suggesting is that the term real, applies to the Sovereign Integral state of being and consciousness. The term is relative, however, because the Sovereign Integral consciousness is not considered real in the three-dimensional plane, and the human instrument is not real in the Domain of Unity. It is the reality of the dominant environment that determines the reality of the subjects and objects of that environment. The environment of three and four dimensional planes like earth, establishes a consensual, subjective reality—propagated by our unconscious and genetic mind. The environment of the infinite establishes a reality that has no mediation or signal transformation. It is elemental and core. There is no sensory “middleman” or propagation of perception. It is one and all in action. The individual is allowed to decide what is real and what is not. Illusion is a Russian doll; it has many layers, some of which transmit a sense of true awareness. I’m sure you’ve heard the phrase: Perception is reality. The subjective realm defines the seemingly objective. Illusion, the outermost doll, is the only one that is seen and therefore, known. However, if you open the outermost doll, you find another, albeit smaller one waits. This repeats seven times until you find the indivisible. We would call this core, innermost doll: the Sovereign Integral. This is where you want your imaginative faculty trained and honed in. This is where you want your life to progress, not satisfied that perception is reality, or that the outermost “doll” is real and worthy of your devotion. All of that said, it does not mean that the outer world—physical reality—is a waste of time or so mired in illusion that it isn’t worth developing. Quite the opposite. The outer world is your workshop, the place you can experiment, build things, create, try and fail, and so on. It is a place of severe challenges at time, but also of beauty and joy. The illusion isn’t in the physical things of this world. The illusion is in the self-perception of the individual life form.As long as the individual perceives themselves as a human instrument, maybe with a soul, maybe not, they will see all life as a place of separation and disunity. They will accept the illusion that life emits, which is one of separation. In this, they become lost, lost to themselves as infinite beings, and unable, as a result, to generate and sustain the vision into their true self.