Q&a Book Quotes

We've searched our database for all the quotes and captions related to Q&a Book. Here they are! All 100 of them:

I'm a very ordinary human being; I just happen to like reading books.
Haruki Murakami (1Q84 (1Q84, #1-3))
Most people are not looking for provable truths. As you said, truth is often accompanied by intense pain, and almost no one is looking for painful truths. What people need is beautiful, comforting stories that make them feel as if their lives have some meaning. Which is where religion comes from.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
If you never noticed, it never happened.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
Standing there, staring at the long shelves crammed with books, I felt myself relax and was suddenly at peace.
Helene Hanff (Q's Legacy: A Delightful Account of a Lifelong Love Affair with Books)
Reality was utterly coolheaded and utterly lonely.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
I don't want to live in a world where the strong rule and the weak cower. I'd rather make a place where things are a little quieter. Where trolls stay the hell under their bridges and where elves don't come swooping out to snatch children from their cradles. Where vampires respect the limits, and where the faeries mind their p's and q's. My name is Harry Blackstone Copperfield Dresden. Conjure by it at your own risk. When things get strange, when what goes bump in the night flicks on the lights, when no one else can help you, give me a call. I'm in the book.
Jim Butcher (Storm Front (The Dresden Files, #1))
Mental acuity was never born from comfortable circumstances.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
I'm an average person. Is just that I like reading.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
You can have tons of talent, but it won't necessarily keep you fed. If you have sharp instincts, through, you'll never go hungry.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
What did it mean for a person to be free? she would often ask herself. Even if you managed to escape from one cage, weren't you just in another, larger one?
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
Things may look different to you than they did before. I've had that experience myself. But don't let appearances fool you. There's only one reality.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
This may be the most important proposition revealed by history: At the time, no one knew what was coming.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
I go by the gut. I might not appear to have any talent but I've got plenty of gut instinct.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
Violence does not always take visible form, and not all wounds gush blood
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
Books turn people into isolated individuals, and once that's happened, the road only grows rockier. Books wire you to want to be Steve McQueen, but the world wants you to be SMcQ23667bot@hotmail.com.
Douglas Coupland (Generation A)
Where there is light, there must be shadow, and where there is shadow there must be light. There is no shadow without light and no light without shadow. Karl Jung said this about 'the Shadow' in one of his books: 'It is as evil as we are positive... the more desperately we try to be good and wonderful and perfect, the more the Shadow develops a definite will to be black and evil and destructive... The fact is that if one tries beyond one's capacity to be perfect, the shadow descends to hell and becomes the devil. For it is just as sinful from the standpoint of nature and of truth to be above oneself as to be below oneself.
Haruki Murakami (1Q84 (1Q84, #1-3))
This was his favorite time of day, reading to his heart's content before going to sleep. When he tired of reading, he would fall asleep.
Haruki Murakami (1Q84 (1Q84, #1-3))
Where there is light, there must be shadow, and where there is shadow there must be light. There is no shadow without light and no light without shadow.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
Is it possible to become friends with a butterfly?" "It is if you first become a part of nature. You suppress your presence as a human being, stay very still, and convince yourself that you are a tree or grass or a flower. It takes time, but once the butterfly lets its guard down, you can become friends quite naturally." ... " ... I come here every day, say hello to the butterflies, and talk about things with them. When the time comes, though, they just quietly go off and disappear. I'm sure it means they've died, but I can never find their bodies. They don't leave any trace behind. It's like they've been absorbed by the air. They're dainty little creatures that hardly exist at all: they come out of nowhere, search quietly for a few, limited things, and disappear into nothingness again, perhaps to some other world.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
Aomame raised her glass to the moon and asked, “Have you gone to bed with someone in your arms lately?” The moon did not answer. “Do you have any friends?” she asked. The moon did not answer. “Don’t you get tired of always playing it cool?” The moon did not answer.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
Q: Do you feel concerned that after all this work, people won't treat [Starship Titanic] with the gravity of, say, a movie or a book? That they won't treat it as an art form? D.A.: I hope that's the case, yes. I get very worried about this idea of art. Having been an English literary graduate, I've been trying to avoid the idea of doing art ever since. I think the idea of art kills creativity. ... [I]f somebody wants to come along and say, "Oh, it's art," that's as may be. I don't really mind that much. But I think that's for other people to decide after the fact. It isn't what you should be aiming to do. There's nothing worse than sitting down to write a novel and saying, "Well, okay, I'm going to do something of high artistic worth." ... I think you get most of the most interesting work done in fields where people don't think they're doing art, but merely practicing a craft, and working as good craftsmen. ... I tend to get very suspicious of anything that thinks it's art while it's being created.
Douglas Adams
It was Aomame’s firm belief that the human body was a temple, to be kept as strong and beautiful and clean as possible, whatever one might enshrine there.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
A state of chronic powerlessness eats away at a person
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
لا بد أن يكون ثمة خاتمة ما. المشكلة هي أنه ليس هناك شيء يحمل علامة "هذه هي الخاتمة" هل الدرجة الأعلى في السلم تحمل علامة "هذه هي الدرجة الأخيرة . رجاء لا تصعد أعلى من ذلك" ؟
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
In this world, there is no absolute good, no absolute evil. Good and evil are not fixed stable entities but are continually trading places. A good may be transformed into an evil in the next second. And vice versa.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
It was a stillness so profound one had to adjust one’s hearing to it. .... The silence seemed to be trying to tell him something about itself.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
Books only change the world if the world is capable of digesting them.
Luther Blissett (Q)
Thus, neither of us is alive when the reader opens this book. But while the blood still throbs through my writing hand, you are still as much part of blessed matter as I am, and I can still talk to you from here to Alaska. Be true to your Dick. Do not let other fellows touch you. Do not talk to strangers. I hope you will love your baby. I hope it will be a boy. That husband of yours, I hope, will always treat you well, because otherwise my specter shall come at him, like black smoke, like a demented giant, and pull him apart nerve by nerve. And do not pity C. Q. One had to choose between him and H.H., and one wanted H.H. to exist at least a couple of months longer, so as to have him make you live in the minds of later generations. I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art. And this is the only immortality you and I may share, my Lolita.
Vladimir Nabokov (Lolita)
В края на краищата това е светът: една безкрайна битка на противоречиви спомени.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
You can't go anywhere if you resign yourself to being attacked.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
When granted hope, a person uses it as fuel, as a guidepost to life. It is impossible to live without hope.
Haruki Murakami (1Q84: Book 3)
The world is getting weirder. Darker every single day. Things are spinning around faster and faster, and threatening to go completely awry. Falcons and falconers. The center cannot hold. But in my corner of the country, I'm trying to nail things down. I don't want to live in Victor's jungle, even if it did eventually devour him. I don't want to live in a world where the strong rule and the weak cower. I'd rather make a place where things are a little quieter. Where trolls stay the hell under their bridges and where elves don't come swooping out to snatch children from their cradles. Where vampires respect the limits, and where the faeries mind their p's and q's. My name is Harry Blackstone Copperfield Dresden. Conjure by it at your own risk. When things get strange, when what goes bump in the night flicks on the lights, when no one else can help you, give me a call. I'm in the book.
Jim Butcher (Storm Front (The Dresden Files, #1))
For Liesel Meminger, the early stages of 1942 could be summed up like this: She became thirteen years of age. Her chest was still flat. She had not yet bled. The young man from her basement was now in her bed. ***Q&A*** How did Max Vandenburg end up in liesel's bed? He fell.
Markus Zusak (The Book Thief)
You don't get it" she said ''Don't get what?" ''We are one" ''We are one?" Tengo asked with a shock. ''We wrote the book together" Tengo felt the pressure of Fuka-Eri's fingers against his palm. ... ''That's true. We wrote Air Crysalis together. And when we are eaten by the tiger, we'll be eaten together.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
Q: What is dark chocolate?" "A: Heaven on Earth
Pseudonymous Bosch (This Book Is Not Good for You (Secret, #3))
Lumea nu este decat o lupta nesfarsita intre amintirile unor tabere opuse.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
Q: What literary complexities do you find most interesting? That is, what do you like most to "solve," so to speak, as a novelist? A: One wishes to create characters who will speak directly to the minds of comparative literature professors and intelligent book reviewers.
Gilbert Sorrentino (Mulligan Stew)
Q: Why did the boy take a ruler to bed?
Johnny B. Laughing (LOL: Funny Jokes and Riddles for Kids (Laugh Out Loud Book 1))
To be a Russian writer at the end of the nineteenth century must have meant bearing an inescapably bitter fate. The more they tried to escape from Russia, the more deeply Russia swallowed them.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
Is it possible to become friends with a butterfly?.. It is if you become a part of nature. You suppress your presence as a human being, stay very still, and convince yourself that you are a tree or grass or flower. It takes time, but once the butterfly lets it guard down, you can become friends quiet naturally.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
INTUITION (L. intueri, ‘to look at or into’). I regard intuition as a basic psychological function (q.v.). It is the function that mediates perceptions in an unconscious way. Everything, whether outer or inner objects or their relationships, can be the focus of this perception. The peculiarity of intuition is that it is neither sense perception, nor feeling, nor intellectual inference, although it may also appear in these forms. In intuition a content presents itself whole and complete, without our being able to explain or discover how this content came into existence. Intuition is a kind of instinctive apprehension, no matter of what contents. Like sensation (q.v.), it is an irrational (q.v.) function of perception. As with sensation, its contents have the character of being “given,” in contrast to the “derived” or “produced” character of thinking and feeling (qq.v.) contents. Intuitive knowledge possesses an intrinsic certainty and conviction, which enabled Spinoza (and Bergson) to uphold the scientia intuitiva as the highest form of knowledge. Intuition shares this quality with sensation (q.v.), whose certainty rests on its physical foundation. The certainty of intuition rests equally on a definite state of psychic “alertness” of whose origin the subject is unconscious.
C.G. Jung (Collected Works of C. G. Jung, Volume 6: Psychological Types (The Collected Works of C. G. Jung Book 38))
Number one of the list now was a diet book entitled Eat as much as You Want of the Food You Love and Still Lose Weight. What a great title. The whole book could be blank inside and it would still sell.
Haruki Murakami (1Q84 (1Q84, #1-3))
Vlinders zijn de meest vergankelijke, gracieuze schepsels ter wereld. Ze worden uit het niets geboren, verlangen stilletjes naar iets heel kleins en beperkts, om uiteindelijk weer als in het niets te verdwijnen.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
Gotas de chuva nas rosas e bigodes nos gatinhos.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
Everything you need to know can be found in a book.
Roland Smith (Independence Hall (I, Q, #1))
Now when you can no longer be active, and infirmities press upon you, all that God requires of you is to trust Him. Commit
Ellen Gould White (The Book of Job E. G. White Notes 4Q 2016)
I can't imagine finding anybody to take your place." "You might not find a person that easily, but you could probably find a way without too much trouble," Aomama noted. The dowager looked at Aomame calmly, her lips forming a satisfied smile. "That may be true," she said, "but I almost surely could never find anthing to take the place of what we are sharing here and now. You are you and only you. I'm very grateful for that. More grateful than I can say.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
Walking to the subway, Aomame kept thinking about the strangeness of the world. If, as the dowager had said, we were nothing but gene carriers, why do so many of us have to lead such strangely shaped lives? Wouldn’t our genetic purpose – to transmit DNA – be served just as well if we lived simple lives, not bothering our heads with a lot of extraneous thoughts, devoted entirely to preserving life and procreating? Did it benefit the genes in any way for us to lead such intricately warped, even bizarre, lives? … how could it possibly profit the genes to have such people existing in this world? Did the genes merely enjoy such deformed episodes as colorful entertainment, or were these episodes utilized by them for some greater purpose?
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
I never wish I could go back and write more, no. I spent a long, long time trying to write the book that became The Fault in Our Stars and to be completely honest with you, I am entirely happy that the story is no longer my problem and is now your problem.
John Green (The Fault in Our Stars)
Reading two pages apiece of seven books every night, eh? I was young. You bowed to yourself in the mirror, stepping forward to applause earnestly, striking face. Hurray for the Goddamned idiot! Hray! No-one saw: tell no-one. Books you were going to write with letters for titles. Have you read his F? O yes, but I prefer Q. Yes, but W is wonderful. O yes, W. Remember your epiphanies on green oval leaves, deeply deep, copies to be sent if you died to all the great libraries of the world, including Alexandria? Someone was to read them there after a few thousand years, a mahamanvantara. Pico della Mirandola like. Ay, very like a whale. When one reads these strange pages of one long gone one feels that one is at one with one who once...
James Joyce (Ulysses)
It is hard to talk about the importance of an imaginary hero. But heroes are important. Heroes tell us something about ourselves. History books tell us who we used to be, documentaries tell us who we are now... but heroes, tell us who we want to be. A lot of our heroes depress me. But when they made this particular hero, they didn't give him a gun, they gave him a screwdriver to fix things. They didn't give him a tank or a warship or a X-Wing Fighter, they gave him a phone box from which you can call for help. And they didn't give him a superpower, or pointy ears, or Heat Ray, they gave him an extra heart. They gave him two hearts and that is an extraordinary thing. There will never come a time when we don't need a hero like the Doctor. - The Day of the Doctor Q&A
Steven Moffat
Ja cilvēks spēj kādu no visas sirds mīlēt, tad viņa dzīvība ir glābta. Pat ja nav iespējams būt kopā ar šo cilvēku.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
I don't have a thing," Tengo said, "except my soul." "Sounds like a job for Mephistopheles," she said.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
It was just the same old familiar moon. The one and only satellite that has faithfully circled the earth, at the same speed, from before human memory.
Haruki Murakami (1Q84: Book 3)
if N is large enough, it is virtually impossible to deduce p and q from N, and this is perhaps the most beautiful and elegant aspect of the RSA asymmetric cipher.
Simon Singh (The Code Book: The Science of Secrecy from Ancient Egypt to Quantum Cryptography)
عندما تبدأ الكذب على الجمهور فعليك أن تظل تكذب . لا نهاية لذلك أبدا . وليس سهلا ، سواء نفسيا أو عمليا، أن تظل تحور الحقيقة كي توائم بين كل شئ
هاروكي موراكامي (1Q84 Book 1 (1Q84, #1))
Q: What kind of washing detergent does the ocean use? A: Tide!
Johnny B. Laughing (LOL: Funny Jokes and Riddles for Kids (Laugh Out Loud Book 1))
Q: When did you realize you wanted to be a writer? A: I hate this question, because the answer makes me look like a jerk. The answer exposes me as a jerk. But here it is: the first time I read Twilight, I thought to myself, "If this chick can write a book, then you can!" One day, Stephanie Meyer is going to give me a bloody nose. I accept that like I accept that I will one day get wrinkles. To Stephanie Meyer: Could you come at me from the right side? That side of my face could use adjusting...
Anna Banks
Q: Are you saying that thought has a kind of possessive quality which stays, gets stuck, and then becomes habitual? And we don't see this? Bohm: I think that whenever we repeat something it gradually becomes a habit, and we get less and less aware of it. If you brush your teeth every morning, you probably hardly notice how you're doing it. It just goes by itself. Our thought does the same thing, and so do our feelings. That's a key point.
David Bohm (Thought as a System: Second edition (Key Ideas Book 4))
Every time that you read a book that is worth anything, the author has put everything they know into that book; so when you read that book, you eat their life. You kind of go up a level; so if you read 50 books, you've lived 50 lifetimes. CBC interview Q with Jian Gomeshi Sept.23, 2014
Caitlin Moran
Or maybe that’s what it’s all about: this religion’s substance is its lack of substance. In McLuhanesque terms, the medium is the message. Some people might find that cool.” “McLuhanesque?” “Hey, look, even I read a book now and then,” Ayumi protested. “McLuhan was ahead of his time. He was so popular for a while that people tend not to take him seriously, but what he had to say was right.” “In other words, the package itself is the contents. Is that it?” “Exactly. The characteristics of the package determine the nature of the contents, not the other way around.
Haruki Murakami (1Q84 (1Q84, #1-3))
What Tengo would have to do, it seemed, was take a hard, honest look at the past while standing at the crossroads of the present. Then he could create a future, as thought he were rewriting the past.It was the only way
Haruki Murakami (1Q84 Libro 3: Ottobre - Dicembre (1Q84, #3))
Ce sper eu e sa fac de ras lumea literara. Sa rad pe cat pot de netrebnicii astia lingusitori, adunati ca intr-un musuroi, care se pupa-n fund unul pe altul si isi ling ranile in timp ce, de fapt, isi pun bete roate reciproc.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
Dear reader. Dear, dear reader. Here we find ourselves, you and me, engaged in a book in which someone has just exclaimed, in all seriousness, 'The sentient lobsters!' How did we end up here? Did we make some mistake along the way?
M.T. Anderson (Agent Q, or The Smell of Danger! (Pals in Peril #4))
Q: What are the hottest days during summer? A: Sundays! Q: What dog can tell time? A: A watch dog! Q: Why did the man shoot the clock? A: He wanted to kill some time! Q: What time is it when an elephant sits on your car? A: Time to get a new car!
Johnny B. Laughing (LOL: Funny Jokes and Riddles for Kids (Laugh Out Loud Book 1))
There exist words of mediocrity, songs of mediocrity, and life lessons of mediocrity. Advice of mediocrity, books of mediocrity and companions of mediocrity are also available. One may also meet songs of purpose that can make us ponder to wonder and advice filled with authority to dare in life. We may also hear life lessons that can challenge and change us. What do you listen to? If what you listen to will not make you, it will mar you.
Ernest Agyemang Yeboah (The Untapped Wonderer In You: dare to do the undone)
Let’s take it slow because I’d like each moment we share to be etched in my memory. And I’d like these memories to make me smile wistfully someday. Let’s take it slow because I’m keeping a journal of our journey, and someday I’ll turn it into a book. I’d like our story to be rich in detail, and full of laughter and intriguing conversations. Let’s take it slow because all my life, I’ve always rushed into so many things, and they were all mistakes — I’d like you to be one of those things I’m going to do right. You deserve that much.
Nessie Q. (Snippets of Imagery)
They knew the difference between thoroughness and overkill. It was like Jay Gatsby's library: the books were real, but the pages were uncut.
Haruki Murakami (1Q84 (1Q84, #1-3))
le promesse che non sono state scambiate non possono essere infrante
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
Čia paskutinis laiptelis. Prašome aukščiau kojos nebestatyti.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
From here on out, I’m the one in charge. I’m the one who decides what’s good and what’s bad – and which way we’re headed. And people had better remember that.
Haruki Murakami (1Q84: Book 3)
هناك أشخاص في العالم يريدون التحدث إلى شخص ما حول أي شئ
هاروكي موراكامي (1Q84 Book 1 (1Q84, #1))
I see things in windows and I say to myself that I want them. I want them because I want to belong. I want to be liked by more people, I want to be held in higher regard than others. I want to feel valued, so I say to myself to watch certain shows. I watch certain shows on the television so I can participate in dialogues and conversations and debates with people who want the same things I want. I want to dress a certain way so certain groups of people are forced to be attracted to me. I want to do my hair a certain way with certain styling products and particular combs and methods so that I can fit in with the In-Crowd. I want to spend hours upon hours at the gym, stuffing my body with what scientists are calling 'superfoods', so that I can be loved and envied by everyone around me. I want to become an icon on someone's mantle. I want to work meaningless jobs so that I can fill my wallet and parentally-advised bank accounts with monetary potential. I want to believe what's on the news so that I can feel normal along with the rest of forever. I want to listen to the Top Ten on Q102, and roll my windows down so others can hear it and see that I am listening to it, and enjoying it. I want to go to church every Sunday, and pray every other day. I want to believe that what I do is for the promise of a peaceful afterlife. I want rewards for my 'good' deeds. I want acknowledgment and praise. And I want people to know that I put out that fire. I want people to know that I support the war effort. I want people to know that I volunteer to save lives. I want to be seen and heard and pointed at with love. I want to read my name in the history books during a future full of clones exactly like me. The mirror, I've noticed, is almost always positioned above the sink. Though the sink offers more depth than a mirror, and mirror is only able to reflect, the sink is held in lower regard. Lower still is the toilet, and thought it offers even more depth than the sink, we piss and shit in it. I want these kind of architectural details to be paralleled in my every day life. I want to care more about my reflection, and less about my cleanliness. I want to be seen as someone who lives externally, and never internally, unless I am able to lock the door behind me. I want these things, because if I didn't, I would be dead in the mirrors of those around me. I would be nothing. I would be an example. Sunken, and easily washed away.
Dave Matthes
Disbelievers can be good, solid people who love their spouse and children and live ethical, productive, meaningful lives. At the same time, disbelievers must understand that educated, informed, and sincere people can believe in the reality of Joseph Smith's revelations, the truth of the Book of Mormon, and the divine inspiration behind the church. They are not covering up secret doubts nor are they victims of false consciousness when they bear testimony. There are informed people who genuinely believe in and belong to the church. I am one of them.
Patrick Q. Mason (Planted: Belief and Belonging in an Age of Doubt)
No fundo, os seres humanos não passam de veículos, ou locais de passagem, para os genes. De geração em geração, correm dentro de nós até nos esgotarem, como cavalos de corrida. Os genes não pensam no bem e no mal. Não querem saber se somos felizes ou infelizes. Para eles, não passamos de um meio para atingir um fim. Só pensam no que é mais eficaz do seu ponto de vista.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
След като толкова харесвам математиката, защо хвърлям толкова много усилия да пиша литературни творби ли? [...] Хм. Действителността се различава от математиката. В живота нещата невинаги следват най-краткия път. За мен математиката е... как да го кажа... прекалено естествена. Като красив пейзаж. Просто я има. И не се налага да се заменя с нищо друго. Затова, когато се занимавам с математика, от време на време имам чувството, че ставам прозрачен. А това понякога е страшно. А докато пиша проза, използвам думите, за да преобразувам онова, което ме заобикаля, в нещо, което е по-естествено за мен. С други думи, извършвам реконструкция. Това ми позволява да утвърдя отвъд всякакво съмнение, че личността, наречена "аз", наистина съществува на този свят.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
His mind floated in the amniotic fluid of memory, listening for echoes of the past. His father, meanwhile, had no idea that such a vivid scene was burned into Tengo's brain or that, like a cow in the meadow, Tengo was endlessly regurgitating fragments of the scene to chew on, a cud from which he obtained essential nutrients. Father and son: each was locked in a deep, dark embrace with his secrets.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
When Charles Darwin was trying to decide whether he should propose to his cousin Emma Wedgwood, he got out a pencil and paper and weighed every possible consequence. In favor of marriage he listed children, companionship, and the 'charms of music and female chit-chat.' Against marriage he listed the 'terrible loss of time,' lack of freedom to go where he wished, the burden of visiting relatives, the expense and anxiety provoked by children, the concern that 'perhaps my wife won't like London,' and having less money to spend on books. Weighing one column against the other produced a narrow margin of victory, and at the bottom Darwin scrawled, 'Marry—Marry—Marry Q.E.D.' Quod erat demonstrandum, the mathematical sign-off that Darwin himself restated in English: 'It being proved necessary to Marry.
Brian Christian (Algorithms to Live By: The Computer Science of Human Decisions)
He had read many books over the years, but he owned few. He tended to dislike filling his home with a lot of possessions. When he finished a book, unless it was something quite special, he would take it to a used-book store. He bought only books he knew he was going to read right away, and he would read the ones he cared about very closely, until they were ingrained in his mind. When he needed other books he would borrow them from the neighborhood library.
Haruki Murakami (1Q84 (Vintage International))
Q. Your original, self-published version of The Martian became a phenomenon online. Were you expecting the overwhelmingly positive reception the book received? A. I had no idea it was going to do so well. The story had been available for free on my website for months, and I assumed anyone who wanted to read it had already read it. A few readers had requested I post a Kindle version because it’s easier to download that way. So I went ahead and did it, setting the price to the minimum Amazon would allow. As it sold more and more copies I just watched in awe.
Andy Weir (The Martian)
Reading two pages apiece of seven books every night, eh? I was young. You bowed to yourself in the mirror, stepping forward to applause earnestly, striking face. Hurray for the Goddamned idiot! Hray! No-one saw: tell no-one. Books you were going to write with letters for titles. Have you read his F? O yes, but I prefer Q. Yes, but W is wonderful. O yes, W. Remember your epiphanies written on green oval leaves, deeply deep, copies to be sent if you died to all the great libraries of the world, including Alexandria? Someone was to read them there after a few thousand years, a mahamanvantara. Pico della Mirandola like. Ay, very like a whale. When one reads these strange pages of one long gone one feels that one is at one with one who once ... The grainy sand had gone from under his feet. His boots trod again a damp crackling mast, razorshells, squeaking pebbles, that on the unnumbered pebbles beats, wood sieved by the shipworm, lost Armada. Unwholesome sandflats waited to suck his treading soles, breathing upward sewage breath, a pocket of seaweed smouldered in seafire under a midden of man's ashes. He coasted them, walking warily. A porterbottle stood up, stogged to its waist, in the cakey sand dough. A sentinel: isle of dreadful thirst. Broken hoops on the shore; at the land a maze of dark cunning nets; farther away chalkscrawled backdoors and on the higher beach a dryingline with two crucified shirts. Ringsend: wigwams of brown steersmen and master mariners. Human shells. He halted. I have passed the way to aunt Sara's. Am I not going there? Seems not.
James Joyce
Q. Your original, self-published version of The Martian became a phenomenon online. Were you expecting the overwhelmingly positive reception the book received? A. I had no idea it was going to do so well. The story had been available for free on my website for months, and I assumed anyone who wanted to read it had already read it. A few readers had requested I post a Kindle version because it’s easier to download that way. So I went ahead and did it, setting the price to the minimum Amazon would allow. As it sold more and more copies I just watched in awe. Q. Film rights to The Martian were sold to writer-producer Simon Kinberg (Mr. & Mrs. Smith, Sherlock Holmes, X-Men: First Class). What was your first reaction? A. Of course I’m thrilled to have a movie in the works. The movie deal and print publishing deal came within a week of each other, so I was a little shell-shocked. In fact, it was such a sudden launch into the big leagues that I literally had a difficult time believing it. I actually worried it could all be an elaborate scam. So I guess that was my first reaction: “Is this really happening!?
Andy Weir (The Martian)
Timpul poate curge inegal. In sine, el e constant, dar poate sa isi piarda fluditatea si sa se distorsioneze cumplit. Uneori e teribil de greoi si de lent, alteori usor si rapid. Cateodata evenimentele isi schimba cronologia sau chiar dispar cu desavarsire. Alteori apar unele care nici n-ar trebui sa existe. Manevrand astfel timpul dupa bunul lor plac, oamenii ajusteaza semnificatia pe care o atribuie propriei lor existente. Cu alte cuvinte, ei reusesc sa-si apere cumva sanatatea mintala. Daca ar fi nevoiti sa-l perceapa in mod uniform si in ordinea corecta in care acesta se scurge, mai mult ca sigur ca ar ceda nervos. O astfel de viata ar fi tortura curata.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
George Orwell introduced the dictator Big Brother in his novel 1984, as I’m sure you know. The book was an allegorical treatment of Stalinism, of course. And ever since then, the term ‘Big Brother’ has functioned as a social icon. That was Orwell’s great accomplishment. But now, in the real year 1984, Big Brother is all too famous, and all too obvious. If Big Brother were to appear before us now, we’d point to him and say, ‘Watch out! He’s Big Brother!’ There’s no longer any place for a Big Brother in this real world of ours.
Haruki Murakami (1Q84 (Vintage International))
De maan heeft onze wereld langer dan wie ook gadegeslagen en van heel dichtbij. Alles wat er ooit op deze aarde is gebeurd, alle handelingen die er zijn verricht heeft de maan waarschijnlijk gezien. Maar hij houdt er zijn mond over dicht. Koud en correct als altijd draagt hij dat zware verleden met zich mee. Op de maan is geen lucht en ook geen wind. Een vacuüm leent zich er uitstekend toe herinneringen onbeschadigd te bewaren. Niemand is in staat om het hart van de maan te verzachten. Aomame pakte haar glas en dronk de maan toe.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
Speed Bump Q. How fast can you hit a speed bump while driving and live? —Myrlin Barber A. Surprisingly fast. First, a disclaimer. After reading this answer, don’t try to drive over speed bumps at high speeds. Here are some reasons: You could hit and kill someone. It can destroy your tires, suspension, and potentially your entire car. Have you read any of the other answers in this book?
Randall Munroe (What If?: Serious Scientific Answers to Absurd Hypothetical Questions)
For the sake of everything you presently take for granted, give up all ideas of volunteering for the draft: or for anything military. It is a way of life which was never meant for our type. Being almost wholly composed of dullards and intellectual sluggards, it is a painful hell for anyone with an I.Q. over 80. Be a beachcomber, a Parisian wino, an Italian pimp, or a Danish pervert; but stay away from the Armed Forces. It is a catch-all for people who regard every tomorrow as a hammer swinging at the head of man, and whose outstanding trait is a fearful mistrust of everything out of the ordinary. Should you volunteer, it will be two years lost in a sea of ignorance.
Hunter S. Thompson (Proud Highway: Saga of a Desperate Southern Gentleman, 1955-1967 (Gonzo Letters Book 1))
I found, when circulating chapters from this book, that some readers feel I am too hard on heterosexuality. I do not mean to be coming out against it. I simply do not see why the nation has to have an official sexuality, especially one that authorizes the norm of a violent gentility; that narrows the field of legitimate political action; that supports the amputation of personal complexity into categories of simple identity; that uses cruel and mundane strategies both to promote shame for non-normative populations and to deny them state, federal, and juridical supports because they are deemed morally incompetent to their own citizenship. This is the heterosexuality I repudiate.
Lauren Berlant (The Queen of America Goes to Washington City: Essays on Sex and Citizenship (Series Q))
Q: Isn't the employment of thought in the psychological sense synonymous with corruption? Bohm: Why do you say that? Q: Are there not only two states: corruption and innocence? Bohm: Are you saying that thought by itself is incapable of innocence? Q: In the psychological sense it seems so. Bohm: It may seem so. But the question is whether it is actually so. That's the question we're trying to explore. We'll admit the fact that it seems so; it has that appearance. Now the question is: what is actually the case? We have to explore this, and it will take some digging into. We can't simply take the way things seem and just work on that, because that would be another kind of mistake thought makes—taking the surface and calling it the reality.
David Bohm (Thought as a System: Second edition (Key Ideas Book 4))
For now, the Simple Daily Practice means doing ONE thing every day. Try any one of these things each day: A) Sleep eight hours. B) Eat two meals instead of three. C) No TV. D) No junk food. E) No complaining for one whole day. F) No gossip. G) Return an e-mail from five years ago. H) Express thanks to a friend. I) Watch a funny movie or a stand-up comic. J) Write down a list of ideas. The ideas can be about anything. K) Read a spiritual text. Any one that is inspirational to you. The Bible, The Tao te Ching, anything you want. L) Say to yourself when you wake up, “I’m going to save a life today.” Keep an eye out for that life you can save. M) Take up a hobby. Don’t say you don’t have time. Learn the piano. Take chess lessons. Do stand-up comedy. Write a novel. Do something that takes you out of your current rhythm. N) Write down your entire schedule. The schedule you do every day. Cross out one item and don’t do that anymore. O) Surprise someone. P) Think of ten people you are grateful for. Q) Forgive someone. You don’t have to tell them. Just write it down on a piece of paper and burn the paper. It turns out this has the same effect in terms of releasing oxytocin in the brain as actually forgiving them in person. R) Take the stairs instead of the elevator. S) I’m going to steal this next one from the 1970s pop psychology book Don’t Say Yes When You Want to Say No: when you find yourself thinking of that special someone who is causing you grief, think very quietly, “No.” If you think of him and (or?) her again, think loudly, “No!” Again? Whisper, “No!” Again, say it. Louder. Yell it. Louder. And so on. T) Tell someone every day that you love them. U) Don’t have sex with someone you don’t love. V) Shower. Scrub. Clean the toxins off your body. W) Read a chapter in a biography about someone who is an inspiration to you. X) Make plans to spend time with a friend. Y) If you think, “Everything would be better off if I were dead,” then think, “That’s really cool. Now I can do anything I want and I can postpone this thought for a while, maybe even a few months.” Because what does it matter now? The planet might not even be around in a few months. Who knows what could happen with all these solar flares. You know the ones I’m talking about. Z) Deep breathing. When the vagus nerve is inflamed, your breathing becomes shallower. Your breath becomes quick. It’s fight-or-flight time! You are panicking. Stop it! Breathe deep. Let me tell you something: most people think “yoga” is all those exercises where people are standing upside down and doing weird things. In the Yoga Sutras, written in 300 B.C., there are 196 lines divided into four chapters. In all those lines, ONLY THREE OF THEM refer to physical exercise. It basically reads, “Be able to sit up straight.” That’s it. That’s the only reference in the Yoga Sutras to physical exercise. Claudia always tells me that yogis measure their lives in breaths, not years. Deep breathing is what keeps those breaths going.
James Altucher (Choose Yourself)
Q (Quiller-Couch) was all by himself my college education. I went down to the public library one day when I was seventeen looking for books on the art of writing, and found five books of lectures which Q had delivered to his students of writing at Cambridge. "Just what I need!" I congratulated myself. I hurried home with the first volume and started reading and got to page 3 and hit a snag: Q was lecturing to young men educated at Eton and Harrow. He therefore assumed his students − including me − had read Paradise Lost as a matter of course and would understand his analysis of the "Invocation to Light" in Book 9. So I said, "Wait here," and went down to the library and got Paradise Lost and took it home and started reading it and got to page 3, when I hit a snag: Milton assumed I'd read the Christian version of Isaiah and the New Testament and had learned all about Lucifer and the War in Heaven, and since I'd been reared in Judaism I hadn't. So I said, "Wait here," and borrowed a Christian Bible and read about Lucifer and so forth, and then went back to Milton and read Paradise Lost, and then finally got back to Q, page 3. On page 4 or 5, I discovered that the point of the sentence at the top of the page was in Latin and the long quotation at the bottom of the page was in Greek. So I advertised in the Saturday Review for somebody to teach me Latin and Greek, and went back to Q meanwhile, and discovered he assumed I not only knew all the plays by Shakespeare, and Boswell's Johnson, but also the Second books of Esdras, which is not in the Old Testament and not in the New Testament, it's in the Apocrypha, which is a set of books nobody had ever thought to tell me existed. So what with one thing and another and an average of three "Wait here's" a week, it took me eleven years to get through Q's five books of lectures.
Helene Hanff
Actual class struggles apart, one of the aesthetic ways you could prove that there was a class system in America was by cogitating on the word, or acronym, 'WASP.' First minted by E. Digby Baltzell in his book The Protestant Establishment , the term stood for 'White Anglo-Saxon Protestant.' Except that, as I never grew tired of pointing out, the 'W' was something of a redundancy (there being by definition no BASPs or JASPs for anyone to be confused with, or confused about). 'ASP,' on the other hand, lacked some of the all-important tone. There being so relatively few Anglo-Saxon Catholics in the United States, the 'S' [sic] was arguably surplus to requirements as well. But then the acronym AS would scarcely do, either. And it would raise an additional difficulty. If 'Anglo-Saxon' descent was the qualifying thing, which surely it was, then why were George Wallace and Jerry Falwell not WASPs? After all, they were not merely white and Anglo-Saxon and Protestant, but very emphatic about all three things. Whereas a man like William F. Buckley, say, despite being a white Irish Catholic, radiated the very sort of demeanor for which the word WASP had been coined to begin with. So, for the matter of that, did the dapper gentleman from Richmond, Virginia, Tom Wolfe. Could it be, then, that WASP was really a term of class rather than ethnicity? Q.E.D.
Christopher Hitchens (Hitch 22: A Memoir)
Tengo had no particular desire for other women. What he wanted most of all was uninterrupted free time. If he could have sex on a regular basis, he had nothing more to ask of a woman. He did not welcome the unavoidable responsibility that came with dating a woman his own age, falling in love, and having a sexual relationship. The psychological stages through which one had to pass, the hints regarding various possibilities, the unavoidable collisions of expectations: Tengo hoped to get by without taking on such burdens. The concept of duty always made Tengo cringe. He had lived his life thus far skillfully avoiding any position that entailed responsibility, and to do so, he was prepared to endure most forms of deprivation.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
A. I want my readers to remember a book of mine after they’ve turned the last page, partly so they will want to read more from me, but also because I want them to feel that reading it was well worth their time. I guess I want a book that I write to be more than entertainment that is enjoyable for the moment but forgettable as the months go by. I don’t make a conscious effort to craft quotable prose when I write, but I do endeavor to pose questions and suggest insights that speak across the pages into a reader’s life. For me, that translates into a good reason for having read the book. I always remember a book more fully and longer if I’ve been so emotionally tugged that I find myself highlighting phrases I don’t want to forget. And I usually can’t wait for that author’s next book! Khaled Hosseini’s books are always like that for me. Q.
Susan Meissner (Stars Over Sunset Boulevard)
We would gladly have listened to her (they said) if only she had spoken like a lady. But they are liars and the truth is not in them. Shrill… vituperative… no concern for the future of society… maunderings of antiquated feminism… selfish femlib… needs a good lay… this shapeless book… of course a calm and objective discussion is beyond… twisted, neurotic… some truth buried in a largely hysterical… of very limited interest, I should… another tract for the trash-can… burned her bra and thought that… no characterization, no plot… really important issues are neglected while… hermetically sealed… women's limited experience… another of the screaming sisterhood… a not very appealing aggressiveness… could have been done with wit if the author had… deflowering the pretentious male… a man would have given his right arm to… hardly girlish… a woman's book… another shrill polemic which the… a mere male like myself can hardly… a brilliant but basically confused study of feminine hysteria which… feminine lack of objectivity… this pretense at a novel… trying to shock… the tired tricks of the anti-novelists… how often must a poor critic have to… the usual boring obligatory references to Lesbianism… denial of the profound sexual polarity which… an all too womanly refusal to face facts… pseudo-masculine brusqueness… the ladies'-magazine level… trivial topics like housework and the predictable screams of… those who cuddled up to ball-breaker Kate will… unfortunately sexless in its outlook… drivel… a warped clinical protest against… violently waspish attack… formidable self-pity which erodes any chance of… formless… the inability to accept the female role which… the predictable fury at anatomy displaced to… without the grace and compassion which we have the right to expect… anatomy is destiny… destiny is anatomy… sharp and funny but without real weight or anything beyond a topical… just plain bad… we "dear ladies," whom Russ would do away with, unfortunately just don't feel… ephemeral trash, missiles of the sex war… a female lack of experience which… Q. E. D. Quod erat demonstrandum. It has been proved.
Joanna Russ (The Female Man)
Q. Which is my favorite country? A. The United States of America. Not because I'm chauvinistic or xenophobic, but because I believe that we alone have it all, even if not to perfection. The U.S. has the widest possible diversity of spectacular scenery and depth of natural resources; relatively clean air and water; a fascinatingly heterogeneous population living in relative harmony; safe streets; few deadly communicable diseases; a functioning democracy; a superlative Constitution; equal opportunity in most spheres of life; an increasing tolerance of different races, religions, and sexual preferences; equal justice under the law; a free and vibrant press; a world-class culture in books,films, theater, museums, dance, and popular music; the cuisines of every nation; an increasing attention to health and good diet; an abiding entrepreneurial spirit; and peace at home.
Albert Podell (Around the World in 50 Years: My Adventure to Every Country on Earth)
Rolf Ekeus came round to my apartment one day and showed me the name of the Iraqi diplomat who had visited the little West African country of Niger: a statelet famous only for its production of yellowcake uranium. The name was Wissam Zahawi. He was the brother of my louche gay part-Kurdish friend, the by-now late Mazen. He was also, or had been at the time of his trip to Niger, Saddam Hussein's ambassador to the Vatican. I expressed incomprehension. What was an envoy to the Holy See doing in Niger? Obviously he was not taking a vacation. Rolf then explained two things to me. The first was that Wissam Zahawi had, when Rolf was at the United Nations, been one of Saddam Hussein's chief envoys for discussions on nuclear matters (this at a time when the Iraqis had functioning reactors). The second was that, during the period of sanctions that followed the Kuwait war, no Western European country had full diplomatic relations with Baghdad. TheVatican was the sole exception, so it was sent a very senior Iraqi envoy to act as a listening post. And this man, a specialist in nuclear matters, had made a discreet side trip to Niger. This was to suggest exactly what most right-thinking people were convinced was not the case: namely that British intelligence was on to something when it said that Saddam had not ceased seeking nuclear materials in Africa. I published a few columns on this, drawing at one point an angry email from Ambassador Zahawi that very satisfyingly blustered and bluffed on what he'd really been up to. I also received—this is what sometimes makes journalism worthwhile—a letter from a BBC correspondent named Gordon Correa who had been writing a book about A.Q. Khan. This was the Pakistani proprietor of the nuclear black market that had supplied fissile material to Libya, North Korea, very probably to Syria, and was open for business with any member of the 'rogue states' club. (Saddam's people, we already knew for sure, had been meeting North Korean missile salesmen in Damascus until just before the invasion, when Kim Jong Il's mercenary bargainers took fright and went home.) It turned out, said the highly interested Mr. Correa, that his man Khan had also been in Niger, and at about the same time that Zahawi had. The likelihood of the senior Iraqi diplomat in Europe and the senior Pakistani nuclear black-marketeer both choosing an off-season holiday in chic little uranium-rich Niger… well, you have to admit that it makes an affecting picture. But you must be ready to credit something as ridiculous as that if your touching belief is that Saddam Hussein was already 'contained,' and that Mr. Bush and Mr. Blair were acting on panic reports, fabricated in turn by self-interested provocateurs.
Christopher Hitchens (Hitch 22: A Memoir)
PSALM 139 O LORD, you have  p searched me and known me! 2    You  q know when I sit down and when I rise up;         you  r discern my thoughts from afar. 3    You search out my path and my lying down         and are acquainted with all my ways. 4    Even before a word is on my tongue,         behold, O LORD,  s you know it altogether. 5    You  t hem me in, behind and before,         and  u lay your hand upon me. 6     v Such knowledge is  w too wonderful for me;         it is high; I cannot attain it.     7  x Where shall I go from your Spirit?         Or where  y shall I flee from your presence? 8     z If I ascend to heaven, you are there!          a If I make my bed in Sheol, you are there! 9    If I take the wings of the morning         and dwell in the uttermost parts of the sea, 10    even there your hand shall  b lead me,         and your right hand shall hold me. 11    If I say,  c “Surely the darkness shall cover me,         and the light about me be night,” 12     d even the darkness is not dark to you;         the night is bright as the day,         for darkness is as light with you.     13 For you  e formed my inward parts;         you  f knitted me together in my mother’s womb. 14    I praise you, for I am fearfully and wonderfully made. [1]      g Wonderful are your works;         my soul knows it very well. 15     h My frame was not hidden from you,     when I was being made in secret,         intricately woven in  i the depths of the earth. 16    Your eyes saw my unformed substance;     in your  j book were written, every one of them,         the days that were formed for me,         when as yet there was none of them.
Anonymous (The Holy Bible: English Standard Version)
I lived in New York City back in the 1980s, which is when the Bordertown series was created. New York was a different place then -- dirtier, edgier, more dangerous, but also in some ways more exciting. The downtown music scene was exploding -- punk and folk music were everywhere -- and it wasn't as expensive to live there then, so a lot of young artists, musicians, writers, etc. etc. were all living and doing crazy things in scruffy neighborhoods like the East Village. I was a Fantasy Editor for a publishing company back then -- but in those days, "fantasy" to most people meant "imaginary world" books, like Tolkien's Lord of the Rings. A number of the younger writers in the field, however, wanted to create a branch of fantasy that was rooted in contemporary, urban North America, rather than medieval or pastoral Europe. I'd already been working with some of these folks (Charles de Lint, Emma Bull, etc.), who were writing novels that would become the foundations for the current Urban Fantasy field. At the time, these kinds of stories were considered so strange and different, it was actually hard to get them into print. When I was asked by a publishing company to create a shared-world anthology for Young Adult readers, I wanted to create an Urban Fantasy setting that was something like a magical version of New York...but I didn't want it to actually be New York. I want it to be any city and every city -- a place that anyone from anywhere could go to or relate to. The idea of placing it on the border of Elfland came from the fact that I'd just re-read a fantasy classic called The King of Elfland's Daughter by the Irish writer Lord Dunsany. I love stories that take place on the borderlands between two different worlds...and so I borrowed this concept, but adapted it to a modern, punky, urban setting. I drew upon elements of the various cities I knew best -- New York, Boston, London, Dublin, maybe even a little of Mexico City, where I'd been for a little while as a teen -- and scrambled them up and turned them into Bordertown. There actually IS a Mad River in southern Ohio (where I went to college) and I always thought that was a great name, so I imported it to Bordertown. As for the water being red, that came from the river of blood in the Scottish folk ballad "Thomas the Rhymer," which Thomas must cross to get into Elfland. [speaking about the Borderland series she "founded" and how she came up with the setting. Link to source; Q&A with Holly, Ellen & Terri!]
Terri Windling
They taught him how to milk cows and now they expected him to tame lions. Perhaps they expected him to behave like all good lion tamers. Use a whip and a chair. But what happens to the best lion tamer when he puts down his whip and his chair. Goddamnit! It was wrong. He felt cheated, he felt almost violated. He felt cheated for himself, and he felt cheated for guys like Joshua Edwards who wanted to teach and who didn’t know how to teach because he’d been pumped full of manure and theoretical hogwash. Why hadn’t anyone told them, in plain, frank English, just what to do? Couldn’t someone, somewhere along the line, have told them? Not one single college instructor? Not someone from the board of Ed, someone to orientate them after they’d passed the emergency exam? Not anyone? Now one sonofabitch somewhere who gave a good goddamn? Not even Stanley? Not even Small? Did they have to figure it out for themselves, sink and swim, kill or be killed? Rick had never been told how to stop in his class. He’d never been told what to do with a second term student who doesn’t even know how to write down his own goddamn name on a sheet of paper. He didn’t know, he’d never been advised on the proper tactics for dealing with a boy whose I.Q. was 66, a big, fat, round, moronic 66. He hadn’t been taught about kids’ yelling out in class, not one kid, not the occasional “difficult child” the ed courses had loftily philosophized about, not him. But a whole goddamn, shouting, screaming class load of them all yelling their sonofbitching heads off. What do you do with a kid who can’t read even though he’s fifteen years old? Recommend him for special reading classes, sure. And what do you do when those special reading classes are loaded to the asshole, packed because there are kids who can’t read in abundance, and you have to take only those who can’t read the worst, dumping them onto a teacher who’s already overloaded and those who doesn’t want to teach a remedial class to begin with? And what do you with that poor ignorant jerk? Do you call him on class, knowing damn well he hasn’t read the assignment because he doesn’t know how to read? Or do you ignore him? Or do you ask him to stop by after school, knowing he would prefer playing stickball to learning how to read. And knowing he considers himself liberated the moment the bell sounds at the end of the eighth period. What do you do when you’ve explained something patiently and fully, explained it just the way you were taught to explain in your education courses, explained in minute detail, and you look out at your class and see that stretching, vacant wall of blank, blank faces and you know nothing has penetrated, not a goddamn thing has sunk in? What do you do then? Give them all board erasers to clean. What do you do when you call on a kid and ask “What did that last passage mean?”and the kid stands there without any idea of what the passage meant , and you know that he’s not alone, you know every other kid in the class hasn’t the faintest idea either? What the hell do you do then? Do you go home and browse through the philosophy of education books the G.I bill generously provided. Do you scratch your ugly head and seek enlightenment from the educational psychology texts? Do you consult Dewey? And who the hell do you condemn, just who? Do you condemn elementary schools for sending a kid on to high school without knowing how to read, without knowing how to write his own name on a piece of paper? Do you condemn the masterminds who plot the education systems of a nation, or a state or a city?
Evan Hunter (The Blackboard Jungle)