Pyramid Quotes

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The things we do outlast our mortality. The things we do are like monuments that people build to honor heroes after they've died. They're like the pyramids that the Egyptians built to honor the pharaohs. Only instead of being made of stone, they're made out of the memories people have of you.
R.J. Palacio (Wonder (Wonder, #1))
It takes strength and courage to admit the truth.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Show me a man or a woman alone and I'll show you a saint. Give me two and they'll fall in love. Give me three and they'll invent the charming thing we call 'society'. Give me four and they'll build a pyramid. Give me five and they'll make one an outcast. Give me six and they'll reinvent prejudice. Give me seven and in seven years they'll reinvent warfare. Man may have been made in the image of God, but human society was made in the image of His opposite number, and is always trying to get back home.
Stephen King (The Stand)
Oh no." I said panic rising in my chest. "No, no, no, Somebody get a can opener. I've got a god in my head!!
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Die, enemies of Ra!" Sekhemet yelled. "Perish in agony!" "She's almost as annoying as you," I told Horus. "Impossible," Horus said. "No one bests Horus.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
I am not well; I could have built the Pyramids with the effort it takes me to cling on to life and reason.
Franz Kafka (Letters to Felice)
Well," I said. "If you need me, I'll be outside, playing with sharp objects.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Fair means everyone gets what they need. And the only way to get what you need is to make it happen yourself.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Seeing, contrary to popular wisdom, isn't believing. It's where belief stops, because it isn't needed any more.
Terry Pratchett
Have you ever noticed how parents can go from the most wonderful people in the world to totally embarrassing in three seconds?
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Ah, Mastery of the Five Elements!" "Is that the one we want?" I asked. "No, but a good one. How to tame the five essential elements of the universe - earth, air, water, fire, and cheese!" "Cheese?
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
In person, if possible, Anubis was even more drop-dead gorgeous. [Oh . . . ha, ha. I didn't catch the pun, but thank you, Carter. God of the dead, drop-dead gorgeous. Yes, hilarious. Now, may I continue?]
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Our baboon was going completely sky goddess - which is to say, nuts.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
I guessed his name was Face of Horror. I wondered how long it had taken his mom to think of that. Bob? No. Sam? No. How about Face of Horror?
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Far, far below, red liquid bubbled. Blood? Lava? Evil ketchup? None of the posibilities were good.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Now the tattoos," Zia announced. "Brilliant!" I said. "On your tongue," she added. "Excuse me?
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
You know how hard it is to feel like an extreme falcon-headed combat machine when somebody calls you "chicken man"?
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
It’s my birthday, Horus insisted. Wish me happy birthday! “Happy birthday!” I yelled. “Now shut up!
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Wha-what?" Her eyes fluttered open. "Nothing," I shouted. "We're being followed by a slaying machine. Go back to sleep.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Carter Kane, 14, died tragically in Paris when he was eaten by his sister’s cat Muffin.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
I just love family meetings. Very cozy, with the Christmas garlands round the fireplace and a nice pot of tea and a detective from Scotland Yard ready to arrest you.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Right," Sadie said. "And Set will just stand there calmly while I read him to death.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
What needs my Shakespeare for his honoured bones, The labor of an age in pilèd stones, Or that his hallowed relics should be hid Under a star-y-pointing pyramid? Dear son of memory, great heir of fame, What need'st thou such weak witness of thy name?
John Milton (The Complete Poetry)
So you've got no name?" I asked. "They couldn't think of one ugly enough?" The creature snarled, stepping over the unconscious policeman. "Set animal is too hard to say," I decided. "I'll call you Leroy." Apparently, Leroy didn't like his name. He lunged.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
They had killed themselves over our dying forests, over manatees maimed by propellers as they surfaced to drink from garden hoses; they had killed themselves at the sight of used tires stacked higher than the pyramids; they had killed themselves over the failure to find a love none of us could ever be. In the end, the tortures tearing the Lisbon girls pointed to a simple reasoned refusal to accept the world as it was handed down to them, so full of flaws.
Jeffrey Eugenides (The Virgin Suicides)
I seriously needed an extra-strength magic pillow, because my ba refused to stay put. [And no, Sadie, I don't think wrapping my head in duct tape would've worked either.]
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
You both should feel honored.” “Right, very honored,” I said. “Always wanted to be possessed!
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Once I saw Desjardins’ house, I hated him even more. It was a huge mansion on the other side of the Tuileries, on the rue des Pyramids. “Pyramids Road?” Sadie said. “Obvious, much?” “Maybe he couldn’t find a place on Stupid Evil Magician Street,” I suggested.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Anubis frowned. He locked his very nice eyes with mine. “You’re not dead.” “No,” I said. “Though we’re trying awfully hard.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
I’m the god of funerals. I know every death custom in the world—how to die properly, how to prepare the body and soul for the afterlife. I live for death.” “You must be fun at parties,” I said.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
I believe you, Sadie." "Oh really. I'm holding the bloody feather of truth, and you believe me. Well, thanks.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
For several years, I had been bored. Not a whining, restless child's boredom (although I was not above that) but a dense, blanketing malaise. It seemed to me that there was nothing new to be discovered ever again. Our society was utterly, ruinously derivative (although the word derivative as a criticism is itself derivative). We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls. It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else. I would have done anything to feel real again.
Gillian Flynn (Gone Girl)
I woke to a bucket of ice water in my face. “Sadie! Get up,” Zia said. “God!” I yelled. “Was that necessary?” “No,” admitted Zia.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
You want to know how Egyptians pulled the brains out of mummies. or built the pyramids, or cursed King Tut's tomb? My dad's your man.
Rick Riordan (The Red Pyramid (Kane Chronicles, #1))
She blinked. "Hmm? Oh, don't care. What did Anubis look like to you?" "What did... he looked like a guy. So?" "A good-looking guy, or a slobbering dog-headed guy?" "I guess... Not the dog-headed guy." "I knew it!" Sadie pointed at me as if she'd won an argument. "Good-looking. I knew it!" And with a ridiculous grin, she spun around and skipped into the house. My sister, as I may have mentioned, is a little strange.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Fairness does not mean everyone gets the same. Fairness means everyone gets what they need.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
You know what I'd really like to do the most right now? Climb up to the top of some high place like the pyramids. The highest place I can find. Where you can see forever. Stand on the very top, look all around the world, see all the scenery, and see with my own eyes what's been lost from the world.
Haruki Murakami (Sputnik Sweetheart)
Doughboy," I said. "What is this scroll?" "A spell lost in time!" he pronounced. "Ancient words of tremendous power!" "Well?" I demanded. "Does it tell how to defeat Set?" "Better! The title reads: The Book of Summoning Fruit Bats!
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
She was a woman with red hair and green eyes— the traits which Satan supposedly relished most in mortal females.
Robert Shea (The Eye in the Pyramid (Illuminatus, #1))
I hadn't seen my dad get violent since the Great Spatula Incident, and I wasn't anxious to see a repeat of that.
Rick Riordan (The Red Pyramid (Kane Chronicles, #1))
After our mom died, her parents (our grandparents) had this big court battle with dad. After six lawyers, two fistfights, and a near fatal attack with a spatula (don't ask), they won the right to keep Sadie with them in England.
Rick Riordan (The Red Pyramid (Kane Chronicles, #1))
Now, now," Bast said. "It's not so bad." "Right," I said. "We're stuck in Washington, D.C. We have two days to make it to Arizona and stop a god we don't know how to stop. And if we can't, we'll never see our dad or Amos again, and the world might end." "That's the spirit!" Bast said brightly. "Now, let's have a picnic.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
We ran, plowing through another pile of peppers. [No, I didn't pick a peck of them, Sadie - just shut up.]
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Giving up the obsession of sign-values and the subservient fascination of the social pyramid, allows us to set priorities in life, find out the core of our true self and appreciate being “in” the moment. ("Keeping up with the Joneses" )
Erik Pevernagie
Egyptians believe in the power of the sunrise. They believe each morning begins not just a new day, but a new world.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
The baboon is driving,” I noted. “Should I be worried?
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Unless you stop him. Perhaps next we meet." "You'll be just as annoying?" I guessed. He fixed my with those warm brown eyes. "Or perhaps you could bring me up to speed on those modern courtship rituals." I sat there stunned until he gave me a glimpse of a smile-just enough to let me know he was teasing. Then he disappeared. "Oh, very funny!" I yelled.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
I tried to think of something to say. Excuse me? Hello? Marry me? Anything would have done.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
The trouble with life was that you didn’t get a chance to practice before doing it for real.
Terry Pratchett (Pyramids (Discworld, #7))
Tell you what," I said. "After the testing after the Demon Days, when things settle down -" "Things won't settle down." "- I'm going to take you to the mall." She blinked. "The mall? For what reason?" "To hang out," I said. "We'll get some hamburgers. See a movie." Zia hesitated. "Is this what you'd call a 'date'?" My expression must have been priceless, because Zia actually cracked a smile. "You look like a cow hit with a shovel.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
At first I was protecting you two because I promised. Now even if I hadn't promised, I would. You two are like kittens to me. I won't fail you again." I'll admit I got a lump in my throat. I'd never been called someone's kitten before. Sadie sniffled. She brushed something from under her eye. "You're not going to wash us, are you?
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
My name is Carter Kane. I'm fourteen and my home is a suitcase.
Rick Riordan (The Red Pyramid (Kane Chronicles, #1))
Amos sipped his coffee. "Sorry if that distubed you. Khufu's very picky. He only eats foods that end in -o. Doritos, burritos, flamingos." I blinked. "Did you say-" "Carter," Sadie warned. She looked a little queasy, like she'd already had this conversation. "Don't ask.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
There will be guards,” Bast said. “And traps. And alarms. You can bet the house is heavily charmed to keep out gods.” “Magicians can do that?” I asked. I imagined a big can of pesticide labeled God-Away.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Why did adults have to be so thick? They always say “tell the truth,” and when you do, they don’t believe you. What’s the point?
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
I thought maybe she'd whisk us off by magic, or at least hail a taxi. Instead, Bast borrowed a silver Lexus convertible. "Oh, yes," she purred. "I like this one! Come along, children." "But this isn't yours," I pointed out. "My dear, I'm a cat. Everything I see is mine." She touched the ignition and the keyhole sparked. The engine began to purr. [No, Sadie. Not like a cat, like an engine.]
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Do you give up?" Shezmu bellowed. "No!" I yelled. "No, we don't give up. We will name you. Just . . . Gosh, you're quite well muscled, arn't you? Do you work out?
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Cheops' Law: Nothing ever gets built on schedule or within budget.
Robert A. Heinlein (Time Enough for Love)
What are you?” She demanded. “My dad? Osiris? Are you even alive?” Dad looked at Anubis. “What did I tell you about her? Fiercer than Ammit, I said.” “You didn’t need to tell me that.” Anubis’s face was grave. “I’ve learned to fear that sharp tongue.” Sadie looked outraged. “Excuse me?
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
I disobeyed Ra's wishes, and so he ordered my onw father, Shu-" "Hang on," I said. "Shoe?" "S-h-u," she said. "The god of the wind." "On." I wished these gods had names that wearn't common household objects. "Go on, please.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Who are you?" he asked. "I'm a shabti, of course!" The figurine rubbed his dented head. He still looked quite lumpish, only now he was a living lump. "Master calls me Doughboy, though I find the name insulting. You may call me Supreme-Force-Who-Crushes-His-Enemies!
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
I racked my brain trying to remember the names of all of Nut’s five children. Bit difficult without my brother, the human Wikipedia, around to keep track of such trivia for me.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
I can’t believe Sadie’s going to let me have the last word. Our experience together must’ve really taught her something. Ow, she just hit me. Never mind.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
I guess it started in London, the night our dad blew up the British museum.
Rick Riordan (The Red Pyramid (Kane Chronicles, #1))
After my bad experience as a kite, I simply refused to go about as a glowing Sadie-headed chicken. That’s fine for Carter, but I have standards.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Hey, moose!” I screamed. The Set animal locked its glowing eyes one me. Well done! Horus said. Now we’ll both die with honor! Shut up, I thought.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Deserts possess a particular magic, since they have exhausted their own futures, and are thus free of time. Anything erected there, a city, a pyramid, a motel, stands outside time. It's no coincidence that religious leaders emerge from the desert. Modern shopping malls have much the same function. A future Rimbaud, Van Gogh or Adolf Hitler will emerge from their timeless wastes.
J.G. Ballard (The Atrocity Exhibition)
Mere animals couldn’t possibly manage to act like this. You need to be a human being to be really stupid.
Terry Pratchett (Pyramids (Discworld, #7))
All assassins had a full-length mirror in their rooms, because it would be a terrible insult to anyone to kill them when you were badly dressed.
Terry Pratchett (Pyramids (Discworld, #7))
True, you're the weakest of us all, but you're still one of the five, and there is power in collecting the complete set." He paused, then grinned. "The complete Set! That's funny! Now let's consume your energy and entomb your soul, shall we?
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
A long white ribbon shot out of the crack in the wall. The ribbon just kept coming, weaving itself into some kind of shape next to Anubis, and my first thought was, My god, he’s got a magic roll of toilet paper.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
This is Graceland. Home of the most famous musician in the world.” “Michael Jackson lived here?” “No, dummy,” Carter said. “Elvis Presley.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Facinating." He broke into a wide grin. "I've discovered something, Khufu. This is not Memphis, Egypt." Khufu gave me a sideways look, and I could swear his expression meant, Duh. "I've also discovered a new form of magic called blues music," the man continued. "And barbecue. Yes, you must try barbecue.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
The Suicide Not a single star will be left in the night. The night will not be left. I will die and, with me, the weight of the intolerable universe. I shall erase the pyramids, the medallions, the continents and faces. I shall erase the accumulated past. I shall make dust of history, dust of dust. Now I am looking on the final sunset. I am hearing the last bird. I bequeath nothingness to no one.
Jorge Luis Borges (Selected Poems)
Why are they so sad?” I asked. “Well, they’re dead,” Carter speculated.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Never trust a species that grins all the time. It’s up to something.
Terry Pratchett (Pyramids (Discworld, #7))
...we should be remembered for the things we do. The things we do are the most important things of all. They are more important than what we say or what we look like. The things we do outlast our mortality. The things we do are like monuments that people build to honour heroes after they've died. They're like the pyramids that the Egyptians built to honour the Pharaohs. Only instead of being made out of stone, they're made out of the memories people have of you. That's why your deeds are like your monuments. Built with memories instead of with stone.
R.J. Palacio
When the mystery of the connection goes, love goes. It's that simple. This suggests that it isn't love that is so important to us but the mystery itself. The love connection may be merely a device to put us in contact with the mystery, and we long for love to last so that the ecstacy of being near the mystery will last. It is contrary to the nature of mystery to stand still. Yet it's always there, somewhere, a world on the other side of the mirror (or the Camel pack), a promise in the next pair of eyes that smile at us. We glimpse it when we stand still. The romance of new love, the romance of solitude, the romance of objecthood, the romance of ancient pyramids and distant stars are means of making contact with the mystery. When it comes to perpetuating it, however, I got no advice. But I can and will remind you of two of the most important facts I know: 1. Everything is part of it. 2. It's never too late to have a happy childhood.
Tom Robbins (Still Life with Woodpecker)
Thank Ra!” She exclaimed. “Yeah, I’m alive.” “No, I almost jumped in after you. I hate the water!
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
The Temple of Dendur," Zia said. "Actually it was built by the Romans - " "When they occupied Egypt," Carter said, like this was delightful information. "Augustus commissioned it." "Yes," Zia said. "Fascinating," I murmured. "Would you two like to be left alone with a history textbook?
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Right,” I said. “So the baboon, the crocodile…any other pets I should know about?” Amos thought for a moment. “Visible ones? No, I think that’s it.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
I must admit I’m impressed, Sadie. You controlled your magic and controlled Isis. And you, Carter, did well turning into a lizard.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
And this is the east shore?" Sadie asked. "You said something about that in London--my grandparents living on the east shore." Amos smiled. "Yes. Very good, Sadie. In ancient times, the east bank of the Nile was always the side of the living, the side where the sun rises. The dead were buried west of the river. It was considered bad luck, even dangerous, to live there. The tradition is still strong among... our people." Our people?" I asked, but Sadie muscled in with another question. So you can't live in Manhattan?" she asked. Amos's brow furrowed as he looked across at the Empire State Building. "Manhattan has other problems. Other gods. It's best we stay separate.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
I held out the painting of the cat and the snake. “It’s a cat and a snake,” Thoth said. Thank you, god of wisdom. You placed it for us to find, didn’t you? You’re trying to give us some sort of clue.” “Who, me?” Just kill him, Horus said. Shut up, I said. At least kill the guitar.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Egypt is the First Nome. New York is the twenty-first. What’s the last one, the Three-hundred-and-sixtieth?” “That would be Antarctica,” Zia said. “A punishment assignment. Nothing there but a couple of cold magicians and some magic penguins.” “Magic penguins?” “Don’t ask.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
How does it taste?” Carter wondered. Zia smiled. “Stick out your tongue.” To answer Carter’s question, the tattoo tasted like burning car tires. “Ugh.” I spit a blue gob of “order and harmony” into the fountain.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
When the real history of mankind is fully disclosed, will it feature the echoes of gunfire or the shaping sound of lullabies? The great armistices made by military men or the peacemaking of women in homes and in neighborhoods? Will what happened in cradles and kitchens prove to be more controlling than what happened in congresses? When the surf of the centuries has made the great pyramids so much sand, the everlasting family will still be standing, because it is a celestial institution, formed outside telestial time.
Neal A. Maxwell
I've known rivers: I've known rivers ancient as the world and older than the flow of human blood in human veins. My soul has grown deep like the rivers. I bathed in the Euphrates when dawns were young. I built my hut near the Congo and it lulled me to sleep. I looked upon the Nile and raised the pyramids above it. I heard the singing of the Mississippi when Abe Lincoln went down to New Orleans, and I've seen its muddy bosom turn all golden in the sunset. I've known rivers: Ancient, dusky rivers. My soul has grown deep like the rivers.
Langston Hughes
My glowing form was so heavy, its feet sank into the top of the tank. “Sekhmet!” I yelled. The lioness whirled and snarled, trying to locate my voice. “Up here, kitty!” I called. She spotted me and her ears went back. “Horus?” ‘Unless you know another guy with a falcon head.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Rowww!” Bast wailed. The wrecking ball rolled straight over her, but she didn’t appear hurt. She leaped off and pounced aain. Her knives sliced through the metal like wet clay. Within seconds, the wrecking ball was reduced to a mound of scraps. Bast sheathed her blades. “Safe now.” “You saved us from a metal ball,” Sadie said. “You never know,” Bast said. “It could’ve been hostile.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Curled up at the base of the scales, fast asleep, was the oddest monster I'd seen yet. It had the head of crocodile with a lion's mane. The front half of its body was a lion, but the back end was sleek, brown, and fat - a hippo, I decided. The odd bit was, the animal was tiny - I mean, no larger than an average poodle, which I suppose made him a hippodoodle.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
With my sister perched on my arm, I walked to the elevator. A business man with a rolling suitcase was waiting by the doors. His eyes widened as he saw me. I must’ve looked pretty strange—a tall black kid in dirty, ragged Egyptian clothes, with a weird box tucked under one arm and a bird of prey perched on the other. “How’s it going?” I said. “I’ll take the stairs.” He hurried off.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
It was awful to be Negro and have no control over my life. It was brutal to be young and already trained to sit quietly and listen to charges brought against my color with no chance of defense. We should all be dead. I thought I should like to see us all dead, one on top of the other. A pyramid of flesh with the whitefolks on the bottom, as the broad base, then the Indians with their silly tomahawks and teepees and wigwams and treaties, the Negroes with their mops and recipes and cotton sacks and spirituals sticking out of their mouths. The Dutch children should all stumble in their wooden shoes and break their necks. The French should choke to death on the Louisiana Purchase (1803) while silkworms ate all the Chinese with their stupid pigtails. As a species, we were an abomination. All of us.
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
The stuff of nightmare is their plain bread. They butter it with pain. They set their clocks by deathwatch beetles, and thrive the centuries. They were the men with the leather-ribbon whips who sweated up the Pyramids seasoning it with other people's salt and other people's cracked hearts. They coursed Europe on the White Horses of the Plague. They whispered to Caesar that he was mortal, then sold daggers at half-price in the grand March sale. Some must have been lazing clowns, foot props for emperors, princes, and epileptic popes. Then out on the road, Gypsies in time, their populations grew as the world grew, spread, and there was more delicious variety of pain to thrive on. The train put wheels under them and here they run down the log road out of the Gothic and baroque; look at their wagons and coaches, the carving like medieval shrines, all of it stuff once drawn by horses, mules, or, maybe, men.
Ray Bradbury (Something Wicked This Way Comes)
Ego Tripping I was born in the congo I walked to the fertile crescent and built the sphinx I designed a pyramid so tough that a star that only glows every one hundred years falls into the center giving divine perfect light I am bad I sat on the throne drinking nectar with allah I got hot and sent an ice age to europe to cool my thirst My oldest daughter is nefertiti the tears from my birth pains created the nile I am a beautiful woman I gazed on the forest and burned out the sahara desert with a packet of goat's meat and a change of clothes I crossed it in two hours I am a gazelle so swift so swift you can't catch me For a birthday present when he was three I gave my son hannibal an elephant He gave me rome for mother's day My strength flows ever on My son noah built new/ark and I stood proudly at the helm as we sailed on a soft summer day I turned myself into myself and was jesus men intone my loving name All praises All praises I am the one who would save I sowed diamonds in my back yard My bowels deliver uranium the filings from my fingernails are semi-precious jewels On a trip north I caught a cold and blew My nose giving oil to the arab world I am so hip even my errors are correct I sailed west to reach east and had to round off the earth as I went The hair from my head thinned and gold was laid across three continents I am so perfect so divine so ethereal so surreal I cannot be comprehended except by my permission I mean...I...can fly like a bird in the sky...
Nikki Giovanni
Me, and thousands of others in this country like me, are half-baked, because we were never allowed to complete our schooling. Open our skulls, look in with a penlight, and you'll find an odd museum of ideas: sentences of history or mathematics remembered from school textbooks (no boy remembers his schooling like the one who was taken out of school, let me assure you), sentences about politics read in a newspaper while waiting for someone to come to an office, triangles and pyramids seen on the torn pages of the old geometry textbooks which every tea shop in this country uses to wrap its snacks in, bits of All India Radio news bulletins, things that drop into your mind, like lizards from the ceiling, in the half hour before falling asleep--all these ideas, half formed and half digested and half correct, mix up with other half-cooked ideas in your head, and I guess these half-formed ideas bugger one another, and make more half-formed ideas, and this is what you act on and live with.
Aravind Adiga (The White Tiger)
Brother dear,” I said, “did your soul leave your body while Amos was talking, or did you actually hear him? Egyptian gods real. Red Lord bad. Red Lord’s birthday: very soon, very bad. House of Life: fussy magicians who hate our family because dad was a bit of a rebel, whom you could take a lesson from. Which leaves us—just us—with Dad missing, an evil god about to destroy the world, and an uncle who just jumped off the building—and I can’t actually blame him.” I took a breath. [Yes, Carter, I do have to breathe occasionally.]
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
What are the dead, anyway, but waves and energy? Light shining from a dead star? That, by the way, is a phrase of Julian's. I remember it from a lecture of his on the Iliad, when Patroklos appears to Achilles in a dream. There is a very moving passage where Achilles overjoyed at the sight of the apparition – tries to throw his arms around the ghost of his old friend, and it vanishes. The dead appear to us in dreams, said Julian, because that's the only way they can make us see them; what we see is only a projection, beamed from a great distance, light shining at us from a dead star… Which reminds me, by the way, of a dream I had a couple of weeks ago. I found myself in a strange deserted city – an old city, like London – underpopulated by war or disease. It was night; the streets were dark, bombed-out, abandoned. For a long time, I wandered aimlessly – past ruined parks, blasted statuary, vacant lots overgrown with weeds and collapsed apartment houses with rusted girders poking out of their sides like ribs. But here and there, interspersed among the desolate shells of the heavy old public buildings, I began to see new buildings, too, which were connected by futuristic walkways lit from beneath. Long, cool perspectives of modern architecture, rising phosphorescent and eerie from the rubble. I went inside one of these new buildings. It was like a laboratory, maybe, or a museum. My footsteps echoed on the tile floors.There was a cluster of men, all smoking pipes, gathered around an exhibit in a glass case that gleamed in the dim light and lit their faces ghoulishly from below. I drew nearer. In the case was a machine revolving slowly on a turntable, a machine with metal parts that slid in and out and collapsed in upon themselves to form new images. An Inca temple… click click click… the Pyramids… the Parthenon. History passing beneath my very eyes, changing every moment. 'I thought I'd find you here,' said a voice at my elbow. It was Henry. His gaze was steady and impassive in the dim light. Above his ear, beneath the wire stem of his spectacles, I could just make out the powder burn and the dark hole in his right temple. I was glad to see him, though not exactly surprised. 'You know,' I said to him, 'everybody is saying that you're dead.' He stared down at the machine. The Colosseum… click click click… the Pantheon. 'I'm not dead,' he said. 'I'm only having a bit of trouble with my passport.' 'What?' He cleared his throat. 'My movements are restricted,' he said. 'I no longer have the ability to travel as freely as I would like.' Hagia Sophia. St. Mark's, in Venice. 'What is this place?' I asked him. 'That information is classified, I'm afraid.' 1 looked around curiously. It seemed that I was the only visitor. 'Is it open to the public?' I said. 'Not generally, no.' I looked at him. There was so much I wanted to ask him, so much I wanted to say; but somehow I knew there wasn't time and even if there was, that it was all, somehow, beside the point. 'Are you happy here?' I said at last. He considered this for a moment. 'Not particularly,' he said. 'But you're not very happy where you are, either.' St. Basil's, in Moscow. Chartres. Salisbury and Amiens. He glanced at his watch. 'I hope you'll excuse me,' he said, 'but I'm late for an appointment.' He turned from me and walked away. I watched his back receding down the long, gleaming hall.
Donna Tartt (The Secret History)
But they can rule by fraud, and by fraud eventually acquire access to the tools they need to finish the job of killing off the Constitution.' 'What sort of tools?' 'More stringent security measures. Universal electronic surveillance. No-knock laws. Stop and frisk laws. Government inspection of first-class mail. Automatic fingerprinting, photographing, blood tests, and urinalysis of any person arrested before he is charged with a crime. A law making it unlawful to resist even unlawful arrest. Laws establishing detention camps for potential subversives. Gun control laws. Restrictions on travel. The assassinations, you see, establish the need for such laws in the public mind. Instead of realizing that there is a conspiracy, conducted by a handful of men, the people reason—or are manipulated into reasoning—that the entire population must have its freedom restricted in order to protect the leaders. The people agree that they themselves can't be trusted.
Robert Anton Wilson (The Eye in the Pyramid (Illuminatus, #1))
On the back part of the step, toward the right, I saw a small iridescent sphere of almost unbearable brilliance. At first I thought it was revolving; then I realised that this movement was an illusion created by the dizzying world it bounded. The Aleph's diameter was probably little more than an inch, but all space was there, actual and undiminished. Each thing (a mirror's face, let us say) was infinite things, since I distinctly saw it from every angle of the universe. I saw the teeming sea; I saw daybreak and nightfall; I saw the multitudes of America; I saw a silvery cobweb in the center of a black pyramid; I saw a splintered labyrinth (it was London); I saw, close up, unending eyes watching themselves in me as in a mirror; I saw all the mirrors on earth and none of them reflected me; I saw in a backyard of Soler Street the same tiles that thirty years before I'd seen in the entrance of a house in Fray Bentos; I saw bunches of grapes, snow, tobacco, lodes of metal, steam; I saw convex equatorial deserts and each one of their grains of sand; I saw a woman in Inverness whom I shall never forget; I saw her tangled hair, her tall figure, I saw the cancer in her breast; I saw a ring of baked mud in a sidewalk, where before there had been a tree; I saw a summer house in Adrogué and a copy of the first English translation of Pliny -- Philemon Holland's -- and all at the same time saw each letter on each page (as a boy, I used to marvel that the letters in a closed book did not get scrambled and lost overnight); I saw a sunset in Querétaro that seemed to reflect the colour of a rose in Bengal; I saw my empty bedroom; I saw in a closet in Alkmaar a terrestrial globe between two mirrors that multiplied it endlessly; I saw horses with flowing manes on a shore of the Caspian Sea at dawn; I saw the delicate bone structure of a hand; I saw the survivors of a battle sending out picture postcards; I saw in a showcase in Mirzapur a pack of Spanish playing cards; I saw the slanting shadows of ferns on a greenhouse floor; I saw tigers, pistons, bison, tides, and armies; I saw all the ants on the planet; I saw a Persian astrolabe; I saw in the drawer of a writing table (and the handwriting made me tremble) unbelievable, obscene, detailed letters, which Beatriz had written to Carlos Argentino; I saw a monument I worshipped in the Chacarita cemetery; I saw the rotted dust and bones that had once deliciously been Beatriz Viterbo; I saw the circulation of my own dark blood; I saw the coupling of love and the modification of death; I saw the Aleph from every point and angle, and in the Aleph I saw the earth and in the earth the Aleph and in the Aleph the earth; I saw my own face and my own bowels; I saw your face; and I felt dizzy and wept, for my eyes had seen that secret and conjectured object whose name is common to all men but which no man has looked upon -- the unimaginable universe. I felt infinite wonder, infinite pity.
Jorge Luis Borges