Pygmalion Quotes

What you are to do without me I cannot imagine.

The difference between a lady and a flower girl is not how she behaves, but how she’s treated.

If you can’t appreciate what you’ve got, you’d better get what you can appreciate.

Happy is the man who can make a living by his hobby

What was the name of Pygmalion's sister?" She blinked, twice, obviously surprised. "Ummm," she said, keeping her eyes on me. "I don't know." Rogerson did," I told her. "Rogerson knew everything.

What is life but a series of inspired follies? The difficulty is to find them to do. Never lose a chance: it doesn’t come every day.

I sold flowers. I didn't sell myself. Now you've made a lady of me I'm not fit to sell anything else.

I can't turn your soul on. Leave me those feelings; and you can take away the voice and the face. They are not you.

The great secret, Eliza, is not having bad manners or good manners or any other particular sort of manners, but having the same manner for all human souls: in short, behaving as if you were in Heaven, where there are no thirdclass carriages, and one soul is as good as another.

Galatea never does quite like Pygmalion: his relation to her is too godlike to be altogether agreeable.

Get out of my way; for I won't stop for you.

I have my own soul. My own spark of divine fire.

I shall always be a flower girl to Professor Higgins, because he always treats me as a flower girl, and always will; but I know I can be a lady to you, because you always treat me as a lady, and always will.

HIGGINS. Have you no morals, man? DOOLITTLE [unabashed] Cant afford them, Governor. Neither could you if you was as poor as me.

She has mischievious moments when she wishes she could get him alone on a desert island...

HIGGINS. The great secret, Eliza, is not having bad manners or good manners or any other particular sort of manners, but having the same manner for all human souls: in short, behaving as if were in Heaven, where there are no third-class carriages, and one soul is as good as another.

Would the world ever have been made if its maker had been afraid of making trouble?Making life means making trouble. There’s only one way of escaping trouble; and that’s killing things.

You know well I couldn't bear to live with a low common man after you two; and it's wicked and cruel of you to insult me by pretending I could.

No use slaving for me and then saying you want to be cared for: who cares for a slave? If you come back, come back for the sake of good fellowship; for you’ll get nothing else.

We are all savages

It exasperated her to think that the dungeon in which she had languished for so many unhappy years had been unlocked all the time, and that the impulses she had so carefully struggled with and stifled for the sake of keeping well with society, were precisely those by which alone she could have come into any sort of sincere human contact.

Besides, do any of us understand what we are doing? If we did, would we ever do it?

German and Spanish are accessible to foreigners: English is not accessible even to Englishmen.

The most powerful determinant of who you are is inside you,” he said. “Professor Steinberg says this is Pygmalion. Think of the story, Tara.” He paused, his eyes fierce, his voice piercing. “She was just a cockney in a nice dress. Until she believed in herself. Then it didn’t matter what dress she wore.

As I uttered these inspiring words the idea came like a flash of lightning and in an instant the truth was revealed. I drew with a stick on the sand the diagram shown six years later in my address before the American Institute of Electrical Engineers, and my companion understood them perfectly. The images I saw were wonderfully sharp and clear and had the solidity of metal and stone, so much so that I told him, "See my motor here; watch me reverse it." I cannot begin to describe my emotions. Pygmalion seeing his statue come to life could not have been more deeply moved. A thousand secrets of nature which I might have stumbled upon accidentally, I would have given for that one which I had wrested from her against all odds and at the peril of my existence ...

HIGGINS I find that the moment I let a woman make friends with me, she becomes jealous, exacting, suspicious, and a damned nuisance. I find that the moment I let myself make friends with a woman, I become selfish and tyrannical. Women upset everything. When you let them into your life, you find that the woman is driving at one thing and you're driving at another. PICKERING At what, for example? HIGGINS Oh, Lord knows! I suppose the woman wants to live her own life; and the man wants to live his; and each tries to drag the other on to the wrong track. One wants to go north and the other south; and the result is that both have to go east, though they both hate the east wind.

PICKERING:Excuse the straight question, Higgins. Are you a man of good character where women are concerned? HIGGINS [moodily]:Have you ever met a man of good character where women are concerned?

I laughed and shook my head. ‘I don’t think so. My mum doesn’t really go out. And it’s not my cup of tea.’ ‘Like films with subtitles weren’t your cup of tea?’ I frowned at him. ‘I’m not your project, Will. This isn’t My Fair Lady.’ ‘Pygmalion.’ ‘What?’ ‘The play you’re referring to. It’s Pygmalion. My Fair Lady is just its bastard offspring.

Remember that you are a human being with a soul and the divine gift of articulate speech: that your native language is the language of Shakespear and Milton and The Bible; and don't sit there crooning like a bilious pigeon.

HOSTESS. Oh, nonsense! She speaks English perfectly. NEPOMMUCK. Too perfectly. Can you shew me any English woman who speaks English as it should be spoken? Only foreigners who have been taught to speak it speak it well.

HIGGINS [aggrieved] Do you mean that my language is improper? MRS HIGGINS. No, dearest: it would be quite proper - say on a canal barge...

The weak may not be admired and hero-worshipped; but they are by no means disliked or shunned; and they never seem to have the least difficulty in marrying people who are too good for them. They may fail in emergencies; but life is not one long emergency: it is mostly a string of situations for which no exceptional strength is needed, and with which even rather weak people can cope if they have a stronger partner to help them out.

MRS PEARCE. Mr Higgins: you're tempting the girl. It’s not right. She should think of the future. HIGGINS. At her age! Nonsense! Time enough to think of the future when you haven't any future to think of.

the beauty and nobility, the august mission and destiny, of human handwriting.

She has even secret mischievous moments in which she wishes she could get him alone, on a desert island, away from all ties and with nobody else in the world to consider, and just drag him off his pedestal and see him making love like any common man.

Making Life means making trouble

I'm willing to tell you. I'm wanting to tell you. I'm waiting to tell you.

I have to live for others and not for myself: thats middle class morality.

There's only one way of escaping trouble; and that's killing things." Henry Higgins, Act V, Pygmalion

Oh that. Men do fall in love with me. They seem to think me a creature with volcanic passions; I'm sure I don't know why. All the volcanic women I know are plain little creatures with sandy hair. I don't consider human volcanoes respectable. And I'm so tired of the subject. Our house is always full of women in love with my husband and men in love with me. We encourage it because it's pleasant to have company.

Pygmalion formed an ivory maid, and longed for an informing soul. She, on the contrary, combined all the qualities of a hero's mind, and fate presented a statue in which she might enshrine them.

The most powerful determinant of who you are is inside you," he said. "Professor Steinberg says this is Pygmalion. Think of the story, Tara." He paused, his eyes fierce, his voice piercing. "She was just a cockney in a nice dress. Until she believed in herself. Then it didn't matter what dress she wore".

I have never sneered in my life. Sneering doesn't become either the human face or the human soul. I am expressing my righteous contempt for Commercialism. I don't and wont trade in affection. You call me a brute because you couldn't buy a claim on me by fetching my slippers and finding my spectacles. You were a fool: I think a woman fetching a man's slippers is a disgusting sight: did I ever fetch your slippers? I think a good deal more of you for throwing them in my face. No use slaving for me and then saying you want to be cared for: who cares for a slave?

I'm one of the undeserving poor: that's what I am. Think of what that means to a man. It means that he's up agen middle class morality all the time. If there's anything going, and I put in for a bit of it, it's always the same story: "You're undeserving; so you can't have it." Buy my needs is as great as the most deserving widow's that ever got money out of six different charities in one week for the death of the same husband. I don't need less than a deserving man: I need more. I don't eat less hearty than him; and I drink a lot more. I want a bit of amusement, cause I'm a thinking man. I want cheerfulness and a song and a band when I feel low. Well, they charge me just the same for everything as they charge the deserving. What is middle class morality? Just an excuse for never giving me anything.

When a lion meets another with a louder roar the first lion thinks the last a bore.

The English have no respect for their language, and will not teach their children to speak it. They cannot spell it because they have nothing to spell it with but an old foreign alphabet of which only the consonants – and not all of them – have any agreed speech value. Consequently no man can teach himself what it should sound like from reading it; and it is impossible for an Englishman to open his mouth without making some other Englishman despise him.

Eliza has no use for the foolish romantic tradition that all women love to be mastered, if not actually bullied and beaten.

You know you can't be a nice girl inside if you're a dirty slut outside

The man or woman who feels strong enough for two, seeks for every other quality in a partner than strength.

You see, we're all savages, more or less. We're supposed to be civilized and cultured—to know all about poetry and philosophy and art and science, and so on; but how many of us know even the meanings of these names?

Just start somewhere," Dr. Marshall had said to me as I ground a banana-pineapple one to bits between my teeth. "It doesn't have to be at the beginning." She'd pulled her legs up, Indian-style, letting the legal pad she'd been holding drop to the floor. "I thought everything always had to start at the beginning," I said. "Not in this room," she said easily. "Go ahead, Caitlin. Just tell me one thing. It gets easier, I promise. The first thing is always the hardest." I looked down at my hands, stained mildly red from the particularly sticky watermelon Rancher. "Okay," I said, reaching forward to take another one out of the bowl, just in case. She was already sitting back in her chair, readying herself for whatever glimpse I would give her into the mess I'd become. "What was the name of Pygmalion's sister?" She blinked, twice, obviously surprised. "Ummm," she said, keeping her eyes on me. "I don't know." "Rogerson did," I told her. "Rogerson knew everything.

palatable

Sacrifices are no sacrifices when they are repaid a thousand fold.

Dacă nu ești în stare să prețuiești ceea ce ai, atunci caută să ai ceea ce ești în stare să prețuiești.

Independence? That’s middle class blasphemy. We are all dependent on one another, every soul of us on earth.

Pygmalion made her; then she kicked him in the nuts, ran away, and developed a personality.

Medicine had granted permission to a fantasy that men have never abandoned, a muddled version of what Pygmalion wanted - something between a real woman and a beautiful thing.

A gifted young sculptor of Cyprus, named Pygmalion, was a woman-hater. Detesting the faults beyond measure which nature has given to women, he resolved never to marry.

Who asked him to make a gentleman of me? I was happy. I was free. I touched pretty nigh everybody for money when I wanted it, same as I touched you, Henry Higgins. Now I am worrited; tied neck and heels; and everybody touches me for money. It's a fine thing for you, says my solicitor. Is it? says I. You mean it's a good thing for you, I says. When I was a poor man and had a solicitor once when they found a pram in the dust cart, he got me off, and got shut of me and got me shut of him as quick as he could. Same with the doctors: used to shove me out of the hospital before I could hardly stand on my legs, and nothing to pay. Now they finds out that I'm not a healthy man and cant live unless they looks after me twice a day. In the house I'm not let do a hand's turn for myself: somebody else must do it and touch me for it. A year ago I hadn't a relative in the world except two or three that wouldn't speak to me. Now I've fifty, and not a decent week's wages among the lot of them. I have to live for others and not for myself: that's middle class morality.

A woman who utters such depressing and disgusting sounds has no right to be anywhere - no right to live. Remember that you are a human being with a soul and the divine gift to articulate speech: that your native language is the language of Shakespeare and Milton...

If an imaginative boy has a sufficiently rich mother who has intelligence, personal grace, dignity of character without harshness, and a cultivated sense of the best art of her time to enable her to make her house beautiful, she sets a standard for him against which very few women can struggle, besides effecting for him a disengagement of his affections, his sense of beauty, and his idealism from his specifically sexual impulses.

But to admire a strong person and to live under that strong person’s thumb are two different things.

How can she? She's incapable of understanding anything. Besides, do any of us understand what we are doing? If we did, would we ever do it?

What is life but a series of inspired follies? The difficulty is to find them to do. Never lose a chance: it doesn't come every day.

I can do without anybody. I have my own soul: my own spark of divine fire.

Whomever you become, whatever you make yourself into, that is who you always were. It was always in you. Not in Cambridge. In you. You are gold. And returning to BYI, or even that mountain you came from, will not change who you are. It may change how others see you, it may even change how you see yourself—even gold appears dull in some lighting—but that is the illusion. And it always was.... The most powerful determination of who you are is inside you, he said, ‘Professor Steinberg says this Pygmalion.... She was just a cockney in a nice dress. Until she believed in herself. Then it didn’t matter what dress she wore.’ I wanted to believe him, to take his words and remake myself, but I’d never had that kind of faith. No matter how deeply I interred the memories, how tightly I shut my eyes against them, when I thought of my self, the images that came to mind were of that girl, in the bathroom, in the parking lot.

Would the world ever have been made if its maker had been afraid of making trouble? Making life means making trouble. There’s only one way of escaping trouble; and that’s killing things. Cowards, you notice, are always shrieking to have troublesome people killed.

Happy is the man who can make a living by his hobby!

How can she? She's incapable of understanding anything. Besides, do any of us understand what we are doing? If we did, would we ever do it?

I care for life, for humanity; and you are a part of it that has come my way and been built into my house. What more can you or anyone ask?

I find that the moment I let a woman make friends with me, she becomes jealous, exacting, suspicious, and a damned nuisance.

Dont be afraid: she never comes to words with anyone now, poor woman! respectability has broke all the spirit out of her.

I sold flowers. I didn’t sell myself. Now you’ve made a lady of me I’m not fit to sell anything else. I wish you’d left me where you found me.

You see this creature with her kerbstone English: the English that will keep her in the gutter to the end of her days.

and I wont be coaxed round as if I was a baby or a puppy. If I cant have kindness, I’ll have independence.

Weak people want to marry strong people who do not frighten them too much; and this often leads them to make the mistake we describe metaphorically as “biting off more than they can chew.

Still others (myself included) have been disturbed by the deeply misogynist implications of the story. Pygmalion’s happy ending is only happy if you accept a number of repulsive ideas: that the only good woman is one who has no self beyond pleasing a man, the fetishization of female sexual purity, the connection of the “snowy” ivory with perfection, the elevation of male fantasy over female reality.

You see, we're all savages, more or less. We're supposed to be civilized and cultured—to know all about poetry and philosophy and art and science, and so on; but how many of us know even the meanings of these names?

What they think they ought to think is bad enough, Lord knows; but what they really think would break up the whole show. Do you suppose it would be really agreeable if I were to come out now with what I really think?

A group of girls with their hair hanging loose over their shoulders, and the most strident voices imaginable, sold flowers at the foot of an equestrian statue, done in bronze by Thornycroft when the Empress was a young woman.

But you have no idea how frightfully interesting it is to take a human being and change her into a quite different human being by creating a new speech for her. It’s filling up the deepest gulf that separates class from class and soul from soul.

Oh, it’s a fine life, the life of the gutter. It’s real: it’s warm: it’s violent: you can feel it through the thickest skin: you can taste it and smell it without any training or any work. Not like Science and Literature and Classical Music and Philosophy and Art.

Let me be candid. If I had to rank book-acquisition experiences in order of comfort, ease, and satisfaction, the list would go like this: 1. The perfect independent bookstore, like Pygmalion in Berkeley. 2. A big, bright Barnes & Noble. I know they’re corporate, but let’s face it—those stores are nice. Especially the ones with big couches. 3. The book aisle at Walmart. (It’s next to the potting soil.) 4. The lending library aboard the U.S.S. West Virginia, a nuclear submarine deep beneath the surface of the Pacific. 5. Mr. Penumbra’s 24-Hour Bookstore.

The rest of the story need not be shown in action, and indeed, would hardly need telling if our imaginations were not so enfeebled by their lazy dependence on the ready-makes and reach-me-downs of the ragshop in which Romance keeps its stock of “happy endings” to misfit all stories.

Nous n’avons point de Pygmalion comme les Grecs, par conséquent point de Galatée. Il faudrait donc, mes très chères sœurs, être plus indulgentes entre nous pour nos défauts, nous les cacher mutuellement, et tâcher de devenir plus conséquentes en faveur de notre sexe. Est-il étonnant que les hommes l’oppriment, et n’est-ce pas notre faute ? Peu de femmes sont hommes par la façon de penser, mais il y en a quelques-unes, et malheureusement le plus grand nombre se joint impitoyablement au parti le plus fort, sans prévoir qu’il détruit lui-même les charmes de son empire.

Behind this lies not just impact or drama, but a typically Japanese tendency. The story of Pygmalion, the Greek myth — in which Pygmalion falls in love with the statue of a young woman that he creates and which is hen transformed into a human by Aphrodite who imbues it with life — represents a Western approach in which the statue represents the human body. In Japan, however, there is a unique predilection for dolls ... This can be interpreted as a decadent, necrophiliac erotic story but it can also be interpreted as a propensity for Japanese men to fall in love with figures. These men's desires are directed at the figure for the very reason that it is a doll. The overwhelming passivity of the doll is a reflection of the behavior of a certain type of Japanese man whose immaturity makes it very difficult for him to establish an equal relationship with a mature woman.

fantastical. The memories were more real—more believable—than the stone spires. To myself I pretended there were other reasons I couldn’t belong at Cambridge, reasons having to do with class and status: that it was because I was poor, had grown up poor. Because I could stand in the wind on the chapel roof and not tilt. That was the person who didn’t belong in Cambridge: the roofer, not the whore. I can go to school, I had written in my journal that very afternoon. And I can buy new clothes. But I am still Tara Westover. I have done jobs no Cambridge student would do. Dress us any way you like, we are not the same. Clothes could not fix what was wrong with me. Something had rotted on the inside, and the stench was too powerful, the core too rancid, to be covered up by mere dressings. Whether Dr. Kerry suspected any part of this, I’m not sure. But he understood that I had fixated on clothes as the symbol of why I didn’t, and couldn’t, belong. It was the last thing he said to me before he walked away, leaving me rooted, astonished, beside that grand chapel. “The most powerful determinant of who you are is inside you,” he said. “Professor Steinberg says this is Pygmalion. Think of the story, Tara.” He paused, his eyes fierce, his voice piercing. “She was just a cockney in a nice dress. Until she believed in herself. Then it didn’t matter what dress she wore.

Cold, I was, like snow, like ivory. I thought "He will not touch me", but he did. He kissed my stone-cool lips. I lay still as though I’d died. He stayed. He thumbed my marbled eyes. He spoke - blunt endearments, what he’d do and how. His words were terrible. My ears were sculpture, stone-deaf shells. I heard the sea. I drowned him out. I heard him shout. He brought me presents, polished pebbles, little bells. I didn’t blink, was dumb. He brought me pearls and necklaces and rings. He called them girly things. He ran his clammy hands along my limbs. I didn’t shrink, played statue, shtum. He let his fingers sink into my flesh, he squeezed, he pressed. I would not bruise. He looked for marks, for purple hearts, for inky stars, for smudgy clues. His nails were claws. I showed no scratch, no scrape, no scar. He propped me up on pillows, jawed all night. My heart was ice, was glass. His voice was gravel, hoarse. He talked white black. So I changed tack, grew warm, like candle wax, kissed back, was soft, was pliable, began to moan, got hot, got wild, arched, coiled, writhed, begged for his child, and at the climax screamed my head off - all an act. And haven’t seen him since. Simple as that

Pickering : You see, lots of the real people can't do it at all: they're such fools that they think style comes by nature to people in their position; and so they never learn. There's always something professional about doing a thing superlatively well. HIGGINS. Yes: that's what drives me mad: the silly people don't know their own silly business.

professional humbug which saves the face of the stupid system of violence and robbery which we call Law and Industry. Even

Liza. If I cant have kindness, I’ll have independence. Higgins. Independence? That's middle class blasphemy. We are all dependent on one another, every soul of us on earth.

Я — ругаться? (С большим пафосом.) Я никогда не ругаюсь. Я презираю эту манеру. Что, черт возьми, вы хотите сказать? ("Пигмалион", Б. Шоу)

Пикеринг: Послушайте, но неужели у вас совершенно нет чувства морали? Дулиттл(не смущаясь): Оно мне не по карману, хозяин. Будь вы на моем месте, у вас бы его тоже не было. ("Пигмалион", Б. Шоу)

Eliza has no use for the foolish romantic tradition that all women love to be mastered, if not actually bullied and beaten. "When you go to women," says Nietzsche, "take your whip with you." Sensible despots have never confined that precaution to women: they have taken their whips with them when they have dealt with men, and been slavishly idealized by the men over whom they have flourished the whip much more than by women. No doubt there are slavish women as well as slavish men; and women, like men, admire those that are stronger than themselves. But to admire a strong person and to live under that strong person's thumb are two different things. The weak may not be admired and hero-worshipped; but they are by no means disliked or shunned; and they never seem to have the least difficulty in marrying people who are too good for them. They may fail in emergencies; but life is not one long emergency: it is mostly a string of situations for which no exceptional strength is needed, and with which even rather weak people can cope if they have a stronger partner to help them out. Accordingly, it is a truth everywhere in evidence that strong people, masculine or feminine, not only do not marry stronger people, but do not show any preference for them in selecting their friends. When a lion meets another with a louder roar "the first lion thinks the last a bore." The man or woman who feels strong enough for two, seeks for every other quality in a partner than strength. The converse is also true. Weak people want to marry strong people who do not frighten them too much; and this often leads them to make the mistake we describe metaphorically as "biting off more than they can chew." They want too much for too little; and when the bargain is unreasonable beyond all bearing, the union becomes impossible: it ends in the weaker party being either discarded or borne as a cross, which is worse. People who are not only weak, but silly or obtuse as well, are often in these difficulties.

Remember that you are a human being with a soul and the divine gift of articulate speech: that your native language is the language of Shakespear and Milton and The Bible; and don’t sit there crooning like a bilious pigeon.

Пикеринг: Простите за откровенность, Хиггинс, но я хочу вам задать один вопрос. Вы человек порядочный в делах, касающихся женщин? Хиггинс(ворчливо): А вы когда-нибудь видели, чтобы человек был порядочным в делах, касающихся женщин? ("Пигмалион", Б. Шоу)

HIGGINS. It's all you'll get until you stop being a common idiot. If you're going to be a lady, you'll have to give up feeling neglected if the men you know don't spend half their time snivelling over you and the other half giving you black eyes. If you can't stand the coldness of my sort of life, and the strain of it, go back to the gutter. Work til you are more a brute than a human being; and then cuddle and squabble and drink til you fall asleep. Oh, it's a fine life, the life of the gutter. It's real: it's warm: it's violent: you can feel it through the thickest skin: you can taste it and smell it without any training or any work. Not like Science and Literature and Classical Music and Philosophy and Art. You find me cold, unfeeling, selfish, don't you? Very well: be off with you to the sort of people you like. Marry some sentimental hog or other with lots of money, and a thick pair of lips to kiss you with and a thick pair of boots to kick you with. If you can't appreciate what you've got, you'd better get what you can appreciate.

All the other passions were in me before; but they were idle and aimless—mere childish greedinesses and cruelties, curiosities and fancies, habits and superstitions, grotesque and ridiculous to the mature intelligence. When they suddenly began to shine like newly lit flames it was by no light of their own, but by the radiance of the dawning moral passion. That passion dignified them, gave them conscience and meaning, found them a mob of appetites and organized them into an army of purposes and principles. My soul was born of that passion. ANN.

Dr. Kerry said he'd been watching me. "You act like someone who is impersonating someone else. And it's as if you think your life depends on it." I didn't know what to say, so I said nothing. "It has never occurred to you," he said, "that you might have as much right to be here as anyone." He waited for an explanation. "I would enjoy serving the dinner," I said, "more than eating it." Dr. Kerry smiled. "You should trust Professor Steinberg. If he says you're a scholar-'pure gold,' I heard him say-then you are." "This is a magical place," I said. "Everything shines here." "You must stop yourself from thinking like that," Dr. Kerry said, his voice raised. "You are not fool's gold, shining only under a particular light. Whomever you become, whatever you make yourself into, that is who you always were. It was always in you. Not in Cambridge. In you. You are gold. And returning to BYU, or even to that mountain you came from, will not change who you are. It may change how others see you, it may even change how you see yourself-even gold appears dull in some lighting-but that is the illusion. And it always was." I wanted to believe him, to take his words and remake myself, but I'd never had that kind of faith. No matter how deeply I interred the memories, how tightly I shut my eyes against them, when I thought of my self, the images that came to mind were of that girl, in the bathroom, in the parking lot. I couldn't tell Dr. Kerry about that girl. I couldn't tell him that the reason I couldn't return to Cambridge was that being here threw into great relief every violent and degrading moment of my life. At BYU I could almost forget, allow what had been to blend into what was. But the contrast here was too great, the world before my eyes too fantastical. The memories were more real-more believable-than the stone spires. To myself I pretended there were other reasons I couldn't belong at Cambridge, reasons having to do with class and status: that it was because I was poor, had grown up poor. Because I could stand in the wind on the chapel roof and not tilt. That was the person who didn't belong in Cambridge: the roofer, not the whore. I can go to school, I had written in my journal that very afternoon. And I can buy new clothes. But I am still Tara Westover. I have done jobs no Cambridge student would do. Dress us any way you like, we are not the same. Clothes could not fix what was wrong with me. Something had rotted on the inside. Whether Dr. Kerry suspected any part of this, I'm not sure. But he understood that I had fixated on clothes as the symbol of why I didn't, and couldn't, belong. It was the last thing he said to me before he walked away, leaving me rooted, astonished, beside that grand chapel. "The most powerful determinant of who you are is inside you," he said. "Professor Steinberg says this is Pygmalion. Think of the story, Tara." He paused, his eyes fierce, his voice piercing. "She was just a cockney in a nice dress. Until she believed in herself. Then it didn't matter what dress she wore.

HIGGINS [*snatching a chocolate cream from the piano, his eyes suddenly beginning to twinkle with mischief*] Have some chocolates, Eliza. LIZA [*halting, tempted*] How do I know what might be in them? I've heard of girls being drugged by the like of you. *Higgins whips out his penknife; cuts a chocolate in two; puts one half into his mouth and bolts it; and offers her the other half.* HIGGINS. Pledge of good faith, Eliza. I eat one half: you eat the other. [*Liza opens her mouth to retort: he pops the half chocolate into it*]. You shall have boxes of them, barrels of them, every day. You shall live on them. Eh? LIZA [*who has disposed of the chocolate after being nearly choked by it*] I wouldn't have ate it, only I'm too ladylike to take it out of my mouth. (Act 2, Scene 1).