“
When you were six you thought mistress meant to put your shoes on the wrong feet. Now you are older and know it can mean many things, but essentially it means to put your shoes on the wrong feet.
”
”
Lorrie Moore
“
Take a shower. Wash away every trace of yesterday. Of smells. Of weary skin. Get dressed. Make coffee, windows open, the sun shining through. Hold the cup with two hands and notice that you feel the feeling of warmth.
You still feel warmth.
Now sit down and get to work. Keep your mind sharp, head on, eyes on the page and if small thoughts of worries fight their ways into your consciousness: threw them off like fires in the night and keep your eyes on the track. Nothing but the task in front of you.
Get off your chair in the middle of the day. Put on your shoes and take a long walk on open streets around people. Notice how they’re all walking, in a hurry, or slowly. Smiling, laughing, or eyes straight forward, hurried to get to wherever they’re going. And notice how you’re just one of them. Not more, not less. Find comfort in the way you’re just one in the crowd. Your worries: no more, no less.
Go back home. Take the long way just to not pass the liquor store. Don’t buy the cigarettes. Go straight home. Take off your shoes. Wash your hands. Your face. Notice the silence. Notice your heart. It’s still beating. Still fighting. Now get back to work.
Work with your mind sharp and eyes focused and if any thoughts of worries or hate or sadness creep their ways around, shake them off like a runner in the night for you own your mind, and you need to tame it. Focus. Keep it sharp on track, nothing but the task in front of you.
Work until your eyes are tired and head is heavy, and keep working even after that.
Then take a shower, wash off the day. Drink a glass of water. Make the room dark. Lie down and close your eyes.
Notice the silence. Notice your heart. Still beating. Still fighting. You made it, after all. You made it, another day. And you can make it one more.
You’re doing just fine.
You’re doing fine.
I’m doing just fine.
”
”
Charlotte Eriksson (You're Doing Just Fine)
“
Oh, come on, just this once," Eve said. "Protects your neck. As in your arteries and veins?
That's kind of crucial, right?"
"Thanks for the thought, but it doesn't go with my shoes."
"You're seriously going to worry about what people think right now?"
"No, I'm worrying about people taking pictures and putting them on Facebook. That crap never dies. Kind of like you, Mikey."
Michael, straight-faced, said, "He's got a point, because I would definitely take pictures. So would you."
Eve had to grin. "Yeah, I would. Okay, then. But you'd look glam. I could fix you up with silver eye shadow to match.
”
”
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
“
Put an egg in your shoe and beat it, make like a tree and leave, imitate an amoeba and split.
”
”
Stephen King (Needful Things)
“
The golden rule here is to stop assuming what your customers are going to like and what they won’t. Instead, start putting yourself in their shoes to familiarize yourself with their needs and wants. That way you will never go wrong.
”
”
Pooja Agnihotri (17 Reasons Why Businesses Fail :Unscrew Yourself From Business Failure)
“
Time to cash in your chips
put your ideas and beliefs on the table.
See who has the bigger hand
you or the Mystery that pervades you.
Time to scrape the mind's shit
off your shoes
undo the laces
that hold your prison together
and dangle your toes into emptiness.
Once you've put everything
on the table
once all of your currency is gone
and your pockets are full of air
all you've got left to gamble with
is yourself.
Go ahead, climb up onto the velvet top
of the highest stakes table.
Place yourself as the bet.
Look God in the eyes
and finally
for once in your life
lose.
”
”
Adyashanti
“
Perhaps we don't like what we see: our hips, our loss of hair, our shoe size, our dimples, our knuckles too big, our eating habits, our disposition. We have disclosed these things in secret, likes and dislikes, behind doors with locks, our lonely rooms, our messy desks, our empty hearts, our sudden bursts of energy, our sudden bouts of depression. Don’t worry. Put away your mirrors and your beauty magazines and your books on tape. There is someone right here who knows you more than you do, who is making room on the couch, who is fixing a meal, who is putting on your favorite record, who is listening intently to what you have to say, who is standing there with you, face to face, hand to hand, eye to eye, mouth to mouth. There is no space left uncovered. This is where you belong.
”
”
Sufjan Stevens
“
When it’s time to leave, we put on our shoes, kiss Daddy good-bye, and tumble out the front door. Waiting for us on the street in front of his car is Peter with a bouquet of cellophane-wrapped pink carnations. “Happy birthday, kid,” he says. Kitty’s eyes bulge. “Are those for me?” He laughs. “Who else would they be for? Hurry and get in the car.” Kitty turns to me, her eyes bright, her smile as wide as her face. I’m smiling too. “Are you coming too, Lara Jean?” I shake my head. “No, there’s only room for two.” “You’re my only girl today, kid,” Peter says, and Kitty runs to him and snatches the flowers out of his hand. Gallantly, he opens the door for her. He shuts it and turns and winks at me. “Don’t be jealous, Covey.” I’ve never liked him more than in this moment.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
What's your problem with the Guild?"
"The only way to resolve it involves me being entangled in running it and I don't want to do it." I waved my arms. "I have the Consort crap and I have the Cutting Edge crap and whatever other bullshit the two of you throw my way. I don't want to go to the Guild every month and deal with their crap on top of everything else."
Curran leaned toward me. "I have to dress up and meet with those corpsefuckers once every three months and be civil while we're eating at the same table. You can deal with the Guild."
"You dress up? Wow, I had no idea that putting on your formal sweatpants was such a huge burden."
"Kate," Curran snarled. "They're not sweatpants, they are slacks and they have a belt. I have to wear shoes with fucking laces in them.
”
”
Ilona Andrews (Magic Gifts (Kate Daniels, #5.6))
“
Listen, you might want to pack a few of your things together before going to bed. The former bishop of Turkey will be coming tonight along with six to eight black men. They might put some candy in your shoes, they might stuff you into a sack and take you to Spain, or they might just pretend to kick you. We don't know for sure, but we want you to be prepared."
This was the reward for living in the Netherlands. As a child you get to hear this story, and as an adult you get to turn around and repeat it.
”
”
David Sedaris (Dress Your Family in Corduroy and Denim)
“
In pictures like these there are always empty shoes. It's the shoes that get to me. Sad, that innocent daily task - putting your shoes on your feet, in the firm belief that you'll be going somewhere.
”
”
Margaret Atwood (Moral Disorder and Other Stories)
“
Be the kind of person who can put yourself in someone else's shoes and understand something not just from your own perspective but from theirs as well.
”
”
Haemin Sunim (The Things You Can See Only When You Slow Down: How to Be Calm in a Busy World)
“
Try not to hold that against them; you never know what’s in their heart. Don’t be afraid to be different. Stand your ground. During bad times, remember that nothing lasts forever. Accept people for who they are, not for who you want them to be. Try to put yourself in their shoes. Or, as my friend Odile would say, ‘in their skin.’
”
”
Janet Skeslien Charles (The Paris Library)
“
Wordlessly, she slipped off her shoes. Gently, she placed a palm on the floor, shifted to stand, but that was when Macey felt another hand pressing down on hers.Hard. Too Hard.
"Just what do you think you're doing ?" Hale hissed in her ear. His fingers burned into her skin. And Macey knew if she was going to take out the gunman, she was first going to have to neutralize the boy beside her.
"Why don't you let me go and I'll show you," she said with only a modicum of flirt in her voice.
"Why don't you put your fancy shoes back on and sit there like a good little girl?"
"First of all, I'm good at a lot of things. Taking orders from bored billionaires isn't one of them. Second of all, he's alone, and I can take him," Macey said.
"No!" Hale said. "You don't know anything about this guy."
"I know he's left handed and has an old injury to his right knee---probably a torn ACL at some point but the details don't matter. And the way he keeps his finger purposefully away from the safety of that gun means he's never fired it. And he doesn't want to."
"You're kinda scary.
”
”
Ally Carter (Double Crossed: A Spies and Thieves Story (Gallagher Girls, #5.5; Heist Society, #2.5))
“
It struck Harold afresh how life could change in an instant. You could be doing something so everyday - walking your partner's dog, putting on your shoes - and not knowing that everything you wanted you were about to lose.
”
”
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
“
It's time to shop high heels if your fiance kisses you on the forehead.
”
”
Amit Kalantri (Wealth of Words)
“
Never tell a man what his interests are. Be straight and open with him about your own interests. And try to put yourself in his shoes. Try to understand his hopes and his limitations, and never insist that he do something you know he cannot.
”
”
Joe Biden (Promise Me, Dad: A Year of Hope, Hardship, and Purpose)
“
I wasn’t sure, but I thought it kind of suited me. With the right shoes and everything.” I displayed the new blue pumps. “I wanted to look, you know, pretty.”
Yves gaped. I felt a little bit sorry for him. “Um…Phee, I don’t know what to say.”
I let my bright expression dim. “You… you think I look horrible in it?” My voice rose in a convincing squeak of distress.
He put his hands on my soulders. “No, you look great. You always look great, no matter what you’re wearing.”
Zed laughed. “Ouch. Wrong thing to say.
”
”
Joss Stirling (Stealing Phoenix (Benedicts, #2))
“
Why does one feel so different at night? Why is it so exciting to be awake when everybody else is asleep? Late—it is very late! And yet every moment you feel more and more wakeful, as though you were slowly, almost with every breath, waking up into a new, wonderful, far more thrilling and exciting world than the daylight one. And what is this queer sensation that you’re a conspirator? Lightly, stealthily you move about your room. You take something off the dressing-table and put it down again without a sound. And everything, even the bedpost, knows you, responds, shares your secret…
You're not very fond of your room by day. You never think about it. You're in and out, the door opens and slams, the cupboard creaks. You sit down on the side of your bed, change your shoes and dash out again. A dive down to the glass, two pins in your hair, powder your nose and off again. But now–it's suddenly dear to you. It's a darling little funny room. It's yours. Oh, what a joy it is to own things! Mine–my own!
”
”
Katherine Mansfield (At the Bay)
“
Here’s the dead end of social media: after you’ve created your own bubble that reflects only what you relate to or what you identify with, after you’ve blocked and unfollowed people whose opinions and worldview you judge and disagree with, after you’ve created your own little utopia based on your cherished values, then a kind of demented narcissism begins to warp this pretty picture. Not being able or willing to put yourself in someone else’s shoes—to view life differently from how you yourself experience it—is the first step toward being not empathic, and this is why so many progressive movements become as rigid and as authoritarian as the institutions they’re resisting.
”
”
Bret Easton Ellis (White)
“
Buckley followed the three of them into the kitchen and asked, as he had at least once a day, “Where’s Susie?”
They were silent. Samuel looked at Lindsey.
“Buckley,” my father called from the adjoining room, “come play Monopoly with me.”
My brother had never been invited to play Monopoly. Everyone said he was too young, but this was the magic of Christmas. He rushed into the family room, and my father picked him up and sat him on his lap.
“See this shoe?” my father said.
Buckley nodded his head.
“I want you to listen to everything I say about it, okay?”
“Susie?” my brother asked, somehow connecting the two.
“Yes, I’m going to tell you where Susie is.”
I began to cry up in heaven. What else was there for me to do?
“This shoe was the piece Susie played Monopoly with,” he said. “I play with the car or sometimes the wheelbarrow. Lindsey plays with the iron, and when you mother plays, she likes the cannon.”
“Is that a dog?”
“Yes, that’s a Scottie.”
“Mine!”
“Okay,” my father said. He was patient. He had found a way to explain it. He held his son in his lap, and as he spoke, he felt Buckley’s small body on his knee-the very human, very warm, very alive weight of it. It comforted him. “The Scottie will be your piece from now on. Which piece is Susie’s again?”
“The shoe?” Buckley asked.
“Right, and I’m the car, your sister’s the iron, and your mother is the cannon.”
My brother concentrated very hard.
“Now let’s put all the pieces on the board, okay? You go ahead and do it for me.”
Buckley grabbed a fist of pieces and then another, until all the pieces lay between the Chance and Community Chest cards.
“Let’s say the other pieces are our friends?”
“Like Nate?”
“Right, we’ll make your friend Nate the hat. And the board is the world. Now if I were to tell you that when I rolled the dice, one of the pieces would be taken away, what would that mean?”
“They can’t play anymore?”
“Right.”
“Why?” Buckley asked.
He looked up at my father; my father flinched.
“Why?” my brother asked again.
My father did not want to say “because life is unfair” or “because that’s how it is”. He wanted something neat, something that could explain death to a four-year-old He placed his hand on the small of Buckley’s back.
“Susie is dead,” he said now, unable to make it fit in the rules of any game. “Do you know what that means?”
Buckley reached over with his hand and covered the shoe. He looked up to see if his answer was right.
My father nodded. "You won’t see Susie anymore, honey. None of us will.” My father cried. Buckley looked up into the eyes of our father and did not really understand.
Buckley kept the shoe on his dresser, until one day it wasn't there anymore and no amount of looking for it could turn up.
”
”
Alice Sebold (The Lovely Bones)
“
Imagine yourself in Harriet Tubman's shoes. Fighting to be freed from deplorable conditions. Placing one foot in front of the other, putting slavery behind you. If a petite, abused slave can rise up, fight for freedom, secure the freedom of others, and change her world, so can I. And so can you.
”
”
Susie Larson (Embracing Your Freedom: A Personal Experience of God's Heart for Justice)
“
When you put yourself in the customer’s shoes and begin your dialog from there, an immediate connection develops that stems beyond basic commerce and encourages loyalty.
”
”
Steve Maraboli
“
Seriously. Who needed a real lover when you had a handsome, affectionate man who adored you, put a beautiful house over your head, gave you a great job, lavished you with fabulous clothes, shoes, purses and jewelry and would never break your heart?
”
”
Kristen Ashley (Play It Safe)
“
What about me?’ said Grantaire. ‘I’m here.’
‘You?’
‘Yes, me.’
‘You? Rally Republicans! You? In defence of principles, fire up hearts that have grown cold!’
‘Why not?’
‘Are you capable of being good for something?’
‘I have the vague ambition to be,’ said Grantaire.
‘You don’t believe in anything.’
‘I believe in you.’
‘Grantaire, will you do me a favour?’
‘Anything. Polish your boots.’
‘Well, don’t meddle in our affairs. Go and sleep off the effects of your absinthe.’
‘You’re heartless, Enjolras.’
‘As if you’d be the man to send to the Maine gate! As if you were capable of it!’
‘I’m capable of going down Rue des Grès, crossing Place St-Michel, heading off along Rue Monsieur-le-Prince, taking Rue de Vaugirard, passing the Carmelite convent, turning into Rue d’Assas, proceeding to Rue du Cherche-Midi, leaving the Military Court behind me, wending my way along Rue des Vieilles-Tuileries, striding across the boulevard, following Chaussée du Maine, walking through the toll-gate and going into Richefeu’s. I’m capable of that. My shoes are capable of that.’
‘Do you know them at all, those comrades who meet at Richefeu’s?'
‘Not very well. But we’re on friendly terms.’
‘What will you say to them?’
‘I’ll talk to them about Robespierre, of course! And about Danton. About principles.’
‘You?’
‘Yes, me. But I’m not being given the credit I deserve. When I put my mind to it, I’m terrific. I’ve read Prudhomme, I’m familiar with the Social Contract, I know by heart my constitution of the year II. “The liberty of the citizen ends where the liberty of another citizen begins.” Do you take me for a brute beast? I have in my drawer an old promissory note from the time of the Revolution. The rights of man, the sovereignty of the people, for God’s sake! I’m even a bit of an Hébertist. I can keep coming out with some wonderful things, watch in hand, for a whole six hours by the clock.’
‘Be serious,’ said Enjolras.
‘I mean it,’ replied Grantaire.
Enjolras thought for a few moments, and with the gesture of a man who had come to a decision, ‘Grantaire,’ he said gravely, ‘I agree to try you out. You’ll go to the Maine toll-gate.’
Grantaire lived in furnished lodgings very close to Café Musain. He went out, and came back five minutes later. He had gone home to put on a Robespierre-style waistcoat.
‘Red,’ he said as he came in, gazing intently at Enjolras. Then, with an energetic pat of his hand, he pressed the two scarlet lapels of the waistcoat to his chest.
And stepping close to Enjolras he said in his ear, ‘Don’t worry.’
He resolutely jammed on his hat, and off he went.
”
”
Victor Hugo (Les Misérables)
“
Have a joke for me Tania," he says, "I could use a joke."
"Hmm." She thinks, looks at him, looks to see where Anthony is. He's far in the back. "Okay, what about this." With a short cough she leans into Alexander and lowers her voice.
"A man and his young girlfriend are driving in a car. The man has never seen his girlfriend naked. She thinks he is driving too slow, so they decide to play a game. For every five miles he goes above 50, she will take off a piece of her clothing. In no time at all, he is flying and she is naked. The man gets so excited that he loses control of the car. It veers off the road and hits a tree. She is unharmed but he is stuck in the car and can’t get out. “Go back on the road and get help,” he tells her. “But I’m naked,” she says. He rummages around and pulls off his shoe. “Here, just put this between your legs to cover yourself.” She does as she is told and runs out to the road. A truck driver, seeing a naked crying woman, stops. “Help me, Help me,” she sobs, “My boyfriend is stuck and I can’t get him out.”
The Truck driver says, “Miss, if he’s that far in, I’m afraid he’s a goner.
”
”
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
“
When I wake up earlier than you and you
are turned to face me, face
on the pillow and hair spread around,
I take a chance and stare at you,
amazed in love and afraid
that you might open your eyes and have
the daylights scared out of you.
But maybe with the daylights gone
you’d see how much my chest and head
implode for you, their voices trapped
inside like unborn children fearing
they will never see the light of day.
The opening in the wall now dimly glows
its rainy blue and gray. I tie my shoes
and go downstairs to put the coffee on.
”
”
Ron Padgett
“
When you were six you thought mistress meant to put your shoes on the wrong feet," she writes. "Now you are older and know it can mean many things, but essentially it means to put your shoes on the wrong feet.
”
”
Lorrie Moore
“
You don’t really understand people until you hear their life story. If you know their stories, you grasp their history, their hurts, their hopes and aspirations. You put yourself in their shoes. And just by virtue of listening and remembering what’s important to them, you communicate that you care and desire to add value.
”
”
John C. Maxwell (Good Leaders Ask Great Questions: Your Foundation for Successful Leadership)
“
Whenever nothing hurts, put a little stone in your shoe, and start walking.
”
”
Novak Đoković (Serve To Win: Novak Djokovic’s life story with diet, exercise and motivational tips)
“
Put yourself into anothers shoes.
But is it enough for you to put yourself into another smelly shoes after you realise the smell of your own shoes is different from anothers shoes.
”
”
Sun
“
There's a famous expression that if you've met one person with autism, then... you've met one person with autism.
So you met me.
Just me.
Not a diagnosis.
I realize I hurt you. I forgot to think about you first. I did not put myself in your shoes, as the expression goes. (Though as a sidebar, I think wearing other people's shoes is kind of disgusting; I'm only okay with the concept metaphorically.)
So you know, you are all I think about.
”
”
Julie Buxbaum (What to Say Next)
“
Oh, I don’t know,” he said carelessly. “Put you in a fine gown and a pair of high-heeled shoes, and stick a comb in your hair, I daresay you’d pass for a lady even in a big place like Exeter.” “I’m meant to be flattered by that, I suppose,” said Mary, “but, thanking you very much, I’d rather wear my old clothes and look like myself.
”
”
Daphne du Maurier (Jamaica Inn)
“
He stared at her and his smile slowly faded. He put his hands on his hips. He took a deep breath and felt tears gather in his eyes. “You’re all I need to be happy, Shelby,” he said. “You’re everything I need…”
He actually surprised her. Her arms dropped from over her chest and she gaped at him for a second.
“You’re everything,” he said. “It scares me to death, but I want it all with you. I want you for life. I want what you want, and I want it right now. Everything, Shelby. I want you to be the lead in my shoes that keeps me on the ground. The mother of my children. My best friend, my wife, my mistress. It’s a tall order.” He took a breath.
“If you won’t quit, I won’t.
”
”
Robyn Carr (Temptation Ridge (Virgin River, #6))
“
... and it was quite a sad thing,
the way I watched you sleep like nothing could go wrong and I did not want to harm it, I did not want to blur it, but how could I not
when everything I’ve ever known has slowly gone away
and I know by now that that’s the way you let the new day in
with new roads and views and chances to grow
but it was quite a sad thing
because I don’t want this to ever become ’then’ or ’was’
and it was quite an unfamiliar thing. The way I took off my shoes again, put down my bag and quietly went back to bed, slowly between the sheets of moments I don’t want to leave
and it was quite a beautiful thing the way you had no idea but still must have known because you did not even open your eyes, but turned around and took my hand and you were still asleep, breathing in and out like nothing could go wrong, but still held my hand like you were glad I didn’t leave. ’Thank you for staying’
and it was quite a wonderful thing, the way I smiled and so did you, sound asleep, and that’s all I need to know for now.
That’s all I want to know for now.
”
”
Charlotte Eriksson
“
Having children was not like people said. Forget training them in your footsteps; the minute they put down the teething ring and found the Internet, you were useless as a source of anything but shoes and a winter coat.
”
”
Barbara Kingsolver (Flight Behavior)
“
I winced. “I shouldn’t have said that.” “You once put goose droppings in my shoes, Alina. A bad mood I can handle.” He glanced at me and said, “We all know the burden you’re carrying. You don’t have to bear it alone.” I
”
”
Leigh Bardugo (Ruin and Rising (Shadow and Bone, #3))
“
Stick to your dreams, don’t let anyone put you off what you want to do.
”
”
Noel Streatfeild (Skating Shoes (Shoes, #7))
“
In fact we put so many things in our mouths we constantly have to be reminded what not to eat. Look at that little package of silicon gel that's inside your sneakers. It says DO NOT EAT for a reason. Somewhere sometime some genius bought a pair of sneakers and said Ooooh look. They give you free mints with the shoes
”
”
Morgan Spurlock (Don't Eat This Book)
“
If you cannot walk more than a block in your shoes, they are not shoes; they are pretty sculptures that you happen to have attached to your feet. You could hang them from your wrists for all the good they are doing you in terms of locomotion. Better to put them on a shelf and admire them from afar.
”
”
Linda Przybyszewski (The Lost Art of Dress: The Women Who Once Made America Stylish)
“
You taste injustice, even if it’s fictional, really taste it,it has a way of doing that. Sometimes, you can never put the shoe on the other foot. We can’t go back in time and know what it was like to be a black person then. Even today, when things are supposed to be so much better, not one of you can understand what it’s like to be black, to live with the knowledge of what happened to your ancestry and still face injustice. But that book makes us taste it and, reading it, we know how bitter that taste is and we know we don’t like it. But that bitter wakes you up, and when you wake up, you open your mind to things in this world, you make yourself think. Then you’ll decide you don’t like the taste of injustice, not for you and not for anyone, and you’ll understand that even though all the battles can’t be won, that doesn’t mean you won’t fight.
”
”
Kristen Ashley (Golden Trail (The 'Burg, #3))
“
Putting on the shoes of peace can help you make good choices. God says when you allow His peace to rule your life, He will call the shots. When you're worrying about what you're supposed to do, He will calm your heart and your mind by giving you peace.
”
”
Tony Evans (A Kid's Guide to the Armor of God)
“
Never play a blame game. Your feet are aching because you put them into a tight shoe... Nobody has it on; it's you who have it on! Your aims will help you to get out of trouble games, but not your blames!
”
”
Israelmore Ayivor (The Great Hand Book of Quotes)
“
I always knew you
In your mothers arms
I have called your name
I have an idea
Placed in your mind
To be a better man
I've made a crown for you
Put it in your room
And when the bridegroom comes
There will be noise
There will be glad
And a perfect bed
And when you write a poem
I know the words
I know the sounds
Before you write it down
When you wear your clothes
I wear them too
I wear your shoes
And your jacket too
I always knew you
In your mothers arms
I have called you son
I've made amends
Between father and son
Or, if you haven't one
Rest in my arms
Sleep in my bed
There's a design
To what I did and said
”
”
Sufjan Stevens
“
I see art in everything. Your shoes. That car. This coffee cup. It's art if you see it as art. The best art are those dime novels. People will put those books in a museum one day. Artists will make paintings of them. They're beautiful. And for everyone. That's how I want my art to be.
”
”
Andy Warhol
“
Come to the jacaranda tree at seven o'clock and you will hear something to your advantage. Destroy this note.'
No signature, no clue to the identity. Just what sort of heroine do you think I am? Phryne asked the air. Only a Gothic novel protagonist would receive that and say, 'Goodness, let me just slip into a low-cut white nightie and put on the highest heeled shoes I can find,' and, pausing only to burn the note, slip out of the hotel by a back exit and go forth to meet her doom in the den of the monster - to be rescued in the nick of time by the strong-jawed hero (he of the Byronic profile and the muscles rippling beneath the torn shirt). 'Oh, my dear,' Phryne spoke aloud as if to the letter-writer. 'You don't know a lot about me, do you?
”
”
Kerry Greenwood (Death Before Wicket (Phryne Fisher, #10))
“
You can tell all of us are morphing into full-blown adults, wingtip adults, because all the time now the Big Question is, What are you going to do? After the summer, about your scholarship, about choosing a college, after graduation, with the rest of your life. When you are thirteen, the question is, Smooth or crunchy? That's it. Later, at the onset of full-blown adulthood, the Big Question changes a little bit - instead of, What are you going to do? it turns into, What do you do? I hear it all the time when my parents have parties, all the men standing around. After they talk sports, they always ask, What do you do? It's just part of the code that they mean "for a living" because no one ever answers it by saying, I go for walks and listen to music full-blast and don't care about my hearing thirty years from now, and I drink milk out of the carton, and I cough when someone lights up a cigarette, and I dig rainy days because they make me sad in a way I like, and I read books until I fall asleep holding them, and I put on sock-shoe, sock-shoe instead of sock-sock, shoe-shoe because I think it's better luck. Never that. People are always in something. I'm in advertising. I'm in real estate. I'm in sales and marketing.
”
”
Brad Barkley (Jars of Glass)
“
Note: One terrible aspect of preschool and day care is that it will put you in direct contact with parents who are doing better than you are. During drop-off and pickup, you will notice that there are parents who drive very expensive vehicles and are physically attractive, fit, and well-dressed. We call these people punk bitches (applies to males and females) and avoid them. If it helps, imagine that their personal life is in shambles. Look for the parents who look like they were just released from prison: unshaven, hunched over, afraid of sunlight, confused, shoes on the wrong feet, etc. These are your people.
”
”
Bunmi Laditan (Toddlers Are A**holes: It's Not Your Fault)
“
In every house there ought to be an art table on which, one by one, things are placed, so that everybody in that house might look at the things very carefully, and see them.'
'What would you put on a table like that?'
'A leaf. A coin. A button. A stone. A small piece of torn newspaper. An apple. An egg. A pebble. A flower. A dead insect. A shoe.'
'Everybody's seen those things.'
'Of course. But nobody looks at them, and that's what art is. To look at familiar things as if they had never before been seen... A necktie. A pocketknife... a walnut.
”
”
William Saroyan (Papa You're Crazy)
“
Trying to Enjoy It (Proceed as if You Look Awesome)...This requires a level of delusion/egomania usually reserved for popes and drag queens, but you can do it. It's like being a little kid again, parading around in a nightgown tucked into your underpants, believing it looks terrific. Your "right mind" knows that you look ridiculous in a half-open dress and giant shoes, but you must put yourself back in third grade, slipping on your mom's quilted caftan and drinking cream soda out of a champagne glass while watching The Love Boat. You have never been more glamorous.
”
”
Tina Fey (Bossypants)
“
You might be afraid of the dark, but the dark is not afraid of you. That's why the dark is always close by.
The dark peeks around the corner and waits behind the door, and you can see the dark up in the sky almost every night, gazing down at you as you gaze up at the stars.
Without a creaky roof, the rain would fall on your bed, and without a smooth, cold window, you could never see outside, and without a set of stairs, you could never go into the basement, where the dark spends its time.
Without a closet, you would have nowhere to put your shoes, and without a shower curtain, you would splash water all over the bathroom, and without the dark, everything would be light, and you would never know if you needed a lightbulb.
”
”
Lemony Snicket (The Dark)
“
Julian made a noise. It was a noise Emma couldn't have described, not as human a sound as a how or a scream. It sounded like it was ripped out of the inside of him, like something brutal was tearing through his chest. He dropped the longsword Livvy had risked so much to bring him, fell to his knees and crawled to her, pulling her into his lap.
'Livvy, Livvy, my Livvy' he whispered, cradling her, feverishly stroking her blood-wet hair away from her face. There was so much blood. He was covered in it in seconds; it had soaked through Livvy's clothes, even her shoes were drenched in it. 'Livia' His hands shook; he fumbled out his stele and put it on her arm.
Emma felt as if someone had punched her in the stomach. There were wounds that were beyond and iratze's power. Healing runes only vanished from skin when an occupational poison was involved--or when the person was already dead.
'Livia,' Julian's voice rose, cracking and tumbling over itself like a wave breaking too far out to sea. 'Livvy, my baby, please, sweet- heart, open your eyes it's Jules, I'm here for you, I'm always here for you, please,please--'
Blackness exploded behind Emma's eyes. The pain in her arm was gone; she felt nothing but rage. Rage that bleached everything else out of the world except the sight of Annabel cringing against the lectern, staring at Julian cradling his sister's dead body. At what she'd done.
”
”
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
“
I'll give them my number, too. And my brother Vishous made sure we have the best reception and service in the city. No dead zones. Unless you're around Lassiter, and that's more of a mental thing than anything about cellular networks."
"Um ... Lassiter?" Bitty said.
Rhage nodded. "Yeah, he's this pain in the ass--oh, shit--I mean, sorry, I shouldn't say ass around you, should I? Or shit. And all those other bad words." He poked himself in the head. "I gotta remember that, gotta remember that. Anyway, Lassiter's a fallen angel who we've somehow gotten stuck with. He's like gum on the bottom of your shoe. 'Cept he doesn't smell like strawberries, he hogs the T.V. remote, and on a regular basis. you think to yourself, Is that really the best the Creator could do with an immortal? The guy has the worst taste in television--I mean, the only saving grace is that he isn't addicted to Bonanza ...have you ever watched twelve straight hours of Saved by the Bell? Okay, fine, it was probably only seven, and it wasn't like I couldn't have left--my God, I tell you, though, it's a wonder I escaped with my ability to put my pants on one leg at a time still intact ...
”
”
J.R. Ward (The Beast (Black Dagger Brotherhood, #14))
“
Dear Daniel,
How do you break up with your boyfriend in a way that tells him, "I don't want to sleep with you on a regular basis anymore, but please be available for late night booty calls if I run out of other options"?
Lily
Charlotte, NC
Dear Lily,
The story's so old you can't tell it anymore without everyone groaning, even your oldest friends with the last of their drinks shivering around the ice in their dirty glasses. The music playing is the same album everyone has. Those shoes, everybody has the same shoes on. It looked a little like rain so on person brought an umbrella, useless now in the starstruck clouded sky, forgotten on the way home, which is how the umbrella ended up in her place anyway. Everyone gets older on nights like this.
And still it's a fresh slap in the face of everything you had going, that precarious shelf in the shallow closet that will certainly, certainly fall someday. Photographs slipping into a crack to be found by the next tenant, that one squinter third from the left laughing at something your roommate said, the coaster from that place in the city you used to live in, gone now. A letter that seemed important for reasons you can't remember, throw it out, the entry in the address book you won't erase but won't keep when you get a new phone, let it pass and don't worry about it. You don't think about them; "I haven't thought about them in forever," you would say if anybody brought it up, and nobody does."
You think about them all the time.
Close the book but forget to turn off the light, just sit staring in bed until you blink and you're out of it, some noise on the other side of the wall reminding you you're still here. That's it, that's everything. There's no statue in the town square with an inscription with words to live by. The actor got slapped this morning by someone she loved, slapped right across the face, but there's no trace of it on any channel no matter how late you watch. How many people--really, count them up--know where you are? How many will look after you when you don't show up? The churches and train stations are creaky and the street signs, the menus, the writing on the wall, it all feels like the wrong language. Nobody, nobody knows what you're thinking of when you lean your head against the wall.
Put a sweater on when you get cold. Remind yourself, this is the night, because it is. You're free to sing what you want as you walk there, the trees rustling spookily and certainly and quietly and inimitably. Whatever shoes you want, fuck it, you're comfortable. Don't trust anyone's directions. Write what you might forget on the back of your hand, and slam down the cheap stuff and never mind the bad music from the window three floors up or what the boys shouted from the car nine years ago that keeps rattling around in your head, because you're here, you are, for the warmth of someone's wrists where the sleeve stops and the glove doesn't quite begin, and the slant of the voice on the punch line of the joke and the reflection of the moon in the water on the street as you stand still for a moment and gather your courage and take a breath before stealing away through the door. Look at it there. Take a good look. It looks like rain.
Love,
Daniel Handler
”
”
Daniel Handler
“
and you were sort of hypnotized by your boot or shoe or a finger-nail as it might be,and at the same time you were sort of picked up by the old scruff and shook like you might be a cat.you got shook and shook till there was nothing left.you lost your name and your body and your self and you just didn’t care,and you waited until your boot or finger-nail got yellow,then yellower and yellower all the time.then the lights started cracking like atomics and the boot or finger-nail or,as it might be,a bit of dirt on your trouser-bottom turned into a big big big mesto,bigger than the whole world,and you were just going to get introduced to old Bog or God when it was all over.you came back to here and now whimpering sort of,with your rot all squaring up for a boohoohoo.now that’s very nice but very cowardly.you were not put on this earth just to get in touch with God.that sort of thing could sap all the strength and the goodness out of a chelloveck.
”
”
Anthony Burgess (A Clockwork Orange)
“
When I was tired, I went over to you and opened your fingers. Touched your toes. When I did that, I felt energized. When I first put shoes on you, I was really excited. When you toddled over to me, I laughed so much; even if someone had spilled out a heap of gold and silver and jewels in front of me, I wouldn’t have laughed like that.
”
”
Shin Kyung-Sook (Please Look After Mom)
“
Have you ever stopped to think that maybe you were wrong? Maybe, you only saw your point of view and you never once put yourself in the other person's shoes. Maybe, walking away from the senseless drama and spiteful criticism isn't the best thing to do. Maybe, for just once in your life you could wear another person's confusion, pain or misunderstanding. Maybe, your future doesn't require explaining yourself or offering an explanation for your indifference, but your character and reputation does. What if one day you find out that you didn't have all the information you thought you did? What if you find out that your presence was needed for healing? What if you only knew half of it and the other half was just your fear and anger translating everything you experienced? What if you were wrong? What if the same thing happened to you?
”
”
Shannon L. Alder
“
You were in business making meth? Do you have any idea what that drug does to people?"
We weren't givin' it away," Concise snaps. "If someone was fool enough to mess himself up, that was his problem."
I shake my head, disgusted. "If you build it, they will come."
If you build it," Concise says, "you cover your rent. If you build it, you pay off the loan sharks. If you build it, you put shoes on your kid's feet and food in his belly and maybe even show up every now and then with a toy that every other goddamn kid in the school already has." He looks up at me. "If you build it, maybe your son don't have to, when he grow up."
It is amazing -- the secrets you can keep, even when you are living in close quarters. "You didn't tell me."
Concise gets up and braces his hands against the upper bunk. "His mama OD'd. He lives with her sister, who can't always be bothered to take care of him. I try to send money so that I know he's eatin' breakfast and gettin' school lunch tickets. I got a little bank account for him, too. Jus' in case he don't want to be part of a street gang, you know? Jus' in case he want to be an astronaut or a football player or somethin'." He digs out a small notebook from his bunk. "I'm writin' him. A diary, like. So he know who his daddy is, by the time he learn to read."
It is always easier to judge someone than to figure out what might have pushed him to the point where he might do something illegal or morally reprehensible, because he honestly believes he'll be better off. The police will dismiss Wilton Reynolds as a drug dealer and celebrate one more criminal permanently removed from society. A middle-class father who meets Concise on the street, with his tough talk and his shaved head, will steer clear of him, never guessing that he, to, has a little boy waiting for him at home. The people who read about me in the paper, stealing my daughter during a custody visit, will assume I am the worst sort of nightmare.
”
”
Jodi Picoult (Vanishing Acts)
“
This life is over. Maybe I'll be smarter in the next one."
I snorted. "We'll see. We're going to have to choose new names, you know."
"Misha is already making a list of suggestions."
"Oh, Saints."
"You have nothing to complain about. Apparently I am to be Dmitri Dumkin."
"Suits you."
"I should warn you that I'm keeping a tab of all your insults so that I can reward you when I'm healed."
"Easy with the threats, Dumkin. Maybe I'll tell the Apparat all about your miraculous recovery, and he'll turn you into a Saint too."
"He can try," said Mal. "I don't intend to waste my days in holy pursuits."
"No?"
"No," he said as he drew me closer. "I have to spend the rest of my life finding ways to deserve a certain white-haired girl. She's very prickly, occasionally puts goose dropping in my shoes or tries to kill me."
"Sounds fatiguing," I managed as his lips met mine.
"She's worth it. And one day maybe she'll let me chase her into a chapel."
I shuddered. "I don't like chapels."
"I did tell Ana Kuya I would marry you."
I laughed. "You remember that?"
"Alina," he said and kissed the scar on my palm, "I remember everything.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
I hate shopping for clothes," Kate said. "I liked when I was in the military and all I needed was camouflage gear."
"Shopping can be fun. Especially when it's for a con. It's the first step in creating a character. Isn't there anything you enjoy buying? Lingerie? Shoes? Jewelry?"
"Shoes are okay. I don't have to take my clothes off to try them on."
"You don't like to take your clothes off?"
"It's the lighting in the dressing rooms. It makes you look fat and anemic. And pulling clothes on and off wrecks my hair."
Nick put his hand on her head and ruffled her hair. "Like this?"
Kate jumped away. "Stop it! I have enough hair problems without you making it worse."
"Maybe if you ran a brush through it once in a while."
"Maybe if you'd keep your hands off it!"
Nick grinned and hugged her into him. "Are we a team, or what? Stick with me and I'll get you to enjoy taking your clothes off."
"You're flirting with me."
"Stating a fact," Nick said.
”
”
Janet Evanovich (The Heist (Fox and O'Hare, #1))
“
I believe that evil is directly proportional to idiocy. I believe that the territory you roamed in anguish before you disappeared is ruled by idiots. It isn’t true that criminals are masterminds. It takes a vast amount of stupidity to assemble the parts of such grotesque, absurd, and cruel machinery. Pure brutality disguised as a masterplan. Small people, with small minds, who don’t understand the abyss of the other. They lack the language or tools for it. Empathy and compassion require a clear mind. Putting yourself in someone else’s shoes, changing your skin, adopting a new face: these are all acts of genuine intelligence.
”
”
Nona Fernández (The Twilight Zone)
“
But seeking is a kind of work. I don’t mean heading off on wild road trips just to see the stars that are shining above your own roof. I mean committing to a lifetime of engagement: to noticing the world around you, to actively looking for small distillations of beauty, to making time to contemplate and reflect. To learning the names of the plants and places that surround you, or training your mind in the rich pathways of the metaphorical. To finding a way to express your interconnectedness with the rest of humanity. To putting your feet on the ground, every now and then, and feeling the tingle of life that the earth offers in return. It’s all there, waiting for our attention. Take off your shoes, because you are always on holy ground.
”
”
Katherine May (Enchantment: Awakening Wonder in an Anxious Age)
“
The manner in which we speak is exceedingly important. An ancient sage once said, “A soft answer turns away anger.” When your spouse is angry and upset and lashing out words of heat, if you choose to be loving, you will not reciprocate with additional heat but with a soft voice. You will receive what he is saying as information about his emotional feelings. You will let him tell you of his hurt, anger, and perception of events. You will seek to put yourself in his shoes and see the event through his eyes and then express softly and kindly your understanding of why he feels that way. If you have wronged him, you will be willing to confess the wrong and ask forgiveness. If your motivation is different from what he is reading, you will be able to explain your motivation kindly. You will seek understanding and reconciliation, and not to prove your own perception as the only logical way to interpret what has happened. That is mature love—love to which we aspire if we seek a growing marriage.
”
”
Gary Chapman (The 5 Love Languages: The Secret to Love that Lasts)
“
And as for what I’ve learned: be an instrument of peace. Be a gentleman at all costs. Enjoy yourself—have fun with your existence. Learn to listen to your inner voice and don’t overdose on yourself. Keep your darkness in check. Let music be a healing force. Be a real musician: once you start counting money before notes, you’re a full-time wannabe. Put your guitar down and go outside and take a long drink of light with your eyes. Go walk in the park and take off your shoes and socks and feel the grass under your feet and mud between your toes. Go see a baby smiling, go see a wino crawling, go see life. Feel life—all of it, as much as possible. Find a human melody, then write a song about it. Make it all come through your music.
”
”
Carlos Santana (The Universal Tone: My Life)
“
You big ugly. You too empty. You desert with your nothing nothing nothing. You scorched suntanned. Old too quickly. Acres of suburbs watching the telly. You bore me. Freckle silly children. You nothing much. With your big sea. Beach beach beach. I’ve seen enough already. You dumb dirty city with bar stools. You’re ugly. You silly shopping town. You copy. You too far everywhere. You laugh at me. When I came this woman gave me a box of biscuits. You try to be friendly but you’re not very friendly. You never ask me to your house. You insult me. You don’t know how to be with me. Road road tree tree. I came from crowded and many. I came from rich. You have nothing to offer. You’re poor and spread thin. You big. So what. I’m small. It’s what’s in. You silent on Sunday. Nobody on your streets. You dead at night. You go to sleep too early. You don’t excite me. You scare me with your hopeless. Asleep when you walk. Too hot to think. You big awful. You don’t match me. You burnt out. You too big sky. You make me a dot in the nowhere. You laugh with your big healthy. You want everyone to be the same. You’re dumb. You do like anybody else. You engaged Doreen. You big cow. You average average. Cold day at school playing around at lunchtime. Running around for nothing. You never accept me. For your own. You always ask me where I’m from. You always ask me. You tell me I look strange. Different. You don’t adopt me. You laugh at the way I speak. You think you’re better than me. You don’t like me. You don’t have any interest in another country. Idiot centre of your own self. You think the rest of the world walks around without shoes or electric light. You don’t go anywhere. You stay at home. You like one another. You go crazy on Saturday night. You get drunk. You don’t like me and you don’t like women. You put your arm around men in bars. You’re rough. I can’t speak to you. You burly burly. You’re just silly to me. You big man. Poor with all your money. You ugly furniture. You ugly house. You relaxed in your summer stupor. All year. Never fully awake. Dull at school. Wait for other people to tell you what to do. Follow the leader. Can’t imagine. Workhorse. Thick legs. You go to work in the morning. You shiver on a tram.
”
”
Ania Walwicz
“
You need to know one thing, sweetheart.” “What?” Her hands froze on my abs. “I would kill my own cousin.” “What?” Her expression turned horrified: Her eyes widened and her mouth dropped open. “I would.” I shrugged. “He knows you aren’t his to touch, you aren’t his to want.” “And I’m yours?” Oh great, now I’ve pissed her off. I gripped her face between my hands and kissed her mouth softly. “Yes. Whether you like it or not, we belong to each other. I’m as much yours as you are mine—I don’t share. I want to freaking murder anyone who even so much as looks in your direction, or at your shoes, and damn if I don’t hate those boots that Chase got you. I want to consume you. I want to be the one that puts a smile on your face. I want to be the one that teaches you pleasure—me. Not anyone else. Sharing you—even by way of my cousin, who I trust more than anyone in the world—has to be one of the hardest things I’ve ever done.
”
”
Rachel Van Dyken (Elect (Eagle Elite, #2))
“
It’s the same here as it is on earth—you’ve got to earn a thing, square and honest, before you enjoy it. You can’t enjoy first and earn afterwards. But there’s this difference, here: you can choose your own occupation, and all the powers of heaven will be put forth to help you make a success of it, if you do your level best. The shoe-maker on earth that had the soul of a poet in him won’t have to make shoes here.
”
”
Mark Twain (Extract from Captain Stormfield's Visit to Heaven)
“
When she looks at my photo she thinks she is looking at me but she knows that I am also looking at her. When she dreams of me she knows that I am dreaming of her too. People who can see things from other points of view can understand this better than most. We always go where we think your attention goes. We know you are looking into our eyes because that is where the power is, even in a photo. The eyes are where the eternal fire of the soul resides. So the next time you look at a photo of your best friend, put yourself in their shoes and see how beautiful you are!
”
”
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
“
Slavery is not a horror safely confined to the past; it continues to exist throughout the world, even in developed countries like France and the United States. Across the world slaves work and sweat and build and suffer. Slaves in Pakistan may have made the shoes you are wearing and the carpet you stand on. Slaves in the Caribbean may have put sugar in your kitchen and toys in the hands of your children. In India they may have sewn the shirt on your back and polished the ring on your finger. They are paid nothing.
Slaves touch your life indirectly as well. They made the bricks for the factory that made the TV you watch. In Brazil slaves made the charcoal that tempered the steel that made the springs in your car and the blade on your lawnmower. Slaves grew the rice that fed the woman that wove the lovely cloth you've put up as curtains. Your investment portfolio and your mutual fund pension own stock in companies using slave labor in the developing world. Slaves keep your costs low and returns on your investments high.
”
”
Kevin Bales
“
We didn't have time to get you an actual haircut," she said. "Seriously, did you do it yourself? Maybe without a mirror?"
I put a hand up to my head self-consciously and said, "I had some help from the General. And, hey, I didn't say anything about your man-shoes."
"They're steel-toed," she said calmly. "In case I need to plant them in anyone's ass as a result of him calling them man-shoes. And seriously, you let Toot help you with your hair?
”
”
Jim Butcher (Skin Game (The Dresden Files, #15))
“
Our minds are creative and knowledgeable.
Yet time and time again, our needs and wants fell on deaf ears. We were told we weren’t good enough. We were abused mentally, physically, and emotionally. We were told with nasty sarcastic remarks at times, and here and there maybe a laugh that made the insult worse; “It would be your word against mine, and guess who they are going believe? Not you.”
One by one we took a chance to speak up, but our voices weren’t heard. They tried to make us feel threatened; as if we were going to lay down and be stepped on like shit on the bottom on their shoe. We interrupted their comfort zone and showed them their time was up!
Their time of talking and belittling us this way has expired. They tried, but they failed to realize we are strong and we will never give up.
Their time of thinking they can touch us inappropriately and we will keep quiet has expired. No! We will rise up and bring the world to its feet. Trust me… We will be seen and heard!
Their time of trying to break us down has expired. No! We can move mountains!
Their time of pointing their fingers at us and putting F.E.A.R (False Evidence Appearing Real) into our minds by making us believe it is our fault has expired. No! It is not our fault. It never was!
Their time of nasty insults has expired. They fail to realize we catch every nasty word and throw back the insult to show we can give as good as we get.
Their time of preying off vulnerable women who have to “make a deal” to get a higher position they earned has expired. No! Your “man”ipulation has no effect. We, as women, have full ownership of our minds, bodies, and souls.
”
”
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
“
It seems right now that all I’ve ever done in my life is making my way here to you.’
I could see that Rosie could not place the line from The Bridges of Madison County that had produced such a powerful emotional reaction on the plane. She looked confused.
‘Don, what are you…what have you done to yourself?’
‘I’ve made some changes.’
‘Big changes.’
‘Whatever behavioural modifications you require from me are a trivial price to pay for having you as my partner.’
Rosie made a downwards movement with her hand, which I could not interpret. Then she looked around the room and I followed her eyes. Everyone was watching. Nick had stopped partway to our table. I realised that in my intensity I had raised my voice. I didn’t care.
‘You are the world’s most perfect woman. All other women are irrelevant. Permanently. No Botox or implants will be required.
‘I need a minute to think,’ she said.
I automatically started the timer on my watch. Suddenly Rosie started laughing. I looked at her, understandably puzzled at this outburst in the middle of a critical life decision.
‘The watch,’ she said. ‘I say “I need a minute” and you start timing. Don is not dead.
'Don, you don’t feel love, do you?’ said Rosie. ‘You can’t really love me.’
‘Gene diagnosed love.’ I knew now that he had been wrong. I had watched thirteen romantic movies and felt nothing. That was not strictly true. I had felt suspense, curiosity and amusement. But I had not for one moment felt engaged in the love between the protagonists. I had cried no tears for Meg Ryan or Meryl Streep or Deborah Kerr or Vivien Leigh or Julia Roberts. I could not lie about so important a matter.
‘According to your definition, no.’
Rosie looked extremely unhappy. The evening had turned into a disaster.
'I thought my behaviour would make you happy, and instead it’s made you sad.’
‘I’m upset because you can’t love me. Okay?’
This was worse! She wanted me to love her. And I was incapable.
Gene and Claudia offered me a lift home, but I did not want to continue the conversation. I started walking, then accelerated to a jog. It made sense to get home before it rained. It also made sense to exercise hard and put the restaurant behind me as quickly as possible. The new shoes were workable, but the coat and tie were uncomfortable even on a cold night. I pulled off the jacket, the item that had made me temporarily acceptable in a world to which I did not belong, and threw it in a rubbish bin. The tie followed. On an impulse I retrieved the Daphne from the jacket and carried it in my hand for the remainder of the journey. There was rain in the air and my face was wet as I reached the safety of my apartment.
”
”
Graeme Simsion (The Rosie Project (Don Tillman, #1))
“
January?
The month is dumb.
It is fraudulent.
It does not cleanse itself.
The hens lay blood-stained eggs.
Do not lend your bread to anyone
lest it nevermore rise.
Do not eat lentils or your hair will fall out.
Do not rely on February
except when your cat has kittens,
throbbing into the snow.
Do not use knives and forks
unless there is a thaw,
like the yawn of a baby.
The sun in this month
begets a headache
like an angel slapping you in the face.
Earthquakes mean March.
The dragon will move,
and the earth will open like a wound.
There will be great rain or snow
so save some coal for your uncle.
The sun of this month cures all.
Therefore, old women say:
Let the sun of March shine on my daughter,
but let the sun of February shine on my daughter-in-law.
However, if you go to a party
dressed as the anti-Christ
you will be frozen to death by morning.
During the rainstorms of April
the oyster rises from the sea
and opens its shell —
rain enters it —
when it sinks the raindrops
become the pearl.
So take a picnic,
open your body,
and give birth to pearls.
June and July?
These are the months
we call Boiling Water.
There is sweat on the cat but the grape
marries herself to the sun.
Hesitate in August.
Be shy.
Let your toes tremble in their sandals.
However, pick the grape
and eat with confidence.
The grape is the blood of God.
Watch out when holding a knife
or you will behead St. John the Baptist.
Touch the Cross in September,
knock on it three times
and say aloud the name of the Lord.
Put seven bowls of salt on the roof overnight and the next morning the damp one will foretell the month of rain.
Do not faint in September
or you will wake up in a dead city.
If someone dies in October
do not sweep the house for three days
or the rest of you will go.
Also do not step on a boy's head
for the devil will enter your ears
like music.
November?
Shave,
whether you have hair or not.
Hair is not good,
nothing is allowed to grow,
all is allowed to die.
Because nothing grows
you may be tempted to count the stars
but beware,
in November counting the stars
gives you boils.
Beware of tall people,
they will go mad.
Don't harm the turtle dove
because he is a great shoe
that has swallowed Christ's blood.
December?
On December fourth
water spurts out of the mouse.
Put herbs in its eyes and boil corn
and put the corn away for the night
so that the Lord may trample on it
and bring you luck.
For many days the Lord has been
shut up in the oven.
After that He is boiled,
but He never dies, never dies.
”
”
Anne Sexton
“
No worries, girl.” He said and winked. “I will just put the rest of this in your closet, except those pants, we will never be able to make those work.” He shuddered and flung my closet door open. “Ahhh!” he let out a dramatic scream. “What?” I asked and tried to rush over in a panic. I tripped and almost fell flat on my face, but managed to make it to the doorway. When I looked in the closet I was expecting to see a dead body, or maybe a giant spider waiting to devour us, instead I just saw one of my hoodies opposite two pairs of my shoes in the closet. He turned to me with his hand over his heart. “You’ve been robbed!” I just laughed. “No, I just have everything else in the drawers.” He went through them dramatically. “Ahhh!” he let out another dismayed, high pitched scream. “Honey, no one told me that you were like….a… a refugee.
”
”
C.C. Masters (Finding Somewhere to Belong (Seaside Wolf Pack #1))
“
Baby,” he murmured roughly, staring at me fixedly with half-closed eyes, “I try and put myself in your damn shoes every single day. Because you’re my girl. You’re my woman. You’re my partner. You’re my lover. And if I can’t try and fucking understand you and that complex, crazy head of yours, then I’m not doing my job. Then I’m not worthy of you. I want to be worthy of you, baby. I want to know how you work, how you function, how you think. I want to know you so I can be there for you and be there with you. There’s not a day that I’m not trying to discover another one of your beautiful layers. So don’t say that I’m not in your shoes. I’ve been wearing them more than you think.
”
”
Karina Halle (Ashes to Ashes (Experiment in Terror, #8))
“
Planet Earth is blue.
Blue blue electric blue, that's the color of my room. Put on your red shoes and dance the blues. I never did anything out of the blue. Now my Blue Jean's blue. See these eyes so green, I could stare for a thousand years. See these eyes so red. Oh you've got green eyes, oh you've got blue eyes, oh you've got gray eyes. I'll give you television, I'll give you eyes of blue. I looked in her eyes, they were blue, but nobody home. The blue light was my baby, and the red light was my mind. See these tears so blue. You wouldn't believe what I've been through. It's been so long. And I think it's gonna be a long, long time. It's all over now, Baby Blue.
And there's nothing I can do.
”
”
Rob Sheffield (On Bowie)
“
If you're like me
you struggle with walking away from situations
that aren't healthy for you
If you're like me
it is hard to see the line between I care for you and I will put your needs before mine until my feet are blistered from racing to catch you every time you fall
If you're like me
then listen
Walking away from situations that are hurting you does not mean that you are heartless
It means that you have outgrown the shoes you've been using to chase unreciprocated love
It means that you are learning to value yourself
You have not lost your capacity to love
You are discovering how to love you.
”
”
Whitney Hanson (Home)
“
I try and put myself in your damn shoes every single day. Because you’re my girl. You’re my woman. You’re my partner. You’re my lover. And if I can’t try and fucking understand you and that complex, crazy head of yours, then I’m not doing my job. Then I’m not worthy of you. I want to be worthy of you, baby. I want to know how you work, how you function, how you think. I want to know you so I can be there for you and be there with you. There’s not a day that I’m not trying to discover another one of your beautiful layers. So don’t say that I’m not in your shoes. I’ve been wearing them more than you think.” - Ashes To Ashes
”
”
Karina Halle
“
It’s weird being alone in the museum. It’s dark and eerily quiet: Only the after-hours lights are on—just enough to illuminate the hallways and stop you from tripping over your own feet—and the background music that normally plays all the time is shut off.
I quickly organize the flashlights and check their batteries, and when I don’t hear Porter walking around, I stare at the phone sitting at the information desk. How many chances come along like this? I pick up the receiver, press the little red button next to the word ALL, and speak into the phone in a low voice. “Paging Porter Roth to the information desk,” I say formally, my voice crackling through the entire lobby and echoing down the corridors. Then I press the button again and add, “While you’re at it, check your shoes to make sure they’re a match, you bastard. By the way, I still haven’t quite forgiven you for humiliating me. It’s going to take a lot more than a kiss and a cookie to make me forget both that and the time you provoked me in the Hotbox.”
I’m only teasing, which I hope he knows. I feel a little drunk on all my megaphone power, so I page one more thing:
“PS—You look totally hot in those tight-fitting security guard pants tonight, and I plan to get very handsy with you at the movies, so we better sit in the back row.”
I hang up the phone and cover my mouth, silently laughing at myself. Two seconds later, Porter’s footfalls pound down Jay’s corridor—Boom! Boom! Boom! Boom! He sounds like a T. rex running from Godzilla. He races into the lobby and slides in front of the information desk, grabbing onto the edge to stop himself, wild curls flying everywhere. His grin is enormous.
“Whadidya say ’bout where you want to be puttin’ your hands on me?” he asks breathlessly.
“I think you have me confused with someone else,” I tease.
His head sags against the desk. I push his hair away from one of his eyes. He looks up at me and asks, “You really still haven’t forgiven me?”
“Maybe if you put your hands onme, I might.”
“Don’t go getting my hopes up like that.”
“Oh, your hopes should be up. Way up.”
“Dear God, woman,” he murmurs. “And here I was, thinking you were a classy dame.”
“Pfft. You don’t know me at all.”
“I aim to find out. What are we still doing here? Let’s blow this place and get to the theater, fast.
”
”
Jenn Bennett (Alex, Approximately)
“
Now put your hands on the countertop, and bend over. I’m going to shove you so full of cock you won’t even remember how to spell your name for a week,” he said in his deep voice.
“Oh my. Ok,” I said as I did what he asked. As I grabbed the edges of the countertop, I felt his foot kicking the insides of my shoes, spreading my legs farther apart.
“You long legged, sexy little bitch. I have to get your pussy down here where I can get to it,” he said, as he slapped the right side of my butt, hard. The slap startled me, and the sting felt like fire.
As soon as he stopped kicking my shoes and spreading my legs apart, I felt the head of his cock slide past my lips. His hands grabbed my waist, and he slid all the way inside of me. As soon as I felt his balls against my clit, I began to contract and felt as if I was going to cum. His cock slid out, and then back in again. He found a rhythm and began to fuck me slowly, his hips slapping lightly against my butt as he slid all the way into my wet pussy. As his hips slapped my ass, I could feel his balls against my clit. I couldn’t take it anymore. If he kept up this pace, I would explode.
“Fuck me Erik, fuck me. Fuck me harder. Fuck me,” I said loudly.
“Fuck me, Erik. Oh God. Fuck me.”
“Fuck me.”
“Harder.” I begged.
“Who owns you, baby girl? Who fucking owns you?” he almost screamed.
“Oh God, you do. You own me. You.”
“Don’t forget it, do you hear me?” he said in a loud, stern tone.
“Yes, I am yours. You own me,” I responded...I loved this.
In and out he forced himself, each time it felt as I was being stretched open for the first time. Not a tremendous pain, but each stroke felt like it was the first, the entry stroke. It was a new feeling to me, and it was more than I could take. I was going to explode.
“Please…Faster. Fuck me. Give me that cock. Give me that big fat….Oh my God. Give it to me.
”
”
Scott Hildreth (Baby Girl (Erik Ead Trilogy, #1))
“
The answer to that question is…I won’t. You belong with me. Which leads me to the discussion I wanted to have with you.”
“Where I belong is for me to decide, and though I may listen to what you have to say, that doesn’t mean I will agree with you.”
“Fair enough.” Ren pushed his empty plate to the side. “We have some unfinished business to take care of.”
“If you mean the other tasks we have to do, I’m already aware of that.”
“I’m not talking about that. I’m talking about us.”
“What about us?” I put my hands under the table and wiped my clammy palms on my napkin.
“I think there are a few things we’ve left unsaid, and I think it’s time we said them.”
“I’m not withholding anything from you, if that’s what you mean.”
“You are.”
“No. I’m not.”
“Are you refusing to acknowledge what has happened between us?”
“I’m not refusing anything. Don’t try to put words in my mouth.”
“I’m not. I’m simply trying to convince a stubborn woman to admit that she has feelings for me.”
“If I did have feelings for you, you’d be the first one to know.”
“Are you saying that you don’t feel anything for me?”
“That’s not what I’m saying.”
“Then what are you saying?”
“I’m saying…nothing!” I spluttered.
Ren smiled and narrowed his eyes at me.
If he kept up this line of questioning, he was bound to catch me in a lie. I’m not a very good liar.
He sat back in his chair. “Fine. I’ll let you off the hook for now, but we will talk about this later. Tigers are relentless once they set their minds to something. You don’t be able to evade me forever.”
Casually, I replied, “Don’t get your hopes up, Mr. Wonderful. Every hero has his Kryptonite, and you don’t intimidate me.” I twisted my napkin in my lap while he tracked my every move with his probing eyes. I felt stripped down, as if he could see into the very heart of me.
When the waitress came back, Ren smiled at her as she offered a smaller menu, probably featuring desserts. She leaned over him while I tapped my strappy shoe in frustration. He listened attentively to her. Then, the two of them laughed again.
He spoke quietly, gesturing to me, and she looked my way, giggled, and then cleared all the plates quickly. He pulled out a wallet and handed her a credit card. She put her hand on his arm to ask him another question, and I couldn’t help myself. I kicked him under the table. He didn’t even blink or look at me. He just reached his arm across the table, took my hand in his, and rubbed the back of it absentmindedly with his thumb as he answered her question. It was like my kick was a love tap to him. It only made him happier.
When she left, I narrowed my eyes at him and asked, “How did you get that card, and what were you saying to her about me?”
“Mr. Kadam gave me the card, and I told her that we would be having our dessert…later.”
I laughed facetiously. “You mean you will be having dessert later by yourself this evening because I am done eating with you.”
He leaned across the candlelit table and said, “Who said anything about eating, Kelsey?”
He must be joking! But he looked completely serious. Great! There go the nervous butterflies again.
“Stop looking at me like that.”
“Like what?”
“Like you’re hunting me. I’m not an antelope.”
He laughed. “Ah, but the chase would be exquisite, and you would be a most succulent catch.”
“Stop it.”
“Am I making you nervous?”
“You could say that.”
I stood up abruptly as he was signing the receipt and made my way toward the door. He was next to me in an instant. He leaned over.
“I’m not letting you escape, remember? Now, behave like a good date and let me walk you home. It’s the least you could do since you wouldn’t talk with me.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Er Lang examined his shoes in dismay. “You should have told me there was mud down here.”
“Is that all you can say?” But I was glad, so glad to see him that I hugged him tightly. Despite his concern about his shoes, he didn’t seem to mind as I pressed my grimy face against his shoulder.
“Last time it was a cemetery, and now the bottom of a well,” he remarked. “What were you doing anyway?”
As I explained, his tone became icy. “So, you saved a murderer and let yourself be abandoned. Do you have some sort of death wish?”
“Why are you so angry?” Pushing back his hat, I searched his face. It was a mistake, for faced with his unnerving good looks, I could only drop my eyes.
“You might have broken your neck. Why can’t you leave these things to the proper authorities?”
“I didn’t do it on purpose.” Incredibly, we were arguing again. “And where were you all this time? You could have sent me a message!”
“How was I supposed to do that when you never left the house alone?”
“But you could have come at any time. I was waiting for you!”
Er Lang was incensed. “Is this the thanks I get?”
If I had thought it through, I would never have done it. But I grasped the collar of his rope and pulled his face to mine. “Thank you,” I said, and kissed him.
I meant to break away at once, but he caught me, his hand behind my head.
“Are you going to complain about this?” he demanded.
Wordlessly, I shook my head. My face reddened, remembering my awkward remarks about tongues last time. He must have recalled them as well, for he gave me an inscrutable look.
“Open your mouth then.”
“Why?”
“I’m going to put my tongue in.”
That he could joke at a time like this was really unbelievable. Despite my outrage, however, I flung myself into his arms. Half laughing, half furious, I pressed my mouth fiercely against his. He pinned me against the well shaft. The stone chilled my back through my wet clothes, but my skin burned where he held my wrists. Gasping, I could feel the heat of him as his tongue slipped inside. My pulse raced; my body trembled uncontrollably. There was only the hard pressure of his mouth, the slick thrust of his tongue. I wanted to cry, but no tears came. A river was melting in me, my core dissolving like wax in his arms. My ears hummed, I could only hear the rasping of our breaths, the hammering of my heart. A stifled moan escaped my lips. He gave a long sigh and broke away.
”
”
Yangsze Choo (The Ghost Bride)
“
Kohlberg’s most influential finding was that the most morally advanced kids (according to his scoring technique) were those who had frequent opportunities for role taking—for putting themselves into another person’s shoes and looking at a problem from that person’s perspective. Egalitarian relationships (such as with peers) invite role taking, but hierarchical relationships (such as with teachers and parents) do not. It’s really hard for a child to see things from the teacher’s point of view, because the child has never been a teacher. Piaget and Kohlberg both thought that parents and other authorities were obstacles to moral development. If you want your kids to learn about the physical world, let them play with cups and water; don’t lecture them about the conservation of volume. And if you want your kids to learn about the social world, let them play with other kids and resolve disputes; don’t lecture them about the Ten Commandments. And, for heaven’s sake, don’t force them to obey God or their teachers or you. That will only freeze them at the conventional level.
”
”
Jonathan Haidt (The Righteous Mind: Why Good People are Divided by Politics and Religion)
“
Find your bed, Martise. I’ll be up for some time. This is bandit country, and we’ll each take a watch. Put your blankets with mine. We’ll stay warmer that way. And keep your shoes on. I’ll join you soon.” She’d grown used to him curled against her in sleep. Even the light snores purred into her ear comforted her, and there was always the possibility that when he awakened, he’d want her beneath him. Or atop him. Martise blushed at the sensual images playing in her mind. She prepared their bed as he instructed, crawled under the blankets—with her shoes on—and fell asleep. She woke when Silhara slid beneath the blankets and spooned against her. He laid his arm across her waist and wedged his leg between hers through her heavy skirts. His sigh tickled her ear. “Far better if you were bare, but this will do.
”
”
Grace Draven (Master of Crows (Master of Crows, #1))
“
Where are we?” she asked when I pulled into a parking lot.
“The park.”
“Isn’t it dangerous at night?”
“Not here. Come on.” I pulled her out of her seat and grabbed a blanket from the trunk before trekking through the soft grass.
“You always keep a blanket in your car?”
“Yeah, for emergencies. Never know when you might need it. Food, water, first-aid kit, too.”
“Oh!” she grunted and caught my arm as one of her heels pierced the soft dirt and sank.
“You should take those off.”
“And walk around barefoot? Hello? Ever heard of hookworms and tetanus?”
“Ever heard of snapping your ankles as you fall flat on your face in the dark?” I asked as I squatted in front of her and slipped her foot out of the high heels.
“What are you doing?” she gasped, tumbling forward and grabbing onto my shoulders for support.
“Removing your obstacles.”
She landed a bare foot on the grass as I undid the other shoe. “So now I get tetanus?”
I looked up at her, my hands lightly stroking her ankles up to her calves. “You worry too much.”
“It’s a real risk. Ask Preeti.”
I stood slowly, moving up her body, and hovered above her.
“How…how far are we walking?” she asked.
“To the river.”
“In the dark?”
I nodded and handed her the shoes.
“Took these off and you won’t even carry them?”
“I’ll carry them,” I replied, swooped down, and threw her over the blanket on my shoulder.
Liya yelped. “Put me down!”
“So you can get tetanus?” I asked and walked toward the river.
She laughed. “I hate you!”
“You love it.”
She slapped my butt and then poked her pointy elbows into my shoulder as she arched her back. “Enjoying the view of my backside from over there?”
I slid my hand up the back of her thighs and tugged her dress down to keep her covered.
“This isn’t so bad,” she said.
“Oh, yeah?”
“Yeah.” She slapped my butt again. “Giddyap!”
“All right. You asked for it.”
Her next words were swallowed up in a scream as I took off at a full sprint.
She gripped my shirt, clutching for my waist, as the breeze broke around us. I ran the short distance to the riverside in no time, slowing only when the moonlit gleam on the water’s surface appeared.
I placed Liya on the grass, but she swayed away. I grabbed her by the waist to steady her and chuckled. “Are you okay?”
“You try doing that upside down.
”
”
Sajni Patel (The Trouble with Hating You (The Trouble with Hating You, #1))
“
Bagpipe Music'
It's no go the merrygoround, it's no go the rickshaw,
All we want is a limousine and a ticket for the peepshow.
Their knickers are made of crêpe-de-chine, their shoes are made of python,
Their halls are lined with tiger rugs and their walls with heads of bison.
John MacDonald found a corpse, put it under the sofa,
Waited till it came to life and hit it with a poker,
Sold its eyes for souvenirs, sold its blood for whiskey,
Kept its bones for dumb-bells to use when he was fifty.
It's no go the Yogi-Man, it's no go Blavatsky,
All we want is a bank balance and a bit of skirt in a taxi.
Annie MacDougall went to milk, caught her foot in the heather,
Woke to hear a dance record playing of Old Vienna.
It's no go your maidenheads, it's no go your culture,
All we want is a Dunlop tyre and the devil mend the puncture.
The Laird o' Phelps spent Hogmanay declaring he was sober,
Counted his feet to prove the fact and found he had one foot over.
Mrs Carmichael had her fifth, looked at the job with repulsion,
Said to the midwife 'Take it away; I'm through with overproduction'.
It's no go the gossip column, it's no go the Ceilidh,
All we want is a mother's help and a sugar-stick for the baby.
Willie Murray cut his thumb, couldn't count the damage,
Took the hide of an Ayrshire cow and used it for a bandage.
His brother caught three hundred cran when the seas were lavish,
Threw the bleeders back in the sea and went upon the parish.
It's no go the Herring Board, it's no go the Bible,
All we want is a packet of fags when our hands are idle.
It's no go the picture palace, it's no go the stadium,
It's no go the country cot with a pot of pink geraniums,
It's no go the Government grants, it's no go the elections,
Sit on your arse for fifty years and hang your hat on a pension.
It's no go my honey love, it's no go my poppet;
Work your hands from day to day, the winds will blow the profit.
The glass is falling hour by hour, the glass will fall for ever,
But if you break the bloody glass you won't hold up the weather.
”
”
Louis MacNeice
“
Relationships are physics. Time transforms things- it has to, because the change from me to we means clearing away the fortifications you'r put up around your old personality. Living with Susannah made me feel as if I started riding Einstein's famous theoretical bus. Here's my understanding of that difficult idea, nutshelled: if you're riding a magic Greyhound, equipped for light-speed travel, you'll actually live though less time than will any pedestrians whom the bus passes by. So, for a neighbor on the street with a stopwatch, the superfast bus will take two hours to travel from Point A to Point B. But where you're on that Greyhound, and looking at the wipe of the world out those rhomboidial coach windows, the same trip will take just under twenty-four minutes. Your neighbor, stopwatch under thumb, will have aged eighty-six percent more than you have. It's hard to fathom. But I think it's exactly what adult relationships do to us: on the outside, years pass, lives change. But inside, it's just a day that repeats. You and your partner age at the same clip; it seems not time has gone by. Only when you look up from your relationship- when you step off the bus, feel the ground under your shoes- do you sense the sly, soft absurdity of romance physics.
”
”
Darin Strauss (Half a Life)
“
She's probably just tired of seeing you miserable.Like we all are," I add. "I'm sure...I'm sure she's as crazy about you as ever."
"Hmm." He watches me put away my own shoes and empty the contents of my pockets. "What about you?" he asks, after a minute.
"What about me?"
St. Clair examines his watch. "Sideburns. You'll be seeing him next month."
He's reestablishing...what? The boundary line? That he's taken, and I'm spoken for? Except I'm not. Not really.
But I can't bear to say this now that he's mentioned Ellie. "Yeah,I can't wait to see him again. He's a funny guy, you'd like him.I'm gonna see his band play at Christmas. Toph's a great guy, you'd really like him. Oh. I already said that,didn't I? But you would. He's really...funny."
Shut up,Anna. Shut.Up.
St. Clair unbuckles and rebuckles and unbuckles his watchband.
"I'm beat," I say. And it's the truth. As always, our conversation has exhausted me. I crawl into bed and wonder what he'll do.Lie on my floor? Go back to his room? But he places his watch on my desk and climbs onto my bed. He slides up next to me. He's on top of the covers, and I'm underneath. We're still fully dressed,minus our shoes, and the whole situation is beyond awkward.
He hops up.I'm sure he's about to leave,and I don't know whether to be relieved or disappointed,but...he flips off my light.My room is pitch-black. He shuffles back toward my bed and smacks into it.
"Oof," he says.
"Hey,there's a bed there."
"Thanks for the warning."
"No problem."
"It's freezing in here.Do you have a fan on or something?"
"It's the wind.My window won't shut all the way.I have a towel stuffed under it, but it doesn't really help."
He pats his way around the bed and slides back in. "Ow," he says.
"Yes?"
"My belt.Would it be weird..."
I'm thankful he can't see my blush. "Of course not." And I listen to the slap of leather as he pulls it out of his belt loops.He lays it gently on my hardwood floor.
"Um," he says. "Would it be weird-"
"Yes."
"Oh,piss off.I'm not talking trousers. I only want under the blankets. That breeze is horrible." He slides underneath,and now we're lying side by side. In my narrow bed. Funny,but I never imagined my first sleepover with a guy being,well,a sleepover.
"All we need now are Sixteen Candles and a game of Truth or Dare."
He coughs. "Wh-what?"
"The movie,pervert.I was just thinking it's been a while since I've had a sleepover."
A pause. "Oh."
"..."
"..."
"St. Clair?"
"Yeah?"
"Your elbow is murdering my back."
"Bollocks.Sorry." He shifts,and then shifts again,and then again,until we're comfortable.One of his legs rests against mine.Despite the two layers of pants between us,I feel naked and vulnerable. He shifts again and now my entire leg, from calf to thigh, rests against his. I smell his hair. Mmm.
NO!
I swallow,and it's so loud.He coughs again. I'm trying not to squirm. After what feels like hours but is surely only minutes,his breath slows and his body relaxes.I finally begin to relax, too. I want to memorize his scent and the touch of his skin-one of his arms, now against mine-and the solidness os his body.No matter what happens,I'll remember this for the rest of my life.
I study his profile.His lips,his nose, his eyelashes.He's so beautiful.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Like our other needs, meaning is an inherent expectation. Its denial has dire consequences. Far from a purely psychological need, our hormonees and nervous systems clock its presence or absence. As a medical study in 2020 found, the "presence [of] and search for meaning in life are important for health and well-being." Simply put, the more meaningful you find your life, the better your measures of mental and physical health are likely to be.
It is itself a sign of the times that we even need such studies to confirm what our experience of life teaches. When do you feel happier, more fulfilled, more viscerally at ease: when you extend yourself to help and connect with others, or when you are focused on burnishing the importance of your little egoic self? We all know the answer, and yet somehow what we know doesn't always carry the day.
Corporations are ingenious at exploiting people's needs without actually meeting them. Naomi Klein, in her book No Logo, made vividly clear how big business began in the 1980s to home in on people's natural desire to belong to something larger than themselves. Brand-aware companies such as Nike, Lululemon, and the Body Shop are marketing much more than products: they sell meaning, identification, and an almost religious sense of belonging through association with their brand.
"That pressuposes a kind of emptiness and yearning in people," I suggested when I interviewed the prolific author and activist. "Yes," Klein replied. "They tap into a longing and a need for belonging, and they do it by exploiting the insight that just selling running shoes isn't enough. We humans want to be part of a transcendent project.
”
”
Gabor Maté (The Myth of Normal: Trauma, Illness, and Healing in a Toxic Culture)
“
As you might expect, the geographical location of the capital of Fairyland is fickle and has a rather short temper. I'm afraid the whole thing moves around according to the needs of narrative.'
September put her persimmon down in the long grass. 'What in the world does that mean?'
'I ... I SUSPECT it means that if we ACT like the kind of folk who would find a Fairy city whilst on various adventures involving tricksters, magical shoes, and hooliganism, it will come to us.'
September blinked. 'Is that how things are done here?'
'Isn't that how they're done in your world?'
September thought for a long moment. She thought of how children who acted politely were often treated as good and trustworthy, even if they pulled your hair and made fun of your name when grownups weren't around. She thought of how her father acted like a soldier, strict and plain and organized -- and how the army came for him. She thought of how her mother acted strong and happy even when she was sad, and so no one offered to help her, to make casseroles or watch September after school or come over for gin rummy and tea. And she thought of how she had acted just like a child in a story about Fairyland, discontent and complaining, and how the Green Wind had come for her, too.
'I suppose that is how things are done in my world. It's hard to see it, though, on the other side.
”
”
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
“
Wylan—and the obliging Kuwei—will get the weevil working,” Kaz continued. “Once we have Inej, we can move on Van Eck’s silos.”
Nina rolled her eyes. “Good thing this is all about getting our money and not about saving Inej. Definitely not about that.”
“If you don’t care about money, Nina dear, call it by its other names.”
“Kruge? Scrub? Kaz’s one true love?”
“Freedom, security, retribution.”
“You can’t put a price on those things.”
“No? I bet Jesper can. It’s the price of the lien on his father’s farm.” The sharpshooter looked at the toes of his boots. “What about you, Wylan? Can you put a price on the chance to walk away from Ketterdam and live your own life? And Nina, I suspect you and your Fjerdan may want something more to subsist on than patriotism and longing glances. Inej might have a number in mind too. It’s the price of a future, and it’s Van Eck’s turn to pay.”
Matthias was not fooled. Kaz always spoke logic, but that didn’t mean he always told truth. “The Wraith’s life is worth more than that,” said Matthias. “To all of us.”
“We get Inej. We get our money. It’s as simple as that.”
“Simple as that,” said Nina. “Did you know I’m next in line for the Fjerdan throne? They call me Princess Ilse of Engelsberg.”
“There is no princess of Engelsberg,” said Matthias. “It’s a fishing town.”
Nina shrugged. “If we’re going to lie to ourselves, we might as well be grand about it.”
Kaz ignored her, spreading a map of the city over the table, and Matthias heard Wylan murmur to Jesper, “Why won’t he just say he wants her back?”
“You’ve met Kaz, right?”
“But she’s one of us.”
Jesper’s brows rose again. “One of us? Does that mean she knows the secret handshake? Does that mean you’re ready to get a tattoo?” He ran a finger up Wylan’s forearm, and Wylan flushed a vibrant pink. Matthias couldn’t help but sympathize with the boy. He knew what it was to be out of your depth, and he sometimes suspected they could forgo all of Kaz’s planning and simply let Jesper and Nina flirt the entirety of Ketterdam into submission.
Wylan pulled his sleeve down self-consciously. “Inej is part of the crew.”
“Just don’t push it.”
“Why not?”
“Because the practical thing would be for Kaz to auction Kuwei to the highest bidder and forget about Inej entirely.”
“He wouldn’t—” Wylan broke off abruptly, doubt creeping over his features.
None of them really knew what Kaz would or wouldn’t do. Sometimes Matthias wondered if even Kaz was sure.
“Okay, Kaz,” said Nina, slipping off her shoes and wiggling her toes. “Since this is about the almighty plan, how about you stop meditating over that map and tell us just what we’re in for.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
FATHER FORGETS W. Livingston Larned Listen, son: I am saying this as you lie asleep, one little paw crumpled under your cheek and the blond curls stickily wet on your damp forehead. I have stolen into your room alone. Just a few minutes ago, as I sat reading my paper in the library, a stifling wave of remorse swept over me. Guiltily I came to your bedside. There are the things I was thinking, son: I had been cross to you. I scolded you as you were dressing for school because you gave your face merely a dab with a towel. I took you to task for not cleaning your shoes. I called out angrily when you threw some of your things on the floor. At breakfast I found fault, too. You spilled things. You gulped down your food. You put your elbows on the table. You spread butter too thick on your bread. And as you started off to play and I made for my train, you turned and waved a hand and called, “Goodbye, Daddy!” and I frowned, and said in reply, “Hold your shoulders back!” Then it began all over again in the late afternoon. As I came up the road I spied you, down on your knees, playing marbles. There were holes in your stockings. I humiliated you before your boyfriends by marching you ahead of me to the house. Stockings were expensive—and if you had to buy them you would be more careful! Imagine that, son, from a father! Do you remember, later, when I was reading in the library, how you came in timidly, with a sort of hurt look in your eyes? When I glanced up over my paper, impatient at the interruption, you hesitated at the door. “What is it you want?” I snapped. You said nothing, but ran across in one tempestuous plunge, and threw your arms around my neck and kissed me, and your small arms tightened with an affection that God had set blooming in your heart and which even neglect could not wither. And then you were gone, pattering up the stairs. Well, son, it was shortly afterwards that my paper slipped from my hands and a terrible sickening fear came over me. What has habit been doing to me? The habit of finding fault, of reprimanding—this was my reward to you for being a boy. It was not that I did not love you; it was that I expected too much of youth. I was measuring you by the yardstick of my own years. And there was so much that was good and fine and true in your character. The little heart of you was as big as the dawn itself over the wide hills. This was shown by your spontaneous impulse to rush in and kiss me good night. Nothing else matters tonight, son. I have come to your bedside in the darkness, and I have knelt there, ashamed! It is a feeble atonement; I know you would not understand these things if I told them to you during your waking hours. But tomorrow I will be a real daddy! I will chum with you, and suffer when you suffer, and laugh when you laugh. I will bite my tongue when impatient words come. I will keep saying as if it were a ritual: “He is nothing but a boy—a little boy!” I am afraid I have visualized you as a man. Yet as I see you now, son, crumpled and weary in your cot, I see that you are still a baby. Yesterday you were in your mother’s arms, your head on her shoulder. I have asked too much, too much.
”
”
Dale Carnegie (How To Win Friends and Influence People)
“
Jessabelle,
I'm sorry to just leave, but I need some time.
Time to get my head back on straight.
Time to remember who I really am.
Time with my Creator, the one who knew before the foundations of the earth what would happen over the last few days.
I wish more than anything, that I could process all of this with you, go through all of this together, because I'm coming to understand that, out of all the men in the world, God picked me for you. It's so much more than lineage. It's you. How you've come into your own. How you've blossomed and grown. I'm so privileged to see that secret side of you-the side no one else gets to see. The side where you secretly paint your second toenail a different color because everyone else does the fourth one, but you're not sure my mother would approve so you never wear open-toed shoes to show them off. You only eat M&Ms in odd numbers. You use your right hand to put hair behind your ear, but never your left.
You didn't know I knew those things, did you?
I've watched you over the last few months and learned more about you than I realized until I tried to put my thoughts on paper. You're sleeping just feet away from me as I write this. Your even breathing brings some peace to my troubled soul. The small smile on your face makes me wonder what your dreaming about and if, in your sleep, you've managed to find happiness instead of the turmoil life always seems to bring. I have to stop myself from wondering if dream-Jessabelle has found happiness with someone besides dream-Malachi, because I've realized something in the last couple of days.
I love you.
My life didn't really begin until you walked down the aisle into it.
I want to be man enough to tell you to your face, to kiss you, to tell you over and over what you've come to mean to me, but I can't.
Not yet...
You are the only one for me, sweet Mia Belle. I love you with my entire being, in a way I never believed possible to love another person. I didn't know this kind of love truly existed outside of fairy tales.
Always, Kai
”
”
Carol Moncado (Hand-Me-Down Princess (The Monarchies of Belles Montagnes #4))
“
It was raining and I had to walk on the grass. I’ve got mud all over my shoes. They’re brand-new, too.”
“I’ll carry you across the grass on the return trip, if you like,” Colby offered with twinkling eyes. “It would have to be over one shoulder, of course,” he added with a wry glance at his artificial arm.
She frowned at the bitterness in his tone. He was a little fuzzy because she needed glasses to see at distances.
“Listen, nobody in her right mind would ever take you for a cripple,” she said gently and with a warm smile. She laid a hand on his sleeve. “Anyway,” she added with a wicked grin, “I’ve already given the news media enough to gossip about just recently. I don’t need any more complications in my life. I’ve only just gotten rid of one big one.”
Colby studied her with an amused smile. She was the only woman he’d ever known that he genuinely liked. He was about to speak when he happened to glance over her shoulder at a man approaching them. “About that big complication, Cecily?”
“What about it?” she asked.
“I’d say it’s just reappeared with a vengeance. No, don’t turn around,” he said, suddenly jerking her close to him with the artificial arm that looked so real, a souvenir of one of his foreign assignments. “Just keep looking at me and pretend to be fascinated with my nose, and we’ll give him something to think about.”
She laughed in spite of the racing pulse that always accompanied Tate’s appearances in her life. She studied Colby’s lean, scarred face. He wasn’t anybody’s idea of a pinup, but he had style and guts and if it hadn’t been for Tate, she would have found him very attractive. “Your nose has been broken twice, I see,” she told Colby.
“Three times, but who’s counting?” He lifted his eyes and his eyebrows at someone behind her. “Well, hi, Tate! I didn’t expect to see you here tonight.”
“Obviously,” came a deep, gruff voice that cut like a knife.
Colby loosened his grip on Cecily and moved back a little. “I thought you weren’t coming,” he said.
Tate moved into Cecily’s line of view, half a head taller than Colby Lane. He was wearing evening clothes, like the other men present, but he had an elegance that made him stand apart. She never tired of gazing into his large black eyes which were deep-set in a dark, handsome face with a straight nose, and a wide, narrow, sexy mouth and faintly cleft chin. He was the most beautiful man. He looked as if all he needed was a breastplate and feathers in his hair to bring back the heyday of the Lakota warrior in the nineteenth century. Cecily remembered him that way from the ceremonial gatherings at Wapiti Ridge, and the image stuck stubbornly in her mind.
“Audrey likes to rub elbows with the rich and famous,” Tate returned. His dark eyes met Cecily’s fierce green ones. “I see you’re still in Holden’s good graces. Has he bought you a ring yet?”
“What’s the matter with you, Tate?” Cecily asked with a cold smile. “Feeling…crabby?”
His eyes smoldered as he glared at her. “What did you give Holden to get that job at the museum?” he asked with pure malice.
Anger at the vicious insinuation caused her to draw back her hand holding the half-full coffee cup, and Colby caught her wrist smoothly before she could sling the contents at the man towering over her.
Tate ignored Colby. “Don’t make that mistake again,” he said in a voice so quiet it was barely audible. He looked as if all his latent hostilities were waiting for an excuse to turn on her. “If you throw that cup at me, so help me, I’ll carry you over and put you down in the punch bowl!”
“You and the CIA, maybe!” Cecily hissed. “Go ahead and try…!”
Tate actually took a step toward her just as Colby managed to get between them. “Now, now,” he cautioned.
Cecily wasn’t backing down an inch. Neither was Tate.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Emma, I came out here to tell you that you don't have to mate with Grom."
I raise a brow. "Uh, I was never going to mate with Grom."
"What I mean is, Grom is mating with someone else who has the gift of Poseidon. Which means that-"
"I don't have to mate with Grom," I finish for him.
"That's what I just said."
"I mean, I don't have to feel like I've let the entire species of Syrena go extinct because I won't mate with Grom."
He grins. "Exactly."
"But that doesn't change what I am-a Half-Breed. You still can't be with me, can you?"
He rubs his thumb over my bottom lip, thoughtful. "The law forbids it right now. But I think if we give it time, we could get it overturned somehow. And I'm not going anywhere until I do."
He turns us toward the SUV, stopping to retrieve my heels from the side of the road. He helps me in the passenger seat of the Escalade, then hands me my shoes.
"Thank you," I tell him as he walks around to the driver's side.
"It's a little late to blush," he says, strapping in.
"I don't think I'll ever stop blushing."
"I really hope not," he says, shutting his door. Taking my face into both hands, he pulls me to him again. His lips brush mine, but I want more. Sensing my intention, he puts his hand over mine and the seat belt I'm trying to unsnap. "Emma," he says against my lips. "I've missed you so much. But we can't. Not yet."
I'm not trying to do that, I just want to get in a better position to accept his lips. Telling him so would just embarrass us both. But he says yet. What does that mean? That he wants to wait until he can get the law overturned? Or will he give it time, and if it doesn't work out, break Syrena law to be with me?
For some reason, I don't want the answer bad enough to ask. Images of "that girl" flare up in my head. I don't want Galen to break his laws-it's a big part of why I love him so much. His loyalty to his people, his commitment to them. It's the kind of devotion almost nonexistent among humans. But I don't want to be "that girl" either. Syrena or not, I want to go to college. I want to experience the world above and below sea level.
But it's not like any decisions need to be made right now, do they? I mean, life-changing decisions take time to make. Time and meditation. And physical space between my lips and his.
I pull back. "Right. Sorry."
He seizes a few tendrils of my hair and runs them along his face, grinning. "Not as sorry as I am. You'll have to help me keep my hands off you."
I laugh, even as a charge runs through my veins. "Yeah. No."
He laughs too and turns to start the car, then stops. Letting go of the keys, he says, "So. About breaking up."
"Let me think about it some more," I tell him on the brink of giggling at his expression.
"I'll see what I can do to help you make up your mind."
We stay parked for another fifteen minutes. But at least we're not broken up anymore.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
December 8, 1986
Hello John:
Thanks for the good letter. I don’t think it hurts, sometimes, to remember where you came from. You know the places where I came from. Even the people who try to write about that or make films about it, they don’t get it right.
They call it “9 to 5.” It’s never 9 to 5, there’s no free lunch break at those places, in fact, at many of them in order to keep your job you don’t take lunch. Then there’s OVERTIME and the books never seem to get the overtime right and if you complain about that, there’s another sucker to take your place. You know my old saying, “Slavery was never abolished, it was only extended to include all the colors.”
And what hurts is the steadily diminishing humanity of those fighting to hold jobs they don’t want but fear the alternative worse. People simply empty out. They are bodies with fearful and obedient minds. The color leaves the eye. The voice becomes ugly. And the body. The hair. The fingernails. The shoes. Everything does.
As a young man I could not believe that people could give their lives over to those conditions. As an old man, I still can’t believe it. What do they do it for? Sex? TV? An automobile on monthly payments? Or children? Children who are just going to do the same things that they did?
Early on, when I was quite young and going from job to job I was foolish enough to sometimes speak to my fellow workers: “Hey, the boss can come in here at any moment and lay all of us off, just like that, don’t you realize that?”
They would just look at me. I was posing something that they didn’t want to enter their minds.
Now in industry, there are vast layoffs (steel mills dead, technical changes in other factors of the work place). They are layed off by the hundreds of thousands and their faces are stunned:
“I put in 35 years…”
“It ain’t right…”
“I don’t know what to do…”
They never pay the slaves enough so they can get free, just enough so they can stay alive and come back to work. I could see all this. Why couldn’t they? I figured the park bench was just as good or being a barfly was just as good. Why not get there first before they put me there? Why wait?
I just wrote in disgust against it all, it was a relief to get the shit out of my system. And now that I’m here, a so-called professional writer, after giving the first 50 years away, I’ve found out that there are other disgusts beyond the system.
I remember once, working as a packer in this lighting fixture company, one of the packers suddenly said: “I’ll never be free!”
One of the bosses was walking by (his name was Morrie) and he let out this delicious cackle of a laugh, enjoying the fact that this fellow was trapped for life.
So, the luck I finally had in getting out of those places, no matter how long it took, has given me a kind of joy, the jolly joy of the miracle. I now write from an old mind and an old body, long beyond the time when most men would ever think of continuing such a thing, but since I started so late I owe it to myself to continue, and when the words begin to falter and I must be helped up stairways and I can no longer tell a bluebird from a paperclip, I still feel that something in me is going to remember (no matter how far I’m gone) how I’ve come through the murder and the mess and the moil, to at least a generous way to die.
To not to have entirely wasted one’s life seems to be a worthy accomplishment, if only for myself.
Your boy,
Hank
”
”
Charles Bukowski
“
Poem for My Father
You closed the door.
I was on the other side,
screaming.
It was black in your mind.
Blacker than burned-out fire.
Blacker than poison.
Outside everything looked the same.
You looked the same.
You walked in your body like a living man.
But you were not.
would you not speak to me for weeks
would you hang your coat in the closet without saying hello
would you find a shoe out of place and beat me
would you come home late
would i lose the key
would you find my glasses in the garbage
would you put me on your knee
would you read the bible to me in your smoking jacket after your mother died
would you come home drunk and snore
would you beat me on the legs
would you carry me up the stairs by my hair so that my feet never touch the bottom
would you make everything worse
to make everything better
i believe in god, the father almighty,
the maker of heaven, the maker
of my heaven and my hell.
would you beat my mother
would you beat her till she cries like a rabbit
would you beat her in a corner of the kitchen
while i am in the bathroom trying to bury my head underwater
would you carry her to the bed
would you put cotton and alcohol on her swollen head
would you make love to her hair
would you caress her hair
would you rub her breasts with ben gay until she stinks
would you sleep in the other room in the bed next to me while she sleeps on the pull-out cot
would you come on the sheet while i am sleeping. later i look for the spot
would you go to embalming school with the last of my mother's money
would i see your picture in the book with all the other black boys you were the handsomest
would you make the dead look beautiful
would the men at the elks club
would the rich ladies at funerals
would the ugly drunk winos on the street
know ben
pretty ben
regular ben
would your father leave you when you were three with a mother who threw butcher knives at you
would he leave you with her screaming red hair
would he leave you to be smothered by a pillow she put over your head
would he send for you during the summer like a rich uncle
would you come in pretty corduroys until you were nine and never heard from him again
would you hate him
would you hate him every time you dragged hundred pound cartons of soap down the stairs into white ladies' basements
would you hate him for fucking the woman who gave birth to you
hate him flying by her house in the red truck so that other father threw down his hat in the street and stomped on it angry like we never saw him
(bye bye
to the will of grandpa
bye bye to the family fortune
bye bye when he stompled that hat,
to the gold watch,
embalmer's palace,
grandbaby's college)
mother crying silently, making floating island
sending it up to the old man's ulcer
would grandmother's diamonds
close their heartsparks
in the corner of the closet
yellow like the eyes of cockroaches?
Old man whose sperm swims in my veins,
come back in love, come back in pain.
”
”
Toi Derricotte
“
float before I could swim. Ellis never believed it was called Dead-Man’s Float, thought I’d made it up. I told him it was a survival position after a long exhausting journey. How apt. All I see below is blue light. Peaceful and eternal. I’m holding my breath until my body throbs as one pulse. I roll over and suck in a deep lungful of warm air. I look up at the starry starry night. The sound of water in and out of my ears, and beyond this human shell, the sound of cicadas fills the night. I dreamt of my mother. It was an image, that’s all, and a fleeting one, at that. She was faded with age, like a discarded offcut on the studio floor. In this dream, she didn’t speak, just stepped out of the shadows, a reminder that we are the same, her and me, cut from the same bruised cloth. I understand how she got up one day and left, how instinctively she trusted the compulsion to flee. The rightness of that action. We are the same, her and me. She walked out when I was eight. Never came back. I remember being collected from school by our neighbour Mrs Deakin, who bought me sweets on the way home and let me play with a dog for as long as I wanted. Inside the house, my father was sitting at the table, drinking. He was holding a sheet of blue writing paper covered in black words, and he said, Your mother’s gone. She said she’s sorry. A sheet of writing paper covered in words and just two for me. How was that possible? Her remnant life was put in bags and stored in the spare room at the earliest opportunity. Stuffed in, not folded – clothes brushes, cosmetics all thrown in together, awaiting collection from the Church. My mother had taken only what she could carry. One rainy afternoon, when my father had gone next door to fix a pipe, I emptied the bags on to the floor and saw my mother in every jumper and blouse and skirt I held up. I used to watch her dress and she let me. Sometimes, she asked my opinion about colours or what suited her more, this blouse or that blouse? And she’d follow my advice and tell me how right I was. I took off my clothes and put on a skirt first, then a blouse, a cardigan, and slowly I became her in miniature. She’d taken her good shoes, so I slipped on a pair of mid-height heels many sizes too big, of course, and placed a handbag on my arm. I stood in front of the mirror, and saw the infinite possibilities of play. I strutted, I
”
”
Sarah Winman (Tin Man)
“
If there was any doubt about the authenticity of his fake ID, it would now be put to the test. As Sage waited for the Secret Service to do their due diligence, I wondered how much our mission to find Dad would be set back by Sage taking a quick detour to federal prison.
“He’s clear,” the lead agent finally said.
Great, we could go in. Sage politely insisted that Rayna and I enter before him.
“Not sure that’s such a good idea,” I said, but he wouldn’t hear it. Rayna, Ben, and I shared a knowing smile. Then I shrugged and stepped over the threshold…immediately triggering the Piri alarm. I don’t know how she knew; she was all the way in the kitchen. But the minute I stepped into the foyer she raced in, arms waving in the air, a high-pitched scream keening from her lungs.
“AIIIIIIEEEEEEEE!!”
“He made me do it, Piri,” I said, happily tossing Sage under the bus. “I tried to tell him-“
Piri strode right up to Sage, her head barely reaching his sternum, and jabbed her finger into his chest to emphasize each scolding word. “You never let a woman enter this house before a man! Very bad luck! And when the senator’s doing business! Jaj!”
She pushed us back outside, closed the door, and spit three times on the porch (barely missing the shoes of one of the Secret Service agents), then turned her baleful eyes to Sage, asking him to do the same.
“I don’t think I really need to spit on Clea’s porch,” Sage said uncomfortably, but Piri’s glare only grew more and more violent until he withered under its power…and spit three times. Piri smiled smugly and opened the door, gesturing for Sage to enter. Ben went next, bending to Piri’s ear to murmur, “If it’d been me, I would have gone in first.”
“That’s because you’re a smart boy,” Piri said, kissing him on both cheeks.
Once we were all in, Piri greeted us as if for the first time, with huge hugs and two-cheeked kisses.
As she led us to the luncheon raging in the other room, Ben crowed to Sage, “You know, a real European scholar would be up on old-school superstitions.”
Sage grimaced.
”
”
Hilary Duff (Elixir (Elixir, #1))
“
A language that will at last say what we have to say. For our words no longer correspond to the world. When things were whole, we felt confident that our words could express them. But little by little these things have broken apart, shattered, collapsed into chaos. And yet our words have remained the same. They have not adapted themselves to the new reality. Hence, every time we try to speak of what we see, we speak falsely, distorting the very thing we are trying to represent. It's made a mess of everything. But words, as you yourself understand, are capable of change. The problem is how to demonstrate this. That is why I now work with the simplest means possible - so simple that even a child can grasp what I am saying. Consider a word that refers to a thing - "umbrella", for example. When I say the word "umbrella", you see the object in your mind. You see a kind of stick, with collapsible metal spokes on top that form an armature for a waterproof material which, when opened, will protect you from the rain. This last detail is important. Not only is an umbrella a thing, it is a thing that performs a function - in other words, expresses the will of man. When you stop to think of it, every object is similar to the umbrella, in that it serves a function. A pencil is for writing, a shoe is for wearing, a car is for driving. Now, my question is this. What happens when a thing no longer performs its function ? Is it still the thing or has it become something else ? When you rip the cloth off the umbrella, is the umbrella still an umbrella ? You open the spokes, put them over your head, walk out into the rain, and you get drenched. Is it possible to go one calling this object an umbrella ? In general, people do. At the very limit, they will say the umbrella is broken. To me this is a serious error, the source of all our troubles. Because it can no longer perform its function, the umbrella has ceased to be an umbrella. It might resemble an umbrella, it might once have been an umbrella, but now it has changed into something else. The word, however, has remained the same. Therefore, it can no longer express the thing. It is imprecise; it is false; it hides the thing it is supposed to reveal. And if we cannot even name a common, everyday object that we hold in our hands, how can we expect to speak of the things that truly concern us? Unless we can begin to embody the position of change in the words we use, we will continue to be lost.
”
”
Paul Auster (City of Glass (The New York Trilogy, #1))