Put Out To Pasture Quotes

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He was born in fury and he lived in lightning. Tom came headlong into life. He was a giant in joy and enthusiasms. He didn't discover the world and its people, he created them. When he read his father's books, he was the first. He lived in a world shining and fresh and as uninspected as Eden on the sixth day. His mind plunged like a colt in a happy pasture, and when later the world put up fences, he plunged against the wire, and when the final stockade surrounded him, he plunged right through it and out. And as he was capable of giant joy, so did he harbor huge sorrow.
John Steinbeck (East of Eden)
But when fall comes, kicking summer out on its treacherous ass as it always does one day sometime after the midpoint of September, it stays awhile like an old friend that you have missed. It settles in the way an old friend will settle into your favorite chair and take out his pipe and light it and then fill the afternoon with stories of places he has been and things he has done since last he saw you. It stays on through October and, in rare years, on into November. Day after day the skies are a clear, hard blue, and the clouds that float across them, always west to east, are calm white ships with gray keels. The wind begins to blow by the day, and it is never still. It hurries you along as you walk the roads, crunching the leaves that have fallen in mad and variegated drifts. The wind makes you ache in some place that is deeper than your bones. It may be that it touches something old in the human soul, a chord of race memory that says Migrate or die – migrate or die. Even in your house, behind square walls, the wind beats against the wood and the glass and sends its fleshless pucker against the eaves and sooner or later you have to put down what you were doing and go out and see. And you can stand on your stoop or in your dooryard at mid-afternoon and watch the cloud shadows rush across Griffen’s pasture and up Schoolyard Hill, light and dark, light and dark, like the shutters of the gods being opened and closed. You can see the goldenrod, that most tenacious and pernicious and beauteous of all New England flora, bowing away from the wind like a great and silent congregation. And if there are no cars or planes, and if no one’s Uncle John is out in the wood lot west of town banging away at a quail or pheasant; if the only sound is the slow beat of your own heart, you can hear another sound, and that is the sound of life winding down to its cyclic close, waiting for the first winter snow to perform last rites.
Stephen King ('Salem's Lot)
What force had buttercups and earthworms and cabbages against the need of human beings for dwelling places, against developers’ chances to make money? Alive as a strange creature in an aquarium, the city stretched out its tentacles, grew and swelled, gobbling the pastures and hedgerows that lay in its path. Fields were bought, and new rows of houses built, and then the process repeated. Teams of workmen dug up hedges, filled in ponds and streams, put up neat streets of flat-fronted brick dwellings with steps and railings.
Michèle Roberts (The Walworth Beauty)
There was once a Horse who used to graze in a meadow which he had all to himself. But one day a Stag came into the meadow, and said he had as good a right to feed there as the Horse, and moreover chose all the best places for himself. The Horse, wishing to be revenged upon his unwelcome visitor, went to a man and asked if he would help him to turn out the Stag. “Yes,” said the man, “I will by all means; but I can only do so if you let me put a bridle in your mouth and mount on your back.” The Horse agreed to this, and the two together very soon turned the Stag out of the pasture: but when that was done, the Horse found to his dismay that in the man he had got a master for good.
Aesop (Aesop's Fables)
They were planning some sort of real estate development on the edge of the city—probably on that few acres of pasture out back of the Waterhouse residence. They would put up town-houses around the edges, make the center into a square, and along the square Sterling would put up shops. Rich people would move in, and the Waterhouses and their confederates would control a patch of land that would probably generate more rent than any thousand square miles of Ireland—basically, they would become farmers of rich people.
Neal Stephenson (Quicksilver (The Baroque Cycle #1))
September 10, 1965 Dear Francesca, Enclosed are two photographs. One is the shot I took of you in the pasture at sunrise. I hope you like it as much as I do. The other is of Roseman Bridge before I removed your note tacked to it. I sit here trolling the gray areas of my mind for every detail, every moment, of our time together. I ask myself over and over, “What happened to me in Madison County, Iowa?” And I struggle to bring it together. That’s why I wrote the little piece, “Falling from Dimension Z,” I have enclosed, as a way of trying to sift through my confusion. I look down the barrel of a lens, and you’re at the end of it. I begin work on an article, and I’m writing about you. I’m not even sure how I got back here from Iowa. Somehow the old truck brought me home, yet I barely remember the miles going by. A few weeks ago, I felt self-contained, reasonably content. Maybe not profoundly happy, maybe a little lonely, but at least content. All of that has changed. It’s clear to me now that I have been moving toward you and you toward me for a long time. Though neither of us was aware of the other before we met, there was a kind of mindless certainty humming blithely along beneath our ignorance that ensured we would come together. Like two solitary birds flying the great prairies by celestial reckoning, all of these years and lifetimes we have been moving toward one another. The road is a strange place. Shuffling along, I looked up and you were there walking across the grass toward my truck on an August day. In retrospect, it seems inevitable—it could not have been any other way—a case of what I call the high probability of the improbable. So here I am walking around with another person inside of me. Though I think I put it better the day we parted when I said there is a third person we have created from the two of us. And I am stalked now by that other entity. Somehow, we must see each other again. Any place, anytime. Call me if you ever need anything or simply want to see me. I’ll be there, pronto. Let me know if you can come out here sometime—anytime. I can arrange plane fare, if that’s a problem. I’m off to southeast India next week, but I’ll be back in late October. I Love You, Robert P. S., The photo project in Madison County turned out fine. Look for it in NG next year. Or tell me if you want me to send a copy of the issue when it’s published. Francesca Johnson set her brandy glass on the wide oak windowsill and stared at an eight-by-ten black-and-white photograph of herself.
Robert James Waller (The Bridges Of Madison County)
Tom, the third son, was most like his father. He was born in fury and he lived in lightning. Tom came headlong into life. He was a giant in joy and enthusiasms. He didn’t discover the world and its people, he created them. When he read his father’s books, he was the first. He lived in a world shining and fresh and as uninspected as Eden on the sixth day. His mind plunged like a colt in a happy pasture, and when later the world put up fences he plunged against the wire, and when the final stockade surrounded him, he plunged right through it and out. And as he was capable of giant joy, so did he harbor huge sorrow, so that when his dog died the world ended.
John Steinbeck (East of Eden)
For, by this Sin, God loses the Church and the souls that He bought with His precious blood, when Churches are given to those who are not worthy. Into these Churches are put thieves who steal souls from Jesus Christ and destroy His patrimony. By reason of such unworthy Priests and Curates do ignorant men lose all reverence for the sacraments of Holy Church, and such usurpers of Churches put out of the Church the children of Christ and put into the Church the Devil’s own sons. They sell the souls of the lambs they are sworn to save to the wolf that will slay them. And, therefore, these disreputable Priests should never have any part of the pasture of lambs, which is the bliss of Heaven.
Geoffrey Chaucer (The Canterbury Tales)
a man who had fallen among thieves lay by the roadside on his back dressed in fifteenthrate ideas wearing a round jeer for a hat fate per a somewhat more than less emancipated evening had in return for consciousness endowed him with a changeless grin whereon a dozen staunch and leal citizens did graze at pause then fired by hypercivic zeal sought newer pastures or because swaddled with a frozen brook of pinkest vomit out of eyes which noticed nobody he looked as if he did not care to rise one hand did nothing on the vest its wideflung friend clenched weakly dirt while the mute trouserfly confessed a button solemnly inert. Brushing from whom the stiffened puke i put him all into my arms and staggered banged with terror through a million billion trillion stars
E.E. Cummings (100 Selected Poems)
GENESIS 29 Then Jacob went on his journey and came to  k the land of the people of the east. 2As he looked, he saw a well in the field, and behold, three flocks of sheep lying beside it, for out of that well the flocks were watered. The stone on the well’s mouth was large, 3and when all the flocks were gathered there, the shepherds would roll the stone from the mouth of the well and water the sheep, and put the stone back in its place over the mouth of the well. 4Jacob said to them, “My brothers, where do you come from?” They said,  l “We are from Haran.” 5He said to them, “Do you know Laban the son of Nahor?” They said, “We know him.” 6He said to them, “Is it well with him?” They said, “It is well; and see, Rachel his daughter is coming with the sheep!” 7He said, “Behold, it is still high day; it is not time for the livestock to be gathered together. Water the sheep and go, pasture them.” 8But they said, “We cannot until all the flocks are gathered together and the stone is rolled from the mouth of the well; then we water the sheep.
Anonymous (Holy Bible: English Standard Version (ESV))
This Compost" Something startles me where I thought I was safest, I withdraw from the still woods I loved, I will not go now on the pastures to walk, I will not strip the clothes from my body to meet my lover the sea, I will not touch my flesh to the earth as to other flesh to renew me. O how can it be that the ground itself does not sicken? How can you be alive you growths of spring? How can you furnish health you blood of herbs, roots, orchards, grain? Are they not continually putting distemper'd corpses within you? Is not every continent work'd over and over with sour dead? Where have you disposed of their carcasses? Those drunkards and gluttons of so many generations? Where have you drawn off all the foul liquid and meat? I do not see any of it upon you to-day, or perhaps I am deceiv'd, I will run a furrow with my plough, I will press my spade through the sod and turn it up underneath, I am sure I shall expose some of the foul meat. 2 Behold this compost! behold it well! Perhaps every mite has once form'd part of a sick person—yet behold! The grass of spring covers the prairies, The bean bursts noiselessly through the mould in the garden, The delicate spear of the onion pierces upward, The apple-buds cluster together on the apple-branches, The resurrection of the wheat appears with pale visage out of its graves, The tinge awakes over the willow-tree and the mulberry-tree, The he-birds carol mornings and evenings while the she-birds sit on their nests, The young of poultry break through the hatch'd eggs, The new-born of animals appear, the calf is dropt from the cow, the colt from the mare, Out of its little hill faithfully rise the potato's dark green leaves, Out of its hill rises the yellow maize-stalk, the lilacs bloom in the dooryards, The summer growth is innocent and disdainful above all those strata of sour dead. What chemistry! That the winds are really not infectious, That this is no cheat, this transparent green-wash of the sea which is so amorous after me, That it is safe to allow it to lick my naked body all over with its tongues, That it will not endanger me with the fevers that have deposited themselves in it, That all is clean forever and forever, That the cool drink from the well tastes so good, That blackberries are so flavorous and juicy, That the fruits of the apple-orchard and the orange-orchard, that melons, grapes, peaches, plums, will none of them poison me, That when I recline on the grass I do not catch any disease, Though probably every spear of grass rises out of what was once a catching disease. Now I am terrified at the Earth, it is that calm and patient, It grows such sweet things out of such corruptions, It turns harmless and stainless on its axis, with such endless successions of diseas'd corpses, It distills such exquisite winds out of such infused fetor, It renews with such unwitting looks its prodigal, annual, sumptuous crops, It gives such divine materials to men, and accepts such leavings from them at last.
Walt Whitman
In January 2004 President George W. Bush put NASA in high gear, heading back to the moon with a space vision that was to have set in motion future exploration of Mars and other destinations. The Bush space policy focused on U.S. astronauts first returning to the moon as early as 2015 and no later than 2020. Portraying the moon as home to abundant resources, President Bush did underscore the availability of raw materials that might be harvested and processed into rocket fuel or breathable air. “We can use our time on the moon to develop and test new approaches and technologies and systems that will allow us to function in other, more challenging, environments. The moon is a logical step toward further progress and achievement,” he remarked in rolling out his space policy. To fulfill the Bush space agenda required expensive new rockets—the Ares I launcher and the large, unfunded Ares V booster—plus a new lunar module, all elements of the so-called Constellation Program. The Bush plan forced retirement of the space shuttle in 2010 to pay for the return to the moon, but there were other ramifications as well. Putting the shuttle out to pasture created a large human spaceflight gap in reaching the International Space Station. The price tag for building the station is roughly $100 billion, and without the space shuttle, there’s no way to reach it without Russian assistance. In the end, the stars of the Constellation Program were out of financial alignment. It was an impossible policy to implement given limited NASA money.
Buzz Aldrin (Mission to Mars: My Vision for Space Exploration)
[Nero] castrated the boy Sporus and actually tried to make a woman of him; and he married him with all the usual ceremonies, including a dowry and a bridal veil, took him to his house attended by a great throng, and treated him as his wife. This Sporus, decked out with the finery of the empresses and riding in a litter, he took with him to the assizes and marts of Greece, and later at Rome through the Street of the Images,​ fondly kissing him from time to time. That he even desired illicit relations with his own mother, and was kept from it by her enemies, who feared that such a help might give the reckless and insolent woman too great influence, was notorious, especially after he added to his concubines a courtesan who was said to look very like Agrippina. Even before that, so they say, whenever he rode in a litter with his mother, he had incestuous relations with her, which were betrayed by the stains on his clothing. He so prostituted his own chastity that after defiling almost every part of his body, he at last devised a kind of game, in which, covered with the skin of some wild animal, he was let loose from a cage and attacked the private parts of men and women, who were bound to stakes, and when he had sated his mad lust, was dispatched​ by his freedman Doryphorus; for he was even married to this man in the same way that he himself had married Sporus, going so far as to imitate the cries and lamentations of a maiden being deflowered. He made a palace extending all the way from the Palatine to the Esquiline, which at first he called the House of Passage, but when it was burned shortly after its completion and rebuilt, the Golden House. Its size and splendour will be sufficiently indicated by the following details. Its vestibule was large enough to contain a colossal statue of the emperor a hundred and twenty feet high; and it was so extensive that it had a triple colonnade​ a mile long. There was a pond too, like a sea, surrounded with buildings to represent cities,​ besides tracts of country, varied by tilled fields, vineyards, pastures and woods, with great numbers of wild and domestic animals. In the rest of the house all parts were overlaid with gold and adorned with gems and mother-of‑pearl. There were dining-rooms with fretted ceils of ivory, whose panels could turn and shower down flowers and were fitted with pipes for sprinkling the guests with perfumes. The main banquet hall was circular and constantly revolved day and night, like the heavens. His mother offended him by too strict surveillance and criticism of his words and acts. At last terrified by her violence and threats, he determined to have her life, and after thrice attempting it by poison and finding that she had made herself immune by antidotes, he tampered with the ceiling of her bedroom, contriving a mechanical device for loosening its panels and dropping them upon her while she slept. When this leaked out through some of those connected with the plot, he devised a collapsible boat,​ to destroy her by shipwreck or by the falling in of its cabin. ...[He] offered her his contrivance, escorting her to it in high spirits and even kissing her breasts as they parted. The rest of the night he passed sleepless in intense anxiety, awaiting the outcome of his design. On learning that everything had gone wrong and that she had escaped by swimming, driven to desperation he secretly had a dagger thrown down beside her freedman Lucius Agermus, when he joyfully brought word that she was safe and sound, and then ordered that the freedman be seized and bound, on the charge of being hired to kill the emperor; that his mother be put to death, and the pretence made that she had escaped the consequences of her detected guilt by suicide.
Suetonius (The Twelve Caesars)
In 1931, amid that incredible transformation, a brilliant young Russian psychologist named Alexander Luria recognized a fleeting “natural experiment,” unique in the history of the world. He wondered if changing citizens’ work might also change their minds. When Luria arrived, the most remote villages had not yet been touched by the warp-speed restructuring of traditional society. Those villages gave him a control group. He learned the local language and brought fellow psychologists to engage villagers in relaxed social situations—teahouses or pastures—and discuss questions or tasks designed to discern their habits of mind. Some were very simple: present skeins of wool or silk in an array of hues and ask participants to describe them. The collective farmers and farm leaders, as well as the female students, easily picked out blue, red, and yellow, sometimes with variations, like dark blue or light yellow. The most remote villagers, who were still “premodern,” gave more diversified descriptions: cotton in bloom, decayed teeth, a lot of water, sky, pistachio. Then they were asked to sort the skeins into groups. The collective farmers, and young people with even a little formal education, did so easily, naturally forming color groups. Even when they did not know the name of a particular color, they had little trouble putting together darker and lighter shades of the same one. The remote villagers, on the other hand, refused, even those whose work was embroidery. “It can’t be done,” they said, or, “None of them are the same, you can’t put them together.” When prodded vigorously, and only if they were allowed to make many small groups, some relented and created sets that were apparently random. A few others appeared to sort the skeins according to color saturation, without regard to the color. Geometric shapes followed suit. The greater the dose of modernity, the more likely an individual grasped the abstract concept of “shapes” and made groups of triangles, rectangles, and circles, even if they had no formal education and did not know the shapes’ names. The remote villagers, meanwhile, saw nothing alike in a square drawn with solid lines and the same exact square drawn with dotted lines. To Alieva, a twenty-six-year-old remote villager, the solid-line square was obviously a map, and the dotted-line square was a watch. “How can a map and a watch be put together?” she asked, incredulous. Khamid, a twenty-four-year-old remote villager, insisted that filled and unfilled circles could not go together because one was a coin and the other a moon.
David Epstein (Range: Why Generalists Triumph in a Specialized World)
He moved his lips to my cheek, to my ear, back to my mouth. I had never been kissed like this in my life. Each time I thought I should protest because there were so many unsettled matters between us, Hunter kissed me harder, forcing those concerns out of my mind. The cold air heated up around us. He unsnapped the top of my jacket and slipped his hand inside. His warm palm cupped my breast beneath my shirt. Then he straightened, blinking at me, and pulled his hand away. “What is it?” I asked. “Okay,” he panted. “I’m going to kick myself for this in the morning, but I don’t want to do this while I’m drunk. And I don’t want to do it behind the stable. I want everything to be perfect between you and me.” He stroked my hair away from my face. “Are you mad?” “Mad?” I squeaked. “No. Horny? Yes. Frustrated?” “Yes.” He set his forehead against mine. “Yes,” I agreed. “Mad? No.” He watched me with serious eyes. His gaze fell to my chest. He fastened the snaps he’d unfastened a few moments before, then put his hands on my shoulders. “I’m just so thankful we’re finally together.” “Me, too,” I whispered. I felt uncomfortable saying this. I wished I had a cell phone so I could call Summer for verification that I was not making a terrible mistake. But she would yell at me and tell me to stop being stupid. I did not need her permission to fall in love. He kissed me on the forehead, then stood, holding out his hand to me. “I’ll walk you home.” I took his hand and swung it as we rounded the stable again, back the way we’d come. “I’ll walk you home,” I said. With his other hand he gestured toward the top of my grandmother’s mansion, just visible over the rise. “I’m not leaving you wandering around in the night with all these drunk people and, my God, Whitfield Farrell and his fucking bowl.” I giggled. It made me insanely happy that he was jealous of Whitfield Farrell. “You’re drunk, though. You might stumble into the road and get hit by a car.” “They will be sorry,” he said. “I will dent their car. I am strong like an ox.” I burst into laughter, and he laughed with me. He was so handsome in the gentle starlight, and he looked so happy. I couldn’t remember ever being this happy myself. I was still nearly broke and my grandmother hated me and I had a history paper due Monday that I hadn’t started writing, but I could handle all of this with Hunter laughing beside me. I squeezed his warm hand. “I’ll cross back through the pasture if it makes you feel better.” Dropping my hand, he draped his arm around me and pulled me close for another kiss on the forehead. He walked me all the way down to his house, backed me against the front door, and thoroughly kissed me good night.
Jennifer Echols (Love Story)
You okay?” Marlboro Man called out. I didn’t answer. I just kept on walking, determined to get the hell out of Dodge. It took him about five seconds to catch up with me; I wasn’t a very fast walker. “Hey,” he said, grabbing me around the waist and whipping me around so I was facing him. “Aww, it’s okay. It happens.” I didn’t want to talk about it. I didn’t want to hear it. I wanted him to let go of me and I wanted to keep on walking. I wanted to walk back down the hillside, start my car, and get out of there. I didn’t know where I’d go, I just knew I wanted to go. I wanted away from all of it--riding horses, saddles, reins, bridles--I didn’t want it anymore. I hated everything on that ranch. It was all stupid, dumb…and stupid. Wriggling loose of his consoling embrace, I squealed, “I seriously can’t do this!” My hands trembled wildly and my voice quivered. The tip of my nose began to sting, and tears welled up in my eyes. It wasn’t like me to display such hysteria in the presence of a man. But being driven to the brink of death had brought me to this place. I felt like a wild animal. I was powerless to restrain myself. “I don’t want to do this for the rest of my life!” I cried. I turned to leave again but decided instead to give up, choosing to sit down on the ground and slump over in defeat. It was all so humiliating--not just my rigid, freakish riding style or my near collision with the ground, but also my crazy, emotional reaction after the fact. This wasn’t me. I was a strong, confident woman, for Lord’s sake; I don’t slump on the ground in the middle of a pasture and cry. What was I doing in a pasture, anyway? Knowing my luck, I was probably sitting on a pile of manure. But I couldn’t even walk anymore; my knees were even trembling by now, and I’d lost all feeling in my fingertips. My heart pounded in my cheeks. If Marlboro Man had any sense, he would have taken the horses and gotten the hell out of there, leaving me, the hysterical female, sobbing on the ground by myself. She’s obviously in the throes of some hormonal fit, he probably thought. There’s nothing you can say to her when she gets like this. I don’t have time for this crap. She’s just gonna have to learn to deal with it if she’s going to marry me. But he didn’t get the hell out of there. He didn’t leave me sobbing on the ground by myself. Instead he joined me on the grass, sitting beside me and putting his hand on my leg, reassuring me that this kind of thing happens, and there wasn’t anything I did wrong, even though he was probably lying. “Now, did you really mean that about not wanting to do this the rest of your life?” he asked. That familiar, playful grin appeared in the corner of his mouth. I blinked a couple of times and took a deep breath, smiling back at him and reassuring him with my eyes that no, I hadn’t meant it, but I did hate his horse. Then I took a deep breath, stood up, and dusted off my Anne Klein straight-leg jeans. “Hey, we don’t have to do this now,” Marlboro Man said, standing back up. “I’ll just do it later.” “No, I’m fine,” I answered, walking back toward my horse with newfound resolve.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
A week before my due date, Marlboro Man had to preg-test a hundred cows. Preg-testing cows, I would learn in horror that warm June morning, does not involve the cow urinating on a test stick and waiting at least three minutes to read the result. Instead, a large animal vet inserts his entire arm into a long disposable glove, then inserts the gloved arm high into the rectum of a pregnant cow until the vet’s arm is no longer visible. Once his arm is deep inside the cow’s nether regions, the vet can feel the size and angle of the cow’s cervix and determine two things: 1. Whether or not she is pregnant. 2. How far along she is. With this information, Marlboro Man decides whether to rebreed the nonpregnant cows, and in which pasture to place the pregnant cows; cows that became bred at the same time will stay in the same pasture so that they’ll all give birth in approximately the same time frame. Of course, I understood none of this as I watched the doctor insert the entire length of his arm into a hundred different cows’ bottoms. All I knew is that he’d insert his arm, the cow would moo, he would pull out his arm, and the cow would poop. Unintentionally, each time a new cow would pass through the chute, I’d instinctively bear down. I was just as pregnant as many of the cows. My nether regions were uncomfortable enough as it was. The thought of someone inserting their… It was more than I probably should have signed up for that morning. “God help me!” I yelped as Marlboro Man and I pulled away from the working area after the last cow was tested. “What in the name of all that is holy did I just witness?” “How’d you like that?” Marlboro Man asked, smiling a satisfied smile. He loved introducing me to new ranching activities. The more shocking I found them, the better. “Seriously,” I mumbled, grasping my enormous belly as if to protect my baby from the reality of this bizarre, disturbing world. “That was just…that was like nothing I’ve ever seen before!” It made the rectal thermometer episode I’d endured many months earlier seem like a garden party. Marlboro Man laughed and rested his hand on my knee. It stayed there the rest of the drive home. At eleven that night, I woke up feeling strange. Marlboro Man and I had just drifted off to sleep, and my abdomen felt tight and weird. I stared at the ceiling, breathing deeply in an effort to will it away. But then I put two and two together: the whole trauma of what I’d seen earlier in the day must have finally caught up with me. In my sympathy for the preg-tested cows, I must have borne down a few too many times. I sat up in bed. I was definitely in labor.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
As soon as we finished eating, we went to the back room where Dave or Bubba had set up half a dozen pool tables. Along the walls were pinball and old video game machines. I’m talking original Pac-Man. It was like this was where old games were put out to pasture.
Rachel Hawthorne (The Boyfriend League)
When you’re a scientist, your late twenties are so critical. If you don’t publish something big by thirty, they put you out to pasture.
Blake Crouch (Dark Matter)
The Coming Out Dawn has ushered in Yet another era Whilst the sun sets on the other Bidding it farewell Rotating like the globe Each era getting its time to shine Like a star as it should Fulfilling its destiny before the sun sets Ushering out yet another era Shuttered for too long Shunned Dismissed Scattered underground among thorns Bristles,debris and twigs Among inhabitable bats, rats and stones Stalactites as chandeliers Stalagmites as cedar floors Mustaches touching their feet Beards touching the ground Disheveled unshaven hairs covered their entire bodies The people looked around They noticed their sharp resemblance To the animals living above them Surely the people thought... They must have evolved from these creatures living above them And as time passes they outgrew their long tails “Oh God!” Pleaded the people “Did You not make room for us too?” God heard the pleas of the people and pitied them And God showed the people mercy Grateful were the people Pale from the dark shelter of the caves and unshaven hairs They were guided to a place where they could share in the land The people thanked God for taking them to green pastures They set up systems On the money the people put God first and boldly proclaimed “In Almighty God We Trust" The people established a Holiday specifically to thank God for remembering them God prospered the people He brought out from the underground caves As time passes the people became selfish, greedy and violent The underground people forgot how God took them out of the dark caves The people from below forgot God's mercy Because the people lived among the stony caves They knew not how to make the land productive The people sought expertise exploitively The people concocted and instituted bitter irrational laws To hold the experts as hostages against their will Experts brought great success The experts grew crops that were traded profitably Experts were unpaid Even with the huge booming success of the crops they grew The people that came out from below the caves Unrelentingly wants everything above the caves As the era rotates From one era to the next Like each era is destined to be Until the era's sun sets
Maisie Aletha Smikle
By the time they had reached the woods, it was starting to get light. She led him to where, in the long, lush grass at the edge of the trees, a darker green circle twenty feet across stained the lighter green of the pasture. "Gambe secche. A fairy ring. This one is quite old---it gets a little bigger each year as the mycelium spreads out." "It's edible?" "No, but once the fairy ring's established, the prugnolo comes and shares the circle." As she spoke, she was rummaging in the wet grass, pushing it apart gently with her fingers. "See? This is the prugnolo---what the people here call San Giorgio." "Why's that?" "Because it first appears on the feast day of San Giorgio, of course." She twisted the mushroom deftly off its stalk and put it into her basket. "There'll be more, if you take a look.
Anthony Capella (The Food of Love)
The Bee-Attitudes Be led by the Holy Spirit. Now the Lord is the Spirit, and where the Spirit of the Lord is, there is liberty (emancipation from bondage, freedom). 2 Corinthians 3:17 Be free in Christ. And I will walk at liberty and at ease, for I have sought and inquired for (and desperately required) Your precepts. Psalm 119:45 Be uncomplicated. I am the Door; anyone who enters in through Me will be saved (will live). He will come in and he will go out (freely), and will find pasture. John 10:9 Be confident in God. Lean on, trust in, and be confident in the Lord with all your heart and mind and do not rely on your own insight or understanding. Proverbs 3:5 Be quick to forgive. Bear with each other and forgive whatever grievances you may have against one another. Forgive as the Lord forgave you. Colossians 3:13 Be honest. Do not lie to one another, seeing that you have put off the old self with its practices. Colossians 3:9; There are six things that the Lord hates, seven that are an abomination to Him: haughty eyes, a lying tongue, and hands that shed innocent blood, a heart that devises wicked plans, feet that make haste to tun to evil, a false witness who breathes out lies, and one who sows discord among brothers. My son, keep your father’s commandment, and forsake not your mother’s teaching. Proverbs 6:16-20 ESV Be outrageously blessed. Delight yourself also in the Lord, and He will give you the desires and secret petitions of your heart. Psalm 37:4 Through it all, may this book inspire you to live more joyfully, enjoy life and thrive by living a grateful life.
Aurora A. Ambrose (Green Pastures, Still Waters: Overcoming in The Eye of the Storm (Live Sunny Side Up Book 3))
A likelier explanation for the increase in population was a change in the climate. Northern Europe was perceptibly warmer around 800 A.D. than it had been in preceding centuries. The glaciers receded all over Scandinavia. There was more land that could be used for crops or pasture. The winters were shorter and milder. So significant a factor was winter in the life of northern countries that the Vikings counted time not in years, but in winters. A long cold winter would mean that the provisions put away in the fall might run out while the weather was still too harsh to replenish them by hunting or fishing. It also would mean that the weak, the old, and the young would die. Gentler winters meant that more babies would survive, more would grow up to swell the active, turbulent pool of younger sons
Robert Wernick (The Vikings)
Putting one’s parents out to pasture in a nursing home has very deep historical roots in Western Europe.
Francis Fukuyama (The Origins of Political Order: From Prehuman Times to the French Revolution)
The idea of cultivation and exercise, so dear to the saints of old, has now no place in our total religious picture. It is too slow, too common. We now demand glamour and fast flowing dramatic action. A generation of Christians reared among push buttons and automatic machines is impatient of slower and less direct methods of reaching their goals. We have been trying to apply machine-age methods to our relations with God. We read our chapter, have our short devotions and rush away, hoping to make up for our deep inward bankruptcy by attending another gospel meeting or listening to another thrilling story told by a religious adventurer lately returned from afar. The tragic results of this spirit are all about us. Shallow lives, hollow religious philosophies, the preponderance of the element of fun in gospel meetings, the glorification of men, trust in religious externalities, quasi-religious fellowships, salesmanship methods, the mistaking of dynamic personality for the power of the Spirit: these and such as these are the symptoms of an evil disease, a deep and serious malady of the soul. For this great sickness that is upon us no one person is responsible, and no Christian is wholly free from blame. We have all contributed, directly or indirectly, to this sad state of affairs. We have been too blind to see, or too timid to speak out, or too self-satisfied to desire anything better than the poor average diet with which others appear satisfied. To put it differently, we have accepted one another's notions, copied one another's lives and made one another's experiences the model for our own. And for a generation the trend has been downward. Now we have reached a low place of sand and burnt wire grass and, worst of all, we have made the Word of Truth conform to our experience and accepted this low plane as the very pasture of the blessed. It will require a determined heart and more than a little courage to wrench ourselves loose from the grip of our times and return to Biblical ways. But it can be done. Every now and then in the past Christians have had to do it. History has recorded several large-scale returns led by such men as St. Francis, Martin Luther and George Fox. Unfortunately there seems to be no Luther or Fox on the horizon at present. Whether or not another such return may be expected before the coming of Christ is a question upon which Christians are not fully agreed, but that is not of too great importance to us now. What God in His sovereignty may yet do on a world-scale I do not claim to know: but what He will do for the plain man or woman who seeks His face I believe I do know and can tell others. Let any man turn to God in earnest, let him begin to exercise himself unto godliness, let him seek to develop his powers of spiritual receptivity by trust and obedience and humility, and the results will exceed anything he may have hoped in his leaner and weaker days.
Anonymous
They have a piano in town," Cade said. He'd stood outside Clark's barn any number of times, listening to the intertwining of notes, contemplating making such a joyful noise. The player hadn't been expert, but he'd never heard anything like it before. Apparently this was news to Lily. She looked up at Cade with something akin to excitement burning in the pale blue of her eyes. "Really? Why didn't anyone tell me?" Then she shut up and her gaze drifted to the pasture beyond the trees. Her husband had known. He could see that suspicion forming on her face. "I suppose that's what they do in town on Saturday nights," she murmured. "Jim told me it was too rowdy to stay after dark." "The other women stay," Cade said without inflection. Lily had never been close to her sisters, but she had grown up in a household of females and missed the feminine discussions and laughter and shared secrets. Juanita couldn't fill that need entirely; she had been too damaged by her past. Lily didn't know much about the town ladies, but there was no reason she couldn't meet them somehow, if she put her mind to it. "I wish I could hear the piano," Lily said. Actually, she wished she had a right to play the piano, but that was beyond her ability to speak. "I'll take you in if you wish to go." Lily surprised herself by saying, "I would like that, thank you. I don't think Juanita would mind watching Serena, and my father can look after Roy. Do they have other instruments besides the piano?" Cade stroked the flute as he gazed on the woman sitting boldly in the grass before him. He had never met anyone quite like her before. She was white and female, which should put her completely out of bounds for any conversation at all. But she was his boss, and as such, there had to be a certain amount of communication. She wore trousers like a man, and to a certain extent she spoke like a man, but he couldn't treat her with the same deference as Ralph Langton or with the scorn he felt for the ignorant farmhands he worked with. If she had been a whore, he could have had certain expectations, but she was a lady. How the hell should he treat a lady who wore pants? "Fiddles, sometimes," he responded while he struggled with the problem. "Is there dancing?" she asked anxiously. It was then that Cade realized that this woman didn't see categories as other people did. She saw people through the eyes of a child, as they related to her. It was rather amusing to realize that he had been avoiding her to keep from offending her ladylike sensibilities, when she was more likely offended by his avoidance than his presence. That's what he got for assuming all white women were alike. "They dance," he agreed. Cade
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
I’ve got a broken milking machine I can’t afford to fix, and I’ve already had to fire my farm hand! My wife had to quit the farm and take a job in town! I won’t let you do this to me, Hooper! It would be an insult to all my farming ancestors if I sold my goods to you at these rotten prices! I swear I’ll sell this farm before I do it! Farmer Ben’s outburst had been so loud that some of the cubs were left holding their hands over their ears. But Ed Hooper hadn’t so much as flinched. “Well, what you do with your farm is none of my business,” said Hooper. “It darn sure isn’t!” yelled Ben. “Because your business is robbery! You’re nothin’ but an old-fashioned highway robber! You put a supermarket out on the highway and use it to rob folks!” Hooper’s smug little smile got bigger. “I’m sorry you feel that way, Ben,” he said. “But I can get my farm goods elsewhere. I’ll be on my way now. Have a nice day, Ben.” Hooper turned to leave, but happened to glance back and see Farmer Ben reaching for a pitchfork stuck in the ground. “Have a nice day?” Ben cried. “Don’t you dare tell me to have a nice day!” And with that, Farmer Ben raised his pitchfork and chased Ed Hooper into the cow pasture. Hooper dashed across the pasture toward his shiny new car. He reached the car safely, but not before stepping in three cow pies.
Stan Berenstain (The Berenstain Bears and the Haunted Hayride)
Aunt Jane was in perfect correspondence with her environment. She wore a purple calico dress, rather short and scant; a gingham apron, with a capacious pocket, in which she always carried knitting: or some other "handy work"; a white handkerchief was laid primly around the wrinkled throat and fastened with a pin containing a lock of gray hair; her cap was of black lace and lutestring ribbon, not one of the butterfly affairs that perch on the top of the puffs and frizzes of the modern old lady, but a substantial structure that covered her whole head and was tied securely under her chin. She talked in a sweet old treble with a little lisp, caused by the absence of teeth, and her laugh was as clear and joyous as a young girl's. "Yes, I'm a-piecin' quilts again," she said, snipping away at the bits of calico in her lap. "I did say I was done with that sort o' work; but this mornin' I was rummagin' around up in the garret, and I come across this bundle of pieces, and thinks I, 'I reckon it's intended for me to piece one more quilt before I die;' I must 'a' put 'em there thirty years ago and clean forgot 'em, and I've been settin' here all the evenin' cuttin' 'em and thinkin' about old times. "Jest feel o' that," she continued, tossing some scraps into my lap. "There ain't any such caliker nowadays. This ain't your five-cent stuff that fades in the first washin' and wears out in the second. A caliker dress was somethin' worth buyin' and worth makin' up in them days. That blue-flowered piece was a dress I got the spring before Abram died. When I put on mournin' it was as good as new, and I give it to sister Mary. That one with the green ground and white figger was my niece Rebecca's. She wore it for the first time to the County Fair the year I took the premium on my salt-risin' bread and sponge cake. This black-an' white piece Sally Ann Flint give me. I ricollect 'twas in blackberry time, and I'd been out in the big pasture pickin' some for supper, and I stopped in at Sally Ann's for a drink o' water on my way back. She was cuttin' out this dress.
Eliza Calvert Hall (Aunt Jane of Kentucky)
didn’t have your love of the land, your work ethic, your sense of adventure, your devotion to your family. They didn’t understand me the way you did. They didn’t push my buttons, they couldn’t give me a stupid nickname like Squeegee and make it sound like the most tender endearment.” “You couldn’t talk them into jumping from the top barn beam?” She snorted. “That too.” “They didn’t quit talking to you when you broke their leg?” “I did not break your leg. You—” His phone buzzed again, and she remembered that she’d never looked at it to begin with. She held it up. “It’s from your sister.” Half of the message was cut off, so she pressed the button and entered his password. It was the same as hers: Tella’s birthdate. They’d gotten their first phones about the same time she was born. Ames still remembered sitting in the hospital waiting to go in to see Louise and Tella, Palmer and her trying to figure out the newfangled technology together, wondering what a good password would be. She’d had three or four phones since. Palmer hadn’t been around when she’d gotten any of them, and now she used her thumbprint to open it most of the time, but her numerical passcode had stayed the same on all of them. Palmer’s phone opened. Apparently his had too. She pulled Louise’s text up and read it out loud. “‘Pap fell. He’s coherent but wobbly. I think he might have had another stroke. I’m taking him to the hospital in Rockerton. Gram and Tella are with me. The stock is fed for tonight, but the waterer in the far corner pasture is leaking.’” Palmer’s jaw set. His finger tapped the steering wheel. Ames set his phone down and put her hand on his leg. He jumped a little, and his mouth turned up, despite the worried look on his face. That slow grin that made her heart do cartwheels spread across his face. “I can get used to this,” Palmer said, looking at her hand before
Jessie Gussman (Sweet Water Ranch Box Set Books 1-10 (Sweet Water Ranch #1-10))
Tom, the third son, was most like his father. He was born in fury and he lived in lightning. Tom came headlong into life. He was a giant in joy and enthusiasms. He didn’t discover the world and its people, he created them. When he read his father’s books, he was the first. He lived in a world shining and fresh and as uninspected as Eden on the sixth day. His mind plunged like a colt in a happy pasture, and when later the world put up fences he plunged against the wire, and when the final stockade surrounded him, he plunged right through it and out. And as he was capable of giant joy, so did he harbor huge sorrow, so that when his dog died the world ended.
John Steinbeck (East of Eden)
A memory comes back to him of the cover of a book he used to own, a popular edition of Play. It showed a chariot drawn by two steeds, a black steed with flashing eyes and distended nostrils representing the base appetites, and a white steed of calmer mien representing the less easily identifiable nobler passions. Standing in the chariot, gripping the reins, was a young man with a half-bared torso and a Grecian nose and a fillet around his brow, representing presumably the self, that which calls itself I. Well, in his book, the book of him, the book of his life, if that ever comes to be written, the picture will be more humdrum than in Plato. Himself, the one he calls Paul Rayment, will be seated on a wagon hitched to a mob of nags and drays that huff and puff, some barely pulling their weight. After sixty years of waking up every blessed morning munching their ration of oats, pissing and shitting, then being harnessed for th day's haul, Paul Rayment's team will have had enough. Time to rest, they will say, time to be put out to pasture. And if rest is denied them, well, they will just fold their limbs and settle down in their traces; and if the whip starts to whistle around their rumps, let it whistle.
J.M. Coetzee
You guys are good together,” Biana said later, appearing beside Sophie in Havenfield’s pastures, where the happy alicorn family had decided to stay. “And no, I’m not talking about the alicorns, so don’t try to play that game. I’m talking about the thing you and I have been very noticeably not talking about since it happened, and I think it’s high time we acknowledge it, don’t you?” “Probably,” Sophie admitted, fighting the sudden urge to tug on all her eyelashes. “Though there’s not really anything to acknowledge right now.” “Yeah, that’s what I hear. Why is that, by the way? I thought you’d be, like, running out to get crush cuffs first thing, once you finally stopped being oblivious and realized how long my brother’s liked you.” “How long has he liked me?” Sophie asked—blurting out the question before she could stop it. “Never mind. Forget I asked. I don’t want to put you in the middle.” “I guess it’s probably good if we draw that line now, before you guys get to the super-mushy stage,” Biana agreed. But she leaned in and whispered, “I know for sure he’s had a crush since we were all together in Alluveterre.
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))
It’s all about eating real food! Sweet potatoes come from the ground, maple syrup comes out of a tree, carrots grow in the dirt, bees make honey, and hopefully we can all find more and more pasture-raised, grain-free, cruelty-free animals for protein. Because what our animals eat becomes what we eat, too. I don’t see ever getting too far from these principles. Real food is medicine, and I like to put the highest-quality food into the only body I will ever have.
Danica Patrick (Pretty Intense: The 90-Day Mind, Body and Food Plan that will absolutely Change Your Life)
Like a limping horse, he’d been put out to pasture until it was time to send him onwards to the glue factory where he might be shot and put to some use.
Vaseem Khan (The Dying Day (Malabar House #2))
In a sense. It’s for Beth. She’ll only eat natural foods.’ ‘Why don’t you just put her out to pasture and let her graze?
Sidney Sheldon (Windmills of the Gods)
An army of twenty thousand men, even without camp followers, exceeded the population of most European cities; and when that winding horde of soldiers, with ten to fifteen thousand horses, set out on campaign, it could easily eat up, in a few days, all the food and fodder in the adjacent villages and countryside for many miles around. Such an army could not stay put; it had to move; it had to go on seeking new pastures and more stocks of food.
Lauro Martines (Furies: War in Europe, 1450–1700)