Pure Ecstasy Quotes

She had known happiness, exquisite happiness, intense happiness, and it silvered the rough waves a little more brightly, as daylight faded, and the blue went out of the sea and it rolled in waves of pure lemon which curved and swelled and broke upon the beach and the ecstasy burst in her eyes and waves of pure delight raced over the floor of her mind and she felt, It is enough! It is enough!

Love is not selective, desire is selective. In love there are no strangers. When the centre of selfishness is no longer, all desires for pleasure and fear of pain cease; one is no longer interested in being happy; beyond happiness there is pure intensity, inexhaustible energy, the ecstasy of giving from a perennial source.

He fell to the seat, she by his side. There were no more words. The stars were beginning to shine. How was it that the birds sing, that the snow melts, that the rose opens, that May blooms, that the dawns whitens behind the black trees on the shivering summit of the hills? One kiss, and that was all. Both trembled, and they looked at each other in the darkness with brilliant eyes. They felt neither the cool night, nor the cold stone, nor the damp ground, nor the wet grass; they looked at each other, and their hearts were full of thought. They had clasped hands, without knowing it. She did not ask him; did not even think where and how he had managed to get into the garden. It seemed so natural to her that he should be there. From time to time Marius’ knee touched Cosette’s. A touch that thrilled. At times, Cosette faltered out a word. Her soul trembled on her lips like a drop of dew on a flower. Gradually, they began to talk. Overflow succeeded to silence, which is fullness. The night was serene and glorious above their heads. These two beings, pure as spirits, told each other everything, their dreams, their frenzies, their ecstasies, their chimeras, their despondencies, how they had adored each other from afar, how they had longed for each other, their despair when they had ceased to see each other. They had confided to each other in an intimacy of the ideal, which already, nothing could have increased, all that was most hidden and most mysterious in themselves. They told each other, with a candid faith in their illusions, all that love, youth and the remnant of childhood that was theirs, brought to mind. These two hearts poured themselves out to each other, so that at the end of an hour, it was the young man who had the young girl’s soul and the young girl who had the soul of the young man. They interpenetrated, they enchanted, they dazzled each other. When they had finished, when they had told each other everything, she laid her head on his shoulder, and asked him: "What is your name?" My name is Marius," he said. "And yours?" My name is Cosette.

For ages you have come and gone courting this delusion. For ages you have run from the pain and forfeited the ecstasy. So come, return to the root of the root of your own soul. Although you appear in earthly form Your essence is pure Consciousness. You are the fearless guardian of Divine Light. So come, return to the root of the root of your own soul. When you lose all sense of self the bonds of a thousand chains will vanish. Lose yourself completely, Return to the root of the root of your own soul. You descended from Adam, by the pure Word of God, but you turned your sight to the empty show of this world. Alas, how can you be satisfied with so little? So come, return to the root of the root of your own soul. Why are you so enchanted by this world when a mine of gold lies within you? Open your eyes and come --- Return to the root of the root of your own soul. You were born from the rays of God's Majesty when the stars were in their perfect place. How long will you suffer from the blows of a nonexistent hand? So come, return to the root of the root of your own soul. You are a ruby encased in granite. How long will you decieve Us with this outer show? O friend, We can see the truth in your eyes! So come, return to the root of the root of your own soul. After one moment with that glorious Friend you became loving, radiant, and ecstatic. Your eyes were sweet and full of fire. Come, return to the root of the root of your own soul. Shams-e Tabriz, the King of the Tavern has handed you an eternal cup, And God in all His glory is pouring the wine. So come! Drink! Return to the root of the root of your own soul. Soul of all souls, life of all life - you are That. Seen and unseen, moving and unmoving - you are That. The road that leads to the City is endless; Go without head and feet and you'll already be there. What else could you be? - you are That.

And for just a moment I had reached the point of ecstasy that I always wanted to reach, which was the complete step across chronological time into timeless shadows, and wonderment in the bleakness of the mortal realm, and the sensation of death kicking at my heels to move on, with a phantom dogging its own heels, and myself hurrying to a plank where all the angels dove off and flew into the holy void of uncreated emptiness, the potent and inconceivable radiancies shining in bright Mind Essence, innumerable lotuslands falling open in the magic mothswarm of heaven. I could hear an indescribable seething roar which wasn't in my ear but everywhere and had nothing to do with sounds. I realized that I had died and been reborn numberless times but just didn't remember especially because the transitions from life to death and back to life are so ghostly easy, a magical action for naught, like falling asleep and waking up again a million times, the utter casualness and deep ignorance of it. I realized it was only because of the stability of the intrinsic Mind that these ripples of birth and death took place, like the action of the wind on a sheet of pure, serene, mirror-like water. I felt sweet, swinging bliss, like a big shot of heroin in the mainline vein; like a gulp of wine late in the afternoon and it makes you shudder; my feet tingled. I thought I was going to die the very next moment. But I didn't die...

Ignorance might be bliss. But self-forgetfulness is pure ecstasy.

...But the heart is not a computer that can be upgraded so quickly and easily with the latest version of love. Love cannot be sealed hermetically inside a tight box like any other on the store shelf; even though the word itself is in public domain, its quality is not. Love cannot promise a full customer satisfaction garanteed or a whole lifetime of dreams shared refunded, with no questions asked. Love cannot be agreed to in terms and conditions as quickly as the "Next" button being clicked. These unspoken terms and conditions grow and develop over time until it gets very messy, and no one remembers how such a mess of accusation and anger was able to overshadow their pure ecstasy of love, the spark between two people turning on a new operation system of togetherness for the first time. Love is always beta; never a golden master. If love were a computer, constant bug reports and subsequent fixes are the name of the game, and there are many unexplained breakdowns. The heart is too stubborn for explanations and too impatient for forgiveness, and there is usually no one at the tech support line. Forgive me stan, if I've crashed so often. It's just to hard to boot up to a whole new future without you. I am an empty monitor in search of a "hello.

Maybe this is kind of cliche, but animals, well, dogs, are what I do for a living. One reason I like spending time with them so much is they seem to think people are really good. They live with us, and obey our rules, most of which make no sense to them. And the main reason they do it is because they like us. When I watch them, sometimes I'm so blow away by how enthusiastic they are about everything we do that I have to go out and buy them something squeaky or chewy. Just because I love proving to them that it's not a mistake to see the world as a great benevolent place. I hope one day to react to something with as much pure ecstasy as I see in Chuck's face every time I throw the ball. Sometimes he looks so happy, it reminds me of the way blind people smile way too big because they can't see themselves. And if none of this links to anything in you, well... I think you don't know who I am.

The wondrous moment of our meeting... Still I remember you appear Before me like a vision fleeting, A beauty's angel pure and clear. In hopeless ennui surrounding The worldly bustle, to my ear For long your tender voice kept sounding, For long in dreams came features dear. Time passed. Unruly storms confounded Old dreams, and I from year to year Forgot how tender you had sounded, Your heavenly features once so dear. My backwoods days dragged slow and quiet -- Dull fence around, dark vault above -- Devoid of God and uninspired, Devoid of tears, of fire, of love. Sleep from my soul began retreating, And here you once again appear Before me like a vision fleeting, A beauty's angel pure and clear. In ecstasy my heart is beating, Old joys for it anew revive; Inspired and God-filled, it is greeting The fire, and tears, and love alive.

The expression Jake saw on all the faces, oldest to youngest, was the same: pure joy. Not just that, he thought, and remembered a phrase his English teacher had used about how some books make us feel: the ecstasy of perfect recognition.

I moaned and he moaned and my mind and soul and body stood on the edge of pure ecstasy.

I Love Loving You You are my favorite song; a rhythm of beauty that captures my spirit. You are my favorite poem; an exquisite grouping of ideas set in motion with an unmatched enchanting elegance. You are my best friend; from our laughter to our deep conversations, our moments together are a timeless pleasure. You are my soul mate; a connection so pure, so powerful, that it can only be considered divine. You are my lover; a passionate entwinement, a chorus of ecstasy, and a feeling of complete unity that words could never adequately describe. You are my angel; you remind me of the goodness in this world and inspire me to be the greatest version of myself. You are my home; it is in your loving gaze that I find the comfort, acceptance, and the sense of belonging. You are my love ~ mi amor; there are not enough days in forever to allow me to fully express my love for you. I love loving you.

What sort of person says that he or she wants to be polished and pure, then complains about being handled roughly?

Speed is the form of ecstasy the technical revolution has bestowed on man. As opposed to a motorcyclist, the runner is always present in his body, forever required to think about his blisters, his exhaustion; when he runs he feels his weight, his age, more conscious than ever of himself and of his time of life. This all changes when man delegates the faculty of speed to a machine: from then on, his own body is outside the process, and he gives over to a speed that is noncorporeal, nonmaterial, pure speed, speed itself, ecstasy speed.

How she loved it when he sprinted right over the lines and reduced her boundaries to smithereens. Chloe no longer had any fears of being controlled and Chase no longer held back to make sure he didn't push her too far. All that remained was the sweet ecstasy of trust. And pure love.

When love,” she began to sing softly, “into my dreams was creeping.” Her voice was low and sultry. “I gave my heart into your keeping.” Pure ecstasy. How he needed her.

With the right person, a kiss was so much more than a kiss. It was pure, unfiltered ecstasy.

I once had a thousand desires, But in my one desire to know you all else melted away. The pure essence of your being has taken over my heart and soul. Now there is no second or third, only the sound of your sweet cry. Through your grace I have found a treasure within myself. I have found the truth of the Unseen world. I have come upon the eternal ecstasy. I have gone beyond the ravages of time. I have become one with you! Now my heart sings, “I am the soul of the world.

She saw the light again. With some irony in her interrogation, for when one woke at all, one's relations changed, she looked at the steady light, the pitiless, the remorseless, which was so much her, yet so little her, which had her at its beck and call (she woke in the night and saw it bent across their bed, stroking the floor), but for all that she thought, watching it with fascination, hypnotised, as if it were stroking with its silver fingers some sealed vessel in her brain whose bursting would flood her with delight, she had known happiness, and it silvered the rough waves a little more brightly, as daylight faded, and the blue went out of the sea and it rolled in waves of pure lemon which curved and swelled and broke upon the beach and the ecstasy burst in her eyes and waves of pure delight raced over the floor of her mind and she felt, It is enough! It is enough!

At that moment of love, a moment when passion is absolutely silent under omnipotence of ecstasy, Marius, pure seraphic Marius, would have been more capable of visiting a woman of the streets than of raising Cosette’s dress above the ankle. Once on a moonlit night, Cosette stopped to pick up something from the ground, her dress loosened and revealed the swelling of her breasts. Marius averted his eyes.

I see it, Jack. Your muse is back. The thing that gave you passion, tormented you, and haunted you is back. You're reeling in ecstasy and dread. It's something you want, but can't ever have. And the one that brings the pain is pure, white as snow... and standing in front of you.

You have the sense that you're the one making the world go round. Everyone speaks in fragments, but for an instant those fragments are a catalyst, my self is erased and it brings on a wave of pure ecstasy, that instant in the drug.

Praise the world to the angel, not what can’t be talked about. You can’t impress him with your grand emotions. In the grand cosmos where he so intensely feels, you’re just a novice. So show him some simple thing shaped for generation after generation until it lives in our hands and in our eyes, and it’s ours. Tell him about things. He’ll stand amazed, just as you did beside the ropemaker in Rome or the potter on the Nile. Show him how happy a thing can be, how innocent and ours; how even grief’s lament purely determines its own shape, serves as a thing, or dies in a thing — and escapes In ecstasy beyond the violin.

Fulfilment of masculinity is often sold on the strength of peak experiences: winning battles, pulling women, pure adrenaline, moments of ecstasy. But life ain’t like that. We rarely, if ever, take our car (masculinity) on to a racetrack, so maybe we need a version that works doing the everyday things. We need a masculinity that’s easy to park, with a big boot, child seats and low fuel consumption. Men need to learn to equip themselves for peace.

I’ve loved you from the moment I saw you, and every second since has been pure ecstasy and sheer torture. I wanted to tell you, but I didn’t know what it was I wanted to express. I knew I had strong urges and yearnings for you. It wasn’t until you threw me out of your life that I realized I was in love with you…

Tell me what to do." His warm breath tickled my ear. "Relax." "Please, Noah, I don't want to do this wrong. Tell me how to make you feel good." He shifted so that his body rested beside mine, his leg and arm still draped over me. I felt small under his warmth and strength. His chocolate-brown eyes softened. "Being with you feels good. Touching you-"he tucked a curl behind my ear"-feels good. I have never wanted anyone like I want you. There's nothing you can do wrong when just breathing makes everything right." His hand framed my face and his tone was edget with husky authority. "I want you, but only if you want me." I kissed him back, allowing my arms to wrap around him. His fingers gently massaged my neck, releasing the tension, erasing my unease. The kiss became a drug and i craved more with every touch. Our bodies twined so tightly to one another, i had no idea where i began and he ended. Noah felt strong and warm and muscular and safe and he smelled, oh, God, delicious. I couldn't stop kissing him if my life depend it upon it: his lips, his neck, his chest, and Noah seemed as hungry as me. We rolled and we touched and we shed unwanted clothes. I moaned and he moaned and my mind and soul and body stood on the edge of pure ecstasy. And i waited. I waited for that moment of pausing for protection and the burning pain my friends described, but Noah never stopped and the pain never came, not even when i whispered his name and praise God several times in a row. Both of us gasped for air while kissing each other softly and i struggled to comprehend i was still a virgin. He shifted off of me and tugged me close to him. My entire body became lazily warm, happy and sated. I listened to his heartbeat and closed my eyes, enjoying the relaxing pull of his hand in my hair. "Noah," i whispered. "I thought..." we were going to make love. He tipped my chin, forcing me to look at him. "We have forever to work up to that, Echo. Let's enjoy every step of the way." My mind drifted this way and that. Mostly between focusing on his heart, his touch and the sweetest word i had ever heard: forever. One clear thought forced my eyes open. "You 're putting me to sleep." "So?" he asked a little too innocently. I swallowed. "I'll have nightmares." "Then we 'll have an excuse to do this again.

There we were, filled with pure animal need, as he pinned me to the wooden table, and cruelly whipped my naked bottom; the two of us sweaty and panting, me screaming, him grunting, our primal sexual natures overprinting the tea room’s pretence at gentility, and refinement.

...It's pure vanity to presume that love exists only on our terms. A red lead may be the universe for the tortoise beetle or the ladybird. A single touch the ecstasy of a lifetime. (180)

Cool wind soothed her. She could breathe sweet air. The only heat she felt was the warm, familiar heat from the mage's body. Opening her eyes, she saw that she stood close to him. Raising her head, she gazed up into his face...and felt a swift, sharp ache in her heart. Raistlin's thin face glistened with sweat, his eyes reflected the pure, white flame of the burning bodies, his breath came fast and shallow. He seemed lost, unaware of his surroundings. And there was a look of ecstasy on his face, a look of exultation, of triumph. "I understand," Crysania said to herself, holding onto his hands. "I understand. This is why he cannot love me. He has only one love in this life and that is his magic. To this love he will give everything, for this love he will risk everything!

So much of life, it seems to me, is the framing and naming of things. I had been so busy creating a future of love that I never identified the life I was living as the life of love, because up until then I had never felt entitled enough or free enough or, honestly, brave enough to embrace my own narrative. Ironically, I had gone ahead and created the life I secretly must have wanted, but it had to be covert and off the record. Chemo was burning away the wrapper and suddenly I was in my version of life. Thus began the ecstasy - the joy, the pure joy of a spiritual pirate who finds the secret treasure.

...watching it with fascination, hypnotised, as if it were stroking with its silver fingers some sealed vessel in her brain whose bursting would flood her with delight, she had known happiness, exquisite happiness, intense happiness, and it silvered the rough waves a little more brightly, as daylight faded, and the blue went out of the sea and it rolled in waves of pure lemon which curved and swelled and broke upon the beach and the ecstasy burst in her eyes and waves of pure delight raced over the floor of her mind and she felt, It is enough! It is enough!

There are moments of exaltation and ecstasy when our thoughts become, in a way, more pure, more subtle, more ethereal. These rare moments raise us up so high, carry us so far out of ourselves, that when we fall back to earth we lose the consciousness and the memory of that intellectual intoxication. Who can understand the anchorite’s mysterious visions? Who can relate the dreams of the poet before his emotion has cooled so that he can write them down for us?

The expression Jake saw on all the faces, oldest to youngest, was the same: pure joy. Not just that, he thought, and remembered a phrase his English teacher had used about how some books make us feel: the ecstasy of perfect recognition.

He admitted but four elementary principles, or more strictly, conditions of bliss. That which he considered chief was (strange to say!) the simple and purely physical one of free exercise in the open air. "The health," he said, "attainable by other means is scarcely worth the name." He instanced the ecstasies of the fox hunter, and pointed to the tillers of the earth, the only people who, as a class, can be fairly considered happier than others. His second condition was love of woman. His third, and most difficult of realization, was the contempt of ambition. His fourth was an object of unceasing pursuit; and he held that, other things being equal, the extent of attainable happiness was in proportion to the spirituality of this object.

Once in a while, we get the briefest of glimpses of the magnificent beauty that resides in this universe. Life which happens within incomprehensible tumult, occasionally transforms itself into a clear vision of pure ecstasy in a still transcendent moment.

Rhys lowered his heard, his mouth on hers before he knew what was happening. Her lips moved beneath his, open and eager. He groaned and wound his arms around her. The kiss was ecstasy, bliss --- pure rapture. Desire blazed through him as hot as dragon fire.

This is now. Now is. Don’t postpone till then. Spend the spark of iron on stone. Sit at the head of the table. Dip your spoon in the bowl. Seat yourself next to your joy and have your awakened soul pour wine. Branches in the spring wind, easy dance of jasmine and cypress. Cloth for green robes has been cut from pure absence. You’re the tailor, settled among his shop goods, quietly sewing.

Polishing her thighs with our warm dripping secretions we experience a spiritual alchemical metamorphosis as we bathe in the pure essence of ecstasy. Traveling with my fingers the length of this mythical creature she consumes from my other hand every morsel of my love.

...each day I sit down in purposeful concentration to write in a notebook, some sentences on a buried truth, an unnamed reality, things that happened but are denied. It is hard to describe the stillness it takes, the difficulty of this act. It requires an almost perfect concentration which I am trying to learn and there is no way to learn it that is spelled out anywhere or so I can understand it but I have a sense that it's completely simply, on the order of being able to sit still and keep your mind dead center in you without apology or fear. I squirm after some time but it ain't boredom, it's fear of what's possible, how much you can know if you can be quiet enough and simple enough. I move around, my mind wanders, I lose the ability to take words and roll them through my brain, move with them into their interiors, feel their colors, touch what's under them, where they come from long ago and way back. I get frightened seeing what's in my own mind if words get put to it. There's a light there, it's bright, it's wide, it could make you blind if you look direct into it and so I turn away, afraid; I get frightened and I run and the only way to run is to abandon the process altogether or compromise it beyond recognition. I think about Celine sitting with his shit, for instance; I don't know why he didn't run, he should've. It's a quality you have to have of being near mad and at the same time so quiet in your heart that you could pass for a spiritual warrior; you could probably break things with the power in your mind. You got to be able to stand it, because it's a powerful and disturbing light, not something easy and kind, it comes through your head to make its way onto the page and you get fucking scared so your mind runs away, it wanders, it gets distracted, it buckles, it deserts, it takes a Goddamn freight train if it can find one, it wants calming agents and sporifics, and you mask that you are betraying the brightest and the best light you will ever see, you are betraying the mind that can be host to it... ...Your mind does stupid tricks to mask that you are betraying something of grave importance. It wanders so you won't notice that you are deserting your own life, abandoning it to triviality and garbage, how you are too fucking afraid to use your own brain for what it's for, which is to be a host to the light, to use it, to focus it; let it shine and carry the burden of what is illuminated, everything buried there; the light's scarier than anything it shows, the pure, direct experience of it in you as if your mind ain't the vegetable thing it's generally conceived to be or the nightmare thing you know it to be but a capacity you barely imagined, real; overwhelming and real, pushing you out to the edge of ecstasy and knowing and then do you fall or do you jump or do you fly?

A burn, like the first taste of whiskey, then pure, unabashed ecstasy

Love Can Transport You to Another Dimension.

Man in the misery of his illusions and unsatisfied desires, wings his flight to different religions, and doctrines, seeks redeception, a hypnotic, a palliative from which he suffers fresh miseries in exhaustion. The terms of the cure are new illusions, greater entanglement, more stagnant environment.  Having studied all ways and means to pleasure and pondered over them well again and again, this self-love has been found by me to be the only free, true and full one, nothing more sane, pure, and complete. There is no deceit: when by this all experience certainly is known, everything sublimely beautiful and exceedingly amiable: where is the necessity of other means? Like the drink to the drunkard everything should be sacrificed for it. This Self-love is now declared by me the means of evolving millions of ideas for pleasure without love, or its synonyms- self-reproach, sickness, old-age, and death. The Symposium of self and love. O! Wise Man, Please Thyself. 

The contemporary world, scientific, technical, and sensualist, sees itself without exit - that is, without God - not because everything there is permitted and, by the way of technology, possible, but because everything there is equal. The unknown is immediately made familiar [...] The enchantment of sites, hyperbole of metaphorical concepts, the artifice of art, exaltation of ceremonies, the magic of solemnities - everywhere is suspected and denounced a theatrical apparatus, a purely rhetorical transcendence, the game. Vanity of vanities: the echo of our own voices, taken for a response to the few prayers that still remain to us; everywhere we have fallen back upon our own feet, as after the ecstasies of a drug. Except the other whom, in all this boredom, we cannot let go.

Darkness surrounded her, suffocated her. She tried to pierce it, but her eyes could find no hint of light. Nothing that would help her escape this prison. Weight pressed down upon her, heavy enough to crush her bones. And perhaps it had. There was no part of her that didn’t hurt so much that she wanted to howl with it. But when she opened her mouth, dirt and dust tried to choke her. Cold. Pain. Silence. No hope. Then a voice came to her, burrowing down through the soil and coiling around her. “When love,” a woman began to sing softly, “into my dreams was creeping. I gave my heart into your keeping.” Pure ecstasy. How she needed that voice, that presence to alleviate the darkness and pain and salvage her sanity. Tears welled in her eyes as she let the soft song embrace her. Her breath hitched.

It's impossible to generalize about sexuality - even one's own. The only way to keep it pure is to keep it unspoken. Keep it out of words. Words are not where sexuality lives. Without privacy, there is no ecstasy.

There was nothing like getting your cock sucked by a dragon. Their saliva was pure ecstasy all on its own. Alessio was one of the most skilled cock suckers I’ve experienced. Still, his skill didn’t rival Donovan’s or Tylendel’s. But damn, he was fantastic! He was moaning as he sucked my cock and I knew he was savoring my precum as it leaked from my slit. I could feel his hands gripping my ass cheeks as he bobbed on my dick.

Seventy is the natural life span for human beings. And if things move in this natural course then one dies with tremendous joy, with great ecstasy, feeling immensely blessed that life has not been meaningless, that at least one has found his home. And because of this richness, this fulfillment, one is capable of blessing the whole of existence. Just to be near such a person at the time of death is a great opportunity. You will feel, as the person leaves the body, as if some invisible flowers are falling upon you. Although you cannot see them, you can feel them. It is sheer joy, so pure that even to have a little taste of it is enough to transform your whole life.

Vladimir Nabokov and George Orwell had quite different gifts, and their self-images were quite different. But, I shall argue, their accomplishment was pretty much the same. Both of them warn the liberal ironist intellectual against temptations to be cruel. Both of them dramatise the tension between private irony and liberal hope. In the following passage, Nabokov helped blur the distinctions which I want to draw: ...'Lolita' has no moral in tow. For me a work of fiction exists only in so far as it affords me what I shall bluntly call aesthetic bliss, that is a sense of being somehow, somewhere, connected with other states of being where art (curiosity, tenderness, kindness, ecstasy) is the norm. There are not many such books. All the rest is either topical trash or what some call the Literature of Ideas, which very often is topical trash coming in huge blocks of plaster that are carefully transmitted from age to age until somebody comes along with a hammer and takes a good crack at Balzac, at Gorki, at Mann. Orwell blurred the same distinctions when, in one of his rare descents into rant, "The Frontiers of Art and Propaganda," he wrote exactly the sort of thing Nabokov loathed: You cannot take a purely aesthetic interest in a disease you are dying from; you cannot feel dispassionately about a man who is about to cut your throat. In a world in which Fascism and Socialism were fighting one another, any thinking person had to take sides... This period of ten years or so in which literature, even poetry was mixed up with pamphleteering, did a great service to literary criticism, because it destroyed the illusion of pure aestheticism... It debunked art for art's sake.

…she made a poem on it at once, the lines singing themselves through her consciousness without effort. With one side of her nature she liked writing prose best– with the other she liked writing poetry. This side was uppermost tonight and her very thoughts ran into rhyme. A great, pulsating star hung low in the sky over Indian Head. Emily gazed on it and recalled Teddy’s old fancy of his previous existence on a star. The idea seized on her imagination and she spun a dream life, lived on some happy planet circling around that mighty, far-off sun. Then came the northern lights–drifts of pale fire over the sky– spears of light, as of empyrean armies– pale, elusive hosts retreating and advancing. Emily lay and watched them in rapture. Her soul was washed pure in that great bath of splendour…Such moments come rarely into any life, but when they do come they are inexpressibly wonderful– as if the finite were for a second infinity– as if humanity were for a space uplifted into divinity– as if all ugliness had vanished, leaving only flawless beauty. Oh–beauty–Emily shivered with the pure ecstasy of it. She loved it– it filled her being tonight as never before. She was afraid to move or breathe lest she break the current of beauty that was flowing through her…”Oh, God, make me worthy of it– oh, make me worthy of it,” she prayed. Could she ever be worthy of such a message– could she dare try to carry some of the loveliness of that “dialogue divine” back to the everyday world of sordid market-place and clamorous street? She must give it– she could not keep it to herself. Would the world listen– understand– feel?…

Beautiful is thy wristlet, decked with stars and cunningly wrought in myriad-coloured jewels. But more beautiful to me thy sword with its curve of lightning like the outspread wings of the divine bird of Vishnu, perfectly poised in the angry red light of the sunset. It quivers like the one last response of life in ecstasy of pain at the final stroke of death; it shines like the pure flame of being burning up earthly sense with one fierce flash. Beautiful is thy wristlet, decked with starry gems; but thy sword, O lord of thunder, is wrought with uttermost beauty, terrible to behold or think of.

For the love that has been purged by gentleness of all tendency towards tyranny can give a joy more exquisite, more tender, more capable of transmuting the base metal of daily life into the pure gold of mystic ecstasy, than any emotion that is possible to the man still fighting and struggling to maintain his ascendency in this slippery world.

Author and former seminary professor Neal Plantinga once said something amazing about our capacity for addiction. He said it shows that we were wired for ecstasy. Not the drug, but pure, ecstatic joy. Our ceaseless craving for more, though it can kill us when unredeemed, may be a hint of the joy that we were made for when the soul finds its center in God.

Remember me. I will be with you in the grave on the night you leave behind your shop and your family. When you hear my soft voice echoing in your tomb, you will realize that you were never hidden from my eyes. I am the pure awareness within your heart, with you during joy and celebration, suffering and despair. On that strange and fateful night you will hear a familar voice -- you'll be rescued from the fangs of snakes and the searing sting of scorpions. The euphoria of love will sweep over your grave; it will bring wine and friends, candles and food. When the light of realization dawns, shouting and upheaval will rise up from the graves! The dust of ages will be stirred by the cities of ecstasy, by the banging of drums, by the clamor of revolt! Dead bodies will tear off their shrouds and stuff their ears in fright-- What use are the senses and the ears before the blast of that Trumpet? Look and you will see my form whether you are looking at yourself or toward that noise and confusion. Don't be blurry-eyed, See me clearly- See my beauty without the old eyes of delusion. Beware! Beware! Don't mistake me for this human form. The soul is not obscured by forms. Even if it were wrapped in a hundred folds of felt the rays of the soul's light would still shine through. Beat the drum, Follow the minstrels of the city. It's a day of renewal when every young man walks boldly on the path of love. Had everyone sought God Instead of crumbs and copper coins T'hey would not be sitting on the edge of the moat in darkness and regret. What kind of gossip-house have you opened in our city? Close your lips and shine on the world like loving sunlight. Shine like the Sun of Tabriz rising in the East. Shine like the star of victory. Shine like the whole universe is yours!

He loves her because she is a fierce, wholly unexpected, electric storm, yet she is a constant, quiet, pure and utterly calm shelter from the cruel, cold world. She Is a Wild Thing! She is nature's most enigmatic, rare and magickal creature and he is the only man able to ravish her body, soul and spirit without destroying her. They are a match made in heaven raising all manners of hell.

The Aftermath When the fierce pure pleasure has clawed through, ripped open my tent of separateness, I lay in my lover's arms, weeping and exposed. I can't help seeing my sister, new widow whose heart hangs heavy, a side of beef in the ice box of her chest. I imagine her entering a bedroom like this, maples flaming beyond the window against a perfectly useless blue sky. And then my mother-in-law stops at the library on the way home from her husband’s funeral, picks up the book they've been holding. It sits in the passenger seat while she stares at the windshield, stunned, a bird flown into glass. Even my friend whose wife hasn’t died yet appears in this sex-drenched air. Tears pool in the shallows under his eyes. If his soul were a tin can, it would be sliced, the thick soup leaking out. The night is soaked with suffering. My dumb body, sprung open, can’t tell the difference between this blaze of pleasure and the sorrow it drags in. As I gaze out into the gathering darkness it seems I almost comprehend the mystery, glimpse the water of life pouring through my form into theirs, theirs back to mine, misery and ecstasy swirled like the blue white planet seen from space, but it lasts less than a moment-- the arms of my own dear one haul me back into my body, her flesh so ostentatiously alive.

For though Kuranes was a monarch in the land of dream, with all imagined pomps and marvels, splendours and beauties, ecstasies and delights, novelties and excitements at his command, he would gladly have resigned for ever the whole of his power and luxury and freedom for one blessed day as a simple boy in that pure and quiet England, that ancient, beloved England which had moulded his being and of which he must always be immutably a part.

The breath had become as much a trick as breathing. Things were not dual merely, but multiple. I had become a cage of mirrors reflecting vacuity. But vacuity once stoutly posited I was at home and what is called creation was merely a job of filling up holes. The trolley conveniently carried me about from place to place and in each little side pocket of the great vacuum I dropped a ton of poems to wipe out the idea of annihilation. I had ever before me boundless vistas. I began to live in the vista, like a microscopic speck on the lens of a giant telescope. There was no night in which to rest. It was perpetual starlight on the arid surface of dead planets. Now and then a lake black as marble in which I saw myself walking amidst brilliant orbs of lights. So low hung the stars and so dazzling was the light they shed, that it seemed as if the universe were only about to be born. What rendered the impression stronger was that I was alone; not only were there no animals, no trees, no other beings, but there was not even a blade of grass, not even a dead root. In that violet incandescent light witihout even the suggestion of a shadow motion itself seemed to be absent. It was like a blaze of pure consciousness, thought become God. And God, for the first time in my knowledge, was dean-shaven. I was also clean-shaven, flawless, deadly accurate. I saw my image in the marble black lakes and it was diapered with stars. Stars, stars... like a clout between the eyes and all remembrance fast run out. I was Samson and I was Lackawanna and I was dying as one being in the ecstasy of full consciousness.

Eriku opens the door. Momo-chan drops from the car and lumbers forward. And oh my God, she is so cute I could die. Tamagotchi breaks from the leash and rushes toward her. I close my eyes. I should have put the imperial vet on standby. But then... it's quiet. I pop open an eye, then the other, ready to see carnage. Tamagotchi has rolled onto his back, and Momo-chan is sniffing his belly. Her thick tongue darts out, and she licks him. Licks him. Tamagotchi shudders, his body convulsing in what I can only describe as pure ecstasy. "Well, now I've seen it all," Reina says, then wanders off. Eriku smiles. "I think they like each other." What an understatement. Momo-chan collapses onto the ground, and Tamagotchi curls up next to her. "I have mentally and emotionally subscribed to Momo-chan's fan club," I say, walking toward the dogs. Momo-chan rolls to her side. Tamagotchi adjusts too, lying in between her legs, his back curved against her belly. Just so many wishes fulfilled in one magical moment. I always thought I was a one dog kind of woman, but Tamagotchi and Momo-chan----sign me the eff up.

My back hit the wall. He closed in with an almost terrifying intensity. His muscular body boxed me in. “Rogan,” I warned. In my head, a song played over and over, singing to me in a seductive voice, Rogan, Rogan, Rogan, sex . . . want . . . “Remember that dream you had?” His voice was low, commanding. “Rogan!” The delicious warmth danced around my neck. “Where I had no clothes?” The warmth split and slid over me, over the sensitive nerves in the back of my neck, over my collarbone, around my breasts, cupping them and sliding fast to the tips, tightening my nipples, then sliding down, over my stomach, over my sides and butt, down between my legs. It was everywhere at once, and it flowed over me like a cascade of sensual ecstasy, overloading my senses, overriding my reason, and rendering me speechless. I hurtled through it, trying to sort through the sensations and failing. My head spun. He was right there, masculine, hot, sexy, so incredibly sexy, and I wanted to taste him. I wanted his hands on me. I wanted him to press himself against the aching spot between my legs. His arms closed around me. His face was too close, his eyes enticing, compelling, excited. “Let’s talk about that dream, Nevada.” I was trapped. I had nowhere to go. If he kissed me, I would melt right here. I would moan and beg him, and I would have sex with him right here, in the Galleria, in public. A spark of pain drained down my arm, driven by pure instinct. I grabbed his shoulder. Feathery lightning shot out and singed him. Agony exploded in me, cleansing like an ice-cold shower. Rogan’s body jerked, as if struck by an electric current. It lasted only a second, and I didn’t push as hard as I could have. I was learning to control it. Rogan whipped back to me, his eyes feral. His voice was a ragged growl. “Was that supposed to hurt?” “It was supposed to get your attention.” I pushed him back with my hand. “You were getting really excited.” “‘No’ would’ve been sufficient.” “I wasn’t sure.” I pushed from the wall and headed for the exit. “I said ‘once.’ That was more than once. I wanted you to stop.” “I was encouraged by you breathlessly moaning my name.” I spun on my foot. “I wasn’t moaning your name. I was shrieking in alarm.” “That was the sexiest throaty shrieking I’ve ever heard.” “You need to get out more.” My cheeks were burning.

We feel Divine Love entering us firstly through gentle, soft, humbling, kind and loving feelings, independent of any other person. This can be experienced as gently overwhelming as it increases, dependent on the depth of our desire for It. As we heal further, and more of our negative, repressed emotions and causal soul wounds are removed, the entering of Divine Love into our souls becomes stronger and stronger, bringing deep tears, powerful sensations and expansions in the heart and soul in immense gratitude, humility and feelings of great love and even more yearning for God. There may also be whole body tingling and sensations, crown chakra and heart explosions, feelings of being fully bathed in love and light, great feelings of humility, awe and wonder at the indescribable nature of God’s Love, and at how much He loves you. Receiving Divine Love can feel like being immersed in a bath of love all over, in every part of you, every cell. Deep peace, joy and waves of ecstasy, rapture and bliss arise and flow all over, and great humility washes over the soul. Immense love for God as the most wondrous, awe inspiring Soul that He Is is felt. A deepening into the essence of your pure soul occurs, along with the deep desire to give more of your soul to God. You feel deeply nurtured and embraced in God’s Arms. There is nothing better than resting and dropping into This. You feel the purity of His Love that is the most pleasurable feeling your soul will ever experience. Heat, pressure, inner and outer movements, pulsing, physical shifts and alignments can occur as you open and embody more Divine Love and the feeling of Blessedness this brings. This Blessedness also arises in felt feelings of forgiveness and mercy. Divine Love is Perfect in its trust and tenderness. We become more and more like a child; innocent, joyful, playful and beautiful as we were created to Be. This play is a pure and glorious sensation, wishing to share itself freely and touching all others. Receiving Divine Love can also become so powerful that we are brought to our knees in immense gratitude, rapture, pain and bliss, sometimes all at once. Receiving Divine Love in its fullness is overwhelming, and can even be physically painful in the heart as it inflows to such a degree that the heart actually stretches to accommodate It all. It is both rapturous and ecstatic, as the body may rock, sway and stretch as it receives more and more Divine Love.8 There is no better feeling in all universes than to receive this Greatest Love of all loves, the most pleasurable feelings a soul can experience as it has actually been designed this way, yet our physical bodies cannot take too much of it at one time! When I receive Divine Love in a rapturous way, it is blissful to the soul yet sometimes painful to the physical. Sometimes I have to stop praying as the body becomes too tired.

Love has made him surprise himself. He would never have believed it possible, but it's turned out that he is a man who can walk up to a closed door on a murky November day, wearing his one good suit, and knock without hesitation, waiting while the rain comes down around him, even though he's not wanted. He can do this and not think twice, just the way he can spend hours watching a wounded cedar beetle and weep over its rare beauty, as well as its agony. Richard is certain that other species fall in love - primates, of course, and canines - but he has wondered about his beetles. There are people who would surely get a chuckle out of the mere suggestion, but in Richard's opinion it's pure vanity to presume that love exists only on our terms. A red leaf may be the universe for the tortoise beetle or the ladybird. A single touch the ecstasy of a lifetime. And so, here he is, in love despite everything. It is he, stupider than any beetle, and far more obstinate, who has traveled three thousand miles, even though he fully expects to be turned away.

Well this wasn’t Vegas, and this wasn’t Disneyland, this was ‘Erotica- The Theme Park – featuring Femdom World, Slave World, Bondage World, Spanking World – and so much more!’ -according to the brochure Jillian and Rebecca handed me with great fanfare the next day. -This is a beautiful brochure, I said – very- -Glossy , said Rebecca. -Right, I studied it some more – so is this…I mean – legal? I mean, is it for real? -O yes, they said. -Well. Wow, I guess. -Wow is right, they said. Jillian had been on some trip with one of her many very rich and very ugly men friends, and they had shown her the place. (no she didn’t say to what extent she was ’shown’ the place. She was very tight lipped about it, -wanted everything to be a surprise, she said) To be aware of Erotica-The Theme Park, and its Hotel Ecstasy you need money, connections, and more. In fact you need at least a 100 ft yacht to dock at its private Marina. And no I can’t tell you where it is, otherwise they will revoke my membership pass and kill my first born. But let’s say - it’s on an island, with warm water ,pure white sand beaches, it’s for the very rich, and it’s not far , by private helicopter from certain well known islands in let’s say, the Caribbean.

The 1950s and 1960s: philosophy, psychology, myth There was considerable critical interest in Woolf ’s life and work in this period, fuelled by the publication of selected extracts from her diaries, in A Writer’s Diary (1953), and in part by J. K. Johnstone’s The Bloomsbury Group (1954). The main critical impetus was to establish a sense of a unifying aesthetic mode in Woolf ’s writing, and in her works as a whole, whether through philosophy, psychoanalysis, formal aesthetics, or mythopoeisis. James Hafley identified a cosmic philosophy in his detailed analysis of her fiction, The Glass Roof: Virginia Woolf as Novelist (1954), and offered a complex account of her symbolism. Woolf featured in the influential The English Novel: A Short Critical History (1954) by Walter Allen who, with antique chauvinism, describes the Woolfian ‘moment’ in terms of ‘short, sharp female gasps of ecstasy, an impression intensified by Mrs Woolf ’s use of the semi-colon where the comma is ordinarily enough’. Psychological and Freudian interpretations were also emerging at this time, such as Joseph Blotner’s 1956 study of mythic patterns in To the Lighthouse, an essay that draws on Freud, Jung and the myth of Persephone.4 And there were studies of Bergsonian writing that made much of Woolf, such as Shiv Kumar’s Bergson and the Stream of Consciousness Novel (1962). The most important work of this period was by the French critic Jean Guiguet. His Virginia Woolf and Her Works (1962); translated by Jean Stewart, 1965) was the first full-length study ofWoolf ’s oeuvre, and it stood for a long time as the standard work of critical reference in Woolf studies. Guiguet draws on the existentialism of Jean-Paul Sartre to put forward a philosophical reading of Woolf; and he also introduces a psychobiographical dimension in the non-self.’ This existentialist approach did not foreground Woolf ’s feminism, either. his heavy use of extracts from A Writer’s Diary. He lays great emphasis on subjectivism in Woolf ’s writing, and draws attention to her interest in the subjective experience of ‘the moment.’ Despite his philosophical apparatus, Guiguet refuses to categorise Woolf in terms of any one school, and insists that Woolf has indeed ‘no pretensions to abstract thought: her domain is life, not ideology’. Her avoidance of conventional character makes Woolf for him a ‘purely psychological’ writer.5 Guiguet set a trend against materialist and historicist readings ofWoolf by his insistence on the primacy of the subjective and the psychological: ‘To exist, for Virginia Woolf, meant experiencing that dizziness on the ridge between two abysses of the unknown, the self and

In this sense, therefore, inasmuch as we have access to neither the beautiful nor the ugly, and are incapable of judging, we are condemned to indifference. Beyond this indifference, however, another kind of fascination emerges, a fascination which replaces aesthetic pleasure. For, once liberated from their respective constraints, the beautiful and the ugly, in a sense, multiply: they become more beautiful than beautiful, more ugly than ugly. Thus painting currently cultivates, if not ugliness exactly - which remains an aesthetic value - then the uglier-than-ugly (the 'bad', the 'worse', kitsch), an ugliness raised to the second power because it is liberated from any relationship with its opposite. Once freed from the 'true' Mondrian, we are at liberty to 'out-Mondrian Mondrian'; freed from the true naifs, we can paint in a way that is 'more naif than naif', and so on. And once freed from reality, we can produce the 'realer than real' - hyperrealism. It was in fact with hyperrealism and pop art that everything began, that everyday life was raised to the ironic power of photographic realism. Today this escalation has caught up every form of art, every style; and all, without discrimination, have entered the transaesthetic world of simulation. There is a parallel to this escalation in the art market itself. Here too, because an end has been put to any deference to the law of value, to the logic of commodities, everything has become 'more expensive than expensive' - expensive, as it were, squared. Prices are exorbitant - the bidding has gone through the roof. Just as the abandonment of all aesthetic ground rules provokes a kind of brush fire of aesthetic values, so the loss of all reference to the laws of exchange means that the market hurtles into unrestrained speculation. The frenzy, the folly, the sheer excess are the same. The promotional ignition of art is directly linked to the impossibility of all aesthetic evaluation. In the absence of value judgements, value goes up in flames. And it goes up in a sort of ecstasy. There are two art markets today. One is still regulated by a hierarchy of values, even if these are already of a speculative kind. The other resembles nothing so much as floating and uncontrollable capital in the financial market: it is pure speculation, movement for movement's sake, with no apparent purpose other than to defy the law of value. This second art market has much in common with poker or potlatch - it is a kind of space opera in the hyperspace of value. Should we be scandalized? No. There is nothing immoral here. Just as present-day art is beyond beautiful and ugly, the market, for its part, is beyond good and evil.

MARSYAS: There are seven keys to the great gate, Being eight in one and one in eight. First, let the body of thee be still, Bound by the cerements of will, Corpse-rigid; thus thou mayst abort The fidget-babes that tease the thought. Next, let the breath-rhythm be low, Easy, regular, and slow; So that thy being be in tune With the great sea's Pacific swoon. Third, let thy life be pure and calm Swayed softly as a well-to-live be bound To the one love of the Profound. Fifth, let the thought, divinely free From sense, observe its entity. Watch every thought that springs; enhance Hour after hour thy vigilance! Intense and keen, turned inward, miss No atom of analysis! Sixth, on one thought securely pinned Still every whisper of the wind! So like a flame straight and unstirred Burn up thy being in one word! Next, still that ecstasy, prolong Thy meditation steep and strong, Slaying even God, should He distract Thy attention from the chosen act! Last, all these things in one o'erpowered, Time that the midnight blossom flowered! The oneness is. Yet even in this, My son, though shalt not do amiss If thou restrain the expression, shoot Thy glance to rapture's darkling root, Discarding name, form, sight, and stress Even of this high consciousness; Pierce to the heart! I leave thee here: Thou art the Master. I revere Thy radiance that rolls afar, O Brother of the Silver Star!

He bent to kiss her stomach, so low that his chin brushed the triangle of curls. The tip of his tongue touched her skin, painting a delicate pattern. Her hips undulated, trying in vain to coax him lower, her entire body begging, Please down there down there. She felt as helpless as a jointed doll. Different parts of her were quivering, tensing, trembling, while her insides closed frantically on emptiness. He changed their positions with a quiet grunt of discomfort, until they were both lying on their sides, his head toward her feet. She felt him pull her top leg up and across, and then he relaxed with what sounded like a purr. As she felt him breathing between her thighs, she moaned, panted, licked her dry lips, wanting to say his name but afraid she might scream it. She tensed at the touch of his fingers, stroking lightly across the wet entrance of her body. All her consciousness focused on what he was doing, the fingertip that dipped very slightly into the pulsing cove. A teasing finger slid all the way inside and began to thrust in the slowest, gentlest rhythm possible, while her intimate muscles clenched and squeezed at the invasion, and her belly writhed. His breath rushed against the hard, tender bud of her clitoris in feathery tickles. It was heaven. It was torture. She wanted to kill him. He was the meanest, wickedest man who'd ever lived, the devil himself, and she would have told him so if she'd had the breath to spare. He added another finger, and a deep glow began at her core. The feeling spread through every limb and swept upward, until it burned in her face and throat, even at the lobes of her ears. It was beneath her arms, between her toes, at the backs of her knees, a radiant heat that kept climbing. His fingers curved gently inside and held her like that, and then, finally, she felt his mouth at her sex, his tongue stroking in catlike laps. It sent her into a climax unlike anything she'd ever felt, pure ecstasy without a precise beginning or end, a long open spasm that went on and on. A new surge of wetness emerged when his fingers finally withdrew. His tongue was strong and eager as he hunted for the taste of her, making her writhe. Her head came to rest close to his groin, her cheek brushing the satiny skin of his aroused flesh. Languidly she rubbed her parted lips along the rigid length, making him jolt as if he'd received an electric shock. Encouraged by his response, she took hold of the shaft with one hand and drew her tongue along it. When she reached the tip, she fastened her lips over the silkiness and salt taste, and sucked lightly. He groaned between her thighs. With his fingers, he spread her furrow wider, and nibbled at the taut, full center, flicked at it. She moaned, vibrating around the head of his shaft.

And for just a moment I had reached the point of ecstasy that I always wanted to reach, which was the complete step across chronological time into timeless shadows, and wonderment in the bleakness of the mortal realm, and the sensation of death kicking at my heels to move on, with a phantom dogging its own heels, and myself hurrying to a plank where all the angels dove off and flew into the holy void of uncreated emptiness, the potent and inconceivable radiancies shining in bright Mind Essence, innumerable lotus-lands falling open in the magic mothswarm of heaven. I could hear an indescribable seething roar which wasn’t in my ear but everywhere and had nothing to do with sounds. I realized that I had died and been reborn numberless times but just didn’t remember especially because the transitions from life to death and back to life are so ghostly easy, a magical action for naught, like falling asleep and waking up again a million times, the utter casualness and deep ignorance of it. I realized it was only because of the stability of the intrinsic Mind that these ripples of birth and death took place, like the action of wind on a sheet of pure, serene, mirror-like water. I felt sweet, swinging bliss, like a big shot of heroin in the mainline vein; like a gulp of wine late in the afternoon and it makes you shudder; my feet tingled. I thought I was going to die the very next moment.

And for just a moment I had reached the point of ecstasy that I always wanted to reach, which was the complete step across chronological time into timeless shadows, and wonderment in the bleakness of the mortal realm, and the sensation of death kicking at my heels to move on, with a phantom dogging its own heels, and myself hurrying to a plank where all the angels dove off and flew into the holy void of uncreated emptiness, the potent and inconceivable radiancies shining in bright Mind Essence, innumerable lotus-lands falling open in the magic mothswarm of heaven. I could hear an indescribable seething roar which wasn’t in my ear but everywhere and had nothing to do with sounds. I realized that I had died and been reborn numberless times but just didn’t remember especially because the transitions from life to death and back to life are so ghostly easy, a magical action for naught, like falling asleep and waking up again a million times, the utter casualness and deep ignorance of it. I realized it was only because of the stability of the intrinsic Mind that these ripples of birth and death took place, like the action of wind on a sheet of pure, serene, mirror-like water. I felt sweet, swinging bliss, like a big shot of heroin in the mainline vein; like a gulp of wine late in the afternoon and it makes you shudder; my feet tingled. I thought I was going to die the very next moment. But I didn’t die, and walked four miles and picked up ten long butts and took them back to Marylou’s hotel room and poured their tobacco in my old pipe and lit up. I was too young to know what had happened.

True love is in despair and is enchanted over a glove lost or a handkerchief found, and eternity is required for its devotion and its hopes. It is composed both of the infinitely great and the infinitely little. If you are a stone, be adamant; if you are a plant, be the sensitive plant; if you are a man, be love. Free eBooks at Planet eBook.com 1579 Nothing suffices for love. We have happiness, we desire paradise; we possess paradise, we desire heaven. Oh ye who love each other, all this is contained in love. Understand how to find it there. Love has contemplation as well as heaven, and more than heaven, it has voluptuousness. ‘Does she still come to the Luxembourg?’ ‘No, sir.’ ‘This is the church where she attends mass, is it not?’ ‘She no longer comes here.’ ‘Does she still live in this house?’ ‘She has moved away.’ ‘Where has she gone to dwell?’ ‘She did not say.’ What a melancholy thing not to know the address of one’s soul! Love has its childishness, other passions have their pettinesses. Shame on the passions which belittle man! Honor to the one which makes a child of him! There is one strange thing, do you know it? I dwell in the night. There is a being who carried off my sky when she went away. Oh! would that we were lying side by side in the same grave, hand in hand, and from time to time, in the darkness, gently caressing a finger,—that would suffice for my eternity! Ye who suffer because ye love, love yet more. To die of love, is to live in it. Love. A sombre and starry transfiguration is mingled with this torture. There is ecstasy in agony. Oh joy of the birds! It is because they have nests that they sing. 1580 Les Miserables Love is a celestial respiration of the air of paradise. Deep hearts, sage minds, take life as God has made it; it is a long trial, an incomprehensible preparation for an unknown destiny. This destiny, the true one, begins for a man with the first step inside the tomb. Then something appears to him, and he begins to distinguish the definitive. The definitive, meditate upon that word. The living perceive the infinite; the definitive permits itself to be seen only by the dead. In the meanwhile, love and suffer, hope and contemplate. Woe, alas! to him who shall have loved only bodies, forms, appearances! Death will deprive him of all. Try to love souls, you will find them again. I encountered in the street, a very poor young man who was in love. His hat was old, his coat was worn, his elbows were in holes; water trickled through his shoes, and the stars through his soul. What a grand thing it is to be loved! What a far grander thing it is to love! The heart becomes heroic, by dint of passion. It is no longer composed of anything but what is pure; it no longer rests on anything that is not elevated and great. An unworthy thought can no more germinate in it, than a nettle on a glacier. The serene and lofty soul, inaccessible to vulgar passions and emotions, dominating the clouds and the shades of this world, its follies, its lies, its hatreds, its vanities, its miseries, inhabits the blue of heaven, and no longer feels anything but profound and subterranean shocks of destiny, as the crests of mountains feel the shocks of earthquake. If there did not exist some one who loved, the sun would become extinct.

He felt it. Misery, we must insist, had been good to him. Poverty in youth, when it succeeds, is so far magnificent that it turns the whole will towards effort, and the whole soul towards aspiration. Poverty strips the material life entirely bare, and makes it hideous; thence arise inexpressible yearnings towards the ideal life. The rich young man has a hundred brilliant and coarse amusements, racing, hunting, dogs, cigars, gaming, feasting, and the rest; busying the lower portions of the soul at the expense of its higher and delicate portions. The poor young man must work for his bread; he eats; when he has eaten, he has nothing more but reverie. He goes free to the play which God gives; he beholds the sky, space, the stars, the flowers, the children, the humanity in which he suffers, the creation in which he shines. He looks at humanity so much that he sees the soul, he looks at creation so much that he sees God. He dreams, he feels that he is great; he dreams again, and he feels that he is tender. From the egotism of the suffering man, he passes to the compassion of the contemplating man. A wonderful feeling springs up within him, forgetfulness of self, and pity for all. In thinking of the numberless enjoyments which nature offers, gives, and gives lavishly to open souls, and refuses to closed souls, he, a millionaire of intelligence, comes to grieve for the millionaires of money. All hatred goes out of his heart in proportion as all light enters his mind. And then is he unhappy? No. The misery of a young man is never miserable. The first lad you meet, poor as he may be, with his health, his strength, his quick step, his shining eyes, his blood which circulates warmly, his black locks, his fresh cheeks, his rosy lips, his white teeth, his pure breath, will always be envied by an old emperor. And then every morning he sets about earning his bread; and while his hands are earning his living, his backbone is gaining firmness, his brain is gaining ideas. When his work is done, he returns to ineffable ecstasies, to contemplation, to joy; he sees his feet in difficulties, in obstacle, on the pavement, in thorns, sometimes in the mire; his head is in the light. He is firm, serene, gentle, peaceful, attentive, serious, content with little, benevolent; and he blesses God for having given him these two estates which many of the rich are without; labour which makes him free, and thought which makes him noble. This is what had taken place in Marius.

Choose to see the pure Soul within all beings, even though they may not see it within themselves. Choose to honor the sovereign reality of all beings, even though their words or actions may hurt you. Choose to transform through ecstasy and Grace, even though drama and trauma may seem more natural to you. Choose to live in this miraculous Now moment, even though nostalgia, regrets and fear may entice you to not be Present. Choose to be a blessing to the World and All Life, even though circumstances may encourage you to harden your heart. Choose to love others, even though it may seem naive. Choose to love God with all your being, and know that this is all that is really required. Choose to Live Heaven. Aliyah Ziondra

As a transmuted energy, anger is mirror-wisdom – undistracted, undistorted clarity. But in order for us to find this clarity, to polish this mirror, we need to cut through the insidious process of justification. Justification is the authority we invoke to license our anger. Because of this it is important not to allow space for the distorted indulgence of justification. This can be very difficult because the process of justification is a strong part of our education and a salient feature of the world’s cultural heritage. The nuclear balance of terror was part of that process. Totalitarian political movements (either extreme left or extreme right) are a manifestation of that process; and, unfortunately, it has also become part of the very ideologies that have arisen to benefit humanity. How often have we heard people saying: “Of course I’m angry! Wouldn’t anyone be angry?” And, of course, this is a purely rhetorical question. The concept that we have every right to feel anything that we feel needs to be called seriously into question. At best we can say that we simply feel what we feel. It is a delicate balance: to acknowledge emotional needs, on the one hand, and to have a sense of these needs being conceptually generated on the other. This balancing act requires the experience of emptiness, because without it, we either indulge ourselves or brutalise ourselves. The experience of emptiness, in this sense, helps us to view our emotions with a degree of humour – with more sanity and true perspective. With this sense of space we can find ourselves adopting a very powerful stance – the stance of a practitioner. Then it is no longer possible to say: “You have made me angry!” All we can say is: “I have made myself angry in reaction to what I have perceived you to have done to me”. In this way we make ourselves completely responsible for what we feel. That is really wonderful, because from this perspective we stop laying this responsibility on other people. Taking responsibility for whatever we may happen to be feeling is what enables us to kill justification. Dechen, Khandro; Chogyam, Ngakpa (2014-01-14). Spectrum of Ecstasy: Embracing the Five Wisdom Emotions of Vajrayana Buddhism (p. 143). Shambhala Publications. Kindle Edition.

It was so fast. So fast. One minute she was reaching, reaching, almost touching the center of ecstasy itself. The next she was convulsing with something so hot with throbbing pleasure that it was almost pain. An inhuman cry tore out of her throat as she went up like a Chinese rocket and exploded into a million flaming pieces of pure joy.

We all sat down on the floor in a circle, and Anna opened the crackers and spray cheese for us. She made us each a cracker and refused to let us eat until everyone had one. “Okay now,” she said, and she put the whole cracker in her mouth and immediately moaned in a very sexual way. “Oh my God, it’s so good.” “Oh fuck,” Tara said, and she leaned her head back as she chewed. I watched as Paige swallowed her cracker and sighed, she left her mouth parted, and her eyes were closed in pure ecstasy. “I didn’t realize food brought out your orgasm faces,” I laughed, and I looked around at all the girls’ pleasured faces.

White light flashes before my eyes squeezed shut in pure ecstasy.” ~ Harris Steele

Hers it was, rather, to run and hurry and ponder on long solitary walks, climbing gates, stepping through the mud, and through the blur, the dream, the ecstasy of loneliness, to see the plover's wheel and surprise the rabbits, and come in the heart of the woods or on wide lonely moors upon little ceremonies which had no audience, private rites, pure beauty offered by beetles and lillies of the valley and dead leaves and still pools, without any care whatever what human beings thought of them, which filled her mind with rapture and wonder and held her there till she must touch the gate post to recollect herself.

One Lying Jeep by Stewart Stafford Pavlov's dogs got hold of, Occam's Razor and shaved, Archimedes in the bath while, Pureeing Newton's apple core. Ecstasy = McDonald's Squared, Leaning Tower of Pizza Experiment, A swirl of Higgs Boson minestrone, Quaffed blind with Halley's Vomit. Ignore a Big Bang in your black hole, Red Giant piggybacking a White Dwarf, Massive obelisk stuck in the Stargate, Happy Doomsday to you - lights out. © Stewart Stafford, 2022. All rights reserved.

Everybody is doing something. Only very few people know the art of sometimes not doing anything. When you are not doing anything you are simply and purely your being. Doing and being are two ways of living your life, two styles of living your life. The life of doing is mundane; the life of being is sublime, is divine. I am not saying drop all doing, I am saying doing should be secondary in your life and being should be primary. Doing should be only for the necessities of life, and being should be your real luxury, your real joy, your real ecstasy. “To be perfectly happy one must be perfectly stupid.

Was this what it felt like to hurtle through the world in a state of pure confidence, I wondered, pressing my fingers to my temples—was this what it was like to be a man? The sheer ecstasy of the drop made everything around me feel like part of a running-shoe ad or a luxury car commercial, though I couldn’t imagine driving to EDM, or even online shopping. I couldn’t imagine playing it for my parents.

I thank the inner lining of my inner lips for keeping its pure gliss decade after decade, century after century, as if I am iconic, a fountain whose waters are fresh, era after geological era, as if my lips are not merely mine, but have seemed to belong, some hours, to a man, to a child, to my species. And I have not, always, treated them well, I have sat on them and sat on them, for hours, in summer heat, sometimes I have left them untouched, so they cannot sing, yet they’ve been sweet to me, liquidy, sleek, lissome, with some faint fragrance of salted nectar. Other parts of my body have worn out, worn down, been ground away, dried up (though one breast still makes, once a moon, one drop of cream), but the kissing lips of life, the inner sheath of the mouth of ecstasy remains as silver-pale-green as the wet deeps of a cactus which guardians us in the fierce desert—the core of our being, the slake.

And for just a moment I had reached the point of ecstasy that I always wanted to reach, which was the complete step across chronological time into timeless shadows, and wonderment in the bleakness of the mortal realm, and the sensation of death kicking at my heels to move on, with a phantom dogging its own heels, and myself hurrying to a plank where all the angels dove off and flew into the holy void of uncreated emptiness, the potent and inconceivable radiancies shining in bright Mind Essence, innumerable lotus-lands falling open in the magic mothswarm of heaven. I could hear an indescribable seething roar which wasn’t in my ear but everywhere and had nothing to do with sounds. I realized that I had died and been reborn numberless times but just didn’t remember especially because the transitions from life to death and back to life are so ghostly easy, a magical action for naught, like falling asleep and waking up again a million times, the utter casualness and deep ignorance of it. I realized it was only because of the stability of the intrinsic Mind that these ripples of birth and death took place, like the action of wind on a sheet of pure, serene, mirror-like water. I felt sweet, swinging bliss, like a big shot of heroin in the mainline vein; like a gulp of wine late in the afternoon and it makes you shudder; my feet tingled. I thought I was going to die the very next moment. But I didn’t die, and walked four miles and picked up ten long butts and took them back to Marylou’s hotel room and poured their tobacco in my old pipe and lit up. I was too young to know what had happened.

Sensuality is meant for the purpose of immersion in pure, unadulterated pleasure.

Cool water foamed over my toes, distracting me from the bird. For a moment I closed my eyes at the ecstasy of salt water on skin, at the persuasive music of the waves. The feeling was magic. Pure, powerful, irresistible magic.

Art comes with a splash of colors ...as you get torn between depression and elation...agony and ecstasy ...and with the surging and slowing of tides.. there arises the gentle and fierce brush strokes....ultimately creating a mix of emotions on the canvas and there comes the colors on a blank canvas...an art....so virgin, raw and pure...

Art comes with a splash of colors ...as you get torn between depression and elation...agony and ecstasy ...and with the surging and slowing of tides.. there arises the gentle and fierce brush strokes....ultimately creating a mix of emotions on the cloth and there comes the colors on a blank ...an art....so virgin, raw and pure....

Art comes with a splash of colors ...as you get torn between depression and elation...agony and ecstasy ...and with the surging and slowing of tides.. there arises the gentle and fierce brush strokes....ultimately creating a mix of emotions on the cloth and there comes the colors on a blank canvas ...an art....so virgin, raw and pure....

Tears in the corners of my eyes—of pure emotion—joy—happiness … I feel totally unburdened. The load has been lifted off my back, off my mind. I have to do nothing more to prove myself. This is not for others but for me—and to me. Observation Mountain is a beautiful place. A beautiful rare mood. A few precious moments of ecstasy somehow not meant for—or translate-able into—words. Language fails where the tears begin.

(1) I will get in touch with the field of pure potentiality by taking time each day to be silent, to just Be. I will also sit alone in silent meditation at least twice a day for approximately thirty minutes in the morning and thirty minutes in the evening. (2) I will take time each day to commune with nature and to silently witness the intelligence within every living thing. I will sit silently and watch a sunset, or listen to the sound of the ocean or a stream, or simply smell the scent of a flower. In the ecstasy of my own silence, and by communing with nature, I will enjoy the life throb of ages, the field of pure potentiality and unbounded creativity. (3) I will practice non-judgment. I will begin my day with the statement, “Today, I shall judge nothing that occurs,” and throughout the day I will remind myself not to judge.

The kundalinī is thought to exist in the dormant state at the basal center where she must be awakened and invited to rise along the central channel to the top of the head where she reunites with pure Consciousness. This reunion is described as the communion of Shiva and Shakti, God and Goddess, or Consciousness and Energy. On the complete ascent of the kundalinī, the individuated consciousness of the adept at least temporarily melts away in the state of nirvikalpa-samādhi or transconceptual ecstasy. While this state reveals our true nature—as the transcendental Being-Consciousness-Bliss (sat-cid-ānanda)—it excludes body awareness. It could therefore be considered an incomplete enlightenment. So long as the unconscious contains karmic seeds awaiting fruition, this elevated state of consciousness sooner or later is replaced again by the ordinary state of awareness. Through repeated awakening of the kundalinī and nirvikalpa-samādhi, the karmic seeds can be gradually thinned out. Ultimately, the Tantric yogin seeks to “irrigate” the body with the nectar of immortality that oozes from the awakened thousand-petaled center. This esoteric process transfigures and transforms the ordinary physical body into a supraphysical energy body endowed with extraordinary capacities (siddhi) and immortality. For this to occur, the adept must transcend even nirvikalpa-samādhi and attain complete enlightenment in the waking state as well. This final ecstatic condition is not, strictly speaking, a state of consciousness. It is that which is Real. In the Tantric tradition, it is sometimes known as sahaja-samādhi or spontaneous ecstasy, which is constant and continuous. This realization has been summed up in the Buddhist Tantric formula “samsāra = nirvāna,” or immanence equals transcendence.

Stanislav Grof, in his account, related receiving a whole series of death-and-rebirth visions of his past incarnations and witnessing the struggles of these past dyings with calm, even ecstatic detachment. Like Grof, I also found myself rapidly reviewing a series of past lives especially the deaths of these lives: Images of decapitation, dismemberment, disembowelment flashed by, in rapid succession, including an image of being run through the chest with a sword – yet there was no fear or horror associated with these images. The following thoughts occurred: “Death comes to all, now it’s your turn. This is it, the termination. Resistance is impossible and pointless besides. It’s too late, the annihilation has already happened.” As I gradually came back into my body, after ten minutes in real time, I felt bathed in pure joy and completely at peace with myself, the world and my death (RM).

My only reality was a mass of radiant swirling energy of immense proportions that seemed to contain all existence in a condensed and entirely abstract form. I became Consciousness facing the Absolute. It had the brightness of myriad suns, yet it was not on the same continuum with any light I knew from everyday life. It seemed to be pure consciousness, intelligence, and creative energy transcending all polarities. It was infinite and finite, divine and demonic, terrifying and ecstatic, creative and destructive…My ordinary identity was shattered and dissolved; I became one with the Source. I retrospect, I believe I must have experienced the Dharmakaya, the Primary Clear Light, which according to the Tibetan Book of the Dead, appears at the moment of our death (Grof, Stanislav. When the Impossible Happens. Boulder, CO: Sounds True, Inc. 2006).

yama—moral discipline comprising nonharming (ahimsā), nonstealing (asteya), truthfulness (satya), chastity (brahmacarya), and nongrasping or greedlessness (aparigraha) 2. niyama—self-restraint comprising purity (shauca), contentment (samtosha), asceticism (tapas), self-study (svādhyāya), and devotion to the Lord (īshvara-pranidhāna) 3. āsana—posture (specifically for meditation) 4. prānāyāma—breath control 5. pratyāhāra—sensory inhibition 6. dhāranā—concentration 7. dhyāna—meditation, or sustained and deepening concentration 8. samādhi—ecstasy, or merging in consciousness with the object of meditation Together the eight limbs lead practitioners out of the maze of their own preconceptions and confusions to a sublime state of freedom. This is accomplished through the progressive control of the mind (citta). Beyond the highest ecstatic state lies the freedom of the transcendental Self, which is the pure Witness (sākshin) of all mental processes. For Patanjali, Self-realization is kaivalya, or the “isolation” or “aloneness” of that transcendental Witness. The many free Selves (purusha) all intersect in infinity and eternity. Enlightenment, or liberation, consists in simply waking up to our true nature, which is the transcendental Spirit, or Self. HATHA-YOGA The word hatha means “force” or “forceful.” Thus Hatha-Yoga is the “forceful Yoga” or “Yoga of Force,” meaning the Yoga of the inner kundalinī power. This branch of Yoga, which is particularly associated with Matsyendra Nātha and Goraksha Nātha, two perfected masters or siddhas, is a medieval development arising out of Tantra. It approaches Self-realization through the vehicle of the physical body and its energetic (pranic/etheric) template. In the first instance, Hatha-Yoga seeks to strengthen or “bake” the body so that practitioners have a chance to cultivate higher realizations. Secondly, it means to transubstantiate the body into a “divine body” (divyadeha) or “adamantine body” (vajra-deha), which is endowed with all kinds of paranormal capacities. Thus, the disciplines of Hatha-Yoga are designed to help manifest the ultimate Reality in the finite human body-mind. Sri Aurobindo put it this way: The chief processes of Hathayoga are āsana and prānāyāma. By its numerous Asanas or fixed postures it first cures the body of that restlessness which is a sign of its inability to contain without working them off in action and movement the vital forces poured into it from the universal Life-Ocean, gives to it an extraordinary health, force and suppleness and seeks to liberate it from the habits by which it is subjected to ordinary physical Nature and kept within the narrow bounds of her normal operations. . . . By various subsidiary but elaborate processes the Hathayogin next contrives to keep the body free from all impurities and the nervous system unclogged for those exercises of respiration which are his most important instruments.1

(Male) I was somehow able to guide my body to a laying position, though I had very little body awareness. A deeper letting go seemed to occur by allowing the body to rest without muscular effort. All body awareness dissolved into awareness of soft, expansive currents of bliss. Even the sense of joy and amazement which this engendered dissolved as identity merged into formless Being. At that edge between Form and Formlessness, I felt the sense of being at a threshold which I had never before crossed. With both the joy and the difficulty of a birth, separate identity was relinquished, and all that remained was boundlessness. The relief and the sense that finally the ancient, primordial Search was over was utterly indescribable. There seemed to be an oscillation between pure undifferentiated Being and Observing Ego, because I had awareness of coming into Form, feeling profound ecstasy, joy, gratitude and love, and then dissolving back into That which from these feelings flowed. I became aware of a sense of arriving, of finally having found what felt like I had been looking for – for eons. I realized that where and who I am is self-evidently beyond life and death. A thought arose of my dying sister-in-law, and relief spread throughout at realizing the fallacy of death. A vague sound was associated with this relief, a wetness reminded me of bodily existence and I realized I was crying.

What sort of person says that he or she wants to be polished and pure, then complains about being handled roughly?

Dear readers, a long time ago the writer F. Scott Fitzgerald had written about writers not being people exactly, but a whole lot of people trying to be one. I would like to take his philosophy further by stating that in fact these different people who live inside a writer's mind lead to believe it or not dearest readers - sometimes to pure ecstasy and sometimes to serious fights akin to a World War. Not to forget the innumerable dilemmas, catch 22 situations. While one day the writer could wake up to a feeling of perfect harmony with Frank Sinatra's songs playing in the background of his mind, some other morning he wakes up with a feeling of mental catastrophe. One afternoon the democratic type gets into a confrontation with the communist type. And one fine evening the timid, mild and gentle type gets into a tussle with the downright belligerent and war mongering type. So my dear readers understand the situation before hand about my writings. You will definitely find me unpredictable. But then I am after all a writer. And a writer should also not be predictable.

And for just a moment I had reached the point of ecstasy that I always wanted to reach, which was the complete step across chronological time into timeless shadows, and wonderment in the bleakness of the mortal realm, and the sensation of death kicking at my heels to move on, with a phantom dogging its own heels, and myself hurrying to a plank where all the angels dove off and flew into the holy void of uncreated emptiness, the potent and inconceivable radiancies shining in bright Mind Essence, innumerable lotus-lands falling open in the magic mothswarm of heaven. I could hear an indescribable seething roar which wasn't in my ear but everywhere and had nothing to do with sounds. I realized that I had died and been reborn numberless times but just didn't remember especially because the transitions from life to death and back to life are so ghostly easy, a magical action for naught, like falling asleep and waking up again a million times, the utter casualness and deep ignorance of it. I realized it was only because of the stability of the intrinsic Mind that these ripples of birth and death took place, like the action of wind on a sheet of pure, serene, mirror-like water. I felt sweet, swinging bliss, like a big shot of heroin in the mainline vein; like a gulp of wine late in the afternoon and it makes you shudder; my feet tingled.

She was young, not so much older than me A career girl in a little soignée suit and hosiery Just recently engaged She'd leapt from the 86th-floor observation deck of the Empire State Building and crash-bam-slammed into the roof of a shiny black Cadillac Which now gathered her into its folds It looked like somebody popped open a ring box An expression of pure bliss gleaming on her face A nun's ecstasy, her first and final orgasm A perfect ending, handed to the world in white gloves.

I had kissed and been kissed thousands of times in my lifetime, but nothing compared to this moment. With the right person, a kiss was so much more than a kiss. It was pure, unfiltered ecstasy. A part of my soul had been waiting for this woman, and one kiss from her had undone me. A voice I couldn’t ignore quietly insisted that she was what I had been missing. It’s her. It’s her. It’s her.

theology must be not so much a quest of positive notions about the divine being as an experience which surpasses all understanding. ‘It is a great thing to speak of God, but still better to purify oneself for God,’ says St. Gregory Nazianzen.[47] Apophaticism is not necessarily a theology of ecstasy. It is, above all, an attitude of mind which refuses to form concepts about God. Such an attitude utterly excludes all abstract and purely intellectual theology which would adapt the mysteries of the wisdom of God to human ways of thoughts. It is an existential attitude which involves the whole man: there is no theology apart from experience; it is necessary to change, to become a new man. To know God one must draw near to Him. No one who does not follow the path of union with God can be a theologian. The way of the knowledge of God is necessarily the way of deification.

The ideal of whiteness makes a strong appeal. It flatters white people by associating them with (what they define as) the best in human beauty and virtue. The very idea of a best and of striving towards it accords with the aspirational structure of whiteness. There is an ecstasy to be felt in the luminescent representation discussed in the next chapter, a luminescence that makes sense in the context of the idea of whiteness as transcendence, dissolution into pure spirit and no-thing-ness. Equally, the ideal of white as absence may be confounded with the wider representational mode discussed above: being nothing at all may readily be felt as being nothing in particular, the representative human, the subject without properties.