Puppet Strings Quotes

We're all puppets, Laurie. I'm just a puppet who can see the strings.

It all goes back and back," Tyrion thought, "to our mothers and fathers and theirs before them. We are puppets dancing on the strings of those who came before us, and one day our own children will take up our strings and dance in our steads.

A puppet is free as long as he loves his strings.

History. Language. Passion. Custom. All these things determine what men say, think, and do. These are the hidden puppet-strings from which all men hang.

each man must realize that it can all disappear very quickly: the cat, the woman, the job, the front tire, the bed, the walls, the room; all our necessities including love, rest on foundations of sand — and any given cause, no matter how unrelated: the death of a boy in Hong Kong or a blizzard in Omaha . . . can serve as your undoing. all your chinaware crashing to the kitchen floor, your girl will enter and you'll be standing, drunk, in the center of it and she'll ask: my god, what's the matter? and you'll answer: I don't know, I don't know . . . — PULL A STRING, A PUPPET MOVES . . .

In the rough-and-tumble play of politics, dog-whistle messages are copiously dispatched over the heads of the grassroots people that cannot see the writing on the wall and have to remain in the cold, like dumb puppets on a string. ("What after bowling alone?" )

It may be that we are puppets-puppets controlled by the strings of society. But at least we are puppets with perception, with awareness. And perhaps our awareness is the first step to our liberation. (1974)

What if a puppet could cut its own strings, and in that act of defiance and strength of will become truly alive? Become is own puppetmaster?

Everyone is so enamored with the puppet; they never notice the man pulling the strings.

Compatibilism amounts to nothing more than an assertion of the following creed: A puppet is free as long as he loves his strings.

Sasori, your strength came because of your soul, not in spite of it... You were supposed to be a a top-class ninja puppeteer, not a worthless nobody who lets someone else pull the strings. - Kankurou (Naruto Ch 518)

Every act of violence was deliberate, and every favor came with enough strings attached to stage a puppet show.

The lamplight gleamed on the Magus’ white grin. “People like to watch the pretty puppets, Superior. Even a glimpse of the puppeteer can be most upsetting for them. Why, they might even suddenly notice the strings around their own wrists

You can’t cut off the strings of your puppet and still expect it to move for you.

Do you believe we are masters of ourselves, or merely dance like puppets on strings having the illusion of independence?

Coincidence is merely the puppeteers’ curtain, hiding the hands that pull the world’s strings.

Sometimes the hand pulls the puppet, sometimes the puppet pulls the hand, but the string runs both ways.

The one who pulls the puppet strings knows fairytales can heal.

He traded his freedom for mine," she whispered. "He was a reckless fool, and I was a girl pulled along by puppet strings. The fire burned too hot, and we didn't notice until it consumed everything.

Your mortal attachments are like a puppet’s strings," Avari said, both hands clasped casually at his back. "One need only pluck the right cord to make the puppet dance." His smile was almost creepier than his threats. "Dance, reaper!

So tired of Noam and Herod and Sir and Angra and all these arrogant, puppet-master men who hold all the strings and refuse to give them up.

Before you save anyone else, you have to save yourself. otherwise, you'rejust a bundle of tics, a stringed puppet manipulated by the chance and the insensible wind.

What are we (I ask) but puppets in a show-box? Oh, omnipotent Destiny, pull our strings gently! Dance us mercifully off our moserable little stage!

Sometimes she was seized with hallucinations and thought she was buried in some vault together with a lot of puppet-like corpses which nodded their heads and moved their legs and arms when you pulled the strings.

My soul, I’ve found, has puppet strings to make me droop or give me wings. And music is the puppeteer that turns my ear to hear.

For me the world has always been more of a puppet show. But when one looks behind the curtain and traces the strings upward he finds they terminate in the hands of yet other puppets, themselves with their own strings which trace upward in turn, and so on. In my own life I saw these strings whose origins were endless enact the deaths of great men in violence and madness. Enact the ruin of a nation.

But the hands of Fate work their own magic. Who are we but puppets on their cosmic strings?

Everyone who loves pro basketball assumes it's a little fixed. We all think the annual draft lottery is probably rigged, we all accept that the league aggressively wants big market teams to advance deep into the playoffs, and we all concede that certain marquee players are going to get preferential treatment for no valid reason. The outcomes of games aren't predeteremined or scripted but there are definitely dark forces who play with our reality. There are faceless puppet masters who pull strings and manipulate the purity of justice. It's not necessarily a full-on conspiracy, but it's certainly not fair. And that's why the NBA remains the only game that matters: Pro basketball is exactly like life.

SOME PEOPLE BELIEVE IN FATE, OTHERS DON’T. I DO, and I don’t. It may seem at times as if invisible fingers move us about like puppets on strings. But for sure, we are not born to be dragged along. We can grab the strings ourselves and adjust our course at every crossroad, or take off at any little trail into the unknown.

Sitting makes us think of standing Our current stance keeps on demanding We wish to fly without the wings Puppets move before pulling the strings

What was most important in Epicurus’ philosophy of nature was the overall conviction that our life on this earth comes with no strings attached; that there is no Maker whose puppets we are; that there is no script for us to follow and be constrained by; that it is up to us to discover the real constraints which our own nature imposes on us.

Scraps of memory: this is not how a climax should be written. A climax should surge towards its Himalayan peak; but I am left with shreds, and must jerk towards my crisis like a puppet with broken strings. This is not what I had planned; but perhaps the story you finish is never the one you begin.

I’m his puppet and he is my invisible master, holding my strings from miles away.

The people in the city seem paper thin in the mist. They believe they are dancing to the music of their lives... But I think, like the puppets, each of us is pulled upon invisible strings, until the night comes and we are put away. I shiver, and hurry from the square, as the darkness of the city closes over me like canal water or the grave.

Holland stared at his own hand, the knife’s edge crimson. They left they body where it fell. And brought another in. “No,” snarled Holland at the sight of him. A boy from the kitchens, hardly fourteen, who looked at him with wide, uncertain eyes. “Help,” he begged. Then they brought another. And another. One by one, Athos and Astrid paraded the remains of Vor’s life before Holland, instructing him again and again to cut their throats. Every time, he tried to fight the order. Every time, he failed. Every time, he had to look them in their eyes and see the hatred, the betrayal, the anguished confusion before he cut them down. The bodies piled. Athos watched. Astrid grinned. Holland’s hand moved on its puppet string. And his mind screamed until it finally lost its voice.

Perhaps everything was connected to everything, in a discernible if nebulous way, and if one might only trace the fibers and filaments of those connections, one might... One might what? Observe the Grand Design? Untangle all the puppet strings and discover whose hands (or claws) are pulling them? End the ancient search for order and meaning in the universe?

Fear sticks like a barb in the mind. Someone cold enough to take advantage of it can attach strings to those barbs and make puppets of men and women.

I'm a puppet on strings, playing out my parents' dreams.

It was like two invisible puppeteers, standing stage left and stage right, were yanking on strings to lift up the corners of her mouth. Okay,

What people saw when he appeared before them, then, was not really him, but a person he had invented, an artificial creature he could manipulate in order to manipulate others. He himself remained invisible, a puppeteer working the strings of his alter-ego from a dark, solitary place behind the curtain

He witnessed the destruction of everything he had ever created. These are the crippled pieces, the faces that he was stuck with; a puppet show that he could not get out of, all the strings tangled, the dead attached to the living.

When in the puppet-show of dreams we hold in hand the strings of quite a number of actors, controlling their actions and their speech, we are not aware of this being so. Only one of them is myself, the dreamer. In him I act and speak immediately, while I may be awaiting eagerly and anxiously what another one will reply

I live inside my own skin. Anything that happens outside it doesn't change who I am. This isn't something I'm proud of; as far as I'm concerned, it's a bare minimum baseline requirement for calling yourself an adult human being, somewhere around the level of knowing how to do your own washing or change a toilet roll. All those idiots on the websites, begging for other people to pull their sagging puppet-strings, turn them real: they make me want to spit.

True power lies in the ability to harness energy and wield it like a sword, becoming the puppeteer that masters all the strings instead of the marionette being forced to dance.

How can I bribe my tongue to speak as truth the things my heart so contradicts. Attach to me then your strings and pull and I shall dance and be your puppet…for a time

He thought for a moment. About puppets. About being controlled. Everyone was controlled by something, the Impressionist knew. By a spouse. A parent. A boss. A friend. By one’s own impulses, be they dark or light. Everyone was a puppet to something. Most people just couldn’t see the strings, is all. And so they didn’t believe they were puppets in the first place.

They encouraged me to make friends, to try new things, to make mistakes. They gave me the space to be a blank, a mess; they never treated me like their puppet. They gave me what I needed but never told me what I wanted. They made sure I had a place to come when I was finally ready to figure it out. They loved me, no matter what. No strings attached.

You think you are in control of your own destiny, and then – Bam – one day you realize you were nothing more than a puppet on someone else’s strings. When that happens, your first instinct is to snip the strings and kick the shit out of the puppeteer.

Depressive ontology is dangerously seductive because, as the zombie twin of a certain philosophical wisdom, it is half true. As the depressive withdraws from the vacant confections of the lifeworld, he unwittingly finds himself in concordance with the human condition so painstakingly diagrammed by a philosopher like Spinoza: he sees himself as a serial consumer of empty simulations, a junky hooked on every kind of deadening high, a meat puppet of the passions. The depressive cannot even lay claim to the comforts that a paranoiac can enjoy, since he cannot believe that the strings are being pulled by any one. No flow, no connectivity in the depressive’s nervous system.

What time is it?’ ‘Whatever time you want it to be,’ she gave him a cheeky wink. ‘Now be honest, did you ask for free will?’ ‘How did you—?’ Amanita joined Mario beneath the covers. The ethereal Threads tethering her wrists phased through the thick wool blankets like sunlight through a windowpane. ‘The bird that acknowledges its cage only ever sings of freedom,’ she said dreamily.

He was no marionette after all, but an autonomous individual in a staged performance; a production carefully arranged and assembled on his discrete behalf. And he, Mario Fantoccio, had been invited on-stage to perform.

Not that I'm not keen to talk to him. I am--in the fantasy version of tonight, anyway, in which I actually manage to string words into sentences, and not just random magnetic-poetry sentences, but sentences that don't lead to the logical conclusion that I have brain damage.

He wondered about the people in houses like those. They would be, for example, small clerks, shop-assistants, commercial travellers, insurance touts, tram conductors. Did they know that they were only puppets dancing when money pulled the strings? You bet they didn’t. And if they did, what would they care? They were too busy being born, being married, begetting, working, dying. It mightn’t be a bad thing, if you could manage it, to feel yourself one of them, one of the ruck of men. Our civilization is founded on greed and fear, but in the lives of common men the greed and fear are mysteriously transmuted into something nobler. The lower-middle-class people in there, behind their lace curtains, with their children and their scraps of furniture and their aspidistras — they lived by the money-code, sure enough, and yet they contrived to keep their decency. The money-code as they interpreted it was not merely cynical and hoggish. They had their standards, their inviolable points of honour. They ‘kept themselves respectable’— kept the aspidistra flying. Besides, they were alive. They were bound up in the bundle of life. They begot children, which is what the saints and the soul-savers never by any chance do. The aspidistra is the tree of life, he thought suddenly.

Losing a belief in free will has not made me a fatalist - in fact, it has increased my feelings of freedom. My hopes, fears, and neuroses seem less personal and indelible. There is no telling how much I might change in the future. Just as one wouldn't draw a lasting conclusion about oneself on the basis of a brief experience of indigestion, one needn't do so on a basis of how one has thought or behaved for vast stretches of time in the past. A creative change of inputs to the system - learning new skills, forming new relationships, adopting new habits of attention - may radically transform one's life. Becoming sensitive to the background causes of one's thoughts and feelings can -paradoxically- allow for greater creative control over one's life. This understanding reveals you to be a biochemical puppet, of course, but it also allows you to grab hold of one of your strings.

I hover over myself Watching. Mind and body separated, Each in control As though there are two puppeteers Working the strings of my marionette self.

His hands manipulated me. I was a puppet and he was the master. Any string he tugged at brought me nearer to him.

You are all lost, for the many houses of human religion are all held by the strings of the same master puppeteer.

If your treated like a puppet find a new ball of string

Mario blinked. His reflection did not. “That’s the odd thing about depression,” Mario reflected, “a human can survive anything, as long as they have a clear end in sight. A purpose. Take that away and they sink like pennies in mire: gently at first and then engulfed without notice by the dark waters of the bog.

As Lynn writes: "What angers me is the loss of control. At any moment someone could come to me, be dressed the right way and use the right code, and I no longer have free will. I will do anything that person requests. I hate them for that. Nothing else is as bad as known that I am always out of control; knowing that I am still a laboratory experiment, a puppet whose strings are hidden from ever but my handlers, and I don't yet know how to break free. p216

I call the polar opposites to Wrong Planet people Rag, Tag & Bobtail because they’re really nothing but glove puppets. Their heads are little more than hollow wood and at times they seem to be controlled by strings and rods and levers with invisible hands inside them making them ‘perform.’ Most glove puppets have fixed facial expressions and a hinged mouth, giving them a dull, lifeless expression.

Her entire life was obeying orders. She’d left her Father behind, only to fall into the hands of another dictator. Was her life her own anymore, or was she a puppet on a string, dancing to Ryan’s tune?

What is a secret? It is much more than knowledge shared with only a few, or perhaps only one another. It is power. It is a bond. It is a sign of deep trust, or the darkest threat possible.... Be very chary of revealing your hoarded secrets. Many lose all power once they have been divulged. Be even more careful of sharing your secrets lest you find yourself a puppet dancing on someone else's strings.

Puppets and paintbrushes... Mario was well on his thousandth decapitation when it occurred to him these simple objects were mere symbolic manifestations of his deep-seated phobias: fear of failure and fear of success. The first one had stopped him from following his dream; the second had stopped the dream from following him. “To be simultaneously afraid of success and of failure is like going to bed scared and waking up terrified,” he reflected. “Your mind’s all wooden, your head’s screwed on backwards and before you know it, you’re a vermillion blotch on someone else’s canvas and the entire world is pulling your strings.

It may be that we are puppets—puppets controlled by the strings of society. But at least we are puppets with perception, with awareness. And perhaps our awareness is the first step to our liberation. —Stanley Milgram

What is a writer? A writer is a magician who can create a masterpiece With a wave of a pencil A writer has the key to a new world Capturing readers and taking them on a roller coaster ride away from reality But a writer can be a commanding tyrant Or a hypnotist stealing minds What is a writer? A writer is a powerful being, an intelligent thinker And an artist creating mind pictures through words. A writer is a keeper of secrets Or like a roomful of words waiting for a book But a writer is also a puppet master taking control With no strings attached What is a writer? A writer is a true friend Using words to spread smiles to the world A writer is….. The voice of the hear

A room full of fags gives me the horrors. They jerk around like puppets on invisible strings, galvanized into hideous activity that is the negation of everything living and spontaneous. The live human being has moved out of these bodies long ago. But something moved in when the original tenant moved out.

Sometimes we must allow our locked-and-tethered inner demon a short glimpse beyond the bars,” thought Mario, “lest we forget the full extent of our virtue. One’s power does not reside in the length of their demon’s claw, but in the strength of its manacle. The unleashed demon is worthless, lest it’s controlled.

A horn honks.I look up, expecting to see the white Audi. But there’s a sleek black four-door with shiny silver rims instead. e driver side opens and a tall, dark figure in a trendy fall leather jacket and aviator sunglasses steps out and stalks around the car to open the passenger door. “Irish! Get in.” And I decide that Dr. Stayner is an evil wizard with a crystal ball and puppet strings attached to his fingers. He has somehow masterminded this entire situation. He’s definitely cackling in his office right now.

We are puppets dancing on the strings of those who came before us, and one day our own children will take up our strings and dance on in our steads.

While I am absorbed by fiction, I pull the strings like a puppeteer; I make things happen. It's a passion and a lifelong obsession.

My strings are being pulled, this time by a different puppet master.

What comes before determines what comes after,” Kellhus continued. “For the Dûnyain, there’s no higher principle.” “And just what comes before?” Cnaiür asked, trying to force a sneer. “For Men? History. Language. Passion. Custom. All these things determine what men say, think, and do. These are the hidden puppet-strings from which all men hang.” Shallow breath. A face freighted by unwanted insights. “And when the strings are seen . . .” “They may be seized.” In

I had concluded that I no longer shared her faith in a God who controlled the universe like a puppet master pulling and tugging strings and making us all dance. Our lives, I believed, were more like billiard balls on a pool table, ricocheting randomly with the impact of the cue ball. To believe otherwise was to believe that a God to whom my mother had devoted her life had responded by striking down her husband and causing her so much pain. I couldn’t accept that.

gold light burned faintly. From his cosy window seat, Mario was tracing a frost-flower on the windowpane with an unsure finger. Were its perfectly-rendered geometric patterns a product of nature, or were they an artefact of metaphysics? Was the frost-flower to the Masters what a work of Art was to him? Did the Masters of Strings truly control every aspect of reality? The fractal flower slowly melted under Mario’s fingertip. “No work of chance here,” he bitterly thought. “This was by design.

We get paid to hang out in this beautiful court! Four puppets on a string, just like those two up there (pointing to the two hanging puppets), waiting for someone to jerk them into life and make them talk.

Be very chary of telling your hoarded secrets. Many lose all power once they have been divulged. Be even more careful of sharing your own secrets lest you find yourself a puppet dancing on someone else's strings.

Freedom's never been free, there's always been a price to be paid, but people have forgotten; they're handing their freedom, their lives, over like well behaved puppets on a string... slavery is returning by choice.

As for Fergus. He had a habit which Maud was not experienced enough to recognise as a common one in ex-lovers of giving little tugs at the carefully severed spider-threads or puppet-strings which had once tied her to him.

We see the puppets dancing on their miniature stage, moving up and down as the strings pull them around, following the prescribed course of their various little parts. We learn to understand the logic of this theater and we find ourselves in its motions. We locate ourselves in society and thus recognize our own position as we hang from its subtle strings. For a moment we see ourselves as puppets indeed. But then we grasp a decisive difference between the puppet theater and our own drama. Unlike the puppets, we have the possibility of stopping in our movements, looking up and perceiving the machinery by which we have been moved. In this act lies the first step toward freedom. And in this same act we find the conclusive justification of sociology as a humanistic discipline

I instantly thought the guy was cute, in that gaunt, never-sees-the-light-of-day, New York street urchin kind of way. And he never stood still for a second. From across the tracks I read his expression as I have everything on my side except destiny, only his expression clearly hadn't informed his head or heart yet. The guy looked over and caught me staring, and once his eyes met mine they never deviated. He took several cautious steps forward, stopping abruptly at the thick yellow line you weren't supposed to cross. His arms dangled like a puppet and he seemed to skim the ground when he walked, as if suspended over the edge of the world by a hundred invisible strings.

Did you think I was joking about killing Simon? Read it and weep, kids. Everyone in detention with Simon last week had an extraspecial reason for wanting him gone. Exhibit A: the posts above, which he was about to publish on About That. Now here’s your assignment: connect the dots. Is everybody in it together, or is somebody pulling strings? Who’s the puppet master and who’s the puppet? I’ll give you a hint to get you started: everyone’s lying. GO!

That is what it is all about. Making you my puppet. This is my aim. This is the means to my end of obtaining my fuel from you. As you will no doubt becoming familiar with, the means always justifies the end. Accordingly, by ensuring you become my puppet I am in the optimum position to control you to extract every drop of fuel I can from you. I need to control you so that you admire me when I want it. I need to control you so that I can pull the strings and make you jerk to my tune. I am the puppet master.

The demon looked insulted. ‘You don’t like the Underworld, brother?’ ‘Can’ff ssay I do,’ spoke Mario through the curved claw held firmly between his teeth. ‘Much bffetter up tffhere!’ he pointed at the amber-glowing canopy perched at the very top of the World Tree. ‘Yeah but that seems like—,’ the green-eyed demon paused, as though he was bracing himself for something. ‘–work,’ he finally said. The word alone seemed to cause him unimaginable disgust. ‘How about you put that rock down and come waste time with us at the pit?

At first only Tamarind had noticed the awkward, disquieting way his expressions changed, as if a puppeteer were pulling wires to move his face muscles, and doing it rather badly. Nowadays she saw the fear in everybody’s eyes. Her brother was going out of tune like an old piano, and nobody would come to retune his strings. Dukes and kings may go mad at their leisure, for nobody has enough power to stop them.

I am like a puppet sitting here. It's not just I; all of us are puppets. Nature is pulling the strings, but we believe we are acting. If you function that way (as puppets), then the problems are simple. But we have superimposed on that (the idea of) a "person" who is pulling those strings.

So, too, with the caste system as it goes about its work in silence, the string of a puppet master unseen by those whose subconscious it directs, its instructions an intravenous drip to the mind, caste in the guise of normalcy, injustice looking just, atrocities looking unavoidable to keep the machinery humming, the matrix of caste as a facsimile for life itself and whose purpose is maintaining the primacy of those hoarding and holding tight to power.

Whatever this is that I am, it is a little flesh and breath, and the ruling part. Throw away thy books; no longer distract thyself: it is not allowed; but as if thou wast now dying, despise the flesh; it is blood and bones and a network, a contexture of nerves, veins, and arteries. See the breath also, what kind of a thing it is, air, and not always the same, but every moment sent out and again sucked in. The third then is the ruling part: consider thus: Thou art an old man; no longer let this be a slave, no longer be pulled by the strings like a puppet to unsocial movements, no longer be either dissatisfied with thy present lot, or shrink from the future.

No one needs a relationship. What you need is the basic cop-on to figure that out, in the face of all the media bullshit screaming that you're nothing on your own and you're a dangerous freak if you disagree. The truth is, if you don't exist without someone else, you don't exist at all. And that doesn't just go for romance. I love my ma, I love my friends, I love the bones of them. If any of them wanted me to donate a kidney or crack a few heads, I'd do it, no questions asked. And if they all waved goodbye and walked out of my life tomorrow, I'd still be the same person I am today. I live inside my own skin. Anything that happens outside it doesn't change who I am. This isn't something I'm proud of; as far as I'm concerned, it's a bare minimum baseline requirement for calling yourself an adult human being, somewhere around the level of knowing how to do your own washing or change a toilet roll. All those idiots on the websites, begging for other people to pull their sagging puppet-strings, turn them real: they make me want to spit.

Flute Notes from a Reedy Pond" Now coldness comes sifting down, layer after layer, To our bower at the lily root. Overhead the old umbrellas of summer Wither like pithless hands. There is little shelter. Hourly the eye of the sky enlarges its blank Dominion. The stars are no nearer. Already frog-mouth and fish-mouth drink The liquor of indolence, and all thing sink Into a soft caul of forgetfulness. The fugitive colors die. Caddis worms drowse in their silk cases, The lamp-headed nymphs are nodding to sleep like statues. Puppets, loosed from the strings of the puppetmaster Wear masks of horn to bed. This is not death, it is something safer. The wingy myths won't tug at us anymore: The molts are tongueless that sang from above the water Of golgotha at the tip of a reed, And how a god flimsy as a baby's finger Shall unhusk himself and steer into the air.

Mastema prefers absolutes. He wants fences on the world and everything in its place, neat and tidy as a churchyard garden. God is not like that. God is boundless. For all his wisdom, Mastema cannot comprehend Yahweh’s need for surprises. An omniscient Being would naturally yearn for things beyond His control, futures He could not see, wills He could influence but not command. Strange, yes. It is odd when the puppeteer desires his wooden slaves to cut their strings, yet that is exactly what He did when he granted humans free will.

Because we suddenly see that making everything all right would NOT make everything all right. We would not be human beings. We would then be no more than puppets obeying the strings of the master puppeteer. We agree sadly that it is a good thing that we are not God; we do not have to understand God's ways, or the suffering and brokenness and pain that sooner or later come to us all.

Feeders (A Narc in Love): They'll feed off your energy, Soak up your adoration, Seem perfect in your eyes, As the love-bombing ignites the manipulation They will never truly love you, They do not love themselves, But they'll break you down from the inside-out And demolish your sense of self And then when they see they cannot control you, They'll shout, and shut the door, As you elevate from the ashes, Gone, is the backing down you had displayed before Then, they'll drop you, And from a shaky, fantastical ivory tower you'll fall, Because they've realised, They cannot keep you on their puppet-strings anymore

Everything I’ve previously attempted in my life was child’s play compared to this. The pathway I’m walking is not just riddled with all manner of uncertainty; it’s also excruciatingly difficult to follow through! How do I know this is the right path for me, when it’s been costing me every ounce of willpower just to stay on track? How do I tell what my purpose is?’ ‘THIS is how you know it, Mario. This moment right here!’ Amanita had told him. ‘If the path you are walking feels back-breaking and steep, know you are climbing the Mountain of Purpose. The more you sacrifice on your journey, the more valuable its end reward.

For my number-one favorite kill, I almost went with Johnny Depp being eaten alive and then regurgitated by his own bed in A Nightmare on Elm Street, but the winner, by a finger blade’s width, has to be the death of that feisty Tina (Amanda Wyss), who put up such a fight while I thrashed her about on the ceiling of her bedroom. Freddy loves a worthy adversary, especially if it’s a nubile teenaged girl. A close second goes to my hearing-impaired victim Carlos (Ricky Dean Logan) in Nightmare 6. In these uber-politically-correct times, it’s refreshing to remember what an equal opportunity killer Freddy always was. Not only does he pump up the volume on the hearing aid from hell, but he also adds a nice Latino kid to his body count. Today they probably wouldn’t even let Freddy force-feed a fat kid junk food. Dream death number three is found in a sequence from Nightmare 3. Freddy plays puppet master with victim Phillip (Bradley Gregg), converting his arm and leg tendons into marionette strings, then cutting them in a Freddy meets Verigo moment. The kiss of death Profressor Freddy gives Sheila (Toy Newkirk) is great, but not as good as Al Pacino’s in The Godfather, so my fourth pick is Freddy turning Debbie (Brooke Theiss) into her worst nightmare, a cockroach, and crushing her in a Roach Motel. A classic Kafka/Krueger kill. For my final fave, you will have to check out Freddy vs. Jason playing at a Hell’s Octoplex near you. Here’s a hint: the hockey-puck guy and I double team a member of Destiny’s Child. Yummy! Now where’s that Beyonce…

Becoming sensitive to the background causes of one's thoughts and feelings can—paradoxically—allow for greater creative control over one's life. It is one thing to bicker with your wife because you are in a bad mood; it is another to realize that your mood and behavior have been caused by low blood sugar. This understanding reveals you to be a biochemical puppet, of course, but it also allows you to grab hold of one of your strings: A bit of food may be all that your personality requires. Getting behind our concious thoughts and feelings can allow us to steer a more intelligent course through our lives (while knowing, of course, that we are ultimately being steered).

you feel what else is there to do in life apart from living? And even that is out of your control; it depends on an infinite number of factors. Everything is in your unconscious mind. Why sex desire arose in you, why you raised a family, how greed and anger entered you, why you were dishonest, why you accumulated wealth, why you made enemies – you have no idea! You are just like a puppet, whose strings are being pulled by someone else. You imagine you are dancing, but in fact it is someone else who is making you dance. Look closely at your life and you will find that you are nothing more than a puppet. How can anything real happen in the life of a man who is not his own master, but merely a puppet?

So you put me through all this suffering just to taunt me?’ ‘Humans suffer because they take seriously that which we create for entertainment.’ ‘Oh really? Because let me tell you, I wasn’t the least bit entertained!’ ‘That’s because you were not being entertained, Mr Fantoccio, you were being enlightened,’ stated the Mistress through a pair of foggy eyes. ‘You want to know why painting never worked for you? Because painters are creators and you, Mr Fantoccio, are an overseer. You don’t care about setting up the puppet show; you are merely interested in giving it a good ending. For you, Mr Fantoccio, creating the world was never enough; you aspire to run it. With every breath, you want to shape it. With every choice, you need to control it.

Sixsmith, Eva. Because her name is a synonym for temptation: what treads nearer to the core of man? Because her soul swims in her eyes. Because I dream of creeping through the velvet folds to her room, where I let myself in, hum her a tune so-so-so softly, she stands with her naked feet on mine, her ear to my heart, and we waltz like string puppets. After that kiss, she says, “Vous embrassez comme un poisson rouge!” and in moonlight mirrors we fall in love with our youth and beauty. Because all my life, sophisticated, idiotic women have taken it upon themselves to understand me, to cure me, but Eva knows I’m terra incognita and explores me unhurriedly, like you did. Because she’s lean as a boy. Because her scent is almonds, meadow grass. Because if I smile at her ambition to be an Egyptologist, she kicks my shin under the table. Because she makes me think about something other than myself. Because even when serious she shines. Because she prefers travelogues to Sir Walter Scott, prefers Billy Mayerl to Mozart, and couldn’t tell C major from a sergeant major. Because I, only I, see her smile a fraction before it reaches her face. Because Emperor Robert is not a good man—his best part is commandeered by his unperformed music—but she gives me that rarest smile, anyway. Because we listened to nightjars. Because her laughter spurts through a blowhole in the top of her head and sprays all over the morning. Because a man like me has no business with this substance “beauty,” yet here she is, in these soundproofed chambers of my heart. Sincerely, R.F.

Two observations take us across the finish line. The Second Law ensures that entropy increases throughout the entire process, and so the information hidden within the hard drives, Kindles, old-fashioned paper books, and everything else you packed into the region is less than that hidden in the black hole. From the results of Bekenstein and Hawking, we know that the black hole's hidden information content is given by the area of its event horizon. Moreover, because you were careful not to overspill the original region of space, the black hole's event horizon coincides with the region's boundary, so the black hole's entropy equals the area of this surrounding surface. We thus learn an important lesson. The amount of information contained within a region of space, stored in any objects of any design, is always less than the area of the surface that surrounds the region (measured in square Planck units). This is the conclusion we've been chasing. Notice that although black holes are central to the reasoning, the analysis applies to any region of space, whether or not a black hole is actually present. If you max out a region's storage capacity, you'll create a black hole, but as long as you stay under the limit, no black hole will form. I hasten to add that in any practical sense, the information storage limit is of no concern. Compared with today's rudimentary storage devices, the potential storage capacity on the surface of a spatial region is humongous. A stack of five off-the-shelf terabyte hard drives fits comfortable within a sphere of radius 50 centimeters, whose surface is covered by about 10^70 Planck cells. The surface's storage capacity is thus about 10^70 bits, which is about a billion, trillion, trillion, trillion, trillion terabytes, and so enormously exceeds anything you can buy. No one in Silicon Valley cares much about these theoretical constraints. Yet as a guide to how the universe works, the storage limitations are telling. Think of any region of space, such as the room in which I'm writing or the one in which you're reading. Take a Wheelerian perspective and imagine that whatever happens in the region amounts to information processing-information regarding how things are right now is transformed by the laws of physics into information regarding how they will be in a second or a minute or an hour. Since the physical processes we witness, as well as those by which we're governed, seemingly take place within the region, it's natural to expect that the information those processes carry is also found within the region. But the results just derived suggest an alternative view. For black holes, we found that the link between information and surface area goes beyond mere numerical accounting; there's a concrete sense in which information is stored on their surfaces. Susskind and 'tHooft stressed that the lesson should be general: since the information required to describe physical phenomena within any given region of space can be fully encoded by data on a surface that surrounds the region, then there's reason to think that the surface is where the fundamental physical processes actually happen. Our familiar three-dimensional reality, these bold thinkers suggested, would then be likened to a holographic projection of those distant two-dimensional physical processes. If this line of reasoning is correct, then there are physical processes taking place on some distant surface that, much like a puppeteer pulls strings, are fully linked to the processes taking place in my fingers, arms, and brain as I type these words at my desk. Our experiences here, and that distant reality there, would form the most interlocked of parallel worlds. Phenomena in the two-I'll call them Holographic Parallel Universes-would be so fully joined that their respective evolutions would be as connected as me and my shadow.