Punk Sayings And Quotes

A guy walks up to me and asks, "What's Punk?". So I kick over a garbage can and say. "That's punk!". So he kicks over the garbage can and says, "That's Punk?", and I say, "No that's trendy!

Punk is musical freedom. It’s saying, doing and playing what you want. In Webster’s terms, ‘nirvana’ means freedom from pain, suffering and the external world, and that’s pretty close to my definition of Punk Rock.

The ultimate act of heroism shouldn’t be death. You’re always saying you want to give Baz the stories he deserves... So you’re going to kill him off? Isn’t the best revenge supposed to be a life well-lived? The punk-rock way to end it would be to let them live happily ever after.

My eyes burn with tears, and I'm so tired. So tired of holding back everything I feel and want to say. So tired of being someone I'm not and making mistakes that I didn't have any fun making.

Of course.. some people, me included, believe that punk is just the most recent manifestation of this, this spirit, this feeling, you know, that things aren't right and that in fact things are so wrong that the only thing we can do is to say Fuck It, over and over again, really loud, until someone stops us.

Spread on your bravery, line the eyes and the lips,” I say under my breath as I write on the paper, “glue up the cracks and paint over the rips.” I

Goth was sort of the melancholy cousin of punk that says: there's a lot of evil in this world, there's a lot of very mean spirited people and that makes me sad.

It feels like shit to be alone. To be in a place full of people and feel like they don't want you there. To feel like you're at a party you weren't invited to. No one even knows your name. No one wants to. No one cares. Are they laughing at you? Talking about you? Are they sneering at you like their perfect world would be so much better if you weren't there, messing up their view? Are they just wishing you'd get the hint already and leave? I feel like that a lot. I know it's pathetic to want a place among other people, and I know you'll say it's better to stand in a crowd and be wrong, but... I still feel that need all the time. Do you ever feel it? I wonder if the cheerleader feels it. When the music stops and everyone goes home? When the day is gone and she doesn't have anyone to entertain herself with? When she removes her makeup, taking off her brave face for the day, do the demons she keeps buried start playing with her when there's no one else to play with? I guess not. Narcissists don't have insecurities, right? Must be nice.

The world isn’t always what’s right in front of you, you know? It’s below, it’s above, it’s out there somewhere. Every burn of every light inside every house I see when I look down from the rooftop has a story. Sometimes we just need to change our perspective. And when I look down at everything, I remember that there’s more out there than just what’s going on in my house—the bullshit with my dad, school, my future. I look at all those full houses, and I remember, I’m just one of many. It’s not to say we’re not special or important, but it’s comforting, I guess. You don’t feel so alone.

Blue jeans, white shirt Walked into the room you know you made my eyes burn It was like, James Dean, for sure You're so fresh to death and sick as ca-cancer You were sorta punk rock, I grew up on hip hop But you fit me better than my favourite sweater, and I know That love is mean, and love hurts But I still remember that day we met in december, oh baby! I will love you 'til the end of time I would wait a million years Promise you'll remember that you're mine Baby can you see through the tears Love you more Than those bitches before Say you'll remember, oh baby, say you'll remember I will love you 'til the end of time Big dreams, gangster Said you had to leave to start your life over I was like, “No please, stay here, We don't need no money we can make it all work,” But he headed out on sunday, said he'd come home monday I stayed up waitin', anticipatin', and pacin' But he was chasing paper "Caught up in the game" ‒ that was the last I heard I will love you 'til the end of time I would wait a million years Promise you'll remember that you're mine Baby can you see through the tears Love you more Than those bitches before Say you'll remember, oh baby, say you'll remember I will love you 'til the end of time You went out every night And baby that's alright I told you that no matter what you did I'd be by your side Cause Imma ride or die Whether you fail or fly Well shit at least you tried. But when you walked out that door, a piece of me died I told you I wanted more-but that's not what I had in mind I just want it like before We were dancing all night Then they took you away-stole you out of my life You just need to remember.... I will love you 'til the end of time I would wait a million years Promise you'll remember that you're mine Baby can you see through the tears Love you more Than those bitches before Say you'll remember, oh baby, say you'll remember I will love you 'til the end of time

When approaching me in public, do not be rude. Say please. Introduce yourself. Have manners. Be considerate. Otherwise you'll be disappointed.

The most punk-rock thing you can do in L.A. is to say ‘George Bush is fucking awesome’ instead of talking about how lame it is that he’s fighting for oil.

The very idea of higher states of consciousness is absurd. Comparing one state of consciousness to another and saying one is "higher" and the other is "mundane" is like eating a banana and complaining it's not a very good apple.

Anybody who says punk isn't queer doesn't know what punk is.

He hurt me, and I hurt him, but shit happens and love doesn’t change. He makes me happier, he makes me stronger, and he knows everything and still wants me. If he can say the same, then this is it. The real thing.

You're a punk?' 'What?' 'What do they call people from the eighties?' I asked. 'Oh,' she laughed. It was a beautiful laugh. 'I'm my mother, actually. I mean, these are her clothes from High School. I guess I should tell people I'm Cyndi Lauper though, or something, because dressing up as your mother is pretty lame.' 'I almost dressed up as my mother,' I said, 'but I was worried what my therapist would say.' She laughed again, and I realized that she thought I was joking. It was probably for the best, since telling her the second half of my mom costume - a giant fake butcher knife through the head - would probably freak her out.

Anything goes when everyone knows Where do you hide when their highs are your lows? So much, so hard, so long, so tired, Let them eat until you’re ground into nothing. Don’t you worry your glossy little lips. What they savor ‘ventually loses it’s flavor. I wanna lick, while you still taste like you. Bookmark it, says the cheerleader I promise we’ll come back to this spot. I have shit to do first. You won’t wait a lot. I can’t make her stay, and I can’t watch her go. I’ll keep her hellfire heart, And bookmark it ‘fore it goes cold. Fifty-seven times I didn’t call Fifty-seven letters I didn’t send, Fifty-seven stitches to breathe again, and then I fucking pretend. Fifty-seven days to not need you Fifty-seven times to give up on you Fifty-seven steps away from you, Fifty-seven nights of nothing but you.

never say amen in church if they're capping off a prayer about you.

He was a boy, she was a girl, can I make it any more obvious. He was a punk, she did ballet, what more can I say. He wanted her, she wouldn't tell, but secretly she wanted him as well

He was a boy, she was a girl Can I make it any more obvious, He was a punk, she did ballet, What more can I say, He wanted her, she wouldn't tell, but secretly she wanted him as well, All of her friends stuck up their nose, They had a problem with his baggy clothes He was a sk8er boi, she said "see you later boy" he wasn't good enough for her, he was a sk8er boi, she said "see you later boy", he wasn't good enough for her. Five years from now, she sits at home, feeding the baby, she's all alone, she turns on TV, guess who she sees, sk8er boi rockin' on MTV, she calls up her friends, they already know, and they got tickets to see his show

Nothing, nothing, nothing. I might lie a lot, but at least I say something

Don’t change, Ryen wrote in a letter once. There’s no one like you, and i can’t love you if you stop being you. I guess I shouldn’t say that, but I’m a little drunk right now-just came back from a party when I saw your letter-but what the hell? I don’t care. You knew I love you, right? You’re my best friend. So don’t ever change. This is a big ass world, and when we leave our small towns, we’re going to find our tribe. If we don’t stay true to ourselves, how will they recognize us? (Both of us, because you know we’re on the same tribe, right?) And even if it’s just the two of us, it will be the best.

A writer or any artist can’t expect to be embraced by the people. I've done records where it seemed like no one listened to them. You write poetry books that maybe 50 people read. And you just keep doing your work because you have to, because it’s your calling. But it’s beautiful to be embraced by the people. Some people have said to me, “Well, don’t you think that kind of success spoils one as an artist? If you’re a punk rocker, you don’t want to have a hit record…” And I say to them, “Fuck you!” One does their work for the people. And the more people you can touch, the more wonderful it is. You don’t do your work and say, “I only want the cool people to read it.” You want everyone to be transported, or hopefully inspired by it. When I was really young, William Burroughs told me, “Build a good name. Keep your name clean. Don’t make compromises. Don’t worry about making a bunch of money or being successful. Be concerned with doing good work. And make the right choices and protect your work. And if you can build a good name, eventually that name will be its own currency.

Do we want words to be powerful or powerless? We can't have it both ways. If we want them to be powerful, we have to act and speak accordingly, handling our words with the fastidious faith that they can do immeasurable good or irreparable harm. But if we want to say whatever we want- if we want to loose whatever words fly into our minds- then we render words powerless, ineffectual, and meaningless, like the playground bromide of "sticks and stones." That childhood logic leads you to believe that suffering corporal trauma is worse than verbal trauma.

Punk is about being an individual and going against the grain and standing up and saying 'This is who I am.

He was a boy, she was a girl Can I make it any more obvious He was a punk, and she did ballet, What more can I say He wanted her, she wouldn't tell, but secretly she wanted him as well, All of her friends stuck up their nose, They didn't like his baggy clothes He was a sk8er boi, she said see you later boy, he wasn't good enough for her

I hear a phone ringing through the thick fuzzy air. It's Thunders, asking me to join the Heartbreakers. He says to come over to the rehearsal studios right now. I’m scared but I go anyway. That should be written on my gravestone. She was scared. But she went anyway.

I’m too outspoken for most people, they think you’re rude if you tell the truth. ‘Punk’ was the only time I fitted in. Just one tiny sliver of time where it was acceptable to say what you thought.

It's shit punk.[..] That doesn't mean I think punk is shit [...] it means that when someone plays unk ina shit-like manner, it's excruciating. So either find yourself yourself a good punk band or move on, Tom. Because it kills me to say this, but you're actually a tiny bit gifted.

I don't have to tell you things are bad. Everybody knows things are bad. It's a depression. Everybody's out of work or scared of losing their job. The dollar buys a nickel's worth, banks are going bust, shopkeepers keep a gun under the counter. Punks are running wild in the street and there's nobody anywhere who seems to know what to do, and there's no end to it. We know the air is unfit to breathe and our food is unfit to eat, and we sit watching our TV's while some local newscaster tells us that today we had fifteen homicides and sixty-three violent crimes, as if that's the way it's supposed to be. We know things are bad - worse than bad. They're crazy. It's like everything everywhere is going crazy, so we don't go out anymore. We sit in the house, and slowly the world we are living in is getting smaller, and all we say is, 'Please, at least leave us alone in our living rooms. Let me have my toaster and my TV and my steel-belted radials and I won't say anything. Just leave us alone.' Well, I'm not gonna leave you alone. I want you to get mad! I don't want you to protest. I don't want you to riot - I don't want you to write to your congressman because I wouldn't know what to tell you to write. I don't know what to do about the depression and the inflation and the Russians and the crime in the street. All I know is that first you've got to get mad. You've got to say, 'I'm a HUMAN BEING, God damn it! My life has VALUE!' So I want you to get up now. I want all of you to get up out of your chairs. I want you to get up right now and go to the window. Open it, and stick your head out, and yell, 'I'M AS MAD AS HELL, AND I'M NOT GOING TO TAKE THIS ANYMORE!' I want you to get up right now, sit up, go to your windows, open them and stick your head out and yell - 'I'm as mad as hell and I'm not going to take this anymore!' Things have got to change. But first, you've gotta get mad!... You've got to say, 'I'm as mad as hell, and I'm not going to take this anymore!' Then we'll figure out what to do about the depression and the inflation and the oil crisis. But first get up out of your chairs, open the window, stick your head out, and yell, and say it: "I'M AS MAD AS HELL, AND I'M NOT GOING TO TAKE THIS ANYMORE!

How can U say one style is better than another. You ought to be able to be an Abstract Expressionist next week, or a Pop artist, or a realist, without feeling you"ve given up something. ... I think that would be so great, to be able to change styles. And I think that's what's going to happen, that's going to be the whole new scene. - Andy Warhol, 1963

The way things are going, I wouldn't be surprised if pretty soon I start wearing ripped-up fishnet stockings and dyeing my hair black. Maybe I'll even start smoking and get my ears double-pierced or something. And then they'll make a TV movie about me and call it Royal Scandal. It will show me going up to Prince William and saying,'Who's the most popular young royal now, huh, punk?' and then headbutting him or something.

No one does me better than me. I close my eyes again, hearing what he’s saying. I changed, because I didn’t think what I brought to the table was worthy enough. I let them make me believe that, but who made them authorities? I may no longer be adored, but I might not be so miserable, either. And I may eat alone, but that’s not such terrible company, is it?

A lumpy mass of American stereotypes was metastasizing inside me. It made me cringe when I heard Mr. Miyagi say "Wax on, wax off, Daniel San." It made me pretend to laugh when I saw Long Duk Dong in Sixteen Candles. It made me sign up for tae kwon do that year because that was what Asians did. It would be decades before I diagnosed the lump of alienation, dual consciousness, and self-hatred, but it was already growing quickly, bilious and caustic. I only saw myself as the piece that did not fit in the puzzle.

Maybe my dad was right: Maybe I was too sensitive. You people wasn't always a secret way of saying something bigoted. But I had heard it from a mechanic. I had heard it from a University of Pennsylvania alumnus. I had heard it from my father. In those instances, there lurked a subtle judgement about non-white races, yet I couldn't quite articulate it.

Snarling an oath from an Icelandic saga, I reclaimed my place at the head of the queue. "Oy!" yelled a punk rocker, with studs in his cranium. "There's a fackin' queue!" Never apologize, advises Lloyd George. Say it again, only this time, ruder. "I know there's a 'fackin' queue'! I already queued in it once and I am not going to queue in it again just because Nina Simone over there won't sell me a ruddy ticket!" A colored yeti in a clip-on uniform swooped. "Wassa bovver?" "This old man here reckons his colostomy bag entitles him to jump the queue," said the skinhead, "and make racist slurs about the lady of Afro-Caribbean extraction in the advance-travel window." I couldn't believe I was hearing this.

It was the freedom to experiment that made this experiment called Freedom possible.

You’re not boring,” he says softly. “You’re not average, and you’re not stuck-up. You piss me off, but you excite me.

I was the real me when I wrote you those letters,” she says quietly. “I was everything I wanted to be.

Bookmark it, says the cheerleader I promise we’ll come back to this spot. I have shit to do first. You won’t wait a lot.

Loving a band with all your heart is something you understand when it happens to you. On the surface, others can see its a petty obsession, but they'll just never know the feeling of putting so much fail into a few people on the other side of the world. It's hard to explain it to them, the listening to a song after song on repeat, the waits for new albums, the excitement and surreal sensation when you finally see them live. They don't understand why the lyric books give you a sense of comfort, or why you paste photos of them on your bedroom walls. And they can't understand why one band could matter to you so much. And you think to yourself ‘Because they saved my life’. But you say nothing, because thy wouldn't understand.

Punk was just a single, venomous one-syllable, two-syllable phrase of anger—which was necessary to reignite rock & roll. But sooner or later, someone was going to want to say more than fuck you.

He squinted up at the straining muscular backs of the stone men supporing the dome. "You'll have to take me to some museums," he said. He was being the young man on the road, following the sun because gray weather made him suicidal, writing his poetry in his mind in diners and gas station men's rooms across the country. "But I did see a show of Hopper once. And I like his light. It was kind of lonely or something. Or, "The world's a mess, it's in my kiss,' like John and Exene say," he mumbled. We were in a leather store on Market Street being punks on acid with skunk-striped hair and steel-toed boots.

You’re seeing someone else, aren’t you?" Seeing someone else? How on earth could that explain any of this? Why would seeing someone else necessitate bringing home a middle­-aged woman, a teenaged punk and an American with a leather jacket and a Rod Stewart haircut? What would the story have been? But then, after reflection, I realised that Penny had probably been here before, and therefore knew that infidelity can usually provide the answer to any domestic mystery. If I had walked in with Sheena Easton and Donald Rumsfeld, Penny would probably have scratched her head for a few seconds before saying exactly the same thing. In other circumstances, on other evenings, it would have been the right conclusion, too; I used to be pretty resourceful when I was being unfaithful to Cindy, even if I do say so myself. I once drove a new BMW into a wall, simply because I needed to explain a four­-hour delay in getting home from work. Cindy came out into the street to inspect the crumpled bonnet, looked at me, and said, “You’re seeing someone else, aren’t you?” I denied it, of course. But then, anything – smashing up a new car, persuading Donald Rumsfeld to come to an Islington flat in the early hours of New Year’s Day – is easier than actually telling the truth. That look you get, the look which lets you see right through the eyes and down into the place where she keeps all the hurt and the rage and the loathing... Who wouldn’t go that extra yard to avoid it?

We all look so young. John with his rosy cheeks, Trevor with his chubby ones, Peter with his skinny legs. Underneath the picture I wrote, THE BEGINNING. “Aww,” he says tenderly. “Baby Lara Jean and Baby Peter. Where’d you find this?” “In a shoe box.” He flicks John’s smiling face. “Punk.” “Peter!” “Just kidding,” he says.

I hold up my hands, posing and teasing, “So do I look cute?” He steps in and walks up to me, leaning in to kiss my cheek. “That’s not the word I would use,” he whispers. “You both look great,” my mom chimes in. “You don’t match,” my sister retorts, and I look up to see her entering the foyer. She’s dressed in her skimpy sleep shorts, probably for Misha’s benefit, and I fantasize about putting vinegar in her mouthwash. Match? Like his tie and my dress? But Misha looks at her and places his hand on his heart, feigning sincerity. “We match in here.” I snort, breaking into quiet laughter. My sister rolls her eyes, and my mom shakes her head, smiling. “Alright, let’s go,” I say.

Arturo Vega: I always thought the ONLY way to really conquer evil is to make love to it. My favourite dream is always the one where I face the devil. I'm in the nude and the devil appears, and he is a beautiful blue. He looks like a mannequin, he looks like a robot. He doesn't have any clothes on, of course, and he's blue and shiny. I keep hearing voices that say, "It's him! It's him!" And I go, "Okay." So he comes and faces me and I look at him and he's a little taller than me, not much taller, but a little taller, and I say, "I like you." And he says, "I like you too." But he starts beating me up, RA RA RA RA, and I'm down on the floor - and then all of the sudden, he turns into a little baby, like a baby, just a few months old, and then I fuck him, ha ha ha ha. And while I'm fucking him, he's moving his hands, he's moving them like a helpless baby. So I always thought that to conquer evil, you have to make love to it. You have to understand it.

Oh, I thought everybody knew you jerked off punks underneath the Queensboro Bridge for fifteen dollars a man.” “Don’t say that anymore.” “Okay, sorry. I didn’t know you told me in confidence.” “Don’t you remember I was crying when I told you?

He raises the gun towards Nine’s face and laughs at what he thinks is just bravado. ‘Don’t tempt me, punk. Killing you would be the highlight of my day.’ ‘Well, then, shoot. No reason to put off the highlight of your day. You don’t look like you get a lot of them.’ Nine says. I sigh, knowing this is all going to end badly. And after, there will be attention we don’t need.

We stood under a roadlamp, thumbing, when suddenly cars full of young kids roared by with streamers flying. 'Yaah! Yaah! we won! we won!' they all shouted. Then they yoohooed us and got great glee out of seeing a guy and a girl on the road. Dozens of such cars passed, full of young faces and 'throaty young voices,' as the saying goes. I hated every one of them. Who did they think they were, yaahing at somebody on the road just because they were little high-school punks and their parents carved the roast beef on Sunday afternoons? Who did they think they were, making fun of a girl reduced to poor circumstances with a man who wanted to belove?

You may defy the universe. You may say, 'Let it be irrational, I am not. Let it be merciless, I will have mercy. By whatever curious chance it has produced me, nowt that I am here I will according to human values. I know the universe will win in the end, but what is that to me? I will go down fighting. Amid all the wastefulness I will persevere; amid all this competition, I will make sacrifices. Be damned to the universe!

Luisa was in the middle of giving him a hug when she said, "Uncle Boogie, I called you a Punk-a word, but I love you, and Tía Bianca paid me five dollars to say it." My cousin blinked, and I caught an edge of his smile before he held out his hand. "Give me half." "No!" "Give me a kiss then?

Here is how the harmful becomes profitable: That which yesterday was reviled today ends up in Urban Outfitters. The critic Rebecca Solnit has summarized it this way: 'Eat your heart out on a plastic tray,' say the Sex Pistols. Now, we know where to buy the tray and what the heart tastes like.

Do we want words to be powerful or powerless? We can’t have it both ways. If we want them to be powerful, we have to act and speak accordingly, handling our words with the fastidious faith that they can do immeasurable good or irreparable harm. But if we want to say whatever we want—if we want to loose whatever words fly into our minds—then we render words powerless, ineffectual, and meaningless, like the playground bromide of “sticks and stones.

Overnight, punk had become as stupid as everything else. This wonderful vital force that was articulated by the music was really about corrupting every form—it was about advocating kids to not wait to be told what to do, but make life up for themselves, it was about trying to get people to use their imaginations again, it was about not being perfect, it was about saying it was okay to be amateurish and funny, that real creativity came out of making a mess, it was about working with what you got in front of you and turning everything embarrassing, awful, and stupid in your life to your advantage.

I miss talking to you, Fallen.” “That’s too bad. I don’t ever miss anything about you.” “You’re fun.” His eyes sparkled like sunlit gems. “You’re never afraid to go tit for tat with me.” “I don’t want anything to do with your tits or tats.” He laughed again, his eyes darkening back to brown. “Did we really just get beat up by that little Junior Guardian?” “If anyone asks we’ll say that there were fifty of them.” I touched my cheek and hissed. “Goddamn ninja punk.” “I feel terrible and I don’t mean my wounded ego. I feel really bad.” He groaned and rolled to his side, not moving from the floor. “I can’t believe we just got our asses handed to us by a goddamn Jonas-brother wannabe.” “He had the hilt piece. Did you see it?” “No, I was too busy crying like a girl.

We have a six-month-old son. When he was first born and I was walking him, I kept on running into these guys in the neighborhood. They were always like, "Hey dude, welcome to the club!" And I'm like, "Wow, what club did I join?" It confused me and I didn't feel comfortable with it at all. How could something so organic - what is more organic than the birth of a human being? - turn into a "club"? But then suddenly it struck me and I was like, "Wait a minute! I'm a fucking punk!" I've always felt like a freak, it's just that I had never a parent before. And I realized that these were the same dudes who used to say, "What's with your hair? Are you a fag?".

It may sound peculiar coming from an old punk rocker, but I strongly believe that governmental policies are the only viable way to administer our long-term success as a species. I guess you could say that my attitude of 'fuck the government' is still intact. But it's more a criticism of lousy government than a statement of nihilism. The truth is, when it comes to environmental protection, the government is the best way to enact a new social awareness by establishing laws by which industries have to abide.

But I guess my absolute favorite place, other than you, of course, is my house. I know, I know. My dad is there, so why would I want to be? But actually… After my dad and sister have gone to sleep at night, when everything is dark, I crawl out my window and up to the roof. There’s a little hidden valley between the ridges where I sit back against the chimney, sometimes for hours, dicking around on my phone, taking in the view, or sometimes I write you. I love it up there. I can see the tops of the trees, blowing in the night wind, the glow of the street lamps and stars, the sound of leaves rustling… I guess it makes me feel like anything is possible. The world isn’t always what’s right in front of you, you know? It’s below, it’s above, it’s out there somewhere. Every burn of every light inside every house I see when I look down from the rooftop has a story. Sometimes we just need to change our perspective. And when I look down at everything, I remember that there’s more out there than just what’s going on in my house—the bullshit with my dad, school, my future. I look at all those full houses, and I remember, I’m just one of many. It’s not to say we’re not special or important, but it’s comforting, I guess. You don’t feel so alone.

I was just going to stand here and watch it happen. I wasn’t going to say a fucking thing. Why? Because what did it matter? What did any of it matter?

He was the oldest. When we left Kentucky, our folks told him to look after me. Didn't say a word to me. Wouldn't have occurred to them.

saying "awesome on work phone calls is just another way to stay punk

About the Ramones, an amusing punk-rock band that surfaced some four years ago, Linda Ronstadt is on record as saying, ‘That music’s so tight it’s hemorrhoidal.’ You

saying you’re sorry is easy. Facing the shame is where atonement begins.

Hi, I’m William Grayson, III,” Will says

I won't say anything. Your secrets are yours. You have to live with them.

Someday, everyone will realize that physicists are punking everyone and really they're, like, slam poets in disguise who say things that sound cool but don't make any actual sense.

I am still vaguely haunted by our hitchhiker’s remark about how he’d “never rode in a convertible before.” Here’s this poor geek living in a world of convertibles zipping past him on the highways all the time, and he’s never even ridden in one. It made me feel like King Farouk. I was tempted to have my attorney pull into the next airport and arrange some kind of simple, common-law contract whereby we could just give the car to this unfortunate bastard. Just say: “Here, sign this and the car’s yours.” Give him the keys and then use the credit card to zap off on a jet to some place like Miami and rent another huge fireapple-red convertible for a drug-addled, top-speed run across the water all the way out to the last stop in Key West … and then trade the car off for a boat. Keep moving. But this manic notion passed quickly. There was no point in getting this harmless kid locked up—and, besides, I had plans for this car. I was looking forward to flashing around Las Vegas in the bugger. Maybe do a bit of serious drag-racing on the Strip: Pull up to that big stoplight in front of the Flamingo and start screaming at the traffic: “Alright, you chickenshit wimps! You pansies! When this goddamn light flips green, I’m gonna stomp down on this thing and blow every one of you gutless punks off the road!” Right. Challenge the bastards on their own turf. Come screeching up to the crosswalk, bucking and skidding with a bottle of rum in one hand and jamming the horn to drown out the music … glazed eyes insanely dilated behind tiny black, gold-rimmed greaser shades, screaming gibberish … a genuinely dangerous drunk, reeking of ether and terminal psychosis. Revving the engine up to a terrible high-pitched chattering whine, waiting for the light to change … How often does a chance like that come around? To jangle the bastards right down to the core of their spleens. Old elephants limp off to the hills to die; old Americans go out to the highway and drive themselves to death with huge cars.

The more you like a girl, the less she likes you. It’s like fucking scientific.” “What about you and Kim?” “That’s what I’m talking about, little dude. If I start being nice and acting cool and saying things and being on time, she starts acting, you know, fucking uninterested. But if I act like a total dick, then she calls me all the fucking time. It’s fucking crazy, because I really like her and all, but when I say nice shit to her, she gets all freaked out and says she needs some fucking space and all. So I just act like I don’t give a shit, you know? It’s all part of God’s plan,” he said, nodding.

Yeah, You rocked my world forever I know you still remember How we felt before Yeah, We should be together 'Cause nothing could be better Than the way we were Baby, let's go back to the way we were Let's turn back the clock This time we'll take it slow You can stay the night, This time I won't let go And when the morning comes, We can start all over, over again Why did we say goodbye? Let's go back tonight

He hurt me, and i hurt him, but shit happens and love doesn’t change. He makes me happier, he makes me stronger, and he knows everything and still wants me. If he can say the same, then this is it. The real thing. It’s us together.

I suppose we all have our quirks.” Her gaze travels over my outfit as she says “quirks.” I’m in my usual hacker chic outfit I wear on jobs, lots of tight black everything, punk meets goth, short on class and full of sass. Because fuck you, that’s why.

Buddhas do not make intentional efforts for this to happen,” he says; “it happens when they are activated by the moment of the present.” You get it when you allow the universe to act through you without hindering what it wants with your own petty needs and wishes.

Culture always tells you to look to illusions for answers. ‘Look at me’, it says, ‘I’ve worked it all out’. Celebrities grow too powerful because people mistake their colour for content. They allow them to create a hole at the heart of our culture, in which they then flourish.

After the paper rush subsided, the older boys sometimes struck deals with the younger newsies to buy their leftover papers. 'One of the big guys would say to one of the little guys, 'Hey, punk, want to buy me out tonight?' said Philip Marcus. 'An' the little guy said yes. It was his ass if he didn't.

Her shaky voice is hesitant like she's scared to speak, and the moment fills the room like a broken promise. It's the moment when you know that you can have what you want if you're only brave enough to say so. It's a split second when everything can change, but you pussy out because you're too afraid to risk the rejection.

A man is NOT weak if he cries. A man is NOT a punk if he cries. A man is NOT acting like a little b*tch if he cries. He’s a Man! And he’s allowed to have and show his true feelings without feeling less than. Ladies, some of you need to do better. Learn to be compassionate, loving, supportive, and understanding. There’s NOTHING wrong with a man being vulnerable. I encourage you to be his joy, peace, and his safe place. Lift him up and be mindful NOT to tear him down. If you truly care for and love your man, do and say everything with love. Let him know that it’s okay to cry and that he doesn’t have to pretend to be okay when he’s not. Real men DO cry! They experience sadness, disappointments, pain, and many other feelings. A man shouldn’t have to suppress his emotions. That’s pure nonsense! A man that can cry, smile, and let his guards down is a keeper in my book. I couldn’t imagine acting hard all of the time. That’s so unfair! Ladies, strive to be a Queen of substance. PEACE.

I mouthed the name. Fook? It didn't feel like Fuhp... No one said fook within the confines of our apartment. My parents and grandparents would never say it this way. Fook didn't exist except for out there, on the other side of our green hollow-core door. Fook was out there. Int he real world. In America. In the real America. I had to get used to him.

I’m not saying it’s a biological thing. Society made it that way. A little boy cries about something, he gets yelled at by his parents. They tell him to man up. Unlucky sons with stupid parents are demeaned and called ugly names like faggot and punk. From the very beginning, boys are trained to not deal with their emotions. Girls on the other hand are free to be emotional.

I’d seen what evil could do. Evil never gave itself for anyone. It takes what it doesn’t own. Holds your head under the water. Rips your head off your neck and dangles it from the city wall. Evil dominates. Controls. Eradicates. Evil is a sniveling punk, and if you let it inside you then you spew hatred, which is just another name for the poison we drink hoping it’ll hurt someone else.” I glanced around the courtroom at Allie, Catalina, Gabby, Suzy, and finally at the cameras. “But not love. Love rushes in where others won’t. Where the bullets are flying. It stands between. Pours out. Empties itself. It scours the wasteland, returns the pieces that were lost, and it never counts the cost.” Despite a packed house, the room was silent. After a minute, I continued, “Love walks into hell, where I sit in chains, where the verdict is guilty, grabs you by the heart, and says to the warden, ‘Me for him.’” I turned and glanced at my brother. “Sir, we live in an angry, evil world. Where stuff doesn’t always make sense. Where hope seems like something we did when we were kids and the love we cling to slips through our fingers like cold water, but”—I tapped my chest—“nothing that happens here today changes the fact that love heals the shattered places.” I shook my head once. “It’s the only thing that can—” The faces in the courtroom held steady on mine. “It’s the only thing worth fighting for,” I finished, then turned to Bobby. I’d like to think my eyes smiled. “So, no, sir, I don’t hate my brother.

[From Sid Vicious's letter to Nancy Spungen's mother Deborah] P.S. Thank you, Debbie, for understanding that I have to die. Everyone else just thinks that I'm being weak. All I can say is that they never loved anyone as passionately as I love Nancy. I always felt unworthy to be loved by someone so beautiful as her. Everything we did was beautiful. At the climax of our lovemaking, I just used to break down and cry. It was so beautiful it was almost unbearable. It makes me mad when people say you must have really loved her.' So they think that I don't still love her? At least when I die, we will be together again. I feel like a lost child, so alone. The nights are the worst. I used to hold Nancy close to me all night so that she wouldn't have nightmares and I just can't sleep without my my beautiful baby in my arms. So warm and gentle and vulnerable. No one should expect me to live without her. She was a part of me. My heart. Debbie, please come and see me. You are the only person who knows what I am going through. If you don’t want to, could you please phone me again, and write. I love you. I was staggered by Sid's letter. The depth of his emotion, his sensitivity and intelligence were far greater than I could have imagined. Here he was, her accused murderer, and he was reaching out to me, professing his love for me. His anguish was my anguish. He was feeling my loss, my pain - so much so that he was evidently contemplating suicide. He felt that I would understand that. Why had he said that? I fought my sympathetic reaction to his letter. I could not respond to it, could not be drawn into his life. He had told the police he had murdered my daughter. Maybe he had loved her. Maybe she had loved him. I couldn't become involved with him. I was in too much pain. I couldn't share his pain. I hadn't enough strength. I began to stuff the letter back in its envelope when I came upon a separate sheet of paper. I unfolded it. It was the poem he'd written about Nancy. NANCY You were my little baby girl And I shared all your fears. Such joy to hold you in my arms And kiss away your tears. But now you’re gone there’s only pain And nothing I can do. And I don’t want to live this life If I can’t live for you. To my beautiful baby girl. Our love will never die. I felt my throat tighten. My eyes burned, and I began to weep on the inside. I was so confused. Here, in a few verses, were the last twenty years of my life. I could have written that poem. The feelings, the pain, were mine. But I hadn't written it. Sid Vicious had written it, the punk monster, the man who had told the police he was 'a dog, a dirty dog.' The man I feared. The man I should have hated, but somehow couldn't.

Time would heal the wound that was Frank; the world would continue to spin, to wobble, its axis only slightly skewed, momentarily displaced, by the brief, shuddering existence of one man -one THING - a post-human mutant, a blurred Xerox copy of a human being, the offspring of the waste of technology, the bent shadow of a fallen angel; Frank was all of these things. . . he was the sum of everything dark and sticky, the congealment of all things wrong and dark and foul in this world and every other seedy rathole world in every back-alley universe throughout the vast garbage dump of creation; God rolled the dice and Frank lost. . . he was a spiritual flunkie, a universal pain-in-the-ass, a joy-riding, soul-sucking cosmic punk rolling through time and space and piling up a karmic debt of such immense magnitude so as to invariably glue the particular vehicle of the immediate moment to the basement of possibility - planet earth - and force Frank to RE-ENLIST, endlessly, to return, over and over, to a flawed world somewhere to spend the Warhol-film-loop nights of eternity serving concurrent life sentences roaming the dimly lit hallways of always, stuck in the dense overshoes of physicality, forever, until finally - one would hope there is always a FINALLY - eventually, anyway - God would step in and say ENOUGH ALREADY and grab Frank by the collar of one of his thrift-shop polyester flower-print shirts and hurl him out the back door of the cosmos, expelling the rotten orb into the great wide nothingness and out of our lives - sure, that would be nice - but so would a new Cadillac - quit dreaming - it just doesn't work that way. . .

Punk 57 Anything goes when everyone knows Where do you hide when their highs are your lows? So much, so hard, so long, so tired, Let them eat until you’re ground into nothing. Don’t you worry your glossy little lips. What they savor ’ventually loses its flavor. I wanna lick, while you still taste like you. Bookmark it, says the cheerleader I promise we’ll come back to this spot. I have shit to do first. You won’t wait a lot.

Someday, if we won, if humanity survived, we'd be in the history books. Me and Jake and Rachel and Cassie and Tobias and Ax. They'd be household names, like generals from World War II or the Civil War. Patton and Eisenhower, Ulysses Grant and Robert E. Lee. Kids would study us in school. Bored, probably. And then the teacher would tell the story of Marco. I'd be a part of history. What I was about to do. Some kid would laugh. Some kid would say, "Cold, man. That was really cold." I had to do it, kid. It was a war. It's the whole point, you stupid, smug, smirking little jerk! Don't you get it? It was the whole point. We hurt the innocent in order to stop the evil. Innocent Hork-Bajir. Innocent Taxxons. Innocent human-Controllers. How else to stop the Yeerks? How else to win? No choice, you punk. We did what we had to do. "Cold, man. The Marco dude? He was just cold.

How to start… My name: well, it's really Russell, but people know me as Spike, and these chapters are how I remember them. They are memories around the skinhead cult of the late 70s until now; Punks, Mods, and others are here. I'm not going to put everything in precise date order as some events and time-line are hard to completely put together. Some things I say may not be agreeable to everyone, as the truth will hurt, but they're from my own experience and how I feel.

That's what I told him you'd say, James bowed his head and sighed. "Jared, you're going to have to start taking responsibility for yourself. You did wrong and the world doesn't owe you anything. I'm not going to wipe your nose just because you come from a broken home and you think that gives you a license to behave badly. I call it the "Fuck up, own up, and get up" policy. Make a mistake, admit it, and move on. We all screw up, but a man solves his problems. He doesn't make them worse.

We went to NYC when I was a little kid; my parents told me to lock the car doors because there were "punks" outside. They couldn't stop talking about how dangerous the "punks" were. A group of teens with chains and mohawks with pink and purple hair. I just thought they were beautiful, I wasn't frightened at all. From that day on, I knew that one day I would surround myself with "punks". From a very tender age, on that day, I had already made up my mind to never just think what my parents thought. I had made up my mind to have my own mind, to live on my own terms.

French said: “It’s like this with us, baby. We’re coppers and everybody hates our guts. And as if we didn’t have enough trouble, we have to have you. As if we didn’t get pushed around enough by the guys in the corner offices, the City Hall gang, the day chief, the night chief, the Chamber of Commerce, His Honor the Mayor in his paneled office four times as big as the three lousy rooms the whole homicide staff has to work out of. As if we didn’t have to handle one hundred and fourteen homicides last year out of three rooms that don’t have enough chairs for the whole duty squad to sit down in at once. We spend our lives turning over dirty underwear and sniffing rotten teeth. We go up dark stairways to get a gun punk with a skinful of hop and sometimes we don’t get all the way up, and our wives wait dinner that night and all the other nights. We don’t come home any more. And nights we do come home, we come home so goddam tired we can’t eat or sleep or even read the lies the papers print about us. So we lie awake in the dark in a cheap house on a cheap street and listen to the drunks down the block having fun. And just about the time we drop off the phone rings and we get up and start all over again. Nothing we do is right, not ever. Not once. If we get a confession, we beat it out of the guy, they say, and some shyster calls us Gestapo in court and sneers at us when we muddle our grammar. If we make a mistake they put us back in uniform on Skid Row and we spend the nice cool summer evenings picking drunks out of the gutter and being yelled at by whores and taking knives away from greaseballs in zoot suits. But all that ain’t enough to make us entirely happy. We got to have you.” He stopped and drew in his breath. His face glistened a little as if with sweat. He leaned forward from his hips. “We got to have you,” he repeated. “We got to have sharpers with private licenses hiding information and dodging around corners and stirring up dust for us to breathe in. We got to have you suppressing evidence and framing set-ups that wouldn’t fool a sick baby. You wouldn’t mind me calling you a goddam cheap double-crossing keyhole peeper, would you, baby?” “You want me to mind?” I asked him. He straightened up. “I’d love it,” he said. “In spades redoubled.

Jim Adkins: ...There was a girl who wrote us, explaining how she felt like an outsider at her school because the punk rock kids wouldn't accept her, even though she liked us and a lot of the really obscure bands we toured with. And I just thought 'It's not worth your time to trip on this. Punk rock is and should be inclusive. That's the one thing I know. No matter what your definition of punk is, everyone would say that it's inclusive, it welcomes outsiders. Freak flags welcome. Wave 'em around. These chicks don't get it at all, don't waste your time trying to get their approval.' That's where the main idea for the lyrics to 'The Middle' came from.

Having experimented in both poetry and prose, I can say that the two are such loaded words. But neither are quite as weighted as the word “poet”. I think some people can write poetry their whole lives, and never truly BE a “poet”. Whereas I see poets in the wanderers I encounter, the baristas who serve me, and the truckers I, so, love to talk to.To be a poet in my humble opinion is to be a muse of the human experience. I love that I love the idea, that anything can be poetry, it can’t be defined. It’s a feeling, like punk rock. I’m not one for form or structure. I say if your words are visceral and honest, it’s poetry. If you see the beauty of the world and humanity, and you preach it, you’re a poet.

You know how they say Black Flag got in a van, and they brought punk rock to the world? The Strokes got on a bus, and they brought “downtown cool” to the world. Along with the Internet, they were changing everything, not just music. They were changing attitudes. The Strokes were making New York travel with them. I saw kids in Connecticut and Maine and Philadelphia and DC looking like they had just been drinking on Avenue A all night. Sixteen-year-old kids in white belts and Converse Chuck Taylors with the greasy hair—hair that had been clean a week ago. Those kids had probably never even smelled the inside of a thrift store before Is This It came out. They found a band that they wanted to be like. They found their band. APRIL

There are these Precious Moments figurines, they’re like porcelain, little kids with giant eyes handing each other a heart that says LOVE on it, or rolling around with a puppy? Maria stumbles into a whole aisle of them. Tears start welling up in her eyes, again, which is totally not tough and totally not punk but which also you totally can’t lie about. Like, they’re depictions of this idealized childhood innocence, right? This idea that little kids have the potential for sadness in their giant eyes, but really they just know these pure emotions: love, happiness, whatever. It’s totally hokey and stupid and obviously a construction. Real little kids are as dirty, impure, and complicated as the adults they’re going to grow up and be. But this sort of thing gets her all melodramatic and choked up specifically because of how fucked up she was convinced she was when she was little. She didn’t know she was trans, she couldn’t put into words that she was a little girl, but she did know that something was horribly wrong and she blamed herself for it. Other kids could stomp around and punch eachother and sleep at night, but she was this self-conscious mess who liked books a lot because sometimes people in books seemed as bewildered by the world and themselves as she was. She was never a little kid who could get a puppy and be happy about it. If you’d given her a puppy, she would immediately have started worrying about what if she trained it wrong, what if it ran away. She would already be sad that it would die.

I wiped the blade against my jeans and walked into the bar. It was mid-afternoon, very hot and still. The bar was deserted. I ordered a whisky. The barman looked at the blood and asked: ‘God?’ ‘Yeah.’ ‘S’pose it’s time someone finished that hypocritical little punk, always bragging about his old man’s power…’ He smiled crookedly, insinuatingly, a slight nausea shuddered through me. I replied weakly: ‘It was kind of sick, he didn’t fight back or anything, just kept trying to touch me and shit, like one of those dogs that try to fuck your leg. Something in me snapped, the whingeing had ground me down too low. I really hated that sanctimonious little creep.’ ‘So you snuffed him?’ ‘Yeah, I’ve killed him, knifed the life out of him, once I started I got frenzied, it was an ecstasy, I never knew I could hate so much.’ I felt very calm, slightly light-headed. The whisky tasted good, vaporizing in my throat. We were silent for a few moments. The barman looked at me levelly, the edge of his eyes twitching slightly with anxiety: There’ll be trouble though, don’tcha think?’ ‘I don’t give a shit, the threats are all used up, I just don’t give a shit.’ ‘You know what they say about his old man? Ruthless bastard they say. Cruel…’ ‘I just hope I’ve hurt him, if he even exists.’ ‘Woulden wanna cross him merself,’ he muttered. I wanted to say ‘yeah, well that’s where we differ’, but the energy for it wasn’t there. The fan rotated languidly, casting spidery shadows across the room. We sat in silence a little longer. The barman broke first: ‘So God’s dead?’ ‘If that’s who he was. That fucking kid lied all the time. I just hope it’s true this time.’ The barman worked at one of his teeth with his tongue, uneasily: ‘It’s kindova big crime though, isn’t it? You know how it is, when one of the cops goes down and everything’s dropped ’til they find the guy who did it. I mean, you’re not just breaking a law, your breaking LAW.’ I scraped my finger along my jeans, and suspended it over the bar, so that a thick clot of blood fell down into my whisky, and dissolved. I smiled: ‘Maybe it’s a big crime,’ I mused vaguely ‘but maybe it’s nothing at all…’ ‘…and we have killed him’ writes Nietzsche, but—destituted of community—I crave a little time with him on my own. In perfect communion I lick the dagger foamed with God’s blood.

I can’t make her stay, And I can’t watch her go. I’ll keep her hellfire heart, And bookmark it ’fore it goes cold. Fifty-seven times I didn’t call Fifty-seven letters I didn’t send, Fifty-seven stitches to breathe again, and then I fucking pretend. Fifty-seven days to not need you Fifty-seven times to give up on you Fifty-seven steps away from you, Fifty-seven nights of nothing but you. I’m just the punk who passed the time, Your bouncing board, your secret little thrill. Something tells me you’re close to breaking, ’Cause I need to be more to you than just time to fill. Bookmark it, says the cheerleader I promise we’ll come back to this spot. I have shit to do first. You won’t wait a lot. I can’t make her stay, And I can’t watch her go. I’ll keep her hellfire heart, And bookmark it ’fore it goes cold.

They started calling people my grandfather’s age “generation ink”. He represents the era when extensive tattoos tipped into the mainstream. Now the old men and women sit together in the lounge room of my grandfather’s nursing home, watching daytime television. They don’t watch sport. Tattoos from their wrist to shoulders and across their chest, snake beneath their woolen cardigans and cotton shirts. Withered souls eternally painted in often incomprehensible scrawling. Faded colours. But that’s not to say that they regret getting inked. Far from it. It’s a part of who they are. As real and as precious as the blank skin they were born with. Their tastes in music haven’t mellowed either. They slowly approach the sound-system, leaning on their walking frame, and skip to songs by Pantera and Sepultura. Or Metallica, Slayer and Iron Maiden. My grandfather enjoyed punk and post-rock bands like Millencolin, Thursday, Coheed and Cambria or At The Drive-In.

You know, a government should be a good thing. The Anglo-Saxons and the Germans rejoice in the phenomenon of government. They think that the recipe for human happiness is that you should make your desires and actions concordant with those of the government. So a German and an American will try to make the government work for him, protect him, and he will be more than happy to murder to preserve that wonderful symbiosis. And if he has some money to invest, he will invest it in the government, buying government bonds. He does this regardless of whether his government happens to be trillions of dollars in debt—that is, practically bankrupt. Despite his rhetoric of private enterprise, a Westerner will invest in his government. And we, Eastern and Central Europeans, and particularly Slavs, we all consider our governments to be absolutely the worst in the world. We are ashamed of our governments, and, as a rule, our government is ashamed of us, trying to improve us statistically, to say that we work more and drink less than we do. We think that there's no greater obstacle to human happiness than the government. So even if we have an institution pregnant with democratic potential, such as workers' self-management, we never even bother to attend a meeting unless absolutely forced. And as for voting, we circle any name without looking at whose it is, out of spite. To a Slav, there is nothing more disgusting than voting. We have an aversion to investing trust in any human being. So how could we single out someone we haven't met but whom we know a priori to be a social upstart and climber? So we spend these workers' self-management meetings, where democracy could be practiced, in daydreams of sex and violence.

The blonde was staring at herself in the mirror, taking on a thoughtful, reflective tone. “Well, it isn’t easy. And his mood changes in an instant. But he collects different girls for different flavors – so one girl doesn’t have to be everybody and everything.” “Oh.” I splashed water on my face and stared for a moment at the mask in the mirror. “You’re just his type, totally. With all the tattoos, you are utterly monstrous, if you don’t mind my saying so. Punk-Goth gone mad.” She swung around to take a close, direct look. “I never saw the point of tattoos, mind you, just fad and fashion. But,” she focused on me, stared, grinned, and rolled her eyes. “My God, darling, you really are perfect! How could you do that to yourself?” She licked her lips. “I think you will be a success. As I said, Sergei loves tattoos. He’s totally into the weird and the monstrous. He adores freaks – and kid, you are about as freakish as they come.” “You think so.” I turned my mask towards her and gave her an extra big smile – I was even more grotesque, Martine told me, when I smiled. “Oh, Gwen, how totally utterly horrible!” she declared and then kissed me to console me for having become a monster. As I grinned at Sergei’s girl, the metal rings in my ears clanked against each other. I could feel the large ring nose, warm, smooth steel, against my curled upper lip. “Yes, you look like a masterpiece of self-loathing.” “It’s called body art,” I said, “It’s a statement.” “A statement?” “Absolutely,” I hiccupped. Everything was fuzzy; I forced myself to focus. “Whatever it is, you’ll be a big success. Sergei collects waifs who suffer from extreme self-hatred. Self-destructive and self-hating girls are one of his hobbies. You can do so much with them.

My interest in comics was scribbled over with a revived, energized passion for clothes, records, and music. I'd wandered in late to the punk party in 1978, when it was already over and the Sex Pistols were history. I'd kept my distance during the first flush of the new paradigm, when the walls of the sixth-form common room shed their suburban-surreal Roger Dean Yes album covers and grew a fresh new skin of Sex Pistols pictures, Blondie pinups, Buzzcocks collages, Clash radical chic. As a committed outsider, I refused to jump on the bandwagon of this new musical fad, which I'd written off as some kind of Nazi thing after seeing a photograph of Sid Vicious sporting a swastika armband. I hated the boys who'd cut their long hair and binned their crappy prog albums in an attempt to join in. I hated pretty much everybody without discrimination, in one way or another, and punk rockers were just something else to add to the shit list. But as we all know, it's zealots who make the best converts. One Thursday night, I was sprawled on the settee with Top of the Pops on the telly when Poly Styrene and her band X-Ray Spex turned up to play their latest single: an exhilarating sherbet storm of raw punk psychedelia entitled "The Day the World Turned Day-Glo" By the time the last incandescent chorus played out, I was a punk. I had always been a punk. I would always be a punk. Punk brought it all together in one place for me: Michael Moorcock's Jerry Cornelius novels were punk. Peter Barnes's The Ruling Class, Dennis Potter, and The Prisoner were punk too. A Clockwork Orange was punk. Lindsay Anderson's If ... was punk. Monty Python was punk. Photographer Bob Carlos Clarke's fetish girls were punk. Comics were punk. Even Richmal Crompton's William books were punk. In fact, as it turned out, pretty much everything I liked was punk. The world started to make sense for the first time since Mosspark Primary. New and glorious constellations aligned in my inner firmament. I felt born again. The do-your-own-thing ethos had returned with a spit and a sneer in all those amateurish records I bought and treasured-even though I had no record player. Singles by bands who could often barely play or sing but still wrote beautiful, furious songs and poured all their young hearts, experiences, and inspirations onto records they paid for with their dole money. If these glorious fuckups could do it, so could a fuckup like me. When Jilted John, the alter ego of actor and comedian Graham Fellows, made an appearance on Top of the Pops singing about bus stops, failed romance, and sexual identity crisis, I was enthralled by his shameless amateurism, his reduction of pop music's great themes to playground name calling, his deconstruction of the macho rock voice into the effeminate whimper of a softie from Sheffield. This music reflected my experience of teenage life as a series of brutal setbacks and disappointments that could in the end be redeemed into art and music with humor, intelligence, and a modicum of talent. This, for me, was the real punk, the genuine anticool, and I felt empowered. The losers, the rejected, and the formerly voiceless were being offered an opportunity to show what they could do to enliven a stagnant culture. History was on our side, and I had nothing to lose. I was eighteen and still hadn't kissed a girl, but perhaps I had potential. I knew I had a lot to say, and punk threw me the lifeline of a creed and a vocabulary-a soundtrack to my mission as a comic artist, a rough validation. Ugly kids, shy kids, weird kids: It was okay to be different. In fact, it was mandatory.

Maddy’s going to pop soon,” Cooper said, finishing his beer and getting ready to head out. “Tucker is attached to her. It’s pretty fucking adorable. The guy about wets his pants every time she makes any noise that might be labor pain.” “You’ll be an uncle soon.” “I’m already an uncle,” Cooper mumbled, sliding on his jacket. “I just can’t hold the kid yet.” “You and Farah still planning on trying?” “No planning. We’re just trying now. She’s off the pill. Whenever it happens, it’ll be cool. Farah worries she’ll suck at being a mom. Can you believe that shit?” Cooper asked as his dark eyes warmed at the thought of his wife. “The way she takes care of Sawyer and me and everyone else and she thinks she’ll be a bad mom. These girls with their shit families get all fucked up in the head and no logic is going to fix it. They just need to face their fears and see how amazing they are when their idiot parents aren’t around to fuck things up.” “Should I fix things for Lark?” “I don’t know. If it was me, I’d go smack her stupid brother and father around. I don’t know if that’d be a good idea though. Those fucks aren’t low life drifters like Farah’s parents. That Larry asshole is a respectable member of the community. If you want to smack him around, you’ll need to do it in a more subtle way. Of course, if he ever fucks with you, we can just remind Mister Upstanding how his kind doesn’t run Ellsberg. It’s us dirty biker types who keep his house from burning down or his head from getting cracked open. If it comes down to it, I’ll help you take him down. Pop says behave. I say I’ve got my bud’s back.” Grinning, I shoved him away from me. “Crap. I’m worried you might hug me next.” “I was thinking about it,” Cooper said, smiling. “Farah’s turned me all nice and shit. I’m getting manners too. It’s disgusting.” “Horrifying,” I teased. “Thanks for the offer, but I feel like Lark needs to make a move. If she needs me to, I’ll burn down houses and crack open skulls. Right now, I feel like maybe she needs to find her way back to me. If she does, I’m keeping her and ruining anyone who tries to take her away.” “Now, there’s the punk ass jerk I became friends with.

Korie’s parents came to the house to see me, and I sat on the couch with Johnny and Chrys. It was not pretty. The argument was so loud that Alan came out of his room. He looked at us and asked, “What in the world is going on?” Johnny was making all of his arguments, and I was acting like a little punk, twisting his words to put them in my favor, which only made him madder and madder. Johnny told me that according to studies he’d read, 50 percent of all marriages between young people ended in divorce. He had the articles with him to support his arguments. “So you’re calling that right now?” I asked him. “In all your wisdom, you know we’re going to get divorced?” “I’m not saying that,” Johnny told me. “You just said it,” I responded. “You just said half end in divorce. Well, what if we’re the good half?” Then Johnny went on to say that if we got married, he didn’t want me coming to him for advice. But then later on in the conversation, he told me I could ask him about anything. He was completely irrational, and I, of course, had to point that out to him. “You just said I couldn’t ask you for advice,” I told him. He was so mad, I thought he was going to leap off the couch and hit me. Before they left, Johnny looked at me and asked me one last question. “What’s your plan?” he asked. “What’s my plan?” I said to him. “What exactly is your plan?” he said. “Where are you going to work? Where are you going to live?” “Well, I reckon I’ll just buy a trailer and put it on the back property at Phil’s house,” I told him. That threw Johnny over the top. He and Chrys stormed out of Alan and Lisa’s house, and I was convinced there was no way they were going to give us their blessing to get married. I called Korie to tell her how the meeting went. “It went terrible,” I told her. “We were yelling at each other. It was pretty ugly.” Then Korie had to hang up because her parents were calling her phone. She called me back a few minutes later. Much to my surprise, her parents told her, “Okay, if you’re determined to do this, we’re going to support you.” Johnny didn’t say much to me for the next few months, during the planning of the wedding, and I knew Korie’s parents still didn’t like the idea of her getting married so young. I told Phil that Korie’s parents didn’t want us getting married and asked him what I should do. “Here’s what I’d do,” Phil said, while sitting back in his recliner. “I’d call them up and say, “Y’all missed that. The wedding was last week when we went to the justice of the peace and got married. Y’all missed the whole thing.