Punctuation Inside Or Out Of Quotes

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Christmas is the marriage of chaos and design. The real sound of life, for once, can burst out because a formal place has been set for it. At the moment when things have gotten sufficiently loose, the secret selves that these familiar persons hold inside them shake the room...An undercurrent of clowning and jostling is part of the process by which we succeed finally in making our necessary noise: despite the difficulty of getting the words right, of getting the singers on the same page, of keeping the ritual from falling apart into the anarchy of separate impulses. From such clatter--extended and punctuated by whatever instrument is handy, a triangle a tambourine, a Chinese gone--beauty is born.
Geoffrey O'Brien (Sonata for Jukebox: An Autobiography of My Ears)
In lots of books I read, the writer seems to go haywire every time he reaches a high point. He’ll start leaving out punctuation and running his words together and babble about stars flashing and sinking into a deep dreamless sea. And you can’t figure out whether the hero’s laying his girl or a cornerstone. I guess that kind of crap is supposed to be pretty deep stuff—a lot of the book reviewers eat it up, I notice. But the way I see it is, the writer is just too goddam lazy to do his job. And I’m not lazy, whatever else I am. I’ll tell you everything.
Jim Thompson (The Killer Inside Me)
The light from the moon shone along the door casing and spread across the walls a few inches inside, far enough for her to suddenly notice that the phases-of-the-moon wallpaper she'd been living with all week was gone. It was a now curious dark color she couldn't quite make out, punctuated by long strips of yellow. It looked almost like dark doors and windows opening, letting in light. The wallpaper was usually some reflection of her mood or situation, but what did this mean? Some new door was opening? Something was being set free?
Sarah Addison Allen (The Girl Who Chased the Moon)
Outside the snapdragons, cords of light. Today is easy as weeds & winds & early. Green hills shift green. Cardinals peck at feeders—an air seed salted. A power line across the road blows blue bolts. Crickets make crickets in the grass. We are made & remade together. An ant circles the sugar cube. Our shadow’s a blown sail running blue over cracked tiles. Cool glistening pours from the tap, even on the edges. A red wire, a live red wire, a temperature. Time, in balanced soil, grows inside the snapdragons. In the sizzling cast iron, a cut skin, a sunny side runs yellow across the pan. Silver pots throw a blue shadow across the range. We must carry this the length of our lives. Tall stones lining the garden flower at once. Tin stars burst bold & celestial from the fridge; blue applause. Morning winds crash the columbines; the turf nods. Two reeling petal-whorls gleam & break. Cartoon sheep are wool & want. Happy birthday oak; perfect in another ring. Branch shadows fall across the window in perfect accident without weight. Orange sponge a thousand suds to a squeeze, know your water. School bus, may you never rust, always catching scraps of children’s laughter. Add a few phrases to the sunrise, and the pinks pop. Garlic, ginger, and mangoes hang in tiers in a cradle of red wire. That paw at the door is a soft complaint. Corolla of petals, lean a little toward the light. Everything the worms do for the hills is a secret & enough. Floating sheep turn to wonder. Cracking typewriter, send forth your fire. Watched too long, tin stars throw a tantrum. In the closet in the dust the untouched accordion grows unclean along the white bone of keys. Wrapped in a branch, a canvas balloon, a piece of punctuation signaling the end. Holy honeysuckle, stand in your favorite position, beside the sandbox. The stripes on the couch are running out of color. Perfect in their polished silver, knives in the drawer are still asleep. A May of buzz, a stinger of hot honey, a drip of candy building inside a hive & picking up the pace. Sweetness completes each cell. In the fridge, the juice of a plucked pear. In another month, another set of moths. A mosquito is a moment. Sketched sheep are rather invincible, a destiny trimmed with flouncy ribbon. A basset hound, a paw flick bitching at black fleas. Tonight, maybe we could circle the floodwaters, find some perfect stones to skip across the light or we can float in the swimming pool on our backs—the stars shooting cells of light at each other (cosmic tag)—and watch this little opera, faults & all.
Kevin Phan (How to Be Better by Being Worse)
Archer arrived early the next morning. Grey was still asleep on the sofa in his study when he heard tapping on the window. He opened his eyes and immediately regretted it as the sharp light of day pierced his brain. Squinting, he tried to focus on his brother, since he already knew who his visitor was. Only one person ever announced himself so annoyingly. “Open the bloody window, Grey!” Grumbling, Grey slowly rose into a full sitting position. His back and neck were stiff and his head felt as though someone had kicked it repeatedly from all sides. And his mouth! Christ, he didn’t want to even think about what might have died inside it. He staggered to the window, unlatched it and swung it open. “What the hell do you want?” Wide-eyed, Archer made a tsking noise. “Is that any way to greet your favorite brother?” “You’re not my favorite,” Grey scowled. Unaffected, Archer easily adapted. “Is that any way to greet your second-favorite brother?” Grey grinned, he couldn’t help it. Archer had always had a knack for making him smile, just as he had a knack for pissing him off as well. “I’m hung over and feel like shite. What do you want?” “You look like shite. What’s this I hear about you making an appearance at Saint’s Row last night?” “Rose tell you that?” “She did. I’m surprised you took such a risk just to see her.” Grey thought of her in that teal gown, the lights illuminating the luster of her skin. “It was worth it.” “Worth it, eh? So worth it you immediately came home and got sloshed.” “Something like that. And then Rose came home and I got even more sloshed.” Archer’s expression turned to concern as he leaned against the window frame. “What happened?” Grey shrugged. He’d already revealed more than he’d wanted. “Suffice it to say she now knows what kind of man I am.” His brother snorted. “That girl has always known exactly what kind of man you are.” The words were plain enough, but there was a cryptic edge to them that had Grey puzzled. “What the hell does that mean?” Arch shook his head. “Come to the stables with me. I want to show you something.” He looked down at himself. He was wearing the same clothes he’d worn last night and he was wrinkled beyond hope. Not to mention that he smelled like a distillery-an unwashed one at that. And his mask was up in his room. What if someone happened by and saw him… He wasn’t a coward. He just didn’t wish to be seen looking less than his best. An oath punctuated the early morning air. Grey was grabbed by the front of the shirt and yanked-hard. His only course of action was to brace one booted foot on the bottom sill to keep from falling. Of course, that action only succeeded in making it easier for Archer to haul him completely out onto the lawn. He landed hard on both feet, the impact going straight to his ready-to-implode skull. “What the hell?” Fist cocked, Grey punched his brother in the shoulder. “Jesus, man! What are you about?” Archer punched him back. It hurt, and oddly enough it seemed to wake him up-clear the fog and some of the pressure surrounding his brain. “I’m trying to help you, you bugger.” “To do what?” Grey demanded. “Die?
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Naturally, reading led to writing. The opposite side of the same coin. I created words with my pen where people didn't giggle and point when I spoke. Where my parents tucked me in. Where I didn't stutter. Where I had chores assigned by a chart on the wall with my name on it. Where the seat at the table was mine and I was missed if the bell rang and I didn't fill it. Where I was always the prince who rescued the princess, the Hobbit who destroyed the ring, the boy who saved Narnia. Where I was Pip. Sometimes I wrote all night. Filling pad after pad. True or make believe mattered little. Life was in the telling. In the exhale. Writing became the outlet for the one-sided conversation inside my head. The only place I knew complete expression. A thought encapsulated. A breath deep enough to fill me. Punctuation with certainty. Writing was how I worked out the goings on the inside. The act of making story made sense of what I couldn't make sense of. Like being an orphan and never being adopted.
Charles Martin (Unwritten)
Don’t… I want you looking at me,” he said softly, kissing the older man’s bottom lip. Baltsaros opened his eyes, and when Jon reached down to begin stroking the captain’s cock, the hoarse groan that burst from him sounded raw. Baltsaros kept his eyes on Jon’s, desire and devotion giving him an almost pained expression as he breathed heavily in time to Tom’s thrusts. Behind Baltsaros, the first mate’s grunts began to be punctuated by broken, sobbing sighs, and Jon voiced a soft moan of his own. “Don’t hold back.” In response, Tom let out a growl, a deep, desperate thing that sounded like it was torn from his chest, and Baltsaros bucked hard against Jon as the first mate came inside him. Jon waited until Tom had stilled, panting loudly, before he pushed him away from the captain. “Fuck…” panted Tom. Jon shifted lower on the mattress and quickly took Baltsaros’s cock nearly to the root into his mouth. It was only a matter of seconds before he swallowed down the captain’s salty-bitter cum with Baltsaros’s fingers twisting almost cruelly in his hair as he cried out in pleasure.
Bey Deckard (Fated: Blood and Redemption (Baal's Heart, #3))
When he was in position, Tom spread his cheeks, tonguing his hole, driving Prophet wild. He could keep Prophet on edge for a long time like this, but no, his cock was demanding equal time. He carefully lubed himself up . . . thought for just a second about taking the piercings out, then discarded that notion. They were smooth barbells . . . and Prophet would now get the full benefit of them. He eased inside of Prophet so carefully. The sensation drove Prophet to rest on his elbows until finally Tom pushed Prophet’s face down into the pillow, listening to the man’s breathing, having the sex they were supposed to have . . . They were making up for the last time. And if Tom had his way, they’d never need to make up for it again. And Prophet was rock hard, ready to come again. “You need to come again this soon, Proph? Maybe I shouldn’t let you.” “Tommy.” A hoarse, needy cry. A push back against his cock. Pain mingled with the ultimate pleasures as his piercings caressed Prophet so intimately. There wasn’t an ounce of fear in Prophet’s body, but it was strung as tight as a bow. “Been . . . so long. Before this . . . please . . .” Jesus, for Prophet to be ready again this soon . . . “You’ve been punishing yourself by not coming?” “Yes.” “No wonder . . . you were . . . such a bastard.” Tom’s words were punctuated by his thrusts, hard, purposeful, wonderfully skin to skin, no barriers between them. “Not happening again. Never . . . again.” “Maybe,” Prophet managed. “Try it. I will turn you over the nearest piece of furniture—and I don’t care where we are and who’s around—and I’ll fuck you until you can’t walk.” “Do it now, Tommy,” Prophet groaned. And Tom did.
S.E. Jakes (Daylight Again (Hell or High Water, #3))
Like everyone else in fandom, Ada and I say I love you to each other like it's punctuation. But lately I've been finding it harder to say it to her because I've discovered that I mean it more seriously than I thought. Even just typing those three words requires an effort that feels deeply and nauseatingly physical, like reaching into my own ribcage and turning my lungs inside out.
Cynthia So (If You Still Recognise Me)
So it’s up to Maya. She’s already won. I’m just the bonus round.” He grinned then, but it was a different kind of grin, a mock arrogance that made me laugh and shake my head. I looked into his eyes and saw the challenge sparkling there, and I hadn’t even decided what to do when I heard myself saying, “You’re on.” As Rafe walked over to the dangling harness, he stripped off his jacket, earning him giggles and whispers from the girls and grunts from the guys, who weren’t nearly as impressed. Rafe skipped gym whenever he could, so I’d assumed he wasn’t the athletic type. I was wrong. He wore an old T-shirt with the sleeves torn off, and his lean muscles moved under coppery skin. He had a tattoo on the inside of his forearm--a small one that looked like raven wings. When he turned around, I caught the faint edge of another tattoo on his shoulder peeking from under his shirt. He glanced over, like he’d sensed me looking. When I didn’t turn away, he grinned and mouthed something I didn’t catch, probably didn’t want to. Brendan helped Rafe into the harness. It took a while, the process punctuated by Rafe’s questions. Then he stood at the base of the rock face, saying, “You put your toes here, right? And you grab those things that stick out?” The others laughed and yelled, “Quit while you’re ahead!” Daniel relaxed and rolled his eyes at me. I rolled mine back, but not for the same reason. When we were finally in position, the others pulling away, I whispered, “Poseur.” Rafe glanced over, brows arching. “Keep calling me that and I might get insulted.” “Stop earning it and I’ll stop saying it.” I faced forward as I tested my rope and waited for Daniel to get to the top. “Are you implying that I know how to climb?” “Are you implying that I’m stupid enough to think you’d challenge me if you didn’t? Of course, you can’t be that good if you need to slow me down by pretending you don’t know what you’re doing.
Kelley Armstrong (The Gathering (Darkness Rising, #1))
In lots of books I read, the writer seems to go haywire every time he reaches a high point. He’ll start leaving out punctuation and running his words together and babble about stars flashing and sinking into a deep dreamless sea. And you can’t figure out whether the hero’s laying his girl or a cornerstone. I guess that kind of crap is supposed to be pretty deep stuff - a lot of the book reviewers eat it up, I notice. But the way I see it is, the writer is just too goddam lazy to do his job. And
Jim Thompson (The Killer Inside Me)