Punctuation Around Quotes

I’ve always been a word guy, I like weird words and I like American slang and all that and words that are no longer being used… I like to drag them out of the box and wave them around… this is an interesting one, it’s amazing how in addition to punctuation just a little pause in the wrong place can just completely transform the meaning of something.

I grabbed the sides of the machine and tried to shake it. No dice. Then I kicked it. Still nothing. I glared at the machine. “Let them out.” I punctuated my statement with a few more useless kicks. “You have an anger-management problem.” I whipped around at the sound of the warm, lilting British accent behind me.

Part of one's despair, of course, is that the world cares nothing for the little shocks endured by the sensitive stickler. While we look in horror at a badly punctuated sign, the world carries on around us, blind to our plight. We are like the little boy in The Sixth Sense who can see dead people, except that we can see dead punctuation. Whisper it in petrified little-boy tones: dead punctuation is invisible to everyone else -- yet we see it all the time. No one understands us seventh-sense people. They regard us as freaks. When we point out illiterate mistakes we are often aggressively instructed to "get a life" by people who, interestingly, display no evidence of having lives themselves. Naturally we become timid about making our insights known, in such inhospitable conditions. Being burned as a witch is not safely enough off the agenda.

There's a new spell you get around level 50 called "Mirror Image" which might as well be called "Reap On, Ye Fucking Reaper Man".

For me, Modern Warfare 3 's plot makes its signature turn around the bend when Russia invades Europe. As in, all of it. Simultaneously. Now, I've never invaded Europe, except for that one time, but I would think that's a project you might want to stagger out a bit if you haven't forged an alliance with any galactic empires lately.

This is about as simple as games get. There isn't even the paltriest context for what you're doing; you're not exacting revenge on limbless pigs or feeding your pet bitch-lizard. You're a ninja, fruit is flying up in front of you, and fuck fruit. Sitting around all smug on trees and in pies.

While we look in horror at a badly punctuated sign, the world carries on around us, blind to our plight. We are like the little boy in The Sixth Sense who can see dead people, except that we can see dead punctuation. Whisper it in petrified little-boy tones: dead punctuation is invisible to everyone else - yet we see it all the time.

Mom has reorganized the kitchen so that the one room that was everyone's room is foreign to me. My visits are punctuated with me whipping around, angrily demanding, "Where are the forks, WHY DID YOU MOVE THE FORKS?" and she has to calmly open the drawer on the other side of the kitchen as if she moved it just to ruin my life. I just found out where she puts the bowls and their new location feels like such a personal attack that I can barely talk about it without raising my blood pressure.

Ask me for money, Peter.” I grabbed his wrists and pushed him against the wall. He looked everywhere but at me, no attempt to free himself. He was definitely stronger than I, but right that second I didn’t care if he was being patronizing. If it forced him to answer me, then patronizing I’d take. “No,” he murmured. “Ask me for money, goddamn you.” I punctuated it with a slam of his wrists, hard enough to jar, but not painful—I hoped. The next time my shirt wouldn’t be there to cushion it. I was that pissed. “I have!” He spat back, easily extricating his hands and pushing me away. I grabbed his arm, turning him around. “For Cai. For sex. Not for you. You’d rather go fuck a bunch of strangers—” “I don’t fuck anyone but Darryl anymore,” he denied. “It’s just a show for a bunch of voyeurs. No one gets hurt.” “I get hurt!” “I don’t have any other way, Austin.” “You have me. Ask me,” I said, hating the pleading sound in my voice. “No.” “Jesus Christ, why the fuck not?” “Because I don’t want you to be a fucking trick!” The shout was so loud I felt the vibrations along my spine.

I lay the book on the floor, open to the middle. It's a lovely volume, green leather covers, engraved endpapers. I remove my shoes and step into it up to my ankles, knees, hips, chest, until only my head is showing and the pages spread around me and the words bob up and down and bump into my neck, and the punctuation sticks to my chin and cheeks so I look like I need a shave.

Truth: Had you bothered to stick around, I would have given you every single one of your wickedest desires.” I move my hips against him to punctuate my words. I feel him react, something that brings me no little pleasure. Leaning in extra close, my tongue tastes the shell of his ear. “And I know my dark king has many wicked desires,” I whisper. I turn his face to mine, pulling it to me until only the barest bit of distance separates our lips. But instead of kissing him, I say, “I’m going to make you ache, and ache, and ache, and I will do nothing to alleviate it. I’m going to make you pay for leaving me.” I step off of him and saunter away. “Cherub,” Des says at my back, “I will enjoy every sweet second of it.

It was a strange thing how people acted as if having a kid was the best thing that could happen to anyone, even though actual parents seemed to experience most of their children's actual childhoods as an annoyance, which they compensated for by bossing them around. People with kids had to go to work every day, at boring, reliable jobs. On the plus side, work was an acceptable way to escape your children, without seeming to want to. The children, having no such escape, lived through long stretches of boredom and powerlessness, punctuated by occasional treats that they overvalued and freaked out over because the rest of their lives were so empty.

It was these Prussian schools that introduced many of the features we now take for granted. There was teaching by year group rather than by ability, which made sense if the aim was to produce military recruits rather than rounded citizens. There was formal pedagogy, in which children sat at rows of desks in front of standing teachers, rather than, say, walking around together in the ancient Greek fashion. There was the set school day, punctuated by the ringing of bells. There was a predetermined syllabus, rather than open-ended learning. There was the habit of doing several subjects in one day, rather than sticking to one subject for more than a day. These features make sense, argues Davies, if you wish to mould people into suitable recruits for a conscript army to fight Napoleon.

Following her instructions, I joined her in the chopping and mixing. The magical smell of pickling spices wound around us and it wasn't long before we were in another world. I was suddenly immersed in the hand-written recipes Mother resurrected from the back of the Hoosier cabinet--in the cheesecloth filled with mustard seed and pungent dill. As we followed the recipes her mother had followed and her mother before that, we talked--as the afternoon wore on I was listening to preserve the stories in my mind. 'I can remember watching my grandmother and mother rushing around this same old kitchen, putting up all kinds of vegetables--their own hand-sown, hand-picked crops--for the winter. My grandmother would tell her stories about growing up right here, on this piece of land--some were hilarious and some were tragic.' Pots still steamed on the stove, but Mother's attention seemed directed backwards as she began to speak about the past. She spoke with a slow cadence, a rhythm punctuated (or maybe inspired) by the natural symphony around us.

Please, I know you understand heartbreak. Stop Luc from marrying Marisol. Save my heart from breaking again.” “Now, that was a pathetic speech.” Two slow claps followed the indolent voice, which sounded just a few feet away. Evangeline spun around, all the blood draining from her face. She didn’t expect to see him—the young man who’d been tearing his clothes in the back of the church. Although it was difficult to believe this was the same person. She had thought that boy was in agony, but he must have ripped away his pain along with the sleeves of his jacket, which now hung in tatters over a striped black-and-white shirt that was only halfway tucked into his breeches. He sat on the dais steps, lazily leaning against one of the pillars with his long, lean legs stretched out before him. His hair was golden and messy, his too-bright blue eyes were bloodshot, and his mouth twitched at the corner as if he didn’t enjoy much, but he found pleasure in the brief bit of pain he’d just inflicted upon her. He looked bored and rich and cruel. “Would you like me to stand up and turn around so that you can take in the rest of me?” he taunted. The color instantly returned to Evangeline’s cheeks. “We’re in a church.” “What does that have to do with anything?” In one elegant move, the young man reached into the inner pocket of his ripped burgundy coat, pulled out a pure white apple, and took one bite. Dark red juice dripped from the fruit to his long, pale fingers and then onto the pristine marble steps. “Don’t do that!” Evangeline hadn’t meant to yell. Although she wasn’t shy with strangers, she generally avoided quarrelling with them. But she couldn’t seem to help it with this crass young man. “You’re being disrespectful.” “And you’re praying to an immortal who kills every girl he kisses. You really think he deserves any reverence?” The awful young man punctuated his words with another wide bite of his apple.

The Humbug whistled gaily at his work, for he was never as happy as when he had a job which required no thinking at all. After what seemed like days, he had dug a hole scarcely large enough for his thumb. Tock shuffled steadily back and forth with the dropper in his teeth, but the full well was still almost as full as when he began, and Milo's new pile of sand was hardly a pile at all. "How very strange," said Milo, without stopping for a moment. "I've been working steadily all this time, and I don't feel the slightest bit tired or hungry. I could go right on the same way forever." "Perhaps you will," the man agreed with a yawn (at least it sounded like a yawn). "Well, I wish I knew how long it was going to take," Milo whispered as the dog went by again. "Why not use your magic staff and find out?" replied Tock as clearly as anyone could with an eye dropper in his mouth. Milo took the shiny pencil from his pocket and quickly calculated that, at the rate they were working, it would take each of them eight hundred and thirty-seven years to finish. "Pardon me," he said, tugging at the man's sleeve and holding the sheet of figures up for him to see, "but it's going to take eight hundred and thirty-seven years to do these jobs." "Is that so?" replied the man, without even turning around. "Well, you'd better get on with it then." "But it hardly seems worth while," said Milo softly. "WORTH WHILE!" the man roared indignantly. "All I meant was that perhaps it isn't too important," Milo repeated, trying not to be impolite. "Of course it's not important," he snarled angrily. "I wouldn't have asked you to do it if I thought it was important." And now, as he turned to face them, he didn't seem quite so pleasant. "Then why bother?" asked Tock, whose alarm suddenly began to ring. "Because, my young friends," he muttered sourly, "what could be more important than doing unimportant things? If you stop to do enough of them, you'll never get to where you're going." He punctuated his last remark with a villainous laugh. "Then you must -----" gasped Milo. "Quite correct!" he shrieked triumphantly. "I am the Terrible Trivium, demon of petty tasks and worthless jobs, ogre of wasted effort, and monster of habit.

listening to Barack, I began to understand that his version of hope reached far beyond mine: It was one thing to get yourself out of a stuck place, I realized. It was another thing entirely to try and get the place itself unstuck. I was gripped all over again by a sense of how special he was. Slowly, all around me, too, the church ladies began nodding their approval, punctuating his sentences with calls of “Mmmm-hmm” and “That’s right!” His voice climbed in intensity as he got to the end of his pitch. He wasn’t a preacher, but he was definitely preaching something—a vision. He was making a bid for our investment. The choice, as he saw it, was this: You give up or you work for change. “What’s better for us?” Barack called to the people gathered in the room. “Do we settle for the world as it is, or do we work for the world as it should be?” It was a phrase borrowed from a book he’d read when he first started out as an organizer, and it would stay with me for years.

Here is the short version of the Kool-Aid Fallacy: Cult … therefore Jim Jones … therefore mass suicide … therefore Kool-Aid. It’s astonishing how much of social media now revolves around simple word association sequences. Absolutely no thought goes into anything. No one ever delivers an actual argument. If they ever do attempt an argument, their punctuation, spelling, grammar, logic and general education are not up to the task, and soon dissolve into meaningless mush. But usually they just hurry on to the insults and ad hominem attacks, which is the part they love. Before long, the Kool-Aid fallacy is eagerly applied. Every argument should have a Dunning-Kruger quotient associated with it. Most people are 100% on the Dunning-Kruger scale. They imagine themselves geniuses, and geniuses dunces. As ever, they have inverted reality.

She felt his fingers caress her scalp, the sensations swift, heated shocks rocking through her body. His breath was punctuated against her cheek and nose. The tension mounted in him until Shiloh felt as if he would snap and break, unleashing that throbbing sexual power she sensed so intensely around him.

You’re saying your mother engaged in unprotected sex outside her primary relationship?’ ‘With some other student,’ replied Rosie. ‘While she was dating my’ – at this point Rosie raised her hands and made a downwards movement, twice, with the index and middle fingers of both hands – ‘father. My real dad’s a doctor. I just don’t know which one. Really, really pisses me off.’ I was fascinated by the hand movements and silent for a while as I tried to work them out. Were they a sign of distress at not knowing who her father was? If so, it was not one I was familiar with. And why had she chosen to punctuate her speech at that point … of course! Punctuation! ‘Quotation marks,’ I said aloud as the idea hit me. ‘What?’ ‘You made quotation marks around “father” to draw attention to the fact that the word should not be interpreted in the usual way. Very clever.’ ‘Well, there you go,’ she said. ‘And there I was thinking you were reflecting on my minor problem with my whole fucking life. And might have something intelligent to say.’ I corrected her. ‘It’s not a minor problem at all!’ I pointed my finger in the air to indicate an exclamation mark. ‘You should insist on being informed.’ I stabbed the same finger to indicate a full stop. This was quite fun.

One night Shay heard the quiet murmur of his voice, punctuated by Olivia’s giggles. She shuffled across the living room and listened around the corner. He was reading aloud to her, imitating each character’s voice. Shay listened to his falsetto, a grin tugging her lips at the incongruity of a cowboy reading The Princess Diaries.

Romance is fiction.” He punctuated this statement by taking a bite of steak, and then chewing. “But it’s—it’s—” Interesting? Well researched? Engaging? Well written? All of the above. “Not what you expected?” he supplied, smirking around his bite. “What did you expect?” Shrugging, I lifted a small rectangle of lasagna on my fork and blew at the steam. “I guess something brainless.” I didn’t add that I followed The New York Times Book Review and they’d had more than their fair share of articles calling the romance genre “fluffy.” If you couldn’t trust The New York Times Book Review, who could you trust? “Why? Because it’s about love and has a happy ending? And only stories of unhappiness with tragic endings are important? Because a struggle that leads to something good isn’t worthwhile?

Do you realize, Rosie said to her mother, that I'm the one who's suppose to becalming you down about all of this. Not the other way around? I'm the one who's suppose to be talking you off the ledge. You're suppose to be panicking and dragging him off to church or something. So few Jews at church these days, said Carmelo. You're to old to be open-minded and tolerant, said Rosie. I'm too old not to be. She sucked coolly on her cigarette again, then waved at Rosie to punctuate her point.

Do you realize, Rosie said to her mother, that I'm the one who's suppose to be calming you down about all of this. Not the other way around? I'm the one who's suppose to be talking you off the ledge. You're suppose to be panicking and dragging him off to church or something. So few Jews at church these days, said Carmelo. You're to old to be open-minded and tolerant, said Rosie. I'm too old not to be. She sucked coolly on her cigarette again, then waved at Rosie to punctuate her point.

Oh, you can’t back out now. I already texted Adam that you’ll be there.” His head swung around. “You what?” “He’s looking forward to it. See?” She held up her phone. A smiley face. A smiley face? Nick had no idea what that meant. Was that casual happy? Excited happy? An obligatory response that didn’t mean anything? It wasn’t even a D smiley. It was one of the parenthesis ones. God, he was trying to puzzle out the hidden meaning of the punctuation in a frigging emoticon. “You look nervous,” said Quinn. He shrugged.

Stellar Plains, New Jersey, was a town that got mentioned whenever there was an article called “The Fifty Most Livable Suburbs in America.” Unlike most suburbs, this one was considered progressive. Though the turnpike that ran through it was punctuated by carpet-remnant outlets and tire wholesalers, and even an unsettling, windowless store no one had ever been to, advertising DVDS AND CHINESE SPECIALTY ITEMS, Main Street was quaint and New Englandy, with a cosmopolitan slant. There was an excellent bookstore, Chapter and Verse, at a moment when bookstores around the country were making way for cell-phone stores.

Here’s what I know about Cole,” Jeremy said. Punctuated by the silence, it sounded like he was in a pulpit. “Cole’s religion is debunking the impossible. He doesn’t believe in impossible. He doesn’t believe in no. Cole’s religion is waiting for someone to tell him it can’t be done so he can do it. Anything. Doesn’t matter what that something is, so long as it can’t be done. Here’s an origin story for you. In the beginning of time there was an ocean and a void, and God made the ocean into the world and he made the void into Cole.” Victor laughed. “I thought you said you were a Buddhist,” Jan said. “Part-time,” Jeremy replied. Debunking the impossible. Now, the pines stretched up so high on either side of the road that it felt like I was tunneling to the middle of the world. Mercy Falls was an unnumbered stretch of miles behind me. I was sixteen again, and the road unwound in front of me, endless possibilities. I felt wiped clean, empty, forgiven. I could drive forever, anywhere. I could be anyone. But I felt the pull of Boundary Wood around me and, for once, the business of being Cole St. Clair no longer felt like such a curse. I had a purpose, a goal, and it was the impossible: finding a cure. I was so close.

It was a strange thing how people acted as if having a kid was the best thing that could happen to anyone, even though actual parents seemed to experience most of their children’s actual childhoods as an annoyance, which they compensated for by bossing them around. People with kids had to go to work every day, at boring, reliable jobs. On the plus side, work was an acceptable way to escape your children, without seeming to want to. The children, having no such escape, lived through long stretches of boredom and powerlessness, punctuated by occasional treats that they overvalued and freaked out over because the rest of their lives were so empty.

No,” she whispered. “No more.” His breath came hot and heavy against her ear as his arm crept back around her waist. “Why not?” For a moment her mind was blank. What reason could she give that would make sense to him? If she protested that they weren’t married, he would simply put an end to that objection by marrying her, and that would be disastrous. Then she remembered Petey’s plan. “Because I’ve already promised myself to another.” His body went still against hers. An oppressive silence fell over them both, punctuated only by the distant clanging of the watch bell. But he didn’t move away, and at first she feared he hadn’t heard her. “I said—” she began. “I heard you.” He drew back, his face taught with suspicion. “What do you mean ‘another?’ Someone in England?” She considered inventing a fiancé in London. But that would have no weight with him, would it? “Another sailor. I . . . I’ve agreed to marry one of your crew.” His expression hardened until it looked chiseled from the same oak that formed his formidable ship. “You’re joking.” She shook her head furiously. “Peter Hargraves asked me to . . . to be his wife last night. And I agreed.” A stunned expression spread over his face before anger replaced it. Planting his hands on either side of her hips, he bent his head until his face was within inches from her. “He’s not one of my crew. Is that why you accepted his proposal—because he’s not one of my men? Or do you claim to have some feeling for him?” He sneered the last words, and shame spread through her. It would be too hard to claim she had feelings for Petey when she’d just been on the verge of giving herself to Gideon. But that was the only answer that would put him off her. Her ands trembled against his immovable chest. “I . . . I like him, yes.” “The way you ‘like’ me?” When she glanced away, uncertain what to say to that, he caught her chin and forced her to look at him. Despite the dim light, she could tell that desire still held him. And when he spoke again, his voice was edged with the tension of his need. “I don’t care what you agreed to last night. Everything has changed. You can’t possibly still want to marry him after the way you just responded to my touch.” “That was a mistake,” she whispered, steeling herself to ignore the flare of anger in his eyes. “Petey and I are well suited. I knew him from before, from the Chastity. I know he’s an honorable man, which is why I still intend to marry him.” A muscle ticked in Gideon’s jaw. “He’s not a bully, you mean. He’s not a wicked pirate like me, out to ‘rape and pillage.’” He pushed away from the trunk with an oath, then spun towards the steps. “Well, he’s not for you, Sara, no matter what you may think. And I’m going to put a stop to his courtship of you right now!

Two big hands cup my ass and pull me down onto his face. When his tongue glides over me, I almost come on the spot. Taking a breath, I grasp his cock in one hand and lower my mouth to his engorged head. I give a tiny lick, then breathe out, “Better?” His response is a hungry growl punctuated by the brush of his tongue on my clit. I wrap my lips around him and suck gently, the salty flavor of him tickling my tongue and heating my blood. He tastes delicious. He’s thick and hard and throbbing in my mouth, and it’s the hottest thing in the whole damn world. I don’t know how long we lie in this position, torturing each other with greedy licks and deep sucks, but just as the first tingles of orgasm warm the base of my spine, Blake abruptly yanks me off of him and flips me over. “Cheezus!” he spits out. “If I don’t fuck you right now, I’m gonna die, Jessie.

Punctuation! We knew it was holy. Every sentence we cherished was sturdy and Biblical in its form, carved somehow by hand-dragged implement or slapped onto sheets by an inky key. For sentences were sculptural, were we the only ones who understood? Sentences were bodies, too, as horny as the flesh-envelopes we wore around the house all day. Erotically enjambed in our loft bed, Clea patrolled my utterances for subject, verb, predicate, as a chef in a five-star kitchen would minister a recipe, insuring that a soufflé or sourdough would rise. A good brave sentence (“I can hardly bear your heel at my nape without roaring”) might jolly Clea to instant climax. We’d rise from the bed giggling, clutching for glasses of cold water that sat in pools of their own sweat on bedside tables. The sentences had liberated our higher orgasms, nothing to sneeze at. Similarly, we were also sure that sentences of the right quality could end this hideous endless war, if only certain standards were adopted at the higher levels. They never would be. All the media trumpeted the Administration’s lousy grammar.

Take the oft-repeated injunction to get “its” and “it’s” straight. Everyone claims it’s remarkably easy to remember that “its” is possessive and “it’s” is a contraction. But logic tells us that in English, ’s attached to a noun signals possession: the dog’s dish, the cat’s toy, the lexicographer’s cry. So if English is logical, and there are simple rules to follow, why doesn’t “it’s” signal possession? We know that ’s also signals a contraction, but we don’t have any problems with differentiating between “the dog’s dish” and “the dog’s sleeping”—why should we suddenly have problems with “it’s dish” and “it’s sleeping”? This type of grammar often completely ignores hundreds (and, in some cases, well over a thousand) years of established use in English. For “it’s,” the rule is certainly easy to memorize, but it also ignores the history of “its” and “it’s.” At one point in time, “it” was its own possessive pronoun: the 1611 King James Bible reads, “That which groweth of it owne accord…thou shalt not reape”; Shakespeare wrote in King Lear, “It had it head bit off by it young.” They weren’t the first: the possessive “it” goes back to the fifteenth century. But around the time that Shakespeare was shuffling off this mortal coil, the possessive “it” began appearing as “it’s.” We’re not sure why the change happened, but some commentators guess that it was because “it” didn’t appear to be its own possessive pronoun, like “his” and “her,” but rather a bare pronoun in need of that possessive marker given to nouns: ’s. Sometimes this possessive appeared without punctuation as “its.” But the possessive “it’s” grew in popularity through the seventeenth and eighteenth centuries until it was the dominant form of the word. It even survived into the nineteenth century: you’ll find it in the letters of Thomas Jefferson and Jane Austen and the speechwriting notes of Abraham Lincoln. This would be relatively simple were it not for the fact that “it’s” was also occasionally used as a contraction for “it is” or “it has” (“and it’s come to pass,” Shakespeare wrote in Henry VIII, 1.2.63). Some grammarians noticed and complained—not that the possessive “it’s” and the contractive “it’s” were confusing, but that the contractive “it’s” was a misuse and mistake for the contraction “ ’tis,” which was the more standard contraction of “it is.” This was a war that the pedants lost: “ ’tis” waned while “it’s” waxed.

This guy Lobo, whose real and true name was Wolfgang Fink, played better than good flamenco guitar in a place called Mamma Mia in Puerto Vallarta. Had a partner name of Willie Royal, tall gangly guy who was balding a little early and wore glasses and played hot gypsy-jazz violin. They'd worked out a repertoire of their own tunes, "Improvisation #18" and "Gypsy Rock" as examples, played 'em high and hard, rolled through "Amsterdam" and "The Sultan's Dream" with enough power to set you two times free or even beyond that when the day had been tolerable and the night held promise. Lobo, sun worn and hard lined in the face looking over at Willie Royal bobbing and weaving and twisting his face into a mean imitation of a death mask when he really got into it, right wrist looking almost limp but moving his bow at warp speed across the strings, punctuated here and there by Lobo's stabbing ruscados and finger tapping on the guitar top. Good music, wonderful music, tight and wild all at the same time. On those nights when the sweat ran down your back and veneered your face and the gringitas looked good enough to swallow whole - knowing too they looked just that way and them watching the crowd to see who might be man enough to try it - people would be riding on the music, drinking and clapping in flamenco time, dancing around the dinner tables.

One of the problems is that Dublin is, and I mean literally and topographically, flat - so that everything has to take place on a single plane. Other cities have metro systems, which add depth, and steep hills or skyscrapers for height, but Dublin has only short squat grey buildings and trams that run along the street. And it has no courtyards or roof gardens like continental cities, which at least break up the surface, if not vertically, then conceptually. Have you thought about this before? Maybe even if you haven't, you've noticed it at some subconscious level. It's hard to go very far up in Dublin or very low down, hard to lose yourself or other people, or to gain a sense of perspective. You might think it's a democratic way to organise a city - so that everything happens face to face, I mean, on equal footing. True, no one is looking down on you all from a height. But it gives the sky a position of total dominance. Nowhere is the sky meaningfully punctuated or broken up by anything at all. The Spire, you might point out, and I will concede the Spire, which is anyway the narrowest possible of interruptions, and dangles like a measuring tape to demonstrate the diminutive size of every other edifice around. The totalising effect of the sky is bad for people there. Nothing ever intervenes to block the thing from view. It0s like a memento more. I wish someone would cut a hole in it for you.

Can't you just let it go? Move on?" His face darkened. His eyes glared in response and he was silent a long time while his jaw worked over a toothpick. She'd used the same line that the prophet and his representatives had been using for years. Even if these things did happen, there is no point in being bitter. You should forgive and forget and let bygones be bygones. Kind of galling, considering the insistence upon forgiveness was being made by the people who had done the hurting and done nothing to make up for it. But then, that was the standard 'blame the victim' abuser mentally, and to be expected. Gideon seemed to work through this slap in the face and let it slide. He said, "For a while I thought maybe, you know, if I could talk to the people responsible. If I could show them how difficult life has been because of them, that maybe they would care. I don't know. I thought maybe if they apologized, it would be so much easier to forget this shit. You know? To do what they say and 'let it go'. But nobody will take any personal responsibility. My own parents have nothing to offer but a bunch of whiny excuses. They try to convince me that my life wasn't as bad as I remember it." "Fuck that," he said, "They weren't even there. They don't even know what went on with me. I just..." He paused and pulled his fingers through his hair. "Christ," he said. He paused again, eyes to the sky, and then back to her. "Even the people who never personally raised a hand against me still propped up the regime that made it happen. They stood by and allowed it. Played a part. All of them. Every single one was a participant. Either directly or by looking away. Institutionally, doctrinally, they abused us. Sent us into the streets to beg, denied us an education, had us beaten, starved, exorcised, and separated from our parents. They broke up our families, gave our bodies to perverts, and stole our future. And then they turn around and say we're supposed to just forget it happened and move on from it. If instead we bring up the past, then they'll call us liars. Say we're exaggerating or making it up completely. Why the hell would be make any of this shit up? What's the point in that? To make our lives seem worse than they were? Not that I would, but do you have any idea how much exaggeration it would take for the average person to even begin to grasp how fucking miserable it was? And then, if they ever do admit to any of it, they say that 'mistakes were made'. " "Mistakes." he said. He was leaning forward again, punctuating the air with his finger. "Michael, they commit crimes against children. You know, those things people in society go to jail for when they're caught. And then to the public they do what they always do. Deny. Deny. Deny. And we're left more raped than ever. Victimized first by what they did, and again by their refusal to admit that it happened. They paint us as bitter apostates and liars to a world that not only doesn't give a shit, but also couldn't possibly understand even if it did." "I do," Munroe said. And Gideon stopped.

The translucent, golden punch tastes velvety, voluptuous and not off-puttingly milky. Under its influence, I stage a party for my heroines in my imagination, and in my flat. It's less like the glowering encounter I imagined between Cathy Earnshaw and Flora Poste, and more like the riotous bash in Breakfast at Tiffany's. Not everyone is going to like milk punch. So there are also dirty martinis, and bagels and baklava, and my mother's masafan, Iraqi marzipan. The Little Mermaid is in the bath, with her tail still on, singing because she never did give up her soaring voice. Anne Shirley and Jo March are having a furious argument about plot versus character, gesticulating with ink-stained hands. Scarlett is in the living room, her skirts taking up half the space, trying to show Lizzy how to bat her eyelashes. Lizzy is laughing her head off ut Scarlett has acquired a sense of humour, and doesn't mind a bit. Melanie is talking book with Esther Greenwood, who has brought her baby and also the proofs of her first poetry collection. Franny and Zooey have rolled back the rug and are doing a soft shoe shuffle in rhinestone hats. Lucy Honeychurch is hammering out some Beethoven (in this scenario I have a piano. A ground piano. Well, why not?) Marjorie Morningstar is gossiping about directors with Pauline and Posy Fossil. They've come straight from the shows they're in, till in stage make-up and full of stories. Petrova, in a leather aviator jacket, goggles pushed back, a chic scarf knotted around her neck, is telling the thrilling story of her latest flight and how she fixed an engine fault in mid-air. Mira, in her paint-stained jeans and poncho, is listening, fascinated, asking a thousand questions. Mildred has been persuaded to drink a tiny glass of sherry, then another tiny glass, then another and now she and Lolly are doing a wild, strange dance in the hallway, stamping their feet, their hair flying wild and electric. Lolly's cakes, in the shape of patriarchs she hates, are going down a treat. The Dolls from the Valley are telling Flora some truly scandalous and unrepeatable stories, and she is firmly advising them to get rid of their men and find worthier paramours. Celie is modelling trousers of her own design and taking orders from the Lace women; Judy is giving her a ten-point plan on how to expand her business to an international market. She is quite drunk but nevertheless the plan seems quite coherent, even if it is punctuated by her bellowing 'More leopard print, more leopard print!' Cathy looks tumultuous and on the edge of violent weeping and just as I think she's going to storm out or trash my flat, Jane arrives, late, with an unexpected guest. Cathy turns in anticipation: is it Heathcliff? Once I would have joined her but now I'm glad it isn't him. It's a better surprise. It's Emily's hawk. Hero or Nero. Jane's found him at last, and has him on her arm, perched on her glove; small for a bird of prey, he is dashing and patrician looking, brown and white, observing the room with dark, flinty eyes. When Cathy sees him, she looks at Jane and smiles. And in the kitchen is a heroine I probably should have had when I was four and sitting on my parents' carpet, wishing it would fly. In the kitchen is Scheherazade.

Do we need to talk about my kissing you a year ago? I’ve behaved myself for two weeks, Ellen, and hope by action I have reassured you where words would not.” Silence or the summer evening equivalent of it, with crickets chirping, the occasional squeal of a passing bat, and the breeze riffling through the woods nearby. “Ellen?” Val withdrew his hand, which Ellen had been holding for some minutes, and slid his arm around her waist, urging her closer. “A woman gone silent unnerves a man. Talk to me, sweetheart. I would not offend you, but neither will I fare well continuing the pretense we are strangers.” He felt the tension in her, the stiffness against his side, and regretted it. In the past two weeks, he’d all but convinced himself he was recalling a dream of her not a real kiss, and then he’d catch her smiling at Day and Phil or joking with Darius, and the clench in his vitals would assure him that kiss had been very, very real. At least for him. For him, that kiss had been a work of sheer art. “My husband seldom used my name. I was my dear, or my lady, or occasionally, dear wife. I was not Ellen, and I was most assuredly not his sweetheart. And to you I am the next thing to a stranger.” Val’s left hand, the one she’d just held for such long, lovely moments between her own, drifted up to trace slow patterns on her back. “We’re strangers who kissed. Passionately, if memory serves.” “But on only one occasion and that nearly a year ago.” “Should I have written? I did not think to see you again, nor you me, I’m guessing.” Now he wished he’d written, though it would hardly have been proper, even to a widow. That hand Valentine considered so damaged continued its easy caresses on Ellen’s back, intent on stealing the starch from her spine and the resolve from her best intentions. And she must have liked his touch, because the longer he stroked his hand over her back, the more she relaxed and leaned against him. “I did not think to see you again,” Ellen admitted. “It would have been much easier had you kept to your place in my memory and imagination. But here you are.” “Here we are.” Haunting a woman’s imagination had to be a good thing for a man whose own dreams had turned to nightmares. “Sitting on the porch in the moonlight, trying to sort out a single kiss from months ago.” “I shouldn’t have kissed you,” Ellen said, her head coming to rest on Val’s shoulder as if the weight of truth were a wearying thing. “But I’m lonely and sometimes a little desperate, and it seemed safe, to steal a kiss from a handsome stranger.” “It was safe,” Val assured her, seeing the matter from her perspective. In the year since he’d seen Ellen FitzEngle, he’d hardly been celibate. He wasn’t a profligate Philistine, but neither was he a monk. There had been an older maid in Nick’s household, some professional ladies up in York, the rare trip upstairs at David’s brothel, and the frequent occasion of self-gratification. But he surmised Ellen, despite the privileges of widowhood, had not been kissed or cuddled or swived or flirted with in all those days and weeks and months. “And now?” Ellen pressed. “You show up on my porch after dark and think perhaps it’s still safe, and here I am, doing not one thing to dissuade you.” “You are safe with me, Ellen.” He punctuated the sentiment with a kiss to her temple then rested his cheek where his lips had been. “I am a gentleman, if nothing else. I might try to steal a kiss, but you can stop me with a word from even that at any time. The question is, how safe do you want to be?” “Shame

Whether you are a good or bad writer is an irrelevancy when you first begin. What's important is that you write, you get up in the morning and you say, "I'm going to treat this like a job and I'm not going to just do this when I feel like it. I'm going to really get to work on making this the best I can make it, and work hard to achieve something". You can't sit around waiting for inspiration to strike like lightning, cause you'll wait around for a long time. Maybe once every blue moon a piece of lightning will strike, but most of the time you'll wait around twiddling your thumbs. What you have to do is just get on with it, and write whatever comes out and not worry over much about whether the punctuation is right or the spelling is right or even if the order of the words is right, but just get on with it. "You have to go after, seek after the things which are truthful to you. And I mean truthful. If you don't believe in Christ, then don't have a hero whipping out holy water when it suits him, because you're not telling the truth about what you believe about the world. If you don't believe that the image of Christ is ethicasy in the world, then don't have your hero use it in such a way. All you doing is accessing a series of cliches from somebody else's work. If you're gay, write about gay characters. If you're straight, write about straight characters. If you're straight and confused, write about straight and confused characters. If your passion is about painting and football, write about painting and football. Write about your mother, write about your father, write about things you know, and then let your imagination lurk on those things and develop them into something new and fresh even for you. Surprise yourself, astonish yourself, and tell the truth.

Within minutes, I received a response with punctuation I had never seen before. “Hello (((Weisman))),” wrote “CyberTrump.” Nothing more. Just that. I was sitting at my desk at work. I had some time on my hands as an editor at the Times, since my responsibilities then centered on domestic policy—economics, the environment, poverty—and with the nation consumed in this strange presidential campaign, not a lot of policy making was going on. “Care to explain?” I answered, intuiting that my last name in those triple parentheses must somehow denote my Jewish faith. “What, ho, the vaunted Ashkenazi intelligence, hahaha!” “CyberTrump” came back. “It’s a dog whistle, fool. Belling the cat for my fellow goyim.” With the cat belled, the horde followed. What I didn’t know was that I had unwittingly exposed what was known in the alt-right as “echoes,” those three parentheses that practitioners of online harassment wrapped around Jewish-sounding names on social media. Unbeknown to, well, just about everyone, alt-right anti-Semites had created a Google plug-in that could be used to search double or triple parentheses, since ordinary search engines do not pick up punctuation marks. Haters would slap these “echoes” around Jewish-sounding names of people online they wanted to target. Once a target was “belled,” the alt-right anti-Semitic mob could download the innocuous-sounding Coincidence Detector plug-in from the Google Chrome store, track down targets like heat-seeking missiles, then swarm. “You’ve all provoked us. You’ve been doing it for decades—and centuries even—and we’ve finally had enough,” declared Andrew Anglin, the creator and mastermind of the neo-Nazi website the Daily Stormer. “Challenge has been accepted.” And swarm they did.

Keith came from behind his desk and put his arm around my shoulder. "Calm down, Marco,” he said, leading me to the more comfortable love seat. “There's an un-blending process happening here. The various defender parts have a positive intention in defending against the pain from the abuse. It just happens to be in an incorrect manner.” Keith returned to his seat and leaned back in his chair. He took a deep breath. “When you're concentrating on one particular personality trait, the other parts work in conjunction, in different combinations with each other. They try to prevent you from getting to the core of the respective trait and having to relive the pain and shame from the abuse.” He leaned forward, punctuating his words. “The key ... to un-blending ... the defender parts ... successfully ... is to understand each attribute ... as it steps in to do its job. They protect you from the harmful emotions that are associated from the abuse.” Gazing at me over his wire-rimmed glasses, he said matter-of-factly, “Getting the defender parts to step aside so you can concentrate on the characteristic you want to address is the un-blending process. Once you are able to get through all the various defensive parts that get in the way of dealing with the core part, the true self is now able to answer the part in question in a divine loving place." I sat, pulled on my ear while thinking that over for a moment. "So, the true self is present to bear witness to all the feelings, beliefs, memories, and experiences of the inadequate part." Keith smiled. He leaned forward, resting his elbows on the desktop, his chin perched atop his clasped hands. "In essence, the past is being stirred up so all the associated burdens, pressures, and pain can be released and relieved. Following this unburdening process, the respective part can be cleansed. It can then be recomposed in a more constructive manner—similar to wiping a virus-infected computer hard drive clean ... then reprogramming it with anti-virus protected software." I stood up. With a few deep diaphragmatic breaths, I cleared my mind. While attempting to decipher what part came in and threw me off course, I sucked in my lips, vigorously shaking my head. Skepticism came in as a defensive part. I got back in Keith’s face. “This psychological un-blending is full of shit. The defense against the abuse is another trick to get me to believe that this crap actually works.” I flung my hands in the air. “How is this going to unburden the weight I carry on my shoulders every moment of the day? All my deficient personality traits are a result of me being a dirtball loser.” I shook my head. “I’m not worthy of the slightest bit of solace or happiness that this punishment called life has to offer.” Keith took a deep breath in and a longer breath out. "Marco, you're a miracle. A remarkable good-hearted human being. You're the most determined individual that I've come across in my thirty years of practice.

When the shot rang out, she jerked as if the ball had plowed into her own body. The blast echoed and reechoed, loud and reverberating, punctuating her worst fear with a cutting finality. Running, running. She saw only Hunter, sitting on his horse one second, beautiful and proud, then thrown forward, as if a mighty hand had slammed into his back. He pitched sideways off his horse. Falling, falling, forever falling. Hunter, shot. Loretta couldn’t think beyond that. The other Comanches were a blur. Hunter was her only reality, and the cold fingers of death were curling around him. The events of the last three months spun through her head like the acts in a play. Her fierce captor, her trusted friend, her gentle lover. She couldn’t lose him like this. “Hunter! Oh, please, dear God, not Hunter!” Loretta reached him and dropped to her knees, trying to gather him into her arms. Dead weight. She couldn’t lift him. Blood, everywhere blood. A tortured moan worked its way up her throat. Not Hunter. With a trembling hand, she cupped the side of his jaw, sobbing his name. This Comanche cannot change his face. She touched the scar that slashed his cheek, the lifeless lips that had so frequently whispered comfort to her. If her face was carved on his heart, his was carved on her soul. “Don’t die! Hunter, please, don’t die! I love you! Hunter--” A sob tore the words from her guts in ragged spurts. “I love--you. Nah-ich-ka, you hear? I love you! You can’t die and leave me. Please, don’t leave me!

In high school, I was such a slut. And I was not alone; most girls in my high school were total sluts. We didn’t sleep around or have loose morals, but for some reason, in high school, slut was the insult of choice.

In a voice that rasped with frustration as well as tender amusement, Hunter said, “You have such a great want for me that we must hurry, yes?” Her spine snapped taut, and she leaned her head back to look at him. He met her gaze with a lazy smile, trying not to think about how her nipples grazed his skin, how torturous it was to feel her hips pressing forward against him. Working one hand loose, he carefully brushed the tears from her cheeks. Giving a low chuckle, which he punctuated with a defeated sigh, he said, “Blue Eyes, we have many nights to lie with one another. Forever, yes? Until we die and rot.” “Until death do we part,” she amended. “Ah, yes, until death do we part.” He shrugged one shoulder. “A very long time, yes? If I strike such fear into your heart that we must be quick, it is wisdom to wait. It is enough that you will lie beside me. That I can put my hand upon you.” Her expression went from wary distrust to incredulity. “And do nothing?” Hunter shared her sentiments. It was the most boisa idea he had ever come up with. Never had he ached quite so sharply with wanting a woman. “You would like to do something? You say it and we will do it.” Hoping to make her feel less self-conscious about her nakedness, he tugged a fur over them and loosened his arm around her, allowing her some room to get comfortable. “Make a story for me, yes? About my Loh-rhett-ah when she was small like Blackbird.” She stared at him, clearly unable to believe he meant it. He forced a yawn, and from the look that crossed her small face, he knew he hadn’t been very convincing. “You’re not sleepy,” she accused. “Ka, no,” he admitted. “I make a lie, yes? To make you easy? My heart is laid upon the ground when you are afraid. Let us be glad, eh? Make me a story.” “Hunter, I don’t have a stitch of clothes on,” she squeaked. One of his dark eyebrows flicked upward. “You must have clothes to make stories?

Before they became junkies, these young people were sitting in a room alone, cut off from meaning. Most of them could hope at best for a McJob with a shrinking minimum wage—a lifelong burger-flip punctuated by watching TV and scrimping for minor consumer objects. “My job was basically to say—why don’t you stop taking drugs?” Bruce says. “And one guy explained to me very beautifully. He said, ‘Well, think about that for a minute. What would I do if I stopped taking drugs? Maybe I could get myself a job as a janitor or something like that.’ ” Compare that, he said, to “what I’m doing right now, which is really exciting. Because I’ve got friends down here and we do exciting things like rob stores and hang around with hookers.” Suddenly you are part of a world where, together with other addicts, you are embarked on a crusade—a constant frenetic crusade to steal enough to buy the drugs, dodge the police, keep out of jail, and stay alive. If your problem is being chronically starved of social bonds, then part of the solution is to bond with the heroin itself and the relief it gives you. But a bigger part is to bond with the subculture that comes with taking heroin—the tribe of fellow users all embarked on the same mission and facing the same threats and risking death every day with you. It gives you an identity. It gives you a life of highs and lows, instead of relentless monotony. The world stops being indifferent to you, and starts being hostile—which is at least proof that you exist, that you aren’t dead already.

The city rises up around them. It has been described as a place through which we move - travelling towards, away from or past one another. Even endings are moved through as if they were punctuation rather than conclusion. But the city is also a place of arrest. We have to negotiate its traffic and its architecture as well as each other. And there are always too many of us, moving too slowly, encumbered, perhaps lost. An ending is built after the fact, just like the beginning. It can take years. Detail has to pass into memory, feeling into story, so that what we recall is brightly painted, sturdily constructed, accessible, predictable and satisfactory. We can point it from far away and others can see it clearly. Like the tallest towers in the city, from a distance, our beginnings and endings are all that can be seen.

Trinity hid her revulsion behind an impassive mask as Franco Salvatori slid a proprietary arm around her waist and leaned in to whisper against her ear, his words clear against the backdrop of the crowd. A steady buzz of conversation filled the ballroom, punctuated by laughter. “Ready to get out of here so we can finally be alone?

Bruce realizes that in all his months and years interviewing addicts about their lives, they had been telling him the answer all along. “People explained over and over before I got it,” Bruce tells me. Before they became junkies, these young people were sitting in a room alone, cut off from meaning. Most of them could hope at best for a McJob with a shrinking minimum wage—a lifelong burger-flip punctuated by watching TV and scrimping for minor consumer objects. “My job was basically to say—why don’t you stop taking drugs?” Bruce says. “And one guy explained to me very beautifully. He said, ‘Well, think about that for a minute. What would I do if I stopped taking drugs? Maybe I could get myself a job as a janitor or something like that.’ ” Compare that, he said, to “what I’m doing right now, which is really exciting. Because I’ve got friends down here and we do exciting things like rob stores and hang around with hookers.” Suddenly you are part of a world where, together with other addicts, you are embarked on a crusade—a constant frenetic crusade to steal enough to buy the drugs, dodge the police, keep out of jail, and stay alive. If your problem is being chronically starved of social bonds, then part of the solution is to bond with the heroin itself and the relief it gives you. But a bigger part is to bond with the subculture that comes with taking heroin—the tribe of fellow users all embarked on the same mission and facing the same threats and risking death every day with you. It gives you an identity. It gives you a life of highs and lows, instead of relentless monotony. The world stops being indifferent to you, and starts being hostile—which is at least proof that you exist, that you aren’t dead already. The heroin helps users deal with the pain of being unable to form normal bonds with other humans. The heroin subculture gives them bonds with other human beings.

Some of that is a problem of expectation. I blame Hollywood for that. The definition of life should be long periods of monotony and body maintenance punctuated by occasional moments of glory and despondency. At least we’d know what to anticipate.

An evening swim—even if it’s just sitting on the side while a preteen paddles around—can change the experience of a Tuesday, as you stare out at the summer sky, the stars, and the fireflies punctuating the darkness like little adventures can punctuate time.

Talk turned to current affairs. When the Bush-Gore election came up, Michael noted, “We discovered that to the credit of Gore he said his favourite book was Le Rouge et Le Noir.” Stendhal was one of Michael’s all-time favourites. “That settled things for Michael,” I said. “Yes,” he quickly agreed. “How’s Plymouth Argyle doing Michael?” Peter asked. “It’s dreadful. We’ve had the worst beginning of a season for years,” Michael replied, dropping his voice in disgust. “So we don’t need to press that subject.” We all laughed. Michael started to rise with his usual stagger. “Are you all right, Michael?” Emma asked. “Just let people help you,” Celine suggested. “I know,” Michael said. “You must do it,” Celine insisted. “You’ve always been independent, but it’s not in your best interests.” Celine was the only one of Michael’s friends who was quite this direct with him. While in Bermuda, Celine and Peter had provided a wheelchair for Michael, so that he could get around more quickly. Celine pressed her case in a jolly way, nearly always punctuating her remarks with laughter. A former centrefold, she was short and zaftig. She recommended that Michael find a nice girl with long hair to give him a massage. “It might work,” Michael agreed. He kept saying his legs had been getting better in Dubrovnik. I saw no sign of that, but I did marvel at how he negotiated the three sets of stairs from the kitchen to the living room (at street level) and then up another flight to where Jill’s study and his library are and then yet another all the way up to his bedroom. It was a very long haul that he laboriously

For the gaming fishermen there was the Whatoosie River and its native cocka-snoek, the main game fish of the resident Skegg’s Valley Dynamite Fishing Club. Cocka-snoek were wily and tough and rather too bright for mere fish. You wouldn’t catch much with a rod around here. Many inexperienced visitors would find the bait stolen from their hooks, which punctuated the discovery that their lines had somehow got snagged and tangled irretrievably around some underwater obstruction – sometimes tied together with neat little bows. Often, several direct hits with hand grenades were needed to stun the creatures long enough just to catch them, gut them and fry them, but these former military types had become experts at it. For a modest fee, tours could be arranged via the booking office, which included an overnight stay on the banks of the river where one could drop off to a great night’s sleep after a satisfying meal of cocka-snoek done on an open fire, and the sound the bits of shrapnel made rattling in your stomach.

When he was in position, Tom spread his cheeks, tonguing his hole, driving Prophet wild. He could keep Prophet on edge for a long time like this, but no, his cock was demanding equal time. He carefully lubed himself up . . . thought for just a second about taking the piercings out, then discarded that notion. They were smooth barbells . . . and Prophet would now get the full benefit of them. He eased inside of Prophet so carefully. The sensation drove Prophet to rest on his elbows until finally Tom pushed Prophet’s face down into the pillow, listening to the man’s breathing, having the sex they were supposed to have . . . They were making up for the last time. And if Tom had his way, they’d never need to make up for it again. And Prophet was rock hard, ready to come again. “You need to come again this soon, Proph? Maybe I shouldn’t let you.” “Tommy.” A hoarse, needy cry. A push back against his cock. Pain mingled with the ultimate pleasures as his piercings caressed Prophet so intimately. There wasn’t an ounce of fear in Prophet’s body, but it was strung as tight as a bow. “Been . . . so long. Before this . . . please . . .” Jesus, for Prophet to be ready again this soon . . . “You’ve been punishing yourself by not coming?” “Yes.” “No wonder . . . you were . . . such a bastard.” Tom’s words were punctuated by his thrusts, hard, purposeful, wonderfully skin to skin, no barriers between them. “Not happening again. Never . . . again.” “Maybe,” Prophet managed. “Try it. I will turn you over the nearest piece of furniture—and I don’t care where we are and who’s around—and I’ll fuck you until you can’t walk.” “Do it now, Tommy,” Prophet groaned. And Tom did.

heart thumped painfully against her ribs. “Will you come to Paris with me?” That wasn’t what she’d wanted to ask, but it was close. Elijah’s expression didn’t change. “Paris stinks, it’s full of Frenchmen, and they have addled notions of chivalry. Why do you want to go to Paris, Genevieve?” He hadn’t said no. Jenny clung to that and to his hand. “I don’t want to go to Paris, and I’m not sure I ever did. I don’t want to go anywhere that means I can’t be with you.” “Do you want a travel companion, Genevieve? If that’s what you’re asking, then I must refuse the honor.” Pain threatened to buckle Jenny’s knees. “Not a travel companion. Not just that.” “Somebody to paint with and appreciate art?” “Not that either.” Because she would set aside her artistic aspirations happily in favor of creating a life with him. “Good, because as much as I admire your talent and dedication, as much as I would enjoy seeing all the great capitals and treasures of the Continent—of the world—with you, I would decline that invitation too.” It dawned on Jenny that he wanted her to ask a different question. “What invitation would you accept? Tell me, Elijah, and I will extend it.” He took a step closer. “You already have. You have invited me to love you, and I do, Genevieve. I love your heart, I love your gentleness and determination, I love your concern for all around you, and I love your kisses.” He kissed her, a quick punctuation mark at the end of a lovely little list. “But you won’t travel with me?” “I’ve seen the wonders of the Continent, Genevieve. Stared at them for so long I was blind to much else, such as the wonders of a loving family and a welcoming home. Marry me, and I will happily explore those more impressive wonders with you, regardless of what country we find ourselves in.” Marry me. The question she hadn’t known how to ask him. Jenny bundled into Elijah’s arms. “Yes. Yes to the family and the home, yes to becoming your wife. Nothing would make me happier.” In

I trust Lady Jenny made you welcome?” “Very.” Kesmore’s eyes narrowed, and like an idiot, Elijah babbled on. “She is knowledgeable about art, and her company is enjoyable.” Also a sore trial to his self-restraint, which was why departure this morning was a relief. Mostly a relief. The thwack of Kesmore’s riding crop against his boot punctuated the soft whistle of the winter wind. “Lady Jenny can handle the hellions gracing my nursery, which ought to recommend her to half the bachelor princes in Europe. She talks horses with me, poetry with Louisa, politics with His Grace, recipes with—” Kesmore broke off and waved one black-gloved hand in the direction of the house—a silly wave, hand up, fingers waggling madly. Elijah followed the man’s gaze and saw a woman in a third-floor window with a child in her arms. In a gesture ubiquitous among mothers, she was waving the baby’s tiny hand in Kesmore’s direction. “The child probably can’t even see you, Kesmore, and he has no notion why you’re fluttering your hand around.” “Neither do I, and someday, neither will you.” This time Kesmore waved his riding crop at the mother and child, who waved right back.

Will you come to Paris with me?” That wasn’t what she’d wanted to ask, but it was close. Elijah’s expression didn’t change. “Paris stinks, it’s full of Frenchmen, and they have addled notions of chivalry. Why do you want to go to Paris, Genevieve?” He hadn’t said no. Jenny clung to that and to his hand. “I don’t want to go to Paris, and I’m not sure I ever did. I don’t want to go anywhere that means I can’t be with you.” “Do you want a travel companion, Genevieve? If that’s what you’re asking, then I must refuse the honor.” Pain threatened to buckle Jenny’s knees. “Not a travel companion. Not just that.” “Somebody to paint with and appreciate art?” “Not that either.” Because she would set aside her artistic aspirations happily in favor of creating a life with him. “Good, because as much as I admire your talent and dedication, as much as I would enjoy seeing all the great capitals and treasures of the Continent—of the world—with you, I would decline that invitation too.” It dawned on Jenny that he wanted her to ask a different question. “What invitation would you accept? Tell me, Elijah, and I will extend it.” He took a step closer. “You already have. You have invited me to love you, and I do, Genevieve. I love your heart, I love your gentleness and determination, I love your concern for all around you, and I love your kisses.” He kissed her, a quick punctuation mark at the end of a lovely little list. “But you won’t travel with me?” “I’ve seen the wonders of the Continent, Genevieve. Stared at them for so long I was blind to much else, such as the wonders of a loving family and a welcoming home. Marry me, and I will happily explore those more impressive wonders with you, regardless of what country we find ourselves in.” Marry me. The question she hadn’t known how to ask him. Jenny bundled into Elijah’s arms. “Yes. Yes to the family and the home, yes to becoming your wife. Nothing would make me happier.” In

The agony of having to share this small slice of world with big breakable humans who are really just uncovered beating hearts walking around spilling their viscera and their words everywhere, not bothering to clean up. Animals are a smooth punctuation to human parataxis, resisting our love out of modesty.

Traders and quants are genuinely different species. Traders pride themselves on being tough and forthright while quants are more circumspect and reticent. These differences in personality are reflections of deeper cultural preferences. Traders are paid to act. All day long they watch screens, assimilate economic information, page frantically through spreadsheets, run programs written by quants, enter trades, talk to salespeople and brokers, and punch keys. It’s hard to have an extended conversation with a trader during the business day; it takes an hour of standing around to have five minutes of punctuated repartee. Part of what traders do has a video game quality. In consequence, they learn to be opinionated, visceral, fast-thinking, and decisive, though not always right. They thrive on interruption. Quants

Leo could not, afterwards, recall running forward or swinging Van Atta around to face him, but only Van Atta’s surprised, open-mouthed expression. “Bruce,” he sang through a red haze, “you smarmy creep—lay off.” The uppercut to Van Atta’s jaw that punctuated this command was surprisingly effective, considering it was the first time Leo had struck a man in anger in his life. Van Atta sprawled backwards on the concrete. Leo

Liam placed his fingers on the cold, smooth metal handle of the door and pushed it open, leaving the dimly lit corridor behind him. The rain whispered its soothing melody, its droplets creating a symphony as they danced upon the surfaces around. Cars were scattered along the road, doors left open, creating the impression of people hastily abandoning their vehicles. The oppressive silence of the city was punctuated by the constant buzzing of the streetlights, creating an unsettling atmosphere.

When I close my eyes and think of her, I see her hands. She was completely unaware of them, but they were threaded through every word she said like melody lines, changing tempo and rhythm with her story. They were quick, jumpy but certain. “I don’t think we’ll be doing that,” she would say when something was ridiculous. Her index finger would draw a line around her sentence and stop, stabbing a sort of punctuation in the air. She had long, strong fingers. She wasn’t afraid to get them dirty. She wasn’t afraid to touch. She held my hand while she talked to me, or when we walked down the street. She played with my hair, absentmindedly, when she was making a point. It took me some time to get used to all the touching. She dismissed the barriers, the walls of politeness, the invisible personal space we protect. There was no awkward embrace with her, no hesitation. She hugged you tight, as if she might never see you again.

From his headquarters in Los Angeles, Bob Lorsch had entered the prepaid calling card space and built SmarTalk into a success. I was a VP at Salomon at the time and had heard stories about how crazy and fascinating Lorsch was, so I agreed to work with my colleague Mark Davis on a SmarTalk equity offering a year or so after the company’s IPO. We met at their Los Angeles offices at lunchtime. Lorsch burst into the room like a bad caricature of Danny DeVito, and even though I’d been warned that he was an unconventional CEO, I still wasn’t prepared for the encounter. We had put together the standard detailed presentation that analyzed the state of the public equity markets, how the SmarTalk stock had been performing, who owned it, et cetera. A young Salomon analyst who had been pulling all-nighters to assemble the books sat in a chair near the door. Mark and I passed around the presentation books. “So we’ve prepared a—” I started. “Just tell me,” Lorsch interjected. “Do we have Grubman or not?” Jack Grubman, Salomon’s famed equity analyst, had previously endorsed the SmarTalk IPO with a buy rating. “Yes,” Mark said. “We have Jack. We talked to him prior to the meeting and confirmed that he’ll continue to cover the company and support the offering.” “Then you’re hired,” Lorsch said with a smile, pushing his unopened book to the center of the table. “Let’s eat.” It seemed reckless to have made his decision on so little information, and I could only imagine how the analyst kid near the door felt, sleep-deprived and probably proud of his hard work, only to see the book tossed aside without so much as a cracking of the spine. While we ate the catered lunch that was delivered to the conference room, Mark mentioned that I was in the midst of planning my wedding for that summer. “Don’t get married!” Lorsch advised me. “Terrible, terrible idea.” He described a few of his own ill-fated unions, dropping in crude one-liners to punctuate the stories: “Why buy when you can rent? . . . If it flies, floats, or fucks, don’t buy it! . . .” Despite

When I was living in a panic attack punctuated only by depression, when my heart pounded rapidly with fear, when I hardly knew who I was and didn’t know how I could carry on living. If we keep going in a straight line we’ll get out of here. Walking one foot in front of the other, in the same direction, will always get you further than running around in circles. It’s about the determination to keep walking forward.

Hemicrania continua is a type of daily headache characterized by persistent pain on one side of the head punctuated by episodes of sharp pain. The painful flare-ups are often accompanied by other symptoms, including watery eyes, runny nose, eyelid swelling, or constriction of the pupils. Remarkably, most patients with this type of headache get better when treated with an inexpensive medication that has been around for years: indomethacin.

You’re so beautiful, sexy as hell,” I punctuate my sentence with a kiss. “And you’ve quickly become my favorite person to be around.

Holly implored him. "Juan, I had a miscarriage. Obviously, God doesn't want me to carry our baby. But now, you, you can. This is a miracle! This is our second chance. God is good, all the time! Can I get an Amen?" She punctuated her words with a little celebratory dance. “I have to call Pastor Pete with the exciting miracle. Oh wait, I wonder if he is pregnant, too?” She laughed. “Can you imagine all the men at church, pregnant? We have to go next Sunday, I have got to see this.” But Juan, determined to make his stance clear, was unyielding. "Holly! I get to have a choice here." "Choice.” She snickered. “Welcome to life as a woman!” Holly spun around to see him. “Our entire existence is doing things we don't want to do, starting with our first period to having the great portal between our legs that brings humans into this world…and then you men dictating what we can and can’t do. Choice. Please.

But the Douglas, with his denser body, leaps and glides in hidden strength, seemingly as independent of common muscles as a mountain stream. He threads the tasseled branches of the pines, stirring their needles like a rustling breeze; now shooting across openings in arrowy lines; now launching in curves, glinting deftly from side to side in sudden zigzags, and swirling in giddy loops and spirals around the knotty trunks; getting into what seem to be the most impossible situations without sense of danger; now on his haunches, now on his head; yet ever graceful, and punctuating his most irrepressible outbursts of energy with little dots and dashes of perfect repose. He is, without exception, the wildest animal I ever saw,—a fiery, sputtering little bolt of life, luxuriating in quick oxygen and the woods’ best juices.

I love you," she said. Hades grinned again, and a breathless laugh escaped him. She lifted her legs, wrapping them around his waist. "Why do you laugh?" "It is merely disbelief," he said, his words punctuated with his breath as he moved inside her. "You have become my past, my present, and my future.

Light can pass through the translucent eggs, and chemicals can diffuse into them. But vibrations are what really matter. They pass into the eggs and into the embryos, which can distinguish between bad vibes and benign ones without any previous experience of either. A bite from a snake will trigger hatching. Rain, wind, and footsteps will not. Even when a mild earthquake rattled Warkentin’s pond, the embryos didn’t react. By recording different vibrations and playing them back at the eggs, Warkentin showed that they’re attuned to pitch and rhythm. Falling raindrops produce a steady pitter-patter of short, high-frequency vibrations. Attacking snakes produce lower frequencies and more complicated patterns, with prolonged bouts of chewing punctuated by periods of stillness. If Warkentin edited gaps of stillness into rainfall recordings to make them feel more snake-like, the tadpoles found them scarier and were more likely to hatch. They can clearly sense the world before entering it, and they can use that information to defend themselves. They have agency. They have an Umwelt.

the divorce she made a noise that sounded like an empathy orgasm, then pulled me to her chest and cradled my head like a child’s. ‘You must be devastated,’ she said, petting my hair in a way that was not unenjoyable but was not the romp I had hoped for, from the glint. ‘This must be such a dark time for you. I’m a Highly Sensitive Person, so you don’t need to tell me, I get it.’ I did not think it required a person to be highly sensitive to know that divorce was painful, but more than that, I did not want to talk about it with Tamara. I kissed her for a minute or two, and it was going well until she made the noise again, then pulled away and said, ‘Poor little bird.’ I told her I was okay, mostly, that I knew nothing worthwhile came easy and was taking it one day at a time. In reality, life since my mom’s house had felt very dark indeed, more or less blurring into one long nap punctuated by cereal and episodes of Housewives; but I did not share this, because I did not want to be this woman’s bird. She poured us each a glass of water and told me a lengthy anecdote about her friend’s bike accident, labouring particularly hard over the doctor’s instruction that – should this friend ever find herself hurtling over her handlebars on Roncesvalles Avenue again – she not brace for impact. ‘You have to go limp and let it happen,’ she said softly. ‘You can’t fight it, or you’ll break every bone in your body.’ She was rocking me back and forth at this point, but getting a cab at that hour, on New Year’s, would have been impossible, so when she slid her hand under my shirt, I pretended to be asleep. The next morning we lay around in her bed, where, to avoid further cycling metaphors, I asked her to tell me the twist endings

Vimes cupped his hands around the flame, sucked on the foul tobacco, tossed the match into the gutter and slouched off down the damp, puddle-punctuated alley. If there was anything that depressed him more than his own cynicism, it was that quite often it still wasn’t as cynical as real life.

Kenny, used a ramrod to force the ammunition down the length of the barrel of a gun that everyone referred to as Nuke-U-Ler. “Okay,” Kenny said, his speech slightly slurred, beer cans scattered around his feet, “now I just open the valve here on the propane tank and set the pressure regulator to sixty PSI.” Buster struggled to write this down in his notebook, his fingers frozen at the tips, and asked, “Now what does PSI stand for?” Kenny looked up at Buster and frowned. “I have no idea,” he said. Buster nodded and made a notation to look it up later. “Open the gas valve,” Kenny continued, “wait a few seconds for it to regulate, then close the valve and open up the second valve here. That sends the propane into the combustion chamber.” Joseph, missing two fingers on his left hand, his face round and pink like a toddler’s, took another swig of beer and then giggled. “It’s about to get good,” he said. Kenny closed the valves and pointed the contraption into the air. “Squeeze the igniter button and—” Before he could finish, the air around the men vibrated and there was a sound like nothing Buster had ever heard before, a dense, punctuated explosion. A potato, a trail of vaporous fire trailing behind it, shot into the air and then disappeared, hundreds of yards, maybe a half mile across the field. Buster felt his heart stutter in his chest and wondered, without caring to discover the answer, why something so stupid, so unnecessary and ridiculous, made him so happy. Joseph put his arm around Buster and pulled him close. “It’s awesome, isn’t it?” he asked. Buster, feeling that he might cry at any moment, nodded and replied, “Yes it is. Hell yes it is.” Buster had come to Nebraska on assignment from a men’s magazine, Potent, to write about these four ex-soldiers who had been, for the past year, building and testing the most high-tech potato cannons ever seen. “It’s so goddamned manly,” said the editor, who was almost seven years younger than Buster, “we have to put it in the magazine.” Buster had been in his one-room apartment in Florida, his Internet girlfriend not returning his e-mails, nearly out of money, not working on his overdue third novel, when the editor had called him to offer the job. Even with the terrible circumstances of his life at the moment, he was loath to accept the assignment.

So it’s up to Maya. She’s already won. I’m just the bonus round.” He grinned then, but it was a different kind of grin, a mock arrogance that made me laugh and shake my head. I looked into his eyes and saw the challenge sparkling there, and I hadn’t even decided what to do when I heard myself saying, “You’re on.” As Rafe walked over to the dangling harness, he stripped off his jacket, earning him giggles and whispers from the girls and grunts from the guys, who weren’t nearly as impressed. Rafe skipped gym whenever he could, so I’d assumed he wasn’t the athletic type. I was wrong. He wore an old T-shirt with the sleeves torn off, and his lean muscles moved under coppery skin. He had a tattoo on the inside of his forearm--a small one that looked like raven wings. When he turned around, I caught the faint edge of another tattoo on his shoulder peeking from under his shirt. He glanced over, like he’d sensed me looking. When I didn’t turn away, he grinned and mouthed something I didn’t catch, probably didn’t want to. Brendan helped Rafe into the harness. It took a while, the process punctuated by Rafe’s questions. Then he stood at the base of the rock face, saying, “You put your toes here, right? And you grab those things that stick out?” The others laughed and yelled, “Quit while you’re ahead!” Daniel relaxed and rolled his eyes at me. I rolled mine back, but not for the same reason. When we were finally in position, the others pulling away, I whispered, “Poseur.” Rafe glanced over, brows arching. “Keep calling me that and I might get insulted.” “Stop earning it and I’ll stop saying it.” I faced forward as I tested my rope and waited for Daniel to get to the top. “Are you implying that I know how to climb?” “Are you implying that I’m stupid enough to think you’d challenge me if you didn’t? Of course, you can’t be that good if you need to slow me down by pretending you don’t know what you’re doing.

Where is your fire?” Trenton asked, every word punctuated with another blow.   Shea kept silent and concentrated on getting out of the encounter with no internal bleeding. With the way he was hammering at her guard, he’d cause an injury if a blow landed.   “Is this the woman who convinced her men to follow her on a fool’s errand?”   Shea didn’t respond.   “Where is the spirit that drove you off a cliff onto a shadow beetle?”   He was very talkative as he drove her across the small practice ring. She envied him the ability.   “You’re weak.”   Now he was onto insults.   “You don’t belong here.”   Yeah, yeah, yeah. She’d heard that one before.   He closed with her, bearing down with his blade until her arms were shaking with the strain. His face was close to hers as their match became a test of strength. “Your stupidity is going to get everyone killed.”   Abruptly, Shea released the blade with one hand, sidestepped and launched a punch straight into his ear. His head rocked to the side and Shea, taking advantage of his distraction, grabbed his arm and hooked her leg around his before pushing with all her might.   He toppled backwards, landing hard on the ground for the first time that day. Shea didn’t wait for him to recover and kicked him in the ribs. He rolled into her legs as she prepared to do it again, bringing her to the ground with him.   She kicked, punched and wiggled her way back to standing and quickly backed up as he rose to his feet.   He didn’t look happy. Shea backed up even further.   The dark expression on his face was a bit scary. Guess she shouldn’t have kicked him when he was down. The biting probably didn’t help either. Trying to dig her fingers into his eyes had been a low blow. Even she could admit that. This was practice. Some things were just off limits.   He started for her, not even bothering to pick up his practice sword. Shea prepared to run. New energy coursed through her as she felt genuine danger rolling off Trenton.   “Test complete,” the old man crowed.   “What?” Shea asked in disbelief.   “You passed.”   “That’s it?”   The test had been difficult but not impossible. She’d been expecting impossible given the hesitation the old man showed in testing her.   “Mostly.”   That’s what she thought.

Jake ignored my question. “Who was that first guy you were talkin’ to?” “James. You met him at my house before.” “Why were you talkin’ to him?” “He stopped me to say hi. Why?” “He touched you.” “He tucked my hair behind my ear. It isn’t like it was obscene.” “Not like what Green wanted to do to you. Why the fuck were you talkin’ to him?” His jaw clenched as his body tensed further. “He stopped me. I was politely excusing myself and trying to get away from him.” “That didn’t seem to be workin’, did it? You like what he was sayin’ to you, babe? Like hearin’ him talk about your sweet cunt? Were you thinkin’ about how it would be?” Jake asked crudely, his voice low and rough. “No, what? How what would be?” “Fuckin’ a rock star. Slummin’ it with the lowly mechanic not doin’ it for you anymore?” I stared up at him in wide-eyed disbelief. Fuck it. Poke the bear. I glared at him, my temper rising. “Why are you being a jerk? I’m here with you.” “Oh, so if I wasn’t around? I could leave if that’d make it easier for you to work the room.” He lowered his hands and stepped back. His shoulders were tight as his fists clenched by his sides. “You’re being an ass. Come find me when you calm down.” I shifted to leave but Jake moved back into my space. “James,” he sneered, “tucked your hair behind your ear. Do you know how intimate that is? How it felt to watch that? And Blake? I can’t even go there again. You stood there and let them touch you, Piper. Why?” His hands slammed back on the wall, punctuating the word as his body pressed close to mine. “Jake, I didn’t—” “You don’t care when we don’t see each other. I called you yesterday, fuckin’ hatin’ that I had to cancel, but you were totally fine with it. Christ, you couldn’t even call yourself my woman on the way here. Obviously, you’re still free and available to do what you want.

The car lurched forward like a living thing, the needle on the speedometer spiking up to fifty, then eighty, then ninety. The entire world seemed to shrink to a silent pinpoint. Rylin lost all sense of time or place. There was nothing but this, the car beneath them and the curve of the road before them and the rush of her blood pumping hot and fast through her veins. The landscape flashed past, a blur of sky and dark forest punctuated only by the yellow line glowing on the road. The wind pulled her hair in a loose tangle around her shoulders. She could feel Cord looking at her and she wanted to remind him to keep his eyes on the road but something told her she didn’t need to. He let his right hand fall over the middle console, driving only with his left, and Rylin reached for it. Neither of them spoke.

Okay. Thank the Lord for this deal with Adam. Finally, you can get going on your way and stop fooling around, waiting on him.” Aurora smacked her palms together, punctuating her declaration with such force Susanna jerked backward, squinting. “Know what your problem is, girl?” “I only have one?” Aurora’s big laugh held no restraint. “Touché.” She gripped Susanna’s arms. “You just wouldn’t break … wouldn’t let go. You clung so tightly. I see a bit of myself in you, darling. I was bound so tight God couldn’t even whisper my name lest I shatter. I had to let go. I had to crack.” She wagged her finger under Susanna’s nose. “That’s what you need.” “I’m not sure I know how to crack. At least not in all the right places, Aurora.” “He does.” She pointed toward the heavens. “And from what I can see, the first crack hit just right. Wasn’t too painful, was it?” “You’re telling me God sent Adam to break up with me?” “If he’d asked, would you have said yes?” “No.” “See … you knew all along, girl. Just like I did. Back in the day, drugging and sleeping around, I thought I was all liberated and free, but I was nothing but bound.” She gripped the air in front of her face. “But I held on. To my reputation, my career, my fancy home, my clothes and jewels, my expensive car.

Every thrust was him taking out his anger on me. Punishing me. Saying the things with his body that he hadn’t yet said with his words. Nolan spoke with his lips against my neck as he grunted, each thrust harder than the last. With every pull out, I squeezed around his cock until I thought I was going to pass out from both pleasure and anger…and fear. “You don’t get to fucking kill me. You don’t get to fucking leave me. Never again. You got that? No matter what happens. You don’t get to assume we’re ever over, because we will never, EVER, be over.” He punctuated the last remark with a hard thrust that made my head crash backward into the sand. “Say yes,” he demanded. “I want to hear you say the fucking words.” “Yes,” I breathed.

The symmetry was perfect, each triangle a perfect replica of its neighbor. Cashews, hazelnuts, and blanched almonds peeked out of their baptism in caramel jam, a sea of creamy browns punctuated by green pistachios. The tart shell formed a precise circle of pastry around the caramel and nuts.

In the same way that genetic information is stored as DNA, epigenetic information is stored in a structure called chromatin. DNA in the cell isn’t flailing around disorganized, it is wrapped around tiny balls of protein called histones. These beads on a string self-assemble to form loops, as when you tidy your garden hose on your driveway by looping it into a pile. If you were to play tug-of-war using both ends of a chromosome, you’d end up with a six foot-long string of DNA punctuated by thousands of histone proteins. If you could somehow plug one end of the DNA into a power socket and make the histones flash on and off, a few cells could do you for holiday lights. In simple species, like ancient M. superstes and fungi today, epigenetic information storage and transfer is important for survival. For complex life, it is essential. By complex life, I mean anything made up of more than a couple of cells: slime molds, jellyfish, worms, fruit flies, and of course mammals like us. Epigenetic information is what orchestrates the assembly of a human newborn made up of 26 billion cells from a single fertilized egg and what allows the genetically identical cells in our bodies to assume thousands of different modalities.24 If the genome were a computer, the epigenome would be the software. It instructs the newly divided cells on what type of cells they should be and what they should remain, sometimes for decades, as in the case of individual brain neurons and certain immune cells.

Punctuation marks are well-mannered symbols that lead us around like a faithful butler; remove them, and we dance free form ...