Punching Bag Quotes

We've searched our database for all the quotes and captions related to Punching Bag. Here they are! All 100 of them:

Oh, man there's a marathon of Beaches running tomorrow night. Can we go after ten so I can see it once all the way through?" Everyone in the room turned to the blond-and-black haired guy, who was propped in the corner, massive arms over his chest. What," he said. "Look, it's not Mary Tyler Moore, 'kay? So you can 't give me shit." Vishous, the one with the black glove on his hand, glared across the room. "It's worse than Mary Tyler Moore. And to call you and idiot would be an insult to half-wits around the world." Are you kidding me? Bette Midler rocks. And I love the ocean. Sue me." Vishous glanced at the king. "You told me I could beat him. You promised." As soon as you come home," Wrath said as he got to his feet, "we'll hang him up by his armpits in the gym and you can use him as a punching bag." Thank you, baby Jesus." Blond-and-Black shook his head. "I swear, one of these days I'm going to leave." As one, the Brothers all pointed to the open door and let silence speak for itself. You guys suck.
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
LADIES!!!! You are not a SEXUAL OBJECT! - not a PUNCHING BAG _ not a target for EMOTIONAL ABUSE! You worth more than that! You were created by God to be a Partner to MEN not a SLAVE, to provide Strength and support to them not to be used and manipulated by them, to submit to them not to become fools in that process. You have your Dignity and Self Worth. Never sacrifice those!
bolanle john
What happened to you? (Sin) Was mistaken for a punching bag again. But what the hell, I’m used to it. (Xypher)
Sherrilyn Kenyon (Devil May Cry (Dark-Hunter, #11))
This was a few weeks ago," Annabeth said. "Percy told me a crazy story about meeting a boy our near Moriches Bay. Apparently this kid used hieroglyphs to cast spells. He helped Percy battle a crocodile monsters." "The Sob of Sobek!" Sadie blurted. "But my brother battled that monster. He didn't say anything about-" "Is your brother's name Carter?" Annabeth asked. An angry golden aura flickered around Sadie's head-a halo of hieroglyphs that resembled frowns, fists, and dead stick men. "As of this moment," Sadie growled, "My brother's name is Punching Bag.
Rick Riordan (The Staff of Serapis (Demigods & Magicians, #2))
I held up my hands. 'I thought you could use a punching bag.' See, this is me, the new and improved Nick Pardee, available to girlfriends and crazy people in their time of need.
Tessa Gratton (Blood Magic (The Blood Journals, #1))
The hard part about one being tough yet meek is the illusion of being a punching bag.
Criss Jami (Killosophy)
You can't imagine how hard it is to come home from hell and be expected to pick up the threads of a life. Apply for jobs, go to a factory, punch in, punch out. Put your lunch in a bag and get on the omnibus every day. Like nothing happened. Nothing.
Simone St. James (The Haunting of Maddy Clare)
Good food makes me want to hit a punching bag like, Dat's right motherfucker. You done did it there.
Eddie Huang (Fresh Off the Boat)
If Wayne needed a punching bag, Vic was ready to take the hits. It would be a way of making amends. How she loved that word. She liked that it almost sounded like "amen".
Joe Hill (NOS4A2)
...she waited until she and my grandfather Anthel were just home from their honeymoon, and then sat him down and told him this: "Honey, I know you like to take a drink, and that's all right, but be forewarned that I ain't your maid and I ain't your punching bag, and if you ever raise your hand to me you'd best kill me. Because otherwise I'll wait until you're asleep; sew you into the bed; and beat you to death with a frying pan." Until he died, I am told, my grandfather was a gentle man.
Haven Kimmel (A Girl Named Zippy: Growing Up Small In Mooreland, Indiana)
I know what you mean. I usually take it out on my older sister. You can lease her for a weekend or something if you need a psychological punching bag. I'll even give you a discount.
Hayden Thorne (Mimi Attacks (Masks, #5))
It's never ok to hit a girl. Never. Not even if she cheats on you. A girl is not your property. She's a human being. She is just as important as you. She is your equal. And her wishes and feelings are just as valid as yours. All you can do is treat her nice, and hope she wants to be with you. If she chooses to be with you, great! If not, or if she chooses to leave you at some point, you have to let her go. You have no right to stop her. You don't own her, and you don't have the right to tell her what to do. She's your partner. Not your servant, not your sex slave, and not your punching bag.
Oliver Markus (Sex and Crime: Oliver's Strange Journey)
The problem was the liars. They said she could do anything she set her mind to, they told her she should shoot for the moon because if she missed she’d be among the stars, they made movies tricking her into thinking she could achieve heroic things. All lies. Because she was born to answer phones in call centers, to carry bags to customers’ cars, to punch a clock, to measure her life in smoke breaks. To think otherwise was insane.
Grady Hendrix (Horrorstör)
Christopher throws dandelion head after dandelion head into his bag. It's getting heavy now and his fingers are stained from the work but there are still so many left to kill. His biggest mistake is giving them names.
Brian Martinez (Kissing You is Like Trying to Punch a Ghost)
Where’s Sasha?” – Sundown “Getting his ass kicked while deflecting this asshole from you. Any time you want to help me, Jess. Step right up.” – Sasha “Whatever you do, keep him busy.” – Sundown “No problemo. Using my face as his punching bag seems to be working. I’ll just need you to help me find all my teeth later.” – Sasha
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
There's something wrong with that boy." Clay sounded mystified. "He's talented, ain't no one gonna argue that, but yeah... something." Sweaty, tired, and sore, Romeo sat on the mat in the massive martial arts center Clay owned with Jules and Wyatt. While trying to catch his breath, he watched Tino move to the beat of his own drummer as he worked out using a punching bag. With white headphones in his ears, his brother bounced and danced and kicked at that stuffed sack of beans, and for the life of him, Romeo couldn't tell if he was trying to hurt the thing or date it.
Kele Moon (Star Crossed (Battered Hearts, #2))
I wasn't born to parents, I was born to strangers - To people who merely looked at me like a punching bag, But looked at each other with love.
﹁ Aʟʟᴍɪɢʜᴛ ﹂ Oꜰꜰɪᴄɪᴀʟ
You've been my teachers, clergy, my fellow students, coworkers, bosses, principals, sometimes you were a former friend or even family I once trusted. You've taken things I told you in utter confidence, & twisted them into lies to be used against me. Without cause, you have told lies against me. You have refused to see me as a human being. You have kicked me when I was up & you have kicked me when I was down. But today, you will kick me no more, I will no longer be your verbal or physical punching bag, Today, I discovered the secret that will never allow you or friends, who will one day turn on you too, to hurt me again. Today as I lay broken & bleeding in that dark place I crawl into when I think I can't take it anymore, I found something extraordinary. My humanity. As my soul screamed in bleeding agony & I wanted to die rather than live one more day in a world where you exist, I realized that my tears & ability to feel pain without lashing out to return that hurt to someone else makes me human.
Sherrilyn Kenyon (Inferno (Chronicles of Nick, #4))
What do you do with the kid who can't read? ...Well, what he did with the kid who couldn't read was to make her his mistress. What Farley did was to make her his punching bag. What the Cuban did was to make her his whore, or one among them--so Coleman believed more often than not.
Philip Roth (The Human Stain (The American Trilogy, #3))
Don’t disrespect women, period. They’re twice as evolved as most men will ever be. Don’t take your shit out on them, either. It’s a sign of weakness, and they aren’t punching bags. They’re a sanctuary, and you need to figure that out quick.
Kate Stewart (The Finish Line (The Ravenhood, #3))
Humility is not weak, powerless, faint, a pushover, a punching bag or an abuse magnet, because above all — humility cares.
Bryant McGill (Simple Reminders: Inspiration for Living Your Best Life)
I have tormented some sweet men. Broken hearts and shattered dreams. Men are punching bags, and I have a hell of a right hook.
R.K. Lilley (Breaking Him (Love is War, #1))
Her breasts swayed like ancient cracked punching bags.
Stephen King (The Shining (The Shining, #1))
Don't we all want a friend who won't ever challenge our superiority, because they already know it's a lost cause? Don't we all need someone we can treat as a punching bag?
R.F. Kuang (Yellowface)
You’re his truth. So, help him, but stand your ground. Don’t be his punching bag, Maggie. Love him, but love yourself, too. Just because he’s hurting doesn’t mean he gets to hurt you,
Brittainy C. Cherry (The Silent Waters (Elements, #3))
A punching bag. The guy was pounding on a punching bag. That realization took about a nanosecond to register in her brain before the real important information came to the forefront: LoriSue, God bless her slutty little soul, had been absolutely correct. He was male-stripper material, and he’d been thoughtful enough to strip to a pair of athletic shorts on his very first night in the neighborhood.
Susan Donovan (Public Displays of Affection)
The “catharsis hypothesis”—that aggression builds up inside us until it’s healthily released—dates back to the Greeks, was revived by Freud, and gained steam during the “let it all hang out” 1960s of punching bags and primal screams. But the catharsis hypothesis is a myth—a plausible one, an elegant one, but a myth nonetheless. Scores of studies have shown that venting doesn’t soothe anger; it fuels it.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
Ask any Ferrari, Porsche or Ray-Ban salesperson about their average customer and you will very likely hear that he is not, as the adverts would have us believe, a virile young footballer with shiny hair, a rippling six pack and a trouser pouch like a new punch bag. He is, in fact, a middle-aged bloke wearing more chins than he started life with and carrying the clear evidence of forty years of beer and pies slung across his midriff.
Richard Hammond (Or Is That Just Me?)
Cheese runners shouted at it, tried to grab it, and flailed at it with sticks, but the piratical cheese scythed onward, reaching the bottom just ahead of the terrible carnage of men and cheeses as they piled up. Then it rolled back to the top and sat there demurely while still gently vibrating. At the bottom of the slope, fights were breaking out among the cheese jockeys who were still capable of punching somebody, and since everybody was watching that, Tiffany took the opportunity to snatch up Horace and shove him in her bag. After all, he was hers. Well, that was to say she had made him, although something odd must have gone into the mix since Horace was the only cheese that would eat mice and, if you didn't nail him down, other cheeses as well.
Terry Pratchett (I Shall Wear Midnight (Discworld, #38; Tiffany Aching, #4))
Man? What man? I thought it was a punching bag!
Sherrilyn Kenyon
Some people paint for stress relief. Others beat the crap out of punching bags (which, I might add, is very therapeutic).
Christina Farley (Gilded (Gilded, #1))
Good food makes me want to hit a punching bag like, Dat’s right motherfucker. You done did it there.
Eddie Huang (Fresh Off the Boat)
So I take it you and Gansey get along, then?” Maura’s expression was annoyingly knowing. “Mom.” “Orla told me about his muscle car,” Maura continued. Her voice was still angry and artificially bright. The fact that Blue was well aware that she’d earned it made the sting of it even worse. “You aren’t planning on kissing him, are you?” “Mom, that will never happen,” Blue assured her. “You did meet him, didn’t you?” “I wasn’t sure if driving an old, loud Camaro was the male equivalent of shredding your T-shirts and gluing cardboard trees to your bedroom walls.” “Trust me,” Blue said. “Gansey and I are nothing like each other. And they aren’t cardboard. They’re repurposed canvas.” “The environment breathes a sigh of relief.” Maura attempted another sip of her drink; wrinkling her nose, she shot a glare at Persephone. Persephone looked martyred. After a pause, Maura noted, in a slightly softer voice, “I’m not entirely happy about you’re getting in a car without air bags.” “Our car doesn’t have air bags,” Blue pointed out. Maura picked a long strand of Persephone’s hair from the rim of her glass. “Yes, but you always take your bike.” Blue stood up. She suspected that the green fuzz of the sofa was now adhered to the back of her leggings. “Can I go now? Am I in trouble?” “You are in trouble. I told you to stay away from him and you didn’t,” Maura said. “I just haven’t decided what to do about it yet. My feelings are hurt. I’ve consulted with several people who tell me that I’m within my rights to feel hurt. Do teenagers still get grounded? Did that only happen in the eighties?” “I’ll be very angry if you ground me,” Blue said, still wobbly from her mother’s unfamiliar displeasure. “I’ll probably rebel and climb out my window with a bedsheet rope.” Her mother rubbed a hand over her face. Her anger had completely burned itself out. “You’re well into it, aren’t you? That didn’t take long.” “If you don’t tell me not to see them, I don’t have to disobey you,” Blue suggested. “This is what you get, Maura, for using your DNA to make a baby,” Calla said. Maura sighed. “Blue, I know you’re not an idiot. It’s just, sometimes smart people do dumb things.” Calla growled, “Don’t be one of them.” “Persephone?” asked Maura. In her small voice, Persephone said, “I have nothing left to add.” After a moment of consideration, she added, however, “If you are going to punch someone, don’t put your thumb inside your fist. It would be a shame to break it.” “Okay,” Blue said hurriedly. “I’m out.” “You could at least say sorry,” Maura said. “Pretend like I have some power over you.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Look, I'm not here to lecture you about Eurocentricity or media bias; I just want to put forth the idea that maybe China has been the punching bag of the West for a very, very long time, and that nothing is gained from the continued demonization of its people... of my people. If you can accept that a single country can give birth to both a Donald Trump and a Donald Glover, a Steve Carell and a Stone Cold Steve Austin, you shouldn't have any difficulty accepting that the 1.3 billion people who call China home are just as varied in their ideologies and philosophies. There are the party officials, the pure-of-heart idealists, the Crazy Rich Asians, the activists, the social media influencers (smash that subscribe button!), the internet trolls and every conceivable thing in between–but perhaps most of all, there are the families like my parents, who simply did their best to stay out of trouble and survive from one day to the next.
Simu Liu (We Were Dreamers: An Immigrant Superhero Origin Story)
No feeling is wrong. You have the right to your feelings. However, you do not need to wallow in them, and you do not have the right to act them out. The world hasn't suddenly become your punching bag or litter tray.
Anna Valdiserri
Another day. I’m tired.” Harper wasn’t the type of girl who could shop until she dropped. She was more of a “shop until you feel like punching random people for doing nothing more than bumping you with their bags” girl. “Time to eat.” As
Suzanne Wright (Blaze (The Dark in You, #2))
If I could ban some of you from ever opening your mouth in public, I would, but this is out of my hands. Attempt to behave yourselves without sacrificing your confident image. Think you can do that?" "You're no fun, Coach," Nicky said. "I will be a lot less fun if you make us look like fools," Wymack said. "But I'm not as worried about you as I am about our resident punching bag and his smart mouth. Anyone have ideas on how to make Neil look a bit less like a battered wife?
Nora Sakavic (The King's Men (All for the Game, #3))
Yeah, but I kill myself training. It's just about all I do. I get up and train, and run and I split my hands on the punching bag, and I train for hours into the night, and I have to, because there is nothing else special about me and nothing else that matters. All there is, is training and finding out who killed my parents. Because they were the ones who thought I was special, and whoever took them away from me...What I have is trying. I can try harder than anyone else in the world. I can make revenge the only thing I have in my life. I can do that, because I have to. But it means it's all I have.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
I have been reading about the Neutron Bomb. I want to be like that, radiant and deadly, a ghost of an impact, to pass through walls, to kill everyone, in flight among the empty houses, punching through molecules like a knife through a paper bag.
Alexander Chee (Edinburgh)
There is no possible way this could go badly, especially if you start issuing orders. Heaven knows people who’ve spent their lives as punching bags do best when they have absolutely no control over a situation and someone else dominates them completely.
Jennifer Lynn Barnes (Bad Blood (The Naturals, #4))
He sighed and opened the black box and took out his rings and slipped them on. Another box held a set of knives and Klatchian steel, their blades darkened with lamp black. Various cunning and intricate devices were taken from velvet bags and dropped into pockets. A couple of long-bladed throwing tlingas were slipped into their sheaths inside his boots. A thin silk line and folding grapnel were wound around his waist, over the chain-mail shirt. A blowpipe was attached to its leather thong and dropped down the back of his cloak; Teppic picked a slim tin container with an assortment of darts, their tips corked and their stems braille-coded for ease of selection in the dark. He winced, checked the blade of his rapier and slung the baldric over his right shoulder, to balance the bag of lead slingshot ammunition. As an afterthought he opened his sock drawer and took a pistol crossbow, a flask of oil, a roll of lockpicks and, after some consideration, a punch dagger, a bag of assorted caltrops and a set of brass knuckles. Teppic picked up his hat and checked it's lining for the coil of cheesewire. He placed it on his head at a jaunty angle, took a last satisfied look at himself in the mirror, turned on his heel and, very slowly, fell over.
Terry Pratchett (Pyramids (Discworld, #7))
[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set ‘em up. What’ll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Mother’s milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now you’re talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of life’s problems. I say god only knows what I’d be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesn’t drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep ‘em comin’. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. That’s better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dt’s. B’jesus & pink elephants. A mindbender. Hittin’ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldn’t say no I say. I say whatever he’s having. I say next one’s on me. I say bottoms up. Put it on my tab. I say one more. I say same again
Nick Flynn (Another Bullshit Night in Suck City)
Before we had left for Charleston, I had been shoved—hard—by and unseen spirit wreaking havoc in our house. I had been hurt, but it wasn’t nearly as serious as what had happened in Ohio. I tried to smile. “I guess I’m just a paranormal punching-bag.
Mara Purnhagen (One Hundred Candles (Past Midnight, #2))
Naturally, I knew what to expect when my father got home. I had a lot of time to think about it, but all I could think about was breaking the principal’s jaw with just one punch, a grown man. My father walked in the door steaming mad and threw the boxing gloves at me hard. I caught them, but this time I threw them back at him. I said, “You better take another look.” I was sixteen, almost seventeen, by then. “I won’t hit you,” I said. “You’re my father. But you better get yourself another punching bag.
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
A woman is like a tea bag—you can’t tell how strong she is until you put her in hot water.” —Eleanor Roosevelt “Nobody will protect you from your suffering. You can’t cry it away or eat it away or starve it away or walk it away or punch it away or even therapy it away. It’s just there, and you have to survive it. You have to endure it. You have to live through it and love it and move on and be better for it and run as far as you can … across the bridge that was built by your own desire to heal.” —Cheryl Strayed
Mary Pipher (Women Rowing North: Navigating Life’s Currents and Flourishing As We Age)
He had a punch like a bag full of cue balls.
Dennis Lehane
have a feeling I’m going to be the recipient of a lot of orgasms. The first one is like being punched in the clit with a gift bag of awesome.
Helena Hunting (Forever Pucked (Pucked, #4))
But Sister’s bag was there like a shield, and the dagger punched through but couldn’t penetrate a frozen turkey dinner.
Robert McCammon (Swan Song)
Don’t we all want a friend who won’t ever challenge our superiority, because they already know it’s a lost cause? Don’t we all need someone we can treat as a punching bag?
R.F. Kuang (Yellowface)
I became their punching bag- passed off from blow to blow, my bones screaming in agony. Maybe I was screaming in agony, too.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
My worst kiss could have been an outtake from Species. I think she thought my epiglottis was a punching bag.
Kirk Curnutt
God picked me to be his punching bag...so who am I suposed to pray to for mercy?
S.L.J. Shortt
Cyanide,” I explained. “You can’t kill him with that.” Curran grimaced. “It’s not for him. It’s for me.” They stared at me. “People were dying,” I said. “He was laughing, and all I could do was to sit tight and be safe.” Curran growled. “You think it’s easy for me?” “No. But you’re used to it. You have experience with responsibility for people’s lives. I don’t. I don’t want anybody else to die for me. I’m up to my knees in blood as is.” “I had to send three patrols out,” Curran said. “Because of you. None of them died, but they could have. All because you couldn’t stand to not be the center of attention for a few minutes.” “You’re an asshole.” “Fuck you.” I started sniffing. “What the hell is that stink? Oh, wait a minute, it’s you. You reek. Did you dine on skunk or is that your natural odor?” “That’s enough,” Mahon roared, startling both of us into silence. “You’re acting like children. Curran, you’ve missed your meditation, and you need one. Kate, there is a punching bag in your room. Make use of it.” “Why do I have to punch the bag while he meditates?” I mumbled on the way out. “Because he breaks the bags when he punches them,” Mahon said.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
I danced on light boxer’s feet over to Barrons. “Punch me.” “Don’t be absurd.” “Come on, punch me, Barrons.” “I’m not punching you.” “I said, punch--Ow!” He’d decked me. Bones vibrating, my head snapped back. And forward again. I shook it. No pain. I laughed. “I’m amazing! Look at me! I hardly even felt it.” I danced from foot to foot, feigning punches at him. “Come on. Punch me again.” My blood felt electrified, my body impervious to all injury. Barrons was shaking his head. I punched him in the jaw and his head snapped back. When it came back down his expression said I suffer you to live. “Happy now?” “Did it hurt?” “No.” “Can I try again?” “Buy yourself a punching bag.” “Fight me, Barrons. I need to know how strong I am.” He rubbed his jaw. “You’re strong,” he said dryly.
Karen Marie Moning (Bloodfever (Fever, #2))
Lorraine insisted on cooking us something to eat, so while she got on with that we found an old cement bucket and made a big bowl of punch. Blackbeard the pirate used to drink rum and gunpowder, as did most of his men, so we figured a little bit of cement in the punch wouldn’t hurt us. Probably take some of the sweetness away.
Karl Wiggins (Wrong Planet - Searching for your Tribe)
I’m sorry.” Her chin juts out, and she holds up a hand to her ear. “Pardon? I think I misheard that.” “I’m. Sorry.” I bite out. “I’m having a hard time letting him go.” I watch her shoulders fall as she hisses out a sigh. “That’s fair. But there’s no amount of money in the world you could pay me to stay here and be your punching bag all summer.” I fucking love the pair on this girl. If I weren’t so irritated by how attracted I am to her, I’d be cheering her on.
Elsie Silver (Heartless (Chestnut Springs, #2))
He believes, as most of us do, that venting anger lets off steam. The “catharsis hypothesis”—that aggression builds up inside us until it’s healthily released—dates back to the Greeks, was revived by Freud, and gained steam during the “let it all hang out” 1960s of punching bags and primal screams. But the catharsis hypothesis is a myth—a plausible one, an elegant one, but a myth nonetheless. Scores of studies have shown that venting doesn’t soothe anger; it fuels it.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
Well, as I said, you look terrible, for one thing. Beat-up terrible. Like someone was using you as a punching bag.” He ran a hand gently over his face. “Is it really that bad?” He sighed as I nodded. “Is that the only reason for your concern, Dr. Fisher?” He paused in between bites.
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
Kristin comes down the stairs, and the pressure on my chest snaps. I take a moment to turn away, inhaling deeply, blinking away tears. She sets the plate on a table behind the couch, and half tiptoes back up the stairs. Thank god. I don’t think I could have handled maternal attention right this second. My body feels like it’s on a hair trigger. I need to get it together. This is why people avoid me. Someone asks if I want a drink and I have a panic attack. “You’re okay.” Declan is beside me, and his voice is low and soft, the way it was in the foyer. He’s so hard all the time, and that softness takes me by surprise. I blink up at him. “You’re okay,” he says again. I like that, how he’s so sure. Not Are you okay? No question about it. You’re okay. He lifts one shoulder in a half shrug. “But if you’re going to lose it, this is a pretty safe place to fall apart.” He takes two cookies from the plate, then holds one out to me. “Here. Eat your feelings.” I’m about to turn him down, but then I look at the cookie. I was expecting something basic, like sugar or chocolate chip. This looks like a miniature pie, and sugar glistens across the top. “What . . . is that?” “Pecan pie cookies,” says Rev. He’s taken about five of them, and I think he might have shoved two in his mouth at once. “I could live on them for days.” I take the one Declan offered and nibble a bit from the side. It is awesome. I peer up at him sideways. “How did you know?” He hesitates, but he doesn’t ask me what I mean. “I know the signs.” “I’m going to get some sodas,” Rev says slowly, deliberately. “I’m going to bring you one. Blink once if that’s okay.” I smile, but it feels watery around the edges. He’s teasing me, but it’s gentle teasing. Friendly. I blink once. This is okay. I’m okay. Declan was right. “Take it out on the punching bag,” calls Rev. “That’s what I do.” My eyes go wide. “Really?” “Do whatever you want,” says Declan. “As soon as we do anything meaningful, the baby will wake up.” Rev returns with three sodas. “We’re doing something meaningful right now.” “We are?” I say. He meets my eyes. “Every moment is meaningful.” The words could be cheesy—should be cheesy, in fact—but he says them with enough weight that I know he means them. I think of The Dark and all our talk of paths and loss and guilt. Declan sighs and pops the cap on his soda. “This is where Rev starts to freak people out.” “No,” I say, feeling like this afternoon could not be more surreal. Something about Rev’s statement steals some of my earlier guilt, to think that being here could carry as much weight as paying respects to my mother. I wish I knew how to tell whether this is a path I’m supposed to be on. “No, I like it. Can I really punch the bag?” Rev shrugs and takes a sip of his soda. “It’s either that or we can break out the Play-Doh
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
The indifferent filler can keep the conversation moving, without giving the narcissist a hurtful target. He or she will likely find ways to insert some negativism here as well, perhaps mocking your opinion, calling you out for not being knowledgeable about a topic, or even labeling you as “dull.” Smile serenely and carry on. Your narcissist does not realize the triumph—you just dodged a bullet and did not play out the usual old patterns. He may even be frustrated, since he can’t get the same reactions out of you, and may have to find a new psychological punching bag.
Ramani Durvasula (Should I Stay or Should I Go?: Surviving a Relationship with a Narcissist)
Honey, I know you like to take a drink, and that's all right, but be forewarned that I ain't your maid and I ain't your punching-bag, and if you ever raise your hand to me you'd best kill me. Because otherwise I'll wait till you're asleep; sew you into the bed; and beat you to death with a frying pan.
Haven Kimmel (A Girl Named Zippy: Growing Up Small in Mooreland, Indiana)
It’s the Law of Douche Bags. Douche bags walk away with enough holes in them to look like a colander, while good guys go down for the count with one random punch to the head. Sheri—one
Marcia Clark (Blood Defense (Samantha Brinkman, #1))
catharsis hypothesis”—that aggression builds up inside us until it’s healthily released—dates back to the Greeks, was revived by Freud, and gained steam during the “let it all hang out” 1960s of punching bags and primal screams. But the catharsis hypothesis is a myth—a plausible one, an elegant one, but a myth nonetheless. Scores of studies have shown that venting doesn’t soothe anger; it fuels it.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
There’s no “winning” when it comes to dealing with Internet trolls. Conventional wisdom says, “Don’t engage. It’s what they want.” Is it? Are you sure our silence isn’t what they want? Are you sure they care what we do at all? From where I’m sitting, if I respond, I’m a sucker for taking the bait. If I don’t respond, I’m a punching bag. I’m the idiot daughter of an embarrassed dead guy. On the record. Forever.
Lindy West (Shrill: Notes from a Loud Woman)
Deep down, I've always suspected Athena likes my company precisely because I can't rival her. I understand her world, but I'm not a threat, and her achievements are so far out of my reach that she doesn't feel bad squealing to my face about her wins. Don't we all want a friend who won't ever challenge our superiority, because they already know it's a lost cause? Don't we all need someone we can treat as a punching bag?
R.F. Kuang
If you, the reader, really, REALLY, want to know what was going on in Little Turtle, go feed your dog or your neighbor’s dog some chili, slathered in hot sauce and maybe throw in some chocolate cake. Okay wait for it, WAIT. Now about a half hour later, your dog’s innards are pretty much going to rupture, so make sure he’s outside. Now while this steaming pile of shit is still warm and fetid, place it in a plastic shopping bag—DON’T TIE IT UP! Now place the carrying handles one on each ear and inhale deeply. You must walk around with this bag draped across your face continually. Is this starting to punch through? Now, every time the dog crap begins to harden up and lose some of its edge, go grab yourself another refreshing pile of fresh dog offal. While you are breathing deeply of this savory concoction, try to eat some enchiladas or maybe some lasagna. Oh hell, just try to sleep with that thing affixed to your face.
Mark Tufo (Zombie Fallout (Zombie Fallout, #1))
We're commuter wives. These are our commuter lives. We're capable of carrying alcoholic husbands from the kitchen to the bathroom in a fireman's grip. Between trains, we train to fight with enemies we haven't met yet, battling against punching bags, leaping like the world is made of stone walls and we're storming them. There's another version of commuting of course, as in to commute a sentence. This is our sentence, these suburbs, the train that does not stretch to meet them
Maria Dahvana Headley (The Mere Wife)
The scapegoat is the family punching bag. On a daily basis, you are singled out for all of the collective ridicule, made into the butt of every joke, and excluded from family events, holidays, and important legal matters. It doesn't take long for outsiders or other relatives to take note of your role and to be drawn into the destructive dynamics. Family scapegoats are belittled, humiliated, battered, rejected, betrayed, and treated poorly. It's a clear case of psychological abuse, manipulation, and harassment.
Dana Arcuri CTRC (Toxic Siblings: A Survival Guide to Rise Above Sibling Abuse & Heal Trauma)
Don't take another fucking step near my Bond or I'll rip your fucking throat out with my bare teeth." I wonder which one of the crew has been stupid enough to try to approach us because he cannot be talking to one of the Dravens like that, but then Nox says, snark dripping down his words, "She's my Bond as well." Atlas scoffs. "No, she's your punching bag, your favorite victim. She's the default villain in every one of your stories. You move even an inch closer and I'll take the whole fucking plane out to stop you. No more warnings.
J. Bree (Savage Bonds (The Bonds That Tie, #2))
And so, I’m also afraid of women. I’m afraid of women who’ve either emboldened or defended the men who have harmed me, or have watched in silence. I’m afraid of women who adopt masculine traits and then feel compelled to dominate or silence me at dinner parties. I’m afraid of women who see me as a predator and whose comfort I consequently put before my own by using male locker rooms. I’m afraid of women who have internalized their experiences of misogyny so deeply that they make me their punching bag. I’m afraid of the women who, like men, reject my pronouns and refuse to see my femininity, or who comment on or criticize my appearance, down to my chipped nail polish, to reiterate that I am not one of them. I’m afraid of women who, when I share my experiences of being trans, try to console me by announcing “welcome to being a woman,” refusing to recognize the ways in which our experiences fundamentally differ. But I’m especially afraid of women because my history has taught me that I can’t fully rely upon other women for sisterhood, or allyship, or protection from men.
Vivek Shraya (I'm Afraid of Men)
We head to that corner of the basement. Rev straddles the weight bench and sits down while Declan sits on a yoga ball and leans against the corner. They fall into these positions so easily that I wonder if this is their space, the way Rowan and I claim her room or the plush couch in my basement. I’m not a violent person, but hitting something sounds really good. I draw back a hand and swing, throwing my whole body into it. Ow. Ow. The bag swings slightly, but shock reverberates down my arm. I think I’ve dislocated every joint of every finger, but I can feel it, and it’s the first thing I’ve truly felt in weeks. It feels fantastic. I need one of these in my basement. I grit my teeth and pull back my arm to do it again. “Whoa.” A hand catches my arm in midswing. I’m standing there, gasping, and Declan has a hold of my elbow. His eyebrows are way up. “So . . . yeah,” he says. “I don’t want to be sexist here, but after the way you talk about cars, I didn’t expect you to throw a punch like that.” I draw back and straighten, feeling foolish. “Sorry.” “What are you apologizing for?” He looks at me like I’m crazy. “I just don’t want to watch you break a wrist.” “Here.” Rev half stands, holding out a pair of black padded gloves. He’s pushed back the hood of his sweatshirt, and I wonder if he’s grown more comfortable around me—or if he’s just warm. “If you really want to beat on it, put on gloves
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
Fucking Kendra,” I groused. “No Christmas gifts this year. We’re fucking outlaws. Buying Christmas gifts, my ass.” I gave the punching bag a cross then another jab before I snarled, “Secret Santa was a fucking joke.” Link laughed. “I kinda liked it.” “That’s because Sugar bought you a butt plug,” Rex said dryly. “Hey, can I help it that I appreciate my G-spot being massaged?” “Nobody gives a fuck,” I snapped, “until you keep mentioning it all the time.” “That’s because it’s a revelation. Best orgasm ever.” “I know. I’m next door. I feel like you’re finding Jesus every time you get off,” Storm retorted
Serena Akeroyd (Nyx (Dark and Dirty Sinners' MC, #1))
They said she could do anything she set her mind to, they told her she should shoot for the moon because if she missed she’d be among the stars, they made movies tricking her into thinking she could achieve heroic things. All lies. Because she was born to answer phones in call centers, to carry bags to customers’ cars, to punch a clock, to measure her life in smoke breaks.
Grady Hendrix (Horrorstör)
The problem was the liars. They said she could do anything she set her mind to, they told her she should shoot for the moon because if she missed she’d be among the stars, they made movies tricking her into thinking she could achieve heroic things. All lies. Because she was born to answer phones in call centers, to carry bags to customers’ cars, to punch a clock, to measure her life in smoke breaks.
Grady Hendrix (Horrorstör)
She liked seeing John smile. He was usually so serious and guarded. The flash of boyish teasing warmed her heart. She’d liked the faintly possessive stamp of that kiss, too. Although she’d never imagined she would enjoy any man showing possessive tendencies around her again, there was something healthy and respectful, and completely new about the way John liked to hold her hands or take her arm, to subtly touch her—or kiss her. It was like falling in love for the first time all over again. He made her feel important. He listened. He got angry…on her behalf. John made her feel like a woman worth caring about, not a punching bag or vessel for sex or thing a man owned the way Danny had. He made her believe that with the right man—with John himself, perhaps—that it was okay for her to love again. - (Maggie)
Julie Miller (The Marine Next Door (The Precinct: Task Force #1; The Precinct #17))
Everyone's here except for St. Clair." Meredith cranes her neck around the cafeteria. "He's usually running late." "Always," Josh corrects. "Always running late." I clear my throat. "I think I met him last night. In the hallway." "Good hair and an English accent?" Meredith asks. "Um.Yeah.I guess." I try to keep my voice casual. Josh smirks. "Everyone's in luuurve with St. Clair." "Oh,shut up," Meredith says. "I'm not." Rashmi looks at me for the first time, calculating whether or not I might fall in love with her own boyfriend. He lets go of her hand and gives an exaggerated sigh. "Well,I am. I'm asking him to prom. This is our year, I just know it." "This school has a prom?" I ask. "God no," Rashmi says. "Yeah,Josh. You and St. Clair would look really cute in matching tuxes." "Tails." The English accent makes Meredith and me jump in our seats. Hallway boy. Beautiful boy. His hair is damp from the rain. "I insist the tuxes have tails, or I'm giving your corsage to Steve Carver instead." "St. Clair!" Josh springs from his seat, and they give each other the classic two-thumps-on-the-back guy hug. "No kiss? I'm crushed,mate." "Thought it might miff the ol' ball and chain. She doesn't know about us yet." "Whatever," Rashi says,but she's smiling now. It's a good look for her. She should utilize the corners of her mouth more often. Beautiful Hallway Boy (Am I supposed to call him Etienne or St. Clair?) drops his bag and slides into the remaining seat between Rashmi and me. "Anna." He's surprised to see me,and I'm startled,too. He remembers me. "Nice umbrella.Could've used that this morning." He shakes a hand through his hair, and a drop lands on my bare arm. Words fail me. Unfortunately, my stomach speaks for itself. His eyes pop at the rumble,and I'm alarmed by how big and brown they are. As if he needed any further weapons against the female race. Josh must be right. Every girl in school must be in love with him. "Sounds terrible.You ought to feed that thing. Unless..." He pretends to examine me, then comes in close with a whisper. "Unless you're one of those girls who never eats. Can't tolerate that, I'm afraid. Have to give you a lifetime table ban." I'm determined to speak rationally in his presence. "I'm not sure how to order." "Easy," Josh says. "Stand in line. Tell them what you want.Accept delicious goodies. And then give them your meal card and two pints of blood." "I heard they raised it to three pints this year," Rashmi says. "Bone marrow," Beautiful Hallway Boy says. "Or your left earlobe." "I meant the menu,thank you very much." I gesture to the chalkboard above one of the chefs. An exquisite cursive hand has written out the morning's menu in pink and yellow and white.In French. "Not exactly my first language." "You don't speak French?" Meredith asks. "I've taken Spanish for three years. It's not like I ever thought I'd be moving to Paris." "It's okay," Meredith says quickly. "A lot of people here don't speak French." "But most of them do," Josh adds. "But most of them not very well." Rashmi looks pointedly at him. "You'll learn the lanaguage of food first. The language of love." Josh rubs his belly like a shiny Buddha. "Oeuf. Egg. Pomme. Apple. Lapin. Rabbit." "Not funny." Rashmi punches him in the arm. "No wonder Isis bites you. Jerk." I glance at the chalkboard again. It's still in French. "And, um, until then?" "Right." Beautiful Hallway Boy pushes back his chair. "Come along, then. I haven't eaten either." I can't help but notice several girls gaping at him as we wind our way through the crowd.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Jane is, at the moment, blissfully unaware of her surroundings, and August can’t resist. She edges up to her silently, leans close to her ear, and says, “Hey, Subway Girl.” Jane yelps, flails sideways, and punches August in the nose. “Agh, what the fuck, Jane?” August yells, dropping her bags to clutch her face. “Are you Jason Bourne?” “Don’t sneak up on me like that!” Jane yells back, pulling herself upright. “I don’t know who Jason Bourne is.
Casey McQuiston (One Last Stop)
Do you have any idea,” I say, “how hard it is to work your entire life toward one goal—one goal—and then to have someone else come in and try to take it away?” Nicki looks at me, incredulous. “Yes!” she says. “In fact, I do.” I look at her and realize what I’ve just said. I cannot help but laugh, and neither can Nicki. “God, you must hate me,” I say. “I would. I would hate me.” Nicki downs the rest of her glass. “I don’t hate you. I told you before. I’m thankful.” “Yeah. I’m sure.” “I’m serious,” Nicki says. “I can’t fight unless I have something to fight against. And I like fighting. I like it even more than winning.” “I…” I say. “Okay.” “Without you, I wouldn’t have much left to fight against. It would be like trying to knock out a deflated punching bag. And without me, you’d be back home, shooting a commercial for Gatorade, would you not?” I huff, knowing she’s right. “Yeah, maybe. Yes.” “But instead, we’re here, training, living for something bigger than the two of us.
Taylor Jenkins Reid (Carrie Soto Is Back)
The problem was the liars. They said she could do anything she set her mind to, they told her she should shoot for the moon because if she missed she’d be among the stars, they made movies tricking her into thinking she could achieve heroic things. All lies. Because she was born to answer phones in call centers, to carry bags to customers’ cars, to punch a clock, to measure her life in smoke breaks. To think otherwise was insane. The chair didn’t lie to her. The chair cured her of madness. The chair showed her exactly what she was capable of, and that was nothing.
Grady Hendrix (Horrorstör)
There is a species of taverns of a lower denomination, which, however, are sometimes resorted to by good company, when disposed to enjoy a frolic. These are the oyster-cellars, a sort of ale-houses, where the proper entertainment of the house is oysters, punch and porter. Most of the oyster-houses have a sort of long room, where a small party may enjoy the exercise of a country dance, to the music of a fiddle, harp, or bag-pipe. But the equivocal character of these houses of resort prevents them from being visited by any of the fair sex who seek the praise of delicacy, or pique themselves on propriety of conduct.
Hugo Arnot (The History of Edinburgh)
Ms. Rinaldi taught AP Art History and for whatever reason Advanced Placement seemed to be only for the white kids at my school But there I was in my only AP class the only black kid in the room looking at slides of old paintings and it was boring as fuck Muted and dull colors Sad and pale rich white people doing nothing but looking sad So I’d pull up my hoodie and put my head down There, behind my closed lids I could paint me a world that made sense And there was that one time Ms. Rinaldi yanked my hoodie from off my head If you cannot pay attention in my class then you don’t deserve to be here she said through clenched teeth So I picked up my bag and walked out I failed the class She failed me
Ibi Zoboi (Punching the Air)
Somewhere out of sight a punching-bag was rat-tat-tatting on a board. I stepped through a doorless aperture opposite the door I'd come in by, and found myself in the main hall. It was comparatively small, with seats for maybe a thousand rising on four sides to the girders that held up the roof. An ingot of lead-gray light from a skylight fell through the moted air onto the empty roped square on the central platform. Still no people, but you could tell that people had been there. The same air had hung for months in the windowless building, absorbing the smells of human sweat and breath, roasted peanuts and beer, white and brown cigarettes, Ben Hur perfume and bay rum and hair oil and tired feet. A social researcher with a good nose could have written a Ph.D. thesis about that air.
Ross Macdonald
It is now time to face the fact that English is a crazy language — the most loopy and wiggy of all tongues. In what other language do people drive in a parkway and park in a driveway? In what other language do people play at a recital and recite at a play? Why does night fall but never break and day break but never fall? Why is it that when we transport something by car, it’s called a shipment, but when we transport something by ship, it’s called cargo? Why does a man get a hernia and a woman a hysterectomy? Why do we pack suits in a garment bag and garments in a suitcase? Why do privates eat in the general mess and generals eat in the private mess? Why do we call it newsprint when it contains no printing but when we put print on it, we call it a newspaper? Why are people who ride motorcycles called bikers and people who ride bikes called cyclists? Why — in our crazy language — can your nose run and your feet smell?Language is like the air we breathe. It’s invisible, inescapable, indispensable, and we take it for granted. But, when we take the time to step back and listen to the sounds that escape from the holes in people’s faces and to explore the paradoxes and vagaries of English, we find that hot dogs can be cold, darkrooms can be lit, homework can be done in school, nightmares can take place in broad daylight while morning sickness and daydreaming can take place at night, tomboys are girls and midwives can be men, hours — especially happy hours and rush hours — often last longer than sixty minutes, quicksand works very slowly, boxing rings are square, silverware and glasses can be made of plastic and tablecloths of paper, most telephones are dialed by being punched (or pushed?), and most bathrooms don’t have any baths in them. In fact, a dog can go to the bathroom under a tree —no bath, no room; it’s still going to the bathroom. And doesn’t it seem a little bizarre that we go to the bathroom in order to go to the bathroom? Why is it that a woman can man a station but a man can’t woman one, that a man can father a movement but a woman can’t mother one, and that a king rules a kingdom but a queen doesn’t rule a queendom? How did all those Renaissance men reproduce when there don’t seem to have been any Renaissance women? Sometimes you have to believe that all English speakers should be committed to an asylum for the verbally insane: In what other language do they call the third hand on the clock the second hand? Why do they call them apartments when they’re all together? Why do we call them buildings, when they’re already built? Why it is called a TV set when you get only one? Why is phonetic not spelled phonetically? Why is it so hard to remember how to spell mnemonic? Why doesn’t onomatopoeia sound like what it is? Why is the word abbreviation so long? Why is diminutive so undiminutive? Why does the word monosyllabic consist of five syllables? Why is there no synonym for synonym or thesaurus? And why, pray tell, does lisp have an s in it? If adults commit adultery, do infants commit infantry? If olive oil is made from olives, what do they make baby oil from? If a vegetarian eats vegetables, what does a humanitarian consume? If pro and con are opposites, is congress the opposite of progress? ...
Richard Lederer
I want to be married,” I blurted. “I want you to marry me.” Fuuuuuuuck. And so my entire carefully constructed speech was thrown out the window. My grandmother’s antique ring was in a box in the dresser—nowhere near me—and my plan to kneel and do everything right just evaporated. In the circle of my arms, Chloe grew very still. “What did you just say?” I had completely botched the plan, but it was too late to turn back now. “I know we have only been together for a little over a year,” I explained, quickly. “Maybe it’s too soon? I understand if it’s too soon. It’s just that how you feel about the way we kiss? I feel that way about everything we do together. I love it. I love to be inside you, I love working with you, I love watching you work, I love fighting with you, and I love just sitting on the couch and laughing with you. I’m lost when I’m not with you, Chloe. I can’t think of anything, or anyone, who is more important to me, every second. And so for me, that means we’re already sort of married in my head. I guess I wanted to make it official somehow. Maybe I sound like an idiot?” I looked over at her, feeling my heart try to jackhammer its way up my throat. “I never expected to feel this way about someone.” She stared at me, eyes wide and lips parted as if she couldn’t believe what she was hearing. I stood and ran over to the dresser, pulling the box from the drawer and carrying it over to her. When I opened the box and let her see my grandmother’s antique diamond and sapphire ring, she clapped a hand over her mouth. “I want to be married,” I said again. Her silence was unnerving, and fuck, I’d completely botched this with my rambling nonsense. “Married to you, I mean.” Her eyes filled with tears and she held them, unblinking. “You. Are such. An ass.” Well, that was unexpected. I knew it might be too soon, but an ass? Really? I narrowed my eyes. “A simple ‘It’s too soon’ would have sufficed, Chloe. Jesus. I lay my heart out on the—” She pushed off the bed and ran over to one of her bags, rummaging through it and pulling out a small blue fabric bag. She carried it back to me with the ribbon hooked over her long index finger, and dangled the bag in my face. I ask her to marry me and she brings me a souvenir from New York? What the fuck is that? “What the fuck is that?” I asked. “You tell me, genius.” “Don’t get smart with me, Mills. It’s a bag. For all I know you have a granola bar, or your tampons, in there.” “It’s a ring, dummy. For you.” My heart was pounding so hard and fast I half wondered if this was what a heart attack felt like. “A ring for me?” She pulled a small box out of the bag and showed it to me. It was smooth platinum, with a line of coarse titanium running through the middle. “You were going to propose to me?” I asked, still completely confused. “Do women even do that?” She punched me, hard, in the arm. “Yes, you chauvinist. And you totally stole my thunder.” “So, is that a yes?” I asked, my bewilderment deepening. “You’ll marry me?” “You tell me!” she yelled, but she was smiling. “Technically you haven’t asked yet.” “Goddamnit, Bennett! You haven’t, either!” “Will you marry me?” I asked, laughing. “Will you marry me?” With a growl, I took the box and dropped it on the floor, flipping her onto her back.
Christina Lauren (Beautiful Bitch (Beautiful Bastard, #1.5))
were spilt on his bib, Jane and Michael could tell that the substance in the spoon this time was milk. Then Barbara had her share, and she gurgled and licked the spoon twice. Mary Poppins then poured out another dose and solemnly took it herself. “Rum punch,” she said, smacking her lips and corking the bottle. Jane’s eyes and Michael’s popped with astonishment, but they were not given much time to wonder, for Mary Poppins, having put the miraculous bottle on the mantelpiece, turned to them. “Now,” she said, “spit-spot into bed.” And she began to undress them. They noticed that whereas buttons and hooks had needed all sorts of coaxing from Katie Nanna, for Mary Poppins they flew apart almost at a look. In less than a minute they found themselves in bed and watching, by the dim light from the night-light, the rest of Mary Poppins’s unpacking being performed. From the carpet bag she took out seven flannel nightgowns, four cotton ones, a pair of boots, a
P.L. Travers (Mary Poppins)
Apple Core   Outside the morning is cold. He sits at his desk, his fingers motionless on the keyboard. A blanket covers his shoulders and a coffee mug half full of soy milk and Folgers loiters to his right. The surrounding room is strewn with papers, some failed attempts, some nothing at all. Unsealed envelopes and empty packs of cigarettes, unfinished books and drained beer bottles, a dictionary and a worn notebook mixed in with laundry, plastic bags, and cardboard boxes. He sits and stares at his   computer screen, no more than a title punched out along the top of the page. Thoughts swirl around him and the clock face blinks overhead. His speakers lie silent, his printer still. A burned out candle sits next to unopened whiskey. Notes taped to every surface are lorded over by an Easter card signed with familiar names. They speak to the urgency of the world around him. His breakfast is left unfinished, except for the apple, whose core he has wrapped in a napkin and tossed on top of his overflowing wastebasket.
T. O'Hara (Metaphors)
Sitting down on the stairs, Cheyenne watched Behr through the slats in the railing. She liked what she saw. Covered in a fine sheen of perspiration, muscles swollen from what was clearly a grueling workout, Behr’s toned physique was a serious distraction from her worries, making her content to just sit and watch. Each thump of his fist into the bag resonated in her bones. Each kick of his leg thundered in her ears. Every move seemed to be in time with the harsh sounds of the music pumping through the room, until he was a frenzy of movement. It was frighteningly beautiful. Standing, Cheyenne called out to him. “Behr? Are you hungry?” She was feeling a little peckish herself, and she needed something to keep her hands busy. Between a combination of brutal punches, knee jabs and the music, Behr didn’t hear a word she said. So she decided to go to him. Winding her way through equipment and stepping over the discarded sweaty T-shirt, Cheyenne approached him. Waiting for the right moment to interrupt, she tapped him on the shoulder during a brief pause. Big mistake. Huge.
Brandi Salazar (A Warrior's Betrayal (Brotherhood, #2))
There was no movement around the discoloured walls, and Lucy turned the Land Rover about in a slow crawl, the tires crunching on the desiccated earth. She scanned the windows, black squares punched through the sides of the silent blockhouses, looking for threats. As the grumble of the engine died, Marc heard the moan of the steady breeze, and the desolate cluster of buildings seemed like the loneliest place on Earth. ‘Stay alert,’ said Lucy, reaching down into the wheel well to grab her backpack. ‘We don’t know what we’re gonna find here.’ She reached inside and her hand came back with the compact shape of an MP7 sub machinegun. She cocked it with a snap of the receiver, and handed Marc a walkie-talkie. ‘Just in case,’ she added. Marc followed her out of the Land Rover, slipping out of the door with his bag over one shoulder. He had the Glock ready, close to his chest and his finger resting on the trigger guard. He felt acutely aware of every tiny detail around them, the crumbling rocks beneath his boots, the heavy heat of the late afternoon sun, the weight of the loaded gun
James Swallow (Nomad (Marc Dane, #1))
The rock came loose, but Jake’s satisfied grunt turned into a howl of outraged pain as a set of huge teeth in the next stall clamped into Jake’s ample rear end. “You vicious bag of bones,” he shouted, jumping to his feet and throwing himself half over the rail in an attempt to land a punch on Attila’s body. As if the horse anticipated retribution, he sidled to the edge of his stall and regarded Jake from the corner of his eye with an expression that looked to Jake like complacent satisfaction. “I’ll get you for that,” Jake promised, and he started to shake his fist when he realized how absurd it was to threaten a dumb beast. Rubbing his offended backside, he turned to Mayhem and carefully put his own rump against the outside wall of the barn. He checked the hoof to make certain it was clean, but the moment his fingers touched the place where the rock had been lodged the chestnut jerked in pain. “Bruised you, did it?” Jake said sympathetically. “It’s not surprisin’, considering the size and shape of the rock. But you never gave a sign yesterday that you were hurtin’,” he continued. Raising his voice and infusing it with a wealth of exaggerated admiration, the patted the chestnut’s flank and glanced disdainfully at Attila while he spoke to Mayhem. “That’s because you’re a true aristocrat and a fine, brave animal-not a miserable, sneaky mule who’s not fit to be your stallmate!” If Attila cared one way or another for Jake’s opinion, he was disappointingly careful not to show it, which only made Jake’s mood more stormy when he stomped into the cottage. Ian was sitting at the table, a cup of steaming coffee cradled between his palms. “Good morning,” he said to Jake, studying the older man’s thunderous frown. “Mebbe you think so, but I can’t see it. Course, I’ve spent the night freezin’ out there, bedded down next to a horse that wants to make a meal of me, and who broke his fast with a bit of my arse already this mornin’. And,” he finished irately as he poured coffee from the tin pot into an earthenware mug and cast a quelling look at his amused friend, “your horse is lame!” Flinging himself into the chair beside Ian, he gulped down the scalding coffee without thinking what he was doing; his eyes bulged, and sweat popped out on his forehead. Ian’s grin faded. “He’s what?” “Picked up a rock, and he’s favoring his left foreleg.” Ian’s chair legs scraped against the wooden floor as he shoved his chair back and started to go to the barn. “There’s no need. It’s just a bruise.
Judith McNaught (Almost Heaven (Sequels, #3))
Let me ask you three questions,” he said. “And then you’ll see it my way. Question One: What’s the worst thing that you have ever done to someone? It’s okay. You don’t have to confess it out loud. Question Two: What’s the worst criminal act that has ever been committed against you? Question Three: Which of the two was the most damaging for the victim?” The worst criminal act that has ever been committed against me was burglary. How damaging was it? Hardly damaging at all. I felt theoretically violated at the idea of a stranger wandering through my house. But I got the insurance money. I was mugged one time. I was eighteen. The man who mugged me was an alcoholic. He saw me coming out of a supermarket. “Give me your alcohol,” he yelled. He punched me in the face, grabbed my groceries, and ran away. There wasn’t any alcohol in my bag. I was upset for a few weeks, but it passed. And what was the worst thing I had ever done to someone? It was a terrible thing. It was devastating for them. It wasn’t against the law. Clive’s point was that the criminal justice system is supposed to repair harm, but most prisoners—young, black—have been incarcerated for acts far less emotionally damaging than the injuries we noncriminals perpetrate upon one another all the time—bad husbands, bad wives, ruthless bosses, bullies, bankers.
Jon Ronson (So You've Been Publicly Shamed)
cell phone. Hmmm...it should be about 11:00 in New York. I punch in my sister’s phone number. She answers after two rings. “Chloe! How’s London?” she asks enthusiastically, without even saying hello. “Oh my goodness Abby, you won’t believe what happened to me,” I say. I tell Abby about my embarrassing run in with Blue Mohawk and his friends. She laughs hysterically, clearly thinking the whole incident was as comical as they did. “It’s so not funny,” I groan. “What if they live here? What if I see them again? They probably think I’m an idiot. The girl who gets all mumbley and runs away! Who does that anyway?” “Well don’t worry about it. I’ll be out in a few weeks to visit. We can do some damage control then,” she laughs. “Thanks Abby. I’ll talk to you later,” I say and we both disconnect. Damage control...I’m hoping there won’t be any need for damage control seeing as I honestly don’t plan on running into Ole Blue and his buddies anytime soon. I bet none of them live here anyway so I’m probably worrying over nothing. It suddenly occurs to me just how much time I spent on an airplane and I feel absolutely disgusting. A nice, warm shower sounds like heaven right about now. I reluctantly pull myself up off the couch and I walk towards my bedroom, grabbing my suitcase along the way. I wheel it up next to my bed, open it and grab my bag of toiletries.
Rebecca Elise (Fall into My Heart (Subzero, #1))
You'd make a lot of people feel better if you'd just wake," Kevis hung the new bag on the pole beside Breanne's bed. "You're safe where you are, I promise. I talked with Graegar—he came to see me. He says that he loves you. Barrigar does, too. You've never really talked with Barrigar. He's one of the best Larentii I know. Doesn't say much, but he sees everything around him." Kevis took a chair beside the bed with a sigh. "I think Barry's talent for noticing everything around him makes him a really good Protector. I know Conner loves him a lot—just like she loves Graegar. Connegar is Barrigar's son, you know. Barrigar is a wonderful parent. Connegar was Conner's first Larentii child, so he was named after her. Garegar is Graegar's child with Conner, and since he was second-born, he took a variation of his father's name for himself. Are you cold?" Kevis leaned forward and pulled the blanket up a little, covering Breanne's body up to her chin. "Now," he said, "Pheligar is Renegar's father. Kiarra is Renegar's mother. Renegar is Graegar's father; Grace is Graegar's mother. Graegar is Garegar's father, Conner is Garegar's mother." "If you don't shut up with Larentii lineage, I may punch you," Breanne's cobalt-blue eyes opened and she blinked in the light filtering through a nearby window. Even Bill heard Kevis' whoop of joy and popped out of his deck chair at a run.
Connie Suttle (Blood Revolution (God Wars, #3))
Now, before you invade a foreign city. Here’s the law: Offer the fools a peace treaty. They can remain in their city as your slaves doing forced labor for you. And if they refuse your generosity? Kill every goddamned one of their men. And take their women, children, livestock, and wealth as plunder.” The same guy raised his hand and yelled, “Can we fuck these women, too?” It was a stupid question, but Moses replied patiently, “Of course. Fuck them—use them as footstools, punching bags, scarecrows—who cares? They’re slaves! Do whatever you want with them. “Just remember, all you have to do is obey Yahweh. Then you will have no worries and nothing to fear. He will take care of you. But be careful, because Yahweh will test you. He will send false prophets and phony dream interpreters. “If you encounter one? And his predictions come true? And he wants you to worship another god? Don’t be impressed! Beware! Yahweh sent him to tempt you. “So kill anyone who prophesies in the name of another god. “And kill anyone who pretends to be a prophet and is not! “And if you find a town worshipping another god—kill everyone in it! And kill their livestock! Plunder their homes! Burn that despicable town to the ground and never rebuild it! Make it a perpetual burnt offering to Yahweh. “And whatever you do, for god’s sake, do not imitate the detestable Canaanite religions! Do not incinerate your children, or practice sorcery, or witchcraft. And don’t interpret omens. These practices are detestable to Yahweh. “Above all, DO NOT worship their gods! Don’t worship the sun! Or the moon! Or the stars in the sky! Yahweh gave those to the suckers in other nations as their gods. If you worship just one of them—just one time…” Moses shuddered at the thought. “Well, let’s just say, Yahweh is jealous—real jealous! If he catches you worshipping another god, I have to tell you that the gigs up. He’ll kick your asses out of the Promised Land. And scatter you among the other nations like snake shit scattered about the desert.”   Obey Yahweh and you will live in paradise   “Just obey Yahweh. You hear me? Obey him, and you will live in paradise. He will protect you from your enemies. Send rain for your crops. Nurture your herds. You will have abundant food and wine. Maybe free dance lessons—who knows? There is no limit to Yahweh’s love! Obey him, and your lives will be perfect. Disobey him, and you are fucked! It’s just that simple.” Moses waited for the impact of this essential truth to resister in their brains. Regretfully, it did not. But he concluded, “Anyhow, I’m one-hundred and twenty years old. I cannot lead you into the Promised Land. Joshua will lead you.” He again found Joshua in the crowd. “Joshua, come on up here!” Joshua, startled awake, elbowed his way through the crowd and
Steve Ebling (Holy Bible - Best God Damned Version - The Books of Moses: For atheists, agnostics, and fans of religious stupidity)
They had a very pleasant evening out together in Shrewsbury – she was lovely to him, they chatted to mutual acquaintances, laughed, drank quite a bit of wine. They settled into a relaxed mood together – Jason wondering why it couldn’t always be that way; and, in fact, she had closed down again by the time they were walking back to his flat, with a bag of chips shared between them. Something sparked the subject of family once more. He joked about one day being invited to meet her parents. ‘There you go again!’ she snapped. ‘It’s not as if you’re a serious boyfriend, or anything.’ He stopped dead, other revellers had to swerve around them. ‘Why do you say that? I know I’m serious about this. I just don’t get you at all.’ Her expression told him that she was not willing to discuss it. He threw the remnants of the chips into a plastic bin. ‘Adelaide, we’re so good together. We are, aren’t we? Admit it.’ ‘All right, I admit it. I do want you, Jason. Just not in the way you want.’ ‘I know I don’t pressure you. God, I put up with so much crap from you. Just spell it out to me. What is your problem?’ By some miracle of logistics, two police officers happened to be passing along the pedestrianised road. Adelaide used their presence as a way of ending the discussion, ‘Jason, you’re making a scene. I’m going home alone.’ ‘Adelaide!’ ‘Let’s leave it for now, Jason.’ ‘Adelaide!’ She skipped away into groups of passers-by. Infuriated beyond belief by her once more, Jason punched the plastic bin, causing a huge dent. The policemen looked over their shoulders briefly, but then continued on.
HB Morris
Then she bent her head over at the waist and tossed her head around to separate the curls. The elevator stopped and she heard the door open. She straightened up to find some big guy in a ball cap and sunglasses right in her face, charging into the elevator before she could even get out of it. He had both hands full of carry-out bags—Mexican food, judging from the smell. She looked at them, her mouth watering. Yep. Enrique’s. The best in town. He whirled around to punch the door-close button. “Hey,” she said. “I’m getting off here.” Some girl outside in the lobby yelled, “We know it’s you, Chase. You shouldn’t lie to us.” Startled, Elle looked at the guy’s face and saw, just before he reached for her, that it really was Chase Lomax in ragged shorts and flip-flops. He grabbed her up off her feet and bent his head. Found her mouth with his. “Wait for us,” another girl yelled. The sound of running feet echoed off the marble floor, slid to a stop. “Oh, no!” Kissing her, without so much as a “Hi, there, Elle.” Burning her up. She tried to struggle but he had both her arms pinned to her sides. And suddenly she wanted to stay right where she was forever because the shock was wearing off and she was starting to feel. A lot more than she ever had before. The door slid closed. The girls began banging on it. “We know your room number, Chase, honey,” they yelled. “See you there.” Loud giggles. “We’ll show you a real good time.” The elevator moved up, the voices faded away. But Chase kept on kissing her. She had to make him stop it. Right now. Who did he think he was, anyway? Somebody who could send lightning right through her whole body, that’s who. Lightning so strong it shook her to her toes. He had to stop this now. But she couldn’t move any part of her body. Except her lips. And her tongue . . . When he finally let her go she pulled back and away, fighting to get a handle on her breathing. “What’s the matter?” he demanded. Her blood rushed through her so fast it made her dizzy. “You’re asking me? It’s more like, what’s the matter with you? How’d you get the idea you could get away with kissing me like that without even bothering to say hello?” She touched her lips. They were still on fire. “You have got a helluva nerve, Chase Lomax.” He grinned at her as he took off his shades. He hung them in the neck of his huge, baggy T-shirt that had a bucking bull and rider with Git’R’Done written above it. He wore ragged denim shorts and flip-flops, for God’s sake. Chase Lomax was known for always being starched and ironed, custom-booted and hatted. “I asked if you’re all right because you were bent over double shaking your head when the doors opened,” he said. “Like you were in pain or something.” “I was drying my hair.” He stared, then burst out laughing. “Oh, well, then.” His laugh was contagious but she wouldn’t let herself join in. He could not get away with this scot-free. He’d shaken her up pretty good. “Oh. I see. You thought I needed help, so you just grabbed me and kissed me senseless. Is that how you treat somebody you think’s in pain?” He grinned that slow, charming grin of his again. “It made you feel better. Didn’t it?” He held her gaze and wouldn’t let it go. She must be a sight. She could feel heat in her cheeks, so her face must be red. Plus she was gasping, trying to slow her breathing. And her heart-beat. “You nearly scared me to death to try to get rid of those girls. And it was all wasted. They’re coming to your room.” Something flashed deep in his brown eyes. “Now you’ve hurt my feelings. I don’t think it was wasted,” he drawled. “I liked that kiss.
Genell Dellin (Montana Gold)
Carajo!" Paco says, throwing down his lunch. "They think they can buy a U-shaped shell, stuff it, and call it a taco, but those cafeteria workers wouldn't know taco meat from a piece of shit. That's what this tastes like, Alex." "You're makin' me sick, man," I tell him. I stare uncomfortably at the food I brought from home. Thanks to Paco everything looks like mierda now. Disgusted, I shove what's left of my lunch into my brown paper bag. "Want some of it?" Paco says with a grin as he holds out the shitty taco to me. "Bring that one inch closer to me and you'll be sorry," I threaten. "I'm shakin' in my pants." Paco wiggles the offending taco, goading me. He should seriously know better. "If any of that gets on me--" "What'cha gonna do, kick my ass?" Paco sings sarcastically, still shaking the taco. Maybe I should punch him in the face, knocking him out so I won't have to deal with him right now. As I have that thought, I feel something drop on my pants. I look down even though I know what I'll see. Yes, a big blob of wet, gloppy stuff passing as taco meat lands right on the crotch of my faded jeans. "Fuck," Paco says, his face quickly turning from amusement to shock. "Want me to clean it off for you?" "If your fingers get anywhere close to my dick, I'm gonna personally shoot you in the huevos," I growl through clenched teeth. I flick the mystery meat off my crotch. A big, greasy stain lingers. I turn back to Paco. "You got ten minutes to get me a new pair of pants." "How the hell am I s'posed to do that?" "Be creative." "Take mine." Paco stands and brings his fingers to the waistband of his jeans, unbuttoning right in the middle of the courtyard. "Maybe I wasn't specific enough," I tell him, wondering how I'm going to act like the cool guy in chem class when it looks like I've peed in my pants. "I meant, get me a new pair of pants that will fit me, pendejo. You're so short you could audition to be one of Santa Claus's elves." "I'm toleratin' your insults because we're like brothers." "Nine minutes and thirty seconds." It doesn't take Paco more than that to start running toward the school parking lot.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
I have a trainer,” she confirmed while searching for an escape route. Standing closer to this man is like being stuck in an elevator, she decided. You’d bargain with God to get free. “But not just any trainer. Not only does this woman tackle a stallion no one else can seem to tame but she resurrects the dead, n’est-ce pas? You have done wonders to stir McCloud’s blood again, or so I have heard.” A.J.’s mouth dropped open at the insinuation. “What are you talking about?” “Surely you jest. The news is all around.” He gesticulated with a limp wrist. “Although I must say, you are faithless to leave your family in favor of a man who is not your husband. No matter how good you find his services.” Her vision narrowed on the man’s jugular. “Why, you little—” Devlin appeared at her side. “A.J.! Time to go pace off the course.” “Ah,” Philippe said grandly. “And here is your good teacher, the man you gave up so much for. Myself, I could not imagine leaving my family for someone else’s stable, but I am French and we are known for our loyalty. Then again, I also don’t need the particular kind of instruction this McCloud offers.” A.J. could sense her face tuning brick red and felt like a boxer winding up for a punch. “Come on,” Devlin said. “Yes, run along, you two. I imagine there is much you must do to each other.” That did it. She lost it. “Why, you tar-mouthed gossip hound—” She was itching to go further but Devlin put a firm hand on her arm and began to lead her away. “And speaking of gossip,” the Frenchman called out as they left, “you would do well to keep your ear to the floor. I myself am going to make an announcement soon.” “That’s ‘ear to the ground,’ you—” “Enough,” Devlin hissed, dragging her off. When they were out of range from the crowd, A.J. whirled on him, eyes flashing turquoise. “How could you let him go on like that? You didn’t give me the chance to defend us!” Devlin said nothing, which infuriated her further. He just stood there, staring at her calmly. Didn’t he have any pride? “I mean, come on! Marceau made insinuations that were insane and you hauled me off before I could respond.” When that didn’t get any reaction, she frowned. “Hello?” “You finished?” he asked. “Or do you want to give him more of what he’s after?” A.J. looked confused. He said, “Tell me what you’re thinking about right now.” “How I’d like to crown him with a bag of feed.
J.R. Ward (Leaping Hearts)
Steve was a warrior in every sense of the word, but battling wildlife perpetrators just wasn’t the same as old-fashioned combat. Because Steve’s knees continued to deteriorate, his surfing ability was severely compromised. Instead of giving up in despair, Steve sought another outlet for all his pent-up energy. Through our head of security, Dan Higgins, Steve discovered mixed martial arts (or MMA) fighting. Steve was a natural at sparring. His build was unbelievable, like a gorilla’s, with his thick chest, long arms, and outrageous strength for hugging things (like crocs). Once he grabbed hold of something, there was no getting away. He had a punch equivalent to the kick of a Clydesdale, he could just about lift somebody off the ground with an uppercut, and he took to grappling as a wonderful release. Steve never did anything by halves. I remember one time the guys were telling him that a good body shot could really wind someone. Steve suddenly said, “No one’s given me a good body shot. Try to drop me with a good one so I know what it feels like.” Steve opened up his arms and Dan just pile drove him. Steve said, in between gasps, “Thanks, mate. That was great, I get your point.” I would join in and spar or work the pads, or roll around until I was absolutely exhausted. Steve would go until he threw up. I’ve never seen anything like it. Some MMA athletes are able to seek that dark place, that point of total exhaustion--they can see it, stare at it, and sometimes get past it. Steve ran to it every day. He wasn’t afraid of it. He tried to get himself to that point of exhaustion so that maybe the next day he could get a little bit further. Soon we were recruiting the crew, anyone who had any experience grappling. Guys from the tiger department or construction were lining up to have a go, and Steve would go through the blokes one after another, grappling away. And all the while I loved it too. Here was something else that Steve and I could do together, and he was hilarious. Sometimes he would be cooking dinner, and I’d come into the kitchen and pat him on the bum with a flirtatious look. The next thing I knew he had me in underhooks and I was on the floor. We’d be rolling around, laughing, trying to grapple each other. It’s like the old adage when you’re watching a wildlife documentary: Are they fighting or mating? It seems odd that this no-holds-barred fighting really brought us closer, but we had so much fun with it. Steve finally built his own dojo on a raised concrete pad with a cage, shade cloth, fans, mats, bags, and all that great gear. Six days a week, he would start grappling at daylight, as soon as the guys would get into work. He had his own set of techniques and was a great brawler in his own right, having stood up for himself in some of the roughest, toughest, most remote outback areas. Steve wasn’t intimidated by anyone. Dan Higgins brought a bunch of guys over from the States, including Keith Jardine and other pros, and Steve couldn’t wait to tear into them. He held his own against some of the best MMA fighters in the world. I always thought that if he’d wanted to be a fighter as a profession, he would have been dangerous. All the guys heartily agreed.
Terri Irwin (Steve & Me)
• While a female flight attendant was serving food from the meal cart, a female passenger thrust a small bundle of trash toward her. “Take this,” the passenger demanded. Realizing that the trash was actually a used baby diaper, the attendant instructed the passenger to take it to the lavatory herself and dispose of it. “No,” the passenger replied. “You take it!” The attendant explained that she couldn’t dispose of the dirty diaper because she was serving food—handling the diaper would be unsanitary. But that wasn’t a good enough answer for the passenger. Angered by her refusal, the passenger hurled the diaper at the flight attendant. It struck her square in the head, depositing chunks of baby dung that clung like peanut butter to her hair. The two women ended up wrestling on the floor. They had to be separated by passengers. • Passengers on a flight from Miami to San Juan, Puerto Rico, were stunned by the actions of one deranged passenger. He walked to the rear of the plane, then charged up the aisle, slapping passengers’ heads along the way. Next, he kicked a pregnant flight attendant, who immediately fell to the ground. As if that weren’t enough, he bit a young boy on the arm. At this point the man was restrained and handcuffed by crew members. He was arrested upon arrival. • When bad weather closed the Dallas/Fort Worth airport for several hours, departing planes were stuck on the ground for the duration. One frustrated passenger, a young woman, walked up to a female flight attendant and said, “I’m sorry, but I have to do this.” The passenger then punched the flight attendant in the face, breaking her nose in the process. • A flight attendant returning to work after a double-mastectomy and a struggle with multiple sclerosis had a run-in with a disgruntled passenger. One of the last to board the plane, the passenger became enraged when there was no room in the overhead bin above his seat. He snatched the bags from the compartment, threw them to the floor and put his own bag in the space he had created. After hearing angry cries from passengers, the flight attendant appeared from the galley to see what the fuss was all about. When the passengers explained what happened, she turned to the offending passenger. “Sir, you can’t do that,” she said. The passenger stood up, cocked his arm and broke her jaw with one punch. • For some inexplicable reason, a passenger began throwing peanuts at a man across the aisle. The man was sitting with his wife, minding his own business. When the first peanut hit him in the face, he ignored it. After the second peanut struck him, he looked up to see who had thrown it. He threw a harsh glance at the perpetrator, expecting him to cease immediately. When a third peanut hit him in the eye, he’d had enough. “Do that again,” he warned, “and I’ll punch your lights out.” But the peanut-tossing passenger couldn’t resist. He tossed a salted Planter’s one last time. The victim got out of his seat and triple-punched the peanut-tosser so hard that witnesses heard his jaw break. The plane was diverted to the closest airport and the peanut-tosser was kicked off. • During a full flight between New York and London, a passenger noticed that the sleeping man in the window seat looked a bit pale. Sensing that something was wrong yet not wanting to wake him, the concerned passenger alerted flight attendants who soon determined that the sleeping man was dead. Apparently, he had died a few hours earlier because his body was already cold. Horrified by the prospect of sitting next to a dead man, the passenger demanded another seat. But the flight was completely full; every seat was occupied. Finally, one flight attendant had an inspiration. She approached a uniformed military officer who agreed to sit next to the dead man for the duration of the flight.
Elliott Hester (Plane Insanity)
While I lamented in my room, I imagined Chimamanda Ngozi Adichie, Onyeka Onwenu, Joke Silva, Genevieve Nnaji, among other great women holding high their #BringBackOurGirls placards and banners except that their message would have implied “bring back our women that you have turned into punching bags and take back the bride price you paid.
S.A. David (Twas Within A Minute)