“
And Nate? You kiss like a slobbering dog, you have bad breath, and you wouldn't know how to punch the right buttons on a girl if we came with manuals. Happy Thanksgiving, Jackass.
”
”
Elizabeth Eulberg (The Lonely Hearts Club (The Lonely Hearts Club, #1))
“
Girls are taught a lot of stuff growing up. If a guy punches you he likes you. Never try to trim your own bangs and someday you will meet a wonderful guy and get your very own happy ending. Every movie we see, Every story we're told implores us to wait for it, the third act twist, the unexpected declaration of love, the exception to the rule. But sometimes we're so focused on finding our happy ending we don't learn how to read the signs. How to tell from the ones who want us and the ones who don't, the ones who will stay and the ones who will leave. And maybe a happy ending doesn't include a guy, maybe... it's you, on your own, picking up the pieces and starting over, freeing yourself up for something better in the future. Maybe the happy ending is... just... moving on. Or maybe the happy ending is this, knowing after all the unreturned phone calls, broken-hearts, through the blunders and misread signals, through all the pain and embarrassment you never gave up hope.
”
”
Greg Behrendt
“
I think—I think it’s a big deal. Bigger for him and Eve than for most people.' Shane kept his eyes down, fixed on the sidewalk and the steps they were taking. 'Look, ask him, okay? This is girl talk. I don’t do girl talk.'
She punched him in the shoulder. 'Ass.'
'That’s better. I was starting to feel like we should go shoe shopping or something.'
'Being a girl is not a bad thing!'
'No.' He took his hand out of his pocket and put his arm around her shoulders, hugging her close. 'If I could be half the girl you are, I’d be—wow, I have no idea where I was going with that, and it just turned out uncomfortable, all of a sudden.'
'Jackass.'
'You like being a girl—that’s good. I like being a guy—that’s also good.'
'Next you’ll be all Me, Tarzan, you, Jane!
”
”
Rachel Caine (Last Breath (The Morganville Vampires, #11))
“
Need I remind you that this Selection was your idea?”
She sighed.
“Listen to your daughter,” Dad said. “Very smart girl. Gets it from me.”
“Don’t you want some more sleep?” she asked flatly.
“No, I’m feeling very refreshed,” he said. I wasn’t sure if it was because he wanted to continue the conversation or if he felt he needed to keep his attention on Mom. Either way, he was clearly lying.
“Dad, you look like death punched you in the face.”
“You must get that from me, too.”
“Dad!
”
”
Kiera Cass (The Crown (The Selection, #5))
“
I had to came to tell you how beautiful you look. Really, Jay, you look amazing. Hard to believe the raggedy little girl who punched me in the face could grow up to look like this.
”
”
Jillian Dodd (That Wedding (That Boy, #2))
“
So what did Jes say?' I asked again, when my brain felt a bit less scrambled.
'He said I should take good care of you.'
'That's all?'
Mal cleared his throat. 'And . . . he said he would pray to the God of Work to heal your affliction.'
'My what?'
'I many have told him that you have a goiter.'
I stumbled. 'I beg your pardon?'
'Well, I had to explain why you were always clinging to that scarf.'
I dropped my hand. I'd been doing it again without even realizing.
'So you told him I had a goiter?' I whispered incredulously.
'I had to say something. And it makes you quite a tragic figure. Pretty girl, giant growth, you know.'
I punched him hard in the arm.
'Ow! Hey, in some countries, goiters are considered very fashionable.'
'Do they like eunuchs, too? Because I can arrange that.'
'So bloodthirsty!'
'My goiter makes me cranky.
”
”
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
“
So you told him I had a goiter?" I whispered incredulously.
"I had to say something. And it makes you quite a tragic figure. Pretty girl, giant growth, you know."
I punched him hard in the arm.
"Ow! Hey, in some countries, goiters are considered very fashionable."
"Do they like eunuchs, too? Because I can arrange that."
"So bloodthirsty!"
"My goiter makes me cranky.
”
”
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
“
I've got to stay awake,' she said, punching her cheeks until the roses came. 'There isn't time to sleep, I'd look consumptive, I'd sag like a tenement, and that wouldn't be fair: a girl can't go to Sing Sing with a green face.
”
”
Truman Capote (Breakfast at Tiffany's)
“
I smiled sweetly at his embarressment, beginning to walk again, kicking up golden leaves. I heard him scuffling leaves behind me. "And what was the point of this again?"
Forget it!" Sam said. "Do you you like this place or not?"
I stoped in my tracks, spinning to face him. "Hey." I pointed at him; he raised his eyebrows and stopped in his tracks. "You didn't think Jack would be here at all, did you?"
His thick black eyebrows went up even farther.
Did you evan intend to look for him at all?"
He held his hands up as if a surrender. "What do you want me to say?"
You were trying to see if I would reconize it, wern't you?" I took anouther step, colsing the distance between us. I could feel the heat of his body, even without touching him, in the increasing cold of the day. "YOU told me about this wood somehow. How did you show it to me?"
I keep trying to tell you. You wont listen. Because you're stubbon. It's how we speek- it's the only words we have. Just pictures. Just simple little picters. You HAVE changed Grace. Just not your skin. I want you to believe me." His hands were still raise, but he was starting to grin at me in the failing light.
So you brought me here to see this." I stepped forward again, and he stepped back.
Do you like it?"
Under false pretence." Anouther step forward; anouther back. The grine widened
So do you like it?"
When you knew we wouldn't come across anybody else."
His teeth flashed in his grin. "Do you like it?"
I punched my hands into his chest. "You know I love it. You knew I would." I went to punch him, and he grabed my wrists. For a moment we stood there like that, him looking down at me with a grin half-caught on his face, and me lookingup at him: Still Life with Boy and Girl. It would've been the perfect moment to kiss me, but he didn't. He just looked at me and looked at me, and by the time I relizeed I could just as easily kiss him, I noticed that his grin was slipping away.
Sam slowly lowered my wrists and relesed them. "I'm glad." he said very quietly.
My arms still hung by my sides, right where Sam had put them. I frowned at him. "You were supposed to kiss me."
I thought about it."
I just kept looking at the soft, sad shape of his lips, looking just like his voice sounded. I was probably staring, but I couldn't stop thinking about how much I wanted him to kiss me and how stupide it was to want it so badly. "Why don't you?"
He leaned over and gave mr the lightest of kisses. His lips, cool and dry, ever so polite and incredibly maddening. "I have to get inside soon," he whispered "It's getting cold
”
”
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
“
...she waited until she and my grandfather Anthel were just home from their honeymoon, and then sat him down and told him this: "Honey, I know you like to take a drink, and that's all right, but be forewarned that I ain't your maid and I ain't your punching bag, and if you ever raise your hand to me you'd best kill me. Because otherwise I'll wait until you're asleep; sew you into the bed; and beat you to death with a frying pan." Until he died, I am told, my grandfather was a gentle man.
”
”
Haven Kimmel (A Girl Named Zippy: Growing Up Small In Mooreland, Indiana)
“
Impossible. I merely brought the essentials. Clothes, my favorite boots, face cream, makeup, a few books to read, a couple cans of caviar, lingerie, and my coffeepot.
Plus a few other things a girl like me just can’t live without but can’t mention in mixed company because it would be indelicate. You know, because they’re sexual.”
- at “lingerie,” Hector and Dallas had stood a little straighter. At “sexual,” they’d moaned. Jaxon punched them both in the back of the head.
”
”
Gena Showalter (Dark Taste of Rapture (Alien Huntress, #6))
“
Valkyrie walked over to her. Since she had met her, all she'd wanted to do was punch her face in. But that was when Kitana has been big and powerful and brimming with murderous arrogance. The girl standing before her now, crying and blubbing like any teenage girl would do under these circumstances, was not the same girl Valkyrie had wanted to punch.
But she'd do.
Valkyrie's fist connected with such a satisfying jolt that it actually made her smile as Kitana fell sideways, eyes already rolling in her head. Valkyrie resisted the urge to kick her as she lay crumpled.
Such behaviour would be unbecoming of a Sanctuary detective.
”
”
Derek Landy (Kingdom of the Wicked (Skulduggery Pleasant, #7))
“
The things of your life arrived in their own time, like a train you had to catch. Sometimes this was easy, all you had to do was step onto it, the train was plush and comfortable and full of people smiling at you in a hush, and a conductor who punched your ticket and tousled your head with his big hand, saying, Ain’t you pretty, ain’t you the prettiest girl now, lucky lady taking a big train trip with your daddy, while you sank into the dreamy softness of your seat and sipped ginger ale from a can and watched the world float in magical silence past your window, the tall buildings of the city in the crisp autumn light and then the backs of the houses with laundry flapping and a crossing with gates where a boy was waving from his bicycle, and then the woods and fields and a single cow eating grass.......
.....Because sometimes it was one way, easy, and sometimes it was the other, not easy; the things of your life roared down to you and it was all you could do to grab hold and hang on. Your old life ended, and the train took you away to another...
”
”
Justin Cronin (The Passage (The Passage, #1))
“
Archie! Trying to figure out a woman is just like punching yourself in the head -- It feels good when you stop!! (Jughead Jones)
”
”
Vic Bloom (Archie's Girls Betty & Veronica #1 (Archie's Girls Betty and Veronica))
“
My inner-movie director has me standing at the grave site holding fresh-picked daisies -Tabby’s favorite- in the rain, like always, and I want to punch him in his stupid fucking face.
”
”
Jared Reck (A Short History of the Girl Next Door)
“
And there’s no synthetic owners manual?” His lips twitched, smile threatening to break into a grin.
A joke. He wasn’t funny. “Do you come with an owners’ manual, Captain? Because I’d like to study your troubleshooting section.”
“Would you like to strip me down to my nuts and bolts, and figure out what makes me tick?”
“I knew what made you tick from the moment we first met. That’s why I punched you between the legs.”
~ #1001 & Caleb
”
”
Pippa DaCosta (Girl From Above: Trapped (The 1000 Revolution, #3))
“
And Bram?"
Panic punched me in the chest. So far today she'd been willing to touch me, laugh with me, confide in me, and now she was wondering if Chas shouldn't go out with me? Had I misread something somewhere?
Chas shook her head and grinned. "Nah. Bram's too busy waiting."
"Waiting?" Nora didn't take her eyes from me. Maybe she wanted me to answer.
"For the right girl," I said curtly.
"And he has very specific physical preferences," Chas said. I grabbed her wrist and squeezed. She'd better not.
She did. "For some reason, he is terribly attracted to black hair. Tom's a leg man, himself...attached, unattached, doesn't really mtter. But Bram likes the hair."
With all the various methods of Chastity Disposal flying through my imagination-should I just shoot her, or should I open her skull and puree her brains with a motorized mixer, or perhaps set her on fire?-It took me a minute to notice me a very shy smile.
I dropped Chas's wrist. I almost dropped my machete.
Nora looked away and moved a few steps in front of us, leaping into the grass to flatten it for herself as she went.
"I win," Chas whispered.
"Smoke all you want," I whispered back.
”
”
Lia Habel (Dearly, Departed (Gone With the Respiration, #1))
“
You okay?" he says, touching my cheek. His hand cradles the side of my head, his long fingers slipping through my hair. He smiles and holds my head in place as he kisses me. Heat spreads through me slowly.And fear, buzzing like an alarm in my chest.
His lips still on mine,he pushes the jacket from my shoulders.I flinch when I hear it drop,and push him back,my eyes burning. I don't know why I feel this way. I didn't feel like this when he kissed me on the train.I press my palms to my face,covering my eyes.
"What? What's wrong?"
I shake my head.
"Don't tell me it's nothing." His voice is cold.He grabs my arm. "Hey. Look at me."
I take my hands from my face and lift my eyes to his.The hurt in his eyes and the anger in his clenched jaw surprise me.
"Sometimes I wonder," I say,as calmly as I can, "what's in it for you. This...whatever it is."
"What's in it for me," he repeats. He steps back,shaking his head. "You're an idiot,Tris."
"I am not an idiot," I say. "Which is why I know that it's a little weird that,of all the girls you could have chosen,you chose me.So if you're just looking for...um,you know...that..."
"What? Sex?" He scowls at me. "You know, if that was all I wanted, you probably wouldn't be the first person I would go to."
I feel like he just punched me in the stomach. Of course I'm not the first person he would go to-not the first, not the prettiest,not desirable. I press my hands to my abdomen and look away, fighting off tears. I am not the crying type.Nor am I the yelling type. I blink a few times, lower my hands, and stare up at him.
"I'm going to leave now," I say quietly. And I turn toward the door.
"No,Tris." He grabs my wrist and wrenches me back. I push him away,hard, but he grabs my other wrist, holding our crossed arms between us.
"I'm sorry I said that," he says. "What I meant was that you aren't like that. Which I knew when I met you."
"You were an obstacle in my fear landscape." My lower lip wobbles. "Did you know that?"
"What?" He releases my wrists, and the hurt look is back. "You're afraid of me?"
"Not you," I say. I bite my lip to keep it still. "Being with you...with anyone. I've never been involved with someone before,and...you're older, and I don't know what your expectations are,and..."
"Tris," he says sternly, "I don't know what delusion you're operating under,but this is all new to me, too."
"Delusion?" I repeat. "You mean you haven't..." I raise my eyebrows. "Oh. Oh.I just assumed..." That because I am so absorbed by him, everyone else must be too. "Um. You know."
"Well,you assumed wrong." He looks away. His cheeks are bright,like he's embarrassed. "You can tell me anything, you know," he says. He takes my face in his hands,his fingertips cold and his palms warm. "I am kinder than I seemed in training. I promise."
I believe him.But this has nothing to do with his kindness.
He kisses me between the eyebrows, and on the tip of my nose,and then carefully fits his mouth to mine. I am on edge.I have electricity coursing through my veins instead of blood. I want him to kiss me,I want him to; I am afraid of where it might go.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
I open my arms wide and let the wind flow over me. I love the universe and the universe loves me. That’s the one-two punch right there, wanting to love and wanting to be loved. Everything else is pure idiocy—shiny fancy outfits, Geech-green Cadillacs, sixty-dollar haircuts, schlock radio, celebrity-rehab idiots, and most of all, the atomic vampires with their de-soul-inators, and flag-draped coffins.
Goodbye to all that, I say. And goodbye to Mr. Asterhole and the Red Death of algebra and to the likes of Geech and Keeeevin. Goodbye to Mom’s rented tan and my sister’s chargecard boobs. Goodbye to Dad for the second and last time. Goodbye to black spells and jagged hangovers, divorces, and Fort Worth nightmares. To high school and Bob Lewis and once-upon-a-time Ricky. Goodbye to the future and the past and, most of all, to Aimee and Cassidy and all the other girls who came and went and came and went.
Goodbye. Goodbye. I can’t feel you anymore. The night is almost too beautifully pure for my soul to contain. I walk with my arms spread open under the big fat moon. Heroic “weeds rise up from the cracks in the sidewalk, and the colored lights of the Hawaiian Breeze ignite the broken glass in the gutter. Goodbye, I say, goodbye, as I disappear little by little into the middle of the middle of my own spectacular now
”
”
Tim Tharp (The Spectacular Now)
“
Three nights later, Lawrence sipped punch and watched the dancing couples flit by... They [the girls] all looked like balloons which had been squeezed in the middle and puffed out at the bottom. Thankfully, Pacarina's style was simpler. She could walk into a room without dusting both door posts, and her waist didn't look like shed was trying to fit a finger ring over it.
”
”
John J. Horn
“
Girls are taught a lot of stuff growing up: if a boy punches you he likes you, never try to trim your own bangs, and someday you will meet a wonderful guy and get your very own happy ending. Every movie we see, every story we're told implores us to wait for it: the third act twist, the unexpected declaration of love, the exception to the rule. But sometimes we're so focused on finding our happy ending we don't learn how to read the signs. How to tell the ones who want us from the ones who don't, the ones who will stay and the ones who will leave. And maybe a happy ending doesn't include a guy, maybe it's you, on your own, picking up the pieces and starting over, freeing yourself up for something better in the future. Maybe the happy ending is just moving on. Or maybe the happy ending is this: knowing after all the unreturned phone calls and broken-hearts, through the blunders and misread signals, through all the pain and embarrassment... You never gave up hope.
”
”
Jennifer Goodwin
“
I never knew you could spend hours just kissing a girl. I never knew because I‘d never done it before. In the last month, I‘d learned just how erotic kissing could be. Many nights I‘d left her place unsatisfied sexually, but completely content emotionally.
I sound like a fucking chick. I want to go drink a beer and punch something.
That‘s better.
”
”
J. Sterling (The Perfect Game (The Perfect Game, #1))
“
You don't like me talking to other girls?"
"I don't like you grinning at them."Teagan admitted
"Then tame me with your fine Irish eyes, girl."
"Humph."
"You have nothing to worry about. You've had my heart since..."
"When?"
"I was just trying to sort it, " Fin said. "It could have been the time you explained how its cockles were related to a shellfish." he paused. "No, it was when you flat refused to kiss me-- and me thinking I'd never see you agina, risking my kife to lead the goblins away into the night. It was heroic. And sad."
Teagan punched his arm.
"All right." He smiled. "It was the first time I set eyes on you. My heart stopped beating, and that's a fact."
"I know," Teagan said. "The first time I met you, it made me throw up."
Finn knit his brows. "I'll never get over how romantic you are. It's like you've stepped right out of one of those fairy movies Aiden's making Roisin watch.
”
”
Kersten Hamilton (In the Forests of the Night (Goblin Wars, #2))
“
My life was awful. When I was a kid, I was fat, pretty ugly and had awful hair. I used to get teased every fucking day, slammed up against lockers, punched in the face - you name it. Hell, I had to go to prom with one of my female friends because I couldn’t even get a proper date. I can’t even look back at those photos because I look so bad. I transferred schools, but the teasing just got worse. After an, let’s say, ‘incident’ I had with the school play the bullying just got worse. But I made it through high school, only to find out that real life was pretty much the same. I just stayed in my dark room all day and didn’t talk to anyone. I didn’t go outside. I just stayed inside and drew. I’d draw vampires, mummies, heroes, villains. Anything to help me escape all the bad in the world. I went to art school and didn’t really belong. All I could draw was comic book characters. I tried to put my only good talent to use by drawing a cartoon and pitching it - only to have it turned down. Life to me was just pointless. I started drinking, doing drugs and just generally wasting my life drawing.
Then one day, I saw bodies falling from the sky. I witnessed people dying. And that’s when I decided to turn my life around. I called up anyone I knew who had an instrument and we formed a band. Being on tour for the first few years was bad. All we’d do is get drunk and do drugs, but I loved it. Because I was doing something I loved with people I loved. And a few years ago I met the most perfect woman ever. It’s like we share a wave-link or something. She just knows me without even knowing me, if you understand. And now, 2011, I have a beautiful baby girl, a caring wife and I get to perform for my adoring fans everyday. I am living proof that no matter how bad it gets, it gets better. I am Gerard Way, and I survived.
”
”
Gerard Way
“
But I thought we might get naked, just like Adam and Eve, so natural...”
I gasped. I'd forgotten all about that part of my conversation with Scott! Utter humiliation. I curled into a tighter ball.
“Oh, come on. You haven't even thanked me yet.”
“For what?” I asked, still not looking.
“For saving you from snogging that plonker. You didn't really fancy him, did you?”
My cheeks burned, and I was glad to be turned away from him. I kept my mouth shut.
“So that's it, then?” he asked. I ignored him. “I always wondered what it would feel like.”
That made me curious enough to turn to him.
“What what would feel like?” I asked.
“Rejection.” He seemed in the midst of a revelation.
“What are you saying? That no girl has ever told you no?”
“Not one.”
Well, that explained a lot.
“And what about you?” I asked. "Haven't you ever stopped or said no to a girl?”
He laughed as if I'd said something ridiculous. "Why would I do that?”
“Lots of reasons,” I said. “Never mind, just go to sleep. We have a long day tomorrow.” I turned away from him again, punching the thick pillow and laying my head down.
“I suppose I did refuse one, but she doesn't count,” he said.
“Why not?”
“Because she was Neph.”
Discomfort gnawed at me.
“This must be the part where I take a cold shower?” he asked.
“Good idea.”
When he was in the bathroom with the water running, I jumped down and changed into my pajamas. Then I leaped back into bed and chanted to myself, Don't think about the kiss. Don't think about the kiss. Impossible.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
Niphon, standing with a glass of wine, regarded me with curious amusement as I headed straight for him.Considering I usually avoided him if it all possible, my approach undoubtedly astonished him.
But not as much as when I punched him.
I didn’t even need to shape-shift much bulk into my fist. I’d caught him by surprise. The wineglass fell out of his hand, hitting the carpet and spilling its contents like blood. The imp flew backward, hitting Peter’s china cabinet with a crash. Niphon slumped to the floor, eyes wide with shock. I kept coming. Kneeling, I grabbed his designer shirt and jerked him toward me.
“Stay the fuck out of my life, or I will destroy you,” I hissed.
Terror filled his features. “Are you out of your fucking mind? What do you—” Suddenly, the fear disappeared. He started laughing. “He did it, didn’t he? He broke up with you. I didn’t know if he could do it, even after giving him the spiel about how it’d be better for both of you. Oh my. This is lovely. All your so-called charms weren’t enough to—ahh!”
I’d pulled him closer to me, digging my nails into him, and finally, I felt an emotion. Fury. Niphon’s role had been greater than I believed. My face was mere inches from his.
“Remember when you said I was nothing but a backwoods girl from some gritty fishing village? You were right. And I had to survive in gritty circumstances—in situations you’d never be able to handle. And you know what else? I spent most of my childhood gutting fish and other animals.” I ran a finger down his neck. “I can do it for you too. I could slit you from throat to stomach. I could rip you open, and you’d scream for death. You’d wish you weren’t immortal. And I could do it over and over again.”
That wiped the smirk off Niphon’s face.
”
”
Richelle Mead (Succubus Dreams (Georgina Kincaid, #3))
“
The boy had stopped coughing by then.
He was petting a little white dog who’d trotted
out from the house. “Are you Lilith’s
boyfriend?”
Cam grinned. “I like this kid.”
“Shut up,” Lilith said.
“Well, is he?” Bruce asked Lilith. “Because
if he’s your boyfriend, he’s going to
have to win me over, too. Like with arcade
games and ice cream and, like, teaching me
to throw a baseball.”
“Why stop there?” Cam asked. “I’ll teach
you to throw a football, a punch, a poker
match, and even”—he glanced at Lilith—“the
coolest girl off her game.
”
”
Lauren Kate (Unforgiven (Fallen, #5))
“
Yeah, but at least a guy will punch you in the face, you know what I mean? They do it and then it’s over. But with girls, we slice you up piece by piece. It’s like death by a thousand cuts.
”
”
James Preller (Bystander)
“
Well I guess I should ask what your name is in case I slip and touch you without getting permission, I'd like to know who's punching me." She giggled and said, "Nah, you have permission but if you need a name it’s Sindy, S-I-N, not like the girl next door, and what should I call you, besides the man I want to get naked?” He said “Keith, and if you want me to be the boy next door I can try, but I’ll probably fail.” She said- “Nope the boy next door is too much like the one whose nose I just tried to break; you can be the sexy stranger.
”
”
Sarina Asheford (Anticipation)
“
Another day. I’m tired.” Harper wasn’t the type of girl who could shop until she dropped. She was more of a “shop until you feel like punching random people for doing nothing more than bumping you with their bags” girl. “Time to eat.” As
”
”
Suzanne Wright (Blaze (The Dark in You, #2))
“
When I try to reconstruct the place that I was, at that point in my life, to figure out how I got there, to that punch, to that bed, to that girl—I can't. I can see where some bad decisions led to some other bad decisions, but I can't get all the way there; it's like I imagine a curve, where I'm dropping lower and lower down, and then I'm off the radar screen, invisible, and then, after some time goes by, the line is rising, visible again, and I don't know what happened in between.
”
”
Kristen Roupenian (You Know You Want This: Cat Person and Other Stories)
“
I know I get crazy when it comes to you, but God knows I’m tryin’, Pidge. I don’t wanna screw this up.”
“Then don’t.”
“This is hard for me, ya know. I feel like any second you’re going to figure out what a piece of shit I am and leave me. When you were dancing last night, I saw a dozen different guys watching you. You go to the bar, and I see you thank that guy for your drink. Then that douchebag on the dance floor grabs you.”
“You don’t see me throwing punches every time a girl talks to you. I can’t stay locked up in the apartment all the time. You’re going to have to get a handle on your temper.”
“I will. I’ve never wanted a girlfriend before, Pigeon. I’m not used to feeling this way about someone…about anyone. If you’ll be patient with me, I swear I’ll get it figured out.”
“Let’s get something straight; you’re not a piece of shit, you’re amazing. It doesn’t matter who buys me drinks, or who asks me to dance, or who flirts with me. I’m going home with you. You’ve asked me to trust you, and you don’t seem to trust me.”
He frowned. “That’s not true.”
“If you think I’m going to leave you for the next guy that comes along, then you don’t have much faith in me.”
He tightened his grip. “I’m not good enough for you, Pidge. That doesn’t mean I don’t trust you, I’m just bracing for the inevitable.”
“Don’t say that. When we’re alone, you’re perfect. We’re perfect. But then you let everyone else ruin it. I don’t expect a one-eighty, but you have to pick your battles. You can’t come out swinging every time someone looks at me.”
He nodded. “I’ll do anything you want. Just…tell me you love me.”
“You know I do.”
“I need to hear you say it,” he said, his brows pulling together.
“I love you,” I said, touching my lips to his. “Now quit being such a baby.”
He laughed, crawling into the bed with me. We spent the next hour in the same spot under the covers, giggling and kissing, barely noticing when Kara returned from the shower.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
Honey, I know you like to take a drink, and that's all right, but be forewarned that I ain't your maid and I ain't your punching-bag, and if you ever raise your hand to me you'd best kill me. Because otherwise I'll wait till you're asleep; sew you into the bed; and beat you to death with a frying pan.
”
”
Haven Kimmel (A Girl Named Zippy: Growing Up Small in Mooreland, Indiana)
“
I've got my Motown girl-group music playing, and my supplies are laid out all around me in a semicircle. My heart hole punch, pages and pages of scrapbook paper, pictures I've cut out of magazines, glue gun, my tape dispenser with all my different colored washi tapes. Souvenirs like the playbill from when we saw Wicked in New York, receipts, pictures. Ribbon, buttons, stickers, charms. A good scrapbook has texture. It's thick and chunky and doesn't close all the way.
”
”
Jenny Han
“
You’re sure you want to do this,” Galen says, eyeing me like I’ve grown a tiara of snakes on my head.
“Absolutely.” I unstrap the four-hundred-dollar silver heels and spike them into the sand. When he starts unraveling his tie, I throw out my hand. “No! Leave it. Leave everything on.”
Galen frowns. “Rachel would kill us both. In our sleep. She would torture us first.”
“This is our prom night. Rachel would want us to enjoy ourselves.” I pull the thousand-or-so bobby pins from my hair and toss them in the sand. Really, both of us are right. She would want us to be happy. But she would also want us to stay in our designer clothes.
Leaning over, I shake my head like a wet dog, dispelling the magic of hairspray. Tossing my hair back, I look at Galen.
His crooked smile almost melts me where I stand. I’m just glad to see a smile on his face at all. The last six months have been rough. “Your mother will want pictures,” he tells me.
“And what will she do with pictures? There aren’t exactly picture frames in the Royal Caverns.” Mom’s decision to mate with Grom and live as his queen didn’t surprise me. After all, I am eighteen years old, an adult, and can take care of myself. Besides, she’s just a swim away.
“She keeps picture frames at her house though. She could still enjoy them while she and Grom come to shore to-“
“Okay, ew. Don’t say it. That’s where I draw the line.”
Galen laughs and takes off his shoes. I forget all about Mom and Grom. Galen, barefoot in the sand, wearing an Armani tux. What more could a girl ask for?
“Don’t look at me like that, angelfish,” he says, his voice husky. “Disappointing your grandfather is the last thing I want to do.”
My stomach cartwheels. Swallowing doesn’t help. “I can’t admire you, even from afar?” I can’t quite squeeze enough innocence in there to make it believable, to make it sound like I wasn’t thinking the same thing he was.
Clearing his throat, he nods. “Let’s get on with this.” He closes the distance between us, making foot-size potholes with his stride. Grabbing my hand, he pulls me to the water. At the edge of the wet sand, just out of reach of the most ambitious wave, we stop.
“You’re sure?” he says again.
“More than sure,” I tell him, giddiness swimming through my veins like a sneaking eel. Images of the conference center downtown spring up in my mind. Red and white balloons, streamers, a loud, cheesy DJ yelling over the starting chorus of the next song. Kids grinding against one another on the dance floor to lure the chaperones’ attention away from a punch bowl just waiting to be spiked. Dresses spilling over with skin, matching corsages, awkward gaits due to six-inch heels. The prom Chloe and I dreamed of.
But the memories I wanted to make at that prom died with Chloe. There could never be any joy in that prom without her. I couldn’t walk through those doors and not feel that something was missing. A big something.
No, this is where I belong now. No balloons, no loud music, no loaded punch bowl. Just the quiet and the beach and Galen. This is my new prom. And for some reason, I think Chloe would approve.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
I wake with tears in my eyes. I wake to Jeanine’s scream of frustration.
“What is it?” She grabs Peter’s gun out of his hand and stalks across the room, pressing the barrel to my forehead. My body stiffens, goes cold. She won’t shoot me. I am a problem she can’t solve. She won’t shoot me.
“What is it that clues you in? Tell me. Tell me or I will kill you.”
I slowly push myself up from the chair, coming to my feet, pushing my skin harder into the cold barrel.
“You think I’m going to tell you?” I say. “You think I believe that you would kill me without figuring out the answer to this question?”
“You stupid girl,” she says. “You think this is about you, and your abnormal brain? This is not about you. It is not about me. It is about keeping this city safe from the people who intend to plunge it into hell!”
I summon the last of my strength and launch myself at her, clawing at whatever skin my fingernails find, digging in as hard as I can. She screams at the top of her lungs, a sound that turns my blood into fire. I punch her hard in the face.
A pair of arms wrap around me, pulling me off her, and a fist meets my side. I groan, and lunge toward her, held at bay by Peter.
“Pain can’t make me tell you. Truth serum can’t make me tell you. Simulations can’t make me tell you. I’m immune to all three.”
Her nose is bleeding, and I see lines of fingernail scrapes in her cheeks, on the side of her throat, turning red with blossoming blood. She glares at me, pinching her nose closed, her hair disheveled, her free hand trembling.
“You have failed. You can’t control me!” I scream, so loud it hurts my throat. I stop struggling and sag against Peter’s chest. “You will never be able to control me.”
I laugh, mirthless, a mad laugh. I savor the scowl on her face, the hate in her eyes. She was like a machine; she was cold and emotionless, bound by logic alone. And I broke her.
I broke her.
”
”
Veronica Roth
“
Oh, I’m sorry!” he said. “I just fell out of the sky. I constructed a helicopter in midair, burst into flames halfway down, crash-landed and barely survived. But by all means – let’s talk about your dining table!”
He snatched up a half-melted goblet. “Who puts a dining table on the beach where innocent demigods can crash into it? Who does that?”
The girl clenched her fists. Leo was pretty sure she was going to march down the crater and punch him in the face. Instead she looked up at the sky.
“REALLY?” she screamed at the empty blue. “You want to make my curse even worse? Zeus! Hephaestus! Hermes! Have you no shame?”
“Uh …” Leo noticed that she’d just picked three gods to blame, and one of them was his dad. He figured that wasn’t a good sign. “I doubt they’re listening. You know, the whole split-personality thing—”
“Show yourself!” the girl yelled at the sky, completely ignoring Leo. “It’s not bad enough I am exiled? It’s not bad enough you take away the few good heroes I’m allowed to meet? You think it’s funny to send me this—this charbroiled runt of a boy to ruin my tranquillity? This is NOT FUNNY! Take him back!”
“Hey, Sunshine,” Leo said. “I’m right here, you know.”
She growled like a cornered animal. “Do not call me Sunshine! Get out of that hole and come with me now so I can get you off my island!”
“Well, since you asked so nicely …”
Leo didn’t know what the crazy girl was so worked up about, but he didn’t really care. If she could help him leave this island, that was totally fine by him. He clutched his charred sphere and climbed out of the crater. When he reached the top, the girl was already marching down the shoreline. He jogged to catch up.
She gestured in disgust at the burning wreckage. “This was a pristine beach! Look at it now.”
“Yeah, my bad,” Leo muttered. “I should’ve crashed on one of the other islands. Oh, wait – there aren’t any!”
She snarled and kept walking along the edge of the water.
”
”
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
“
You are as proper as a princess and then blush about it like a farm girl.” “I can punch like a farm girl too,” I warned.
”
”
Hope Ann (Rose of Prophecy: A Beauty and the Beast Novella)
“
We should probably head back. You and Fi aren’t too close yet, and I don’t want you facing her wrath.”
“Yeah she terrifies me. Quaking in fear over here.”
He smirks at me. “I think that’s truer of a statement than you’d like it to be.”
I roll my eyes and punch his arm as he walks by, but I’m smiling anyway. Unfortunately he’s kind of right. The girl is violent, what do you want from me?
”
”
Melissa Simmons (Resistance (The Dolan Prophecies Series, #1))
“
The slasher cycle is a dance, see? Imagine a dance floor in a high school gym, the lights are down, crinkled paper everywhere, spiked punch, fancy handed down jackets and dresses, shoes it's impossible to even walk in, I know you've chaperoned some. Now who the slasher WANTS to dance with is this one quiet girl way on the other side of the gym floor, but he can't cross to her yet, instead he has to work his way across TO her, dancing with this person and then that person, the back of his hand sometimes touching the final girl's sleeve during a slow song, their eyes locking like fate, but he's waiting for the last dance, sir. The slow (MOTION) one. That's the one that matters. You don't go home with who you dance your 3rd dance with. You go home with who you're holding hands with when the music's over.
”
”
Stephen Graham Jones (My Heart Is a Chainsaw (The Indian Lake Trilogy, #1))
“
She brought out the first-aid kit—ever-efficient Summerset—and sat to tend the wounds. “Jesus, I really went at you. That’s bad enough, but scratching and biting like a girl. It’s mortifying.”
“You got a couple of punches in, if it makes you feel better.”
“I’m a crappy person, because it does a little.”
“Rang my bell once.”
“And still a little more.” She looked up at him. “Do you ever wonder who the hell we are, that somehow we’ll be okay that I bloodied you?”
“We’re exactly who we’re supposed to be.”
“I don’t know what I’d do if you weren’t who you’re supposed to be with me. I just don’t know.”
“I wouldn’t be, without you.
”
”
J.D. Robb
“
Seeing someone you used to date is a lot like watching highlights of your favorite team losing in the Super Bowl: just the sight of it hits you like a punch in the gut and makes you remember how upset you were when it all went down in flames.
”
”
Justin Halpern (I Suck at Girls)
“
She’d never really been friends with boys, not since she was in preschool. Even then, there always seemed to be a threat of kissing, or being punched, like boys had no agency over their own bodies and were being controlled by tiny aliens who lived in their brains. Of course, now the girls were even worse, and the boys at her old school now seemed like stuffed animals in comparison, docile idiots for whom pizza solved any emotional difficulty. Maybe it was time to give boys another try.
”
”
Emma Straub (All Adults Here)
“
I’ll be back as quick as I can,” I said awkwardly.
“Sure.”
“Stay cool.”
“Don’t worry, I’m not going to punch anybody.”
I trotted to my car. As I slipped behind the wheel I heard the little girl ask Arnie loudly, “Why is your face all messy like that, mister?
”
”
Stephen King
“
You stand there all tan and glowing and wonder why I use Voice on you?” he bellowed. “Where the hell do you get off? You’ve been with V’lane again. How many slaps in the face do you think I’m going to take, Ms. Lane?” He grabbed my fist and held it when I tried to punch him again. I swung at him with the other. He caught that, too. “I warned you not to play us against each other.”
“I’m not playing you! I’m trying to survive. And I don’t slap you when I go off with V’lane!” I tried to yank my fists from his hands. “It doesn’t have anything to do with you. I’m trying to get answers, and since you won’t give me any, you can’t blame me for going somewhere else.”
“So, the man who doesn’t get laid at home has the right to go off and cheat?”
“Huh?”
“Which word didn’t you understand?” he sneered.
“You’re the one who’s crippled by illogic. This isn’t home, it never will be, and nobody’s getting laid!” I practically shouted.
“You think I don’t know that?” He shifted his body beneath me, making me painfully aware of something. Two somethings, in fact, one of which was how far up my short skirt was. The other wasn’t my problem. I wriggled, to shimmy my hem down, but his expression perished the thought. When Barrons looks at me like that, it rattles me. Lust, in those ancient, obsidian eyes, offers no trace of humanity. Doesn’t even bother trying.
Savage Mac wants to invite it to come out and play. I think she’s nuts. Nuts, I tell you.
“Let go of my hands.”
“Make me,” he taunted. “Voice me, Ms. Lane. Come on, little girl, show me some power.”
Little girl, my ass.
”
”
Karen Marie Moning (Faefever (Fever, #3))
“
Alex also took advantage of his natural strengths. “I learned that boys basically do only one thing: they chase girls. They get them, they lose them, they talk about them. I was like, ‘That’s completely circuitous. I really like girls.’ That’s where intimacy comes from. So rather than sitting around and talking about girls, I got to know them. I used having relationships with girls, plus being good at sports, to have the guys in my pocket. Oh, and every once in a while, you have to punch people. I did that, too.” Today Alex has a folksy, affable, whistle-while-you-work
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
You better keep your mouths shut if you know what's good for you."
Rider strolled up to her, a punch glass in each hand. "What's going on here? You look ready to take on Geronimo."
The girls giggled and moved off across the room. Rider frowned and glanced back at Willow. "Were they making fun of you?"
"Yes." Embarrased, she refrained from commenting on the topic of their taunts. "I'd like to slap their silly smiles off their silly faces," she hissed.
She took a step forward and, for a moment, Rider thought she meant to carry out her threat. He caught her arm. "Whoa, there.
”
”
Charlotte McPherren (Song of the Willow)
“
But here’s the thing I want to be clear on: I knew what I was doing, I was punching every button on him. I was watching him coil tighter and tighter—I wanted him to finally say something, do something. Even if it’s bad, even if it’s the worst, do something, Nick. Don’t leave me here like a ghost.
”
”
Gillian Flynn (Gone Girl)
“
My second baby was a girl. Cutest thing you ever did see. He was happy with a girl. His first born. He liked havin’ a girl. He fell in love with her and played with her and praised her every move. Seem to me that men only happy with the female sex when we just girls. They want us to stay girls because they don’t like grown women.
”
”
Brian Broome (Punch Me Up to the Gods)
“
I would choose you." The words were out before he thought better of them, and there was no way to pull them back.
Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully.
"As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters.
And a fine general you are.
There could be no better leader.
You may be prickly, but that what Ravka needs.
So many easy replies.
Instead he said, "As my queen."
He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far.
"Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets."
"I do trust you more than myself sometimes- and I think very highly of myself."
Hadn't she said there was no one else she'd choose to have her back in a fight?
But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines.
"I would make you my queen because I want you. I want you all the time."
She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision."
He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you."
Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop.
"I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day."
She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm.
Then she pulled back her hand, cradling her fingers as if they'd been singed.
"You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs."
"And if you're the queen I want?"
...
She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon."
Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung.
"Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?"
Zoya opened the door to the Cargo hold. Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
”
”
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
“
We should probably head back. You and Fi aren’t too close yet, and I don’t want you facing her wrath.”
“Yeah she terrifies me. Quaking in fear over here.”
He smirks at me. “I think that’s truer of a statement than you’d like it to be.”
I roll my eyes and punch his arm as he walks by, but I’m smiling anyway. Unfortunately he’s kind of right. The girl is violent, what do you want from me?
”
”
Allana Kephart (Resistance (The Dolan Prophecies Series, #1))
“
The guy throws a punch at Sam, but Mika catches his arm like an arrow. She holds a strong grip on the guy’s wrist, which seems to surprise everyone—especially him. This is the night I learned Mika helps teach a women’s self-defense class at the YMCA. Mika twists his hand to the point of breaking it, sending him to his knees. “So you like harassing girls,” Mika shouts. “Apologize!” “Alright! Sorry! Now let go!
”
”
Dustin Thao (You've Reached Sam)
“
What would happen if, deliberately, calmly, with malice aforethought and obvious premeditation, I disobeyed?
I know what would happen: nothing. Nothing would happen. And the knowledge depresses me. Some girl downstairs I never saw before (probably with a bad skin also) would simply touch a few keys on some kind of steel key punch that would set things right again, and it would be as though I had not disobeyed at all. My act of rebellion would be absorbed like rain on an ocean and leave no trace. I would not cause a ripple.
I suppose it is just about impossible for someone like me to rebel anymore and produce any kind of lasting effect. I have lost the power to upset things that I had as a child; I can no longer change my environment or even disturb it seriously. They would simply fire and forget me as soon as I tried. They would file me away.
”
”
Joseph Heller (Something Happened)
“
Screeching in frustration, she threw a punch at Tshar Ruan. Her fist struck the swarthy woman in the face before Ruan could react. Her head snapped to the side. Pain burst across Vounée’s knuckles. She gasped like she had just struck stone. Ruan worked her jaw and glared at the girl. “You are making this more difficult.” “Sorry,” Vounée hissed. “No, wait, you’re kidnapping me! I should do this!” She kicked the woman in the shin.
”
”
J.M.D. Reid (Shadow of the Dragons Box Set: An Epic Fantasy Saga, Books 1-3 (The Shadow of the Dragons Saga Book 1))
“
The hit-woman opened the door. No dead body on the floor. Thank God.
I heard an unearthly roar and then Jordan charged Liz from where she’d been hiding beside the door. She tackled her to the floor and stabbed her through the wrist with a small switchblade. The hit-woman shrieked and let go of the gun, allowing Jordan precious seconds to bat it across the room. She landed a couple hard punches to the assassin’s nose, bloodying it, before the other woman got the upper hand.
She grabbed a handful of Jordan’s ponytail and slammed her head into the edge of the coffee table. Jordan cried out, but didn’t let go of the knife. She withdrew it and held it against the assassin’s throat, shouting, “Move again and I’ll kill you, puta!”
Liz panted madly, but stayed put. Jordan glanced up at me. “You okay?”
“Alive,” I said through a grimace. “Not okay.”
“Good enough.” She returned her gaze to the woman pinned beneath her and glared.
“The police are on their way. And not the nice, human police. Angels. Get any ideas about trying to kill me again and you won’t even get to deal with them.”
“I’ve been in jail before,” Liz said, attempting to recapture her former arrogance. “I’ll get over it.”
Jordan leaned down a few inches, lowering her voice. “Really? How’d you like to return without your tongue?”
Liz’s eyes went wide, as did mine. “You wouldn’t dare.”
“You shot my best friend. Multiple times. Lex talionis.”
“You can’t kill me. You’re not a policewoman. You’re just a girl.”
“No. I’m a Seer. You and the rest of your friends had better learn the difference between a sheep and a wolf in sheep’s clothing. Until then…”
She lifted her fist and punched Liz hard in the temple. The assassin went out like a light.
“Vaya con dios, bitch.
”
”
Kyoko M. (The Deadly Seven (The Black Parade, #1.5))
“
Everyone's here except for St. Clair." Meredith cranes her neck around the cafeteria. "He's usually running late."
"Always," Josh corrects. "Always running late."
I clear my throat. "I think I met him last night. In the hallway."
"Good hair and an English accent?" Meredith asks.
"Um.Yeah.I guess." I try to keep my voice casual.
Josh smirks. "Everyone's in luuurve with St. Clair."
"Oh,shut up," Meredith says.
"I'm not." Rashmi looks at me for the first time, calculating whether or not I might fall in love with her own boyfriend.
He lets go of her hand and gives an exaggerated sigh. "Well,I am. I'm asking him to prom. This is our year, I just know it."
"This school has a prom?" I ask.
"God no," Rashmi says. "Yeah,Josh. You and St. Clair would look really cute in matching tuxes."
"Tails." The English accent makes Meredith and me jump in our seats. Hallway boy. Beautiful boy. His hair is damp from the rain. "I insist the tuxes have tails, or I'm giving your corsage to Steve Carver instead."
"St. Clair!" Josh springs from his seat, and they give each other the classic two-thumps-on-the-back guy hug.
"No kiss? I'm crushed,mate."
"Thought it might miff the ol' ball and chain. She doesn't know about us yet."
"Whatever," Rashi says,but she's smiling now. It's a good look for her. She should utilize the corners of her mouth more often.
Beautiful Hallway Boy (Am I supposed to call him Etienne or St. Clair?) drops his bag and slides into the remaining seat between Rashmi and me. "Anna." He's surprised to see me,and I'm startled,too. He remembers me.
"Nice umbrella.Could've used that this morning." He shakes a hand through his hair, and a drop lands on my bare arm. Words fail me. Unfortunately, my stomach speaks for itself. His eyes pop at the rumble,and I'm alarmed by how big and brown they are. As if he needed any further weapons against the female race.
Josh must be right. Every girl in school must be in love with him.
"Sounds terrible.You ought to feed that thing. Unless..." He pretends to examine me, then comes in close with a whisper. "Unless you're one of those girls who never eats. Can't tolerate that, I'm afraid. Have to give you a lifetime table ban."
I'm determined to speak rationally in his presence. "I'm not sure how to order."
"Easy," Josh says. "Stand in line. Tell them what you want.Accept delicious goodies. And then give them your meal card and two pints of blood."
"I heard they raised it to three pints this year," Rashmi says.
"Bone marrow," Beautiful Hallway Boy says. "Or your left earlobe."
"I meant the menu,thank you very much." I gesture to the chalkboard above one of the chefs. An exquisite cursive hand has written out the morning's menu in pink and yellow and white.In French. "Not exactly my first language."
"You don't speak French?" Meredith asks.
"I've taken Spanish for three years. It's not like I ever thought I'd be moving to Paris."
"It's okay," Meredith says quickly. "A lot of people here don't speak French."
"But most of them do," Josh adds.
"But most of them not very well." Rashmi looks pointedly at him.
"You'll learn the lanaguage of food first. The language of love." Josh rubs his belly like a shiny Buddha. "Oeuf. Egg. Pomme. Apple. Lapin. Rabbit."
"Not funny." Rashmi punches him in the arm. "No wonder Isis bites you. Jerk."
I glance at the chalkboard again. It's still in French. "And, um, until then?"
"Right." Beautiful Hallway Boy pushes back his chair. "Come along, then. I haven't eaten either." I can't help but notice several girls gaping at him as we wind our way through the crowd.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Jane is, at the moment, blissfully unaware of her surroundings, and August can’t resist. She edges up to her silently, leans close to her ear, and says, “Hey, Subway Girl.”
Jane yelps, flails sideways, and punches August in the nose.
“Agh, what the fuck, Jane?” August yells, dropping her bags to clutch her face. “Are you Jason Bourne?”
“Don’t sneak up on me like that!” Jane yells back, pulling herself upright. “I don’t know who Jason Bourne is.
”
”
Casey McQuiston (One Last Stop)
“
I let out a hoarse shriek. All rational thought abandons me. My fight‑or‑flight instincts kick in, and because there’s nowhere to run, I can only fight. I jerk back, squirm and punch and kick out like a wild, cornered animal. Oh my god, I think hysterically as my fist connects with something hard. I’m about to be murdered by a ghost girl in a cabin in the middle of nowhere. The school isn’t even going to take responsibility because they made us sign that form—
”
”
Ann Liang (I Hope This Doesn't Find You)
“
Andrew stares pointedly at her. From the looks of it, thunderstorms and human traffic jams are cluttering his mind. Doors are opening and closing. He’s jealous. The realization makes her feel silly and squeamish. She can’t decide whether to glower or giggle some more. She feels like . . . a girl. She wants to punch him. In the face. Hard. Cover that watercolor with one of her own. Then she wants to kiss it, softly, until she has no more soft left in her. “Anger
”
”
Natalia Jaster (Touch)
“
He collected her punches as if they were presents. Her bony hands and elbows were accepted with nothing but a few short moans. He accumulated the loud, clumsy specks of saliva and tears as if they were lovely to his face, and more important, he was able to hold her down. On Munich Street, a boy and girl were entwined. They were twisted and comfortless on the road. Together, they watched the humans disappear. They watched them dissolve, like moving tablets in the humid air.
”
”
Anonymous
“
There are these Precious Moments figurines, they’re like porcelain, little kids with giant eyes handing each other a heart that says LOVE on it, or rolling around with a puppy? Maria stumbles into a whole aisle of them. Tears start welling up in her eyes, again, which is totally not tough and totally not punk but which also you totally can’t lie about. Like, they’re depictions of this idealized childhood innocence, right? This idea that little kids have the potential for sadness in their giant eyes, but really they just know these pure emotions: love, happiness, whatever. It’s totally hokey and stupid and obviously a construction. Real little kids are as dirty, impure, and complicated as the adults they’re going to grow up and be. But this sort of thing gets her all melodramatic and choked up specifically because of how fucked up she was convinced she was when she was little. She didn’t know she was trans, she couldn’t put into words that she was a little girl, but she did know that something was horribly wrong and she blamed herself for it. Other kids could stomp around and punch eachother and sleep at night, but she was this self-conscious mess who liked books a lot because sometimes people in books seemed as bewildered by the world and themselves as she was. She was never a little kid who could get a puppy and be happy about it. If you’d given her a puppy, she would immediately have started worrying about what if she trained it wrong, what if it ran away. She would already be sad that it would die.
”
”
Imogen Binnie (Nevada)
“
Do you really want me to tell the girl you’re not allowing her to get her art piece because you think I want in her knickers?” he asks like he’s confused.
“Violet! Vance is having daddy issues and is trying to talk him out of giving you the stained glass!” Anna yells very loudly.
Vance’s eyes widen. “I’m going to fucking kill you for fifty-three years, you stupid son of a b—” He stops, calming himself, because his grandmomma was a damn fine woman who’d punch him in the nuts for calling her that word…if she knew what it meant.
She always hated dogs. Especially female dogs.
”
”
Kristy Cunning (Gypsy Rising (All the Pretty Monsters, #5))
“
Eve turned away as a whispered “yes, ma'am” reached her ears. She closed her eyes and breathed deeply. Why was she saving this asshole? Eve opened her eyes and unlocked the heavy steel bolt securing the five-by-two slab of oak. She looked back, ready to give him the signal to haul ass, when all the air punched from her lungs.
Naked.
It was the only word her stunned mind could form. Eve spun in place, and her rear bumped against the door. Guerin stood there, completely nude, with his briefs and coat in his grip.
“W-wh-what are you doing?” Dear God, she was stuttering like a young girl who'd never seen “boy parts” before.
”
”
Jessica Lee (Undying Desire (The Enclave, #3))
“
Hypothetically, then, you may be picking up in someone a certain very strange type of sadness that appears as a kind of disassociation from itself, maybe, Love-o.’
‘I don’t know disassociation.’
‘Well, love, but you know the idiom “not yourself” — “He’s not himself today,” for example,’ crooking and uncrooking fingers to form quotes on either side of what she says, which Mario adores. ‘There are, apparently, persons who are deeply afraid of their own emotions, particularly the painful ones. Grief, regret, sadness. Sadness especially, perhaps. Dolores describes these persons as afraid of obliteration, emotional engulfment. As if something truly and thoroughly felt would have no end or bottom. Would become infinite and engulf them.’
‘Engulf means obliterate.’
‘I am saying that such persons usually have a very fragile sense of themselves as persons. As existing at all. This interpretation is “existential,” Mario, which means vague and slightly flaky. But I think it may hold true in certain cases. My own father told stories of his own father, whose potato farm had been in St. Pamphile and very much larger than my father’s. My grandfather had had a marvelous harvest one season, and he wanted to invest money. This was in the early 1920s, when there was a great deal of money to be made on upstart companies and new American products. He apparently narrowed the field to two choices — Delaware-brand Punch, or an obscure sweet fizzy coffee substitute that sold out of pharmacy soda fountains and was rumored to contain smidgeons of cocaine, which was the subject of much controversy in those days. My father’s father chose Delaware Punch, which apparently tasted like rancid cranberry juice, and the manufacturer of which folded. And then his next two potato harvests were decimated by blight, resulting in the forced sale of his farm. Coca-Cola is now Coca-Cola. My father said his father showed very little emotion or anger or sadness about this, though. That he somehow couldn’t. My father said his father was frozen, and could feel emotion only when he was drunk. He would apparently get drunk four times a year, weep about his life, throw my father through the living room window, and disappear for several days, roaming the countryside of L’Islet Province, drunk and enraged.’
She’s not been looking at Mario this whole time, though Mario’s been looking at her.
She smiled. ‘My father, of course, could himself tell this story only when he was drunk. He never threw anyone through any windows. He simply sat in his chair, drinking ale and reading the newspaper, for hours, until he fell out of the chair. And then one day he fell out of the chair and didn’t get up again, and that was how your maternal grandfather passed away. I’d never have gotten to go to University had he not died when I was a girl. He believed education was a waste for girls. It was a function of his era; it wasn’t his fault. His inheritance to Charles and me paid for university.’
She’s been smiling pleasantly this whole time, emptying the butt from the ashtray into the wastebasket, wiping the bowl’s inside with a Kleenex, straightening straight piles of folders on her desk.
”
”
David Foster Wallace (Infinite Jest)
“
After the punches, I went over how to kick. The deer women were at an extreme advantage when it came to kicking. Not only were their legs super powerful and full of muscles from all the climbing and running they did, but they were way longer than any dragon woman’s or orc’s legs could ever hope to be. One well placed kick from the deer women could stop an orc in his tracks, and he’d never even get close to her. “Always remember, aim for the balls,” I instructed while I walked amongst the group. “It’ll hurt like hell and almost definitely send your attacker to his knees. Then, you can come in with a spear, or bow and arrow, whatever you want.
”
”
Logan Jacobs (Monster Girl Islands 4 (Monster Girl Islands, #4))
“
Battle rappers having an insult contest. Men and boys compete in ritualized insult wars all around the world. Earlier we saw how the instinctive choreography of a standard human fight has been elaborated into the world’s various formal dueling systems. The same goes for the monkey dance of the banter fight, which always involves the same basic moves and rules. Two men take turns hurling boasts and insults. The contests draw spectators, who laugh and hoot as the men derogate each other’s masculinity, while also leveling hilariously vile attacks on relatives (especially mothers). All around the world, the verbal duel is a pure monkey dance for the mind, in which men compete in verbal artistry, wit, and the ability to take a rhetorical punch. Like other forms of the monkey dance, scholars have wondered why boys and men are drawn to verbal duels, and girls and women generally aren’t. This strikes me as a very male sort of question to ask. It’s sort of like a dung beetle wondering why humans don’t find feces delicious. Women avoid verbal duels not because they’ve been told it’s unladylike, but because trading the vilest attacks conceivable while vying in braggadocio just isn’t most women’s idea of a good time. Why don’t people eat feces? Because coprophagy isn’t in our nature. Why don’t women like to duel verbally? Because it’s not in theirs.
”
”
Jonathan Gottschall (The Professor in the Cage: Why Men Fight and Why We Like to Watch)
“
Listen, it’s simple, because men are simple. A guy likes a chick, he needs to get her attention. There are a coupla ways to do this. The dicks, they do it by bein’ a dick to the girl, insultin’ her hair or her makeup or somethin’ totally made up just to start a conversation. Best thing to do is ignore ’em. The better ones, they’ll try an’ be your pal, buddy up to you about somethin’ they think you might like even though they definitely fuckin’ don’t. These guys are harmless, Lou, just friend zone ’em for long enough and they’ll give up. Then there are the best kinda men, yeah? The ones that man-up and claim a woman the way a woman wants and needs to be claimed. He sees somethin’ he likes, he goes up, lays it out, and asks her out. He does what he needs to do to get to know her, listenin’, spendin’ the money, and, better, the time to know her mind so he can rock her world. Somethin’ fucks with her, that man is gonna throw down to make it right again. She wants somethin’ he can’t immediately get her? That guy’s gonna work his fuckin’ ass off to get it for her just for a chance to get some more of her sweetness. That’s the kinda man you’re gonna get yourself one day, Lou. Not now, you’re just a kid, so be patient. Ignore the dicks that will be ignored and throat punch the idiots that won’t. Make friends with the pussies who let you do that to them. And wait. Z.
”
”
Giana Darling (Welcome to the Dark Side (The Fallen Men, #2))
“
Your phone’s vibrating,” Scottie says. She takes my cell phone out of her pocket, the phone she has stolen from me to text her friend. She doesn’t even care that she has disobeyed. She doesn’t care that she said “finger-fucked” in front of me. It’s as though I’m not a father.
I don’t recognize the number, so I don’t answer. I like to let people leave messages, and then I’ll call back after I rehearse what to say.
“You never answer your phone,” Scottie says. “What if someone needs help?”
“Then they can leave a message and I’ll call right back.”
Alex takes the phone out of my hands. “Hello?” she says.
“What the—? Do I not exist, girls? Do you realize I’m in charge here?”
Scottie whispers, “Who is it?”
“Oh, no,” Alex says. “This is the right number. This is his assistant…Sharon.”
Scottie opens her mouth, delighted. I’ve always been impressed by Alex’s effortless ability to lie.
“That sounds nice,” Alex says, then punches me lightly on the arm. “Where? Great. And for how long? Okay. Well, thanks. Maybe we’ll peek in on Sunday. Thanks so much. Okay.”
She closes the phone.
“Well?”
“That was a Realtor, Dad, from Brian’s office. She says she’d be happy to show you the house you called about. Well done, Dad. Very clever.”
“Good one, King,” Sid says.
“What about Brian?” I ask. I feel strange talking about this with Joanie in the room. I position myself so that I face away from her.
”
”
Kaui Hart Hemmings (The Descendants)
“
He smiled, and some of the knots in my stomach loosened. He would keep my secret.
Devon hesitated, then reached over and put his hand on top of mine. His skin was warm, as though the sun had soaked into his body. I breathed in, and the crisp, clean scent of him filled my nose, the one that made me want to bury my face in his neck and inhale the essence of him over and over again. But I forced myself to exhale and step back, putting some distance between us, even though our hands were still touching.
“Look,” I said, my voice carefully neutral. “You’re a nice guy, a great guy. But I’m going to . . . be here for a while. You’re an important member of the Family, and I’m your bodyguard, so it’s my job to protect you, and we’re going to have to work together. But I don’t think there should be anything . . . else.”
“Because of your mom, right?” he asked in a low voice. “Because you blame me for her death?”
I sucked in a breath, so rattled that I couldn’t even pretend I didn’t know what he was talking about. First, my magic, and now this. Somehow, Devon knew all my secrets.
“How do you know about my mom?” I croaked out.
“I remember everything about that day in the park,” he said. “Including the girl with the blue eyes who helped save me.”
I didn’t say anything. I could barely even hear him over the roar of my own heartbeat in my ears.
“It took me a while to figure out why you seemed so familiar. When I realized you reminded me of the girl in the park, I knew it had to be you. Mom would never have brought you here otherwise. Plus, there are several photos of your mother in the library. You look just like her. I know what happened to her. I’m sorry that she died because of me—so sorry.”
His green gaze locked with mine, that old, familiar guilt flaring to life in his eyes and punching me in the gut. And once again, I found myself wanting to comfort him.
“I don’t blame you for her death,” I said. “It wasn’t your fault. None of it was your fault. It was all the Draconis.”
“Do you really mean that?” he whispered.
“I do.”
Devon closed the distance between us and stared down at me. I let myself look into his eyes for another heartbeat.
Then I pulled my hand out from under his and stepped away.
Hurt flashed in his gaze before he could hide it. I wanted to stop. I wanted to tell him that I felt this thing, this attraction, this heat between us just as much as he did. I wanted to wrap my arms around his neck, pull his lips down to mine, and lose myself in him.
But I couldn’t.
Not when I was planning on leaving the mansion, the Family, and him, the second I thought it was safe. I already cared about Devon way too much. And Felix and Oscar and even Claudia. I didn’t need to fall any farther down that rabbit hole, especially where Devon was concerned, because I knew exactly where I would end up—with my heart broken.
”
”
Jennifer Estep (Cold Burn of Magic (Black Blade, #1))
“
Sarah sits up and reaches over, plucking a string on my guitar. It’s propped against the nightstand on her side of the bed. “So . . . do you actually know how to play this thing?”
“I do.”
She lies down on her side, arm bent, resting her head in her hand, regarding me curiously. “You mean like, ‘Twinkle, Twinkle, Little Star,’ the ‘ABC’s,’ and such?”
I roll my eyes. “You do realize that’s the same song, don’t you?”
Her nose scrunches as she thinks about it, and her lips move as she silently sings the tunes in her head. It’s fucking adorable. Then she covers her face and laughs out loud.
“Oh my God, I’m an imbecile!”
“You shouldn’t be so hard on yourself, but if you say so.”
She narrows her eyes. “Bully.” Then she sticks out her tongue.
Big mistake.
Because it’s soft and pink and very wet . . . and it makes me want to suck on it. And then that makes me think of other pink, soft, and wet places on her sweet-smelling body . . . and then I’m hard.
Painfully, achingly hard.
Thank God for thick bedcovers. If this innocent, blushing bird realized there was a hot, hard, raging boner in her bed, mere inches away from her, she would either pass out from all the blood rushing to her cheeks or hit the ceiling in shock—clinging to it by her fingernails like a petrified cat over water.
“Well, you learn something new every day.” She chuckles. “But you really know how to play the guitar?”
“You sound doubtful.”
She shrugs. “A lot has been written about you, but I’ve never once heard that you play an instrument.”
I lean in close and whisper, “It’s a secret. I’m good at a lot of things that no one knows about.”
Her eyes roll again. “Let me guess—you’re fantastic in bed . . . but everybody knows that.” Then she makes like she’s playing the drums and does the sound effects for the punch-line rim shot. “Ba dumb ba, chhhh.”
And I laugh hard—almost as hard as my cock is.
“Shy, clever, a naughty sense of humor, and a total nutter. That’s a damn strange combo, Titebottum.”
“Wait till you get to know me—I’m definitely one of a kind.”
The funny thing is, I’m starting to think that’s absolutely true.
I rub my hands together, then gesture to the guitar. “Anyway, pass it here. And name a musician. Any musician.”
“Umm . . . Ed Sheeran.”
I shake my head. “All the girls love Ed Sheeran.”
“He’s a great singer. And he has the whole ginger thing going for him,” she teases. “If you were born a prince with red hair? Women everywhere would adore you.”
“Women everywhere already adore me.”
“If you were a ginger prince, there’d be more.”
“All right, hush now smartarse-bottum. And listen.”
Then I play “Thinking Out Loud.” About halfway through, I glance over at Sarah. She has the most beautiful smile, and I think something to myself that I’ve never thought in all my twenty-five years: this is how it feels to be Ed Sheeran.
”
”
Emma Chase (Royally Matched (Royally, #2))
“
Mama used to tell me that blood is everything, but I think we’re all out here unlearning that sentiment, scraping our knees and asking strangers to patch us back up. I don’t say goodbye to Shauna and she doesn’t even turn around to watch me leave, to head back out to a sky that sunk into deep blue while my brother asked me to do the one thing I know I shouldn’t, the one thing Shauna cared enough to warn me about: hollow myself out for another person who ain’t gonna give a shit when I’m empty. The café lady sticks the pen behind her ear where her undercut fades from blue to hot pink and then blond, and she smiles the same way that the mean girls used to smile before they said I couldn’t sit at their table in elementary school, like she’s waiting for a punch or some kind of prize.
”
”
Leila Mottley (Nightcrawling)
“
It is now time to face the fact that English is a crazy language — the most loopy and wiggy of all tongues.
In what other language do people drive in a parkway and park in a driveway?
In what other language do people play at a recital and recite at a play?
Why does night fall but never break and day break but never fall?
Why is it that when we transport something by car, it’s called a shipment, but when we transport something by ship, it’s called cargo?
Why does a man get a hernia and a woman a hysterectomy?
Why do we pack suits in a garment bag and garments in a suitcase?
Why do privates eat in the general mess and generals eat in the private mess?
Why do we call it newsprint when it contains no printing but when we put print on it, we call it a newspaper?
Why are people who ride motorcycles called bikers and people who ride bikes called cyclists?
Why — in our crazy language — can your nose run and your feet smell?Language is like the air we breathe. It’s invisible, inescapable, indispensable, and we take it for granted. But, when we take the time to step back and listen to the sounds that escape from the holes in people’s faces and to explore the paradoxes and vagaries of English, we find that hot dogs can be cold, darkrooms can be lit, homework can be done in school, nightmares can take place in broad daylight while morning sickness and daydreaming can take place at night, tomboys are girls and midwives can be men, hours — especially happy hours and rush hours — often last longer than sixty minutes, quicksand works very slowly, boxing rings are square, silverware and glasses can be made of plastic and tablecloths of paper, most telephones are dialed by being punched (or pushed?), and most bathrooms don’t have any baths in them. In fact, a dog can go to the bathroom under a tree —no bath, no room; it’s still going to the bathroom. And doesn’t it seem a little bizarre that we go to the bathroom in order to go to the bathroom?
Why is it that a woman can man a station but a man can’t woman one, that a man can father a movement but a woman can’t mother one, and that a king rules a kingdom but a queen doesn’t rule a queendom? How did all those Renaissance men reproduce when there don’t seem to have been any Renaissance women?
Sometimes you have to believe that all English speakers should be committed to an asylum for the verbally insane:
In what other language do they call the third hand on the clock the second hand?
Why do they call them apartments when they’re all together?
Why do we call them buildings, when they’re already built?
Why it is called a TV set when you get only one?
Why is phonetic not spelled phonetically? Why is it so hard to remember how to spell mnemonic? Why doesn’t onomatopoeia sound like what it is? Why is the word abbreviation so long? Why is diminutive so undiminutive? Why does the word monosyllabic consist of five syllables? Why is there no synonym for synonym or thesaurus?
And why, pray tell, does lisp have an s in it?
If adults commit adultery, do infants commit infantry? If olive oil is made from olives, what do they make baby oil from? If a vegetarian eats vegetables, what does a humanitarian consume? If pro and con are opposites, is congress the opposite of progress? ...
”
”
Richard Lederer
“
Cheeks reddening, Mia peered at the first boy.
“Your name is Shivs? O, because you carry knives, aye?” She glanced at the younger boy. “You’d be Fleas then?” To the girl. “Let me guess, Worms?”1
“Clever,” said the blonde. And stepping lightly to Mia’s side, she drew back a fist and buried it in Mia’s stomach.
The breath left her lungs with a wet cough as she fell to her knees. Blinking and blinded, Mia clutched her belly, trying not to retch. Astonishment inside her. Astonishment and rage.
Nobody had hit her before.
Nobody haddared.
She’d seen her mother fence wits countless times in the Spine. She’d seen men reduced to stuttering and women driven to tears. And Mia had studied well. But the rules said the aggrieved was supposed to riposte with some barb of their own, not haul off and punch her like some lowborn thug in an alley scra—
“O …,” Mia wheezed. “Right.
”
”
Jay Kristoff (Nevernight (The Nevernight Chronicle, #1))
“
Mr. Pilates was a bully and a narcissist and a dirty old man; he and Christopher got along very well. When Christopher was doing his workout, Pilates would bring one of his assistants over to watch, rather as the house surgeon brings an intern to study a patient with a rare deformity. ‘Look at him!’ Pilates would exclaim to the assistant, ‘That could have been a beautiful body, and look what he’s done to it! Like a birdcage that somebody trod on!’ Pilates had grown tubby with age, but he would never admit it; he still thought himself a magnificent figure of a man. ‘That’s not fat,’ he declared, punching himself in the stomach, ‘that’s good healthy meat!’ He frankly lusted after some of his girl students. He used to make them lie back on an inclined board and climb on top of them, on the pretext that he was showing them an exercise. What he really was doing was rubbing off against them through his clothes; as was obvious from the violent jerking of his buttocks.
”
”
Christopher Isherwood (Lost Years: A Memoir 1945 - 1951)
“
I would choose you." The words were out before he thought better of them, and there was no way to pull them back.
Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully.
"As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters.
And a fine general you are.
There could be no better leader.
You may be prickly, but that's what Ravka needs.
So many easy replies.
Instead he said, "As my queen."
He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far.
"Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets."
"I do trust you more than myself sometimes- and I think very highly of myself."
Hadn't she said there was no one else she'd choose to have her back in a fight?
But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines.
"I would make you my queen because I want you. I want you all the time."
She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision."
He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you."
Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop.
"I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day."
She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm.
Then she pulled back her hand, cradling her fingers as if they'd been singed.
"You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs."
"And if you're the queen I want?"...
She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon."
Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung.
"Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?"
Zoya opened the door to the Cargo hold.Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
”
”
Leigh Bardugo
“
I hear two female voices around the corner and creep toward the end of the hallway to hear better.
“…just can’t handle her being here,” one of them sobs. Christina. “I can’t stop picturing it…what she did…I don’t understand how she could have done that!”
Christina’s sobs make me feel like I am about to crack open.
Cara takes her time responding.
“Well, I do,” she says.
“What?” Christina says with a hiccup.
“You have to understand; we’re trained to see things as logically as possible,” says Cara. “So don’t think that I’m callous. But that girl was probably scared out of her mind, certainly not capable of assessing situations cleverly at the time, if she was ever able to do so.”
My eyes fly open. What a--I run through a short list of insults in my mind before listening to her continue.
“And the simulation made her incapable of reasoning with him, so when he threatened her life, she reacted as she had been trained by the Dauntless to react: Shoot to kill.”
“So what are you saying?” says Christina bitterly. “We should just forget about it, because it makes perfect sense?”
“Of course not,” says Cara. Her voice wobbles, just a little, and she repeats herself, quietly this time. “Of course not.”
She clears her throat. “It’s just that you have to be around her, and I want to make it easier for you. You don’t have to forgive her. Actually, I’m not sure why you were friends with her in the first place; she always seemed a bit erratic to me.”
I tense up as I wait for Christina to agree with her, but to my surprise--and relief--she doesn’t.
Cara continues. “Anyway. You don’t have to forgive her, but you should try to understand that what she did was not out of malice; it was out of panic. That way, you can look at her without wanting to punch her in her exceptionally long nose.”
My and moves automatically to my nose. Christina laughs a little, which feels like a hard poke to the stomach. I back up through the door to the Gathering Place.
Even though Cara was rude--and the nose comment was a low blow--I am grateful for what she said.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
Three nights a week your Lalasa closes her shop early," Buri told her after a sip from her cup. "She teaches city girls--commoners--holds, blows, and kicks that will help them to escape an attacker. She learned all that somewhere. And it does girls more good than your courting frostbite to shoot a bow you don't even like. There's now a demand for arms teachers for young noblewomen. Seven female Riders this year asked me for references to get them such posts. And may I remind you that a particular law is being revised right now because you had the nerve to tell King Jonathan it should be changed?"
"I still should have reported Vinson at the Temple of the Goddess," Kel said stubbornly.
"Very well, you should have done," Buri agreed, her face sober. "Next time, you will. And while it won't heal his victims, here's something for you to drink besides self-pity. No court in the land could put him through what he did to those girls. The Chamber did. I've seen the marks of beatings. The Chamber is making him feel every blow, kick, and punch he doled out. And I bet that will continue for a while.
”
”
Tamora Pierce (Squire (Protector of the Small, #3))
“
What are we talking about?” Alex says. “This is fucking nonsense.”
The couple ahead of us turns slightly.
“What are you looking at?” Alex says to them.
I don’t bother to reprimand her, because really, what are they looking at? I slow my pace and Alex punches Scottie in the arm.
“Ow!” Scottie screams.
“Alex! Why are we still on this pattern?”
“Hit her back, Dad,” Scottie yells.
Alex grabs Scottie’s neck.
“You’re hurting me,” Scottie says.
“That’s kind of the point,” Alex says.
I grab both children by the arm and pull them down to the sand. Sid covers his mouth with his hand and bends over, laughing silently.
“‘What do you love about Mom?’” Alex says, mimicking her sister. “Shut up, already. And stop babying her.”
I sit down between them and don’t say a word. Sid sits next to Alex. “Easy, tiger,” he says. I look at the waves crashing down on the sand. A few women walk by and give me this knowing look, as though a father with his kids is such a precious sight. It takes so little to be revered as a father. I can tell the girls are waiting for me to say something, but what can I say that hasn’t been said? I’ve shouted, I’ve reasoned, I’ve even spanked. Nothing works.
“What do you love about Mom, Scottie?” I ask, glaring at Alex.
She takes a moment to think. “Lots of stuff. She’s not old and ugly, like most moms.”
“What about you, Alex?”
“Why are we doing this?” she asks. “How did we get here in the first place?”
“Swimming with the sharks,” I say. “Scottie wanted to swim with sharks.”
“You can do that,” Sid says. “I read about it in the hotel.”
“She’s not afraid of anything,” Alex says.
She’s wrong, and besides, I think this is a statement and not something that Alex truly loves.
“Let’s get back,” I say.
I stand up and wipe the sand off of me. I look at our hotel on the cliff, pink from the sunset. The girls’ expressions when I told them about their mom made me feel so alone. They won’t ever understand me the way Joanie does. They won’t know her the way I do. I miss her despite the fact that she envisioned the rest of her life without me. I look at my daughters, utter mysteries, and for a brief moment I have a sick feeling that I don’t want to be alone in the world with these two girls. I’m relieved they haven’t asked me what it is I love about them.
”
”
Kaui Hart Hemmings (The Descendants)
“
Is this the longest it’s taken you to kiss a girl?’ she asked.
‘No, this is fast for me. I’ve spent years gearing up to make a move in the past.’
‘Ah,’ she said, nodding. ‘Men never make the first move any more. What’s happened to them?’
‘It’s not them, it’s you.’
‘Me?!’
‘Yes, this is your fault for being so fucking hot and clever and funny – how is anyone meant to kiss you, it’s like trying to kiss … Tom Selleck.’ She raised her eyebrows. ‘Young Tom Selleck,’ I corrected myself.
‘Don’t make me do it first.’
‘I won’t.’
‘I don’t want to have to make the first move,’ she said.
‘You won’t have to,’ I said.
She put her hands around the back of my neck, pulled me towards her and kissed me. I felt tiny and enormous; like I was her toy and her king.
‘Too late,’ she said, kissing me again.
I felt the euphoric relief when you’ve spent hours presenting your very best anecdotes and making your best jokes, smelling your pits and checking your nose hair every time you go to the toilet, and you realize it hasn’t been for nothing. I would not be the punchline to the joke, not tonight. I hadn’t messed up. She fancied me too.
”
”
Dolly Alderton (Good Material)
“
Ahead, a house sits close to the road: a small, single-story place painted mint green. Ivy grows up one corner and onto the roof, the green tendrils swaying like a girl's hair let loose from a braid. In front there's a full and busy vegetable garden, with plants jostling for real estate and bees making a steady, low, collective hum. It reminds me of the aunties' gardens, and my nonna's when I was a kid. Tomato plants twist gently skywards, their lazy stems tied to stakes. Leafy heads of herbs- dark parsley, fine-fuzzed purple sage, bright basil that the caterpillars love to punch holes in. Rows and rows of asparagus. Whoever lives here must work in the garden a lot. It's wild but abundant, and I know it takes a special vigilance to maintain a garden of this size.
The light wind lifts the hair from my neck and brings the smell of tomato stalks. The scent, green and full of promise, brings to mind a childhood memory- playing in Aunty Rosa's yard as Papa speaks with a cousin, someone from Italy. I am imagining families of fairies living in the berry bushes: making their clothes from spiderweb silk, flitting with wings that glimmer pink and green like dragonflies'.
”
”
Hannah Tunnicliffe (Season of Salt and Honey)
“
5236 rue St. Urbain
The baby girl was a quick learner, having synthesized a full range of traits of both of her parents, the charming and the devious. Of all the toddlers in the neighbourhood, she was the first to learn to read and also the first to tear out the pages. Within months she mastered the grilling of the steaks and soon thereafter presented reasons to not grill the steaks. She was the first to promote a new visceral style of physical comedy as a means of reinvigorate the social potential of satire, and the first to declare the movement over. She appreciated the qualities of movement and speed, but also understood the necessity of slowness and leisure. She quickly learned the importance of ladders. She invented games with numerous chess-boards, matches and glasses of unfinished wine.
Her parents, being both responsible and duplicitous people, came up with a plan to protect themselves, their apartment and belongings, while also providing an environment to encourage the open development of their daughter's obvious talents. They scheduled time off work, put on their pajamas and let the routines of the apartment go. They put their most cherished books right at her eye-level and gave her a chrome lighter. They blended the contents of the fridge and poured it into bowls they left on the floor. They took to napping in the living room, waking only to wipe their noses on the picture books and look blankly at the costumed characters on the TV shows. They made a fuss for their daughter's attention and cried when she wandered off; they bit or punched each other when she out of the room, and accused the other when she came in, looking frustrated. They made a mess of their pants when she drank too much, and let her figure out the fire extinguisher when their cigarettes set the blankets smoldering. They made her laugh with cute songs and then put clothes pins on the cat's tail.
Eventually things found their rhythm. More than once the three of them found their faces waxened with tears, unable to decide if they had been crying, laughing, or if it had all been a reflex, like drooling. They took turns in the bath. Parents and children--it is odd when you trigger instinctive behaviour in either of them--like survival, like nurture. It's alright to test their capabilities, but they can hurt themselves if they go too far. It can be helpful to imagine them all gorging on their favourite food until their bellies ache. Fall came and the family went to school together.
”
”
Lance Blomgren (Walkups)
“
Achievement ceremonies are revealing about the need of the powerful
to punish women through beauty, since the tension of having to repress
alarm at female achievement is unusually formalized in them. Beauty
myth insults tend to be blurted out at them like death jokes at a funeral.
Memories of these achievement ceremonies are supposed to last like
Polaroid snapshots that gel into permanent colors, souvenirs to keep
of a hard race run; but for girls and young women, the myth keeps
those colors always liquid so that, with a word, they can be smeared
into the uniform shades of mud.
At my college graduation, the commencement speaker, Dick
Cavett—who had been a “brother” of the university president in an allmale
secret society—was confronted by two thousand young female
Yale graduates in mortarboards and academic gowns, and offered them
this story: When he was at Yale there were no women. The women went
to Vassar. There, they had nude photographs taken in gym class to
check their posture. Some of the photos ended up in the pornography
black market in New Haven. The punch line: The photos found no
buyers.
Whether or not the slur was deliberate, it was still effective: We may
have been Elis but we would still not make pornography worth his
buying. Today, three thousand men of the class of 1984 are sure they
are graduates of that university, remembering commencement as they
are meant to: proudly. But many of the two thousand women, when
they can think of that day at all, recall the feelings of the powerless:
exclusion and shame and impotent, complicit silence. We could not
make a scene, as it was our parents’ great day for which they had traveled long distances; neither could they, out of the same concern for us.
Beauty pornography makes an eating disease seem inevitable,
even desirable, if a young woman is to consider herself sexual and
valuable: Robin Lakoff and Raquel Scherr in Face Value found in 1984
that “among college women, ‘modern’ definitions of beauty—health,
energy, self-confidence”—prevailed. “The bad news” is that they all
had “only one overriding concern: the shape and weight of their bodies.
They all wanted to lose 5–25 pounds, even though most [were] not remotely
overweight. They went into great detail about every flaw in
their anatomies, and told of the great disgust they felt every time they
looked in the mirror.” The “great disgust” they feel comes from learning
the rigid conventions of beauty pornography before they learn their
own sexual value; in such an atmosphere, eating diseases make perfect
sense.
”
”
Naomi Wolf (The Beauty Myth)
“
Stormy lived more life in one night than most people do their whole lives. She was a force of nature. She taught me that love--” My eyes well up and I start over. “Stormy taught me that love is about making brave choices every day. That’s what Stormy did. She always picked love; she always picked adventure. To her they were one and the same. And now she’s off on a new adventure, and we wish her well.”
From his seat on the couch, John wipes his eyes with his sleeve.
I give Janette a nod, and she gets up and presses play on the stereo, and “Stormy Weather” fills the room. “Don’t know why there’s no sun up in the sky…”
After, John shoulders his way over to me, holding two plastic cups of fruit punch. Ruefully he says, “I’m sure she’d tell us to spike it, but…” He hands me a cup, and we clink. “To Edith Sinclair McClaren Sheehan, better known as Stormy.”
“Stormy’s real name was Edith? It’s so serious. It sounds like someone who wears wool skirts and heavy stockings, and drinks chamomile tea at night. Stormy drank cocktails!”
John laughs. “I know, right?”
“So then where did the name Stormy come from? Why not Edie?”
“Who knows?” John says, a wry smile on his lips. “She’d have loved your speech.” He gives me a warm, appreciative sort of look. “You’re such a nice girl, Lara Jean.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
If you hurt her, you will not leave here alive,” I growled at him. “I will kill you with my bare fucking hands, Bayle.”
Bayle started to laugh. “Oh, you really think so?”
Something flashed in Tilda’s eyes, and her body tensed up. Her expression hardened, and there was a resolve in her that I knew all too well from training with her. Tilda was a master of restraint, but she could destroy someone if she wanted to.
“Wait,” Tilda said in a stilted voice. “This is Bayle Lundeen? Bayle, who conspired with Kennet? Bayle, who’s one of the reasons my husband is dead?”
I nodded once. “Yeah. That’s him.”
For the first time, Bayle seemed to realize he might have bitten off more than he could chew, and he looked down at Tilda with new appreciation. Tilda may be pregnant, but she was still tall and strong, with muscular arms and powerful legs.
I was sure that when Bayle had first captured her, she’d been more docile so as not to risk him hurting the baby. But now she was pissed.
With one sudden jerk, she flung her head backward, smashing into Bayle’s face. From where I stood several feet away from her, I heard the sound of his nose crunching. Before he could tilt the knife toward her, she grabbed his wrist, bent it backward, and, using her other arm as leverage, she broke his arm with a loud snap.
It all happened within a few seconds, and Bayle screamed in pain and stumbled back. His arm hung at a weird angle, and blood streamed down his face. But Tilda wasn't done yet.
With a swipe of her leg, she kicked his legs out from under him. He fell back into the mud, and Tilda kicked him hard in the groin, causing Konstantin to wince behind me. Then she jumped on top of him, punching him repeatedly in the face with both fists.
His body had gone limp but I wasn't sure if that was because he was unconscious or dead. Either way, Tilda apparently decided that she wanted to be certain. She grabbed the knife that he’d dropped on the ground beside them, and she stabbed him straight through the heart.
And then she just sat there, kneeling on his dead body and breathing hard. None of us said anything or moved. It felt like she needed the moment to herself.
When she finally stood up, she shook her arms out, probably both because her fists hurt from hitting Bayle so hard and also to get rid of some of the blood.
“Do you feel better?” I asked her.
She nodded, still catching her breath as she walked over to me. “Yeah. We have to do something about these bodies, though. The humans will get suspicious.”
“That girl is a fucking beast,” Konstantin whispered as she walked by, and he looked at her with newfound admiration.
“You should see her when she’s not pregnant,” I said.
”
”
Amanda Hocking (Crystal Kingdom (Kanin Chronicles, #3))
“
cell phone. Hmmm...it should be about 11:00 in New York. I punch in my sister’s phone number. She answers after two rings. “Chloe! How’s London?” she asks enthusiastically, without even saying hello. “Oh my goodness Abby, you won’t believe what happened to me,” I say. I tell Abby about my embarrassing run in with Blue Mohawk and his friends. She laughs hysterically, clearly thinking the whole incident was as comical as they did. “It’s so not funny,” I groan. “What if they live here? What if I see them again? They probably think I’m an idiot. The girl who gets all mumbley and runs away! Who does that anyway?” “Well don’t worry about it. I’ll be out in a few weeks to visit. We can do some damage control then,” she laughs. “Thanks Abby. I’ll talk to you later,” I say and we both disconnect. Damage control...I’m hoping there won’t be any need for damage control seeing as I honestly don’t plan on running into Ole Blue and his buddies anytime soon. I bet none of them live here anyway so I’m probably worrying over nothing. It suddenly occurs to me just how much time I spent on an airplane and I feel absolutely disgusting. A nice, warm shower sounds like heaven right about now. I reluctantly pull myself up off the couch and I walk towards my bedroom, grabbing my suitcase along the way. I wheel it up next to my bed, open it and grab my bag of toiletries.
”
”
Rebecca Elise (Fall into My Heart (Subzero, #1))
“
He brought them a lot of joy, whether by tossing a ball around or tickling them, teaching them how to hunt or just watching TV. Angel loved to climb into his lap and cuddle. His tensions and cares would melt away as he held her.
I know there’s a saying about “Daddy’s little girl wrapping him around her finger.” Chris and Angel didn’t have that kind of relationship, exactly. She was definitely his girl--he was closer to her than probably any other female on the planet, including me. But he also held her to high standards. She couldn’t get away with being bad or taking advantage of him.
She could see in his face that he was absolutely delighted by her. He “got” her humor, and he definitely got her.
One day he had to leave on an overnight trip. We said good-bye and closed the door; Angel and I went into the kitchen.
She had tears in her eyes.
“Okay, honey?” I asked.
“Yeah. I know he’s coming back tomorrow,” she said. “I guess I just miss him already.”
I told Chris what she’d said later on that night when he called to check in. It was something cute she’d done.
“Wow,” he said. “I feel like I’ve just been punched in the stomach.”
He slid down the wall to the floor, hand to his face, devastated by his daughter’s simple statement of love.
“I wasn’t trying to make you feel bad,” I told him. “I’m sorry.”
“It’s okay.”
We talked a little more, then he hung up the phone. The man he was traveling with said later that he looked wounded the whole rest of the trip.
”
”
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
“
Henry had taught Eddie how to play basketball in the playground near the apartment building where they lived--this was in a cement suburb where the towers of Manhattan stood against the horizon like a dream and the welfare check was king. Eddie was eight years younger than Henry and much smaller, but he was also much faster. He had a natural feel for the game; once he got on the cracked, hilly cement of the court with the ball in his hands, the moves seemed to sizzle in his nerve-endings. He was faster, but that was no big deal. The big deal was this: he was BETTER than Henry. If he hadn't known it from the results of the pick-up games in which they sometimes played, he would have known it from Henry's thunderous looks and the hard punches to the upper arm Henry often dealt out on their way home afterwards. These punches were supposedly Henry's little jokes--"Two for flinching!" Henry would cry cheerily, and then whap-whap into Eddie's bicep with one knuckle extended--but they didn't FEEL like jokes. They felt like warnings. They felt like Henry's way of saying You better not fake me out and make me look stupid when you drive for the basket; you better remember that I'm Watching Out for You.
The same was true with reading...baseball...Ring-a-Levio...math...even jump-rope, which was a girl's game. That he was better at these tings, or COULD be better, was a secret that had to be kept at all costs. Because Eddie was the younger brother. Because Henry was Watching Out for him. But the most important part of the underneath reason was also the simplest: these things had to be kept secret because Henry was Eddie's big brother, and Eddie adored him.
”
”
Stephen King (The Waste Lands (The Dark Tower, #3))
“
Then she bent her head over at the waist and tossed her head around to separate the curls.
The elevator stopped and she heard the door open. She straightened up to find some big guy in a ball cap and sunglasses right in her face, charging into the elevator before she could even get out of it. He had both hands full of carry-out bags—Mexican food, judging from the smell.
She looked at them, her mouth watering. Yep. Enrique’s. The best in town.
He whirled around to punch the door-close button.
“Hey,” she said. “I’m getting off here.”
Some girl outside in the lobby yelled, “We know it’s you, Chase. You shouldn’t lie to us.”
Startled, Elle looked at the guy’s face and saw, just before he reached for her, that it really was Chase Lomax in ragged shorts and flip-flops.
He grabbed her up off her feet and bent his head. Found her mouth with his.
“Wait for us,” another girl yelled. The sound of running feet echoed off the marble floor, slid to a stop. “Oh, no!”
Kissing her, without so much as a “Hi, there, Elle.” Burning her up. She tried to struggle but he had both her arms pinned to her sides.
And suddenly she wanted to stay right where she was forever because the shock was wearing off and she was starting to feel. A lot more than she ever had before.
The door slid closed. The girls began banging on it.
“We know your room number, Chase, honey,” they yelled. “See you there.”
Loud giggles.
“We’ll show you a real good time.”
The elevator moved up, the voices faded away. But Chase kept on kissing her.
She had to make him stop it. Right now. Who did he think he was, anyway?
Somebody who could send lightning right through her whole body, that’s who. Lightning so strong it shook her to her toes.
He had to stop this now. But she couldn’t move any part of her body. Except her lips. And her tongue . . .
When he finally let her go she pulled back and away, fighting to get a handle on her breathing.
“What’s the matter?” he demanded.
Her blood rushed through her so fast it made her dizzy.
“You’re asking me? It’s more like, what’s the matter with you? How’d you get the idea you could get away with kissing me like that without even bothering to say hello?”
She touched her lips. They were still on fire.
“You have got a helluva nerve, Chase Lomax.”
He grinned at her as he took off his shades. He hung them in the neck of his huge, baggy T-shirt that had a bucking bull and rider with Git’R’Done written above it. He wore ragged denim shorts and flip-flops, for God’s sake. Chase Lomax was known for always being starched and ironed, custom-booted and hatted.
“I asked if you’re all right because you were bent over double shaking your head when the doors opened,” he said. “Like you were in pain or something.”
“I was drying my hair.”
He stared, then burst out laughing. “Oh, well, then.”
His laugh was contagious but she wouldn’t let herself join in. He could not get away with this scot-free. He’d shaken her up pretty good.
“Oh. I see. You thought I needed help, so you just grabbed me and kissed me senseless. Is that how you treat somebody you think’s in pain?”
He grinned that slow, charming grin of his again. “It made you feel better. Didn’t it?”
He held her gaze and wouldn’t let it go. She must be a sight. She could feel heat in her cheeks, so her face must be red. Plus she was gasping, trying to slow her breathing. And her heart-beat.
“You nearly scared me to death to try to get rid of those girls. And it was all wasted. They’re coming to your room.”
Something flashed deep in his brown eyes.
“Now you’ve hurt my feelings. I don’t think it was wasted,” he drawled. “I liked that kiss.
”
”
Genell Dellin (Montana Gold)
“
We begin with an onion soup as smoky and fragrant as autumn leaves, with croutons and grated Gruyère and a sprinkle of paprika over the top. She serves and watches me throughout, waiting, perhaps, for me to produce from thin air an even more perfect confection that will cast her effort into the shade.
Instead I eat, and talk, and smile, and compliment the chef, and the chink of crockery goes through her head, and she feels slightly dazed, not quite herself. Well, pulque is a mysterious brew, and the punch is liberally spiked with it, courtesy of Yours Truly, of course, in honor of the joyful occasion. As comfort, perhaps, she serves more punch, and the scent of the cloves is like being buried alive, and the taste is like chilies spiced with fire, and she wonders, Will it ever end?
The second course is sweet foie gras, sliced on thin toast with quinces and figs. It's the snap that gives this dish its charm, like the snap of correctly tempered chocolate, and the foie gras melts so lingeringly in the mouth, as soft as praline truffle, and it is served with a glass of ice-cold Sauternes that Anouk disdains, but which Rosette sips in a tiny glass no larger than a thimble, and she gives her rare and sunny smile, and signs impatiently for more.
The third course is a salmon baked en papillote and served whole, with a béarnaise sauce. Alice complains she is nearly full, but Nico shares his plate with her, feeding her tidbits and laughing at her minuscule appetite.
Then comes the pièce de résistance: the goose, long roasted in a hot oven so that the fat has melted from the skin, leaving it crisp and almost caramelized, and the flesh so tender it slips off the bones like a silk stocking from a lady's leg. Around it there are chestnuts and roast potatoes, all cooked and crackling in the golden fat.
”
”
Joanne Harris (The Girl with No Shadow (Chocolat, #2))
“
You’re having a bad day.
You mess up a few lines. You’re distracted. You’ve had this look about you all afternoon, like you’re not quite there.
“Christ, Cunningham, get it together,” Hastings says, running his hands down his face. “If you can’t handle being Brutus—”
“Fuck you.” You cut him off. “Don’t act like you’re perfect.”
“I don’t make rookie mistakes,” Hastings says. “Maybe if you weren’t so preoccupied with trying to screw the new girl, you might—”
BAM.
You shut him up mid-sentence with a punch to the face, your fist connecting hard, nearly knocking him off his feet. He stumbles, stunned, as you go at him again, grabbing the collar of his uniform shirt and yanking him to you. “Shut your fucking mouth.”
People come between the two of you, forcing you apart. Hastings storms out, shouting, “I can’t deal with him!”
Drama Club comes to a screeching halt.
You stand there for a moment, fists clenched at your side, calming down. You flex your hands, loosening them as you approach the girl. She’s watching you in silence, expression guarded.
You sit down near her. There’s an empty seat between you today. It’s the first time you’ve not sat right beside her in weeks. You’re giving her space.
It doesn’t take long before Hastings returns, but he isn’t alone. The administrator waltzes in behind him. The man heads for you, expression stern. “Cunningham, give me one good reason why I shouldn’t expel you.”
“Because my father gives you a lot of money.”
“That’s what you have to say?”
“Is that not a good reason?”
“You punched a fellow student!”
“We were just acting,” you say. “I’m Brutus. He’s Caesar. It’s to be expected.”
“Brutus stabs him. He doesn’t throw punches.”
“I was improvising.”
The girl laughs when you say that. She tries to stop herself, but the sound comes out, and the administrator hears it, his attention shifting to her.
“Look, it won’t happen again,” you say, drawing the focus back to you. “Next time, I’ll stab him and be done with it.”
“You better watch yourself,” the administrator says, pointing his finger in your face. “One more incident and you’re gone for good. Understand?”
“Yes, sir.”
“And rest assured, your father will be hearing about this
”
”
J.M. Darhower (Ghosted)
“
THE GREAT GULON INCIDENT: [JUST GONNA LEAVE THIS ONE WITH: REDACTED] [NOT THAT I HAD ANYTHING TO DO WITH THIS!] THE VACKER CONNECTION: [UH, FITZY’S MY BEST FRIEND—NOT A “CONNECTION.” AND ALDEN AND DELLA ARE WAY NICER TO ME THAN MY OWN PARENTS ARE. BIANA’S SUPER AWESOME TOO. ALVAR… NOT SO MUCH. I PROBABLY SHOULD’VE SEEN THAT ONE COMING. BUT WHATEVER, MY POINT IS: I DIDN’T TRY TO MAKE FRIENDS WITH THE VACKERS—NO MATTER WHAT WEIRD STUFF WAS IN ONE OF MY ERASED MEMORIES. SO DON’T GO THINKING THERE’S MORE TO IT THAN THAT.] [AND HOW DO YOU GUYS EVEN KNOW ABOUT THAT MEMORY? THAT KINDA MAKES ME WANT TO RIP THIS REGISTRY PENDANT OFF MY NECK AND THROW IT FAR, FAR AWAY!] INSTANT RIVALRY: [YOU THINK BANGS BOY AND ME ARE “RIVALS”? HATE TO BREAK IT TO YOU, BUT NOPE! I MEAN, YEAH, HE’S SUPER ANNOYING WITH ALL THE “LOOK AT ME, I’M A MOODY SHADE” NONSENSE—AND HIS HAIR IS TOTALLY RIDICULOUS. BUT THERE’S NO RIVALRY. JUST DON’T EXPECT US TO BE BESTIES, AND WE’LL BE GOOD.] UNWITTING ERRAND BOY: [OKAY, THAT SUBHEADING MAKES ME WANT TO PUNCH WHOEVER WROTE IT IN THE MOUTH. BUT… I GUESS IT’S ALSO KIND OF TRUE. MY MOM DID HAVE ME DO STUFF AND THEN ERASE MY MEMORIES SO I WOULDN’T KNOW ABOUT IT. MOM OF THE YEAR, LADIES AND GENTLEMEN. TRY NOT TO BE JEALOUS.] [AND I’M WORKING ON GETTING THOSE MEMORIES BACK, BY THE WAY. I’VE BEEN FILLING JOURNALS WITH DRAWINGS AND EVERYTHING. IT’S JUST TAKING A WHILE BECAUSE I’VE BEEN A LITTLE BUSY ALMOST DYING AND STUFF.] TEAM FOSTER-KEEFE: [WOO-HOO, TEAM FOSTER-KEEFE IS OFFICIALLY A THING!] [BUT THE REST OF THE STUFF IN THIS SECTION IS SOOOOOOOOOOOOOOOOOOOOOO GETTING REDACTED. SERIOUSLY—BOUNDARIES, PEOPLE! FOSTER’S AMAZING—AND OBVIOUSLY WORKING WITH ME MAKES HER EVEN MORE AMAZING. BUT YOU GUYS NEED TO STOP WITH ALL OF YOUR WEIRDO SPECULATING.] ONE PART OF A TRIANGLE: [OKAY, THAT’S IT. I’M DEEEEEEEEEEFINITELY DITCHING THIS PENDANT THING. WHY IS THE COUNCIL PAYING ATTENTION TO THIS STUFF???????????] [ACTUALLY, YOU KNOW WHAT? IT’S NONE OF YOUR BUSINESS, BUT I’M GOING TO ADD ONE THING: FOSTER GETS TO DO WHATEVER SHE WANTS, OKAY? SHE CAN LIKE WHOEVER SHE WANTS. OR BE CONFUSED ABOUT WHAT SHE’S FEELING. SHE CAN EVEN BE OBLIVIOUS—IT’S HER LIFE. HER CHOICE. AND EVERYONE NEEDS TO STAY OUT OF IT.] [EVEN ME.] [ESPECIALLY ME. I WOULD NEVER WANT TO…] [NEVER MIND. MY POINT IS, LET THE POOR GIRL FIGURE THIS OUT ON HER OWN. AND SERIOUSLY, STAY OUT OF OUR LIVES!!!!]
”
”
Shannon Messenger (Unlocked (Keeper of the Lost Cities, #8.5))
“
Bobby ran up on the deck and skidded to a stop in front of them. “It’s time for the Kowalski Fourth of July Football Game of Doom!”
Cat laughed and pushed herself out of her seat. “We’ll talk about this some other time, Emma. Go have fun.”
“I’m not sure I want to play football. Especially if there’s doom involved,” she said, but Bobby grabbed her hand and dragged her off the deck.
They were divvied up into teams roughly by size, each with an assortment of men, women and children. Emma was on Sean’s team, which was good. She’d just hide behind him, because the only thing she knew about football was that it involved a lot of hitting.
It only took a few plays to see that the Kowalskis played by their own rules and the few they had were fluid. Mostly they served to ensure the smaller kids didn’t get plowed over, victims of the adults’ competitive streak.
Five minutes into the game, Emma somehow ended up with the ball. She squealed and looked around for somebody—anybody—to hand it off to, but there was nobody. Well, there was Danny, but he was doubled over in laughter.
“Run, Emma,” Lisa yelled.
She ran in the direction her friend was frantically waving her hand, but she only went a few feet before two very strong arms wrapped around her waist and then she was falling. Luckily, she landed on a body instead of the ground.
“I love football,” Mitch said, grinning up at her.
Emma grimaced and managed to get one of her knees on solid ground so she could push herself to her feet. He was quicker and freed himself to stand and help her up.
“They should give you the ball more often,” he said, his blue eyes sparkling and the grin so like Sean’s—but not quite as naughty—in full force.
“Hands off my girl,” Sean told him, pulling on Emma’s elbow.
“You should do a better job of blocking for her.
“Let’s go,” Brian shouted.
The very next play, Mitch intercepted Mike’s pass to Evan and turned to run toward the other end zone. He was halfway there when Sean took him down hard. They hit the ground with a bone-jarring thud that made Emma wince, and came up pushing and shoving.
When Sean drew back his arm to throw the first punch, Mary blew her whistle from the sidelines. “Boys! Enough!”
Instead of heading straight for the huddle, Sean walked to Emma and pulled her into his arms for a hard, almost punishing caveman kiss that made her skin sizzle and her knees go wobbly. Then he glared at his brother for a few long seconds and went back to his team, leaving Emma standing there breathless and discombobulated.
”
”
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
“
I told you before--you mustn’t let Edward scare you. He’s a bully and a coward. What would Frank Merriwell do if he were you?”
Frank Merriwell--I was thoroughly sick of hearing that name. “I don’t care what some dumb guy in a story would do. I’m not going to fight Edward.”
“Fight me then.” Hannah raised her fists and danced around on her bare feet, bouncing, ducking, and swinging at the air around my head. “Pretend I’m Edward!”
I ducked a punch, and she swung again. “Put up your dukes,” she ordered, “defend yourself, sir.”
This time Hannah clipped my chin hard enough to knock me down. Her shirtwaist was completely untucked, her face was smudged, her hair was tumbling down her back and hanging in her eyes.
“On your feet, sir,” she shouted. “Let’s see your fighting spirit!”
Hannah was making so much noise she didn’t hear John Larkin push aside the branches and enter the grove. When he saw her take another swing at me, he started laughing.
Hannah whirled around, her face scarlet, and stared at John. “What do you mean by sneaking up on us like a common Peeping Tom?”
“With the noise you’ve been making, you wouldn’t have noticed a herd of rampaging elephants.” John was still laughing, but Hannah was furious.
Putting her fists on her hips, she scowled at him. “Well, now you know the truth about me. I’m no lady and I never claimed to be one. I suppose you’ll start taking Amelia Carter for rides in your precious tin lizzie and treating her to sodas at your father’s drugstore. I’m sure she’d never brawl with her brothers.”
Theo and I looked at each other. We were both hoping Hannah would make John leave. Before he came along and ruined everything, we’d been having fun.
To my disappointment, John didn’t seem to realize he was unwanted. Leaning against a tree, he watched Hannah run her hands through her hair. “I don’t know what you’re so fired up about,” he said. “Why should I want to take Amelia anywhere? I’ve never met a more boring girl. As for her brothers--a little brawling wouldn’t hurt them. Or Amelia either.”
Hannah turned away, her face flushed, and John winked at me. “Your sister’s first rate,” he said, “but I wager I know a sight more about boxing than she does. Why not let me show you a thing or two?”
Happy again, Hannah smiled at John. “What a grand idea! But go slow, Andrew’s still weak.”
When John took off his jacket, I edged closer to Hannah. “I like your lessons,” I said to her, scowling at John. He was rolling up his sleeves, probably to show off his muscles. Next to him, I was nothing but a skinny little baby. He’d knock me flat and everyone would laugh at me.
”
”
Mary Downing Hahn (Time for Andrew: A Ghost Story)
“
After that, we don’t talk, instead we get hammered. Shot after shot we down, chasing each one with a Little Debbie snack. Before we know it, we’re hanging on to the bar counter floating around in a sugar and alcohol coma, just the way I like it.
“There’s my girl,” Racer shouts as he topples off his stool and onto the floor, laughing hysterically. Georgie stops in her tracks and looks over at Emma, who’s standing next to her, both holding two boxes of Little Debbie snacks each.
“Emmmmmmmma,” Tucker drags out, waving his glass in the air. “You brought the snacks.”
“Oh, Jesus,” Emma mutters as she approaches us.
I point to my mouth and say, “Feed me. Daddy needs sugar.”
Racer is beside me, tangled in the pegs of his bar stool, still laughing. “Did you bring Oatmeal Pies, George? Please tell me you have the pies.”
“Uh, I think you’ve had enough for tonight,” she says, looking down at her boyfriend.
“Never!” Racer struggles to get up and finally knocks the chair over to free himself. “Fucking bitch chair, digging into me with its claws.” Talking to the stool directly he says, “I’m taken, warm someone else’s ass.”
“He’s going to propose, chair, leave him alone,” Tucker announces, causing me to cringe.
“Dude, don’t say it out loud.” I punch Tucker in the shoulder. “Georgie is right there.” All three of us turn to Georgie, who’s shaking her head in humor. Hopefully.
“I’ll take Aaron,” Emma tells Georgie. “Seems like Racer is more of a handful.”
“Hell yeah, I am.” Racer stumbles while cupping his crotch. “A giant handful.”
Georgie rolls her eyes. “And that’s our cue to leave.”
“But we didn’t eat our snacks.”
“Seems like you had enough.” Georgie grabs Racer by the hand. “Come on.”
As they walk away, Racer asks, “Want to have sex in the car?”
“Not even a little.”
“Here, you two, you can have your boxes of snacks.” Emma hands Tucker and me both a box of Oatmeal Pies that we clutch to our chests.
“You’re the best,” I admit.
“She is, isn’t she?” Tucker says. “I love her so fucking hard. Best wife ever.”
She pulls on both of our hands to get us moving. “She wins wife of the year award,” I announce. “Best wife goes to Emma. Can we get a round of applause?”
Tucker breaks open his Oatmeal Pies and starts spraying them like confetti. “Emma. Emma. Emma.” He chants, getting the three other patrons in the bar to join in.
I pump my fist as well, forgetting everything from earlier. I knew I could count on my guys.
“Emma. Emma. Emma . . .”
And then, everything fades to black. Emotions and feelings are non-existent as I pass out, just the way I like it. Just the way I need it.
”
”
Meghan Quinn (The Other Brother (Binghamton, #4))
“
Archer arrived early the next morning. Grey was still asleep on the sofa in his study when he heard tapping on the window.
He opened his eyes and immediately regretted it as the sharp light of day pierced his brain. Squinting, he tried to focus on his brother, since he already knew who his visitor was. Only one person ever announced himself so annoyingly.
“Open the bloody window, Grey!”
Grumbling, Grey slowly rose into a full sitting position. His back and neck were stiff and his head felt as though someone had kicked it repeatedly from all sides. And his mouth! Christ, he didn’t want to even think about what might have died inside it.
He staggered to the window, unlatched it and swung it open. “What the hell do you want?”
Wide-eyed, Archer made a tsking noise. “Is that any way to greet your favorite brother?”
“You’re not my favorite,” Grey scowled.
Unaffected, Archer easily adapted. “Is that any way to greet your second-favorite brother?”
Grey grinned, he couldn’t help it. Archer had always had a knack for making him smile, just as he had a knack for pissing him off as well. “I’m hung over and feel like shite. What do you want?”
“You look like shite. What’s this I hear about you making an appearance at Saint’s Row last night?”
“Rose tell you that?”
“She did. I’m surprised you took such a risk just to see her.”
Grey thought of her in that teal gown, the lights illuminating the luster of her skin. “It was worth it.”
“Worth it, eh? So worth it you immediately came home and got sloshed.”
“Something like that. And then Rose came home and I got even more sloshed.”
Archer’s expression turned to concern as he leaned against the window frame. “What happened?”
Grey shrugged. He’d already revealed more than he’d wanted. “Suffice it to say she now knows what kind of man I am.”
His brother snorted. “That girl has always known exactly what kind of man you are.”
The words were plain enough, but there was a cryptic edge to them that had Grey puzzled. “What the hell does that mean?”
Arch shook his head. “Come to the stables with me. I want to show you something.”
He looked down at himself. He was wearing the same clothes he’d worn last night and he was wrinkled beyond hope. Not to mention that he smelled like a distillery-an unwashed one at that. And his mask was up in his room. What if someone happened by and saw him…
He wasn’t a coward. He just didn’t wish to be seen looking less than his best.
An oath punctuated the early morning air. Grey was grabbed by the front of the shirt and yanked-hard. His only course of action was to brace one booted foot on the bottom sill to keep from falling.
Of course, that action only succeeded in making it easier for Archer to haul him completely out onto the lawn. He landed hard on both feet, the impact going straight to his ready-to-implode skull.
“What the hell?” Fist cocked, Grey punched his brother in the shoulder. “Jesus, man! What are you about?”
Archer punched him back. It hurt, and oddly enough it seemed to wake him up-clear the fog and some of the pressure surrounding his brain. “I’m trying to help you, you bugger.”
“To do what?” Grey demanded. “Die?
”
”
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
“
A folded triangle of paper landed in the center of his notebook.
Normally he’d unfold it discreetly, but Beamis was so clueless that the note could have hit him in the head and he wouldn’t notice.
Loopy script in purple pen. The paper smelled like her.
What’s your #?
Wow.
Hunter clicked his pen and wrote below her words.
I have a theory about girls who ask for your number before asking for your name.
Then he folded it up and flicked it back.
It took every ounce of self-control to not watch her unfold it.
The paper landed back on his desk in record time.
I have a theory about boys who prefer writing to texting.
He put his pen against the paper.
I have a theory about girls with theories.
Then he waited, not looking, fighting the small smile that wanted to play on his lips.
The paper didn’t reappear.
After a minute, he sighed and went back to his French essay.
When the folded triangle smacked him in the temple, he jumped a mile. His chair scraped the floor, and Beamis paused in his lecture, turning from the board. “Is there a problem?”
“No.” Hunter coughed, covering the note with his hand. “Sorry.”
When the coast was clear, he unfolded the triangle.
It was a new piece of paper.
My name is Kate.
Kate. Hunter almost said the name out loud.
What was wrong with him?
It fit her perfectly, though. Short and blunt and somehow indescribably hot.
Another piece of paper landed on his notebook, a small strip rolled up tiny.
This time, there was only a phone number.
Hunter felt like someone had punched him in the stomach and he couldn’t remember how to breathe.
Then he pulled out his cell phone and typed under the desk.
Come here often?
Her response appeared almost immediately.
First timer.
Beamis was facing the classroom now, so Hunter kept his gaze up until it was safe. When he looked back, Kate had written again.
I bet I could strip na**d and this guy wouldn’t even notice.
Hunter’s pulse jumped. But this was easier, looking at the phone instead of into her eyes.
I would notice.
There was a long pause, during which he wondered if he’d said the wrong thing. Then a new text appeared.
I have a theory about boys who picture you na**d before sharing their name.
He smiled.
My name is Hunter. Where you from?
This time, her response appeared immediately.
Just transferred from St. Mary’s in Annapolis.
Now he was imagining her in a little plaid skirt and knee-high socks.
Another text appeared.
Stop imagining me in the outfit.
He grinned.
How did you know?
You’re a boy.
I’m still waiting to hear your theory on piercings.
Right. IMO, you have to be crazy hot to pull off either piercings or tattoos. Otherwise you’re just enhancing the ugly.
Hunter stared at the phone, wondering if she was hitting on him—or insulting him. Before he could figure it out, another message appeared.
What does the tattoo on your arm say?
He slid his fingers across the keys.
It says “ask me about this tattoo.”
Liar.
Mission accomplished, I’d say.
He heard a small sound from her direction and peeked over. She was still staring at her phone, but she had a smile on her face, like she was trying to stifle a giggle.
Mission accomplished, he’d say.
”
”
Brigid Kemmerer (Spirit (Elemental, #3))
“
Hey, Emma, do you think Thor is a hunk?”
Emma looked up from the orders to gaze at Georgie quizzically. “Are you talking about the mythological Norse god or the guy who played him in the movie?”
“Either, both-- whatever.” Georgie returned to gazing out the shop window at the quiet main street of Scottsbluff. “The movie Thor is playing at the Midwest Theater this weekend. Looks like they’re having an Avenger movies marathon; must be getting ready for another sequel to come out soon. Anyway, it got me to thinking about how hunky Thor is. Actually it got me to thinking about hunky men, period.”
“Oh yeah, it would. It doesn’t take much to send your mind in that direction. As for Thor, I think we can reasonably presume he’s a hunk. After all, he’d have to be to swing that giant hammer of his. That would take a lot of muscle and all of it in the right places. The actor in the movie definitely qualifies as a hunk and I choose to believe his portrayal is based on fact.” She grinned. “We should go see the movie so we can check out his hammer.”
“That’s a deal.” Georgie also grinned, turning back to the window and giving a soft wolf whistle.
“Hold on. Who’s this gorgeous specimen of manhood I see?”
Emma joined Georgie at the window.
“Whoa, I don’t know who he is, but he looks like he probably has a pretty big hammer of his own, even if he isn’t a Norse god.”
“Down, girl. I saw him first so I’m calling dibs.” Georgie gave Emma a playful punch on the shoulder, eliciting a good natured chuckle. “Besides, how do you know he isn’t a Norse god?”
“Would a Norse god wear a faded tee shirt tucked into tight jeans? And, what do you mean you’re calling dibs? I thought you’d given up on bad boys. He definitely looks like a bad boy.”
“Yeah,” Georgie said sadly, “no more bad boys for me. Seriously though, Emma, aren’t all mythological gods known for their vanity? If they’d had tight jeans back in the days of the gods, that’s what they’d have worn for the sake of their godly vanity. I’m sure of it.
”
”
Jayne Hyatt (Looking for the Good Life)
“
At heart, I’m a good girl. I don’t sleep around. I get good grades. I don’t do drugs or smoke, and I don’t get drunk very often. Aside from my tendency to cuss like a sailor and the fact that I’m more sexually frustrated than a fifteen-year-old boy, I’m basically Sandra fucking Dee.
”
”
Kelley R. Martin (Sucker Punched (Knockout Love, #2))
“
favorite places to go when she had been a girl, and an opportunity had arisen, like a church youth group trip. The place had a beach where anyone could come and hang out, and the restaurant sat right on the water with a clear view of passing skiers and fishing boats. “There’s music on the iPod,” Grier said. “Pick something.” Andy scrolled through the song list and punched play. “I can’t believe you like country,” she said. Grier smiled. “Oh, yeah. From way back.” The song was just right for a sunny day cruising for the lake with the top down. It was something Grier almost never did. City life didn’t exactly allow for it often. Sebbie sat on Andy’s lap with his paws on the doorframe and his face pointed joyfully into the wind. They were silent until they reached the entrance to Arrowhead Point. Grier lowered the volume as they rolled down the short gravel drive to the back of the restaurant where a line of pickups and cars sat parked in the nearly full lot. Andy stared hard at one particular truck and then said, “Maybe we ought to go somewhere else.
”
”
Inglath Cooper (Jane Austen Girl (Timbell Creek #1))
“
I was hoping to be done with Margot's scrapbook before she left for college, but as anyone who's ever scrapbooked knows, Rome wasn't built in a day. You could spend a year or more working on a scrapbook.
I've got Motown girl-group music playing, and my supplies are laid out all around me in a semicircle. My heart hole punch, pages and pages of scrapbook paper, pictures I've cut out of magazines, glue gun, my tape dispenser with all my different colored washi tapes. Souvenirs like the playbill from when we saw Wicked in New York, receipts, pictures. Ribbon, buttons, stickers, charms. A good scrapbook has texture. It's thick and chunky and doesn't close all the way.
”
”
Jenny Han (The To All the Boys I've Loved Before Collection)