“
Hearts may break, but hearts are the toughest of muscles, able to pump for a lifetime, seventy times a minute, and scarcely falter along the way. Even dreams, the most delicate and intangible of things, can prove remarkably difficult to kill.
”
”
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
“
He awoke each morning with the desire to do right, to be a good and meaningful person, to be, as simple as it sounded and as impossible as it actually was, happy. And during the course of each day his heart would descend from his chest into his stomach. By early afternoon he was overcome by the feeling that nothing was right, or nothing was right for him, and by the desire to be alone. By evening he was fulfilled: alone in the magnitude of his grief, alone in his aimless guilt, alone even in his loneliness. I am not sad, he would repeat to himself over and over, I am not sad. As if he might one day convince himself. Or fool himself. Or convince others--the only thing worse than being sad is for others to know that you are sad. I am not sad. I am not sad. Because his life had unlimited potential for happiness, insofar as it was an empty white room. He would fall asleep with his heart at the foot of his bed, like some domesticated animal that was no part of him at all. And each morning he would wake with it again in the cupboard of his rib cage, having become a little heavier, a little weaker, but still pumping. And by the midafternoon he was again overcome with the desire to be somewhere else, someone else, someone else somewhere else. I am not sad.
”
”
Jonathan Safran Foer (Everything is Illuminated)
“
She whirled when the monster was almost on top of her. I thought the thing in her hands was an umbrella until she cranked the pump and the shotgun blast blew the giant twenty feet backwards, right into Nico's sword.
"Nice one," Paul said.
"When did you learn to fire a shotgun?" I demanded.
My mom blew the hair out of her face. "About two seconds ago. Percy, we'll be fine. Go!
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
Being magnanimous in victory usually worked, but to keep abreast of the situation he had to
pump the girl for all she knew. Was there a pang of remorse for his actions in his mind?
Possibly, but what choice did he have? If he wanted to survive, he had no room for weakness.
”
”
Max Nowaz (The Arbitrator)
“
I see in the fight club the strongest and smartest men who've ever lived. I see all this potential and I see squandering. God damn it, an entire generation pumping gas, waiting tables, slaves with white collars, advertising has us chasing cars and clothes, working jobs we hate so we can buy shit we don't need. We're the middle children of the history man, no purpose or place, we have no Great war, no Great depression, our great war is a spiritual war, our great depression is our lives, we've been all raised by television to believe that one day we'd all be millionaires and movie gods and rock stars, but we won't and we're slowly learning that fact. and we're very very pissed off.
”
”
Chuck Palahniuk (Fight Club)
“
To draw an analogy: a man's suffering is similar to the behavior of a gas. If a certain quantity of gas is pumped into an empty chamber, it will fill the chamber completely and evenly, no matter how big the chamber. Thus suffering completely fills the human soul and conscious mind, no matter whether the suffering is great or little. Therefore the "size" of human suffering is absolutely relative.
”
”
Viktor E. Frankl (Man's Search for Meaning)
“
I ran. I ran until my muscles burned and my veins pumped battery acid. Then I ran some more.
”
”
Chuck Palahniuk (Fight Club)
“
They can pump whatever they want into my arm but it takes more than that to keep a person going once she's lost the will to live.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
I heard what you said.' Pump, pump, pump went his powerful arms. 'What you waiting to admit until I was almost dead, you fucking coward.' His lightening surged into her, sending her body arcing off the ground as he tried to jump-start her heart. He snarled in her ear, 'Now come say it to my face.
”
”
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
“
Kat felt her heart beat faster, adrenaline pumping through her veins, and she knew he was right. She studied him for a long time. "Do you believe in curses, Hale?"
He looked at her. "I believe in you.
”
”
Ally Carter (Uncommon Criminals (Heist Society, #2))
“
Keefe tried to break the tension, pumping his fist and shouting, “LORD HUNKYHAIR LIVES! Say it now, Ro. Say it!
”
”
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))
“
Memory is a part of the present. It builds us up inside; it knits our bones to our muscles and keeps our hearts pumping. It is memory that reminds our bodies to work, and memory that reminds our spirits to work to: it keeps us who we are.~Candle
”
”
Gregory Maguire (Son of a Witch (The Wicked Years, #2))
“
...I don't think it's any more deceptive than wearing four-inch come-fuck-me pumps when one has no intention of ever fucking anybody.
”
”
Augusten Burroughs (Possible Side Effects)
“
Come to a book as you would come to an unexplored land. Come without a map. Explore it, and draw your own map.... A book is like a pump. It gives nothing unless first you give to it.
”
”
Stephen King (Hearts in Atlantis)
“
I’d love to work with an Asian guy named Wu Hu, because just saying his name would get me all pumped up and excited.
”
”
Jarod Kintz (There are Two Typos of People in This World: Those Who Can Edit and Those Who Can't)
“
The love stories sold us the wrong thing. The best kind of love doesn’t happen on moonlit walks and romantic vacations. It happens in between the folds of everyday life. It’s not grand gestures that show how you feel, it’s all the little secret things you do to make her life better that you never tell her about. Taking the end piece of the bread at breakfast so she can have the last middle piece for her sandwich when you pack her lunch. Making sure her car always has gas so she never has to stop at the pump. Telling her you’re not cold and to take your jacket when you are in fact, very, very cold. It’s watching TV on a rainy Sunday while you’re doing laundry and turning her light off when she’s fallen asleep reading. Sharing pizza crusts and laughing about something the kids did and taking care of each other when you’re sick. It isn’t glamorous, it isn’t all butterflies and stars in your eyes. It’s real. This is the kind of love that forever is made of. Because if it’s this good when life is draining and mundane and hard, think of how wonderful it will be when the love songs are playing and the moon is out.
”
”
Abby Jimenez (Just for the Summer (Part of Your World, #3))
“
I knew it!" He pumps a fist into the air. "You've fallen in love with me. You want to have my babies. We'll get a team of horses and a covered wagon and we'll journey to South America and raise goats.
”
”
Laurie Halse Anderson (Wintergirls)
“
It occurs to me that the peculiarity of most things we think of as fragile is how tough they truly are. There were tricks we did with eggs, as children, to show how they were, in reality, tiny load-bearing marble halls; while the beat of the wings of a butterfly in the right place, we are told, can create a hurricane across an ocean. Hearts may break, but hearts are the toughest of muscles, able to pump for a lifetime, seventy times a minute, and scarcely falter along the way. Even dreams, the most delicate and intangible of things, can prove remarkable difficult to kill.
”
”
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
“
He felt his heart pounding fiercely in his chest. How strange that in his dread of death, it pumped all the harder, valiantly keeping him alive. But it would have to stop, and soon. Its beats were numbered. How many would there be time for, as he rose and walked through the castle for the last time, out into the grounds and into the forest?
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
We started this together, Leo. Seems only right you come along. You find us a ride, you're in."
"Yes!" Leo pumped his fist.
* * * * *
Jason gazed up at the dragon and shook his head in amazement. "Leo, what have you done?"
"Found a ride!" Leo beamed. "You said I could go on the quest if I got you a ride. Well, I got you a class-A metallic flying bad boy! Festus can take us anywhere!
”
”
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
“
...you’re in my blood spreading through my heart— pumping me numb.
”
”
Coco J. Ginger
“
a great doctor must have a huge heart and a distended aorta through which pumps a vast lake of compassion and human kindness.
”
”
Adam Kay (This is Going to Hurt: Secret Diaries of a Junior Doctor)
“
I bet him and all his Guy brothers had burst through the nightclub entrance, poured an insane amount of alcohol into their systems, and snatched at anything with a pulse that wandered past their sloshed eyes. I bet after all the hoopla subsided, the demented Guys spilled out of the nightclub at some ungodly hour, intoxicated blood pumping, gallivanting around the city like foul beasts seeking their next series of exploitations.
”
”
Jasun Ether (The Beasts of Success)
“
Grief reunites you with what you've lost. It's a merging; you go with the loved thing or person that's going away. You follow it a far as you can go.
But finally,the grief goes away and you phase back into the world. Without him.
And you can accept that. What the hell choice is there? You cry, you continue to cry, because you don't ever completely come back from where you went with him -- a fragment broken off your pulsing, pumping heart is there still. A cut that never heals.
And if, when it happens to you over and over again in life, too much of your heart does finally go away, then you can't feel grief any more. And then you yourself are ready to die. You'll walk up the inclined ladder and someone else will remain behind grieving for you.
”
”
Philip K. Dick (Flow My Tears, the Policeman Said)
“
In fact, he's never taken an interest in a woman before. I was beginning to to suspect he might prefer one of his male sneaks, but now..." She paused dramatically. "Now, we have the lovely, intelligent Yelena to get Valek's cold heart pumping."
"You really should get out of your sewing room more. You need fresh air and a dose of reality," I said knowing better than to believe a word Dilana said, but unable to control the silly little grin on my face.
Her sweet, melodious laughter followed me into the hallway.
"You know I'm right, " she called.
”
”
Maria V. Snyder (Poison Study (Study, #1))
“
Your party kicked so much ass!Even though you suck so much! It's like, instead of blood, your heart pumps liquid suck! But thanks for the beer!
”
”
John Green (Paper Towns)
“
I am the twentieth century. I am the ragtime and the tango; sans-serif, clean geometry. I am the virgin's-hair whip and the cunningly detailed shackles of decadent passion. I am every lonely railway station in every capital of Europe. I am the Street, the fanciless buildings of government. the cafe-dansant, the clockwork figure, the jazz saxophone, the tourist-lady's hairpiece, the fairy's rubber breasts, the travelling clock which always tells the wrong time and chimes in different keys. I am the dead palm tree, the Negro's dancing pumps, the dried fountain after tourist season. I am all the appurtenances of night.
”
”
Thomas Pynchon (V.)
“
Novelists have, on the average, about the same IQs as the cosmetic consultants at Bloomingdale’s department store. Our power is patience. We have discovered that writing allows even a stupid person to seem halfway intelligent, if only that person will write the same thought over and over again, improving it just a little bit each time. It is a lot like inflating a blimp with a bicycle pump. Anybody can do it. All it takes is time.
”
”
Kurt Vonnegut Jr.
“
A body could be labeled but a person couldn’t, and the difference between the two depended on that muscle in your chest. That beloved organ, not sentient, not aware, not feeling, just pumping along, keeping you alive.
”
”
Brit Bennett (The Vanishing Half)
“
That was one of the bravest, stupidest things you’ve ever
done,” he said into my hair. “You just scared ten years off
my life.”
I let out a little laugh, adrenaline still pumping through my
system. “You’re immortal, dummy.”
“I was before I met you,” he quipped.
”
”
Jenna Black (Sirensong (Faeriewalker, #3))
“
I see the strongest and the smartest men who have ever lived... and these men are pumping gas and waiting tables.
”
”
Chuck Palahniuk (Fight Club)
“
Reese, your books might not tell you this, so I will. Every heart has two parts, the part that pumps and the part that loves. If you’re going to spend your life fixing broken hearts, then learn about both. You can’t just fix one with no concern for the other.
”
”
Charles Martin
“
Who will meet me at once in all of my worlds and pump with all of my hearts? To have to kill even one of my hearts to match up with you is simply not worth it to me, after all that has happened.
”
”
Jenny Slate (Little Weirds)
“
My heartbeat is a pulse, and it pumps out sonic vibrations that resonate with her mind as she lays her head on my chest. Listen silently and you can hear the frequency of love.
”
”
Jarod Kintz (This Book is Not for Sale)
“
Music to me is the air I breathe it's the blood that pumps through my veins that keeps me alive
”
”
Billie Joe Armstrong
“
My favorite kind of musical experience is to feel afterward that your heart is filled up and transformed, like it is pumping a whole new kind of blood into your veins. This is what it is to be a fan: curious, open, desiring for connection, to feel like art has chosen you, claimed you as its witness.
”
”
Carrie Brownstein (Hunger Makes Me a Modern Girl: A Memoir)
“
I never pump up my vulgarity. I wait for it to arrive in its own terms.
”
”
Charles Bukowski (Women)
“
I’m not exactly sympathetic, but I do have a big heart. I have to, to be able to pump all the blood required to operate my massive penis.
”
”
Jarod Kintz (The Days of Yay are Here! Wake Me Up When They're Over.)
“
Wanting to Die
Since you ask, most days I cannot remember.
I walk in my clothing, unmarked by that voyage.
Then the almost unnameable lust returns.
Even then I have nothing against life.
I know well the grass blades you mention,
the furniture you have placed under the sun.
But suicides have a special language.
Like carpenters they want to know which tools.
They never ask why build.
Twice I have so simply declared myself,
have possessed the enemy, eaten the enemy,
have taken on his craft, his magic.
In this way, heavy and thoughtful,
warmer than oil or water,
I have rested, drooling at the mouth-hole.
I did not think of my body at needle point.
Even the cornea and the leftover urine were gone.
Suicides have already betrayed the body.
Still-born, they don't always die,
but dazzled, they can't forget a drug so sweet
that even children would look on and smile.
To thrust all that life under your tongue!—
that, all by itself, becomes a passion.
Death's a sad Bone; bruised, you'd say,
and yet she waits for me, year after year,
to so delicately undo an old wound,
to empty my breath from its bad prison.
Balanced there, suicides sometimes meet,
raging at the fruit, a pumped-up moon,
leaving the bread they mistook for a kiss,
leaving the page of the book carelessly open,
something unsaid, the phone off the hook
and the love, whatever it was, an infection.
”
”
Anne Sexton
“
Call her out,” Arabella said.
“Tell her Rogan is yours!” Grandma Frida pumped her fist.
“Don’t let her take your man!” Leon declared.
We all looked at him.
“I was feeling left out,” he said.
”
”
Ilona Andrews (Wildfire (Hidden Legacy, #3))
“
Holy shit? She said yes? I had to force myself to play cool, because I was about to fist pump the sky or some shit.
”
”
J. Lynn (Trust in Me (Wait for You, #1.5))
“
Note to self: It's hard to attain a state of no-mind when you're incredibly pumped up on tea and sugar and have to urinate every three and a half minutes.
”
”
Jordan Sonnenblick (Zen and the Art of Faking It)
“
Adverbs are cholesterol in the veins of prose. Halve your adverbs and your prose pumps twice as well.
”
”
David Mitchell (The Bone Clocks)
“
I can't believe you jokers fixed it." Hi was picking his way down to the beach.
"Believe it, clown. Too much brain power here to fail." Still pumped, Shelton threw another palm Ben's way.
"Oh, I'm sure." Hi streched, yawned. "It was something highly technical, I suppose? Something requiring mechanical ability? Nothing as simple as tightening a wire or flippin a switch, right?"
Ben reddened. Shelton developed an intrest in his sneakers.
Score one for Hi.
”
”
Kathy Reichs (Virals (Virals, #1))
“
Laura looked up at him with dead blue eyes.
I want to be alive again," she said. "Not in this half-life. I want to be really alive. I want to feel my heart pumping in my chest again. I want to feel blood moving through me — hot, and salty, and real. It's weird, you don't think you can feel it, the blood, but believe me, when it stops flowing, you'll know."
She rubbed her eyes, smudging her face with red from the mess on her hands.
Look, it's hard. You know why dead people only go out at night, puppy? Because it's easier to pass for real, in the dark. And I don't want to have to pass. I want to be alive.
”
”
Neil Gaiman (American Gods (American Gods, #1))
“
Trees know when we are close by. The chemistry of their roots and the perfumes of their leaves pump out change when we're near...when you feel good after a walk in the woods, it may be that certain species are bribing you
”
”
Richard Powers (The Overstory)
“
Yes!’ Beck crowed, pumping his fist into the air. ‘That rocks!’ Then he charged off in search of another Three to decapitate. Riley sighed to herself. ‘I’ve created a monster.
”
”
Jana Oliver (Forgiven (The Demon Trappers, #3))
“
We'll just start walking today and see the world and the way the world walks around and talks, the way it really looks. I want to see everything now. And while none of it will be me when it goes in, after a while it'll all gather together inside and it'll be me. Look at the world out there, my God, my God, look at it out there, outside me, out there beyond my face and the only way to really touch it is to put it where it's finally me, where it's in the blood, where it pumps around a thousand times ten thousand a day. I get hold of it so it'll never run off. I'll hold onto the world tight some day. I've got one finger on it now; that's a beginning.
”
”
Ray Bradbury (Fahrenheit 451)
“
It took me a moment to speak. My heart pumped madly as though I’d run for miles in pursuit of something vital. In this case, love.
”
”
J.J. Sorel (A Taste of Peace)
“
How are you doing?" Neil drained both cups before answering. "I'm fine." Nicky fist-pumped in triumph. "Thank you for being so predictable, Neil. You just scored me ten bucks with two words.
”
”
Nora Sakavic (The Raven King (All for the Game, #2))
“
Feel the astounding rhythm of the music pumped out from nature and life itself.
”
”
Raz Mihal (Just Love Her)
“
Do you understand what I'm saying?"
shouted Moist. "You can't just go around killing people!"
"Why Not? You Do." The golem lowered his arm.
"What?" snapped Moist. "I do not! Who told you that?"
"I Worked It Out. You Have Killed Two Point Three Three Eight People," said the golem calmly.
"I have never laid a finger on anyone in my life, Mr Pump. I may be–– all the things you know I am, but I am not a killer! I have never so much as drawn a sword!"
"No, You Have Not. But You Have Stolen, Embezzled, Defrauded And Swindled Without Discrimination, Mr Lipvig. You Have Ruined Businesses And Destroyed Jobs. When Banks Fail, It Is Seldom Bankers Who Starve. Your Actions Have Taken Money From Those Who Had Little Enough To Begin With. In A Myriad Small Ways You Have Hastened The Deaths Of Many. You Do Not Know Them. You Did Not See Them Bleed. But You Snatched Bread From Their Mouths And Tore Clothes From Their Backs. For Sport, Mr Lipvig. For Sport. For The Joy Of The Game.
”
”
Terry Pratchett (Going Postal (Discworld, #33; Moist von Lipwig, #1))
“
You need to stop thinking with your head, Mud Boy, and start thinking with your heart.”
Artemis sighed. The heart was an organ for pumping oxygen-rich blood to the cells. It could no more think than an apple could tap-dance.
”
”
Eoin Colfer
“
You want this?” He pumps himself slowly. “You can have it. Lick it, suck it, fuck it, anything you want, baby. As long it’s just with me.
”
”
Erin Watt (Paper Princess (The Royals, #1))
“
Corporate types love to pretend their life is exciting. The whispers, fist-pumping and animated hand gestures are all designed to lift our job description from what it really is - that of an overpaid clerk
”
”
Chetan Bhagat (2 States: The Story of My Marriage)
“
Sneering has gotten a bad rap, he thought, walking rapidly up the hill from his car. All that unleashed adrenaline got his legs pumping. Why is it that only villains are allowed to sneer? Surely such a display of disapproval could be used to better all humankind. If there was more sneering in the world, people might think before they acted.
”
”
Vincent Panettiere (Shared Sorrows)
“
Love hasn't got anything to do with the heart, the heart's a disgusting organ, a sort of pump full of blood. Love is primarily concerned with the lungs. People shouldn't say "she's broken my heart" but "she's stifled my lungs." Lungs are the most romantic organs: lovers and artists always contract tuberculosis. It's not a coincidence that Chekhov, Kafka, D.H. Lawrence, Chopin, George Orwell and St Thérèse of Lisieux all died of it; as for Camus, Moravia, Boudard and Katherine Mansfield, would they have written the same books if it werent for TB?
”
”
Frédéric Beigbeder (99 francs)
“
His name was Rambo, and he was just some nothing kid for all anybody knew, standing by the pump of a gas station at the outskirts of Madison, Kentucky.
”
”
David Morrell (First Blood)
“
And as for romance? Well, I want that too.
I want to fall asleep next to you, 100 times a night,
so I can know you 100 times better before we hit the day light. And despite all of this,
I also want amnesia so I can relive each kiss with a perfect newness
that leaves me smashed in the arms of rapture. I want the sky to fracture under
the impossible weight of an apology because I'm sorry. I'm sorry that I want so much.
I'm sorry that I'm using "I'm sorry" as a crutch to lean on for so long
but if you sing me that song of sweet logic again then I promise to make the effort
to stand on my own. There is a reason that our hearts are more like a muscle
and less like a bone. I've known so many people who've have grown up flexing
in front of mirrors and falling for their own reflection as if that's adequate but that's bullshit.
Because we only get now until the time we go and if they've only got time to love themselves
then nobody is going to be around to hear the sound of their heartbeat echo.
So lady, don't expect an apology when I tell you I'm only held together
by a heart that pumps blue, it's the strongest muscle in my body and I'm flexing it for you
”
”
Shane L. Koyczan
“
In the conditions of this “New World Order,” a crucial part of the contemporary world economy is a criminal economy, in which the excess profits are accumulated not by the production of material comforts, but by drug-traffic, arms trafficking, and human trafficking, including prostitution. The contemporary world economy is an economy of the global organized criminality whose eminently form is the modern capitalist state. The contemporary world economy is an economy not of the real commodity production, but an economy of the jobbery; this is expressed directly in supply and demand of the capital of the speculation, i.e., in the fictitious capital trade, in the antagonistic games with share capital in the stock exchange. Just Wall Street’s stock exchange, i.e., the world speculative capital market, is the contemporary tremendous pump for inflation of the balloons of the world economic crises, the last one of which began in 2007. The aggregate amount of the bonds on the world market, as many economists know, is over one hundred trillion US dollars! Without taking in mind the derivatives! If including those, the aggregate amount is several times more! This is an enormous balloon as inflated as a red giant star! And when added to this amount the world market of the shares, the passing each other between real and fictitious capital grows to cosmic dimensions! This cosmic balloon will burst very soon! That means the most destructive capitalist crisis in human history lies just round the corner, the global economic apocalypse is just forthcoming! This ruin will be due to the stock exchange antagonistic games, the stock exchange that is, as a matter of fact, a gambling house! Because the securities and shares’ trading is sheer gambling! This becomes clear by the direct proportionality between risk and profitability, the more risk—the more profitability, and vice versa! However, this is gambling in which the stakes are not simply money, but millions and billions of human fates. So, this is a destroying-the-civilization-world crime economy!
”
”
Todor Bombov (Socialism Is Dead! Long Live Socialism!: The Marx Code-Socialism with a Human Face (A New World Order))
“
As the pair turned to leave they were taken by surprise by the shop owner. He was middle-aged and did not look as though he could overpower Arvid, although the large club he wielded showed his intention.
Raimund instinctively made a run for the door, only to be floored by a blow from the club. From his dazed prone position Raimund watched in horror as his uncle thrust his knife into the shopkeeper’s chest. With blood pumping from the fatal wound, the shopkeeper fell across Raimund.
”
”
Robert Reid (The Emperor (The Emperor, the Son and the Thief, #1))
“
She’s the love of my life.” My heart was pumping so damn fast. I needed to see her.
”
”
Tijan (Fallen Crest Public (Fallen Crest High, #3))
“
You might also see that some of my playlists are simply two songs on repeat fifteen times, like I’m a psycho getting pumped up to murder the president.
”
”
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
“
I didn't know how...deep love ran, how it was in your blood, not your heart, and how that same blood pumped through your veins your whole life.
”
”
Kristin Hannah (On Mystic Lake)
“
I spin around and see Max running toward me in a gray Armani shirt. "Dante. Oh, Dante. Seal me! Seal me so hard!" He grabs my hips and pumps his toward mine. "Oh, Dante! You're so hot when you seal souls!"
I shove my idiot-of-a-best-friend off me and laugh.
”
”
Victoria Scott (The Collector (Dante Walker, #1))
“
Home is hard. Harder than Reasons. It's more a storage unit for your life and its collections. It's more than an address, or even the house you grew up in. People say home is where the heart is, but I think maybe home is the heart. Not a place or a time, but an organ, pumping life into my life. There may be more mosquitos and stepmothers than I imagined, but it's still my heart. My home.
”
”
David Arnold (Mosquitoland)
“
Right on the dot, Ted waltzes in as if he owns the place. Vince looks up from the pump. Christ he’s got his ice-cream seller’s jacket on, straw hat, moustache gleaming like a pair of brass handles.
”
”
Lesley Glaister (Blasted Things)
“
No, no, no! I am not giving birth backstage at a rock concert. I need to be in a hospital, pumped full of every drug that they can legally give me!
I was so shocked, my only repsonse was,
'Well, he was conceived backstage at a concert, so it's sort of fitting for him to be born at one.
”
”
S.C. Stephens (Reckless (Thoughtless, #3))
“
A book is like a pump. It gives nothing unless first you give to it. You prime a pump with your own water, you work the handle with your own strength. You do this because you expect to get back more than you give.
”
”
Stephen King (Hearts in Atlantis)
“
He has a heart so huge, it’s kept pumping, kept going long past endurance—even though life has bruised it to a pulp.
”
”
Nalini Singh (Shield of Winter (Psy-Changeling, #13))
“
Jude didn’t understand forgiveness. He was incapable of forgiveness because he was so addled by his own grief and grudges. This bad blood was what kept Jude’s heart pumping.
”
”
Ottessa Moshfegh (Lapvona)
“
Why not stand up, pump your fists in the air, and scream like a maniac? -
”
”
Hayley Williams
“
They say the city gets in your blood, but that's crap. The city doesn't become part of you... you become part of it. It soaks you up bit by bit, year after year. Until you're just a tiny part of its system... Pumping through its veins, lost in its arteries.
”
”
Jeff Lemire (Essex County, Vol. 2: Ghost Stories)
“
You may write me down in history
With your bitter, twisted lies,
You may tread me in the very dirt
But still, like dust, I'll rise.
Does my sassiness upset you?
Why are you beset with gloom?
'Cause I walk like I've got oil wells
Pumping in my living room.
Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I'll rise.
Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops.
Weakened by my soulful cries.
Does my haughtiness offend you?
Don't you take it awful hard
'Cause I laugh like I've got gold mines
Diggin' in my own back yard.
You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I'll rise.
Does my sexiness upset you?
Does it come as a surprise
That I dance like I've got diamonds
At the meeting of my thighs?
Out of the huts of history's shame
I rise
Up from a past that's rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that's wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.
”
”
Maya Angelou
“
It's the world's smallest violin, playing 'My Heart Pumps Purple Piss for You'.
”
”
Stephen King (Wizard and Glass (The Dark Tower, #4))
“
I realized that the good stories were affecting the organs of my body in various ways, and the really good ones were stimulating more than one organ. An effective story grabs your gut, tightens your throat, makes your heart race and your lungs pump, brings tears to your eyes or an explosion of laughter to your lips.
”
”
Christopher Vogler (The Writer's Journey: Mythic Structure for Writers)
“
Standing before this building, I learn something about fear. I learn that it is not the idle fantasies of someone who maybe wants something important to happen to him, even if the important thing is horrible. It is not the disgust of seeing a dead stranger, and not the breathlessness of hearing a shotgun pumped outside of Becca Arrington’s house. This cannot be addressed by breathing exercises. This fear bears no analogy to any fear I knew before. This is the basest of all possible emotions, the feeling that was with us before we existed, before this building existed, before the earth existed. This is the fear that made fish crawl onto dry land and evolve lungs, the fear that teaches us to run, the fear that makes us bury our dead.
”
”
John Green (Paper Towns)
“
And so taking the long way home through the market I slow my pace down. It doesn't come naturally. My legs are programmed to trot briskly and my arms to pump up and down like pistons, but I force myself to stroll past the stalls and pavement cafes. To enjoy just being somewhere, rather than rushing from somewhere, to somewhere. Inhaling deep lungfuls of air, instead of my usual shallow breaths. I take a moment to just stop and look around me. And smile to myself.
For the first time in a long time, I can, quite literally, smell the coffee.
”
”
Alexandra Potter (The Two Lives of Miss Charlotte Merryweather)
“
Yet, at the same time, as the Eastern sages also knew, man is a worm and food for worms. This is the paradox: he is out of nature and hopelessly in it; he is dual, up in the stars and yet housed in a heart-pumping, breath-gasping body that once belonged to a fish and still carries the gill-marks to prove it. His body is a material fleshy casing that is alien to him in many ways—the strangest and most repugnant way being that it aches and bleeds and will decay and die. Man is literally split in two: he has an awareness of his own splendid uniqueness in that he sticks out of nature with a towering majesty, and yet he goes back into the ground a few feet in order to blindly and dumbly rot and disappear forever. It is a terrifying dilemma to be in and to have to live with. The lower animals are, of course, spared this painful contradiction, as they lack a symbolic identity and the self-consciousness that goes with it. They merely act and move reflexively as they are driven by their instincts. If they pause at all, it is only a physical pause; inside they are anonymous, and even their faces have no name. They live in a world without time, pulsating, as it were, in a state of dumb being. This is what has made it so simple to shoot down whole herds of buffalo or elephants. The animals don't know that death is happening and continue grazing placidly while others drop alongside them. The knowledge of death is reflective and conceptual, and animals are spared it. They live and they disappear with the same thoughtlessness: a few minutes of fear, a few seconds of anguish, and it is over. But to live a whole lifetime with the fate of death haunting one's dreams and even the most sun-filled days—that's something else.
”
”
Ernest Becker (The Denial of Death)
“
It's a fact of life. Hearts are always hurting. And yet they still keep pumping.
”
”
Cecil Castellucci (The Plain Janes (Janes, #1))
“
So very many times over the next three years i heard her laughter - no silver bells or sweet rippling sounds was her laughter, but like a five-year-old's bellow of delight, a cross between a puppy's yelp, a motor-bike and a bicycle pump.
”
”
Fynn (Anna and Mister God)
“
The witches ignored her, turning up the stereo. She cringed when yet another Bieber song pumped away. Great, she’d been captured by fucking Beliebers.
They planned to sell her at auction? When “Beauty and a Beat” played for the fifth time, Chloe decided she was ready for the block.
”
”
Kresley Cole (MacRieve (Immortals After Dark, #13))
“
I learned that the world of men as it exists today is a bureaucracy. This is an obvious truth, of course, though it is also one the ignorance of which causes great suffering.
“But moreover, I discovered, in the only way that a man ever really learns anything important, the real skill that is required to succeed in a bureaucracy. I mean really succeed: do good, make a difference, serve. I discovered the key. This key is not efficiency, or probity, or insight, or wisdom. It is not political cunning, interpersonal skills, raw IQ, loyalty, vision, or any of the qualities that the bureaucratic world calls virtues, and tests for. The key is a certain capacity that underlies all these qualities, rather the way that an ability to breathe and pump blood underlies all thought and action.
“The underlying bureaucratic key is the ability to deal with boredom. To function effectively in an environment that precludes everything vital and human. To breathe, so to speak, without air.
“The key is the ability, whether innate or conditioned, to find the other side of the rote, the picayune, the meaningless, the repetitive, the pointlessly complex. To be, in a word, unborable.
“It is the key to modern life. If you are immune to boredom, there is literally nothing you cannot accomplish.
”
”
David Foster Wallace (The Pale King)
“
This is how it feels to be Anakin Skywalker, forever:
The first dawn of light in your universe brings pain.
The light burns you. It will always burn you. Part of you will always lie upon black glass sand beside a lake of fire while flames chew upon your flesh.
You can hear yourself breathing. It comes hard, and harsh, and it scrapes nerves already raw, but you cannot stop it. You can never stop it. You cannot even slow it down.
You don’t even have lungs anymore. Mechanisms hardwired into your chest breathe for you. They will pump oxygen into your bloodstream forever.
Lord Vader? Lord Vader, can you hear me?
”
”
Matthew Woodring Stover (Star Wars, Episode III - Revenge of the Sith)
“
Miranda Sawyer had a heart, of course, but she had never used it for any other purpose than the pumping and circulating of blood.
”
”
Kate Douglas Wiggin (Rebecca of Sunnybrook Farm)
“
Knackered inmates are easier to control than pumped-up ones. And dead inmates are even easier to control, if you follow me.
”
”
Alexander Gordon Smith (Lockdown (Escape from Furnace, #1))
“
I wanted to destroy everything beautiful I'd never have. Burn the Amazon rain forests. Pump chlorofluorocarbons straight up to gobble the ozone. Open the dump valves on supertankers and uncap offshore oil wells. I wanted to kill all the fish I couldn't afford to eat, and smother the French beaches I'd never see. I wanted the whole world to hit bottom.
”
”
Chuck Palahniuk
“
A man's suffering is similar to the behavior of gas. If a certain quantity of gas is pumped into an empty chamber, it will fill the chamber completely and evenly, no matter how big the chamber. Thus suffering completely fills the human soul and conscious mind, no matter whether the suffering is great or little. Therefore the 'size' of human suffering is absolutely relative.
”
”
Viktor E. Frankl (Man's Search for Meaning)
“
This thing got a pump?” he asked as he pulled the heavy air mattress out.“No, Ty, you have to blow it up,” Deuce answered in a flat voice. “We’ll take turns, should have it done by August (Armed & dangerous)
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
This is how it works
You're young until you're not
You love until you don't
You try until you can't
You laugh until you cry
You cry until you laugh
And everyone must breathe
Until their dying breath
No, this is how it works
You peer inside yourself
You take the things you like
And try to love the things you took
And then you take that love you made
And stick it into some
Someone else's heart
Pumping someone else's blood
And walking arm in arm
You hope it don't get harmed
But even if it does
You'll just do it all again
”
”
Regina Spektor
“
A fuel pump is a fountain drink machine for cars. And people who want to save the environment and get drunk and run to work.
”
”
Jarod Kintz (At even one penny, this book would be overpriced. In fact, free is too expensive, because you'd still waste time by reading it.)
“
Doc begs me for the wires to fix the pump.
We should at least keep putting the hormones in the water," he insists, "so that they don't start mating with relatives."
"Most people don't want to commit incest," I say dryly.
”
”
Beth Revis (Across the Universe (Across the Universe, #1))
“
They must have something that cannot be memorized and graded: a great doctor must have a huge heart and a distended aorta through which pumps a vast lake of compassion and human kindness.
”
”
Adam Kay (This is Going to Hurt: Secret Diaries of a Junior Doctor)
“
A hundred brilliant witticisms died suffocating on the captain's heavy glove. Thus muted, I pumped my codpiece at the duke and tried to force a fart, but my bum tumpet could find no note.
”
”
Christopher Moore (Fool)
“
If anything in the universe reflects the fingerprint of God, it is the human heart"...It derives no benefit from the blood it pumps making it the most unselfish of organs...it is also the most courageous and faithful." (124, 126) - Reese
”
”
Charles Martin (When Crickets Cry)
“
Eve engaged her On Duty sign and stepped out of the car. Immediately her ears were assaulted with a blast of music. Christmas carols pumped, full blast, into the air. She decided that people ran inside, ready to buy anything, just to escape the noise.
”
”
J.D. Robb (Holiday in Death (In Death, #7))
“
He killed a man,” Mom said. “He was framed,” Grandma Frida said. “You don’t even know the story,” Mom said. Grandma shrugged. “Framed. A man that pretty can’t be a murderer.” Mother stared at her. “Penelope, I’m seventy-two years old. You let me enjoy my fantasy.” “Go Grandma.” Arabella pumped her fist in the air.
”
”
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
“
…..pump, pump, pump- where is it? It’s fading fast (the sound of his heart as I laid on his bed), it’s disappearing as i drift to sleep (but its still in my head, always in my head–haunting).
”
”
Coco J. Ginger
“
Running doesn't just make me happy. Running keeps me alive. When I'm running-the blood pumping through my veins, the tunes playing in my ears, the muscles tightening on the inclines- the problems of the world disappear. It's just me, the sidewalk, and God.
”
”
Lisa Schroeder (Chasing Brooklyn)
“
Joy and pain, they are but two arteries of the one heart that pumps through all those who don't numb themselves to really living.
”
”
Ann Voskamp (One Thousand Gifts: A Dare to Live Fully Right Where You Are)
“
My inner goddess fist-pumps the air above her chaise lounge.
”
”
E.L. James
“
You aren’t a machine with broken parts. You are an animal whose needs are not being met. You need to have a community. You need to have meaningful values, not the junk values you’ve been pumped full of all your life, telling you happiness comes through money and buying objects. You need to have meaningful work. You need the natural world. You need to feel you are respected. You need a secure future. You need connections to all these things. You need to release any shame you might feel for having been mistreated.
”
”
Johann Hari (Lost Connections: Uncovering the Real Causes of Depression - and the Unexpected Solutions)
“
I've always been a quitter. I quit the Boy Scouts, the glee club, the marching band. Gave up my paper route, turned my back on the church, stuffed the basketball team. I dropped out of college, sidestepped the army with a 4-F on the grounds of mental instability, went back to school, made a go of it, entered a Ph.D. program in nineteenth-century British literature, sat in the front row, took notes assiduously, bought a pair of horn-rims, and quit on the eve of my comprehensive exams. I got married, separated, divorced. Quit smoking, quit jogging, quit eating red meat. I quit jobs: digging graves, pumping gas, selling insurance, showing pornographic films in an art theater in Boston. When I was nineteen I made frantic love to a pinch-faced, sack-bosomed girl I'd known from high school. She got pregnant. I quit town.
”
”
T. Coraghessan Boyle
“
There's something wrong with the brakes." He didn't recognize his shaky, weak voice. He pumped them again. Nothing.
"There's something wrong with the BRAKES?"
"I don't think we have any."
"We don't have any BRAKES?"
"Bro, it doesn't help to repeat everything I say!" Jonah yelled.
”
”
Jude Watson (A King's Ransom (The 39 Clues: Cahills vs. Vespers, #2))
“
We've all been everybody and we'll all be everybody. The same life-force energy that animated the first single-celled organism, pumps through you and me. In an unbroken chain. All life is connected and one.
”
”
Todd Perelmuter (Spiritual Words to Live by : 81 Daily Wisdoms and Meditations to Transform Your Life)
“
So?" she said, giving me a slow, wicked smile when we accelerated forward. " You told Will you found a woman who likes to have sex in public?"
"Not in my cab!" the cabbie yelled so loud we both jumped and then broke into laughter. He pumped the brakes, jolting us. "Not in my cab!"
"Don't worry, mate," I told him. I turned to her and murmured, "She doesn't let me fuck her in cars. Or on Tuesdays."
"She doesn't," she whispered, though she did let me kiss her again.
"Shame," I said into her mouth. "I'm good in cars. And especially good on Tuesdays.
”
”
Christina Lauren (Beautiful Stranger (Beautiful Bastard, #2))
“
I'm not romantic. But I shall think that the heart has other uses, rather than just pumping blood.
”
”
Julian Fellowes (Downton Abbey: The Complete Scripts, Season One)
“
What a pure blessing it was to have a bath in a tub alone in a room where all you had to do was pump the water, not tote buckets. Then all you had to do was pull out the cork, not tote more buckets to the back porch--that kind of thing is easy to take lightly until you don't have it.
”
”
Nancy E. Turner (Sarah's Quilt (Sarah Agnes Prine, #2))
“
...I know I’ve broken all the rules of all the games, that all the great players and best love calculators recommend that you play, if you want to make someone like you a lot. But that’s okay, because I give up. I’ve got my coffee sitting in my San Francisco cup, I’ve got Kona island and a working beating heart that’s not cold, hard, or numb—very workable and capable of loving, breaking, mending and repeating. So that’s just what I’ll do. Because I’m too tired. Too tired uping all nighting wasting my precious timing wishing it was your heart pumping, wanting me— like I used to want you.
”
”
Coco J. Ginger
“
My lovers suffocate me! Crowding my lips, and thick in the pores of my skin, Jostling me through streets and public halls...coming naked to me at night, Crying by day Ahoy from the rocks of the river...swinging and chirping over my head, Calling my name from flowerbeds or vines or tangled underbrush, Or while I swim in the bath....or drink from the pump on the corner....or the curtain is down at the opera.....or I glimpse at a woman’s face in the railroad car; Lighting on every moment of my life, Bussing my body with soft and balsamic busses, Noiselessly passing handfuls out of their hearts and giving them to be mine
”
”
Walt Whitman
“
Just say yes, Cassie. Don’t overthink it.”
His mouth is close. Almost too close for me to deny him anything.
“Ethan…”
“No, not ‘Ethan.’ ‘Yes’. Or better yet, ‘Yes, please, God, kiss me before we both go insane.’ Either works for me. ‘Fuck, yes!’ with an accompanying fist pump is also acceptable.
”
”
Leisa Rayven (Bad Romeo (Starcrossed, #1))
“
In order to create you have to believe in your ability to do so and that often means excluding whole chunks of normal life, and, of course, pumping yourself up as much as possible as a way of keeping on. Sort of cheering for yourself in the great football stadium of life."
(Barnes & Noble Review, email dialogue with Cameron Martin, Feb. 09, 2009)
”
”
T. Coraghessan Boyle
“
They say you never know who's the real hero and who's the real coward until you're looking death in the face. I've always been afraid of plenty of things, but fear isn't what makes you a coward. It's how depraved your heart becomes when fear gets pumped through it.
”
”
Neal Shusterman (Full Tilt)
“
Why do I take a blade and slash my arms? Why do I drink myself into a stupor? Why do I swallow bottles of pills and end up in A&E having my stomach pumped? Am I seeking attention? Showing off? The pain of the cuts releases the mental pain of the memories, but the pain of healing lasts weeks. After every self-harming or overdosing incident I run the risk of being sectioned and returned to a psychiatric institution, a harrowing prospect I would not recommend to anyone.
So, why do I do it? I don't. If I had power over the alters, I'd stop them. I don't have that power. When they are out, they're out. I experience blank spells and lose time, consciousness, dignity. If I, Alice Jamieson, wanted attention, I would have completed my PhD and started to climb the academic career ladder. Flaunting the label 'doctor' is more attention-grabbing that lying drained of hope in hospital with steri-strips up your arms and the vile taste of liquid charcoal absorbing the chemicals in your stomach.
In most things we do, we anticipate some reward or payment. We study for status and to get better jobs; we work for money; our children are little mirrors of our social standing; the charity donation and trip to Oxfam make us feel good. Every kindness carries the potential gift of a responding kindness: you reap what you sow. There is no advantage in my harming myself; no reason for me to invent delusional memories of incest and ritual abuse. There is nothing to be gained in an A&E department.
”
”
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
“
Man is out of nature and hopelessly in it; he is dual, up in the stars and yet housed in a heart-pumping, breath-gasping body that once belonged to a fish and still carries the gill-marks to prove it. His body is a material fleshy casing that is alien to him in many ways—the strangest and most repugnant way being that it aches and bleeds and will decay and die. Man is literally split in two: he has an awareness of his own splendid uniqueness in that he sticks out of nature with atowering majesty, and yet he goes back into the ground a few feet in order blindly and dumbly to rot and disappear forever.
”
”
Ernest Becker (The Denial of Death)
“
We have, let us face it and admit it, little influence. We prey on them, and we take from them, and we get by; we strip and we whore and we drink too much; we pump gas and we steal and we cheat and we exist in the cracks at the edges of society. Old gods, here in this new land without gods.
”
”
Neil Gaiman (American Gods (American Gods, #1))
“
They say that people who live next to waterfalls don't hear the water. It was terrible at first. We couldn't stand to be in the house for more than a few hours at a time. The first two weeks were filled with nights of intermittent sleep and quarreling for the sake of being heard over the water. We fought so much just to remind ourselves that we were in love, and not in hate. But the next weeks were a little better. It was possible to sleep a few good hours each night and eat in only mild discomfort. [We] still cursed the water, but less frequently, and with less fury. Her attacks on me also quieted. It's your fault, she would say. You wanted to live here. Life continued, as life continues, and time passed, as time passes, and after a little more than two months: Do you hear that? I asked her one of the rare mornings we sat at the table together. Hear it? I put down my coffee and rose from my chair. You hear that thing? What thing? she asked. Exactly! I said, running outside to pump my fist at the waterfall. Exactly! We danced, throwing handfuls of water in the air, hearing nothing at all. We alternated hugs of forgiveness and shouts of human triumph at the water. Who wins the day? Who wins the day, waterfall? We do! We do! And this is what living next to a waterfall is like. Every widow wakes one morning, perhaps after years of pure and unwavering grieving, to realize she slept a good night's sleep and will be able to eat breakfast, and doesn't hear her husband's ghost all the time, but only some of the time. Her grief is replaced with a useful sadness. Every parent who loses a child finds a way to laugh again. The timbre begins to fade. The edge dulls. The hurt lessens. Every love is carved from loss. Mine was. Yours is. Your great-great-great-grandchildren's will be. But we learn to live in that love.
”
”
Jonathan Safran Foer (Everything is Illuminated)
“
All the lights were off, and I just lay there, trying to pass the hours before I had to get up and go to work, which was impossible when the night was so loud. My neighbor’s electric air conditioner, the bass pumping from other people’s cars. They were all converging together to say one thing: You are alone. You are alone. You are alone. You are truly and really alone.
”
”
Ling Ma (Severance)
“
Americans are pushy, obnoxious, neurotic, crass - anything and everything - the full catastrophe as our friend Zorba might say. Canadians are none of that. The way you might fear a cow sitting down in the middle of the street during rush hour, that's how I fear Canadians. To Canadians, everyone is equal. Joni Mitchell is interchangeable with a secretary at open-mic night. Frank Gehry is no greater than a hack pumping out McMansions on AutoCAD. John Candy is no funnier than Uncle Lou when he gets a couple of beers in him. No wonder the only Canadians anyone's ever heard of are the ones who have gotten the hell out. Anyone with talent who stayed would be flattened under an avalanche of equality. The thing Canadians don't understand is that some people are extraordinary and should be treated as such.
”
”
Maria Semple (Where'd You Go, Bernadette)
“
A Prayer for The Wild at Heart
A prayer for the wild at heart
Kept in cages
I know how you long
To run wild and free
To feel your blood pumping
To hear your heart beating faster
Yet you can’t
For you are locked inside a prison
One that you will never escape
I can hear your howls of pain
And your growls of frustration
Pacing back and forth
Clawing at the bars
Tearing at your skin
Begging to be set free
Your eyes are wild of full hate
You face bears no smile
Only a snarl of anger
Blood drips from your hands
Blood from the people
Who didn’t understand
Your fearful whimpers fill the air
As you look to the full moon
And let out a mournful howl
Your voice gets louder
As I and the others join in
We let our pleads fill the night
As we sit in our cold cages
Praying someone will hear
- Tennessee Williams
”
”
Tennessee Williams (Stairs to the Roof)
“
I have done without electricity, and tend the fireplace and stove myself. Evenings, I light the old lamps. There is no running water, and I pump the water from the well. I chop the wood and cook the food. These simple acts make man simple; and how difficult it is to be simple!
”
”
C.G. Jung
“
a man’s suffering is similar to the behavior of gas. If a certain quantity of gas is pumped into an empty chamber, it will fill the chamber completely and evenly, no matter how big the chamber. Thus suffering completely fills the human soul and conscious mind, no matter whether the suffering is great or little.
”
”
Viktor E. Frankl (Man's Search for Meaning)
“
In one day I had altered my life; my life, therefore, was alterable. This simple axiom did not call out for exegesis; no, it entered my bloodstream directly, as powerful as heroin. I could feel it pump and surge, the way it brightened my veins to a kind of glass. I had wakened that morning to narrowness and predestination and now I was falling asleep in the storm of my own free will.
”
”
Carol Shields (The Stone Diaries)
“
I wanted to destroy everything beautiful I’d never have. Burn the Amazon rain forests. Pump chlorofluorocarbons straight up to gobble the ozone. Open the dump valves on supertankers and uncap offshore oil wells. I wanted to kill all the fish I couldn’t afford to eat, and smother the French beaches I’d never see. I wanted the whole world to hit bottom. I really wanted to put a bullet between the eyes of every endangered panda that wouldn’t screw to save its species and every whale and dolphin that gave up and ran itself aground. I wanted to burn the Louvre. I’d do the Elgin Marbles with a sledge-hammer and wipe my ass with the Mona Lisa. This is my world, now.
”
”
Chuck Palahniuk (Fight Club)
“
Break his heart? I try to imagine myself having that power, holding his heart, mine to abuse, but even when I picture it pulsing and pumping in my hands, it´s still the boss of me, leading me around, jerking me this way and that with me clinging and unable to let go.
”
”
Kate Elizabeth Russell (My Dark Vanessa)
“
You’re demanding when you want to be … And you’re so brilliant and attractive; it becomes maddening” – my heart pumps faster – “that someone like you exists, and that you should be here in our bedroom, that we should share a bedroom at all – it’s unreal and the most fulfilling life I could ever think to dream.” I whisper. “I’m tragically in love with you, and I wouldn’t want it any other way
”
”
Krista Ritchie (Fuel the Fire (Calloway Sisters, #3))
“
Matters of the heart were important, but people tended to put too much stock in the particular organ when, in retrospect, it was only tissue. It pumped blood and the body couldn’t live without it, sure, but it had no actual bearing on love. The soul was what made a person distinct—the part that lived on after death, how one being connected to another, and what bound essence.
”
”
Kelly Moran (In diesem Moment (Wildflower Summer #2))
“
I like the lady horses best,
how they make it all look easy,
like running 40 miles per hour
is as fun as taking a nap, or grass.
I like their lady horse swagger,
after winning. Ears up, girls, ears up!
But mainly, let’s be honest, I like
that they’re ladies. As if this big
dangerous animal is also a part of me,
that somewhere inside the delicate
skin of my body, there pumps
an 8-pound female horse heart,
giant with power, heavy with blood.
Don’t you want to believe it?
Don’t you want to lift my shirt and see
the huge beating genius machine
that thinks, no, it knows,
it’s going to come in first.
”
”
Ada Limon (Bright Dead Things)
“
She pulled her blonde hair back into a high ponytail, which somehow drew even more attention to her chest. "I don't mean the right guy to marry, honey. I mean the right guy to get your blood pumping. To make you turn off your analytical, judgmental, hyperactive brain and think with your body instead."
"Bodies can't think."
"SEE!" She said. "Analytical. Judgmental.
”
”
Cora Carmack (Losing It (Losing It, #1))
“
Emotional incest is yet another form of emotional abuse. Emotional incest commonly involves the reversal of the parent/child roles. When this occurs, the mother or father "parentifies" the child who is then manipulated to gratify the unmet childhood needs of the parent. This typically manifests as the parent pumping the child for the unconditional love that she should herself be giving.
”
”
Pete Walker (The Tao of Fully Feeling: Harvesting Forgiveness Out of Blame)
“
The chanting grew louder, deep male voice pumping.
She looked to the brothers, the tall, fierce men who were now part of her life. Wrath pivoted and put his arm around her. Together, they swayed to the rhythm that swelled, filling the air. The brothers were as one as they paid homage in their language, a single powerful entity.
But then, in a high, keening call, one voice broke out, lifting above the others, shooting higher and higher. The sound of the tenor was so clear, so pure, it brought shivers to the skin, a yearning warmth to the chest. The sweet notes blew the ceiling off with their glory, turning the chamber into cathedral, the brothers into a tabernacle.
Bringing the very heavens close enough to touch.
It was Zsadist.
His eys closed, his head back, his mouth wide open, he sang.
The scarred one, the soulless one, had the voice of an angel.
”
”
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
“
I love it here in Boston and I love studying medicine. But
it’s not home. Dublin is home. Being back with you felt like home. I miss my
best friend.
I’ve met some great guys here, but I didn’t grow up with any of them
playing cops and robbers in my back garden. I don’t feel like they are real
friends. I haven’t kicked them in the shins, stayed up all night on Santa
watch with them, hung from trees pretending to be monkeys, played hotel,
or laughed my heart out as their stomachs were pumped. It’s kind of hard to
beat that.
”
”
Cecelia Ahern (Love, Rosie)
“
No matter how smart you are, you’re smarter if you take the easy ways when they are available.
”
”
Daniel C. Dennett (Intuition Pumps and Other Tools for Thinking)
“
One of the things that strikes me most though is how some people don't realise they're self-harming. The phrase 'self-harm' brings up thoughts of 'cutting', but that's only a small portion of it. When you drink excessively to drown your sorrows to the point you throw up and can't see straight and/or, like a girl at my school, ended up being driven to hospital to have her stomach pumped, you've brought harm to yourself. If you take drugs to feel numb and it becomes an addiction that you can't break, you've self-harmed. When you starve yourself or binge eat to fit the latest fashions, you're pushing your body further than it can go.
We need to start treating ourselves how we deserve to be treated, even if you feel that no one else does. Prove to the world you ARE worth something by treating yourself with the utmost respect and hope that other people will follow your example. And even if they don't, at least one person in the world is treating you well: YOU.
”
”
Carrie Hope Fletcher (All I Know Now: Wonderings and Reflections on Growing Up Gracefully)
“
Do not sit down and try to pump up repentance from the dry well of a corrupt nature. It is contrary to the laws of your mind to suppose that you can force your soul into that gracious state. Take your heart in prayer to Him who understands it and say, "Lord, cleanse it. Lord, renew it. Lord, work repentance in it." The more you try to produce penitent emotions in yourself, the more you will be disappointed. However, if you believingly think of Jesus dying for you, repentance will burst forth.
”
”
Charles Haddon Spurgeon (All of Grace)
“
Mo chuisle? It means ‘my pulse.’ I never quite understood it before, what it meant to have another person be the d-driving force behind the pump of your blood, but it’s true. Lark, your smile saved me like an emergency transfusion. Your laugh is the song my every blood cell dances to. Your touch revived me from darkness. You are my pulse. You make me feel alive even when I’m surrounded by death.
”
”
Ivy Fairbanks (Morbidly Yours)
“
See, my aim is not to survive but to be thrown to the wolfs with adrenaline still pumping in my veins and hear the gods laughing saying ”that was one hell of a youth” and everything I do I do in order to push my senses and levels of natural ecstasy. I want to be so awake that I pass out by exhaustion every night with a smile on my face and no thoughts of tomorrow because today was all I ever could make of it and I am sick and tired of boredom. Bored people slumbering boring words about bored habits and I want to get out.
”
”
Charlotte Eriksson
“
Evolution sceptic: Professor Haldane, even given the billions of years that you say were available for evolution, I simply cannot believe it is possible to go from a single cell to a complicated human body, with its trillions of cells organized into bones and muscles and nerves, a heart that pumps without ceasing for decades, miles and miles of blood vessels and kidney tubules, and a brain capable of thinking and talking and feeling. JBS: But madam, you did it yourself. And it only took you nine months.
”
”
Richard Dawkins (The Greatest Show on Earth: The Evidence for Evolution)
“
My adrenaline started pumping anytime I was within a hundred yards of a bookshop. I loved books nearly as much as I loved clothes. And that's saying something. The feel of them and the smell of them. A bookshop was like like an Aladdin's Cave for me. Entire worlds and lives can be found just behind that glossy cover. All you had to do was look.
”
”
Hilma Wolitzer (Summer Reading)
“
Concerning trees and leaves... there's a real power here. It is amazing that trees can turn gravel and bitter salts into these soft-lipped lobes, as if I were to bite down on a granite slab and start to swell, bud and flower. Every year a given tree creates absolutely from scratch ninety-nine percent of its living parts. Water lifting up tree trunks can climb one hundred and fifty feet an hour; in full summer a tree can, and does, heave a ton of water every day. A big elm in a single season might make as many as six million leaves, wholly intricate, without budging an inch; I couldn't make one. A tree stands there, accumulating deadwood, mute and rigid as an obelisk, but secretly it seethes, it splits, sucks and stretches; it heaves up tons and hurls them out in a green, fringed fling. No person taps this free power; the dynamo in the tulip tree pumps out even more tulip tree, and it runs on rain and air.
”
”
Annie Dillard
“
We now had three girls and one testosterone-pumped guy bird that spent every walking minute doing of of three things: pursuing sex, having sex or crowing boastfully about the sex he had just scored. Jenny observed that roosters are what men would be if left to their own devices, with no social conventions to rein in their baser instincts, and I couldn't disagree. I had to admit, I kind of admired the lucky bastard.
”
”
John Grogan (Marley and Me: Life and Love With the World’s Worst Dog)
“
For the record,” I say, hardly able to speak through the lust that pumps through my veins, “I was more myself with you during those three days than I’ve ever been with anyone in my life. It’d be easier if I could be fake with you, but you bring out everything in me, little Ann. All of it.” The good and the bad. The hot and the cold. The lust and the love.
”
”
Wendy Higgins (Sweet Temptation (Sweet, #4))
“
She could decide how she was going to be. She had a choice. Life could be an endless series of joyless chores, or she could get totally pumped and make it fun. There were bad things, and there were good things, but she got to choose which things to focus on. Her mom focused only on the bad things. Abby didn’t have to.
”
”
Grady Hendrix (My Best Friend's Exorcism)
“
You thought you had the choice to stay still or move forward, but your didn't. As long as your heart kept pumping an your blood kept blowing and your lungs kept filling, you didn't. The pang she felt for Tibby carried something like envy. You couldn't stand still for anything short of death, and God knew she had tried.
”
”
Ann Brashares (Sisterhood Everlasting (Sisterhood, #5))
“
My "heart". Does that pitiful organ still represent anything? It lies motionless in my chest, pumping no blood, serving no purpose, and yet my feelings still seem to originate inside its cold walls. My muted sadness, my vague longing, my rare flickers of joy. They pool in the center of my chest and seep out of there, diluted and faint, but real.
”
”
Isaac Marion (Warm Bodies (Warm Bodies, #1))
“
Live your passion. What does that mean, anyway? It means that when you get up for work every morning, every single morning, you are pumped because you get to talk about or work with or do the thing that interests you the most in the world. You don’t live for vacations because you don’t need a break from what you’re doing—working, playing, and relaxing are one and the same. You don’t even pay attention to how many hours you’re working because to you, it’s not really work. You’re making money, but you’d do whatever it is you’re doing for free.
”
”
Gary Vaynerchuk (Crush It!: Why Now Is the Time to Cash In on Your Passion)
“
Did I ever tell you that I want to wear a big yellow smiley-face mask and then put on the CD version of Bobby McFerrin’s ‘Don’t Worry, Be Happy’ and then take a girl and a dog—a collie, a chow, a sharpei, it doesn’t really matter—and then hook up this transfusion pump, this IV set, and switch their blood, you know, pump the dog’s blood into the hardbody and vice versa, did I ever tell you this?
”
”
Bret Easton Ellis (American Psycho)
“
I wasn’t sure, but I thought it kind of suited me. With the right shoes and everything.” I displayed the new blue pumps. “I wanted to look, you know, pretty.”
Yves gaped. I felt a little bit sorry for him. “Um…Phee, I don’t know what to say.”
I let my bright expression dim. “You… you think I look horrible in it?” My voice rose in a convincing squeak of distress.
He put his hands on my soulders. “No, you look great. You always look great, no matter what you’re wearing.”
Zed laughed. “Ouch. Wrong thing to say.
”
”
Joss Stirling (Stealing Phoenix (Benedicts, #2))
“
What if I jumped? Would anyone notice? No. Not for this princess. A smile tugged at my mouth. I raced for the cliff. My drab, gray dress streamed behind me as I ran, faster and faster, arms pumping, legs pushing. I didn’t think. I didn’t falter. One moment, my feet were tethered to the earth. The next, I was flying.
”
”
Devney Perry (Shield of Sparrows (Shield of Sparrows, #1))
“
So, what you're trying to say is you wouldn't let him fertilize your flower?" Nikki snorted. Zoey made a stupid noise that sounded like a cough and a choke. "You wouldn't let him hide his salami?" "Pump gas into your tank?" "Hibernate in your cave?" "Catch a ride on the Kitty Kat Express?" "Tenderize your meat?
”
”
Mariana Zapata (Lingus)
“
Hunt hissed to Bryce through his gritted teeth, thunder cracking above him, "I heard what you said." Pump, pump, pump went his powerful arms. "What you waited to admit until I was almost dead, you fucking coward." His lightning surged into her, sending her body off the ground as he tried to jump-start her heart. He snarled in her ear, "Now come say it to my face.
”
”
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
“
Anita felt like she finally understood why love was symbolized by the grotesque pumping organ, always threatening to clog, or break, or attack. Because the heart was the body's engine, and love was an act of the body. Your mind could tell you who to hate or respect or envy, but only your body--your nostrils and your mouth and the wide, blank canvas of your skin--could tell you who to love.
”
”
Tommy Wallach (We All Looked Up)
“
He was quite possibly the most desirable man she had ever had the good fortune to lay her eyes upon and she had to meet him like this. Life was not fair. A groan of frustration left her lips as her body began to heat once more, blood pumping furiously through her. Oh no, she thought, this cannot be happening yet again. Gritting her teeth she tried to quell her reaction.
”
”
C.P. Mandara (The Riding School (Pony Tales, #1))
“
Francie looked at her legs. They were long, slender, and exquisitely molded. She wore the sheerest of flawless silk stockings, and expensively made high-heeled pumps shod her beautifully arched feet. "Beautiful legs, then, is the secret of being a mistriss," concluded Francie. She looked down at her own long thin legs. "I'll never make it, I guess." Sighing , she resigned herself to a sinless life.
”
”
Betty Smith (A Tree Grows in Brooklyn)
“
speak hard, steal the air.
”
”
Anne McCaffrey
“
Real magic, in other words, refers to the magic that is not real, while the magic that is real, that can actually be done, is not real magic.
”
”
Daniel C. Dennett (Intuition Pumps and Other Tools for Thinking)
“
Scott’s crown reached Tad’s prostate but didn’t stop, instead grinding across it as it made its way by. “Unnngh-UH!” The last of Tad’s groan came out on a burst. Licking bliss tore up his channel and straight into his dick. Blood pumped furiously along the veins of his shaft, his sack fighting futilely to lift. But that fucking ball ring wouldn’t yield at all. Tad grimaced, pelvis writhing. Scott growled and gripped his hips tighter. “Fuck, Tad. The way your ass is letting me in… Accepting me… Swallowing me down… I’ve never seen anything so hot.
”
”
Kora Knight (Loser Takes All (Upending Tad: A Journey of Erotic Discovery, #1))
“
Doctors must be psychologically fit for the job — able to make decisions under a terrifying amount of pressure, able to break bad news to us anguished relatives, able to deal with death on a daily basis. They must have something that cannot be memorized and graded; a great doctor must have a huge heart and a distended aorta which pumps a vast lake of compassion and human kindness.
”
”
Adam Kay (This is Going to Hurt: Secret Diaries of a Junior Doctor)
“
Doing something was better than doing nothing.
Without warning Lucas hit the emergency stop but-ton, and the elevator braked with an uncomfortable jolt. Then he mashed the OPEN DOOR button and punched the door itself. The front doors opened in between the second and first floors.
Lucas’s heart pumped in his chest. “I hear that baby in the parking lot crying.
”
”
Paul Aertker (Brainwashed (Crime Travelers, #1))
“
A good library has all the good books. A great library has all the books.
”
”
Daniel C. Dennett (Intuition Pumps and Other Tools for Thinking)
“
In the years that followed, the goal went from taking huge risks to create new industries and grand new ideas, to chasing easier money by entertaining consumers and pumping out simple apps and advertisements. “The best minds of my generation are thinking about how to make people click ads,” Jeff Hammerbacher, an early Facebook engineer, told me. “That sucks.” Silicon Valley began to look an awful lot like Hollywood.
”
”
Ashlee Vance (Elon Musk: Inventing the Future)
“
Let me tell you about scared. Your heart is beating so hard I can feel it through your hands. There’s so much blood and oxygen pumping through your brain it’s like rocket fuel. Right now you could run faster and you can fight harder. You can jump higher than ever in your life and you are so alert it’s like you can slow down time.
What’s wrong with scared? Scared is a superpower! Your superpower! There is danger in this room. And guess what? It’s you. Do you feel it? Do you think he feels it? Do you think he’s scared? Nah. Loser!
”
”
Steven Moffat (Doctor Who: The Shooting Scripts)
“
I think we should stop treating ["God works in mysterious ways"] as any kind of wisdom and recognize it as the transparently defensive propaganda that it is. A positive response might be, "Oh good! I love a mystery. Let's see if we can solve this one, too. Do you have any ideas?
”
”
Daniel C. Dennett (Intuition Pumps and Other Tools for Thinking)
“
Maybe that's what Hell is, in the end. All of your wrongful shit played out there in front of you while you're being pumped from behind by someone you've hurt. That you've screwed over in life. Or worse, worse still...some person who doesn't really love you anymore. No one to ever look at again, make contact with. Just you being fucked as your life splashes out across this big headboard in the Devil's bedroom. Maybe. Even if that's not it, even if Hell is all fire and sulfur and that sort of thing, it couldn't be much worse than that.
”
”
Neil LaBute (The Mercy Seat: A Play)
“
Whoo-eeee!”
From the corner of her eye, she caught a glimpse of Peter. He was on the road to the side, probably waiting to ensure she’d managed to negotiate the first part of the track. She didn’t stop, her adrenaline pumping. He’d catch up. “Come get me!” she yelled, making a slight counter-direction turn in the air to help her blow into the berm on the other side of the road. The trail crossed a short flat, a marked rock garden, a beam over a bog, another rock drop and berm, a zigzag around massive trees, roots and rocks that kicked the bike’s tyres this way and that and tested her balance, more air over another drop – this one caused by a massive log – enough air for her to do a back flip from a kicker over another part of the forestry trail, steep to the left. The first wall appeared. She took it fast, skidded around to slam into the side of a berm and round off on to another gully crossing.
“Whoo-eeee!
”
”
Miriam Verbeek (The Forest: A thrilling international crime novel (Saskia van Essen crime thrillers))
“
I glanced up at Zay, then walked over to stand next to him.
"You look good with a baby in your arms," he murmured.
I took his hand, careful with his fingers that were still wrapped in tape.
"Don't get your hopes up, Jones. I'm not the settling-down type."
"Want to bet on that?" he asked.
"Sure." I made a fist; so did he. We pumped three times.
I threw paper. Zayvion threw scissors.
I'd lost. Startled, I looked up at him. "Two out of three?"
Zay grinned. So did I.
”
”
Devon Monk (Magic on the Hunt (Allie Beckstrom, #6))
“
We cannot, of course, expect every leader to possess the wisdom of Lincoln or Mandela’s largeness of soul. But when we think about what questions might be most useful to ask, perhaps we should begin by discerning what our prospective leaders believe it worthwhile for us to hear.
Do they cater to our prejudices by suggesting that we treat people outside our ethnicity, race, creed or party as unworthy of dignity and respect?
Do they want us to nurture our anger toward those who we believe have done us wrong, rub raw our grievances and set our sights on revenge?
Do they encourage us to have contempt for our governing institutions and the electoral process?
Do they seek to destroy our faith in essential contributors to democracy, such as an independent press, and a professional judiciary?
Do they exploit the symbols of patriotism, the flag, the pledge in a conscious effort to turn us against one another?
If defeated at the polls, will they accept the verdict, or insist without evidence they have won?
Do they go beyond asking about our votes to brag about their ability to solve all problems put to rest all anxieties and satisfy every desire?
Do they solicit our cheers by speaking casually and with pumped up machismo about using violence to blow enemies away?
Do they echo the attitude of Musolini: “The crowd doesn’t have to know, all they have to do is believe and submit to being shaped.”?
Or do they invite us to join with them in building and maintaining a healthy center for our society, a place where rights and duties are apportioned fairly, the social contract is honored, and all have room to dream and grow.
The answers to these questions will not tell us whether a prospective leader is left or right-wing, conservative or liberal, or, in the American context, a Democrat or a Republican. However, they will us much that we need to know about those wanting to lead us, and much also about ourselves.
For those who cherish freedom, the answers will provide grounds for reassurance, or, a warning we dare not ignore.
”
”
Madeleine K. Albright (Fascism: A Warning)
“
What Tyler says about the crap and the slaves of history, that's how I felt. I wanted to destroy something beautiful I'd never have. Burn the Amazon rain forests. Pump chlorofluorocarbons straight up to gobble the ozone. Open the dump valves on supertankers and uncap offshore oil wells. I wanted to kill all the fish I couldn't afford to eat, and smother the French beaches I'd never see. I wanted the whole world to hit bottom. Pounding that kid, I really wanted to put a bullet between the eyes of every endangered panda that wouldn't screw to save its species and every whale or dolphin that gave up and ran itself aground
”
”
Chuck Palahniuk (Fight Club)
“
I get to see her at night."
"No deal."
"That's the only deal. I sleep over."
"She's my daughter."
"She's the love of my life". My heart was pumping so damn fast I needed to see her.
David was searching my eyes.
I let him see the truth. I needed her. That was the only way.
"Fine, but only you. Logan can't start sleeping over, too."
"He'll try."
David groaned. "You two, you just storm your way in-"
"We're family to her. We took her in when you let her go. We protected her from that woman.
”
”
Tijan (Fallen Crest Public (Fallen Crest High, #3))
“
I am not sad, he would repeat to himself over and over, I am not sad. As if he might one day convince himself. Or fool himself. Or convince others—the only thing worse than being sad is for others to know that you are sad. I am not sad. I am not sad. Because his life had unlimited potential for happiness, insofar as it was an empty white room. He would fall asleep with his heart at the foot of his bed, like some domesticated animal that was no part of him at all. And each morning he would wake with it again in the cupboard of his rib cage, having become a little heavier, a little weaker, but still pumping. And by the midafternoon he was again overcome with the desire to be somewhere else, someone else, someone else somewhere else. I am not sad.
”
”
Jonathan Safran Foer (Everything is Illuminated)
“
When we were little, Scarlett and I were utterly convinced that we'd originally been one person in our mother's belly. We believed that somehow, half of us wanted to be born and half wanted to stay. So our heart had to be broken in two so that Scarlett could be born first, and then I finally braved the outside world a few years later. It made sense, in our little pigtailed heads--it explained why, when we ran through grass or danced or spun in circles long enough, we would lose track of who was who and it started to feel as if there were some organic, elegant link between us, our single heart holding the same tempo and pumping the same blood. That was before the attack, though. Now our hearts link only when we're hunting, when Scarlett looks at me with a sort of beautiful excitement that's more powerful than her scars and then tears after a Fenris as though her life depends on its death. I follow, always, because it's the only time when our hearts beat in perfect harmony, the only time when I'm certain, beyond a shadow of a doubt, that we are one person broken in two.
”
”
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
“
The attempt to develop a sense of humor and to see things in a humorous light is some kind of a trick learned while mastering the art of living. Yet it is possible to practice the art of living even in a concentration camp, although suffering is omnipresent. To draw an analogy: a man's suffering is similar to the behavior of gas. If a certain quantity of gas is pumped into an empty chamber, it will fill the chamber completely and evenly, no matter how big the chamber. Thus suffering completely fills the human soul and conscious mind, no matter whether the suffering is great or little. Therefore the "size" of human suffering is absolutely relative.
”
”
Viktor E. Frankl (Man's Search for Meaning)
“
You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I'll rise.
Does my sassiness upset you?
Why are you beset with gloom?
'Cause I walk like I've got oil wells
Pumping in my living room.
Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I'll rise.
Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops,
Weakened by my soulful cries?
Does my haughtiness offend you?
Don't you take it awful hard
'Cause I laugh like I've got gold mines
Diggin' in my own backyard.
You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I'll rise.
Does my sexiness upset you?
Does it come as a surprise
That I dance like I've got diamonds
At the meeting of my thighs?
Out of the huts of history's shame
I rise
Up from a past that's rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that's wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.
”
”
Maya Angelou (And Still I Rise)
“
Where you go, I will go,” Shade said, holding his wife closer. “I love you, Lily. Always.”
Shade listened to the night, focusing on the sounds around him until he could separate each sound, searching for the one he wanted—the sound of his heartbeat.
He concentrated on the speed of his pumping heart then each single beat. Gradually, he slowed his heartbeat, one beat at a time, just how he had learned to do all those years ago as a sniper. It took time and concentration on each … single … beat … before there was nothing other than complete and utter silence.
”
”
Jamie Begley
“
It happens when I get really excited. The more excited I get, the more I vibrate.”
“Now there’s a thought,” Lor says.
“If you mean what I think you mean, you want to shut the fuck up and never think it again,” Ryodan says.
“Just saying, boss,” Lor says. “You can’t tell me you didn’t think it, too.”
I never understand half of what these dudes are talking about and don’t care. “You can touch me if you want to,” I say to Lor magnanimously. I’m so pumped on adrenaline and excitement that I’m feeling downright sociable. I poke one of my shoulders toward him. “Check me out. It feels really cool.”
All heads swivel my way, then they look back at Ryodan.
“He doesn’t own my fecking shoulder. Why you looking at him?
”
”
Karen Marie Moning
“
Exposure to nature - cold, heat, water - is the most dehumanizing way to die. Violence is passionate and real - the final moments as you struggle for your life, firing a gun or wrestling a mugger or screaming for help, your heart pumps loudly and your body tingles with energy; you are alert and awake and, for that brief moment, more alive and human than you've ever been before. Not so with nature.
At the mercy of the elements the opposite happens: your body slows, your thoughts grow sluggish, and you realize just how mechanical you really are. Your body is a machine, full of tubes and valves and motors, of electrical signals and hydraulic pumps, and they function properly only within a certain range of conditions. As temperatures drop, your machine breaks down. Cells begin to freeze and shatter; muscles use more energy to do less; blood flows too slowly, and to the wrong places. Your sense fade, your core temperature plummets, and your brain fires random signals that your body is too weak to interpret or follow. In that stat you are no longer a human being, you are a malfunction - an engine without oil, grinding itself to pieces in its last futile effort to complete its last meaningless task.
”
”
Dan Wells (I Am Not a Serial Killer (John Cleaver, #1))
“
One fast more or I'm gone', I realize, gone the way of the last three years of drunken hopelessness which is a physical and spiritual and metaphysical hopelessness you can't learn in school no matter how many books on existentialism or pessimism you read, or how many jugs of vision-producing Ayahuasca you drink, or Mescaline you take, or Peyote goop up with-- That feeling when you wake up with the delirium tremens with the fear of eerie death dripping from your ears like those special heavy cobwebs spiders weave in the hot countries, the feeling of being a bent back mudman monster groaning underground in hot steaming mud pulling a long hot burden nowhere, the feeling of standing ankledeep in hot boiled pork blood, ugh, of being up to your waist in a giant pan of greasy brown dishwater not a trace of suds left in it--The face of yourself you see in the mirror with its expression of unbearable anguish so hagged and awful with sorrow you can't even cry for a thing so ugly, so lost, no connection whatever with early perfection and therefore nothing to connect with tears or anything: it's like William Seward Burroughs' 'Stranger' suddenly appearing in your place in the mirror- Enough! 'One fast move or I'm gone' so I jump up, do my headstand first to pump blood back into the hairy brain, take a shower in the hall, new T-shirt and socks and underwear, pack vigorously, hoist the rucksack and run out throwing the key on the desk and hit the cold street...I've got to escape or die...
”
”
Jack Kerouac
“
Someone should write an erudite essay on the moral, physical, and esthetic effect of the Model T Ford on the American nation. Two generations of Americans knew more about the Ford coil than the clitoris, about the planetary system of gears than the solar system of stars. With the Model T, part of the concept of private property disappeared. Pliers ceased to be privately owned and a tire pump belonged to the last man who had picked it up. Most of the babies of the period were conceived in Model T Fords and not a few were born in them. The theory of the Anglo Saxon home became so warped that it never quite recovered.
”
”
John Steinbeck
“
So it comes to this: I would have lost her either way.
If Cole hadn't reinfected her, I would have lost her in the hospital bed. And now Cole's wolf tozin pumps through her veins, and I lose her to the woods, like I lose everything I love.
So here is me, and I am a boy watched--by her parents' suspicious eyes, since they cannot prove that I kidnapped Grace but believe nonetheless--and I am a boy watchful--because Tom Culpeper's bitterness is growing palpable in this tiny town and I will NOT bury Grace's body--and I am a boy waiting--for the heat and the fruitfulness of summer, waiting to see who will walk out of those woods for me. Waiting for my lovely summer girl.
”
”
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
“
We’ll go on the river...or we’ll go that way. Or we’ll walk the highways now. And we’ll have time to put things into ourselves. And someday, after it sets into us a long time, it’ll come out her hands and our mouths. And a lot of it will be wrong, but just enough of it will be right. We’ll just start walking around today and see the world and the way the world really looks. I want to see everything now. And while none of it will be me when it goes in, after awhile it’ll gather together inside and it’ll be me. Look at the world out there. My God, look at it out there, outside me, out there beyond my face, and the only way to really touch it is to put it where it’s finally me, where it’s in the blood, where it pumps around a thousand times ten thousand a day. I get a hold of it so it will never run off. I’ll hold on to the world tight someday. I’ve got one finger on it now. That’s a beginning.
”
”
Ray Bradbury (Fahrenheit 451)
“
World-class cereal-eating is a dance of fine compromises. The giant heaping bowl of sodden cereal, awash in milk, is the mark of the novice. Ideally one wants the bone-dry cereal nuggets and the cryogenic milk to enter the mouth with minimal contact and for the entire reaction between them to take place in the mouth. Randy has worked out a set of mental blueprints for a special cereal-eating spoon that will have a tube running down the handle and a little pump for the milk, so that you can spoon dry cereal up out of a bowl, hit a button with your thumb, and squirt milk into the bowl of the spoon even as you are introducing it into your mouth. The next best thing is to work in small increments, putting only a small amount of Cap’n Crunch in your bowl at a time and eating it all up before it becomes a pit of loathsome slime, which, in the case of Cap’n Crunch, takes about thirty seconds.
”
”
Neal Stephenson (Cryptonomicon)
“
First having read the book of myths,
and loaded the camera,
and checked the edge of the knife-blade,
I put on
the body-armor of black rubber
the absurd flippers
the grave and awkward mask.
I am having to do this
not like Cousteau with his
assiduous team
aboard the sun-flooded schooner
but here alone.
There is a ladder.
The ladder is always there
hanging innocently
close to the side of the schooner.
We know what it is for,
we who have used it.
Otherwise
it is a piece of maritime floss
some sundry equipment.
I go down.
Rung after rung and still
the oxygen immerses me
the blue light
the clear atoms
of our human air.
I go down.
My flippers cripple me,
I crawl like an insect down the ladder
and there is no one
to tell me when the ocean
will begin.
First the air is blue and then
it is bluer and then green and then
black I am blacking out and yet
my mask is powerful
it pumps my blood with power
the sea is another story
the sea is not a question of power
I have to learn alone
to turn my body without force
in the deep element.
And now: it is easy to forget
what I came for
among so many who have always
lived here
swaying their crenellated fans
between the reefs
and besides
you breathe differently down here.
I came to explore the wreck.
The words are purposes.
The words are maps.
I came to see the damage that was done
and the treasures that prevail.
I stroke the beam of my lamp
slowly along the flank
of something more permanent
than fish or weed
the thing I came for:
the wreck and not the story of the wreck
the thing itself and not the myth
the drowned face always staring
toward the sun
the evidence of damage
worn by salt and sway into this threadbare beauty
the ribs of the disaster
curving their assertion
among the tentative haunters.
This is the place.
And I am here, the mermaid whose dark hair
streams black, the merman in his armored body.
We circle silently
about the wreck
we dive into the hold.
I am she: I am he
whose drowned face sleeps with open eyes
whose breasts still bear the stress
whose silver, copper, vermeil cargo lies
obscurely inside barrels
half-wedged and left to rot
we are the half-destroyed instruments
that once held to a course
the water-eaten log
the fouled compass
We are, I am, you are
by cowardice or courage
the one who find our way
back to this scene
carrying a knife, a camera
a book of myths
in which
our names do not appear.
”
”
Adrienne Rich (Diving Into the Wreck)
“
Here's what you need to know: some cliches are true, and war is definitely hell. It's being afraid all the time, and when you're not afraid it's because you're pumped full of adrenaline you could literally burst. It's watching people who you love- really profoundly love- get blown to pieces right next to you. It's seeing a leg lying in the ditch and picking it up to put it in a bag because no man- or part of a man, your friend- can be left behind. It's the dark night of the soul. There's no front line over there. The war is all around them, every day, everywhere they go. Some handle it better than others. We don't know why, but we do know this: the human mind can't safely or healthily process that kind of carnage and uncertainty and horror. It just can't. No one comes back from war the same.
”
”
Kristin Hannah (Home Front)
“
If Los Angeles is a woman reclining billboard model and the San Fernando Valley is her teenybopper sister, then New York is their cousin. Her hair is dyed autumn red or aubergine or Egyptian henna, depending on her mood. Her skin is pale as frost and she wears beautiful Jil Sander suits and Prada pumps on which she walks faster than a speeding taxi (when it is caught in rush hour, that is). Her lips are some unlikely shade of copper or violet, courtesy of her local MAC drag queen makeup consultant. She is always carrying bags of clothes, bouquets of roses, take-out Chinese containers, or bagels. Museum tags fill her pockets and purses, along with perfume samples and invitations to art gallery openings. When she is walking to work, to ward off bums or psychos, her face resembles the Statue of Liberty, but at home in her candlelit, dove-colored apartment, the stony look fades away and she smiles like the sterling roses she has brought for herself to make up for the fact that she is single and her feet are sore.
”
”
Francesca Lia Block (I Was a Teenage Fairy)
“
Paralytic
It happens. Will it go on? ----
My mind a rock,
No fingers to grip, no tongue,
My god the iron lung
That loves me, pumps
My two
Dust bags in and out,
Will not
Let me relapse
While the day outside glides by like ticker tape.
The night brings violets,
Tapestries of eyes,
Lights,
The soft anonymous
Talkers: 'You all right?'
The starched, inaccessible breast.
Dead egg, I lie
Whole
On a whole world I cannot touch,
At the white, tight
Drum of my sleeping couch
Photographs visit me ----
My wife, dead and flat, in 1920 furs,
Mouth full of pearls,
Two girls
As flat as she, who whisper 'We're your daughters.'
The still waters
Wrap my lips,
Eyes, nose and ears,
A clear
Cellophane I cannot crack.
On my bare back
I smile, a buddha, all
Wants, desire
Falling from me like rings
Hugging their lights.
The claw
Of the magnolia,
Drunk on its own scents,
Asks nothing of life.
”
”
Sylvia Plath (Ariel)
“
Forest air is the epitome of healthy air. People who want to take a deep breath of fresh air or engage in physical activity in a particularly agreeable atmosphere step out into the forest. There's every reason to do so. The air truly is considerably cleaner under the trees, because the trees act as huge air filters. Their leaves and needles hang in a steady breeze, catching large and small particles as they float by. Per year and square mile this can amount to 20,000 tons of material. Trees trap so much because their canopy presents such a large surface area. In comparison with a meadow of a similar size, the surface area of the forest is hundreds of times larger, mostly because of the size difference between trees and grass. The filtered particles contain not only pollutants such as soot but also pollen and dust blown up from the ground. It is the filtered particles from human activity, however, that are particularly harmful. Acids, toxic hydrocarbons, and nitrogen compounds accumulate in the trees like fat in the filter of an exhaust fan above a kitchen stove. But not only do trees filter materials out of the air, they also pump substances into it. They exchange scent-mails and, of course, pump out phytoncides, both of which I have already mentioned.
”
”
Peter Wohlleben (The Hidden Life of Trees: What They Feel, How They Communicate: Discoveries from a Secret World)
“
When he heard light, rushing footfalls, he turned his head. Someone was racing along the second-floor balcony. Then laughter drifted down from above. Glorious feminine laughter.
He leaned out the archway and glanced at the grand staircase.
Bella appeared on the landing above, breathless, smiling, a black satin robe gathered in her hands. As she slowed at the head of the stairs, she looked over her shoulder, her thick dark hair swinging like a mane.
The pounding that came next was heavy and distant, growing louder until it was like boulders hitting the ground. Obviously, it was what she was waiting for. She let out a laugh, yanked her robe up even higher, and started down the stairs, bare feet skirting the steps as if she were floating. At the bottom, she hit the mosaic floor of the foyer and wheeled around just as Zsadist appeared in second-story hallway.
The Brother spotted her and went straight for the balcony, pegging his hands into the rail, swinging his legs up and pushing himself straight off into thin air. He flew outward, body in a perfect swan dive--except he wasn't over water, he was two floors up over hard stone.
John's cry for help came out as a mute, sustained rush of air--
Which was cut off as Zsadist dematerialized at the height of the dive. He took form twenty feet in front of Bella, who watched the show with glowing happiness.
Meanwhile, John's heart pounded from shock...then pumped fast for a different reason.
Bella smiled up at her mate, her breath still hard, her hands still gripping the robe, her eyes heavy with invitation. And Zsadist came forward to answer her call, seeming to get even bigger as he stalked over to her. The Brother's bonding scent filled the foyer, just as his low, lionlike growl did. The male was all animal at the moment....a very sexual animal.
"You like to be chased, nalla, " Z said in a voice so deep it distorted.
Bella's smile got even wider as she backed up into a corner. "Maybe."
"So run some more, why don't you." The words were dark and even John caught the erotic threat in them.
Bella took off, darting around her mate, going for the billiards room. Z tracked her like prey, pivoting around, his eyes leveled on the female's streaming hair and graceful body. As his lips peeled off his fangs, the white canines elongated, protruding from his mouth. And they weren't the only response he had to his shellan.
At his hips, pressing into the front of his leathers, was an erection the size of a tree trunk.
Z shot John a quick glance and then went back to his hunt, disappearing into the room, the pumping growl getting louder. From out of the open doors, there was a delighted squeal, a scramble, a female's gasp, and then....nothing.
He'd caught her.
......When Zsadist came out a moment later, he had Bella in his arms, her dark hair trailing down his shoulder as she lounged in the strength that held her. Her eyes locked on Z's face while he looked where he was going, her hand stroking his chest, her lips curved in a private smile.
There was a bite mark on her neck, one that had very definitely not been there before, and Bella's satisfaction as she stared at the hunger in her hellren's face was utterly compelling. John knew instinctively that Zsadist was going to finish two things upstairs: the mating and the feeding. The Brother was going to be at her throat and in between her legs. Probably at the same time.
God, John wanted that kind of connection.
”
”
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
“
And here’s what I realize: she would never wear mittens shaped like kittens or a dress with a Peter Pan collar. She would never say, Love your dress, if she fucking hated your dress. She would never say, How are you? if she didn’t care how you were. She would never eat a lavender cupcake that tasted like perfume or wear a perfume that made her smell like a cupcake. She would never wear lip balm for cosmetic purposes. She would never wear it unless her lips were seriously, seriously cracked. And even if they were, she’d still put Lady Danger on them, which is the name of her lipstick, this bright blue-red that looks surreally beautiful on her but when I tried it on once made me look insane. Her perfume smells like rain and smoke and her eye makeup scares small children and she wears pumps even though she’s at least two inches taller than I am and I’m a freak.
”
”
Mona Awad (Bunny (Bunny, #1))
“
Her fingers crawled upwards and touched the outer curve of her breast, and the fingers paused, quaking in fear; but after the moment, despite the panic trying to break out of its shadows and seize her mind, she told her fingers, go on. This is my body. I reclaim my body for myself: for my use, for my understanding, for my kindness and care. Go on. And the fingers walked cautiously on, over the curiously muscleless, faintly ridged flesh, cooler than the rest of the body, across the tender nipple, into the deep cleft between, and out onto the breast that lay limp and helpless and hardly recognizable as round, lying like a hunting trophy over her other arm. Mine, she thought. My body. It lives on the breaths I breathe and the food I eat; the blood my heart pumps reaches all of me, into all my hidden crevices, from my scalp to my heels.
”
”
Robin McKinley (Deerskin)
“
Scientific studies and government records suggest that virtually all (upwards of 95 percent of) chickens become infected with E. coli (an indicator of fecal contamination) and between 39 and 75 percent of chickens in retail stores are still infected. Around 8 percent of birds become infected with salmonella (down from several years ago, when at least one in four birds was infected, which still occurs on some farms). Seventy to 90 percent are infected with another potentially deadly pathogen, campylobacter. Chlorine baths are commonly used to remove slime, odor, and bacteria.
Of course, consumers might notice that their chickens don't taste quite right - how good could a drug-stuffed, disease-ridden, shit-contaminated animal possibly taste? - but the birds will be injected (or otherwise pumped up) with "broths" and salty solutions to give them what we have come to think of as the chicken look, smell, and taste. (A recent study by Consumer Reports found that chicken and turkey products, many labeled as natural, "ballooned with 10 to 30 percent of their weight as broth, flavoring, or water.
”
”
Jonathan Safran Foer (Eating Animals)
“
Drilling without thinking has of course been Republican party policy since May 2008. With gas prices soaring to unprecedented heights, that's when the conservative leader Newt Gingrich unveiled the slogan 'Drill Here, Drill Now, Pay Less'—with an emphasis on the now. The wildly popular campaign was a cry against caution, against study, against measured action. In Gingrich's telling, drilling at home wherever the oil and gas might be—locked in Rocky Mountain shale, in the Arctic National Wildlife Refuge, and deep offshore—was a surefire way to lower the price at the pump, create jobs, and kick Arab ass all at once. In the face of this triple win, caring about the environment was for sissies: as senator Mitch McConnell put it, 'in Alabama and Mississippi and Louisiana and Texas, they think oil rigs are pretty'. By the time the infamous 'Drill Baby Drill' Republican national convention rolled around, the party base was in such a frenzy for US-made fossil fuels, they would have bored under the convention floor if someone had brought a big enough drill.
”
”
Naomi Klein
“
Give yourself to me, Gemma, and you will never be alone again. You'll be worshiped. Adored. Loved. But you must give yourself to me- a willing sacrifice.'
Tears slip down my face. 'Yes,' I murmur.
Gemma, don't listen,' Circe says hoarsely, and for a moment, I don't see Eugenia; I see only the tree, the blood pumping beneath its pale skin, the bodies of the dead hanging from it like chimes.
I gasp, and Eugenia is before me again. 'Yes, this is what you want, Gemma. Try as you might, you cannot kill this part of yourself. The solitude of the self taht waits just under the stairs of your soul. Always there, no matter how much you've tried to get rid of it. I understand. I do. Stay with me and never be lonely again.'
Don't listen... to that... bitch,' Circe croaks, and the vines tighten around her neck.
No, you're wrong,' I say to Eugenia as if coming out of a long sleep. 'You couldn't kill this part of yourself. And you couldn't accept it, either.'
I'm sure I don't know what you mean.' she says, sounding uncertain for the first time.
That's why they were able to take you. They found your fear.'
And what, pray, was it?'
Your pride. You couldn't believe you might have some of the same qualities as the creatures themselves.'
I am not like them. I am their hope. I sustain them.'
No. You tell yourself that. That's why CIrce told me to search my dark corners. So I wouldn't be caught off guard.'
Circe laughts, a splintered cackle that finds a way under my skin.
And what about you, Gemma?' Eugenia purrs. 'Have you "searched" yourself, as you say?'
I've done things I'm not proud of. I've made mistakes,' I say, my voice growing stronger, my fingers feeling for the dagger again. 'But I've done good, too.'
And yet, you're alone. All that trying and still you stand apart, watching from the other side of the grass. Afraid to have what you truly want because what if it's not enough after all? What if you get it and you still feel alone and apart? So much better to wrap yourself in the longing. The yearning. The restlessness. Poor Gemma. She doesn't quite fit, does she? Poor Gemma- all alone.
It's as if she's delivered a blow to my heart. My hand falters. 'I-I...'
Gemma, you're not alone,' Circe gasps, and my hand touches metal.
No. I'm not. I'm like everyone else in this stupid, bloody, amazing world. I'm flawed. Impossibly so. But hopeful. I'm still me.' I've got it now. Sure and strong in my grip. 'I see through you. I see the truth.
”
”
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
“
Humans, like all mammals, are heat engines; surviving means having to continually cool off, as panting dogs do. For that, the temperature needs to be low enough for the air to act as a kind of refrigerant, drawing heat off the skin so the engine can keep pumping. At seven degrees of warming, that would become impossible for portions of the planet’s equatorial band, and especially the tropics, where humidity adds to the problem. And the effect would be fast: after a few hours, a human body would be cooked to death from both inside and out. At eleven or twelve degrees Celsius of warming, more than half the world’s population, as distributed today, would die of direct heat. Things almost certainly won’t get that hot anytime soon, though some models of unabated emissions do bring us that far eventually, over centuries. But at just five degrees, according to some calculations, whole parts of the globe would be literally unsurvivable for humans. At six, summer labor of any kind would become impossible in the lower Mississippi Valley, and everybody in the United States east of the Rockies would suffer more from heat than anyone, anywhere, in the world today. New York City would be hotter than present-day Bahrain, one of the planet’s hottest spots, and the temperature in Bahrain “would induce hyperthermia in even sleeping humans.
”
”
David Wallace-Wells (The Uninhabitable Earth: Life After Warming)
“
The Universe is made of hands;
Hands that twist fabric and sizzle in the air.
Hands that grasp curls and flick words away
Small, smooth fingers pouring gold over gaping wounds
Before slicing into soft tissue,
Blood mixing with gold.
Hands that make it beautiful.
The Universe is made of bones;
Bones that cut against yards of skin,
Warm and yielding and moulded around the wings that splay across his back.
Bones that cage the heart and dig into the hollows.
Bones that break,
Tear the warm, yielding skin.
Bones that shred and brush his chin.
The Universe is made of lips;
Lips that breathe and stutter warm sighs,
Caressing the cracks in his broken body, the body that he broke.
Lips that carve paths into stone,
That leave trails upon gooseflesh,
Lips that make incisions,
Too delicate to mend.
The Universe is made of blood;
Blood that runs warm and hot and steady and crimson,
Pumping beneath the stone and the gold.
Blood that burns with every jerk of limbs.
Blood that spills on open palms,
Staining the fabric,
Filling up his throat.
The Universe is made of eyes;
Eyes that breach and eyes that splice and eyes that never leave.
Eyes that ripple oceans.
Eyes that whisper in the dark.
Eyes that rip open the seams.
Eyes that create wounds, create chaos, create broken shards of blue.
Eyes that alight and
won’t
let
go.
The Universe was built.
The Universe fell.
You took it apart,
Dragged the chaos from my soul with your hands,
Your bones,
Your lips,
Your blood,
Your eyes.
And now you’re back.
And so is the Universe.
And so, I suppose, am I.
The Universe is made of five things.
The Universe is made of you.
”
”
Velvetoscar (Core 'ngrato)
“
I later learned that while Elsie was at Crownsville, scientists often conducted research on patients there without consent, including one study titled "Pneumoencephalographic and skull X-ray studies in 100 epileptics." Pneumoencephalography was a technique developed in 1919 for taking images of the brain, which floats in a sea of liquid. That fluid protects the brain from damage, but makes it very difficult to X-ray, since images taken through fluid are cloudy. Pneumoencephalography involved drilling holes into the skulls of research subjects, draining the fluid surrounding their brains, and pumping air or helium into the skull in place of the fluid to allow crisp X-rays of the brain through the skull. the side effects--crippling headaches, dizziness, seizures, vomiting--lasted until the body naturally refilled the skull with spinal fluid, which usually took two to three months. Because pneumoencephalography could cause permanent brain damage and paralysis, it was abandoned in the 1970s.
"There is no evidence that the scientists who did research on patients at Crownsville got consent from either the patients of their parents. Bases on the number of patients listed in the pneumoencephalography studyand the years it was conducted, Lurz told me later, it most likely involved every epileptic child in the hospital including Elsie. The same is likely true of at lest on other study called "The Use of Deep Temporal Leads in the Study of Psychomotor Epilepsy," which involved inserting metal probes into patients' brains.
”
”
Rebecca Skloot (The Immortal Life of Henrietta Lacks)
“
His mouth comes down on mine, harder now, more demanding, a raw, hungry need in him rising to the surface. “You belong to me,” he growls. “Say it.”
“Yes. Yes, I belong to you.” His mouth finds mine again, demanding, taking, drawing me under his spell.
“Say it again,” he demands, nipping my lip, squeezing my breast and nipple, and sending a ripple of pleasure straight to my sex.
“I belong to you,” I pant.
He lifts me off the ground with the possessive curve of his hand around my backside, angling my hips to thrust harder, deeper. “Again,” he orders, driving into me, his cock hitting the farthest point of me and blasting against sensitive nerve endings.
“Oh … ah … I … I belong to you.”
His mouth dips low, his hair tickling my neck, his teeth scraping my shoulders at the same moment he pounds into me and the world spins around me, leaving nothing but pleasure and need and more need.
I am suddenly hot only where he touches, and freezing where I yearn to be touched. Lifting my leg, I shackle his hip, ravenous beyond measure, climbing to the edge of bliss, reaching for it at the same time I’m trying desperately to hold back. Chris is merciless, wickedly wild, grinding and rocking, pumping.
“I love you, Sara,” he confesses hoarsely, taking my mouth, swallowing the shallow, hot breath I release, and punishing me with a hard thrust that snaps the last of the lightly held control I possess. Possessing me. A fire explodes low in my belly and spirals downward, seizing my muscles, and I begin to spasm around his shaft, trembling with the force of my release.
With a low growl, his muscles ripple beneath my touch and his cock pulses, his hot semen spilling inside me. We moan together, lost in the climax of a roller-coaster ride of pain and pleasure, spanning days apart, and finally collapse in a heap and just lie there. Slowly, I let my leg ease from his hip to the ground, and Chris rolls me to my side to face him.
Still inside me, he holds me close, pulling the jacket up around my back, trailing fingers over my jaw. “And I belong to you.
”
”
Lisa Renee Jones (Being Me (Inside Out, #2))
“
This tub is for washing your courage...When you are born your courage is new and clean. You are brave enough for anything: crawling off of staircases, saying your first words without fearing that someone will think you are foolish, putting strange things in your mouth. But as you get older, your courage attracts gunk and crusty things and dirt and fear and knowing how bad things can get and what pain feels like. By the time you're half-grown, your courage barely moves at all, it's so grunged up with living. So every once in awhile, you have to scrub it up and get the works going or else you'll never be brave again. Unfortunately, there are not many facilities in your world that provide the kind of services we do. So most people go around with grimy machinery, when all it would take is a bit of a spit and polish to make them paladins once more, bold knights and true.
...
This tub is for washing your wishes...For the wishes of one's old life wither and shrivel like old leaves if they are not replaced with new wishes when the world changes. And the world always changes. Wishes get slimy, and their colors fade, and soon they are just mud, like all the rest of the mud, and not wishes at all, but regrets. The trouble is, not everyone can tell when they ought to launder their wishes. Even when one finds oneself in Fairyland and not at home at all, it is not always so easy to catch the world in its changing and change with it.
...
Lastly, we must wash your luck. When souls queue up to be born, they all leap up at just the last moment, touching the lintel of the world for luck. Some jump high and can seize a great measure of luck; some jump only a bit and snatch a few loose strands. Everyone manages to catch some. If one did not have at least a little luck, one would never survive childhood. But luck can be spent, like money, and lost, like a memory; and wasted, like a life. If you know how to look, you can examine the kneecaps of a human and tell how much luck they have left. No bath can replenish luck that has been spent on avoiding an early death by automobile accident or winning too many raffles in a row. No bath can restore luck lost through absentmindedness and overconfidence. But luck withered by conservative, tired, riskless living can be pumped up again--after all, it is only a bit thirsty for something to do.
”
”
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
“
Picture it. Nineteenth-century man with his horses, dogs, carts, slow motion. Then, in the twentieth century, speed up your camera. Books cut shorter. Condensations. Digests, Tabloids. Everything boils down to the gag, the snap ending.” “Snap ending.” Mildred nodded. “Classics cut to fit fifteen-minute radio shows, then cut again to fill a two-minute book column, winding up at last as a ten- or twelve-line dictionary resume. I exaggerate, of course. The dictionaries were for reference. But many were those whose sole knowledge of Hamlet (you know the title certainly, Montag; it is probably only a faint rumor of a title to you, Mrs. Montag), whose sole knowledge, as I say, of Hamlet was a one-page digest in a book that claimed: now at last you can read all the classics; keep up with your neighbors. Do you see? Out of the nursery into the college and back to the nursery; there’s your intellectual pattern for the past five centuries or more.” Mildred arose and began to move around the room, picking things up and putting them down. Beatty ignored her and continued: “Speed up the film, Montag, quick. Click, Pic, Look, Eye, Now, Flick, Here, There, Swift, Pace, Up, Down, In, Out, Why, How, Who, What, Where, Eh? Uh! Bang! Smack! Wallop, Bing, Bong, Boom! Digest-digests, digest-digest-digests. Politics? One column, two sentences, a headline! Then, in mid-air, all vanishes! Whirl man’s mind around about so fast under the pumping hands of publishers, exploiters, broadcasters that the centrifuge flings off all unnecessary, time-wasting thought!” Mildred smoothed the bedclothes. Montag felt his heart jump and jump again as she patted his pillow. Right now she was pulling at his shoulder to try to get him to move so she could take the pillow out and fix it nicely and put it back. And perhaps cry out and stare or simply reach down her hand and say, “What’s this?” and hold up the hidden book with touching innocence. “School is shortened, discipline relaxed, philosophies, histories, languages dropped, English and spelling gradually gradually neglected, finally almost completely ignored. Life is immediate, the job counts, pleasure lies all about after work. Why learn anything save pressing buttons, pulling switches, fitting nuts and bolts?
”
”
Ray Bradbury (Fahrenheit 451)
“
It’s of some interest that the lively arts of the millennial U.S.A. treat anhedonia and internal emptiness as hip and cool. It’s maybe the vestiges of the Romantic glorification of Weltschmerz, which means world-weariness or hip ennui. Maybe it’s the fact that most of the arts here are produced by world-weary and sophisticated older people and then consumed by younger people who not only consume art but study it for clues on how to be cool, hip — and keep in mind that, for kids and younger people, to be hip and cool is the same as to be admired and accepted and included and so Unalone. Forget so-called peer-pressure. It’s more like peer-hunger. No? We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naïveté. Sentiment equals naïveté on this continent (at least since the Reconfiguration). One of the things sophisticated viewers have always liked about J. O. Incandenza’s The American Century as Seen Through a Brick is its unsubtle thesis that naïveté is the last true terrible sin in the theology of millennial America. And since sin is the sort of thing that can be talked about only figuratively, it’s natural that Himself’s dark little cartridge was mostly about a myth, viz. that queerly persistent U.S. myth that cynicism and naïveté are mutually exclusive. Hal, who’s empty but not dumb, theorizes privately that what passes for hip cynical transcendence of sentiment is really some kind of fear of being really human, since to be really human (at least as he conceptualizes it) is probably to be unavoidably sentimental and naïve and goo-prone and generally pathetic, is to be in some basic interior way forever infantile, some sort of not-quite-right-looking infant dragging itself anaclitically around the map, with big wet eyes and froggy-soft skin, huge skull, gooey drool. One of the really American things about Hal, probably, is the way he despises what it is he’s really lonely for: this hideous internal self, incontinent of sentiment and need, that pules and writhes just under the hip empty mask, anhedonia. 281
281 - This had been one of Hal’s deepest and most pregnant abstractions, one he’d come up with once while getting secretly high in the Pump Room. That we’re all lonely for something we don’t know we’re lonely for. How else to explain the curious feeling that he goes around feeling like he misses somebody he’s never even met? Without the universalizing abstraction, the feeling would make no sense.
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David Foster Wallace (Infinite Jest)
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An asteroid or comet traveling at cosmic velocities would enter the Earth’s atmosphere at such a speed that the air beneath it couldn’t get out of the way and would be compressed, as in a bicycle pump. As anyone who has used such a pump knows, compressed air grows swiftly hot, and the temperature below it would rise to some 60,000 Kelvin, or ten times the surface temperature of the Sun. In this instant of its arrival in our atmosphere, everything in the meteor’s path—people, houses, factories, cars—would crinkle and vanish like cellophane in a flame. One second after entering the atmosphere, the meteorite would slam into the Earth’s surface, where the people of Manson had a moment before been going about their business. The meteorite itself would vaporize instantly, but the blast would blow out a thousand cubic kilometers of rock, earth, and superheated gases. Every living thing within 150 miles that hadn’t been killed by the heat of entry would now be killed by the blast. Radiating outward at almost the speed of light would be the initial shock wave, sweeping everything before it. For those outside the zone of immediate devastation, the first inkling of catastrophe would be a flash of blinding light—the brightest ever seen by human eyes—followed an instant to a minute or two later by an apocalyptic sight of unimaginable grandeur: a roiling wall of darkness reaching high into the heavens, filling an entire field of view and traveling at thousands of miles an hour. Its approach would be eerily silent since it would be moving far beyond the speed of sound. Anyone in a tall building in Omaha or Des Moines, say, who chanced to look in the right direction would see a bewildering veil of turmoil followed by instantaneous oblivion. Within minutes, over an area stretching from Denver to Detroit and encompassing what had once been Chicago, St. Louis, Kansas City, the Twin Cities—the whole of the Midwest, in short—nearly every standing thing would be flattened or on fire, and nearly every living thing would be dead. People up to a thousand miles away would be knocked off their feet and sliced or clobbered by a blizzard of flying projectiles. Beyond a thousand miles the devastation from the blast would gradually diminish. But that’s just the initial shockwave. No one can do more than guess what the associated damage would be, other than that it would be brisk and global. The impact would almost certainly set off a chain of devastating earthquakes. Volcanoes across the globe would begin to rumble and spew. Tsunamis would rise up and head devastatingly for distant shores. Within an hour, a cloud of blackness would cover the planet, and burning rock and other debris would be pelting down everywhere, setting much of the planet ablaze. It has been estimated that at least a billion and a half people would be dead by the end of the first day. The massive disturbances to the ionosphere would knock out communications systems everywhere, so survivors would have no idea what was happening elsewhere or where to turn. It would hardly matter. As one commentator has put it, fleeing would mean “selecting a slow death over a quick one. The death toll would be very little affected by any plausible relocation effort, since Earth’s ability to support life would be universally diminished.
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Bill Bryson (A Short History of Nearly Everything)