Pumped Up Kicks Quotes

I love it here in Boston and I love studying medicine. But it’s not home. Dublin is home. Being back with you felt like home. I miss my best friend. I’ve met some great guys here, but I didn’t grow up with any of them playing cops and robbers in my back garden. I don’t feel like they are real friends. I haven’t kicked them in the shins, stayed up all night on Santa watch with them, hung from trees pretending to be monkeys, played hotel, or laughed my heart out as their stomachs were pumped. It’s kind of hard to beat that.

Whoo-eeee!” From the corner of her eye, she caught a glimpse of Peter. He was on the road to the side, probably waiting to ensure she’d managed to negotiate the first part of the track. She didn’t stop, her adrenaline pumping. He’d catch up. “Come get me!” she yelled, making a slight counter-direction turn in the air to help her blow into the berm on the other side of the road. The trail crossed a short flat, a marked rock garden, a beam over a bog, another rock drop and berm, a zigzag around massive trees, roots and rocks that kicked the bike’s tyres this way and that and tested her balance, more air over another drop – this one caused by a massive log – enough air for her to do a back flip from a kicker over another part of the forestry trail, steep to the left. The first wall appeared. She took it fast, skidded around to slam into the side of a berm and round off on to another gully crossing. “Whoo-eeee!

On my way out of [Atlantic City] at quarter after seven in the morning, a young pump jockey at the gas station [...] mentioned that another man had lost $20,000 at Trop World a few hours earlier and had to be dragged out of the casino kicking and screaming. I asked if this happened a lot. "Man," he said, "there's a whole world of losers out there, and sooner or later they all end up here. Only they don't think they're losers. When they find out, it's like the surprise of their life.

Under the stars of the Southern Cross we live life our way. Life is in perpetual motion and to slow down is to be left in the dust. The infinite bounds of the sunburnt land and barreling blue swells are limited only by your imagination. Kick out the sand, pump up the tunes, and rip into some Mother. Crisp and cool with a kaleidoscope blend of flavours, it'll keep the fast times spinning morning, noon and night. Mother is calling. Pursue your dreams. Search for adventure. Get out there and let the good times flow!

As I sit there flipping through a Sports Illustrated, listening to the easy-listening station Dr. Patel pumps into his waiting room, suddenly I'm hearing sexy synthesizer chords, faint highhat taps, the kick drum thumping out an erotic heartbeat, the twinkling of fairy dust, and then the evil bright soprano saxophone. You know the title: "Songbird." And I'm out of my seat, screaming, kicking chairs, flipping the coffee table, picking up piles of magazines and throwing them against the wall, yelling, "It's not fair! I won't tolerate any tricks! I'm not an emotional lab rat!

There were, inevitably, children’s clothing stores, furniture shops still offering bedroom sets by layaway, and dollar stores whose awnings teemed with suspended inflatable dolls, beach chairs, laundry carts, and other impulse purchases a mom might make on a Saturday afternoon, exhausted by errand running with her kids. There was the sneaker store where Olga used to buy her cute kicks, the fruit store Prieto had worked at in high school, the little storefront that sold the kind of old-lady bras Abuelita used to wear. On the sidewalks, the Mexican women began to set up their snack stands. Mango with lime and chili on this corner, tamales on that. Until the Mexicans had come to Sunset Park, Olga had never tried any of this food, and now she always tried to leave a little room to grab a snack on her way home. Despite the relatively early hour, most of the shops were open, music blasting into the streets, granting the avenue the aura of a party. In a few more hours, cars with their stereos pumping, teens with boom boxes en route to the neighborhood’s public pool, and laughing children darting in front of their mothers would add to the cacophony that Olga had grown to think of as the sound of a Saturday.

Desperately Wanting" Past the road to your house That you never called home Where they turned out your lights Though they say you'll never know I remember running through the wet grass And falling a step behind Both of us never tiring Desperately wanting When they pumped out your guts And filled you full of those pills You were never quite right Deserving all the chills They say the worst is over Kicked it over and ran Then they ask what went wrong When they turn you on again They turn you on again. I remember running through the wet grass And falling a step behind Both of us never tiring Desperately wanting Kick them right in the face Make them wish they weren't born And if they bring up your name Well they'll say you won the war. Baby burst in the world Never given a chance Then they ask what went wrong When you never had it right Oh the letters have dropped off Though they say you got them all I finally figured out some things you'll never know. Take back your life and let me inside We'll find the door if you care to anymore. I remember running through the wet grass and falling a step behind Both of us never tiring Desperately Wanting. Friction, Baby (1996)

Can I?” Bash asks. Peter Pan drops into a chair and nods his consent. Bash gets behind me, still bent over the table. He’s bare for me in seconds and nestles into my heat. “Little Darling whore, such a filthy little mess.” I shiver beneath his words. “Brother,” he says. “Get over here.” Kas hesitates and I lift off the table to look down the length of it at him. There is something dark in his eyes. A hunger he doesn’t want to satiate. Kas is the nice one, but I don’t think he’s nice enough to deny what he wants to take. He gets up, kicks a chair aside and comes to the edge of the table by my face. “Fuck yeah,” Bash says as he pushes into me. “Wrap those pretty little lips around my brother’s cock.” Kas doesn’t wait. Now that he’s made his decision, he’s ready to act on it. He takes a length of my hair, wraps it around his fist and guides my mouth over his length. He fills me up as Bash starts pumping into me. My heart races in my ears and thuds heavily in my chest. Kas fucks my mouth roughly, hitting the back of my throat. I gasp, choking on him, and Bash tightens his grip on my hips. “Take it all, Darling. Be a good girl.” Holy shit. Fuck, this is hot. Tears fill my eyes as the twins fill me up, fucking me in both holes, relentlessly, mercilessly. And as they do, I catch sight of Peter Pan in the shadows, watching me get fucked with a look on his face that I think is satisfaction. And out of all of it tonight, that is what makes me feel most powerful. I am so fucking alive. Bash thrusts harder, faster. Kas pumps into my mouth, groaning deep in his chest. “You ready to fill her up, brother?” Bash says.

But perhaps the best and most memorable way to explain the conflict that arose between honoring traditional honor, and honoring one’s individual psyche, can be conveyed in a story from World War II. In 1943, coming off his dazzling victories in the Sicily campaign, George S. Patton stopped by a medical tent to visit with the wounded. He enjoyed these visits, and so did the soldiers and staff. He would hand out Purple Hearts, pump the men full of encouragement, and offer rousing speeches to the nurses, interns, and their patients that were so touching in nature they sometimes brought tears to many of the eyes in the room. On this particular occasion, as Patton entered the tent all the men jumped to attention except for one, Private Charles H. Kuhl, who sat slouched on a stool. Kuhl, who showed no outward injuries, was asked by Patton how he was wounded, to which the private replied, “I guess I just can’t take it.” Patton did not believe “battle fatigue” or “shell-shock” was a real condition nor an excuse to be given medical treatment, and had recently been told by one of the commanders of Kuhl’s division that, “The front lines seem to be thinning out. There seems to be a very large number of ‘malingerers’ at the hospitals, feigning illness in order to avoid combat duty.” He became livid. Patton slapped Kuhl across the face with his gloves, grabbed him by his collar, and led him outside the tent. Kicking him in the backside, Patton demanded that this “gutless bastard” not be admitted and instead be sent back to the front to fight. A week later, Patton slapped another soldier at a hospital, who, in tears, told the general he was there because of “his nerves,” and that he simply couldn’t “stand the shelling anymore.” Enraged, Patton brandished his white-handled, single-action Colt revolver and bellowed: Your nerves, Hell, you are just a goddamned coward, you yellow son of a bitch. Shut up that goddamned crying. I won’t have these brave men here who have been shot seeing a yellow bastard sitting here crying…You’re a disgrace to the Army and you’re going back to the front lines and you may get shot and killed, but you’re going to fight. If you don’t I’ll stand you up against a wall and have a firing squad kill you on purpose. In fact I ought to shoot you myself, you God-damned whimpering coward.

The first objection is that it is rubbish to talk about natural meanings and purposes, because we merely imagine such things. According to the objector's way of thinking, meanings and purposes aren't natural—they aren't really in the things themselves—they are merely in the eye of the beholder. But is this true? Take the lungs, for example. When we say that their purpose is to oxygenate the blood, are we just making that up? Of course not. The purpose of oxygenation isn't in the eye of the beholder; it's in the design of the lungs themselves. There is no reason for us to have lungs apart from it. Suppose a young man is more interested in using his lungs to get high by sniffing glue. What would you think of me if I said, “That's interesting—I guess the purpose of my lungs is to oxygenate my blood, but the purpose of his lungs is to get high?” You'd think me a fool, and rightly so. By sniffing glue, he doesn't change the purpose built into his lungs, he only violates it. We can ascertain the purposes of the other features of our design in the same way. The purpose of the eyes is to see, the purpose of the heart is to pump blood, the purpose of the thumb is to oppose the fingers so as to grasp, the purpose of the capacity for anger is to protect endangered goods, and so on. If we can ascertain the meanings and purposes of all those other powers, there is no reason to think that we cannot ascertain the meanings and purposes of the sexual powers. Natural function and personal meaning are not alien to each other. They are connected. In a rightly ordered way of thinking, they turn out to be different angles of vision on the same thing. The second objection is that it doesn't make any difference even if we can ascertain the meanings or purposes of the sexual powers, because an is does not imply an ought. This dogma too is false. If the purpose of eyes is to see, then eyes that see well are good eyes, and eyes that see poorly are poor ones. Given their purpose, this is what it means for eyes to be good. Moreover, good is to be pursued; the appropriateness of pursuing it is what it means for anything to be good. Therefore, the appropriate thing to do with poor eyes is try to turn them into good ones. If it really were impossible to derive an ought from the is of the human design, then the practice of medicine would make no sense. Neither would the practice of health education. Consider the young glue-sniffer again. How should we advise him? Is the purpose of his lungs irrelevant? Should we say to him, “Sniff all you want, because an is does not imply an ought”? Of course not; we should advise him to kick the habit. We ought to respect the is of our design. Nothing in us should be put into action in a way that flouts its inbuilt meanings and purposes.

Elvis was pretty slick. Nonetheless, I knew that he was cheating. His four-of-a-kind would beat my full house. I had two choices. I could fold my hand and lose all the money I’d contributed to the pot, or I could match Elvis’s bet and continue to play. If a gambler thought he was in an honest game, he would probably match the bet thinking his full house was a sure winner. The con artist would bet large amounts of money on the remaining cards, knowing he had a winning hand. I narrowed my eyes and pursed my lips, as if struggling to decide whether to wager five hundred pesos or fold my hand and call it quits. I knew there were five men between me and the door and watched them from the corner of my eye. Even if I folded and accepted my losses, I knew they would not let me leave without taking all my cash. They had strength in numbers and would strong arm me if they could. The men stared, intently watching my next move. I set down my beer and took five one hundred peso notes from my wallet. The men at the bar relaxed. My adrenaline surged, pumping through my brain, sharpening my focus as I prepared for action. I moved as if to place my bet on the table, but instead my hand bumped my beer bottle, spilling it onto Elvis’ lap. Elvis reacted instinctively to the cold beer, pushing back from the table and rising to his feet. I jumped up from my chair making a loud show of apologizing, and in the ensuing pandemonium I snatched all the money off the table and bolted for the door! My tactics took everyone by complete surprise. I had a small head start, but the Filipinos recovered quickly and scrambled to cut off my escape. I dashed to the door and barely made it to the exit ahead of the Filipinos. The thugs were nearly upon me when I suddenly wheeled round and kicked the nearest man square in the chest. My kick cracked ribs and launched the shocked Filipino through the air into the other men, tumbling them to the ground. For the moment, my assailants were a jumble of tangled bodies on the floor. I darted out the door and raced down the busy sidewalk, dodging pedestrians. I looked back and saw the furious Filipinos swarming out of the bar. Running full tilt, I grabbed onto the rail of a passing Jeepney and swung myself into the vehicle. The wide-eyed passengers shrunk back, trying to keep their distance from the crazy American. I yelled to the driver, “Step on the gas!” and thrust a hundred peso note into his hand. I looked back and saw all six of Johnny’s henchmen piling onto one tricycle. The jeepney driver realized we were being pursued and stomped the gas pedal to the floor. The jeepney surged into traffic and accelerated away from the tricycle. The tricycle was only designed for one driver and two passengers. With six bodies hanging on, the overloaded motorcycle was slow and unstable. The motorcycle driver held the throttle wide open and the tricycle rocked side to side, almost tipping over, as the frustrated riders yelled curses and flailed their arms futilely. My jeepney continued to speed through the city, pulling away from our pursuers. Finally, I could no longer see the tricycle behind us. When I was sure I had escaped, I thanked the driver and got off at the next stop. I hired a tricycle of my own and carefully made my way back to my neighborhood, keeping careful watch for Johnny and his friends. I knew that Johnny was in a frustrated rage. Not only had I foiled his plans, I had also made off with a thousand pesos of his cash. Even though I had great fun and came out of my escapade in good shape, my escape was risky and could’ve had a very different outcome. I feel a disclaimer is appropriate for those people who think it is fun to con street hustlers, “Kids. Don’t try this at home.

Get ready for the new things God has in store Pastor Dutch Sheets told a story about a forty-year-old lady having open-heart surgery. She had blockage in one of her arteries and had to have bypass surgery. Although this is a delicate procedure, it’s considered a routine surgery and performed successfully more than 230,000 times every year. During the operation, the surgeon clamps off the main vein flowing to the heart and hooks it to machine that pumps the blood and keeps the lungs working. The heart actually stops beating while the vein is being bypassed. When the procedure is over and the machine is removed, the warmth from the body’s blood normally causes the heart to wake back up and start beating again. If that doesn’t work, they have drugs that will wake up the heart. This lady was on the operating table and the bypass was finished, so they let her blood start flowing, but for some reason her heart did not start beating. They gave her the usual drugs with no success. She had no heartbeat. The surgeon massaged her heart with his hand to stimulate that muscle and get it beating again, but even that did not work. The surgeon was so frustrated, so troubled. It looked as if his patient was finished. After doing everything he could medically, he leaned over and whispered in her ear, “Mary, I’ve done everything I can do. Now I need you to tell your heart to beat again.” He stepped back and heard bump, bump, bump, bump. Her heart kicked in and started beating. Do you need to tell your heart to beat again? Maybe you’ve been through disappointments and life didn’t turn out like you had hoped. Now you’re just sitting on the sideline. You’ve got to get your passion back. Get your fire back. Tell your heart to dream again. Tell your heart to love again. Tell your heart to laugh again. Tell your heart to believe again.

There are days when I just want to sod off the entire day and lie in bed bingeing on Netflix while eating crisps. But once I reach my Toon Cave my motivation usually kicks in, helped by the coffee and pumping up Spotify. I spend the first 30 minutes: Clearing out junk mail Reviewing real emails (not answering at this stage –just reviewing) Making my ‘to do’ list Posting in my Facebook groups Acknowledging shares and tags on social media And I do it all while standing up, having set my Tomato Timer for 25 minutes.

These are some mighty men about to hit the stage," an unseen announcer screamed through the PA system. "With an average height of six-foot-four, a massive weight of three hundred thirty pounds - all of it rock-solid muscle - they are nationally ranked power lifters, some of whom bench-press over six hundred pounds! And they're not here to brag on their muscles, but to brag on Jesus." The eight members of the Power Team ran up to the stage on thunderous feet, wearing red, black, and blue warm-up suits, weight belts, and boxing shoes. To a man, they were as big as a semitrailer truck. They pumped their fists in the air and stood before us bouncing lightly on the balls of their feet, ready to kick some religious butt. "Fasten your seat belts. If God is for you, who can be against you?" "Woo! Woo! Woo!" the audience screamed, instantly ready to rock and roll. We were less than an hour into the first night of a six-night revival, and already it seemed that Sin was going down in a terminal headlock, and Grand Junction would never be the same.... I had heard about the Power Team not from Christian friends, but from a succession of potheads - quintessential late-night cable TV channel surfers. To the stoned, there is nothing more entertaining than the sudden, near hallucinatory vision of this troupe of power-lifting missionaries led by former Oral Roberts University football star John Jacobs.... [My nephew] bought a comic book in which John Jacobs and the Power Team defeat a lisping South American drug lord. From that and an orientation video, we learned that the Team conducts seventy crusades each year, saves close to a million souls here and abroad - notably in Russia - and consists of "world-class athletes who inspire people to follow Christ - and to move away from drugs, alcohol, and suicide." (At the same time, we were pressured not to let our long-distance dollars go to support "nudity, profanity, or the Gay Games." We could avoid this by signing up with Lifeline, a Christian long-distance provider.)" People Who Sweat: Ordinary People, Extraordinary Pursuits, pp. 126-8.

Zach’s Fanfare #2” (MFSB)* “Comeback Kid” (Sleigh Bells) “Monkey Gone to Heaven” (The Pixies) “Spaceman” (Harry Nilsson) “Going Down” (Freddie King) “I’m Bad” (Rocket to Memphis) “Pumped Up Kicks” (Foster the People) “Nobody Does It Better” (Me First and the Gimme Gimmes) “Skull & Crossbones” (Sparkle Moore & Dan Belloc and His Orchestra) “Switchblade Smiles” (Kasabian) “I Wanna Destroy You” (The Soft Boys) “Drain You” (Foxy Shazam) “T.O.R.N.A.D.O.” (The Go! Team) “Woman of Mass Destruction” (The Woolly Bandits) “Tough Lover” (Nick Curran and the Lowlifes) “(I’m Stuck in a Pagoda With) Tricia Toyota” (The Dickies) “Apache” (The Sugarhill Gang) “For Whom the Bell Tolls” (Metallica) “We All Go Back to Where We Belong” (R.E.M.) “Change Reaction” (David Uosikkinen) “Satellite” (The Hooters) “Fanfare for Rocky” (Bill Conti)*

Raising the Benelli M3 shotgun he’d brought specifically for breaching doors, he took aim at the lock and fired a single shot. The boom of the weapon discharge was followed an instant later by the crunch of splintering wood as the lock was blasted apart by the solid metal slug. A single hard kick from Crawford was enough to send the smoking remains of the door flying inwards. Drake went in first, his weapon up and sweeping the gloomy interior of the dwelling. Keegan was right behind him, with Crawford bringing up the rear. Drake heard the distinctive click as he worked the shotgun’s pump action, feeding another round into the breech, though he paid it little attention as his eyes swept the darkness before him

Oh, I see how it is.” Matt reached both his arms into the air. “Hang on, let me just do a few stretches.” Then he rolled his head from front to back. “Loosen up a bit.” His little spectacle made me laugh, a genuine These are my friends; why not enjoy myself? kind of laugh, and my body finally relaxed. “Hey, laugh all you want, but just remember half of my team is completely sober. We have a fifty-percent advantage.” He slung his arm around Taylor. “Or disadvantage—have you never seen me play beer pong? I kind of suck,” she admitted. “Shh, babe, this is the mental game. We’re just psyching them out. I know you can’t play for shit.” I lifted my hair into a ponytail and pulled a hair tie from my wrist. “You do realize we can hear you, right?” “You do realize I can hear you too?” Taylor added. “I mean, way to boost my confidence right before the big game,” she teased. “I know, babe, and I’m sorry, but look—it’s working. Isla’s getting ready for a throwdown. She’s pulling her hair up and she’s all ‘Hold my purse.’ ” “Purse?” Taylor mouthed. I shrugged and forced back another smile. Game face, right? Landon chuckled. “Okay, okay, let’s go. Someone needs to get their ass kicked before they just pass out altogether. I’m winning this game by merit, not default.” As the game started, I found myself letting go. Colby drifted from the forefront of my thoughts. Forgotten were Landon’s supposed feelings for me. And I had fun. I laughed at how incredibly off our aims were. And when one of us succeeded by chance, we’d turn to one another and high-five without even a second thought. We were in sync. We were having fun. And we were winning. The perfect team. Landon tossed the final ball. It bounced effortlessly into a cup, and I squealed as he covered his mouth with his hand. “Ohh, is that what I think it is?” he mocked the losing team. “Isla, correct me if I’m wrong, but I believe we just kicked some serious ass.” I stared at the table and nodded, my expression one of mock-seriousness. “Why Landon, I believe you are correct.” He then busted out some sort of celebratory end zone dance. Laughing, I nudged him and shook my head. “Okay, okay.” But when he wouldn’t stop, I finally grabbed both his hands. “Oh my god, we won. Now don’t spoil that with whatever this is!” He flipped his hands so that he was now holding my wrist and tugged me into his arms. Then he pumped one hand into the air and shouted, “Victory!

He's got a car bomb. He puts the key in the ignition and turns it—the car blows up. He gets out. He opens the hood and makes a cursory inspection. He closes the hood and gets back in. He turns the key in the ignition. The car blows up. He gets out and slams the door shut disgustedly. He kicks the tire. He takes off his jacket and shimmies under the chassis. He pokes around. He slides back out and wipes the grease off his shirt. He puts his jacket back on. He gets in. He turns the key in the ignition. The car blows up, sending debris into the air and shattering windows for blocks. He gets out and says, Damn it! He calls a tow truck. He gives them his AAA membership number. They tow the car to an Exxon station. The mechanic gets in and turns the key in the ignition. The car explodes, demolishing the gas pumps, the red-and-blue Exxon logo high atop its pole bursting like a balloon on a string. The mechanic steps out. You got a car bomb, he says. The man rolls his eyes. I know that, he says.

Instead, Wambach planted her feet and jumped straight up into the air, thrusting her head toward the ball. She beat Andréia to the ball and snapped it toward the goal. Wambach’s eyes were closed, but the sound of the ball rattling the back of the net was unmistakable. Goal, USA. The score: 2–2. “OH, CAN YOU BELIEVE THIS?!” ESPN announcer Ian Darke shouted at the top of his lungs to American viewers through their TV sets. “ABBY WAMBACH HAS SAVED THE USA’S LIFE IN THIS WORLD CUP!” Wambach ran over to the corner flag and slid, releasing a primal scream. The players closest to her—Tobin Heath and Alex Morgan—hugged her first. Kelley O’Hara leapt off the bench and raced over to Wambach, and everyone else soon followed. Rapinoe fist-pumped furiously and pounded on her chest. It was perhaps the most exhilarating moment in the national team’s history—perhaps it could rival the 1999 World Cup win, which had fittingly happened exactly 12 years earlier. Either way, coming after 121 minutes and 19 seconds, it was the latest goal in World Cup history—men’s or women’s—and it was a thrilling boost for the Americans. There was no way they were going to lose to Brazil on penalty kicks now.

It unfolded like a stop-motion film of a blooming rose: bright, beautiful and blindingly fast. And I wanted to laugh as I ducked and lunged; wanted to sing as I sank my fist wrist deep in an abdomen, whipped an elbow up, up, through a fragile jawbone, slid to the side of a thrusting arm and took it, turning it, leaving it, letting the body follow in an ungraceful arc. My heart was a tireless pump, arteries and airways wide. I was unstoppable lost in the joy of muscle and bone and breath. Axe kick to the central line of fuddled mass on the floor; disappointment at the sad splintering of ribs and not the hard crack of spine. Mewl and hail of body trying to sit; step and slam, hammer fist smearing the bone of his cheek. Latex slipping on sweat. Body render my hands folding to the floor, not moving. Nothing moving but me, feeling vast and brilliant with strength, immeasurable and immortal.