Pump The Brakes Quotes

Whoa, whoa, whoa' said Hennessy. 'Pump the brakes, as the Pope would say

There's something wrong with the brakes." He didn't recognize his shaky, weak voice. He pumped them again. Nothing.  "There's something wrong with the BRAKES?" "I don't think we have any." "We don't have any BRAKES?" "Bro, it doesn't help to repeat everything I say!" Jonah yelled.

So?" she said, giving me a slow, wicked smile when we accelerated forward. " You told Will you found a woman who likes to have sex in public?" "Not in my cab!" the cabbie yelled so loud we both jumped and then broke into laughter. He pumped the brakes, jolting us. "Not in my cab!" "Don't worry, mate," I told him. I turned to her and murmured, "She doesn't let me fuck her in cars. Or on Tuesdays." "She doesn't," she whispered, though she did let me kiss her again. "Shame," I said into her mouth. "I'm good in cars. And especially good on Tuesdays.

Doing something was better than doing nothing. Without warning Lucas hit the emergency stop but-ton, and the elevator braked with an uncomfortable jolt. Then he mashed the OPEN DOOR button and punched the door itself. The front doors opened in between the second and first floors. Lucas’s heart pumped in his chest. “I hear that baby in the parking lot crying.

From watching Shadi's love life, I knew how relationship-phobes like Gus Everett reacted when boundaries broke down, when things go from friendly to intimate, or from sexual to romantic. Guys like Gus were never the ones to pump the brakes when the emotional-entanglement train started moving, and they were always the ones to jump out and roll clear of the tracks once they realized they’d reached top speed.

Life is too short to be trying to change water into wine. The goal is to find someone who (already is) what you want.

To overcome fear, why does getting excited work better than trying to calm yourself down? Fear is an intense emotion. You can feel your heart pumping and your blood coursing. In that state, trying to relax is like slamming on the brakes when a car is going 80 miles per hour. The vehicle still has momentum. Rather than trying to suppress a strong emotion, it's easier to convert it into a different emotion - one that's equally intense, but propels is to step on the gas.

Avoid having to pump your brakes by keeping your flow on cruise control.

Don't be a passenger in your own life.

In order for him or her to have been "the one" he or she would have had to see you as being "the one". At the very least a "soulmate" is someone who actually wants to be with you!

With each failed relationship, heartache and betrayal, we are presented with an opportunity to either craft or refine our mate selection process.

Don’t worry about me,” he said. “The little limp means nothing. People my age limp. A limp is a natural thing at a certain age. Forget the cough. It’s healthy to cough. You move the stuff around. The stuff can’t harm you as long as it doesn’t settle in one spot and stay there for years. So the cough’s all right. So is the insomnia. The insomnia’s all right. What do I gain by sleeping? You reach an age when every minute of sleep is one less minute to do useful things. To cough or limp. Never mind the women. The women are all right. We rent a cassette and have some sex. It pumps blood to the heart. Forget the cigarettes. I like to tell myself I’m getting away with something. Let the Mormons quit smoking. They’ll die of something just as bad. The money’s no problem. I’m all set incomewise. Zero pensions, zero savings, zero stocks and bonds. So you don’t have to worry about that. That’s all taken care of. Never mind the teeth. The teeth are all right. The looser they are, the more you can wobble them with your tongue. It gives the tongue something to do. Don’t worry about the shakes. Everybody gets the shakes now and then. It’s only the left hand anyway. The way to enjoy the shakes is pretend it’s somebody else’s hand. Never mind the sudden and unexplained weight loss. There’s no point eating what you can’t see. Don’t worry about the eyes. The eyes can’t get any worse than they are now. Forget the mind completely. The mind goes before the body. That’s the way it’s supposed to be. So don’t worry about the mind. The mind is all right. Worry about the car. The steering’s all awry. The brakes were recalled three times. The hood shoots up on pothole terrain.” Deadpan.

And one cold Tuesday in December, when Marie-Laure has been blind for over a year, her father walks her up rue Cuvier to the edge of the Jardin des Plantes. "Here, ma chérie, is the path we take every morning. Through the cedars up ahead is the Grand Gallery." "I know, Papa." He picks her up and spins her around three times. "Now," he says, "you're going to take us home." Her mouth drops open. "I want you to think of the model, Marie." "But I can't possibly!" "I'm one step behind you. I won't let anything happen. You have your cane. You know where you are." "I do not!" "You do." Exasperation. She cannot even say if the gardens are ahead or behind. "Calm yourself, Marie. One centimeter at a time." "I'm far, Papa. Six blocks, at least." "Six blocks is exactly right. Use logic. Which way should we go first?" The world pivots and rumbles. Crows shout, brakes hiss, someone to her left bangs something metal with what might be a hammer. She shuffles forward until the tip of her cane floats in space. The edge of a curb? A pond, a staircase, a cliff? She turns ninety degrees. Three steps forward. Now her cane finds the base of a wall. "Papa?" "I'm here." Six paces seven paces eight. A roar of noise - an exterminator just leaving a house, pump bellowing - overtakes them. Twelve paces farther on, the bell tied around the handle of a shop door rings, and two women came out, jostling her as they pass. Marie-Laure drops her cane; she begins to cry. Her father lifts her, holds her to his narrow chest. "It's so big," she whispers. "You can do this, Marie." She cannot.

I say, it sounds like some dangerous psychotic killer wrote this, and this buttoned-down schizophrenic could probably go over the edge at any moment in the working day and stalk from office to office with an Armalite AR-180 carbine gas-operated semiautomatic. My boss just looks at me. The guy, I say, is probably at home every night with a little rattail file, filing a cross into the tip of every one of his rounds. This way, when he shows up to work one morning and pumps a round into his nagging, ineffectual, petty, whining, butt-sucking, candy-ass boss, that one round will split along the filed grooves and spread open the way a dumdum bullet flowers inside you to blow a bushel load of your stinking guts out through your spine. Picture your gut chakra opening in a slow-motion explosion of sausage-casing small intestine. My boss takes the paper out from under my nose. Go ahead, I say, read some more. No really, I say, it sounds fascinating. The work of a totally diseased mind. And I smile. The little butthole-looking edges of the hole in my cheek are the same blue-black as a dog’s gums. The skin stretched tight across the swelling around my eyes feels varnished. My boss just looks at me. Let me help you, I say. I say, the fourth rule of fight club is one fight at a time. My boss looks at the rules and then looks at me. I say, the fifth rule is no shoes, no shirts in the fight. My boss looks at the rules and looks at me. Maybe, I say, this totally diseased fuck would use an Eagle Apache carbine because an Apache takes a thirty-shot mag and only weighs nine pounds. The Armalite only takes a five-round magazine. With thirty shots, our totally fucked hero could go the length of mahogany row and take out every vice-president with a cartridge left over for each director. Tyler’s words coming out of my mouth. I used to be such a nice person. I just look at my boss. My boss has blue, blue, pale cornflower blue eyes. The J and R 68 semiautomatic carbine also takes a thirty-shot mag, and it only weighs seven pounds. My boss just looks at me. It’s scary, I say. This is probably somebody he’s known for years. Probably this guy knows all about him, where he lives, and where his wife works and his kids go to school. This is exhausting, and all of a sudden very, very boring. And why does Tyler need ten copies of the fight club rules? What I don’t have to say is I know about the leather interiors that cause birth defects. I know about the counterfeit brake linings that looked good enough to pass the purchasing agent, but fail after two thousand miles. I know about the air-conditioning rheostat that gets so hot it sets fire to the maps in your glove compartment. I know how many people burn alive because of fuel-injector flashback. I’ve seen people’s legs cut off at the knee when turbochargers start exploding and send their vanes through the firewall and into the passenger compartment. I’ve been out in the field and seen the burned-up cars and seen the reports where CAUSE OF FAILURE is recorded as "unknown.” No, I say, the paper’s not mine. I take the paper between two fingers and jerk it out of his hand. The edge must slice his thumb because his hand flies to his mouth, and he’s sucking hard, eyes wide open. I crumble the paper into a ball and toss it into the trash can next to my desk. Maybe, I say, you shouldn’t be bringing me every little piece of trash you pick up.

I realized that if someone told me right then that I could go back 10 years, have my old life back exactly as it was, a life where I never saw my husband, where our lives were always about becoming instead of being, I would have refused. It was such a simple realization, yet it seemed momentous. Being poor means not having a lot of options other people have; should I pay at the pump for gas or pay cash in the store, should I drive or fly to my destination, should I get new brake pads like the mechanic recommends or just hope the hold out a while longer. Now, if a hypothetical possibly embolden me, given the alternative of that life or this one, I would choose this one. And then for once, instead of trying to fill in the rest of that thought, but I really wish we had, I tried to leave it just as it was. I choose this.

... action, including dialogue, is fast, and accelerates; reflective writing is a brake and slows—and they will set off a pumping action that makes the story breathe. The speed of that breathing is set by the measure of action to reflection. More action, less reflection—faster. More reflection, less action—slower.

Watching someone you care about slowly and then rapidly become scared of the world around them is like being a passenger in a car crash. With no way to pump the brakes. It’s fucking hell.

I want to fuck a bicycle. I want Callisto to take the bicycle apart so I can fuck it. Fuck the frame. Fuck the pedals. Fuck the handlebars. Fuck the front wheel. Fuck the back wheel. Fuck the sprockets. Fuck the spoke. Fuck the saddle. Fuck the seat post. Fuck the hub. Fuck the rim. Fuck the shock absorber. Fuck the front brakes. Fuck the valve. Fuck the cogset. Fuck the head tube…. I want you to get me a bicycle pump that will last. Don’t get it at Walmart. I want to fuck it. Fuck it so that I am pumped and pumping and bloated and floaty, and while I am fucking that bicycle pump, I can feel the gasses in my body compress. Pump and fuck.

A constant pumping on the brakes of her existence. Now it’s time to start moving again, even if that movement is really just running away.

Sometimes a request to pump the brakes comes from a legitimate need to give our nervous systems a chance to recalibrate and integrate all the new changes. And sometimes the ask to slow down is a strategy to postpone exposure to the discomfort of seeing our partner with other people.

TAKE ONE STORY, viewed from two different angles. Take a rainy Sunday morning in July, in the late 1920s, when Eddie and his friends are tossing a baseball Eddie got for his birthday nearly a year ago. Take a moment when that ball flies over Eddie’s head and out into the street. Eddie, wearing tawny pants and a wool cap, chases after it, and runs in front of an automobile, a Ford Model A. The car screeches, veers, and just misses him. He shivers, exhales, gets the ball, and races back to his friends. The game soon ends and the children run to the arcade to play the Erie Digger machine, with its claw-like mechanism that picks up small toys. Now take that same story from a different angle. A man is behind the wheel of a Ford Model A, which he has borrowed from a friend to practice his driving. The road is wet from the morning rain. Suddenly, a baseball bounces across the street, and a boy comes racing after it. The driver slams on the brakes and yanks the wheel. The car skids, the tires screech. The man somehow regains control, and the Model A rolls on. The child has disappeared in the rearview mirror, but the man’s body is still affected, thinking of how close he came to tragedy. The jolt of adrenaline has forced his heart to pump furiously and this heart is not a strong one and the pumping leaves him drained. The man feels dizzy and his head drops momentarily. His automobile nearly collides with another. The second driver honks, the man veers again, spinning the wheel, pushing on the brake pedal. He skids along an avenue then turns down an alley. His vehicle rolls until it collides with the rear of a parked truck. There is a small crashing noise. The headlights shatter. The impact smacks the man into the steering wheel. His forehead bleeds. He steps from the Model A, sees the damage, then collapses onto the wet pavement. His arm throbs. His chest hurts. It is Sunday morning. The alley is empty. He remains there, unnoticed, slumped against the side of the car. The blood from his coronary arteries no longer flows to his heart. An hour passes. A policeman finds him. A medical examiner pronounces him dead. The cause of death is listed as “heart attack.” There are no known relatives. Take one story, viewed from two different angles. It is the same day, the same moment, but one angle ends happily, at an arcade, with the little boy in tawny pants dropping pennies into the Erie Digger machine, and the other ends badly, in a city morgue, where one worker calls another worker over to marvel at the blue skin of the newest arrival.

into the third-floor concrete on Tower 2. Henrietta Brakes knew better. She remembered the courtyard between the four towers, kids kicking soccer balls as hard as they could at each other, cookouts before the weather got too hot each summer, the sound of Alma’s brother screaming as someone pumped a shotgun into his chest and left him spluttering in the centre of the grass, a dying star.

We leaned toward the window on the passenger’s side, watching him hunch around into his driving posture, setting himself casually between the door and the seat, his left arm hanging out the window. “Don’t worry about me,” he said. “The little limp means nothing. People my age limp. A limp is a natural thing at a certain age. Forget the cough. It’s healthy to cough. You move the stuff around. The stuff can’t harm you as long as it doesn’t settle in one spot and stay there for years. So the cough’s all right. So is the insomnia. The insomnia’s all right. What do I gain by sleeping? You reach an age when every minute of sleep is one less minute to do useful things. To cough or limp. Never mind the women. The women are all right. We rent a cassette and have some sex. It pumps blood to the heart. Forget the cigarettes. I like to tell myself I’m getting away with something. Let the Mormons quit smoking. They’ll die of something just as bad. The money’s no problem. I’m all set incomewise. Zero pensions, zero savings, zero stocks and bonds. So you don’t have to worry about that. That’s all taken care of. Never mind the teeth. The teeth are all right. The looser they are, the more you can wobble them with your tongue. It gives the tongue something to do. Don’t worry about the shakes. Everybody gets the shakes now and then. It’s only the left hand anyway. The way to enjoy the shakes is pretend it’s somebody else’s hand. Never mind the sudden and unexplained weight loss. There’s no point eating what you can’t see. Don’t worry about the eyes. The eyes can’t get any worse than they are now. Forget the mind completely. The mind goes before the body. That’s the way it’s supposed to be. So don’t worry about the mind. The mind is all right. Worry about the car. The steering’s all awry. The brakes were recalled three times. The hood shoots up on pothole terrain.

Kit feels a kink in his heart. His girl is in the shower, soaping her every inch of skin. He cannot see the maze of tubes and cavities inside her body. He cannot know what is pumping right and what is pumping wrong, how each of those slippery organs is tucked against its neighbor and whether something bad is truly blooming there. Whether, even if her body is perfect, a truck will lose its brakes, tumble off the road where Summer is walking. There are storms beginning to twist in the warm oceans to the south, and maybe they will whip this way, tearing the houses like paper. The ferry could sink beneath them; poisoned gases could leak into the air at any time. The melted ice caps are washing toward them. They’re both dying- everyone is. The schedule of death is not made public. Love’s job is to make a safe place. Not to deny that the spiny forest exists, but to live hidden inside it, tunneled into the soft undergrass

Relax, no one is asking you to decide on whether to cut the red wire or the blue wire. It's just a date!

Most serious relationships begin as casual relationships and evolve into something serious.

Quit hanging out and start dating! The first step to having a great first date is for both people to be aware they are on a date.

Rejection is the friend you never knew you needed. It usually saves you time and money.

One person's preference is another person's shallowness.

A little voice in my head tells me to pump the brakes, but I tell her to shut up and sit her bitch ass down.